#beth-studies
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various studies of random people i saw on pinterest :3
top:
Rina Ohta, photgraphed by Osamu Yokonami (?)
Zaina Miuccia, photographed by Casper Kofi
couldn't find the name of the model & photographer, but here's the link: https://www.pinterest.de/pin/102527329000443724/
bottom:
Beth Ditto, couldn't find the name of the photgrapher
Chisato Moritaka, unknown photographer
#my art#illustration#art study#pinterest#portraits#portrait art#rina ohta#zaina miuccia#beth ditto#chisato moritaka
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Sketchbook 4-7-24
I used fatphotoref.com for these studies. Boy am I rusty haha.
(For $3 a month you can see exclusive sketches, concepts, and behind the scenes content of my comic hallowed hijinks! https://ko-fi.com/bethdehart )
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Grey's Anatomy 8.24
Flight
#greysedit#japril#april kepner#grey's anatomy#userlolo#addys-beth#mine#8x24#i havent been giffing these past few days bc ive been busy#worrying about one of my cats who's sick :( but i think he's getting better🤞🤞🤞#and also studying for an exam
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A small study in comfort 10 - Beth Diane Armstrong , 2022.
South African , b. 1985 -
Watercolour on paper, 14.8 x 21 cm. 5 ¾ x 8 ¼ in.
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Tangled Up in You
Beth Cavener study + Procreate practice
#art#my art#digital art#procreate#beth cavener#tattoo#tattoo art#tattoo artwork#tattoo artist#tattoo design#rabbit#snake#artists on tumblr#artist on tumblr#lgbt artist#black and white#grayscale#art study#noroniko
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#bible#bible verse#christian#christianity#allie beth stuckey#shorts#youtube#protestant#bible study#bible scripture
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Physics for rookies! What is Adrien Newey cooking in there?
Here is the culmination of my research into the physics behind F1, my own knowledge from GCSE physics, and what I have gleaned from my very patient friend who took A-Level physics. This is about as in-depth as I can understand in hopefully simple and fun explanations. I've used the RB19 as my example model because I don't think I'll ever truly be over her.
The basics!
Because a lot of this primer uses language that you might not remember or sort of vaguely understand, here's some basic explanations of physics stuff that comes up:
Energy: this is defined as 'the ability to do work' - how much capacity you have to do something, such as move, or react! There are several different forms of energy: kinetic (movement), thermal, light, gravitational, electrical, sound, chemical and nuclear. Energy can be transferred between these different forms - for example, some of the light energy produced by light bulbs is transferred into heat, which is why they are hot to touch. It can also be transferred between different objects that are touching. This can cause other objects to move, such as water rippling, or other objects to begin to heat up, like a pan on a stove.
Particle: in science, this refers to an extremely small piece of stuff, most commonly a molecule or an atom. Although the air seems invisible to us, it is actually made up of various gases and other types of particles. We don't feel the pressure these particles exert on us because we produce enough energy to move through them without them bothering us, and we don't see them because they're so small and spread out!
Pressure: the physical force exerted on or against an object by something coming into contact with it. In this primer, this mostly refers to the pressure caused by the particles that make up gases, which collide with the things around them as they move around randomly. Pressure can be relative in the same volume - high pressure areas have more particles in the same volume than low pressure areas, which have less. Pressure can be changed by increasing the volume - more volume with the same amount of particles equals a lower pressure.
But wait ... physics matters in F1?
The physics behind F1 cars dictates how the team develops their cars! Understanding why the updates they add to the car work why they do helps them to develop further changes, or to make adjustments according to the race weekend. There are a few different forces teams need to think about during development and set-up:
Drag
Downforce
Ground effect
Some cars have high or low drag - what does that mean?
Simply: how much drag a car has directly translates to how easily the car moves through the air. The more drag the car has, the less energy goes into acceleration, as more energy goes into moving the particles in the air out of the way. Complicatedly:
The energy of an F1 car produces different types of energy, the most obvious ones being kinetic, thermal, and sound. Most of the kinetic energy the car produces goes into making it go fast, but since some of the particles that make up the air are touching the car, some of that kinetic energy has to go into pushing those particles out of the way so the car can move past them. This makes the car less efficient, as less of the energy produced is going toward its intended purpose: zooming! The horizontal force the car experiences caused by these air particles pushing on it as it moves them out of the way is called drag. There are a few different types of drag that an F1 car can experience:
Skin Friction Drag: what it sounds like! Some particles in the air have qualities that make them attracted to surfaces, such as the wings or chassis of an F1 car. These particles can stick to the car, and then become attracted to other particles that are free in the air. These attractions can build up layers of particles. The attraction between particles attached to the car, and particles in the air increases the amount of energy the car has to use to move them out of the way
Form Drag: this just refers to 'normal' drag - the force caused when an object pushes the particles in the air out of the way. The shape of an object can affect the amount of form drag it experiences. The smaller the area moving through the air, the less pressure it experiences, and therefore the less drag experienced
Induced Drag: this is a type of drag caused by a second force an F1 car experiences, downforce. Downforce creates an area of high pressure and an area of low pressure. The particles in the air try to even this out by moving from the area of high pressure to the area of low pressure. This happens most around the front and rear wings of an F1 car. However, it's unavoidable, because downforce is vital to the function of an F1 car!
If an F1 car is high drag, this basically means it is designed in a way that is not efficient for moving through the air, so it wastes loads of the energy produced by the engine. These cars often have huge speeds losses on straights when compared to low drag cars. Low drag cars are great at moving through the air! They have lots more energy left over to go into speed.
How do you make a car high or low drag?
F1 engineers use a few different techniques to reduce drag. Here are some of them:
Endplates: induced drag means that the air moving over the front wing and rear wing of F1 cars wants to go down underneath them, from the area of high pressure to the area of low pressure. Endplates stop them moving sideways over the plates, and instead keeps them moving in a straight line over the wings. On the front wing of the car, the endplates also reduce drag by directing air over the wheels of the car, and not into them!
Sidepods: remember how Mercedes refused to have sidepods, and then added them as an upgrade? Sidepods help to reduce form drag by directing the air flow in specific ways over the car. This also helps to increase downforce - they're kind of important!
Nose: F1 cars have super thin noses. This helps to reduce form drag - the smaller the area experiencing pressure as it moves through the air, the less energy is used!
DRS: the drag reduction system on an F1 car opens the rear wing during specified zones on each circuit. This removes the induced drag caused by the wing generating downforce, so the car gains around 10 extra km/h!
To see how these different components change how air is directed over the surface of the car, you can watch the tests teams often do early in free practice 1. During aerodynamic tests, they add neon paint to areas of the car and record how it spreads!
Most of these components are regulated by the FIA, but teams can design and adjust them within those regulations to get different effects to suit different circumstances. This can be why you see teams bringing different sidepods, or wings, to different tracks! Power circuits (e.g. Monza) refer to circuits where the speed of the car is most important to its performance. These circuits typically have a bunch of straights and slow speed corners, where downforce isn't useful, but reducing drag is!
What's downforce?
Simply: downforce is a term mainly specific to F1 that refers to the force that sucks the car down toward the floor when it moves. The more downforce a car has, the faster it can go! Complicatedly:
Downforce refers to the vertical force that a car experiences due to the particles in the air pushing downward on it. This happens when the car isn't moving, but also when it does! As the car moves and air flows over it, the particles in the air collide with the car and create pressure. Downforce is also sometimes called 'negative lift', as the opposite of lift occurs.
The amount of downforce an object experiences increases according to the square of its speed. This means that if you are travelling at 50 km/h, with 10N of downforce, and double your speed to 100 km/h, you increase the amount of downforce you experience to 40N (WARNING! MATHS: 50 x 2 = 100, 2² = 4, 10 x 4 = 40).
Teams want lots of downforce on their car for a few different reasons:
Downforce stabilises the rear of the car. This makes it easier for the driver to handle the car and predict what it will do
The more downforce you have, the higher the top speed of your car is
Teams want extra speed in medium and low speed corners. Because of the above principle, its actually easy to find extra downforce in fast corners! Medium and slow speed corners are the problems.
What's a ground effect? How does it work?
To generate more downforce, F1 engineers now consider the ground to be part of the system that produces different forces on an F1 car. This principle is called the ground-effect, and it can be used to produce ground-effect downforce. Ground-effect is also used to explain why planes float before they reach take-off speed!
In modern-day F1, most ways that are used to produce ground-effect are based off Bernoulli's principle. This principle refers to the effect that occurs when an object is lowered to the floor as air flows around it. As air moves between the object and the ground, it accelerates as the amount of space it has to move between them decreases. This causes pressure between the object and the ground to decrease, while pressure above the object stays the same - this creates an area of low pressure, and an area of high pressure. The object then experiences an overall downward force, which presses it toward the floor!
The area of low pressure underneath the car also works between the floor of the car and the track surface by trying to decrease the volume that the particles are contained in - it either tries to pull the track up towards the floor of the car, or pull the floor down toward the surface. This 'pulling' force acts as a vertical force, so it technically increases downforce!
How do you get extra downforce?
Anything that helps to either increase the pressure over the top of the car, or decreases the pressure underneath the car can help! The most common way engineers do this is by considering the entire car to be one big 'wing', but there are couple of methods:
The front wing: the front wing directs air close to the surface of the track up and over the body of the car, which increases the amount of air causing pressure over the top of it. This creates an area of low pressure under the front wing, and an area of high pressure above it
The skirt: the skirt around the floor of the car prevents air from entering underneath it from the sides. This stops the low pressure area underneath the car from being interrupted!
The flaps and fins: flaps and fins along the sides of the car force air into little spirals that create and trap a vacuum that 'seals' the edges of the car
The floor: the floor of an F1 car is covered in venturis - these are ducts that slowly expand toward their end. This both accelerates the particles in the air through the duct as they try to accommodate for the increase in space, but also decreases pressure under the car. The floor of the car is one of the biggest ways teams utilise ground-effect to increase downforce!
Ride height: adjusting the ride height of an F1 car refers to adjusting how low it sits to the ground. Decreasing the ride height increases downforce according to Bernoulli's principle. It is also one of the favoured ways to increase downforce, as it is one of the few that does so without massively increasing drag!
Sidepods: sidepods can be used to direct air flowing over the car toward the floor and into the venturis to increase downforce. Wide sidepods can also function in a similar way to the skirt of the car
Some of these components can be adjusted every race weekend to suit the conditions of the track. For example, the ride height can be adjusted, as can the angles of the front and rear wings. High downforce circuits (e.g. Monaco) are those where having a lot of downforce is advantageous. They are characterised by lots of corners, and very few, often short, straights. At these type of circuits, having low drag isn't super important - how attached to the floor you can get your car is!
Let's go porpoising! - Gunter Steiner
Porpoising refers to the rapid upward and downward movement of the body of the car as it bounces on its suspension. This is caused by the floor of the car being sucked too close to the floor, and the low pressure becoming problematic. It causes the air to stall underneath the car, which forces it to bounce up so the air underneath it can be released. This cycle continues over and over again, and you end up with porpoising!
The problem arose after the regulation changes for the 2022 season, when using the ground effect to generate downforce was allowed again! It dominated the way F1 cars were engineered throughout the 1970s and early 1980s, and then was disallowed after regulation changes. There were fears about cars losing the downforce generated from the ground affect, and then shooting off the track. The FIA reintroduced it in an attempt the reduce the effect of dirty air.
Porpoising became so wide-spread and severe among the teams that the FIA had to stage a technical intervention with a change to the regulations. The edges of an F1 car's floor have to be 15mm further away from the surface of the track than previously, which allows stalled air to be released and decreases the area of low pressure underneath the car. This appears to have fixed the problem! However, porpoising is still one of the more memorable parts of the 2022 season.
How does this help me understand what Adrien Newey is cooking in there?
I know that the title of the primer suggests that I do, in fact, know 'what Adrien Newey is cooking in there.' I regret to inform you that I don't. He's beyond all of us.
But, if you have any questions or want to chat more technical F1 stuff with me, my ask box is open and I'm happy to talk! Hope this helped :)
#seriously tho. sm1 needs to study adrien's brain i gotta know what that man is storing up there#and also tbh i do not fully understand bernoulli's principle or what a ground effect is bc there arent many simple and understandable#explanations out there. so if that part is incomprehensible im so sorry#f1#formula 1#f1 primer#f1blr primer#beth posts
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I posted this in the Patreon Discord a week or so ago and I'm so stinkin' proud of it that I'll also post it here!! Trudy is shaping up to be one of my favorite dndads PCs of all time! Beth May has done it again, folks!!
Being a fan of both DnDads and J.C. Leyendecker, I was struck with inspiration after seeing someone else in the Discord post a comic about the Trouts (I can't find it anymore, otherwise I'd totally tag them!!) and this painting popped into my head.
Link below for the speedpaint set some some Jazz-age music!!
https://www.canva.com/design/DAGM7HL5_KU/R5naEdfvDFjlBa8vtClkcQ/watch?utm_content=DAGM7HL5_KU&utm_campaign=designshare&utm_medium=link&utm_source=editor
#the peachyville horror#dndads#trudy trout#tucker trout#dndads season 3#digital painting#jc leyendecker#painting study#peachyville#peachyville spoilers#beth may#dungeons and daddies#dndads fanart
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youtube
ok I made (and re-uploaded lol) my silly little MV
#rick and morty#rick sanchez#morty smith#beth smith#jerry smith#summer smith#edit#my edit#video#to all my editor friends you are our strongest soldiers because this was so much work :/#i like it though#pls let me know what you think#the rick to beth to morty pipeline is so real to me i'm gonna study it under a microscope#also pls don't come at me about amanda palmer and neil gaiman and whatever i just like a couple songs
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Graceful Elise
#sonic the hedgehog#princess elise#sonic 06#sonic channel art has lived rent free in my brain#actually decided to do this as a color study and try to replicate the feel of the OG art#was fun hadn't had the time to do those things recently#Beth's art
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gotron jerrysis rickvangelion vs contemporary american poultry
like i said, i've been wanting to analyse these episodes in relation to eachother, so here it is :)
(i'm not pitting these episodes against eachother, merely comparing their similarities and differences, i love both episodes)
just for extra clarity, gjr will be green and cap will be blue :)
okay, so apart from obvious differences between the characters mentioned and the format and the genre of the shows, here's everything i have to say:
first off, both episodes are centred around an autistic character in the show (rick, abed) and focuses on an aspect of their autism, although the element they focus on is different, in gjr it's about a hyperfixation/special interest and in cap it's about masking/fitting in
another focus of both episodes is a dynamic change, however in gjr it's about a relationship, morty getting replaced by summer as rick's partner in crime, and in cap it's about a change in the hierarchy, abed replacing jeff as the head of the group
for the genre of the episodes, cap is mentioned to be modelled after a mafia movie, and while gjr does have some mafia movie aspects it has more anime aspects and anime is mentioned
there's also some pretty similar lines: "These were the good times." "This was the glorious time." "After that, things pretty much went back to normal." "Things went back to normal." "But you wanna know what they could never kill? Family." "But you know what they’ll never make a replacement for? Friends."
another pretty obvious similarity is that both episodes have voiceovers, a difference though is that in gjr, rick (the main foucus of the episode) does not get a voiceover, while summer and morty do, and in cap, abed (the main focus of the episode) is the only character that does get a voiceover, this is a less important point lol
also gjr is happening in real time, the voiceovers are explained by a sci-fi element, while cap is not actually happening in real time and ends up being a story that abed is telling the dean, which is how it explains the voiceover
as for the structure ig of the episodes, in gjr the episode starts on one topic (boob world) and rick autistically derails it to another completely different one (gotron ferrets), in cap the episode immediately starts with the one topic (chicken fingers) and abed autistically keeps it on that topic until the end, using it to his benefit
both episodes involve the whole group (the smith family and the study group) but in gjr everyone is only really following what rick says, and no one is as invested as he is, while in cap the whole group is pretty much equally collaborating, though it has a deeper meaning for abed. also in cap everyone kind of gets their own equal mini story but in gjr, rick's story is much more predominant than summer and morty's and beth and jerry don't get much of a story at all
okay, getting to the deeper shit, in gjr, rick seems uninterested in what the people around him are doing or feeling, his main priority is the gotrons and things like his own wellbeing and other's feelings are not his main concern, while cap is the exact opposite, the whole point is that abed does care, the whole episode is about something he's doing for other people to understand him, he's not as much literally interested in the chicken fingers. that's what drives cap, while it's rick's toxicity that drives gjr
additionally, in gjr in the beginning when morty sees that rick is beginning to get too absorbed he reminds him that "sometimes enough is enough", out of genuine care for rick, while it's not until much later in cap that jeff begins to suggest that they "hit the big red button", only out of jealousy. while i'm sure morty was jealous of summer, his main concern did seem to be rick's wellbeing because i think that we can all agree that this:
was not healthy
and heres a photo of abed just because:
expanding on the last point, in gjr, summer is not worried about rick's wellbeing, but about rick liking her (not holding this against her), similarly in cap, jeff is also not concerned about how abed is doing, only about his own social standing, morty is the only character that actually seems to care about how his respective main character (rick) is doing
lastly, at the end of each episode the group goes running back to the person they shunned (jeff and morty) for being against abed/rick once they decide it's been enough/once rick's done with them
and that's it! i love these episodes so much so i hope anyone else other than me enjoys this analysis lol :) if you think of anything else that links these episodes let me know !!
#also in cap we get the first appearance of our beloved monkey#in gjr we get the reappearance of... naruto#alex says shit#rick and morty#community#nbc community#if i have to repost this one more time im gonna cry#abed nadir#rick sanchez#gotron jerrysis rickvangelion#contemporary american poultry#morty smith#jeff winger#summer smith#beth smith#jerry smith#annie edison#britta perry#troy barnes#shirley bennett#pierce hawthorne#the study group#the smith family#idek what i was colour coding tbh#i just like colours#hope the other two people who see this enjoy it lmao
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#this is the mood for today#the queen’s gambit#beth harmon#personal#calaboca miguel#I used to be a gifted child straight A+ didn’t need to study#and now in adult life I feel like I’m sinking deeper and deeper
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beth march: do you or do you not feel bonita
a doll with no arms or legs after years of rough play, tenderly wrapped in a cloth and cared for as if she were human: i feel bonita
beth march: wonderful because you LOOK bonita
#my sweet sweet girl beth#does this meme not fit perfectly#beth march#little women#amy march#jo march#meg march#louisa may alcott#dark academia#light academia#studyblr#booklr#studying#light acadamia aesthetic#cottagecore
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Oooohhhh I wanna hear about Mayfair Study in Grieving 👀👀
I’m so glad you asked 😌 It’s an idea I got after reading To the Lighthouse and it follows Mary Beth, her children, husband, and Evelyn as they go on a vacation in the aftermath of Julien’s death and try to make sense of life. You have Mary Beth and Stella (Both Julien’s daughters) who are absolutely grief stricken but each cope in opposite ways. You have Daniel (Mary Beth’s husband as well as Julien’s past lover) whose wife just became a full on widow without telling him, their son who’s just there to be honest and their daughter, Carlotta, who’s perhaps the most sane person of the bunch and she will have to face that without Julien, nothing will be as peaceful as it once was. I also thought it would be fun to throw in Evelyn, the second most sane character, and a 14 year old cousin who at this time is pregnant with Julien’s child but she doesn’t know it yet. When you put all of these characters into one isolated mansion and you shake them up a bit you’re bound to get something interesting.
Here’s a snippet of some test writing I’m throwing at the wall:
After Julien was put to rest at St. Alphonsus Church and properly buried, the talk began that the ghost of his only sister had found her way back into the house. Or so the servants whispered when they saw their once formidable mistress wander the halls aimlessly one week after another. She was a woman of forty-two then, still, she appeared to have aged years in the brief time since Julien’s passing. Black had begun to solidify itself as the primary color of her wardrobe and she had drenched her home with more music than ever before, though for the first time in her life, she ceased to dance to it completely. Naturally, concerns about her well-being were voiced, continuously, to the lady herself, as well as a family gossip, but how does one approach a woman the likes of Mary Beth Mayfair? How can one hope of offering her comfort? She has led the clan for years, listening to their weeping and private troubles with a remarkably patient ear, yet now that a great blow has been struck to them all, nobody could be sure how to solace the wounded beast of an orphan in their center.
#thank you for the ask!!#btw canonically mary beth sat by Julien's open coffin almost for the entire funeral. she was holding his hand#my writing#mine#mayfair posting#project: the mayfair study in grieving#my wips
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Once upon a time, I watched The Queen’s Gambit and madly fell in love with Beth Harmon
(This was drawn in November 2020)
#man i wanna rewatch it now#I really really enjoyed drawing this#she was such a great source of inspiration#also I really enjoy the colour study here ! I was really free handing it#something I hadn’t done a lot yet at this time#the queen’s gambit#beth harmon#anya taylor joy#tv shows#my art#mine
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Trapped
Beth Cavener study
#art#my art#digital art#procreate#beth cavener#tattoo#tattoo art#tattoo artwork#tattoo artist#tattoo design#tattoo apprentice#fox#artists on tumblr#lgbt artist#black and white#grayscale#art study#noroniko
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