#billy may or may not also have a crush on michael

[chaotic-toby]

Headcanon that Stu Macher has a really big crush on Michael Myers. Like everytime he watches the Halloween movies, he can't help but fantasize about Michael doing nsfw stuff to him

[cosmic-pheonix]

Felt a little bored, so I decided to share my Yami Yugi Self Ship Playlist….

For anyone unaware, I self ship with Yami Yugi from Yu-Gi-Oh! (Both as a comfort character and main primary fictional crush! - I mainly self ship purely for fun and show appreciation for the character, as well as exploring my little concepts / ideas / headcanons and brushing up my art and animation skills! - if this is something that you’re not interested in, then I suggest you scroll past this post)

Made this as a seperate post from my Yami Yugi Playlist, if you’re interested in that, you can click here! - Currently it’s a wip, so as usual, the playlist will be updated periodically.

For now, here is the current playlist - songs listed in no particular order.

SELF SHIP PLAYLIST💜💗✨🎵:

• Billy Lockett – I could use a friend

• Billy Lockett – More

• CAFUNE – Tek It (I Watch the Moon)

• CAFUNE – Perspective

• Alec Benjamin – Devil Doesn’t Bargain (Season 4 (canon divergent) / Orichalcos AU Theme Idea)

• Andrew Belle - The Enemy (Another season 4 (canon divergent) / Orichalcos AU Theme Idea - Thinking of using this version of the song for a future edit/animatic/animation I want to work on)

• Patrick Watson - Je te laisserai des mots (Another season 4 (canon divergent) / Orichalcos AU Theme Idea - There’s a version of this song I want to use for a future edit/animatic)

• Bruno Mars ft. Lady Gaga – Die with a Smile

• Harry Styles – As It Was

• Billie Ellish – BIRDS OF A FEATHER

• Ella Mai – One of These

• Gavin Jones – Always

• Gavin Jones – Hard to Do

• Michael Jackson – Heaven Can Wait

• Michael Jackson – Butterflies

• Kehlani – After Hours

• Lizzy McAlpine – hate to be lame

• Lizzy McAlpine – ceilings

• Michelle Branch ft. Santana – The Game of Love

• Christina Perri – A Thousand Years

• Nickelback – Far Away

• ONE OK ROCK – Vandalize

• Porter Robinson – Everything Goes On

• ONE OK ROCK ft Avril Lavigne – Listen

• ONE OK ROCK – Always Coming Back to You

• Maroon 5 – She Will Be Loved

• Demi Lavato – Give Your Heart a Break

• Ed Sheeran – How Would You Feel

• Ed Sheeran – Shivers

• Ed Sheeran – Perfect

• Ed Sheeran – Photograph

• Panic! At The Disco – Ready to Go (Get Me Out of My Mind)

• Frou Frou - Let Go

• Frou Frou - A New Kind Of Love (Demo)

• antent - hope to see you again

• Choi Yu Ree - Wish (Inst.)

• Sparky Deathcap - September (Slowed down ver.)

• Flawed Mangoes - Melody From a Dream

• Jamie Foxx ft. will.i.am and Anne Hathaway - Hot Wings (I Wanna Party)

• Sam Ock ft. Michelle - Can I Have The Day With You

• jomm ft. readyaimfire27 - Play Pretend

• Mree - Breathe Easy (Re-Imagined)

• Khai Dreams - Fantasy

• Khai Dreams - Panic Attack

• Wish Soundtrack - At All Costs (Demo Version)

• SG Lewis ft. Clairo - Throwaway

• Clairo - Amoeba

• Baebadoobee ft. Clairo - Glue Song

• Coyote Theory - This Side of Paradise

• Coyote Theory - Art of Understanding

• Coyote Theory - The Ruse & The Caper

• Last Dinosaurs - Andy

• Last Dinosaurs - Apollo

• Ricky Montgomery - Cabo

• Bentley Jones - Depend On You

• Bentley Jones - Dreams Of An Absolution (The LB vs. JS Remix)

• Colbie Caillat - Fallin’ For You

• Megan Sidwell - Forever On a Sunday

• WILLIS - Magenta

• Calvin Goldspink - Love Don’t Fail Me Now

• Flux Pavillion ft. Matthew Koma - Emotional

• Imagine Dragons - Boomerang (There’s this other version of a song I wanna use for a future edit/AMV! (V2) | (V1) There’s another version of the song that I also want to use, but I think the original audio edit got taken down, I believe that audio edit was made by @wheelrbrwn (on instagram) if I’m wrong please let me know.)

• Maroon 5 - Maps (Another season 4 (canon divergent) / Orichalcos AU Theme Idea - Future animatic/edit idea; V1 | V2)

• Johnny Valentinee - Slip Away

• Duncan Laurence - Arcade (Another season 4 (canon divergent) / Orichalcos AU Theme Idea - Future animatic/edit idea; V1)

• Brooke Fraser - Arithmetic

• NANO - A Thousand Words

• Isak Danielson - Always

• Kat Penkin - Living For You (Andy Tunstall Remix)

• Kendrick Lamar ft. SZA - All The Stars

• Adam Lambert - Better Than I Know Myself

• Fujii Kaze - Matsuri

• Ellie Goulding - Guns and Horses

• NANO - Because of You

• bixby - dying to see you

• Bring Me To Horizon - Follow You (Cameron Sanderson Cover)

• Tyla - PUSH 2 START

• JVKE - Pretty

• wave to earth - light

• wave to earth - peach eyes

• Lilian - Eu Sem Você (Por Que Te Vás) (I’ve been seeing this song trend all over and looked up the English lyrics and think this song is perfect for my self ship! Into the playlist it goes! I’ll draw or animate to this song one day!)

[andreabaideas]

In a 9-1-1 x DJATS crossover (Modern au for DJATS),which duos would become BFFS. I can see The Dunne brothers and Chimney bonding over being abandoned by their dads.

Well, I agree with you, Dunne brothers and Chimney would be friends definitely.

I feel Bobby would befriend both Billy and Daisy over their shared past with addiction.

Rod and Michael would be friends, I just know it.

Athena would be friends with Teddy , Rod, and possibly Camila too, cause like them she is also surrounded by idiots she have to baby sit XD.

Simone and Bernie would befriend and go in double date with Henrietta and Karen (Wilson).

Karen , Warren , Eddie and Graham would befriend Buck.

Buck would absolutely have a crush on Daisy (maybe even more?) cause we know he likes charismatic troubled (affectionately) redheads ( first Abby, later Taylor).

Eddie (Díaz ) and Billy would bond over maturing too soon to take care of someone else. Eddie D and Camila would be friends too.

Albert and Graham are the official baby brothers of the group. No question.

May and Julia are besties. Both fangirl over Daisy. Daisy would just adore them.

Daisy adores and feels protective over Christopher. He adores her too. Daisy and Buck bond over that (I just feel those two could be a cute couple, dont you think?).

Daisy and Maddie become friends due to shared trauma, Maddie calms Daisy, Daisy boost Maddie confidence.

Thats It!

[crowdvscritic]

round up // JULY 23

Spies! Josh Hartnett! Perfect 10s! They all made multiple appearances in July. This summer has churned out one of the best crop of blockbusters in years, and even though this Round Up is a bit shorter than usual, it’s a stacked lineup. Whether you’re looking for big thrills, big emotion, or big art, July had it all. 

July Crowd-Pleasers

1. Mission: Impossible - Dead Reckoning Part One (2023)

A redux of the 1996 original Mission: Impossible in all the best ways. Whatever you think of Tom Cruise, you can’t deny his commitment to the audience experience. Crowd: 10/10 // Critic: 9/10

2. Operation Fortune: Ruse de Guerre (2023)

This is the kind of movie that you can tell within in three minutes isn’t totally working but it’s hard to tell why. It looks pretty good! There’s loads of style! Jason Statham is one of the best action leads in the biz! Every actor is doing something fun! (Especially Josh Hartnett, validating my major crush in his Pearl Harbor days.) But not a single character has an arc, and we should’ve opened on an action sequence introducing our heroes and villains so we don’t need so much dialogue to explain our characters or the inciting incident. But you know what? Call the butcher because I love a good ham! I had a great time with this cast doing the Guy Ritchie thing, which means I am gonna watch this so hard again on cable.

3. Speak Now (Taylor’s Version) by Taylor Swift (2023)

My attempt to swing last-minute tickets to the Eras Tour in Denver for less than $1000 was a no-go, but the treats that are “When Emma Falls in Love,” “Timeless,” and a Taylor Lautner music video cameo softened that blow. The article “The Unprecedented Weirdness of Taylor Swift” in The Washington Post captures some of the unique joys of her re-recordings.

4. Barbie (2023)

Is Barbie an instant classic? Perhaps it’s too of-this-moment for that kind of longevity, but it’s a comedy that made me laugh so hard I cried and also just that made me cry, which I don’t remember ever happening to me within a single movie before. Read my full review for ZekeFilm, and then be sure to listen to the soundtrack after seeing the movie. Dua Lipa, Charli XCX, Tame Impala, Haim, Billie Eilish, and Ryan Gosling(!!) made some bangers! Crowd: 10/10 // Critic: 9/10

5. Do You Like Apples Podcast

I’ve recommended the Do You Like Apples newsletter, and now I’m recommending Billy Rock and Drew Wendt’s new accompanying podcast. I may be biased since they invited me to join their Barbie discussion, but because I like filling my earbuds with thoughts on Wes Anderson’s oeuvre and the best of Harrison Ford’s career, I’m a regular listener beyond our collab. Listen to our discussion of Barbie and then browse through their rapidly growing feed about the world of movies.

More July Crowd-Pleasers: Airport (1970), Book Club: The Next Chapter (2023), Zoey 102 (2023)

July Critic Picks

1. The China Syndrome (1979)

Another ‘70s conspiracy thriller FTW! Jane Fonda, Michael Douglas, and Jack Lemmon are getting suspicious at a nuclear power plant, and their investigation lands on my lists of favorite journalism films and movies that have made me cry. Crowd: 8.5/10 // Critic: 9/10

2. BlackBerry (2023)

Product-inspired films are still rocking and rolling in 2023, and BlackBerry is one of the best. It owes a lot to The Social Network, but it learned all the right lessons. I would love to see this cast in conversation for Oscars this winter, but until then, the rage-at-the-corporate-machine soundtrack is keeping me going. Crowd: 8/9 // Critic: 9/10

3. Oppenheimer (2023)

On average, me every 7 minutes in this movie: "Oh hey, I love that guy!” This cameo-packed historical epic/biopic is a clearer-eyed version of A Beautiful Mind, and perhaps most impressively doesn’t feel three hours long. The review in The Federalist and Vox’s analysis of the history of nuclear cinema are excellent companion pieces. Crowd: 8/10 // Critic: 9.5/10

4. Suddenly by BØRNS (2023)

Like the rest of us, it sounds like BØRNS has been going through some stuff in the last few years. After a five year hiatus, he’s back with his lachrymose synth-pop in a six-track EP. My only complaint? I’m ready for a full album!

5. The French Dispatch by Wes Anderson (2021)

Haven’t I already recommended The French Dispatch as the best film of 2021? Yes, but because I’m a woman of limited interests, I’m now recommending the published screenplay. If you’ve ever wondered just how Anderson and his collaborators create their idiosyncratic stories, reading the complex script gives a new insight into their overlapping minutiae, much of which I missed just by watching.

More July Critic Picks: The Merry Widow (1934), Christmas in July (1940), Some Came Running (1958)

Also in July…

At the start of July, nine writers for ZekeFilm picked our top five movies of the year so far. You can read our individual lists as well as our aggregate top five in our “Best of 2023 (So Far)” piece. 

I checked out Haunted Mansion, which was…at least better than the Eddie Murphy version? Read my review for ZekeFilm, which turned into a long list of theme park-inspired films for Disney, and watch more on KMOV to see me correctly predict that Barbie would dominate the box office yet again.

Thanks to a holiday break, I had a little time to finally add a few Best Picture Project pieces. Keep scrolling on the home page to read reviews of The Apartment (1960), One Flew Over the Cuckoo’s Nest (1975), Rain Man (1988), Dances With Wolves (1990), Million Dollar Baby (2004), and 12 Years a Slave (2013)

Until August wraps, you can follow what I’m watching on Letterboxd and the site formerly known as Twitter

Photo credits: BØRNS, DYLA, The French Dispatch. All others IMDb.com.

[mythicaldemigoddess-of-deltarune]

Blitzwing, Three Gems & Crossover Madness Of Fun (2023)

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[Note: it’s best to click on the drawing to make it bigger, so it can be viewed a bit more better..]

Credit for Cuphead goes to Studio-MDHR

Credit for Bendy Series goes to Joey Drew Studios Inc.

Credit for Yandere Simulator goes to YandereDev

Credit for Undertale &  Deltarune goes to Toby Fox

Credit for Hazbin Hotel & Helluva Boss goes to Vivienne "Vivziepop" Medrano  

Credit for Tenchi Muyo Series goes to Masaki Kajishima

Credit for Mass Effect Series goes to BioWare

Credit for Fallout Series goes to Bethesda Softworks

Credit for Ben 10: Omniverse goes to Man Of Action

Credit for Transformers goes to Hasbro & Takara

Credit for Transformers Animated goes to Sam Register & Matt Youngberg

Credit for Vandread goes to Takeshi Mori & Gonzo

Credit for Dragon Quest V goes to Square Enix

Credit for Lego Ninjago goes to The Lego Group

Credit for Ninjago TV Series goes to Michael Hegner

Credit for The Owl House goes to Dana Terrace

Credit for FNAF Series goes to Scott Cawthon

Credit for FNAF Security Breach goes to Steel Wool Studios

Credit for Steven Universe Series goes to Rebecca Sugar

Credit for Gravity Falls goes to Alex Hirsch

Credit for Star Vs The Forces Of Evil goes to Daron Nefcy

Credit for Invader Zim goes to Jhonen Vasquez

Credit for The Grim Adventures of Billy & Mandy goes to Maxwell Atoms

Credit for Codename: Kids Next Door goes to Tom Warburton

Credit for Villainous goes to Alan Ituriel

Credit for Wander Over Yonder goes to Craig McCracken

Credit for Teen Titans Go! goes to DC & Cartoon Network

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at first this was going to be a crossover with Blitzwing, Spinel, Pink-Pearl and Padaparacha...

but then I decided to add more to it, and added some other cartoon and video game characters into it.

also when playing Fallout 4, I really like to use the baseball bat to fight with, so that is why Nora from the Fallout 4 game, is holding a bat and seems to be keeping a eye out for danger...and yeah even if it isn’t canon, in this drawing, Husk has a little crush on Nora...

also Husk has a Cabbit on his head, well the hat he is wearing, and the Cabbit is Ryo-Ohki...

the little robot that is floating above Sundrop & Moondrop’s heads, is Pyoro from Vandread.

in The Cuphead Show, Cuphead & Mugman are twin brothers...

so if those two twins in the show, would that mean they are twin brothers in the canon of the game world of Cuphead...?

Raven from Teen Titans Go, is holding a sign with her magic...

that shows that Teen Titans Go should stop at Season 8...

I hope I can watch Villainous in it’s place someday, I mean even if it is just wishful thinking and hope it does happen one day...

Sallie May x Collin is in this Crossover drawing as well, if they ever got married in a Fanon Timeline, that would make Moxxie and Collin....brother-in-laws.

Lancer is wearing a crown and is holding on to Husk’s wing, it be cute if he ended up calling Husk “Cat-Dad”, like him adopting Husk as his third father figure.

of course when I was first working on this drawing, I had to at some point go to sleep, but then once I did wake back up I went back to working on this drawing.

the geth in this drawing is Legion, and Tali is a much better character once she accepts the geth, and maybe when she finally realizes that the quarians aren’t victims, since they started the mess first, and they were the ones who just assume that the geth would attack first, even if some quarians did try to help the geth and got k*lled for it....

but some of the quarians who fully blame the geth for being driven from their home world, are just being a bunch of shisno.

I wonder what a crossover ship between Caboose from Red Vs Blue and Legion from Mass Effect would be like...?

maybe it be more platonic, and Caboose would view Legion as his best friend, and if Tali ever talked bad about Legion, it could have Caboose tell her off by saying “now Miss Tali, I will have to ask you to stop being a Mean Lady to my best friend Legion....you are being very hurtful, nobody likes a shisno.”

I know there are some fans who 100% love Tali, I just don’t agree with her view on how the geth are the ones who are the “bad guys” when it was some of the quarians who started it in the first place.

I still think the Ralsei that appears in Chapter 2, and might of switched places with the real one when King was about to hurt Kris but was stop by Susie.

both Ralsei are different heights, the original has smaller horns and smaller feet than the one that is in the party in Chapter 2.

it’s my theory and fan headcanon that the Ralsei that went with Kris to the Card Kingdom, is not only trapped in the Card Kingdom but was replaced by the Other-Ralsei, who locked both the Door that takes Kris and their party out of Castle Town to Card Kingdom, and even locked it’s light world counterpart that is in the unused classroom, making sure Susie and Kris wont end up back in the Card Kingdom and find out the Ralsei they befriended is still trapped there.

don’t know if that theory will turn out to be true and fully canon, but if it turns out it isn’t, it can always be used in the fanon.

oh and the Other-Ralsei is using the Green Soul to keep the True-Ralsei trap in a green energy box.

now I’m going to go eat some pizza and watch some Transformers Animated, before I go back to checking out some more fan art on here. 

[absandersons]

“Inherit the Earth” and the Fakeout

Absolutely genius.  Amazing, iconic, legendary, something only our showrunner Andrew Dabb can pull off.

"But Lilly, the episode was so bad!  It was just the brothers, they didn’t look for Cas and Eileen!”

YES.  THAT IS EXACTLY THE POINT.  THIS WAS A FAKE ENDING, THE END OF THE SEASON, NOT OF THE SERIES.

Let’s get into it.

An empty world.  No one left but Sam, Dean, and Jack.

So Dean ran, he somehow managed to pick himself up off the floor of the dungeon and meet up with Sam and Jack.  That jacket was this silent reminder.  Remember what I’ve been saying, Cas has occupied the negative space all season, this is no exception.

Dean can’t look either of them in the face, he’s doing that thing, where his eyes move everywhere BUT where he should look. 

“I couldn’t save anybody.”

Sam couldn’t save the world and Dean couldn’t save the one person that means the world to him.

“Where’s Cas?”

“Dean?”

I think it’s there, in that pause where Dean tries to push down the emotions, continue the fight, not think about the memories he left in the bunker, that Jack realizes what must have happened. Jack is the only one that knows about the deal, he has to know what Cas not being there must mean.

“He saved me.  Billie was coming after us.  Cas summoned the Empty.  It took her...and took him.  Cas is gone.”

This may shock you, but I am GLAD they didn’t talk about Cas, especially with what happens at the end of the episode.  Cas is allowed to just take up unsaid space.  It’s obvious he’s missing with the way they blocked things, obvious he’s missing here.  This whole “oh well they don’t care about Cas because they didn’t talk about him”?  Malarkey.

“Jack I’m sorry.”

Guilt.  Regret.  Pain.  Dean will carry this with him for the rest of his life.  Not only that he lost Cas, but that Sam lost Cas, that Jack lost Cas.

That SHOT, with the distance between Jack and Sam where Cas is SUPPOSED TO BE, and then a zoom out to...THE WORLD.

Okay, as usual, Bucklemming has the subtlety of a sledgehammer lmao.

Jack crying???  Praying to Cas????  Bruh?????

Also it’s just straight-up frightening for everything around my boy to die he is my baby son.

Also not to point out the incredibly obvious, but Dean starts drinking immediately, and continues drinking throughout the whole episode.  Grief arc 2.0 babey.

“We can what, Dean?  There’s no one left to save!  Everybody’s gone!”

“You can’t just give up.”

“What other choice do we have!”

Idk why, but for Sam, who’s the constant, the one who’s always had hope, through everything, through all these years, when he finally says this, when he finally loses his hope?  It hits the hardest.  Sam is the leader, so not only is he grieving the loss of Eileen, he is a general grieving the loss of his soldiers, his friends, the world that he feels the duty to save.

When they go to meet Chuck, I just can’t get that image of Dean, leaning against the car, handprint still on his jacket, staring at the ground out of my head.  It takes him a few seconds to catch up to Sam, like he’s pulled out of thoughts like deep dark water.  Remember friends, it doesn’t have to be loud to be powerful.

Chuck wearing BLACK?  FEAR.

“That’s right, the whole Cain and Abel thing.  Us dead, whatever.  I’ll kill Sam, Sam’ll kill me, we’ll kill each other.  Okay, you pick.  But first?  You gotta put everything back the way it was.  The people, the birds...Cas.  You gotta bring him back.”

Willing to kill his brother.  Willing to die.  Tears in his eyes, begging God to bring Cas back.

And Chuck?  Chuck doesn’t care about their surrender, he knows he’s already got them beaten.  He cares about their pain, he cares about them suffering, because to him?  That’s the entertainment.  He’s not entertained by their found family, by their happiness, by their joy.  He wants them to suffer, all of them.

“Eternal shame.  Suffering.  And loneliness.”

And he leaves them with just that.  No hope, no family, just the three of them, broken, alone.  Jack locked in his bedroom, Sam trying desperately to make life “normal” again.  And Dean.  Dean who drank so much he passed out on the floor.

He doesn’t feel terrific, he feels like shit, because not only is he dealing with the shame of an empty planet, he’s dealing with the guilt of being back in the place where the Empty took Cas.

This whole thing with the dog was just absolutely heartwrenching shit and if I didn’t hate Chuck before, him snapping Miracle right in front of an already fragile Dean would seal that deal.

I just want everyone to know that this is a Jake Abel stan account.

“Daddy’s boy” is a big insult for my boy Dean to use considering his own past with his trash abusive father but I’ll allow it.

I do think it’s interesting, ending of his arc aside, that Michael is willing to help them now.  What changed?  Sure, he ended up trying to help Chuck, running back to his father, but why get back in the game?  I wonder if it has anything to do with the loss of Adam.  It’s an interesting parallel, a man loses his angel while an angel loses his human.

Everything is so DARK in the Bunker now too, even the lighting is loud.

When I tell you I lost my shit when I saw Cas was calling Dean, when I heard Misha’s voice??  I knew it didn’t make any sense but I didn’t care, I would’ve been one step behind Dean as he sprinted towards the door.

Fuck you, Eugenie.

I mean it’s torture not only to Dean, who looks beyond fucking crushed when it’s damn Lucifer at the door, but for us too.  Who the FUCK wanted Lucifer back?  And to tease Cas???  Garbage.

I mean...fam.  Listen, we know who’s writing this episode, this whole Betty thing is just like blatantly unnecessary but again, Eugenie loves Lucifer, gotta distract her with a shiny toy lmao.

It was cool to see Michael and Lucifer onscreen together.  It was a cool dynamic that we rarely got to see.

The whole episode is just twist after twist.  Listen, it’s their last episode so I guess they needed to fit in a season worth of twists in one episode.

Bye Lucifer.  We know Eugenie can’t bring him back.  Blessings to all.

This scene with Adam is the FOURTH scene where Dean is drinking...big yikes to my guy’s liver.

Here’s the thing about Michael.  He’s a mirror for Dean in season 5.  Loyal to an absent father.  He has never changed, but Dean has.  Dean is able to acknowledge now, the trauma that his father put him through, he was able to move past the need for pleasing him at any cost.  Michael and Chuck?  Are John and Dean, if Dean had never been allowed to grow.  And Chuck proves, like John did, that he would always put his wants (in John’s case “the mission”) over his children.

Also not to beat a dead horse but Michael’s death was also peak Eugenie.

Sam getting to punch Chuck in the face?  Thank you, he deserves that.

Obviously I don’t love any scene of my boys getting brutally beaten.  But what I love, what I will always love about them, is what Chuck hates about them:  they won’t ever give up.  They know they won’t win against him, they don’t even land any hits, but that’s not what matters.  What matters is their controller doesn’t control them anymore, that they really are free.  No matter how hard they get hit, the get back up.  It is their choice to stand up to him, no matter the cost.

The moment where Sam and Dean are supporting each other, covered in blood, and they look God in the face, and they laugh.  That is why I will love them unconditionally for the rest of my life.  That is who they are, they will never cow to the villain, whether that’s Azazel or Alastair or Zachariah or Lucifer or Amara or Death or Metatron or Cain or God.  They will always choose to stand up.

“Why are you smiling?”

“Because.  You lose.”

Chills.  What a line.

And Chuck is left, small, human, no longer a villain, no longer anything.

Gotta be real, woulda been nice to, idk, not see all this essential plot in a flashback, but I know I can only ask so much of Bucklemming.

For Dean to walk away from killing Chuck, right after he’s called him “the ultimate killer” is quite simply the most beautifully heartwrenching thing I could ever ask for.  Because that’s who Dean was under Chuck, that’s who Chuck wanted him to be.

And he would have before:

But he’s heard some things since then, heard some things about how others see him.  Not as the killer, not as a monster, not as angry and broken or his daddy’s blunt instrument:

I’m not saying that Dean doesn’t kill Chuck for Cas.  He doesn’t kill Chuck because he doesn’t think he has to anymore, he doesn’t kill Chuck because he listened to Cas, he took Cas’ words to heart.  He made the choice not to be the killer.

“See that’s not who I am, that’s not who we are.”

And Chuck is angry, because he thought, after everything, even after losing, that he would still know Dean well enough to know that he would kill him.  But Chuck has never really known Dean, he has never understood where he’s really come from.  Cas understood, Sam and Jack understand, but Chuck never did, and writing off Dean as angry and broken is his biggest mistake, because that’s never been Dean.

“It’s not his power anymore.”

And it’s not just his physical power, it’s his power over the story, over the boys that’s the real power taken from him.

For Jack to be the one to bring everyone back, for him to be the hero of the story?  That’s poetic right there.  Now, I will say, I don’t think this story ends with him as God, because for him, the child, to take on this burden, it doesn’t make a ton of sense to me for his arc, but we shall see next week.  It felt pretty tied up, but there’s one major loose end: and that’s Jack seeing Cas again.

“Just you and me, going wherever the story takes us.  Just us.”

“Finally free.”

This doesn’t feel triumphant to me, it doesn’t feel like relief.  It feels like they’ve settled, like this is the best they’re going to get, so they might as well make the best of it, at least they have each other.

For Cas and Jack to be carved into the table?  I cry.

And for the montage, very similar to “Swan Song” to be set to “Runnin on Empty”?  Sorry but that’s just too sus to be ignored.

They packaged this episode as an ending, because for many, it might be.  The season’s story, the season about fighting Chuck is over.  So, you might be asking (or, well, screaming, judging by my replies lol), what’s left?  And that’s a good question, Chuck has been defeated, so what is left?  What’s left is what’s really mattered all season: the relationships that have been crafted over the years.  Dean and Sam’s unhappiness at the end of the episode, where “just you and me” sounded more of a grudging acceptance than anything else, is one of the clues that has to be looked at.  Why didn’t Sam find Eileen, why didn’t Jack bring back Cas?  Those two characters specifically are the ones we need to watch out for.  As I’ve said over and over again, peace, contentment, satisfaction, those don’t come from Sam and Dean on the open road together anymore.  They have a family, more of a family than they did when they started hunting together all those years ago, and that family is what holds them together.  They need each other, of course, but each other isn’t enough anymore.  Sam needs Eileen, Dean needs Cas.  That is where they will find their peace.

This episode, as many written by Bucklemming was sloppy, rushed, packed full of shit, and had little gems that we can talk about forever, but that was the end of the season, and next week?  Andrew Dabb brings us home, where Dean and Sam will finally be able to choose what they want for themselves, and that, my friends, is Eileen and Cas.

[msookyspooky]

for the ask game… all of the lost boys! (maybe also including michael and star) 🖤

Okay, nice!! Thank you bby 🥰🖤

David

Not My Type | Alright | Cute | Adorable | Pretty | Gorgeous | LORD MERCY

Yeah....He looks identical to my Uncle when he was younger. Mullet, cig behind the ear, jacket, asshole attitude, smug smirk you want to smack off his face and all. Their faces are ALMOST identical. Like, me and my uncle both have my grandfathers nose and jawline if you can see it in my pics and say "Oh I see it" and just...No. Lol, so get that one outta the way! There's a picture somewhere of me on his lap crying as a toddler because he told me there was something outside my window going to eat me. Guess what? Mullet, jacket, asshole smirk, shades on while I'm terrified and he's laughing his ass off. I grew up with David as an uncle whether I liked it or not. He was a fucker and got joy out of scaring the shit out of us kids lolol. So those headcanons of David being the cause of a child crying in some situations are true. 💯

Dwayne

Not My Type | Alright | Cute | Adorable | Pretty | Gorgeous | LORD MERCY

He could just stare at me like that, tell me to do something and I will be doing it gladly. Yes Sir. Whatever you say 🧎‍♀️😏 He was my crush at 12 he's my crush at 25. Billy Wirth is so fucking good looking and he's even hotter with fangs. Not to mention his vibe would instantly draw me to him like wow 💫 Okay, I'd let him suck the soul out of me 😳...I mean my blood.

Marko

Not My Type | Alright | Cute | Adorable | Pretty | Gorgeous | LORD MERCY

I don't find him attractive in a hot way but he's a cutie. (I'd probably fold if his lil impish self came on strong flirting with me tho. Ngl.)

Paul

Not My Type | Alright | Cute | Adorable | Pretty | Gorgeous | LORD MERCY

You know, he used to not be my type at all but I'll admit the older I get the more I love his character and could definitely see myself falling for him. Like, I just know he is a blast to hang with and is probably the sweetest one of the bunch. Dwayne may be more my type sexyally but Paul's personality would probably win me over the most. And he really is pretty, like seriously, pretty 💖

Michael

Not My Type | Alright | Cute | Adorable | Pretty | Gorgeous | LORD MERCY

He is so attractive. He might be a dumbass himbo half way through the film but he's hot and that makes up for it. Prettiest blue eyes and that jawline and hair 😍

Star

Not My Type | Alright | Cute | Adorable | Pretty | Gorgeous | LORD MERCY

She is BEAUTIFUL!! Like, when I was younger and still not sure I was bi I didn't know if I wanted to be her or be with her...Both. Even personality wise like yes please lets hold hands and dance with flowy skirts on the beach at night 🌌💜

[peakywitch]

High school tables: a quick guide on where to sit!

Hi, you must be new to the school. My name is Mar and, as your first friend in your new school, i will ne teaching you whi sits where, then you decide. Let’s begin.

masterlist

Table 1: in the first table we have The Heathers. In this table sits the most popular guy, Tommy Shelby, his jew bestie, Alfie, and a guy, Luca, who they fake to like but when he’s away they talk shit a out him. Alfie betrayed Tommy a few times, but he got high and called him crying, saying he was sorry. Poor Tommy, he loves his friend, he accepts every apology.

Table 2: There you will meet two Shelbys and a Thorne. The one who has a mustache is Arthur, he uses his mustache to fake an age he is not, so he can buy alcohol. By his side, John. He’s my crush, but rumor has it Martha left school because he got her pregnant. And the one who looks like a wet pupoy is Freddie, he is running for class president, but wants everyone to share notes. We hate him. But he tries.

Table 3: The red haired is Finn, he is always lost and forgetting his books at home, but he’s super sweet. And...oh god, by his side is Michael Gray. He was new last year, tried to sit with Alfie and Tom, poor lad. Everyone laughed. He likes to play with girls, and is really good with maths. So, if you show him your boobs, he will do your homework. Finn, on the other hand, is failing everything except english. He is trying to be a bad-ass, but his ass is bad in everything he tries.

Table 4: There you have Grace McDonalds i mean Burgess, and Polly. Polly is awesome, she is super sweet but strict. She will never give you her notes, and if you ask her for any exercise, she will help you think, she won’t hand the paper. And Grace is Tommy’s ex, but she stalks him. Follows him everywhere like a fucking ghost. Polly is Tommy’s bestie, but also beats him up if he need to be.

Tabke 5: There is Campbell, Billy Kimber and a painter who i never remember his name. So, let’s begin. They are called The Three Mustacheers. The one with the skinny and pathetic mustache is Billy Kimber, he goes by “bills” because whenever he arrives somewhere people get bummed out. John calls him “a twat” because he is always laughing at poor Arthur. The other one, the one with a big mustache is Chester. Stay away from him, he wants to be a cop and is the worst man ever, he once hit Polly. But that’s why he walks with a pathetic stick, John and Arthur fought him, they broke his knee. And the other is a painter, he is...Oh, yes. He’s name is Ruben, Ruben Oliver. He is super sweet, and really good artist. But he’s a cheater, he cheated on Polly.

Table 6: Well, well, well. Let me introduce you to the holy bitches. The blondie with short hair is a bitch. Oh, you are asking which one? Doesn’t matter, they both are. But let me see if i can... Ah, yes. Look, the one with a white shirt and a cross necklace is Linda. She is kinda sweet, but she’s a psycho sometimes. She called off her “thing” with Arthur more that twn times in the last two months, the man is so in love with her. And the other one came a few months after Michael, she is Gina. Straight up bitch, she has not one good thing. Oh, no, wait. I was wrong. She is good at starting rumors, she told the whole school Linda was a lesbian and she doesn’t know it was her. They think they will be besties forever, but these bitches won’t stick once prom is over.

Table 7: straight up crackheads. Charlie and Aberama. Charlie is Polly’s brother, or so we believe. Charlie is friends with Curly, who didn’t come today. He is really sweet. But Charlie isn’t too talkative. Then Aberama is so desperately and utterly in love with Polly, and she plays hard to get. But he tries so much. He is really sweet, but sometimes speaks on another language, so if you are into that then you may as well sit there.

I, Mar, am currently sitting with John, Arthur and Freddie in the second table because they make me laugh a lot. You?

😂😂😂😂

had a lot of fun doing this, i hope you guys like this!

[slashingdisneypasta]

Slashers / Horror Villains as: Animated (Children’s) Movie Villain Songs

+ A Nightmare Before Christmas 

First of all, its mostly Disney. Second of all, I hope you know that this was a struggle for me. 

Also, note, Bubba will be the only Leatherface in this post and Billy and Stu will be the only Ghostfaces. There is Norma Bates though, so sort of a consolation. 

There are links to videos on YouTube ^^

~~~

Billy Loomis and Stu Macher / Ghostface: Playing With the Big Boy’s Now (Hotep and Huy, Prince of Egypt) 

Well... they’re part of the ‘big boys’, now! They are part of the Slashers group that, uh, ‘inspired them’. Imagine instead of Egyptian Gods, they’re chanting Slasher names. 

[HUY] Pick up your silly twig, boy [HOTEP & HUY] You're playing with the big boys now! Ha ha ha ha!

[EGYPTIAN PRIESTS] By the power of Ra Mut, Nut, Khnum, Ptah Sobek, Sekhmet, Sokar, Selket Anubis, Anukis Hemsut, Tefnut, Meshkent, Mafdet... 

Chop Top and Nubbins + Bubba Sawyer / Leatherface: Kidnap Mr Sandy Claws (Lock, Shock and Barrel, Nightmare Before Christmas) 

I mean... they aren't Drayton’s minions, but they are like this XD 

I say that we take a cannon, aim it at his door And then knock three times And when he answers Sandy Claws will be no more

Yes you're so stupid, think now If we blow him up to smithereens We may lose some pieces And then Jack will beat us black and green

Kidnap the Sandy Claws Tie him in a bag

Chucky / Charles Lee Ray: In The Dark Of The Night (Rasputin, Anastasia)

Mystical man? Check! ‘Betrayal’ (As far as he sees it)? Check. Made them pay? Check; I think Nica, Sarah and all the other families he destroys throughout the franchise can attest to that. And ‘One little girl got away’? Well Andy isn’t a girl, but yeah. Check. 

I was once the most mystical man in all Russia When the royals betrayed me they mad a mistake My curse made each of them pay But one little girl got away Little Anya, beware Rasputin's awake

Drayton Sawyer: Don’t Fall In Love (Forte, Beauty and the Beast: The Enchanted Christmas) 

Its such a crochety, unessessarily rude way of describing relationships to someone! I mean, I understand completely and resonate deeply with the desire to be alone and not be responsible for anyone else, but- come on! Beast doesn't share your view! Let it go! 

Its just like Drayton’s reaction to Bubba having a crush. Super cool video too! 

As soon as your heart rules your head Your life is not your own It's hell when someone's always there It's bliss to be alone

And love of any kind is bad A dog, a child, a cat They take up so much precious time Now, where's the sense in that?

Freddy Krueger: No More Mr Nice Guy (Rothbart, Swan Princess) 

A man with an uncomfortable relationship with the main female character pretending to be normal and not homicidal for a while before unlocking more power and letting there inner bad guy loose and taking great pleasure in it? Sounds familiar. They also have a similar vocabulary- except of course Rothbart is rated G. 

I'll become that nasty, naughty, dirty, spiteful Wicked, wayward, way-delightful Bad guy I was born to be

Lyin' loathesome, never-tender Indiscreet repeat offender No more Mr Nice Guy That's not me 

Inkubus: The World’s Greatest Criminal Mind (Professor Rattigan, The Greatest Mouse Detective)

‘Inkubus’ is literally a movie about him listing all his crimes over the centuries and messing with the police force because he has a bone to pick with a detective. Sounds pretty similar to me! Listen to the song! ^^

Now comes the real tour de force Tricky and wicked, of course! My earlier crimes were fine for their times But now that I'm at it again An even grimmer plot has been simmering In my great criminal brain! 

Jason Voorhees: Despicable Me (About Gru, Despicable Me) 

I... this is all I could think of!! But the more I listen to it and read the lyrics... it f i t s Jason so well! XD Please just let this slide; I know Gru isn't really a villain but he is at the start!! Let me have this. 

Why ask why? Better yet "Why not?" Why are you marking x on that spot? Why use a blow torch isn't that hot? Why use a chainsaw? Is that all you got? Why do you like seeing people in shock? But my question to you is "Why not?" Why go to the bank and stand in line Just use a freeze gun it saves me time. I'm havin' a bad, bad day It's about time that I get my way Steam rollin' whatever I see, Huh, despicable me I'm havin' a bad, bad day If you take it personal that's okay Watch, this is so fun to see Huh, despicable me

Jennifer Check: Trust In Me (Kaa, The Jungle Book) 

She’s a succubus demon. Tempting boys into a safe-feeling, docile state so she she can strike is her thing. 

Will cease to resist Just relax Be at rest Like a bird In a nest

Trust in me Just in me Shut your eyes And trust in me

Mayor Buckman and Granny Boone: Savages (Governor Ratcliffe and the Colonizer’s parts, Pocahontas) 

Obviously, because of the (Inaccurate) historical relevance of both movies (Different time’s, same terrible prejudice,) and also because there is definitely a very cult-ish feel about both Governor Ratcliffe’s song and Buckman’s leadership. How easily they’re able to gather support from their people for the most horrible reasons. How horrifying it is to audiences and historians. 

They're only good when dead They're vermin, as I said And worse

They're savages! Savages!

Barely even human

Savages! Savages!

Drive them from our shore! They're not like you and me Which means they must be evil We must sound the drums of war!

Michael Myers: The Gospel Truth II (Muses about Hades, Hercules)

In a Disney movie, Michael would have others sing his song about him as he goes about his silent, determined walking XD 

If there's one God you don't want to get steamed up It's Hades 'Cause he had an evil plan He ran the underworld But thought the dead were dull and uncouth He was as mean as he was ruthless And that's the gospel truth He had a plan to shake things up And that's the gospel truth

Midnight Man: Oogie Boogie’s Song (Oogie Boogie, Nightmare Before Christmas)

A song about a “Gamblin’ Boogie Man” is perfect for the Midnight Man! He and Oogie could be pals. 

Woah! The sound of rollin' dice To me is music in the air 'Cause I'm a gamblin' Boogie Man Although I don't play fair It's much more fun, I must confess When lives are on the line Not mine, of course, but yours, old boy Now that'd be just fine

Norma Bates: Mother Knows Best Reprise (Mother Gothel, Tangled)

Norma is soooooo so so so unbelievably manipulative towards Norman (And Dylan. It just works better on Norman) and this song absolutely presents that. She can go from sweet, loving mother to spiteful, heinous bitch in two seconds if Norman or Dylan don't do what or react the way she wants them to. 

Likes you? Please, Rapunzel, that's demented

This is why you never should have left! Dear, this whole romance that you've invented, Just proves you're too naive to be here Why would he like you? Come on now, really! Look at you, you think that he's impressed? Don't be a dummy Come with mummy

Pamela Voorhees: My Lullaby (Zira, The Lion King 2)

In a opposite approach to a villainous mother to Norma, we have Pam, who was heartbroken by the camp councillors letting her son die and vowed to get revenge. She didn't know she was teaching Jason to be the Crystal Lake killer like Zira did, but she did, and the whole song does have her kind of feel to it also. 

Sleep, my little Kovu Let your dreams take wing One day when you're big and strong You will be a kingI've been exiled, persecuted Left alone with no defense When I think of what that brute did I get a little tense But I dream a dream so pretty That I don't feel so depressed 'Cause it soothes my inner kitty And it helps me get some rest

Patrick Bateman: Cruella De Vil (Arthur, 101 Dalmations) 

Never before was there a song that described audiences reaction to watching Patrick living in his daily life and hearing his thoughts better then this one. 

Cruella De Vil Cruella De Vil If she doesn't scare you No evil thing will To see her is to Take a sudden chill Cruella, Cruella De Vil

The curl of her lips The ice in her stare All innocent children Had better beware She's like a spider waiting For the kill Look out for Cruella De Vil

Pennywise (Both): You’re Only Second Rate (Jafar, Return of Jafar)

Mostly for the video and Jafar’s energy in this scene actually XD So many transformations, so many tasteless puns! I was going to give this to Freddy but its the closest thing to Penny I could think of. 

Go ahead and zap me with the big surprise Snap me in a trap, cut me down to size I'll make a great escape It's just a piece of cake You're only second rate You know your hocus-pocus isn't tough enough And your mumbo-jumbo doesn't measure up Let me pontificate upon your sorry state You're only second rate

Sheriff Hoyt / Charlie Hewitt: Hellfire (Judge Claude Frollo, Hunchback of Notre Dame) 

A nasty filthy man who think’s he’s in the right despite being the biggest creep and monster ever? Mhm. 

*Note: I honestly didn't notice the deformed baby, Quasimodo/Thomas link until the day after I wrote this. Don't know how I feel about it. I mean, Hoyt is actually nice, in his way, to Thomas so the connection isn't totally there but onwards:

Beata Maria You know I am a righteous man Of my virtue I am justly proud

Beata Maria You know I'm so much purer than The common, vulgar, weak, licentious crowd 

End of Post! 🌼

(Bonus’ under the cut) 

I did think of other connections which I obviously didnt landed on but still have merit! Here! 

Billy Loomis and Stu Macher: ‘Gaston’ was considered, but that would have just been a joke XD I don’t think Stu is quite as obsessed with Billy as LeFou is with Gaston. 

Chucky: Friends on the Other Side. Obviously! That link was actually what inspired me to make this post. In The Dark of Night fits to a T though. 

Freddy Krueger: You’re Only Second Rate! Ah, its perfectttt. But No More Mr Nice Guy fits better. If I ever do a Slashers as Disney Villains post, he’ll be Jafar for sure. Or Hades. Or Scar. Or Oogie. Probably Hades. You know what? Without the gore and blood and explicit sexual references, Freddy could be a Disney Villain himself. Its not like Disney hasn't towed the line before with perverted villains. >_> (Jafar and Frollo) 

Jason and Pamela Voorhees: Mother Knows Best! Of course. 

Jennifer Check: Love is For Peasants (Barbie Island Princess) Because Jennifer thinks like this: 

Men? <<< Literally anything else. 

Patrick Bateman: How Can I Refuse? (From Barbie Princess and the Pauper) XD If Patrick were a kids movie villain, he would totally join the ranks of corrupted usurpers pretending to be trustworthy royal advisory staff. Also ‘Let It Die’, that little interruption part of another song that O’Hare sings in the Lorax and ‘How Bad Can I be?’. 

[gravesightings]

May I request all the slashers with an s/o who throws temper tantrums when they mess up on something simple? Like they're trying to carry laundry but drop a sock so they throw it all to the ground and cry and yell how they an never do anything right. I just need some fluff bc it happens to me all the time. Also bonus points if theres something extra for brahms cause hes my favorite slasher

Thank you for your time! Have a nice day! :)

slashers with a s/o that has temper tantrums

Asa Emory / The Collector

startled the first time it happens but he’ll lend a hand if he’s able to.

thinks it’s... childish.

asa himself is quite aloof, so he’s amused at how quickly you can get upset over mundane things.

at the very least he’ll help you up on your feet again and give you an encouraging pat on the head before returning to his work.

condescending but he’s not about to insult you for it. if it keeps happening too often for his liking, he’ll just start ignoring you.

Billy Lenz

OH! same hat!

billy is admittedly not the best at comforting others but he’s willing to try for your sake.

gives very very tight hugs. ...almost feels like he’s trying to smother you in his chest.

turns out he was trying to suffocate you! whoopsie! (he’s trying his best.)

but he’s snapped out of it, see? proceeds to apologize in the form of many smooches on your face.

Bo Sinclair

also same hat!

but there’s only room for one in the temper tantrum boat and he’ll make sure you're aware of it.

denies he has problems with his own temper though. no he’s not losing his shit, YOU’RE losing your shit!!!!

don’t expect him to comfort you at all.

also thinks it’s childish but says it to your face and expects you to toughen up.

Brahms Heelshire

have you met him? brahms is the king of temper tantrums.

prone to meltdowns and not shy about it either.

whether or not he’ll comfort you depends on his bratiness level for the day.

no, no, no! this isn’t about you. you’re supposed to take care of him! not the other way around!

though he admits it does feel a little nice sometimes that he can give you some form of emotional support.

if you happen to catch him in a good mood then it’s his turn to spoil you! usually what he does is just try to cuddle your worries away.

if he’s feeling extra generous (or if you’re sick) he’ll even do the chores for you without needing to be asked.

but don’t forget to reward him afterwards. no, really. he’ll even remind you. remember when he spoiled you for an entire day? okay now do him too but for the rest of his life!

Bubba Sawyer

gold star! very resilient and knows exactly what to do.

bubby is very good at comforting people. especially if it’s his favorite person in the world! he can’t talk but he mumbles in a very reassuring manner.

gives the. best. hugs. so he’ll cradle you like a little baby if he feels that he must. (which is all the time.)

once you’re feeling a little better he’ll pull you right up and give you a firm pat on the shoulder. you’re okay! we got this!

very mindful after the first time it happened. makes sure to keep an eye on you from then on.

Jason Voorhees

SHEER PANIC. AHH FRICK! WHAT HAPPENED? ARE YOU INJURED?

once he realizes the situation, he’ll be a little puzzled at first. very understanding overall though.

you know what his momma did whenever he felt bad? that��s right! big bear hugs from jason! but you’re fortunate enough to not be crushed to death, he’ll make sure of it!

cages you in a very tight embrace - humming lowly as he rubs your back. just because he can’t talk doesn’t mean he can’t comfort you.

you might not have to lift a finger after this ordeal. jason’s gonna want to do everything for you at this point. there’s no room to be upset about doing something wrong when you’re not doing it at all, right?

Jesse Cromeans / Chromeskull

unfortunate.

doesn’t have the time nor patience for this even on his best days so boo hoo.

clearly you have a problem so he needs to fix that somehow. (but he’s not about to do it himself.)

why are you scowling at him for bringing a therapist? you’re supposed to be thanking him!

probably has the most logical approach, albeit too blunt. get that “we can fix each other” bs out of his face. he has a more realistic approach to these kinds of things.

Michael Myers

then perish.

your misery is his form of entertainment.

whenever you’re having one of your breakdowns you might spot him if you look hard enough. he’s there in a corner somewhere watching - motionless.

sometimes he sees it as mildly annoying but he’s not going to be an asshole about it unless it’s a repetitive thing.

oh what’s this? he’s picked you up? perhaps to comfort you? hah, that’s funny. proceeds to drop you on the couch and raids the fridge shortly after. turns out you were in the way.

Thomas Hewitt

knows immediately whenever you’re upset and won’t hesitate to come to your aid if he’s not too busy.

while normally very shy about physical contact, he’ll actually initiate himself this time just to comfort you.

makes him feel needed and it’s nice. except the part where you get angry though.

not very good at all that emotional stuff though. feel free to rant to him but he’s not gonna know what else to do.

if it’s a constant thing then he’ll take over your daily tasks for you without another word.

Vincent Sinclair

WOE! HIS BELOVED HAS FALLEN!

super dramatic every time. acts like you’ve been shot and rushes to your side immediately.

mother-hen override! vincent would drop everything in a blink of an eye just to comfort you.

literally won’t leave you alone unless he’s sure that you’re okay again.

would finish your chores for you unprompted.

[incorrectbatfam]

1) we stan 2) what do you headcanon other heroes as?

Previous post with the batfam here

And I’m putting this under the cut because it’s gonna get long

Wonder Woman and Aquaman are both pansexual trans deities.

Hal Jordan is a closeted gay who slowly came out with the help of a bisexual Barry Allen and sapphic Jessica Cruz. Kyle Rayner is similar—Donna Troy, a lesbian, helped him figure things out.

All Martians are genderfluid and demisexual.

Starfire is polysexual and nonbinary.

Roy, Oliver, and Dinah are all bi. Roy and Oliver are the certified Disaster Bis™ and Dinah has their brain cell. Emiko Queen is a lesbian, Mia Dearden is an HIV-positive demigirl, and Connor Hawke is an asexual homoromantic. Their arrows may be straight, but their family sure isn’t.

Ted Kord and Michael Carter are husbands.

All the Atoms are ace and they adopted Billy Batson as their Baby Ace™.

Zatanna is an out and proud lesbian with a side gig as a drag king. Likewise, Constantine is gay and is a drag queen at Z’s shows.

Like I said before, all Kryptonians are pan. I’m also gonna add that Conner Kent is a demiboy who gives gender roles the finger.

Kaldur’ahm, Eduardo Dorado Jr., Natasha Irons, and Traci 13 are all canonically gay/lesbian.

And don’t forget another canon gay: Miguel Barragan. 

Wally is bisexual and Artemis is demisexual. 

Later on, Jai West comes out as bi and Irey West as a chapstick lesbian.

Technically Harley and Ivy are villains/antiheroes, but it’s more than canon at this point that they are girlfriends living it up.

Bart Allen is 100% gay. And, as a future boy, he doesn’t understand gendered clothing and will wear whatever he feels like.

Beast Boy doesn’t ascribe to any labels, saying that “there’s plenty of my lovin’ to go around”. Meanwhile, Raven is demiromantic and is fine with either she/her or they/them pronouns.

Lucy Quinzel is gender-nonconforming.

Cyborg is a demi-guy who goes by he/him or they/them pronouns.

Jaime Reyes had a hard time coming to terms with his bisexuality because of his religious upbringing, but he learned to embrace his identity with a little help from his friends. Also, Khaji Da goes by literally any pronouns.

Katana is a homosexual aromantic.

The Gotham and Central City Rogues are the personification of “be gay, do crime”.

Virgil Hawkins is questioning because he accidentally developed a crush on Tim Drake.

Tye Longshadow also may or may not have a thing for Tim.

Both Jon Kent and Colin Wilkes have a crush on Damian Wayne. Neither made any effort to hide it and yet Damian still hasn’t noticed.

Maya Ducard uses “lesbian” as an umbrella term even though she experiences attraction to all kinds of people.

Throughout their teen years, Milagro Reyes had a hopeless crush on Lian Harper.

Cassie Sandsmark is ace.

[johnnys-coors]

Could you do one we’re tommy has a crush on the reader and so Johnny helps tommy by giving the reader 10 leaders (1 a day) and he like saying in the letter like how much they like the reader and some stuff abt them so facts etc. so when the last lettter came he tells the reader to meet him at the beach and soooo he standing there and stuff soooo then tommy asks the read out to like a diner and they end up going to a diner just of them and then they end up dating

Letters Made of Hand

Castles Made of Sand -Jimi Hendrix

Characters: Tommy, Johnny, and Y/N

Contains: fluff, kissing, and feelings

Y/N speeds up her walking, she is going to be late to Geometry. Passing by a row of lockers, she narrows her eyes to see '047D'. She rushes to her gray locker, hurriedly calculating her combination. “Ah, shit!” The lock has stopped moving, it's jammed. A few passerby's stares are felt on Y/N's back. The frustrated teenager’s cheeks grow red from the sudden attention. She glances at the clock right above a classroom next to her. Y/N has two minutes.

A raspy voice asks, "Do you need help?" Y/N whips her head to the right in surprise. Fluffy platinum hair reflects the fluorescent school lights hanging from above. The corners of his light blue eyes crinkle in a laugh, as Johnny finds Y/N’s distress hilarious. “Oh, shut up.” Y/N scoffs, frustrated with combination of her lock and the clock quickly running her out of time. 

“Say less.” Johnny ushers Y/N out of the way and pulls down on the stuck lock. The shiny metal unlatches with a snap. The boy grins, proud of his accomplishment. “Wow, you’re better than any janitor!” Y/N faux swoons, receiving a snort from her friend. She faces the locker and swings open its thin metal door. A white piece of paper floats down onto the beige tiling. Muttering a ‘What the..’, Y/N leans down to grab the note. Johnny notices this occurrence, becoming intrigued. “Is it a secret admirer?”

Opening the folded material, the letter is a page long. Y/N wouldn’t have enough time to read it now. She folds up the paper while grabbing her math supplies. Shoving two Anatomy books into her unorganized shelf, she slams her locker shut. “I gotta get to class, I’ll let you know what it’s about,” Johnny goes to protest, stating she has plenty of time. “See ya!” Y/N shouts over her shoulder, running to her Geometry class, leaving the tall boy behind. 

As soon as Y/N is inside the math class’ doorway, the bell rings. Sighing in relief, Y/N made it! The teacher looks over in disapproval, always expecting her students to be early and ready to learn. Ignoring the glare, Y/N bounces over to her seat, getting a few laughs from her classmates. Elated, and also flattered from a potential love interest, she giggles. Dutch, an aggressive blonde, elbows his desk neighbor. His bushy eyebrows furrow as he tries to keep his voice down. “Don’t tell me Johnny gave you my stash.” 

Jimmy grabs a hold of the broken lock at Y/N’s locker. “What’s this?” His tanned hands cradle the metal as he's kneeled on the ground. “Let’s just say I saved the day, Jim,” Johnny gloats, puffing out his chest. A familiar cocky smirk plays on the boy’s face while everyone rolls their eyes. Y/N lightly shoves the teenager, barely budging from his heroic stance. Bobby and Tommy smile playfully at their group of friends. “Let’s get some lunch.”

Cobra Kai saunters into the loud cafeteria. The typical cliques are in their usual spots. The Cheerleaders and Jocks in the center, the Goths in a corner near a large bulletin, the Nerds by the lunch line, and Cobra Kai next to the water fountains. Now don’t get the group wrong, they’re still studs even if they don’t mingle with the Jocks. Tommy just had to get one swing at the football team’s quarterback. 

Johnny leads them to the lunch line, reaching forward to snatch a plastic tray for himself. Y/N grabs one along with a shiny spoon and fork. The smell of pizza meets Y/N’s nose. Her stomach grumbles, a hunger rippling through her. “Pizza or salad?” The lunch man grumbles, he'd rather be doing anything else than serving food to rude high schoolers. “Uh, pizza, please.” Y/N requests, waiting for the oven-hot rectangular flatbread to slide onto her tray. And it does, nearly staining the fabric of her white shirt. 

Moving her tray to the end of the line, Y/N takes a cup of mandarin oranges and sets it down on her tray. She starts to walk to her seat while her friends pass by her on both sides. The white and gray tiles stick to her shoes as God knows what's been on the floor. Placing down her food, she opens her water bottle she snagged from her locker. The Cobras talk among themselves, laughing about a prank they pulled. Y/N twists her left wrist to open the blue bottle cap. She leans back and begins to take a sip. Cool water hits her parched mouth.

"Y/N, why don't you show us what you found in your locker today?" Johnny questions, more demanding than suggestive. She nearly chokes on her water in excitement. Placing the plastic cap back on, she sets the bottle back down onto the red table. "Sure thing." Y/N reaches her index and middle fingers into her front jean pocket. Her eyes flick up to watch her friend's reactions.

Johnny's eyes glow in anticipation, seemingly more blue then before. Bobby nods her on, his long wispy hair framing his olive complexion. Jimmy leans on Dutch, who could care less, while a small smile is in the making. Tommy fixates on his food, sawing off his pizza with a metal knife. The utensil shines as it reflects the school’s overhead lights. He seems off, really off. Squinting, Y/N makes out a slight hue of pink on the loudmouth's cheeks. He's blushing?

"Are you gonna let us see?" Dutch quips, impatient as ever. Finally pulling out the folded paper, it crinkles as Y/N smoothes it out with her palm. Clearing her throat, she begins to read the letter aloud. "'Dear Y/N, I hope I don't come across as a stalker when I write this. Here goes nothing: You may be surprised when you figure out the person behind this handwriting, maybe even shocked. But let me just say that you are the only person that makes me feel like doing a roundhouse kick to the moon and back'," Tommy laughs, saying how bad ass the scenario sounds. This earns a shove from Bobby to quiet him down.

Y/N continues, "'Yes, I'm that thrilled about you. I guess your smile adds to the feeling. No, I think it's your laugh. I remember when we were at the same showing for a movie and hearing your giggle. What I would do to hear it again! Signing off, Hendrix.'" Silence carries through the group, letting the love letter sink into their minds. Bobby breaks the quietness. "What do they mean by 'Hendrix'?" His forehead creases in thought. "I think it's code." Jimmy pipes, the only Cobra with a decent GPA.

"Well, Jimi Hendrix was a rock artist." Tommy suggests, after being quiet for so long. "Right, but who listens to him anymore? I only have cassettes of Boston and Motley Crue." Johnny's hand comes up to comb through his floppy hair. His mouth full of pizza, Dutch grumbles, "MJ is all the rage now." He imitates Michael Jackson, singing an off key 'Billie Jean'. "Okay, I think we get it," Y/N laughs, as an idea pops into her head. "Does anyone have the last name 'Hendrix' in our school?"

In the library for study hall, Jimmy and Bobby help Y/N flip through yearbooks. A stack of them lay off to the right of the wooden table's edge, about to crash to ground. Her eyes scan the names of people, as her eyes become tired from staring. She closes the book's black cover from 1982, giving up. "I found him!" Jimmy exclaims, as Bobby and Y/N crane their necks to see. The librarian hushes the teenagers, adjusting her glasses that sat on her nose. The fuzzy black and white picture showed an attractive Matthew Hendrix. The glossy page reflected dark hair and a white smile.

"I know this kid! He's by my locker." Y/N pieces together, the puzzle falling into place. Bobby glances up at her yearbook in her hands. "Is he in our grade?" He asks. The teenager doesn't want a guy older than the Cobras, he'll just mess around with them. "No Hendrix is in our grade, he does football." At the mention of the ill-fated sport, Jimmy quickly inquires, "Wait, it's not the guy Tommy punched, right?" Y/N shook her head in confusion. Everyone was either too drunk or high to remember who was in the party's fight.

The next day's events were rather quite interesting. Y/N got another letter from this 'Hendrix'. She opened the note hurriedly. It would be embarrassing for her if any of her friends found out. This second paper gave more details about how much they liked Y/N, but they also gave a reference she picked up on. It mentioned going to a summer camp in '83. Y/N went with the Cobra Kais, but other guys tagged along too.

So far, none of her friends had waltzed up to her, pressing more about the topic. Dutch definitely wouldn't, he scoffs at the slightest mention of romance. It's a wonder that he even dated, let alone lost his virginity. Johnny and Tommy have been far too quiet about these occurrences. Jimmy and Bobby have been the only ones willing to help Y/N find more about this secret lover.

The note only fueled a desire for Y/N to ask Matthew if he was writing her letters. She waits, leaning on her locker, awaiting the moment the said boy would roll around. The beginning of the school hours always dragged slow, as if in mud. Y/N hopes this event would bring her some newfound excitement. The first bell rang, signaling to students they had five minutes till class. A breeze blew on her shoulders as a tall figure slowed down their pace. Matthew slung a dark bag over his right bicep, shoving it into his locker.

"Hey, Matthew, is it?" Y/N's voice inquires, raising in pitch with giddiness. The teenager’s brown hazel eyes sweep over her figure, deciding if he should pick up the conversation. With a light sigh, Matthew nods his head. “Yeah, whatcha want?” Y/N holds up the notes that were slipped into her locker from the past two days. “Have you been writing these to me?” She extends the papers for Matthew to take. A look of curiosity takes over the boy as he accepts the letters. His eyes move back and forth as he scanned the writings. 

“I didn’t write these,” Y/N’s heart sank as this encounter did not go as planned. “But the handwriting looks familiar.” Matthew swears he saw this specific printing before, maybe written on his car in red spray paint? Reliving the memory, the red warning scribbled out a ‘NO MERCY’ on his beloved Dodge Turbo’s side. The faraway look in Matthew’s eyes causes Y/N to wave her hand in front of his line of vision. Coming back to his senses, Matthew shakes his head in disbelief. 

“Here are your papers.” Matthew presses the letters back to Y/N. She's positive that she nibbled onto the bait of this fishhook. She goes to ask him more questions, but he slammed his locker abruptly. Grumbling something about getting payback, Matthew heads down the hallway, turning the corner. He deserts Y/N, who's left with more questions than answers. 

For the next few days, each note gave more and more hints about the writer. So far, with the help of Jimmy and Bobby, she figured out that they like soccer and enjoy running on the beach. It’s not a grand discovery, but Jimmy assured her that every clue counted. Besides, the final note would be delivered today. Y/N is thrilled, she hopes the anonymous lover would reveal who they are. 

The Cobra Kai boys have been drifting in and out the letter drama, scrapping up details here and there. She walks into the lunch line by herself, as she chooses a salad today. Y/N decides to walk alone, she's packed with a lot of tests and doesn't have time to wait for the others. “Heya, Y/N.” Johnny greets, changing out his cassette tape in his Walkman. Tommy’s bruised hand covers one of the cassettes nearest to him, its taped title unable to be seen. 

“What’re you doing?” Y/N asks, as the boy seems to be moving the tape closer to himself. Caught in the act, Tommy stops moving the cassette. He lifts his head to meet his friend’s eyes. A nasty shiner around his right eye stands out against his smooth skin. The boy mentioned he fell down a flight of stairs at a party and tried to catch himself. Hence his purple knuckles. 

“Oh, I was just helping Johnny change out his Walkman.” Tommy comes up with, flipping the cassette so it was standing upright, the tape side away from Y/N. Her narrowed eyes dart between Johnny, who fakes a shit eating smile, and Tommy, who doesn't dare move until Y/N lets go of the subject. She sits down, letting the topic dissipate on its own. Her brain's tired enough as is. 

“Do you have the final note?” Bobby leans in, his long hair tickling Y/N’s cheek as he questions her. Y/N reaches into her trapper keeper, laying the letter between her and Bobby, reading silently. ‘Meet me at the beach after school, around eight. Bring your swimsuit!’ She almost jumped out of her seat at the butterflies overtaking her stomach. Bobby pats the back of Y/N, lightly laughing. “Well, there you have it. You’ll meet them after all!” 

The purr of the Firebird rumbles Y/N’s passenger side seat. The smell of the seawater fills her nose with her window cracked open. Johnny’s bright headlights gives way that they're traveling down the dark road. The whistle of the wind and the thumping of REO Speedwagon hum her ears. It's surprising that she didn’t bribe Johnny to take her, he usually would grumble about it for a while. This time he acted almost glad to take Y/N. 

Johnny pulls the car forward and parks it in the beach’s parking lot. She scans her surroundings ahead of her through the glass. The silhouette of a figure is down in the sand, facing the waves. “I think that’s my person. Thanks, Johnny.” Y/N unbuckles her seatbelt, ready to open the door and greet her writer. A tan arm swung out in front of her, holding a piece of paper. This stops her from continuing her motions. “What’s this?” Grabbing the note, she opens it. 

The infamous handwriting is there but another one is visible. A more hurried, scratchy one. ‘You weren’t expecting another letter? Calm your tits, it’s just a note from your letter carrier: Make sure kick ass when you meet ‘Hendrix’. He’s really an amazing dude.’ Johnny laughs, slapping his large hands together in amusement. Y/N mouth drops, the charade coming to a close in front of her eyes. 

“Wait, so you were the one dropping off the letters in my locker?” Y/N asked, her eyes shining in amusement. Johnny nods frantically, his hair reflecting the moonlight coming in on the dashboard. “Hey, it wasn’t hard to put superglue on the lock. It was pretty sick!” Laughing, she opens the car door, leaving the paper on her seat. “You jerk!” Y/N slams the door shut, leaving an emphasis on her words. 

The grainy white sand slows her walking as she approaches the figure. “Hello?” She calls, anticipating rising. Everything has came to this moment, it better be worth it. Brunette hair gently moves in the breeze, as goosebumps rise on her arms. No answer is given. The person’s ears are covered by a certain black foam, connected with wire. Sighing, she nears even closer. 

As if expecting the visitor, or listening intensely, an index finger presses pause on their Walkman. Turning their head, Y/N’s eyes widen and she covers her mouth in surprise. A set of brown eyes watch her reaction while they remove their Walkman, setting it down on their blue towel. A smile forms the longer the person watches Y/N. “It’s me.” The voice was bubbly and unapologetically loud. 

“Tommy? Oh my god.” Y/N’s face pales as she sets herself down next to the writer. The male leans over to the left and makes a show of taking out his cassette tape. ‘Jimi Hendrix- Electric Ladyland’ is written on the brown Scotch tape. “I’m ‘Hendrix’, Y/N.” She blushes, her face turning a shade of pink. “I figured that out by now, doofus.” Tommy quietly laughs, turning towards her. Silence commences.

Y/N’s heartbeat bangs loudly against her ribcage as she leans in. She pauses, just short of kissing him. Y/N wants to make sure he is okay with going further. Fortunately, hesitation is not in Tommy’s vocabulary. Her eyes close once she feels his lips on her own. His warm hand cusps her face, gently stroking his thumb on her cheek. His abs contract as he rests his back on his towel, his left arm propping up his head.

She lays to left of him, her face creating contact with his. Her hair falls over to the side, moving slightly with the ocean wind. Tommy’s hand rests on the small of Y/N’s back, as the warmth of his body pulls her in further. Running her hands through his hair, she gently pulls. A small groan is released from Tommy throat, rumbling Y/N’s chest. An innocent gesture but not so innocent reaction. 

Tommy smiles warmly when the kisses end, fireworks going off in his stomach. Y/N pulls herself up and sits facing the black waves, turning shy with the shared intimate moment. “Come on, let’s go for a swim.” Tommy proposes, rising to his feet and pulling off his gray sweatshirt. His toned stomach pales in moonlight, his crucifix necklace dangling down over his chest. His orange swim trunks are loosely draped over his prominent hip bones. 

“Like what you see?” Tommy teases, flexing his biceps. “As if, loverboy.” Y/N retorts with faux annoyance. She grips the bottom hem of her black top as she reveals her swimsuit, shedding her pants. It’s now Tommy’s turn to gawk. He stands like a little kid, with his hands relaxed at his side, his jaw slack. Y/N takes this as an opportunity to rush into the waves, splashing Tommy with the lukewarm water. 

“Hey! Come here!” Y/N giggles as he rushes over to lift her up off the ground. He spins her around once, laughing. Her eyes widen in thrill as he lifts her up even higher, getting ready to toss her into the water. Her legs kick in excitement as she grips onto his shoulders. “Ah, Tommy!” She giggles, not wanting him to let go of her. Her eyes lock with his own once again. 

Her laughter fades as they gaze at each other. Tommy’s adam apple bobs when he swallows thickly. He’s nervous. She feels herself being let down by the taller. Y/N stands now confused by the change in mood. “Y/N,” Tommy calls, more declarative than interrogative. “Can you be mine?” The water around her ankles feel colder than before. 

She nods, gradually getting faster with her confidence. “Yes, yes, yes,” Wrapping her hands around Tommy’s waist she pulls him in for a quick peck. “A thousand times yes.” She turns to exit the water and put her clothes back on. Her boyfriend follows, now noticing the Firebird that’s been there for over an hour. “Are you kidding me? Johnny’s here?” He whines, falling to his knees, his fists pounding the soft sand. 

Y/N giggles, amused by his dramatic ways. “Hey, let’s get some fries downtown? Johnny can take us.” Tommy gets up off the ground, grabbing his towel and Walkman. “Fine, it’s a deal. Race you to the car!” 

[kaypeace21]

Coincidences? (Or foreshadowing of  romantic endings?)

color me delusion over “ pointing out meaningless coincidences” but I still can’t get over the tv references most likely hinting about certain couples not being endgame. 

Sorry, i just don’t think it’s a coincidence that El in s2 watches ‘all my children’ where she mimics  Erica Kane who (in the ep she is watching) rushes into a relationship/elopement with a writer named Mike Roy, after a traumatic experience ( and the 2 end up  not being endgame ). And the relationship gets messy and involves stalking .

 Then in s3, Joyce watches Cheers (”rescue me”),  and Jopper is  compared to Dianne and fraiser. Diane says as joyce is listening to the tv “He had a couple of sips of Chianti tonight and asked me to marry him.” . At dinner Hopper orders a chianti while being stood up by Joyce. And Dianne and Frasier don’t marry and are also not endgame, cause Dianne stands him up at the alter. The other ep of cheers she watches in s3 (was in the Bob/joyce flashback) , and was called “ the rebound part 2″ in reference to Fraiser (aka Hopper) being the rebound. He’s just a rebound to Bob-why she’s thinking of Bob after Hopper asked her out.

Then Hopper in s3 also watches a magnum pi rerun from 1980-  the 2 ep pilot is called “don’t eat the snow in Hawaii”. Magnum ( solving crime with his colorful Hawaiian shirts, similar to Hopper) kisses Alice who he has a history with. Alice promises to come back so they can be together (like Joyce with Enzo’s)-but it’s a lie and she never shows up again in the series and they aren’t endgame either . Also, when Joyce in ep 8 accepts the date- Hopper says he can’t do so at a certain time because he and El watch Miami Vice. The main cop in that also has a will-they wont they relationship (for several seasons with a female detective who was also a main character (like Joyce- aka ‘detective Byers’).  AND THEY ALSO WERE NOT ENDGAME. ”Gina had an on-again, off-again relationship with Crockett, who was on the rebound after divorcing his wife, Caroline. The relationship faded out as Gina realized they mainly got together when one or both needed someone. Crockett was very protective of Gina, and had some jealousy when Gina was involved in relationships with other people …but was the first one to be there for her when things went wrong.”

-Also, In s2 Hopper angrily turns off cheers (Ep : ‘Sam turns the other cheek’). Causing  jopper to (maybe?) also be compared to Sam and Diane from cheers too. Who have a long ‘will they won’t they’ relationship for more than 5 seasons (and used to date). And are also not endgame.The ep that plays in s3 that Joyce watches - has Diane say that Sam abuses her and  mentions how they constantly argue (just like s3) but she says she can’t stay away because she loves him. A guy hearing this says “if you ever get tired of him and want a normal quiet life, think of me.” And this is also at the same time she’s reminiscing about being with such a guy- Bob (while watching the show). It pretty much reflects what Murray said about jopper. Hopper reminds her of a “bad relationship”(Lonnie)- but she can’t help wanting to hook up with Hopper.  Despite “wanting to settle down with a nice guy (like bob).” Sam even was an alcoholic ex baseball player (Like Lonnie forcing Will to play/having beer cans everywhere) and Dianne having mental health issues (like Joyce).

Glen and Les Charles (just like the Duffers were brothers who created a show -cheers) . Their explanation about why Dianne and Sam didn’t end up together despite all the seasons of ‘will they won’t they ‘ echos jopper’s dynamic to a T . And I believe the Duffers are emulating Sam/Dianne and these fellow bro-writers.“Sam & Diane were so different. Their relationship (for comic and dramatic purposes) was fraught with conflict. Most of our time was spent devising new, funny, and fresh complications for them. Projecting forward, I believe they would driven each other insane had they gone off hand-in-hand – each with the best intentions, but ending with restraining orders. “

Pretty much. the moral of sam & diane’s story according to the Charles brothers was ‘there may be someone in your life you long for but deep down in your heart of hearts you know they’re wrong for you.’ And i think the duffers are using this inspiration from a fellow brother writing team (from the 80s) in regards to Jopper.

 Then in regards to Lumax. Max and Lucas wear shirts referencing the couple from that 70s show. Max -is donna the feminist, tomboy, red-head, who doesn’t take sh*t. What’s interesting is lucas wears one of eric’s shirts from when they’re broken up and he’s fliritng with other girls- and earlier in the season Max called Lucas ‘Don juan’ (a name for a player- so it’s probably foreshadowing for s4.)

Max is also paralleled to 2 film characters Lucas doesn’t like- Michael meyers & Winston. Lucas: “ I specifically didn’t agree to Winston…nobody wants to be Winston, man.” Mike: “what’s wrong with Winston?”Lucas: He joined the team super late.Mike: yeah , but he’s still cool.Max being cool and joining the party late probably means she’s supposed to be Winston, right? it’s like how Lucas and dustin in s1 dissed el and said she was like Michael Myers. Cue max in her Michael Myers mask

- Also, the tv parallel of El (in s2) mimicking Erica Kane and pretending to be with a fictional Mike Roy. Also parallels Karen/ Billy. In s2, before she meets him she’s reading a romance book that has a guy that resembles Billy on the cover. The Duffers even mentioned they changed the cover to show the resemblance between Billy and the fictional book character. And we see Karen reading the sequel in s3 before Billy appears. Both El and Karen don’t/didn’t love Mike or Billy- they just projected onto them fictional characters they were infatuated with.Max also is said to do something similar- as the costume designers have Lucas dress up like “Max’s crush”- the karate kid (to impress her) and “be like him”.

I mean maybe I am “crazy” but this seems more like overt foreshadowing about these pairings not being endgame.  I could be wrong but I really do believe the Duffers throw in details to foreshadow and allude to things occurring in the story. In a video (7:41) the Duffers mention how they had El in s2 watch Frankenstein on tv to indicate her emotionally state in the cabin feeling “cut off from the world” and “like a monster”. So I don’t think it’s a stretch-when they’ve already admitted what their character watches on tv pertains to something regarding that specific character . ( So why can’t what a character watches on tv (or read) also foreshadow them not ending up with a particular person?)

Then you have the Stalking elements...

Lumax is paralleled to mileven and jancy which have stalking elements, specifically stalking their future partner (lucas being called a ‘stalker’ for stalking Max, el spying on mike and saying “I make my own rules “ -ignoring his discomfort , Jonathan taking pics of nancy unbeknownst to her- although he apologized ) . And although, not as direct of a parallel as the first 3- Hopper spies on mileven kissing  and eavesdrops on Joyce’s move. At the snowball, Lumax and mileven danced to ‘every breath you take’- a song about a bad break up and a stalker ex . The writer of the song also has said many times “it’s NOT a love song.” The duffers obviously knew that. Lumax also danced to it and Lucas was called a ‘stalker’ before they go to the dance floor- to emphasize this point. El also stalked Mike in s2 (all that stuff milevens found romantic- El watching him without him knowing. Mike says he was not ok with it in s3). And in s3 when he said not to do that  she just says ‘i make my own rules’.

* lumax also danced to ‘time after time’ which is also a song about a breakup. And, Max in s2 when  arguing with Lucas’ says “ you guys act like you want me to be your friend but then you just treat me like garbage” (paralleling mileven when El said mike treated her “like garbage” in s3 , before she dumps Mike.)

You can read about more of these “coincidences” or what I’d like to think are purposeful parallels HERE. Warning there’s a lot of parallels.

[mhaccunoval]

dude, could you give me movie recommendations then??

mainly i said i should stop giving recommendations because my movie tastes and opinions are Wack sbshjsbjhsbs but i will make an exception <3

i mostly just scoured my letterboxd (@/eroscalling ;] ) for movies i’ve really liked in the past year or two so sorry if you’ve seen some sbshjsbsh a lot of brain worms here sbsjhbshs

❥ freaked (1993)

it was inevitable that something alex winter and/or keanu reeves would show up on here but HERE ME OUT !!! you may think to yourself in the first ten minutes that ‘WOW this is terrible’ and you’d be right because the comedy IS awful except. it’s SO awful you have to laugh. and THEN it gets better from there, i swear. there’s the dichotomy within ricky over being himself AND a monster, some found family, and a happy (yet still hilarious) ending to it all. it’s quite insanity inducing 

[actual description: child star ricky coogan is interviewed on the story of him flying out to a small country in south america to help promote a fertilizer that’s been banned in the US, only to end up at a desolate freak show with his two companions (one new, one old) and have to find a means of escape after a mad scientist has turned them into attractions themselves]

———

❥ private romeo (2011)

another one i’ve been kinda back on my bullshit about sbshjsbsh but it’s SO good !!! i’m sure there are other gay romeo & juliet adaptations out there but this one is just. amazing and sets itself apart from all of the others. seth numrich and matt doyle’s acting and chemistry? IMMACULATE !!! pretty early on the dialogue switches from modern speech to recitation of lines from the play but everyone’s body language and interpersonal relationships with one another really SELL the plot and help you understand it, even if the words are a bit difficult for the average person to comprehend (also it was the film yassen and i got together because of so sbshjbshs)

[actual description: one weekend, the higher ranking officers and a few top qualified students at a military academy go on a training retreat, leaving a decent sized group of students at the academy unsupervised and with their copies of romeo & juliet they’re beginning to read in their english/literature class; as the weekend progresses, two students, sam and glenn, begin to realize that their feelings for each other have bloomed and progressed, causing them to do their best to stay together]

———

❥ the personal history of david copperfield (2019)

I JUST THINK THIS MOVIE (and dev patel) IS NEAT !!! i have no basis on how it compares to other adaptations or the book but i reallyyyy like this one as it is !!!  i think the dynamic transitions in the timeline and the coloring work REALLY well in moving the plot forward and making every character, or at least every event in david’s life, very unique and stand out from each other. and i LOVE the cast... love the inclusion of at least a Few actors of color and just the way everyone plays off each other... it’s just so wholesome and the adventure really grips you every second

[actual description: following the publishing of his book, autobiographer david copperfield reads it aloud in front of a theatre audience, detailing the shenanigans and relationships he’s grown up with and how they’ve affected, creating the person that he is today]

——— 

❥ billy elliot (2000)

everyone say thank you to young jamie bell for your rights. yeah no this movie is SO heart-clenching AND heartfelt... at first you’re just like ‘yeah, you know, this is alright’ but then it punches you in the feels... just... billy’s journey to find something he’s passionate about and actively pursuing that passion... his relationship with michael and his family... the general atmosphere created by the hardships at the time and how they reflect on the elliotts’ home life... the only reason i haven’t gotten around to rewatching it is because i know it will make me SOB...

[actual description: young billy elliott is the son of a miner in northern england during the mid 80s, dealing with how the miners’ strikes his father and brother are partaking in are affecting their financial situation while simultaneously coming to terms with a small interest in ballet and trying to chase that interest, in spite of what his father and society have to say about it]

———

❥ the half of it (2020)

yes another gay film and another coming of age film <3 what of it <3 it’s so good and unconvential though... it’s not your typical nerdy girl and jock get together at ALL— spoiler: it’s no where close to even being a plot point. paul and ellie’s friendship is !!! so beautiful though !!! there’s so much trust and platonic love there !!! and also !!! a chinese MC which, as we all know, is very rare in hollywood, especially under uh ellie’s ‘circumstances’... it’s yet another heart-clencher and is just very feel good...

[actual description: realizing he has a crush on one of the most popular girls in school, young paul turns to the girl in his grade who everyone pays to write their essays for them, as he’s not the most eloquent writer himself, and asks if she’ll help him write his crush love letters to win her affection; ellie is at first reluctant, but eventually realizes the money could help keep her and her father afloat, finding some feelings of her own along the way]

———

❥ the farewell (2019)

i was going to stop at five but i couldn’t decide between this or the half of it so you get both !!! the farewell is soooo sweet and tear-jerking... you get a real sense of the main family’s bond and love for each other, as well as a bit of a culture shock if, like me, you’re a westerner who doesn’t know the full extent of the intricacies of chinese families and the culture in general. every character is unique and dynamic, each having wonderful portrayals of their individual flaws and reactions to every step of the journey that they’re going through. not to mention, i would assume a lot of first gen / children of immigrants can really relate to billi’s experience of basically having two halves of herself, the american side and the chinese side, and the struggles that come from being thrown into that situation... it’s just... Perfect

[actual description: billi is a young woman in her 20s who is having trouble managing her life, only to have to put it on hold when her parents reluctantly tell her that her grandmother has been diagnosed with lung cancer and that the family is going to come together in case this is their last opportunity to; the twist is that they all must keep it a secret from the grandmother that she is even sick, which is a secret billi has a hard time keeping]

[purplebunniboy]

Retrograde Character Masterlist

I lied, here are all the characters. I’ll do in depth backstories later.

This probably isn't EVERY character but it's damn near close and just some basics about them that are totally subject to be altered or expanded upon later

---

Afton Family

Michael Frederick Afton/ Fritz Smith/ Mike Schmidt:

Thick curly brown hair, hazel green eyes, grey tshirt with rolled sleeves, tucked into jeans// scars along his face, torso, and arms

Born October 7th, 1969 to Sandra Schmidt and William Afton

The oldest of the Afton children

Loved baseball, got his first bat from Henry

Scar across his nose came from a fight, hand scars came from attempting to pry open Fredbear's mouth during the bite, arm scar came from encounter with the Nightmares, torso scar came from getting scooped, various other scars from animatronic encounters

Fox mask bully, Dayshift worker at Freddy Fazbear’s in 1987, Technician at Circus Baby’s Pizza World and Party Rentals, Nightshift Security Guard at Freddy Fazbear’s in 1998

William David Afton:

Shiny dark hair, soft blue eyes that turned grey the first time he “died”, well-groomed and cared about his looks

Father of Michael, Elizabeth, and Cassidy Afton; Spouse of Sandra Afton

Co-owner of Fredbear’s Family Dinner, Freddy Fazbear’s Pizzeria, Circus Baby’s Pizza World, Fazbear Robotics and Fazbear Entertainment inc.; Owner of Afton Robotics LLC

Cunning, charming, and extremely persuasive, could find out absolutely anything about anyone and use it against them to get what he wanted

Extremely theatrical and loved going over the top in performances, 

Loved robotics and excelled at crafting learning AI, but could never perfect it how he wanted

Drove himself mad with the idea of immortality and legacy

Absolutely hated being called Billy

Did love his kids, at least originally, he’s only Somewhat a heartless monster, but there’s something still beating in that chest of his

Cassandra “Sandra” Bella Schmidt:

Denim jumpsuit, dyed blonde hair, hazel green eyes

Mother of Michael, Elizabeth, and Cassidy Afton. Spouse of William Afton

Was a Broadway actress but left her career behind to marry William and raise her family

Very soft-spoken, only confident when she was on a stage under the spotlight

Had a beautiful singing voice and would often sing her children to sleep, especially if they woke up from night terrors

Elizabeth “Lizzie” Rose Afton:

Dark strawberry blonde hair curled into tight ringlets and pulled back into two ponytails with red ribbon ties, bright green eyes, often wore a lot bright colors

Born May 12th, 1979. Died February 1986

The youngest of the Afton children

Suspected of being the product of an affair as her looks did not resemble her father’s

Did whatever it took to get her way and was very cunning about how she went about doing that

Liked to sing with her mother and was very musically inclined

Evan “Ev” Afton:

Thick brown curls that often fell in front of bright green eyes, white collared shirt a large black tshirt with two white stripes across the chest

Born October 31st, 1975. Bitten by Fredbear October 31st, 1983. “Died” November 5th, 1983

The middle child of the Afton children

Was never the best at communicating with others, complained a lot, fought with his brother constantly at home

After witnessing Charlie’s unaliving, became traumatized and cried all the time

Had a large collection of stuffed animals but was usually carrying around at least one of the Fazbear Plushies

---

Emily Family

Henry Emily

Shoulder length hair always swept or pulled back out of his face, dirty overalls, hands are never clean

Father of Charlotte and Samuel Emily. Spouse of Donna Emily

Treated all the robots the same way he did his own children

Caring and understanding but had a short temper and lacked patience, especially when under a lot of stress

Extremely talented in robotics, excelling in them from an early age. He could make anything look lifelike and real.

Preferred the comfort of his garage workshop over really showing his face

Donna Fitzgerald:

Big and poofy dark hair, dark eyes, high-waisted acid-wash jeans, pink wool turtleneck

Mother of Charlotte and Samuel Emily. Spouse of Henry Emily.

Strong-willed and very loud about her opinions on things.

Very supportive of Henry’s passion with robotics even if the whole topic gave her headaches when she attempted to wrap her brain around the concept

Charlotte “Charlie” Emily:

Denim overalls decorated with marker drawings of flowers, green striped tshirt, green wrist band, untamable brown hair pulled into two high pigtails

Born June 26th, 1978. Died April 5th, 1983

The younger of the Emily children

Extremely empathetic and caring, always went out of her way to care for children smaller than her, wanting them to feel loved and accepted

She was never afraid to get dirty, she always colored outside of the lines on purpose, she wanted to do the daring and unexpected.

Carried around a porcelain doll that was styled like a black and white jester

Her robotic counterpart was the spitting image of the real one

Robotic Charlie was much more sensitive and much more analytical of the world around her

Samuel “Sammy” Jeremy Emily/ Jeremy Fitzgerald:

Born June 24th, 1970. Bitten by Mangle October 7th, 1987

The older of the Emily children

He was always a very gifted child, excelling in mathematics from a very young age, but hit gifted kid burnout by the time he hit highschool

Never had much of an interest in robotics

Patient and gentle, he preferred to keep to himself and would often seek out quiet places he could be alone

Jennifer “Aunt Jen/Jenny” Emily:

Older sister of Henry Emily

Always had an interest in robotics and passed her skills on to her baby brother

Fiercely loyal to family she would do anything she could to protect them and keep them happy, especially Henry since he was the only family she really had left

She was strong-willed, even in her younger years, and able to hold her own very well

---

Before the Bite

Michelle “Mitchie” Peters:

Spiky short brown hair, green t shirt, blue boy shorts, green sweatbands

Bear mask bully

Older sister to Gabriel Peters

Died July 4th,1985

Michael’s closest childhood friend

A tomboy, closet case, and had a major superiority complex or at least pretended to have one

Called the Mama Bear of the group due to her caring deeply for her friends but aggressiveness towards everyone else

David “Davie” Kennedy:

Wavy black hair, red polo shirt with a popped collar, blue bunny mask

Bigger kid and designated meat shield of the group.

Willing to defend his friends to his dying breath.

Inside, he had a soft core. He was the one who would check on each of them, asking if they were ok and if they needed help. His soft core often got him teased by his friends but it never stopped him from wanting to make sure they were always safe

Bunny mask bully, Technician at Circus Baby’s Pizza World and Party Rentals

Christopher “Chris” Houghton:

Short curly dark hair, long sleeve blue shirt

Chicken mask bully

Never left the arcade, living that sweet gamer life

Liked to run his mouth and always needed to have the last word

Vanessa “Nessa/Ness” Abernathy

Dark hair, rainbow clip extensions, dark eyes

Born December 24th, 1970. 

Knew Michael in school, had a crush on him, he was the first one to ever call her Ness and the only one she ever let call her that

Took a robotics class because of him and also got really into coding

Influenced by William and eventually taken completely under his control. She was his eyes and ears in the outside world. Talks to him through the Spring Bonnie plush when non-possessed

Poses as Mike’s therapist to keep an eye on him for William

Matthew “Matt” Griffiths

Older man though no one was sure how old he actually is or if he can even die, choppy hair, thick rimmed glasses

Phone guy

Dayshift worker/ Training Manager at Fredbear’s Family Diner, General Manager of the first Freddy Fazbear’s Pizzeria

Loyal to the company but also put his own well being and safety before anyone else’s

Would not stick his neck out for anybody on his own

Blunt and standoffish, sometimes considered rude though he was never rude to customers or kids

One of Afton’s first “puppets”

---

Party of 1985

Susan “Susie” Waylar:

Messy golden blonde curls, blue eyes, pink shirt, bedazzled jeans

Older sister of Samantha Waylar

Best friends with Gabriel Peters

Died June 26th, 1985. Stuffed into Chica

Extremely energetic and always told she should settle and be quieter like her sister

Despite being super messy, constantly having gunk in her hair and under her nails, she had an unnatural ability to always keep her dresses clean

Gabriel “Gabe” Peters:

Straight light brown hair, striped shirt beneath denim overalls, missing front tooth

Younger brother of Mitchie Peters

Died June 26th, 1985. Stuffed into Freddy Fazbear

Stood up for the smaller kids whenever possible

Energetic, never able to settle, and outgoing. Impossible to ever see him not smiling

He was clumsy and always getting hurt accidently.

Best friends with Susie Waylar

Cassidy “Dee-Dee” Richards:

Dark hair always pulled into two uneven pigtails, always wearing yellow

Died June 26th, 1985. Stuffed into Golden Freddy

Pulled a lot of pranks, some lighthearted, some not so much.

Threw tantrums to get what she wanted.

Always wanting to be first, always wanting to come out ahead, always 

Jeremy Velasquez:

Died June 26th, 1985. Stuffed into Bonnie

A generally shy kid who’s loud and energetic around his friends

Started growing out of Freddy’s pretty early on

Susie felt bad for him and invited him to hang out with her and Gabe

Frederick “Fritz” Parker:

Messy auburn hair, pastel pink polo shirt

Died June 26th, 1985. Stuffed into Foxy

Aggressive and rude, rather abrasive and destructive

---

Party of 1987

Pete Dinglewood:

Brown hair, red letterman jacket, backwards baseball cap, prosthetic hand and glass eye after being hit by a car and barely surviving.

Died October 4th, 1987. Stuffed into Foxy

Older brother of Charles “Chuck” Dinglewood

Always sticking gum under the tables in the party rooms

Alec Wilkins:

Blonde curly rocker mullet, sci-fi movie shirt with cut off sleeves, braces

Died October 4th, 1987. Stuffed into Freddy

Older brother of Hazel Wilkins

Could be rude at times, always got himself into trouble and pinned with the “problem child” title

Toby Billings:

Fluffy brown hair, mullet, reminds Michael of Cass, pullover sweatshirt with an athletic team’s logo on the front, always putting stuff in his mouth

Died October 4th, 1987. Stuffed into Bonnie

Younger brother of Connor Billings

Wanted to have the highest scores in the arcade

Cracks his knuckles when he’s lying or when he’s nervous which most people will loudly say is gross and annoying

Millicent “Millie” Fitzsimmons:

Dyed black hair always teased and pinned on one side, always wears a lot of black and intense black makeup

Died October 4th, 1987, stuffed into Chica

Best friends with Alec

Lives alone with her grandfather, who is sometimes hired by Fazbear’s or Afton Robotics to fix any minor technical malfunctions with the animatronics

Was there during the grand opening event of Circuse Baby’s when Elizabeth was killed in 1986

---

Around Town

Connor Billings:

Brown hair, square face, very hyper and always laughing even if the joke isn’t funny

Phone dude

Older brother of Toby Billings

Became obsessed with the mysteries of the place after looking into the 1987 deaths more

Collected old remnants of the closed down restaurants.

Hired by Henry to find the stuff still haunted to put into Fazbear’s Frights, no questions asked

Lowkey scared of Michael saying, quote, “the guy just gives me bad vibes”

Samantha Waylar:

Older sister of Susie Waylar

Quieter, though who’s to say that equals maturity 

Preferred to keep to herself and her books

She knew how to stand up for herself and was actually better at telling kids off than her sister was

Swear she loved Oliver more

Stanley Martinez:

Technician at Circus Baby’s Pizza World and Party Rentals

Was into tech most of his life.

Known to be a generally kind man, putting others and their well being before himself

He was never one to snoop around and would prefer staying out of other’s business

Clayton “Clay” Burke:

Father of Carlton Burke. Spouse of Betty Burke

Chief of police. Was a detective when the 5 murders happened, worked on the case.

Though he is at times a little air headed, he is very caring of those around him

Carlton Burke:

Ginger hair, dark clothing

Only son of Carlton and Betty Burke

Childhood friends of Charlie, John, and Jessica

Always the kind to crack jokes when the mood was down and laugh in the face of danger.

Art and theatre kid

John Aowyn:

Messy brown hair, white shirt, brown leather jacket

Childhood friend of Charlie, John and Carlton. Had a crush on Charlie

He was a writer and constantly lost in his own fantasy world that sometimes it was hard to pull him out of

Jessica Sinclair:

Shiny light brown hair, brown doe-eyes, always clean cut, fashionable clothing, contagious smile

Childhood friend of Charlie, John and Carlton

Fiercely loyal to her friends, and would do anything to protect them. She hated seeing them sad or hurt and was always there with bandaids and snacks the moment they needed her

Very perceptive and smart, she had a love of forensics and her friends would often put on mystery hunts just for her

Leslie Dunn:

Round face, light hair, police uniform

Police officer/ Detective

A bit blunt at times though not with the intention of being rude

A bit awkward at times

Jack Flores:

Younger man, greasy hair, bright eyes

Nightshift Security Guard at Freddy Fazbear’s Pizzeria

Overly curious, couldn’t keep his nose out of other’s business

[nerianasims]

Billboard #1s 1988

Under the cut.

"So Emotional" -- Whitney Houston -- January 9, 1988

It's either a song about cheating or about being hung up on an ex. She's got a love of her own, but she's "so emotional" with this other guy, and keeps a picture of him by her bed. Um, does the other guy know this? Maybe she needs to have sex with the other guy so she stops being obsessed with the touch of the previous one. It's a dance song, and I like the beat, but it's painfully repetitive in the second half. Also, while I've known the chorus to this song very well since it came out, I thought it was a normal love song until I looked up the lyrics just now. Houston doesn't sing it like she's in any pain -- well, except I bet her throat hurt from the oversinging.

"Got My Mind Set on You" -- George Harrison -- January 16, 1988

Super repetitive lyrics. But the music's really fun, and I love what lyrics there are. I wish there weren't so few, though. "It's gonna take a whole lot of money" harks back to the many Beatles songs where they sang proudly about spending money on women they loved. Still, this is an example of how George was the best solo Beatle eventually. The video's cute, too, and obviously lampshades the idea of George Harrison doing backflips and dancing.

"The Way You Make Me Feel" -- Michael Jackson -- January 23, 1988

Michael Jackson was no Janelle Monáe. On so many levels. In this case, he wasn't anywhere near her artistic standard. This song does have the lyrics "Oh I'll be workin' from nine to five/ To buy you things to keep you by my side," but it sounds more like a Beatles rip-off than a tribute. I actually didn't remember this song at all, and the video is one of those annoying 80s ones that takes an entire minute to start the song. Then Jackson does a whole bunch of "woos" and "ows" and all that stuff he did that worked in moderation. But "moderation" was not what he was doing in 1988. In any way. He actually oversings in this. I turned it off halfway through. And immediately turned to Janelle Monáe's "The Way You Make Me Feel," which I adore.

"Need You Tonight" -- INXS -- January 30, 1988

This is one of my favorite songs. It's incredibly sexy, obviously. I didn't really notice it until I was around 15, and then I NOTICED it. As I got older, the song got better. The lines "You can care all you want/ Everybody does yeah that's okay" have meant so much to me ever since I started dating seriously. Because caring was not what you were supposed to do.

Anyway, this song is phenomenal and I love it.

"Could've Been" -- Tiffany -- February 6, 1988

This song was #1 for two weeks, and all the previous ones from 1988 have been one week. How? It's a heartbreak song that starts with the lyrics "The flowers you gave me/ Are just about to die," which is painfully on-the-nose. They'd probably work in a country song, but this is lite pop, not country. Tiffany occasionally seems to be trying to do some country stuff with her voice, which is smart. But that's not enough. It's not a terrible song, but it does nothing for me. I don't remember ever having heard it before.

"Seasons Change" -- Exposé  -- February 20, 1988

Speaking of songs I haven't heard before. I like this one though. The music's pretty interesting, especially the melody. The singing's excellent. And the music behind "seasons change/people change" sounds exactly like some of the music from Persona 4, so I wonder if Atlus' composer was influenced by it, unconsciously or not. It's just a couple notes, though. Lyrically, the song is about being in love now but realizing it might not last. It's good. I'm gonna look up more of their music.

"Father Figure" -- George Michael -- February 27, 1988

The music for this song is great, and George Michael as usual sings wonderfully. But um. There are some kinks that make me run screaming even when they're really mild. "I will be your father figure/ Put your tiny hand in mine" are two of them. So if you enjoy this song, I'm happy for you, it's musically lovely. I will be going to take a shower now.

"Never Gonna Give You Up" -- Rick Astley -- March 12, 1988

There was a time when I would have easily been able to have an opinion on this song. That time was long ago. It's hard to hear as a song now, rather than an internet meme. But I will not give up. (The video has almost 9 million views, sheesh.)

Okay so they're friends and now he wants a relationship. He says "You wouldn't get this from any other guy," which is a total jerkass line. Other than that, the lyrics are -- oh who am I kidding, I can't do this.

"Man in the Mirror" -- Michael Jackson -- March 26, 1988

I try to separate the art from the artist. That's in both positive and negative directions. If I love someone's art, that doesn't mean they're a good person. If I hate it, that doesn't mean they're a bad person.

This song, though -- "I'm starting with the man in the mirror/ I'm asking him to change his ways" -- uh yeah. Liar. And it's wedged in with all this "oh you should care about all the starving kids and homeless people" self-sanctification that Michael Jackson always protected himself with. This song disgusts me.

"Get Outta My Dreams, Get Into My Car" -- Billy Ocean -- April 9, 1988

Speaking of disgust. Yay street harassment!  I've never heard anything bad about Billy Ocean as a human being though. But I'm not listening to more than 5 seconds of this song. Gross.

"Where Do Broken Hearts Go" -- Whitney Houston -- April 23, 1988

She's singing to a man she wants to get back together with after they decided they needed some "space." There's a lot of naivete in the song -- "And if somebody loves you/ Won't they always love you?" No. Even if they do still love you, that doesn't mean it will work. But maybe it will. I've never gotten back together with someone after a breakup, though I've been asked to many times (percentage-wise.) I've always had an allergy to it, both because my parents got back together after divorcing and should not have, and because I had a friend who broke up with her boyfriend and got back together with him at least 8 times in the space of a year and I had to keep hearing about it.

So this song doesn't really speak to me. But it's pretty good. Houston sings it well too, reigning in the oversinging until near the end.

"Wishing Well" -- Terence Trent D'Arby -- May 7, 1988

That's an awesome name. The writer of this song said he wrote it when he was half-asleep, which makes sense. "Butterfly tears", okay, just poetry, but you want to fall in love near a well of crocodile tears too? Doesn't that mean you're faking? I like the song though. It's sort of funk, but softer than full-on funk. I like the way D'Arby sings it. The whistling part (keyboard whistling) is very enjoyable. It's a fun song, and one I do remember from the time.

"Anything for You" -- Gloria Estefan and the Miami Sound Machine -- May 14, 1988

A pretty breakup song. But, of course, I have an issue. "I can pretend each time I see you/ That I don't care and I don't need you/ And though you'll never see me cryin'/ You know inside I feel like dying." Well that makes his life a lot easier, doesn't it. The whole song is about how she'll do anything to make him happy. Urgh. She needs to tell him to get out of her life so she can make a brand new start.

"One More Try" -- George Michael -- May 28, 1988

Yet another heartbreak song. It's not surprising that I remember so few songs from this year. I feel like I'm back in the 60s before The Beatles again. Though this year is musically better, I'm still bored. Anyway, in this one, the narrator doesn't want to try again, and he keeps addressing the person he doesn't want to try again with as "teacher," which is... a thing. The only time he seems willing to try again is the very last line, which is "Maybe just one more try."

It's slow, it's pretty enough, it would be unbearably boring if George Michael weren't such a good singer. I'm bored anyway. No wonder we ran screaming from anything smacking of this kind of thing in the early 90s. I feel stupid and contagious.

"Together Forever" -- Rick Astley -- June 18, 1988

He certainly had a brand, didn't he? The song title tells you everything you need to know about the lyrics. The song sounds a lot like "Never Gonna Give You Up," but much more boring. A massive drum machine intro can't carry this. I do recognize the chorus, but that's it. The song is fine, really. But that's it. It sounds like a lesser knockoff of "Never Gonna Give You Up."

"Foolish Beat" -- Debbie Gibson -- June 25, 1988

Heartbreak song. Sigh. There's a nice cheesy saxophone that I like, at least. She left him and she regrets it and thinks "I could never love again/ The way that I loved you." Nope, it's never the same. That doesn't mean it's worse. It's often better. I'm not listening to the whole thing, not even in case the sax comes back. The song's too dull.

"Dirty Diana" -- Michael Jackson -- July 2, 1988

It's about some groupie trying to seduce poor widdle helpless Michael. I don't remember ever hearing this song, and it's musically whiny too. Yuck. So much yuck.

"The Flame" -- Cheap Trick -- July 9, 1988

Heartbreak. Song. Again. "You were the first, you'll be the last" oh no they won't. I entirely approve of being honest about heartbreak, but this year is just crushing with the monotony of it. At least there's a beat to this one.

By the way, in the video, the lead singer's hair appears to be made of straw. Ah, the late 80s, when people thought cooking their hair was the way to go.

"Hold on to the Nights" -- Richard Marx -- July 23, 1988

A heartbreak song in disguise. He's in love with this woman but they can't be together. Are they cheating? I don't know. I don't care. It's so boring, words and music both. Even the piano is blah.

Speaking of late 80s hair, it looks like Richard Marx used an entire can of Aqua Velva on his in the video.

"Roll With It" -- Steve Winwood -- July 30, 1988

This was a #1 hit for four weeks, and I know why. It's not boring! Or depressing! It's got kind of an old-fashioned soul sound: Horns, groove, lyrics. When life is too much, roll with it baby. Not profound, but this is a really good song. One I've heard quite a lot, too, on purpose and everything.

Also, Steve Winwood's hair would work fine today. Coincidence?

"Monkey" -- George Michael -- August 27, 1988

This is actually kind of a heartbreak song, but not really. The one he loves has a "monkey" on their back and he wonders if they love it more than they love him. Addiction is my guess. It's a high-energy dance song, though -- it sounds a little angry, not sad at all. I find the melody sort of dull, but at least there's a beat. But I'm sorry, "Why can't you set your monkey free" is an absolutely hilarious lyric, and I can't take this song seriously in any way.

I think I had the hat George Michael's wearing in the video.

"Sweet Child O' Mine" -- Guns N' Roses -- September 10, 1988

Okay, yeah, sort of a heartbreak song, the relationship sounds like it's a mess with "where do we go now?" sung a zillion times. But it's so good. SO good. And it's rock. It's no wonder that it's one of the few songs that have stayed around from this list. It's not some kind of mass-produced pap without personality. Only Guns N'Roses could do this. Great song, I love it, and I love it more knowing what came before it. Man, Slash can play.

"Don't Worry, Be Happy" -- Bobby McFerrin -- September 24, 1988

Yeah, I'm guessing people were horribly sick of all the overproduced depression on the charts this year. A lot of music critics, and other critics, were really nasty about it because of the simplicity of its lyrics and its earworm-ness. And we made fun of the phrase plenty as young teens in the 90s. But now? I think it's pretty good. Philosophically, it's a mess, but the music isn't serious so I don't think we're supposed to take it seriously. And I like a-cappella. It was played way too much back in the day, though.

(Robin Williams is in the video, which made me tear up. Oof.)

"Love Bites" -- Def Leppard -- October 8, 1988

Technically about heartbreak I guess, but I feel like they're lampshading all the songs from this year which may as well have had the same title. Probably not intentionally. I can't take this song the tiniest bit seriously. It's rock, but not with a lot of personality. Any hair metal band from the time with interchangeable bleached blond frontmen could have done it.

I think this guy used an air fryer on his hair.

"Red Red Wine" -- UB40 -- October 15, 1988

One is supposed to hate this song, or was I don't hate it. I was a kid when it came out, the pop reggae appealed to me, and I still find it fun. Neil Diamond, the original singer, likes it. I certainly find it more interesting than anything with Neil Diamond singing on it.

"A Groovy Kind of Love" -- Phil Collins -- October 22, 1988

It's a cover of a 60s song. "Baby, you and me/ Got a groovy kind of love." This version is incredibly slow, and doesn't have any interesting drum work from Phil. It doesn't make me angry, but it doesn't make me anything. It's there. My brain wandered off and I started looking at stuff on the internet while trying to listen to it.

"Kokomo" -- The Beach Boys -- November 5, 1988

I loved this song as a kid and no one is prying it from me. It makes me happy when I feel down. I got the Cocktail soundtrack this is on for Christmas in my stocking 1988 -- me and seemingly every other kid, I think the tape was massively on sale. I loved the soundtrack, and I especially loved this song. I will never see the movie. I always felt that the song was a middle-aged man singing to his middle-aged wife ("pretty mama".) Which I thought was sweet. I figured that's what middle-aged people did, went off on vacations to tropical islands sometimes, even though my parents never did. I want to though.

"Wild, Wild West" -- The Escape Club -- November 12, 1988

"Heading for the nineties," hm? Well one of the lines is "give me, give me safe sex," and safe sex messaging being absolutely everywhere was an early to mid 90s thing. It's always funny to hear someone with an English accent sing about something extremely American. This song does sound like it's heading for the nineties musically, which is good. Only heading toward though. It's okay, but not very interesting. The music is repetitive. I got bored halfway though.

"Bad Medicine" -- Bon Jovi -- November 19, 1988

Your love is like "bad medicine" and he's addicted. Like a monkey on his back. What's with that phrase this year? I don't recognize this song. It's overproduced, it's shouty, there's too much going on, and it feels like it's trying too hard. Nope.

"Baby, I Love Your Way/ Freebird Medley" -- Will to Power -- December 3, 1988

I'm used to the 90s cover of "Baby, I Love Your Way" by Big Mountain. And I don't think I'm being biased when I say the Big Mountain version is significantly better. The lead singer of this one, a woman, is way too breathy and mannered.

The "Freebird" portion is bad. Just plain bad. The man singing is also breathy and there's absolutely no oomph. Also a lite, bouncy pop song in which the woman is singing how much she loves the man and the man's like "no I gotta be free" is blech. It does not work.

"Look Away" -- Chicago -- December 10, 1988

This was Chicago's biggest single. The narrator's ex called him to tell him she's with someone new, and he pretends to be happy for her, but wants her to look away so she doesn't see the tears of a clown -- er, no, that's a better song. Same idea though.

A heartbreak song, but I don't mind it, because it's got some blood to it. It's not slow and there's a real beat. Also Peter Cetera wasn't with Chicago any more, so Bill Champlin's the lead singer here, and he's so much better than Cetera it's ridiculous. Champlin brings some guts to the song, he doesn't sing through his nose, and he sounds truly heartbroken. Worlds better than Cetera. So it's a good enough song, if you're in the mood for that kind of thing.

"Every Rose Has Its Thorn" -- Poison -- December 24, 1988

I never minded this song before at all, but I am so sick of this kind of song at this point. Whine whine whine every cowboy sings a sad sad song. You're no Johnny Cash, dude. He said something wrong, he doesn't know what it was, they broke up and he still doesn't know why -- okay, who does this? Actually wait, I know one person who did this, and he keeps saying he has no idea why either of his wives broke up with him and I do because I was there and they told him they would break up with him if he didn't change. Over and over and over and over. And now he's like "poor me, I don't know why this happened. " He probably doesn't, either. He cannot admit fault.

Anyway, projections of my own personal trauma onto a hair metal band aside, the narrator’s ex is now with someone new and he thinks "I never meant that much to you." Maybe, maybe not. Cowboy, change your ways today.

BEST OF 1988 -- "Need You Tonight" by INXS and "Sweet Child O' Mine" by Guns N' Roses. WORST OF 1988 -- "Get Outta My Dreams, Get Into My Car" by Billy Ocean