#beverly luff linn

[anti-anticheese]

AN EVENING WITH BEVERLY LUFF LINN (2018) dir. Jim Hosking

[cwrldpc]

[dierecneps]

Okay but - Aubrey has this great chemistry with both Matthew and Jemaine so MAYBE THEY SHOULD DO SOMETHING ALTOGETHER

[petrapng]

“every girl needs a colin, colin.”

jemaine clement in an evening with beverly luff linn (2018)

[champagneslurpee]

[vulnerasti-cor-meum]

some film conclusions from the past year or so

teaching mrs. tingle is rene girard mimetic theory; and an evening with bevery luff linn is merely rossini's opera l'italiana in algeri; and machester-by-the-sea is faulkner's novel as I lay dying; and jeffrey was probably named after christopher smart's eponymous cat for I will consider my cat Jeoffrey; and I don't feel at home in this world anymore and killing of a sacred deer and love! valor! compassion! all have garden of eden scenes that are keys to understanding the whole film

[confusedraven1]

color study of Aubrey Plaza in An Evening With Beverley Luff Linn I did, like, a year and a half ago

[jmpeytiaotiao]

(I will print postcards to 南京Nanjing SLO, welcome to exchange with me， you can name the full name of the male protagonist and actor in the movie, you can get one) 

(会带去12月份的南京SLO，如果你能说出电影中男主角的全名和演员全名，可以直接领一张)

[sixtiesgogobootz]

An Evening With Beverly Luff Linn (2018) dir. Jim Hosking

★ ★ ★ ★

Totally entirely bizarre, absurd and surreal and I loved every second.

Aubrey Plaza is great as always. Emile Hirsch is

FANTASTIC. Jemaine Clement as Colin is a stand out role too.

The one liners and physical comedy are great - the plot is a little dragged out; this could have been a shorter film for sure. The set design; the costume design; and the cinematography all make up for that though imo. The sound design is quite Lynchian and the movie itself is offbeat in the same vein as a Wes Anderson film. There are some strangely touching, emotional scenes that are unexpected, but that add to the heart of the movie.

All in all I had a blast and I had a MAGICAL evening with An Evening With Beverly Luff Linn.

[cutevirgo]

saw ‘an evening with Beverly luff linn’ and it was such a delightful weird lil freak of a film and they sold it completely

[mwseo]

An Evening with Beverly Luff Linn (Jim Hosking, 2018)

[cwrldpc]

[jasontucker]

An Evening with Beverly Luff Linn

What an oddball movie. Super silly and has Matt Berry, Craig Roberson and Aubrey Plaza.

★★★☆☆

https://en.m.wikipedia.org/wiki/An_Evening_with_Beverly_Luff_Linn

#movie #mattberry

[filmes-online-facil]

Assistir Filme Uma Noite com Beverly Luff Linn Online fácil

Assistir Filme Uma Noite com Beverly Luff Linn Online Fácil é só aqui: https://filmesonlinefacil.com/filme/uma-noite-com-beverly-luff-linn/

Uma Noite com Beverly Luff Linn - Filmes Online Fácil

Lulu Danger (Aubrey Plaza) está em um casamento com o qual vive insatisfeita. Para mudar sua infelicidade, um acontecimento afortunado vem à tona quando um homem misterioso do seu passado vem até a cidade onde ela mora para se apresentar em um evento.

[chrisryanspeaks]

SEE: Andrew Hung - “Too Much”

Andrew Hung — known for his collaborative projects with Fuck Bottons and Beth Orton — releases the new single/video, “Too Much,” from his forthcoming album, Deliverance, out August 11th on Lex Records. Following recent singles “Ocean Mouth” and “Find Out,” Hung’s vocals propel “Too Much” to anthemic heights. Deliverance’s subject matter spans conflict, change, and isolation, and it is Hung’s most sublime creation to date; a colossal statement given the extent of his past iconic work. The album’s themes continue through "Too Much." Hung says, “This song is like a turbulent river that carries me to wherever it would take me. I’m crying for help in this song, asking for a love to 'carry me home.. to bury the moon.' There’s a moment of respite when I find out that listening calms, as if the internal is the external. Maybe this song is the moment the floodgates are released; a moment that feels too much.” “The video amplifies the track’s themes of disillusionment and weariness but ultimately a hope flourishes and a disregard of fear comes from that embrace,” says Hung. “It’s a dark noirish video that claws for a hidden joy, just like the song itself. I loved playing a part in this incredible video made by a team of very talented filmmakers.” Director Olly Fawett says, “It was super fun to work with Andrew on the video for ‘Too Much’, straight-away I could relate to the track and that familiar feeling of being overwhelmed and drowning in thoughts, emotions and the craziness of life. To me, the anonymity of living in a city like London is therapeutic in a sense: being able to do anything and pretty much no-one looks twice. The goal was to capture that in the video, with Andrew stopping the car to release a tidal wave of emotion to a city that doesn’t listen, before continuing on his homeward journey. Hope you enjoy!” Deliverance follows Hung’s 2021 album, Devastations. On Deliverance, Hung continues his punk ethos by writing, performing, producing and mixing the album himself. He also painted the self-portrait that adorns the cover of the album; his face staring back at you amongst a maelstrom of burning light and whispering shadows. Water, dreams, and love are recurring themes throughout the album, with hope as the central tenet acting as a thread weaving everything together. As part of Fuck Buttons, Hung has performed headline slots at festivals such as Glastonbury, Green Man, and All Tomorrow’s Parties, and contributed to music that soundtracked key moments in the 2012 London Olympics opening ceremony. He has continued his collaborative streak through writing and producing with Beth Orton on her career redefining album, Kidsticks, as well as contributing to Aimée Osbourne’s debut album, Vacare Adamaré (released under the name ARO). In addition, Hung has worked with cult director Jim Hosking to soundtrack his films The Greasy Strangler (winning best comedy at the Empire Awards), An Evening with Beverly Luff Linn, and Hoskin’s Adult Swim series Tropical Cop Tales. Following countless years of fruitful collaboration, Hung now turns his attention to delivering his own expression. SEE: “Too Much” below: Read the full article