#best scaffold solutions

[safesitegroup]

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[valtsv]

Do you have any tips to get better at writing? Your word usage is so amazing. the way u describe things are so utterly unique, it’s so mesmerizing. You motivated me to write more but I want to reach your level of skill

i'll be honest, i personally find my writing to be rather subpar and lacking in the necessary technical skill to justify its overly stylised prose and excessive wordiness, so i wouldn't necessarily recommend taking inspiration from me. that being said, i'm my own worst critic and i am very flattered that my writing resonates so strongly with you. i'm not a professional writer, so i can't offer much in the way of advice beyond what has, through trial and error and years of practice, worked for me.

something that people often point out to me when complimenting my writing is that i have a rather lyrical style, which i can see. i try to pay attention to the way that words flow together - which words best complement one another - and choose how to structure and order sentences based on that. i do have a fairly extensive vocabulary thanks to reading a lot from a young age, but i also frequently make use of the thesaurus (my most dearly beloved). obviously, trying to beef up your writing by simply using more obscure words that you found in a book will come across as clumsy, and detract from your writing rather than enhancing it, but if you learn how to stitch words together in a way that has a pleasing ear or mouthfeel, you can mitigate that somewhat, and even make it part of your repertoire of skills.

speaking of vocabulary, the more expansive it becomes, the more doors it opens to you in terms of what you can write and how you can write it. this is pretty straightforward common sense stuff, but you'd be surprised by how effective is if you actually start paying attention to it. likewise with grammar. not everything you write needs to sound like it was written for a sophisticated publication in a well-respected 19th century newsletter, but if you read widely and often, you'll find that your understanding of just how many ways the scaffolding of phrasing and punctuation can be used to support incredible linguistic architecture there are grows immensely, and start seeing opportunities to make all these little adjustments and additions and substitutions that enhance your work's overall presentation.

with regard to the above, i'd also recommend considering how you want your audience to feel. you can alter a reader's entire undercurrent of sensational experience simply by changing a few words, according to whatever emotional (or even more primal) response you intend to provoke. you can also mix your palettes, and flirt with crossing the wires (horror tinged with eroticism and vice versa, fantasy with a dose of down-to-earth pragmatism, tragicomedy, and so on). the more you experiment, the more your confidence will grow, and your skills begin to take shape, from crude instruments to refined, specialised tools.

one word of caution i'd offer you, based on my own shortcomings, is that my style of writing does very much neglect realistic-sounding dialogue. the way that i write and the way human beings talk to one another clashes without much grace or redemptive quality (at least in my opinion), and i have yet to find a satisfactory solution to this. i'll let you know if i ever figure it out.

[zahri-melitor]

Playing with the Dick-Jason-Tim age timeline again because playing with “can I fit Dick being 8 at the circus and Tim also being there” is enrichment for my brain.

Using Batman: Year 3 and A Lonely Place of Dying as the starting point this time, being that they are the ORIGIN of the timeline dilemma that nobody can quite square, and I have a solution to offer for the timeline up to LPoD (highly dependent on ‘if the pre-Crisis fact doesn’t fit, that’s because it’s pre-Crisis’ and ignoring future retcons. I’m building this from the original scaffold)

Dick is 8 at the circus. Tim is 3. We will establish this via Year 3 (“almost 10 years” since the Graysons died/the orphanage) and Tim’s canonical age in LPoD (13).

Given the fuzziness over when Tim actually turned 14, we���re going to run with Dick being close to his birthday when LPoD occurs. Using the 20 March birthday for Dick and the 19 July birthday for Tim, this gives us a 5 year, 4 month age gap and makes Tim about 3 ½ at the circus, which is a little older than I like him to be (I have so much more flexibility with dates if I can claim he’s 2, damn you Year 3 for using ‘almost’ rather than ‘approximately’), but we’ll live with it because I really need Dick to be almost 19 on the day Tim appears simply to try and cram as much pre-Crisis late-Robin and Nightwing history in as possible. This contradicts Dick being 20 prior to Jason’s death, but Dick can’t both be 20, have the circus 10 years ago, and be 8 years old for his parents’ death. However, squaring this with Janet Drake’s burial date of Christmas Eve is difficult, because Tim still being 13 at her funeral becomes impossible. Alternatively, if we use the 24 October birthday for Dick and still place Haly’s Circus and LPoD in the period before Dick’s birthday (maybe some time in September/October), we can come out of this with “about to turn 19” Dick and “13 and a bit” Tim, with a 5 year, 9 months gap between them, plus giving Tim a 3 month training period before he debuts as Robin on 24 December. In either case, choose whether Dick being born on the first of Northern Hemisphere Spring or Janet Drake being buried on Actual Christmas Eve is the more important fact in your heart to determine which option you use here.

Timeline markers:

Dick therefore does not debut as Robin until he is 9. He was Robin from 1940 to 1984, a period of 8, almost 9 years using ye olde 5 real years to 1 comics year rule. This actually matches fairly well with the date I want to give as when Dick stops being Robin – at some point when he’s 17. Yes, I have to give up the semester at Hudson University still happening while Dick is Robin not Nightwing, but that’s pre-Crisis. The Bruce and Dick fight where Bruce benches Dick, Dick storms out, and heads off to New York to be his own man (and changes his name to Nightwing) all happens at some point when Dick is ~17. Dick’s schooling is a bit of a black hole given his childhood and the contradictory birthdays (and the fact I’m not great on northern hemisphere school year dates and start dates). I THINK the October birthday is better for this in that we just have to pretend he was the youngest in the class, and can say Dick finished school still 17 and before he becomes Nightwing. March birthday I think if the fight happened while Dick was still 17 and at school, our lad was commuting from New York to school for the final few months (good thing his best friends include a speedster and a flyer, I guess). Or it happened when Dick was 18 and 3 months on approximately the exact day after Dick finished school, and the timeline suddenly gets VERY tight.

I like Dick being 17 when he becomes Nightwing if we can wrangle it for the simple fact that it gives a nice parallel for when Tim is 17 (and also loses the Robin title). Dick having gone through his big growing up moment before he entered legal adulthood makes the way the same mistake echoes down over the years more poignant (everyone has to grow up too young). I also would really like Dick to have finished his high school education before he becomes Nightwing simply because it makes a more coherent growing up narrative (and figuring out how Dick finished his education if he was living in New York is a headache we can then avoid).

In any case. Dick’s had his fight with Bruce. Call it June-July. Bruce, feeling lonely, decides the next sad teenager he meets who is trying to steal his tires is a great prospect to be the next Robin (son). Hello Jason. Jason is also 13. He is about to turn 14 the first moment possible. His birthday is apparently 16 August, which works really well for the fight going down right after Dick finishes school. Bruce makes Jason Robin. We are now on a hurried countdown. Jason turns 14. He was Robin from 1983-1988, which is right on 5 years, so approximately 1 comic year. Jason canonically dies on 27 April according to one picture of his tombstone. This would make him 14-nearly-15. This works great for October Birthday Dick and terrible for March Birthday Dick. If we have October Birthday Dick, Jason was around for ~10 months before he dies in April. If we have March Birthday Dick, Jason was around for anywhere between 7 months (Dick fired at 18 in June, Jason dies around January the next year) and a year (Dick fired before March still 17, Jason appears immediately after, and again dies around January/February the next year) while we ignore that April death date.

This works well on a meta level. One, there’s simply not that many Jason-as-Robin stories. Every time people stretch his period from Batmobile-tyres-to-death out beyond 20 months or so, you start hitting the point where you have more timeline than story to fill it, a problem seen practically nowhere else in comics. Jason has been cited as having 6 months of training before he went out on the streets. You can keep all of this if you want a very short period with Jason in the costume, you can call this comics time and shorten it if you’d prefer Jason to have longer in the costume. But Jason-as-Robin only lasting under a year lines up with everything about how we approximate the passage of time in comics. Secondly, Jason being Robin for only a short period matches the fact that he has very few interactions with Dick and the wider hero community. He has, what, ONE team up with the Titans? The one ski trip with Dick? Checking the Events timeline he had COIE (which he doesn’t remember), plus Legends and Millennium, for 3 Events during his tenure. He appears on page for all of these, but not in a manner where he’s interacting with heroes outside Gotham in any way he’d remember. He’s pretty isolated, but also there really isn’t any TIME to give him wider connections.

Also during this period, the majority of the NTT stuff prior to LPoD occurs, and Dick hypothetically does his single semester at university before dropping out (probably due to the amount of stuff going on in his life making studying hard). He may even have dropped out of university DUE to the drama surrounding all of this depending on which birthday timeline you run with. Tim is a lil bean at boarding school.

In any case, Jason Todd died. He wasn’t even 15 yet. It’s very tragic. Bruce immediately starts going off the rails with grief. October Birthday Dick (seriously, this just suits the timeframe here so much better) then gives us anywhere between 3-6 months of Bruce grieving and getting steadily more unstable before 13 year old Tim Drake decides Something Must Be Done, We Need A Robin. He then heads off to find Dick Grayson at any point between July and October, make this gap however long-short you want. March Birthday Dick we probably cram death-until-realisation into under 2 months, but we’re working with even more of a sliding scale given it’s just harder to anchor known stuff in this timeline.

Ta da!

Conclusions:

if I want this to work I am gonna run with the 24 October birthday for Dick, just because it makes pinning dates down easier. Sorry, 20 March birthday fans.

Ages: Tim is either 5 years, 4 months or 5 years, 8 months younger than Dick. Tim is 23 months younger than Jason. Jason is either 3 years, 3 months or 3 years, 7 months younger than Dick.

Cass is 2 years, 6 months older than Tim. She is 5 months older than Jason. She is either 2 years, 10 months or 3 years, 2 months younger than Dick.

Steph is about a year older than Tim and about a year younger than Cass.

Damian, who is extremely indirectly affected by anything in this timeline, is 6-7 years younger than Tim and 12 years younger than Dick. He was definitely conceived while Dick was Robin.

Incidentally: Tim figuring out Dick is Robin happens when he is 9. With this timeline, Dick was 14-15 when Tim worked that out. Tim therefore spent at LEAST two years fanboying Dick!Robin, and then saw Jason!Robin for at most a year, realistically closer to 6 months. “Jason was my Robin” doesn’t exist

(Also tragically for me, The ‘Tim is 3’ reading of the circus means that Tim was definitely born prior to Bruce’s return to Gotham. There’s this lovely little wrinkle that if you use a timeline where he’s 2 at the circus, he was probably born right around when Bruce debuted at Batman, which is just a sweet little note for a character so tied to other people’s origin stories)

(Seriously though if you allow Dick be 10 when he is orphaned, it lets him be Robin until 18-19, he can turn 20 before Jason’s death, frees up so much timeline kludging around the Jason period, even if it does create a bigger age gap between Dick and Tim)

[motocorsas]

Ehy sorry if this is like a stupid question or anything, but what do you think would be a solution to reduce the problem of the too powerful bikes?

i want to start off by saying i commend liberty for trying. i think it's clear to everyone that we've hit a power ceiling; just about all bikes have 300 horsepower, but use about 250-270 per race.

to me, reducing engine capacity is not the solution. i think the best ways to mitigate overperformance would be to remove all the scaffolding that squeezes every inch out of the bike; most of it being in the ECU. namely, reducing traction control and engine braking. i would also support decreasing aero, which would significantly help reduce tire wear over longer distances. nowadays it seems every race is spent waiting for the point -- usually about 3/4ths race distance -- when everyone loses their tires.

i think sustainable fuel is a good idea to reduce power organically. ethanol and synthetics have lower power storage by volume compared to gasoline, which could help performance all on its own.

it's likely that many of these changes will be reversed in the years following the '27 season, and we could see a full return to current standards. while there are plenty aspects of current builds that i don't like, i think attempts to turn the clock back on motogp are ignoring the core issues.

[russenoire]

art youtube is overwhelming AF.

sifting through all the art advice available on youtube (and other sources!) can be overwhelming AF. an ocean of voices screaming DO THIS! DON'T DO THAT! YOU MUST DO THIS!

i feel like no one ever really talks about that.

also: some ways i cut through some of this noise to find signal, below the cut.

i mean, some of these videos are legitimately helpful! and many are drama about the latest outrageous, racist thing some artist *cough cough* kooleen *ahem* did or said in a 'how to draw X' tutorial just noise. still more of them contain outright bad advice, or advice that can't easily be personalized. (i can tell you right now that 'you must draw everyday!!!' is terrible fucking advice. not everyone can set aside time to do that, and guilt is the world's worst motivator for enjoyment. ever. just stop)

and almost all of it hides behind titles designed to raise your anxiety levels and get you to click. sadly, this is the nature of the platform. emotional engagement drives traffic, and every YT creator is trying to maximize that as best as they can. i don't fault anyone for that; people's livelihoods depend on these streams.

i have advised novice artists to try to narrow things down as much as possible, to 'get granular' about what they want to learn: painting skin. drawing hands, or noses, or faces, or feet, or poses. drawing more expressive lines. workflow, for traditional art or the raster graphics editor of their choice. it doesn't always help: for every subject i've listed, there exists a veritable firehose of videos about it.

so might i suggest a ruthless pruning here?

just go with whatever thumbnail looks interesting and is the least shouty/dogmatic about what it promises to teach you. you will probably miss out on some good advice, but the effect of all the preaching is cumulative. and your sanity is worth it. i promise.

if you don't have the time or patience for hour-long videos, either watch at 1.5-2x speed or skip ahead for the content you want.

look for specific solutions for your specific frustrations. and emphasize the process. how does this artist accomplish what you want to do? how do they lay out lineart, begin the rendering process, and why? can they explain that in a way that makes sense for you (if this is something you need)? if not, don't waste your time watching. i remember breathing the world's biggest sigh of relief on hearing a professional animator confess that shadows don't always have to make sense for a piece of work to look right.

look for ideas on how to break what you see into scaffolding. by this i mean 3D approximations on a 2D surface, on which you can draw guidelines for proportions. ultimately, this is the key to 'drawing from imagination' and even to successfully working with reference photos. videos on how an artist draws eyes from one specific angle will not necessarily help you draw eyes from other angles. not unless they also touch on eyeball shape and position on the head. and how perspective changes the shapes you see. and...

lastly, how do you feel about the video you're watching? if the creator's voice or sense of humor annoys you, or you don't love the stereotypical way they draw female bodies, or they're actually kinda racist/ableist, or whatever–you're allowed to nope out and look for another source of info. there is a lot to be said for the skill of picking diamonds out of manure... but you can find diamonds of similar quality that aren't coated in shit, too.

[nepmaxxing]

Minecraft is a game about building

i think nearly all of my "old good new bad" gripes with minecraft are tied to one central theme: the point of minecraft, the thing that separates it from other games, is the building. the control over your world. new features added should mean new things to build, and new enemies added should mean more things to build defenses for. progression should not be defined by different ores and equipment, because that has always been fucked, but in creating an increasingly secure and aesthetically pleasing base.

and i know it's easy to say i'm making shit up, that i'm talking out of my ass, but i'd like to give an example of this design philosophy in action that's been there since the game's earliest versions: the basic night mobs. by which i mean the mobs that spawn at low light levels with no other special conditions required. each of them presents a different threat that pressures the player to build in a specific way for their first shelter. zombies are the most basic pressure, all they do is walk so avoiding them doesn't require a lot of thought and effort but it does require something. skeletons have ranged attacks, ready to shoot you down if you try to just pillar up. better build walls. spiders can climb walls, so you'll want a roof or at least some kind of lip. then we circle back to zombies, because in hard mode they can break doors. this teaches the player that a box is not always secure enough and they should think about building defenses around their base as well. the game does a seamless job of teaching the player through, at worst, trial and error. not just to build, but to build outward.

now i will admit i am taking a lot of cues from whitelight's recent video, "Another Serious Critique of Minecraft". the main point he makes is that mojang has continuously added features that discourage players from building. i'd like to go a step further: even when mojang does try to add new things "for the builders", they fall flat. because it's usually decorative blocks that function the exact same way as 20 other blocks already in the game. i mean, do we really need red sand? do we need tuff? i don't give a shit whether i light my base with glowstone or shroomlights or froglights or sea lanterns, i'm probably just going to use torches anyway because they're cheap as fuck to make. having 10 different wood types is pointless when none of them differ in any meaningful way and a good half of them look worse than oak.

i do think minecraft's latest updates have added some great features, it's just that when i say that i'm not talking about piglin bartering or ancient cities or archaeology, i'm talking about tinted glass and lighting rods and scaffolding, blocks with unique functions that allow new things to be built. and goat horns, they're fun.

copper bulbs were on the cusp of greatness as a mid-game light source that the player had to actively maintain, but torches exist so what's even the point. makes me wish notch had added that feature where you need to relight them with flint and steel. would it be frustrating? yeah, but games need to give players a kick in the dick sometimes. it motivates them to find better solutions.

1.15 is unironically one of minecraft's best updates. it's a nice compact package: a new mob that does something instead of nothing(looking at you pandas/polar bears/frogs/llamas/ocelots as of 1.14), a new food, and a new honey block that is both aesthetically pleasing and has a unique function. it gives players something new to do in their world, with rewards that any player can find some sort of use for. more of this please.

this post went off the rails pretty long ago so i'm just gonna circle back to the basic night mobs because i skipped three of them. the first is witches, which i don't give a shit about. they don't relate to the point i'm making. the other two are creepers and endermen. the griefers. i don't think it's a coincidence that these are minecraft's two most iconic mobs. it's because they're original concepts in a game that mostly ports things from real life or existing fantasy. BUT ALSO as the two mobs that can manipulate blocks, they serve as the most direct adversaries to the player's goal of building. i don't have to explain creepers, but endermen used to be able to pick up almost any block, and they had a habit of nicking things right off your builds. i liked this. on some level, you had to maintain your builds. on one hand, i can see why they changed this. it's good for the survival aspect, not so much for when you just want to build something cool. but on the other hand, you can just disable mob griefing.

anyway, i didn't have much of a plan for any of this post, and i definitely don't have a plan for how to end it, but i've said everything i want to say, so. there you go.

[udhhyog2]

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[steelindustryman]

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[scribefindegil]

22, 24, 29, and 58 for the writing asks?

22. Are there certain types of writing you won’t do? (style, pov, genre, tropes, etc)

I will never write a long-form tragedy. Can't do it. It would get inside my head and eat me alive.

Other than that . . . I have fewer hard rules and more preferences. I have my niche but I'm open to a lot of things if I find the right story for it. Like, I'm 99% a genfic writer and have very minimal interest in shipfic but one of these days I am gonna make Reigen Arataka smooch that ghost. There's a lot of horror content and tropes that I won't touch (though I can write more than I can read), but obviously Brassica Heresy is a horror fic. I don't care about smut but there is (theoretically) a fic I'm working on that has a sex scene because it's necessary for exploring the character's ace identity, something I do care about. So like . . . a lot of writing really comes down to the execution, and how the story element is being utilized in that particular piece of writing. I'm not necessarily going to throw any style or genre off the table entirely, even if it's not a tool I think I'm likely to use.

24. Worst writing advice anyone ever gave you?

Every version of "Think Critically About Your Writing" that spirals around to "You have to actively refute every possible bad-faith reading of your story in the text itself or you are a Bad Person who writes Problematic Things for Bad People" :/

29. What’s your revision or editing process like?

I do split-screen, with my Shitty First Draft on the left side of the screen and a shiny new blank document on the other, and then I completely rewrite the thing and edit as I go. Sometimes big chunks of the Shitty First Draft are actually very good and I retype them with only minor changes, but a lot of the time I end up adding and reworking huge parts of the fic. If I've been very cursed or ended up having to do first-draft-style writing for whole scenes or otherwise feel super unsatisfied with what I've written as Draft Two I sleep on it and if I still feel bad I copy the new version over the old draft and rewrite it again. But I can't rewrite more than twice; then I know I'll just start overthinking. And if I'm doing it more than once I need to pinpoint exactly what about the previous version wasn't working, as opposed to the first draft which I mostly treat like a helpful scaffolding. Once I have a draft I mostly like I read over it again for flow and diction and make any minor tweaks it needs. And then depending on how cursed I am I either post it or throw it at a friend while wailing bc I'm too tired to tell if it's any good or not. Usually it is Fine. I have not learned from this.

58. What part of the writing process do you enjoy the most? (Brainstorming, outlining, writing, editing, etc) 

The best best best part of writing stories is when you've been wrestling with a thorny little plot or character problem for days and Suddenly the solution descends on you as if from the heavens and you feel absolutely intoxicated with power as you think about how this is going to make all the little bits and pieces you've been worrying about Work!

The second-best part is editing when you get to fine-tune the Foreshadowing and the Iconography :)

[nividawebsolutions]

The Debate of the Decade: What to choose as the backend framework Node.Js or Ruby on Rails?

New, cutting-edge web development frameworks and tools have been made available in recent years.  While this variety is great for developers and company owners alike, it does come with certain drawbacks.  This not only creates a lot of confusion but also slows down development at a time when quick and effective answers are essential.  This is why discussions about whether Ruby on Rails or Noe.js is superior continue to rage.  What framework is best for what kind of project is a hotly contested question.  Nivida Web Solutions is a top-tier web development company in Vadodara.  Nivida Web Solutions is the place to go if you want to make a beautiful website that gets people talking.

Identifying the optimal option for your work is challenging.  This piece breaks things down for you.  Two widely used web development frameworks, RoR and Node.js, are compared and contrasted in this article.  We'll also get deep into contrasting RoR and Node.js.  Let's get started with a quick overview of Ruby on Rails and Node.js. 

NodeJS: 

This method makes it possible to convert client-side software to server-side ones.  At the node, JavaScript is usually converted into machine code that the hardware can process with a single click.  Node.js is a very efficient server-side web framework built on the Chrome V8 Engine.  It makes a sizable contribution to the maximum conversion rate achievable under normal operating conditions. 

There are several open-source libraries available through the Node Package Manager that make the Node.js ecosystem special.  Node.js's built-in modules make it suitable for managing everything from computer resources to security information.  Are you prepared to make your mark in the online world? If you want to improve your online reputation, team up with Nivida Web Solutions, the best web development company in Gujarat. 

Key Features:

·         Cross-Platforms Interoperability

·         V8 Engine

·         Microservice Development and Swift Deployment

·         Easy to Scale

·         Dependable Technology 

Ruby on Rails: 

The back-end framework Ruby on Rails (RoR) is commonly used for both web and desktop applications.  Developers appreciate the Ruby framework because it provides a solid foundation upon which other website elements may be built.  A custom-made website can greatly enhance your visibility on the web.  If you're looking for a trustworthy web development company in India, go no further than Nivida Web Solutions.

Ruby on Rails' cutting-edge features, such as automatic table generation, database migrations, and view scaffolding, are a big reason for the framework's widespread adoption. 

Key Features:

·         MVC Structure

·         Current Record

·         Convention Over Configuration (CoC)

·         Automatic Deployment

·         The Boom of Mobile Apps

·         Sharing Data in Databases 

Node.js v/s RoR: 

·         Libraries:

The Rails package library is called the Ruby Gems.  However, the Node.Js Node Package Manager (NPM) provides libraries and packages to help programmers avoid duplicating their work. Ruby Gems and NPM work together to make it easy to generate NPM packages with strict version control and straightforward installation. 

·         Performance:

Node.js' performance has been lauded for its speed. Node.js is the go-to framework for resource-intensive projects because of its ability to run asynchronous code and the fact that it is powered by Google's V8 engine.  Ruby on Rails is 20 times less efficient than Node.js. 

·         Scalability:

Ruby's scalability is constrained by comparison to Node.js due to the latter's cluster module.  In an abstraction-based cluster, the number of CPUs a process uses is based on the demands of the application. 

·         Architecture:

The Node.js ecosystem has a wealth of useful components, but JavaScript was never designed to handle backend activities and has significant constraints when it comes to cutting-edge construction strategies.  Ruby on Rails, in contrast to Node.js, is a framework that aims to streamline the process of building out a website's infrastructure by eliminating frequent installation problems. 

·         The learning curve:

Ruby has a low barrier to entry since it is an easy language to learn.  The learning curve with Node.js is considerably lower.  JavaScript veterans will have the easiest time learning the language, but developers acquainted with various languages should have no trouble. 

Final Thoughts: 

Both Node.JS and RoR have been tried and tested in real-world scenarios.  Ruby on Rails is great for fast-paced development teams, whereas Node.js excels at building real-time web apps and single-page applications. 

If you are in need of a back-end developer, Nivida Web Solutions, a unique web development agency in Gujarat, can assist you in creating a product that will both meet and exceed the needs of your target audience.

[beboped1]

Hogfather

You're not really back until the second post, especially not with ADHD. Luckily, we're out of the rut!

Hogfather

First read: High School

Verdict then: Definitely one of his better ones, but it didn't connect with me as well as Vimes.

Verdict now: What a great jump out of the rut we've been in since Soul Music - not a return to form, but a true evolution of it. Susan continuing to grow is awesome, Death in one of his best forms, and the first truly great Pratchett Villain all lead into such a clear moral statement. The best art hits different but lesser as you move through life, and Hogfather fully stands up to that.

I really hoped that Hogfather was going to signal the end of the rut, and while it's still possible that we'll fall back into it, Hogfather itself was even better than I remembered it. The scaffolding has fallen into the background again, while the characters shine, the jokes land, and the philosophy is excellent.

It's easy to compare it to Soul Music as the structure is very similar - Death is doing something strange, and Susan has to deal with the consequences. But everything here is elevated - from the incisiveness of the parody to the truth of the characters to the existence of a villain.

And oh, that villain. Pratchett's villains are some of my favorite parts of his books, but to this point in the series, they've been largely forgettable. Men-at-Arms & Feet of Clay were the closest, but still, they didn't hit the height. Teatime is the first example of a true Pratchett villain to me. Everything about him is deeply screwed up, deeply horrible, and deeply human. If you've never met anyone like Teatime, count your blessings. And the way everyone reacts to him too, so true to their natures and so purely human.

Every character is so well drawn here. We've moved on from Death as his own protagonist to Death as an inciting incident/guide, and Pratchett nails that balance here in a way Mort and Soul Music just didn't. Susan, in her uncertain 20s, has a different set of existential problems to face, but also more tools with which to do so. The Wizards are really coming into their own as a unit too - the way in which they are both many characters and one character here is fascinating, and often hilarious.

Hogfather has perhaps my favorite description of humanity - "Where the falling angel meets the rising ape", and the demonstration of the value of that contradiction is the heart of the novel. Like all his best works so far, Hogfather is laser-focused on the exploration of dreams and reality. Of the small lies and the big ones. In High School, on my first read, I was too innocent to really understand how rare, and how essential to leading a good life, the lessons in this book are. But reading Death's final monologue, I had tears in my eyes this time, because, well, he really gets it. Pratchett so clearly articulates both the core of one of humanity's most fundamental existential crises, and outlines a beautiful solution all at once.

Hogfather has definitely risen up my personal favorite list, and I think I'll be chewing on the philosophies at the heart of it for a while longer, as well as the ways in which the whole is so much better than the parts. HO HO HO.

[safesitegroup]

Are you looking to hire domestic scaffolds Melbourne? A safe and effective building project depends on selecting best scaffolding hire business. Important factors include adherence to safety standards, company reputation and experience, liability and insurance coverage, and rental costs. Safe Site Group, a pioneer in scaffold solutions for home projects, offers advice on how to choose the right option for your requirements.

[nameless-brand]

Well, I'm not a dog gal anymore. I don't know if that is a good or a bad thing. I already miss it a little. At the very least, I wasn't feeling unproductive when I'm lazing all the time - just part of the whole dog things. Luckily, I put Damien in charge during my transformation, so the work I had to catch up with was minimal.

I really do just want to dump everything on him. He is far better at managing this sort of thing than me. Too bad he keeps refusing and stating I am the one and only boss. Truthfully, I don't really do much beyond the finances, hiring, and interacting with others. My main task is just figuring out who could do what task best. Whether they are actually willing to do it is a different story - /resentful stare at Damien. B\

My charge's already with her tutors studying. I haven't noticed since I've been busy with work and then being a dog, but she's been playing with the hydroponics room inside the Inn. With the help with one of the few engineers of the once Church - Jeremy, she's created a simple raft-based hydroponics system or what's more affectionally known as a "lettuce raft."

Essentially, it's what it says on the tin. You just get a large tub to act as a reservoir and stick the plants on a scaffold on top (the raft), taking care to make sure the roots make it into the nutrient solution. There's also an agitator that adds oxygen into the water, usually by means of a water stone. Now, this method is really mostly suited to lightweight leafy greens, but it's the sort of mini-farm that you can harvest from forever.

Speaking of harvest...

[ajeetsgroup]

Hire Skilled Construction Workers for UAE – AJEETS Recruitment Services

The construction industry in the UAE is booming, with massive infrastructure and real estate projects constantly shaping the skyline. From skyscrapers in Dubai to large-scale industrial developments in Abu Dhabi, the demand for skilled construction workers remains at an all-time high. However, finding the right talent can be challenging. This is where AJEETS Recruitment Services comes in, providing top-notch manpower solutions for construction companies across the UAE.

Why is the Demand for Skilled Construction Workers in the UAE Growing?

The UAE is known for its rapid urbanization, world-class infrastructure, and ambitious construction projects. Some key reasons for the growing demand for skilled construction workers include:

Mega Construction Projects: UAE hosts major projects like the Expo 2020 legacy developments, high-rise commercial buildings, luxury hotels, and massive residential complexes.

Infrastructure Expansion: Roads, bridges, tunnels, and ports require an extensive workforce of civil engineers, masons, welders, and heavy equipment operators.

Industrial and Energy Projects: The UAE is investing in energy and industrial hubs, demanding specialized workers such as riggers, crane operators, and steel fixers.

Event and Tourism Sector Growth: With millions of tourists visiting the UAE each year, the need for hospitality infrastructure, including resorts, entertainment complexes, and commercial centers, continues to rise.

AJEETS – Your Trusted Recruitment Partner

AJEETS is a leading recruitment agency specializing in sourcing and hiring skilled and unskilled construction workers for UAE-based companies. With years of experience in the manpower industry, we provide reliable and efficient workforce solutions tailored to the unique needs of our clients.

Construction Job Roles We Provide

AJEETS supplies a wide range of construction professionals, including but not limited to:

1. Skilled Workers:

Civil Engineers

Project Managers

Site Supervisors

Safety Officers

HVAC Technicians

Steel Fixers

MEP Technicians

Surveyors

2. Semi Skilled Workers:

Masons (Bricklayers, Plasterers, Tile Fixers)

Carpenters (Shuttering, Finishing, Joinery)

Electricians

Plumbers

Welders

Scaffolders

Painters

3. Unskilled Workers:

General Laborers

Helpers

Cleaners

Loaders & Unloaders

4. Heavy Equipment Operators:

Crane Operators

Excavator Operators

Forklift Drivers

Bulldozer Operators

Heavy Truck Drivers

Why Choose AJEETS for Construction Manpower Recruitment?

1. Vast Talent Pool

AJEETS has access to a large database of skilled and semi-skilled workers from various countries, including India, Nepal, Bangladesh, Sri Lanka, and the Philippines. We ensure that our candidates meet UAE's labor standards and have the necessary experience to handle demanding construction tasks.

2. Thorough Screening & Selection Process

We conduct strict screening, interviews, and background checks before finalizing candidates. Our recruitment experts ensure that only the best candidates are selected based on qualifications, experience, and work ethics.

3. Compliance with UAE Labor Laws

AJEETS ensures that all recruited workers comply with UAE labor laws and visa regulations. Our team handles all necessary paperwork, making the hiring process smooth and hassle-free for employers.

4. Quick and Efficient Hiring Process

Time is money in the construction industry. AJEETS offers a fast-track recruitment process to ensure companies receive the manpower they need without delays. Our streamlined system ensures that workers are deployed efficiently to construction sites across the UAE.

5. Cost-Effective Recruitment Solutions

Hiring through AJEETS helps companies save on recruitment costs. We offer affordable and flexible hiring solutions, whether you need temporary, project-based, or permanent staffing.

The Recruitment Process at AJEETS

Step 1: Understanding Client Requirements

We begin by discussing the specific manpower needs of our clients. This includes job roles, skill levels, experience, and project duration.

Step 2: Candidate Sourcing & Screening

Our recruitment team searches for suitable candidates from our vast database. We conduct interviews, skill tests, and reference checks to ensure candidates meet client expectations.

Step 3: Documentation & Visa Processing

Once candidates are selected, we assist with visa processing, medical tests, and necessary documentation to comply with UAE labor laws.

Step 4: Deployment & Onboarding

After completing all formalities, we arrange for workers' travel and onboarding, ensuring a smooth transition to their new workplace.

Industries We Serve in the UAE

AJEETS provides workforce solutions to various construction-related industries, including:

Real Estate Development – Residential and commercial building projects.

Infrastructure – Roads, bridges, metro, and airport expansions.

Oil & Gas – Refinery construction, pipeline installation, and industrial facilities.

Power & Energy – Renewable energy projects, power plants, and substations.

Manufacturing & Warehousing – Factory construction, logistics hubs, and supply chain facilities.

Challenges in Construction Recruitment & How AJEETS Solves Them

1. Shortage of Skilled Workforce

The UAE construction sector often faces a shortage of qualified workers. AJEETS bridges this gap by sourcing skilled professionals from international talent pools.

2. Compliance & Legal Issues

Navigating UAE’s complex labor laws can be challenging. AJEETS ensures full compliance with government regulations, handling work permits, contracts, and visas.

3. High Employee Turnover

Retention is a major challenge in construction. We focus on hiring dedicated and experienced workers who are committed to long-term employment.

Conclusion

The UAE's construction industry continues to thrive, requiring a steady supply of skilled workers. AJEETS Recruitment Services provides top-tier construction manpower solutions to meet this growing demand. With our extensive database, efficient hiring process, and commitment to compliance, we ensure that construction companies receive the best workforce for their projects.

If you’re looking to hire skilled construction workers in the UAE, trust AJEETS to deliver quality manpower solutions tailored to your needs.Visit Us Today! https://ajeets.com

[grinsulating]

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[nationalpipe]

Discover the Best MS Pipes in Kolkata at National Pipe Fittings Store

When it comes to sourcing high-quality MS pipes in Kolkata, National Pipe Fittings Store stands out as a trusted name. Located at Second Floor, 40, Strand Road, Room No. 30, Kolkata, West Bengal 700001, we are your one-stop destination for all types of MS pipes, including MS sections pipe, MS square pipe, MS rectangular pipe, MS round pipe, MS hollow section, and MS black pipe.

Why Choose National Pipe Fittings Store?

At National Pipe Fittings Store, we pride ourselves on offering premium-quality MS pipes that cater to diverse industrial and construction needs. Our extensive inventory ensures that you find the perfect fit for your projects, whether you need MS square pipe in Kolkata or MS hollow section in Kolkata.

Our Product Range

1. MS Sections Pipe Kolkata

Our MS sections pipe is designed for structural applications, offering durability and strength. Ideal for construction projects, these pipes are available in various sizes and thicknesses to meet your specific requirements.

2. MS Square Pipe Kolkata

For projects that demand precision and stability, our MS square pipe is the perfect choice. These pipes are widely used in fabrication, fencing, and machinery due to their robust build and resistance to wear and tear.

3. MS Rectangular Pipe Kolkata

If you’re looking for versatility, our MS rectangular pipe is a great option. It is commonly used in the manufacturing of furniture, gates, and industrial equipment, thanks to its sleek design and high strength.

4. MS Round Pipe Kolkata

Our MS round pipe is a popular choice for plumbing, scaffolding, and fluid transportation. With excellent corrosion resistance and a smooth finish, these pipes ensure long-lasting performance.

5. MS Hollow Section Kolkata

For lightweight yet sturdy solutions, our MS hollow section pipes are ideal. They are widely used in construction, automotive, and engineering industries due to their high strength-to-weight ratio.

6. MS Black Pipe Kolkata

Our MS black pipe is known for its durability and resistance to high pressure. It is commonly used in gas and water transportation, making it a reliable choice for industrial applications.

Commitment to Quality

At National Pipe Fittings Store, quality is our top priority. We source our products from trusted manufacturers and ensure they meet industry standards. Whether you need MS round pipe in Kolkata or MS rectangular pipe in Kolkata, you can count on us for superior products and exceptional service.

Contact Us Today

Ready to find the perfect MS pipes for your project? Visit us at Second Floor, 40, Strand Road, Room No. 30, Kolkata, West Bengal 700001, or call us at 085828 18841. You can also explore our products and services on our website: https://nationalpipefittingstore.com.

Choose National Pipe Fittings Store for all your MS pipe needs in Kolkata. We are committed to delivering quality, reliability, and customer satisfaction. Let us help you build stronger, better, and more efficient structures!