#bitches & money
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sunfoxfic · 1 year ago
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We were so close to smoking not being cool anymore. We were so close. Then they flavored it mango and now it's taboo to criticize it anymore. People don't ask if they're allowed to vape indoors, they aren't considerate of people who may have health problems that are triggered by the chemicals or if it just bothers them, people don't care that they're supporting an industry built on corruption and greed, they can't see it draining their pockets and much less their health. We were so close to smoking not being cool anymore.
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hellbendergender · 4 months ago
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"He's gonna use this to his advantage." "Nothing could be worse for Biden's campaign" "his supporters are going to rally around him" shut. UP.
Y'all need to stop moping and put your money where your mouth is and vote.
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theghooligan · 5 months ago
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aemond: i love that my uncle tried to murder me in my own bed. he’s soooooooo afraid of me—
daemon, living it up in harrenhall:
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expulence · 4 months ago
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𝑺𝒕𝒂𝒏𝒅𝒂𝒓𝒅 𝑷𝒓𝒂𝒄𝒕𝒊𝒄𝒆..☆🤎
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confessedlyfannish · 7 months ago
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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muzsmocsing · 2 months ago
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Being friends with Xie Lian would be so weird because this man peppers in bits of his insane life ruining trauma randomly mid sentence. You'd like accidentally step on his toes and he'd go "ah don't worry about it, that foot's been cut off and eaten before anyways" smile, and then never elaborate.
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sapphicqueen · 1 year ago
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Bitches don't want money, they want the Practical Magic house
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still-we-rise · 1 year ago
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As a foreigner, the funniest thing about Käärijä being so unproblematic is that his music doesn't sound unproblematic.
Looking up lyrics of Yhtä vailla, I was bracing myself for 5 slurs and being told to go make him a sandwich. Meanwhile Yhtä vailla:
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sergle · 1 year ago
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youtube has SO much nerve doing their little "don't use an adblocker pleaseeee we want your money so bad you're so mean :(" you LITERALLY let people get doxxed on your website and this is the torch you're burning
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wannabe-f-f-friends · 4 months ago
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CQL Scenes We Don't Talk About Enough: Episode 44
When WWX says he wants to give little Mianmian some lucky money, and her parents try to humbly refuse him, but WWX says "oh no, it's not MY money" and then he HOLDS OUT HIS HAND FOR HIS SUGAR DADDY TO PUT MONEY IN that he then hands to the child
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hackedhearts · 3 months ago
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I hope Robert Sheehan knows that he changed many lives through Klaus despite how things ended for the character. Klaus Hargreeves made people feel seen, feel understood, feel less alone. He did his absolute best with the cards that he was given and he gave life to Klaus beautifully despite whatever the writers demanded of the character.
I'll take Klaus with me forever. Happily at that. Whether that ending happened or went differently, I would still love Klaus deeply. Forever will. I wouldn't trade all the years I've invested in Umbrella Academy and into my incredibly flawled but incredibly beautiful Klaus Hargreeves for nothing in the world. The end doesn't mean shit to me because I still got the good memories of the journey to remember.
Lots of love to Robert for his work. He made Klaus so human, so relatable, someone that I would give the world for just so he could be happy. I don’t see any other actor who could've done the beautiful and amazing job that he did by bringing Klaus to life in such a magical way. I will forever be thankful that he didn't turn down Klaus role in the end, despite considering it due to not wanting to be typecast to a role with similarities to Nathan from Misfits — and thanks to the friend who convinced him to give Klaus a chance!
Love you, Klaus Hargreeves. You'll be my bestie forever and ever, you lovely bastard.
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slutt4matt · 5 months ago
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MATTHEW. the way he said “fucking bitches” has me going feral
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cashmoneyyysstuff · 1 year ago
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you are . . NOT !!
katsuki watches the maury show with you
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you’re watching the maury show on your computer when katsuki marches into your room without a word and flops down next to you on your bed.
“ hello to you, too.” you snort. his words are muffled by your sheets but you’re about 90% sure he told you to shut up, you ignore it.
he lays face down on your bed for a while not saying anything and you know he’s had a long day and wants to be close to you without actually talking. you don’t mind, you’ll give him his space until he reaches out himself.
and he does after a little bit, turning his head around to face you as he looks from you to your computer screen, eyes focusing on the woman screaming that the man she cheated on her husband with was 100% not the father of her baby, mixed with the cheers of the audience.
he looks at you and raises a brow “ what’s happenin ?”
“ lady cheated on her husband with his brother.” you respond.
“ his brother ?” he repeats. his eyebrows furrow and you know he’s hooked. if there’s one thing katsuki loves but will never admit he does, it’s trash tv.
you nod, grinning somewhat evilly “his brother. now they’re trying to find out which one’s the father.”
he hums, scooting himself closer to you so he can see the screen too. he flips himself around so his neck isn’t craned at that awkward angle anymore and settles himself down right next to you. hook, line and sinker.
he wraps his arm around your shoulder and shoves his head in your neck, breathing you in. you both don’t say anything. “do you want me to play it from the beginning for you ?” he shakes his head in your neck. you reach your hand up to scratch at his scalp and you smile when he sighs. he holds you a little tighter, pressing feather light kisses into your neck.
katsuki’s never been good at expressing himself with any other emotion that isn’t anger. it makes him feel stupid and weak and soft. he’s had a long fucking day and he doesn’t wanna talk about it, simply wanting to indulge in you but he can’t tell you that, can’t find the words to, so he tries to find other ways to tell you and he hopes you understand and you do.
katsuki’s thankful for you because sometimes he wants to talk, wants to open up about what’s bothering him but sometimes he doesn’t. he doesn’t and you don’t pry when you know he doesn’t and he’s so thankful for you. he presses kisses on your skin and soft bites at your flesh to convey just how thankful he is, how grateful he is for having you. he hopes every warm press of his lips against your skin can convey how much he loves you loving him. and it does, because you turn your head and kiss the side of his head so sweetly and he knows you’re it for him.
he’ll tell you all of this one day, he promises. he’ll tell you all the thoughts swimming around in his head one day, but he hopes this’ll do for now. and unknowingly to him, it absolutely does.
he pulls his head out of your neck and kisses you hard on the cheek one, two, three times and you giggle. you feel him smile into your cheek when he kisses you a fourth time.
“fuck’re they screamin’ about ?” he says and you turn to look back at the screen. the woman is yelling at her husband’s brother vehemently denying the possibility of him being her baby’s father. you feel a little bad for laughing. “ she says he’s not the dad” you answer.
he clicks his tongue “ why the fuck is she on the show then.” he says, turning his attention back to your computer but his grip on you stays secure. you press yourself a little closer to him.
you’re still smiling lightly when you look back at your screen, simply shrugging. “ she said something about her having more sex with her husband than with him.” you answer and he snorts.
“ ten bucks neither one of them’s the father.”
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anonymouspuzzler · 2 years ago
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i keep gol dang forgetting to make updates about Things
whoopsie!! hello!! you may remember me, from Internet! I've been very busy lately, with things that Aren't Internet! it's probably gonna be another 2-ish weeks or more (depending on how good or bad my finals prep type stuff goes) before I'm back on here streaming and drawing in full force! this is a little bit sad for me because I both miss my friends and streaming with 'em, and because Haha Uh Oh That's One Income Source Down!! but, I will return...
more specific details if you're interested!
if you currently have an in-progress commission with me, I'm working on them whenever time allows! I hope to finish them soon! If you submitted an interest form (which you can do here!) or otherwise talked to me about a commission, I'll be getting back to you as soon as my schedule opens up!
Jay, the hero of my life, has been uploading things on my VODs channel! (everybody say thank you Jay RIGHT NOW.) You can go watch a lot of my cool old streams there, including a bunch of the Luigi's Mansion and PMD vods, some cool one-offs like Smile for Me and Making Guys In Spore, and perhaps most importantly of all, Putt Putt Stream
If you like what I do and have the means to help to support me Not Going Into Even More Debt while I'm not streaming, you can drop me a couple bucks on ko-fi (if you pay $9 or more and leave a request in the comment I'll do a rough ink drawing for you as thanks!) or contribute to various home goods & niceries on my throne! Never required, never mandatory, always appreciated!!
a few Big Things I've been working on to come in the next couple months. please stay tuned :)
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expulence · 4 months ago
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Repeat 3 times: "𝑰 𝑹𝒆𝒄𝒆𝒊𝒗𝒆 𝒕𝒉𝒊𝒔 𝑳𝒊𝒇𝒆𝒔𝒕𝒚𝒍𝒆!🧖‍♀️"
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bisnaguinhacocudinha · 30 days ago
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mor ultrakill wohoo oh yea woo yea oh yea woo yea🦐🦐 dont worry i will do requests soon it is just because i have commissions to do
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