#best portable guitar amp
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best amp for bass guitar????
Okay in the market for a new amp, mines about 5 years old and really damaged from traveling with it.
Any recommendations?? Just looking for something reasonably priced and portable. Budget is rather low as I am a teenager who works a summer job.
#bass#bass guitar#bassgirl#musician#Music#amplifier#guitar#rock music#pls send help I need this very very soon
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3 x '65:
1965 #Fender #PrincetonReverb 1965 Fender #Vibrolux Reverb 1965 #Gibson #SGSpecial
I really must thank my amp fixr @marshalllespaulfan for recently servicing the compact (but mighty) 1965 #FenderPrincetonReverb. If you could only have one amp for the rest of your life…this is probably the best one to have. Small and portable, but sounds much bigger than it actually is, and loud enough for most stages. Plus on-board reverb!
I plan to spend a few evenings getting reacquainted with this beauty. The sad fact is that I have sorely neglected this amp in the last couple of years…in fact I can't remember the last time I plugged it in. 😳
I am sure the above statement will make a lot of people say something along the lines of "are you insane? The black panel PR is the most perfect amplifier in the history of vacuum tube amplification! Why aren't you playing it ALL the time??", except with a lot more profanity. Rest assured, your point is well-taken. Just keep in mind that my little amp collection, affectionately known as #ToneHenge™, contains at least 10 "perfect" amplifiers. It's hard to choose between them, and I forget how good some of the older ones are when I get distracted by the shiny new additions to the collection! 😉
#guitar #guitars #amp #amps #amplifiers #vintageguitars #vintageamps #fenderamp #vintagefender #tubeamp #tone #guitargear #guitarsdaily #guitarsofinstagram #geartalk #guitarsdaily #fendersofinstagram #guitarphotography #ampphotography #gibsonsg #vintagegibson
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The Best Vox Amps for Home Practice and Studio Recording
When it comes to choosing an amplifier for home practice or studio recording, musicians often look for a balance between sound quality, versatility, and size. Vox, one of the most iconic names in the world of guitar amplifiers, offers a range of amps that cater to both beginners and seasoned players looking for a great tone in a compact package. Known for their signature chimey, bright sound and rich tonal palette, Vox amps have earned their place as favorites for home and studio environments alike.
In this article, we will explore some of the best Vox amps for home practice and studio recording, focusing on their key features, sound quality, and versatility.
1. Vox AC15C1
The Vox AC15C1 is a classic choice for those who want legendary Vox tone in a smaller, more manageable package. With 15 watts of tube-driven power, the AC15C1 strikes the perfect balance between volume and portability, making it an excellent choice for both home practice and recording sessions. Its smaller size doesn’t compromise on tone – it still delivers the same sparkling cleans and gritty overdrive that the larger AC30 is known for.
The amp features a 12" Celestion Greenback speaker, which is renowned for its warm midrange and controlled highs, providing excellent sound reproduction. The AC15C1 comes with two channels: Normal and Top Boost. The Top Boost channel allows players to shape their tone with treble and bass controls, while the Normal channel offers a more straightforward sound for those who prefer a classic, uncolored tone.
For studio recording, the AC15C1 shines because of its ability to produce rich harmonic overtones at lower volumes. The built-in spring reverb and tremolo effects give you additional tonal options, making it a versatile choice for a wide range of musical styles.
2. Vox AC10C1
For players who need something even more compact and quieter than the AC15C1, the Vox AC10C1 is an excellent alternative. This 10-watt tube amp offers the signature Vox sound in a smaller, lighter package, making it perfect for bedroom practice and home studios where high volume levels might be an issue.
Despite its smaller size, the AC10C1 delivers a big sound with a 10" Celestion speaker, providing warm lows and bright highs that cut through the mix. The amp features simple controls – gain, bass, treble, reverb, and master volume – which make it easy to dial in a variety of tones, from clean and chimey to rich overdrive.
The AC10C1 is particularly well-suited for recording, as it delivers warm, tube-driven tones without needing to be cranked to high volumes. This makes it ideal for capturing high-quality sound in a home studio environment, where volume restrictions might be a concern.
3. Vox MV50 Series
The Vox MV50 series amps are a modern innovation in amplifier design, offering tube-like sound in a highly portable, lightweight package. Weighing in at just over a pound, the MV50 amps are perfect for guitarists who need a powerful amp head for practice and recording without the bulk of traditional tube amps.
The MV50 series features three main models: MV50 Clean, MV50 Rock, and MV50 AC. Each model is designed to emulate a specific tonal character, from clean, Fender-like tones to the classic Vox sound found in the MV50 AC. These amps use Vox’s Nutube technology, which emulates the sound and feel of traditional vacuum tubes while being more energy-efficient and compact.
For studio recording, the MV50 series is especially appealing because of its built-in EQ switches and line-out capabilities, allowing you to plug directly into a recording interface without needing a speaker cabinet. This direct output feature makes it easy to achieve high-quality recordings at home without the need for external microphones or complex setups.
4. Vox VT40X
The Vox VT40X is part of Vox’s Valvetronix series, which combines analog circuitry with digital modeling technology to offer a wide range of amp models and effects. This 40-watt amp is perfect for home practice and studio recording, offering a ton of versatility in a relatively compact design.
The VT40X features a 10" speaker and a selection of 11 amp models, including clean, crunch, and high-gain tones. It also offers a variety of built-in effects, including delay, reverb, chorus, and more, making it easy to experiment with different sounds without the need for external pedals. The amp’s USB connectivity allows for direct recording to your computer, making it a convenient choice for home studios.
One of the key advantages of the VT40X is its Tone Room editor software, which lets you customize and save your own amp models and effects. This level of flexibility makes it a powerful tool for players looking to record different styles of music in their home studio.
5. Vox Pathfinder 10
For beginners or players on a budget, the Vox Pathfinder 10 is an affordable option that still delivers that classic Vox sound. This 10-watt solid-state amp is compact and easy to use, making it ideal for home practice. While it doesn’t have the tube-driven warmth of some of the other models mentioned, it still provides a surprising amount of tonal variety for its size and price.
With simple controls and a headphone output for silent practice, the Pathfinder 10 is a great choice for players who want a small amp for practice without sacrificing too much on tone. Its portability and low cost make it an accessible option for those just starting out or those who need a quick and easy practice amp.
Conclusion
Vox offers a range of amps that cater to different needs, from compact practice amps to versatile models perfect for home studio recording. Whether you’re looking for classic tube warmth in the AC15C1, modern innovation in the MV50 series, or affordable options like the Pathfinder 10, Vox amps deliver high-quality sound and flexibility. Choosing the right Vox amp depends on your specific needs, but rest assured, any of these models will enhance your practice and recording sessions with that unmistakable Vox tone.
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Types of Professional Speakers: A Guide for Audio Enthusiasts
Whether you're setting up a sound system for a live concert, a corporate event, or even a home studio, choosing the right type of professional speaker is essential. The variety of speakers available can be overwhelming, especially if you’re new to audio equipment. In this blog, we’ll explore the different types of professional speakers, their uses, and what to consider when selecting the right ones for your needs.
1. Full-Range Speakers
Full-range speakers are designed to cover the entire frequency spectrum, from deep bass to high treble. These are the most versatile speakers, making them suitable for various applications, including live performances, DJ setups, and public address systems.
Best For: General-purpose use, where simplicity and versatility are key.
Why Choose Them: They’re all-in-one solutions that don’t require additional components like subwoofers or tweeters.
2. Subwoofers
Subwoofers are specialized speakers designed to reproduce low-frequency sounds, typically from 20 Hz to 200 Hz. They’re essential for adding depth and power to your sound system, especially in genres like electronic music, hip-hop, and rock, where bass is a crucial element.
Best For: Enhancing bass in music and sound effects.
Why Choose Them: They provide that deep, rich bass that can make your sound system truly immersive.
3. Tweeters
Tweeters handle the high-frequency sounds, usually above 2,000 Hz. These speakers are responsible for producing clear, crisp sounds like cymbals, vocals, and high-pitched instruments. They’re often used in combination with subwoofers and mid-range speakers to create a well-balanced sound system.
Best For: Achieving clarity in high-frequency sounds.
Why Choose Them: They ensure that every detail in the music or audio is heard, especially at the higher end of the spectrum.
4. Mid-Range Speakers
As the name suggests, mid-range speakers cover the middle frequencies, typically between 200 Hz and 2,000 Hz. They’re crucial for producing the main body of the sound, including vocals, guitars, and many other instruments.
Best For: Delivering clear and accurate reproduction of mid-frequency sounds.
Why Choose Them: They add balance and fullness to your sound system, ensuring that vocals and instruments are well-represented.
5. Monitor Speakers
Monitor speakers are used in studios and by performers on stage to hear a true representation of the audio without any coloration or enhancement. They’re designed to provide accurate sound reproduction, making them ideal for mixing and mastering music or ensuring that performers hear exactly what the audience is hearing.
Best For: Studio recording, mixing, and stage monitoring.
Why Choose Them: They offer precise sound, allowing audio professionals to make accurate decisions during recording or live performances.
6. Line Array Speakers
Line array speakers are a series of speakers arranged in a vertical line, used to cover large venues. These speakers are designed to project sound evenly across a wide area, making them ideal for concerts, large events, and outdoor performances.
Best For: Large venues and outdoor events.
Why Choose Them: They provide consistent sound coverage over long distances, ensuring that everyone in the audience hears the performance clearly.
7. Column Array Speakers
Column array speakers are similar to line array speakers but are more compact and easier to set up. They’re often used in smaller venues or by mobile DJs and performers who need a portable sound system. These speakers offer a good balance between coverage and portability.
Best For: Small to medium-sized venues, mobile performances.
Why Choose Them: They’re easy to transport and set up, making them perfect for events that require quick and efficient sound solutions.
8. Powered vs. Passive Speakers
One more important distinction to understand is the difference between powered (active) and passive speakers. Powered speakers have built-in amplifiers, making them easier to set up and use. Passive speakers require an external amplifier to function but offer more flexibility in terms of power and sound customization.
Powered Speakers: Ideal for those looking for simplicity and convenience.
Passive Speakers: Best for those who want more control over their sound system and are willing to invest in separate amplifiers.
Understanding the different types of professional speakers can help you make informed decisions when building or upgrading your sound system. Whether you need full-range speakers for versatility, subwoofers for powerful bass, or monitor speakers for accurate sound reproduction, there’s a speaker type that fits your needs.
To check this in person or to explore your options, visit local audio equipment stores like VIP PRO AUDIO which deals in all types of speakers audio equipments.Remember, the right combination of speakers can make all the difference in how your music or audio is experienced by your audience.
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The Cheapest and Simplest Audiophile Headphone Amp
This small amplifier finds its use not only with headphones for listening to your favorite tunes in good quality or for playing the electric guitar without causing any annoyance to your close ones.
It can also amplify line-level audio if any of your audio system components have too low sensitivity or output levels.
Our amplifier also has a low output impedance and a reasonably high input impedance—50 kilo-ohms. So, the amplifier serves dual purposes as a buffer with gain and as a power amplifier for headphones.
The design is inexpensive and quite compact, so it can be used in almost any project. The bipolar power supply is not required; any stabilized power source or 12 to 18-volt battery is sufficient.
This amplifier has a linear stereo input, not a Hi-Z instrumental input, for connecting an electric guitar. Therefore, if you play the guitar, you will need an additional preamp.
Headphone amplifiers are assembled using transistors, tubes, and microchips. The tubes add a pleasant warmth to the sound by adding even harmonics to the signal. We have already looked into this in a post on the DIY tube amplifier.
That sweet little amplifier is an excellent buffer for a hi-fi audio system. It can happily work with an electric guitar. But its output power is not enough for headphones. (Yet it can be an excellent preamp for our headphone amp today.) A tube amplifier needs to be powered with an AC transformer, which is not a portable solution.
Discrete transistor amplifiers can be decent, but they contain many elements. They need to be carefully configured, pairs of transistors with the same parameters must be picked, and a large quantity of high-quality capacitors must be used.
Some audiophiles say the best sound is created only with special carbon-fiber resistors. If the influence of the design and materials of capacitors on the quality of sound reproduction is objectively proven and has been measured, valuable parameters for resistors, from a technical standpoint, are accuracy and temperature stability. Metal film resistors are primary candidates, as they are known for this feature.
If you didn't already know, low-power carbon resistors are usually beige (modern film) and brown (vintage composite), and metal film resistors are often blue. But there are many exceptions.
Be that as it may, music is for pleasure. Music is an art, and this applies not only to composing and performing but also to playing back, listening, and making musical instruments and equipment. Therefore, subjective opinions and feelings must be respected because music is just about them. And the components should fit the person who creates the amplifier and the person who will listen to it.
Any way you approach it, creating transistor and tube amplifiers costs money and time, takes up space, requires skills, and sometimes requires special equipment for adjustment. Integrated circuits make everything much more compact, accessible, and simpler.
And if we talk chips for audio processing, first, we need to discuss operational amplifiers.
By the way, LM386 is an op-amp, too, designed to work with a loudspeaker or a headphone. I'm sure you've already used LM386 on your devices. Clearly, it is not at all an amplifier for high-quality sound reproduction through headphones or a small speaker.
Although, oddly enough, with a large 12-inch guitar speaker (not the 80-watt Celestion Seventy 80, better something like a 25-watt Greenback), the LM386 can sound very good in the room, it has just enough volume to be used as a bedroom amplifier.
But guitar amplification is a totally separate thing. You need to amplify specific guitar frequencies; the LM386 can handle this fine. And when you need to reproduce with high fidelity the sound of an entire orchestra, a rock band, or birds chirping in the forest, you'll need something bigger.
So, we will use NE5532.
The best op amp for audio
"There is probably no music on the planet that has not passed through a hundred or more 5532s on its way to the consumer." Douglas Self, British electronics engineer.
Please do not confuse NE5532 for NE532. The NE532 is just a complete analog of the good old LM358, developed in 1972 as an industry standard for operational amplifiers.
Surprisingly, the LM358 circuitry is built into many other integrated circuits. For example, the TL494 PWM controller contains two error amplifiers constructed according to the LM358 diagram.
We often use the LM358, sometimes even for audio processing, but in most cases, we still prefer the TL072 and NE5532. Why is that? This is precisely what we will talk about today.
NE5532 are considered operational amplifiers for enthusiasts, and rightfully so, one can find them in even the most expensive and prestigious audio equipment. From 1979 to 2007, that is, for 28 years, NE5532 was unattainable—the best in class! And then LM4562 came along.
There are several more expensive and more advanced operational amplifiers for audio, including those assembled on a printed circuit board from discrete components rather than an integrated chip design. After all, progress never stops, and there is no limit to perfection.
In fact, in the vast majority of cases, the characteristics of the NE5532 are more than sufficient for high-quality audio signal processing. This is confirmed by its application in various professional music and sound recording equipment and household high-fidelity audio systems.
This is all thanks to the fact that the NE5532 has very low noise, extremely low harmonic distortion (THD) with an appropriate switching circuit, and, very significantly, a high slew rate. It is equal to 9 V/uS versus 0.3 9 V/uS for the LM358.
It would seem that even LM358 has a gain bandwidth of 1 MHz (according to datasheets from different manufacturers, from 700 to 1200 kHz). However, gain bandwidth does not mean the effective gain band but just the frequency at which the unity gain is preserved.
When the voltage is amplified by +20 decibels, i.e., 10 times, the LM358's gain begins to decline already at a 10 kHz frequency. In contrast, for the NE5532, this frequency is 200 kHz.
Why does an audio signal need wide bandwidth anyway? An average human cannot hear sounds with a pitch above 20 kHz. Besides frequency, the attack of sound matters. The wave's shape matters, too, and to avoid distorting it, you need a bandwidth 10 times wider.
So, our amplifier is called "47" and consists of two identical channels - left and right. Each channel is built on a dual NE5532 operational amplifier. Resistors R1 and R2 divide the supply voltage in half, forming a common virtual ground for both channels.
Op-amp U1A is used in a non-inverting configuration: the input signal is applied to the non-inverting input, and resistors in the feedback loop set the gain from the output to the inverting input.
In our case, the coefficient equals (4.7 + 10) / 4.7 = 3.13, 9.9 dB.
Operational amplifier U1B is connected as a repeater with unity gain and simply doubles the channel output current. Resistors R8 and R9 limit the current to protect the headphones and amplifier.
The second channel is assembled according to the same diagram as the first one on a separate U2 chip. If you don't need a second channel, you can build just one using one chip.
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This amp sounds very clean. Unlike guitar equipment, it does not alter the sound but simply reproduces the input signal with high quality.
So, high fidelity is not always difficult and expensive. Sometimes, you can achieve excellent results simply by finding a suitable scheme.
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Top 5 Guitar Amplifiers for Home and Studio Use in 2024
If you're a guitarist looking for the perfect amplifier for your home or studio setup, you've come to the right place. Choosing the right amplifier can make a significant difference in your sound, whether you're recording, practicing, or jamming. In this blog, we’ll explore the top 5 types of guitar amplifiers that are ideal for both home and studio use in 2024.
1. Tube Amplifiers
Tube amplifiers, also known as valve amps, are beloved by many guitarists for their warm, rich tones. They use vacuum tubes to amplify sound, giving a classic, vintage feel that's perfect for genres like blues, rock, and jazz. While tube amps can be heavier and require more maintenance, their sound quality is often worth the extra effort. They're great for studio recordings where you want a full, authentic sound.
2. Solid-State Amplifiers
Solid-state amplifiers are known for their durability and reliability. Instead of tubes, they use transistors to amplify sound, making them lighter and easier to maintain. They offer a clean, consistent tone that's ideal for home practice and recording sessions. Solid-state amps are also more affordable, making them a great choice for beginners or those on a budget.
3. Modeling Amplifiers
Modeling amplifiers are a modern choice that’s becoming increasingly popular. These amps use digital technology to replicate the sounds of various classic amplifiers. This gives you a wide range of tones in one unit, making them incredibly versatile. If you like experimenting with different sounds or need an all-in-one solution for home and studio, a modeling amp is an excellent choice.
4. Hybrid Amplifiers
Hybrid amplifiers combine the best of both worlds by using both tubes and solid-state technology. Typically, the preamp section (where the initial tone shaping happens) uses tubes, while the power amp section (which drives the speakers) is solid-state. This combination provides the warmth of tube amps with the reliability of solid-state amps. Hybrids are great for guitarists who want that classic tube sound without the maintenance hassle.
5. Portable Amplifiers
For those who need something compact and easy to move around, portable amplifiers are perfect. These small amps are designed for home use and are also great for traveling musicians. Despite their size, many portable amps offer impressive sound quality and can even be used for recording. They’re ideal if you have limited space or if you like to take your music on the go.
Conclusion
When choosing a guitar amplifier for home and studio use, it’s important to consider your needs and preferences. Whether you prefer the warm tones of a tube amp, the reliability of a solid-state amp, the versatility of a modelling amp, the blend of a hybrid amp, or the convenience of a portable amp, there’s something out there for every guitarist. Consider visiting local audio shops like VIP PRO AUDIO in Brooklyn to check out these amplifiers in person. In 2024, these five types of amplifiers are leading the way, helping musicians create great music, no matter where they are.
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Best Amp Modelers 2023- Top 5 Virtual Guitar Rigs
The Best Amp Modellers 2023 is our Top 5 modelers that you need to know about. These compact and portable units offer a level of versatility and convenience that was unimaginable for guitar players just a few decades ago. Best Amp Modelers 2023 While early versions of amp modelers faced skepticism from tone purists, today’s models are narrowing the gap between their digital counterparts and…
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Casio SA-76 | Mini Keyboard Review & Demo | 44-Keys 100 Sounds 10 Integrated Songs
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There's no question that Amazon happens to be the primary place many people shop for goods, and that now includes keyboards. Huge amounts of keyboards are sold through Amazon every year.
We decided to go onto Amazon ourselves to see which digital pianos happen to be most popular and determine whether they're actually good buys, and whether or not they're worth all of the 5-Star reviews.
In today's article, we're going to look at one of Amazon's best sellers with the Casio SA-76 44-key portable keyboard.
Let's start with some background.
Casio SA-76 | General Background Battery Powered Option
The first thing that you should know is that this instrument does not come with a power adapter. It supports a power adaptor, but that's an optional extra that you'll have to add on if you want one. As long as you've got the right pin polarity and the right adapter size, pretty much any universal AC adapter will do the trick, so you don't necessarily need to add the Casio branded one.
You can also operate the Casio SA-76 with 6 AA batteries as the power supply, and that's probably the way most family's buying this for young kids will use it.
Super Affordable
The next thing worth noting about the Casio SA76 keyboard is how inexpensive it is. To be able to get something with any kind of piano function for under $100 is a big deal, and up here in Canada, it runs for around $70 CAD and $60 USD in the United States.
Accurate Tuning
It's easy to take for granted when you're playing on a $200, $300, or $400 musical electronic instrument that it happens to be in tune, but so many baby and toddler musical toys aren't even close to being in tune.
Some people might ask if that even matters, but if you're trying to give a young child a musical toy to start laying some musical foundation, it should absolutely play in tune.
Casio SA-76 - Key Specs Casio SA-76 - Key Specs 44 Note Keyboard with Mini Keys
The keyboard has 44 total notes, meaning it's half the number of keys you'd find on a normal piano or keyboard. The keys are also thinner and shorter, hence the name mini keys, as smaller size keys make it easier for small fingers to play. The keys are not touch-sensitive, but that's not going to matter for a young child beginner.
LCD Display
There's a helpful LCD display screen for navigating the different music options, and the interface, in general, is going to be very easy even for a young kid to use.
100 Sounds + 8 Note Polyphony
You have the option of 100 different tones to choose from, with 8 notes of polyphony. 8-note polyphony is not much but fine for the intended use of this beginner keyboard.
Built-In Songs & Rhythms
There are 10 built-in songs and 50 drum patterns, as well as a couple of different playing modes, and even a metronome.
Speakers
There are 2 small speakers and amps on each side, with a total of 2.4 watts of amplifier power.
Casio SA-76 - 3 Piano Modes Casio SA-76 - 3 Piano Modes Tone Mode
As mentioned, there are 100 sounds to choose from on this keyboard. Some of the sounds are quite convincing, while others definitely are not, but it's expected that an instrument this inexpensive would not have the most consistent sound quality.
Out of the 100 sounds, there's a mix of pianos, electric pianos, organ sounds, synthesizers, reeds, harmonica, brass, strings, guitar, bass, mallet instruments, and various others. All of this is available to you in Tone Mode.
Pattern Mode
The second mode on the keyboard is called Pattern Mode. Which is where you start getting into the rhythms. There are 50 drum patterns to choose from and have fun with and 5 drum pads.
Song Bank Mode
Then, there's a third mode called Song Bank Mode. There are 10 built-in songs that you can play back, and this is what is going to get toddlers up and dancing around the house. The songs are fun, high-energy, and perfect for getting a little one excited about music.
Who Is This Instrument For? Casio SA-76 - Young Beginners Best to Avoid If...
Who is this instrument for? Well, we can start by saying who it's not for. The Casio SA76 doesn't have any MIDI connectivity so anyone looking for a super inexpensive and compact MIDI controller or portable & arranger keyboard for production, this won't cut it.
While it is made for toddlers, it's also not the most durable, so the average 18-month-old wouldn't have a problem quickly breaking the keys, and that unfortunately won't be covered under warranty. You'll want to make sure your child is at an age where there a little more gentle with toys.
Young Beginners
So, we're left at this being aimed at young learners to see if there's some musical interest there, at the most basic of levels. This would be a really great gift for a young child, instead of a bit of a cop-out of a gift card, and having them interact with it even for a few minutes a day would probably be a good gauge of whether or not there's some early musical interest.
It's hard to pinpoint an exact appropriate age, but we'd probably it's going to be great for kids around 2 and a half years of age, up to about the age of 7. It's not quite technical enough to keep an older child interested since there's no Bluetooth or other connectors to get it working with a phone.
Perfect Musical Exposure Toy
For the price, this is a really good way to expose a child to some basic musical ideas that can serve as a great building block for furthering musical education.
The biggest downside is that there's no MIDI output which would have actually opened this up to a lot more power. There's no sustain pedal, but this isn't a big deal given the fact that the action isn't touch-sensitive.
Other than that, for what you're getting for the money, this is probably one of the best musical exposure toys on the market. And sure, you could jump for one of the Casiotone 61-key portable keyboard workstations or something from Yamaha that's a bit more substantial, but that's not really necessary.
Closing Remarks
Thanks for reading! We hope you've enjoyed this look at a popular seller on Amazon the Casio SA-76 Mini Keyboard. If you're a parent out there and you are looking for exactly what we're just described, hopefully, you found this helpful.
We'd recommend checking out the accompanying video for a more in-depth review and checking out the rest of our YouTube channel for more musical instrument reviews. Don't forget to visit our website for more article reviews.
The post Casio SA-76 | Mini Keyboard Review & Demo | 44-Keys 100 Sounds 10 Integrated Songs first appeared on Merriam Pianos
2359 Bristol Cir #200, Oakville, ON L6H 6P8
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Guitar Mini Amps-The Five Best
There are many great guitar mini amps available on the market today, each with its own unique features and strengths. Here are five of the best:
1. Boss Katana Mini - This mini amp offers a surprisingly powerful sound for its small size, with three selectable amp types and a variety of built-in effects. It also has an aux input for playing along with music from a phone or other device, making it a versatile practice tool.
2. Blackstar Fly3 - This mini amp has two channels, a built-in delay effect, and a unique "Infinite Shape Feature" that allows you to shape the tone of the amp to your liking. It's also very lightweight and portable, making it great for travel.
3. Vox Mini5 Rhythm - This mini amp packs a lot of features into a small package, including 11 amp models, eight effects, and a built-in drum machine with 99 rhythm patterns. It also has an aux input and a headphone output for silent practice.
4. Yamaha THR5 - This mini amp is designed to replicate the sound and feel of a full-sized tube amp, with five amp models and a range of built-in effects. It also has a USB port for recording, and can be powered by batteries or an AC adapter.
5. Fender Mini '65 Twin - This mini amp is a miniature version of Fender's classic '65 Twin Reverb amp, with a solid-state circuit that delivers a surprisingly authentic sound. It has volume, tone, and gain controls, and can be powered by batteries or an AC adapter.
All of these mini amps are great options for practicing at home or on the go, and each has its own unique features and strengths. Ultimately, the best mini amp for you will depend on your specific needs and preferences as a guitarist.
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Buy Marshall Stanmore II Bluetooth Speaker, Brown | Menakart
Introduction
The Stanmore II Bluetooth Speaker is a combination of classic Marshall design and contemporary technology. Built with advanced components, it produces clean and precise audio, even at the highest levels. The speakers provide rich, clear, and loud audio, just like the artist intended.
This wireless speaker features Bluetooth 5.0 technology for simple connectivity. The 33 ft range makes it ideal for listening in your bedroom or connecting to an aux-in source when you are outdoors.
The Stanmore II Bluetooth Speaker is a 2.1 speaker that reproduces crisp, clear sound with a punchy bass response. The front is adorned with a metal grille that echoes the legacy of rock 'n' roll, and you can fine-tune your music using the Marshall Bluetooth App or analogue controls on the top panel. For analogue listening, connect to an RCA or 3.5 mm input.
The Marshall Stanmore II Bluetooth Speaker, with its elegant solid metal grille, recognizable Marshall logo, and sturdy design, is a real champion of sound. The Marshall Stanmore II Bluetooth Speaker is the perfect way to enjoy your music, with a classic look.
Available at Menakart. Buy now at the Lowest price Online.
https://www.menakart.com/marshall-stanmore-ii-bluetooth-speaker-brown.html
The Marshall Stanmore II Bluetooth Speaker features classic Marshall details such as a textured vinyl covering, a salt and pepper fret, and the iconic script logo. The brass plate is etched with the establishment date of 1962 , a subtle nod to the brand’s heritage and over 50 years of success. Equipped with advanced components for clean, precise audio at any volume level , this portable wireless speaker delivers superior sound quality you can take anywhere.
Marshall Stanmore II Bluetooth Speaker Brown has thus been making world-class guitar amps and speakers since 1962 and continues to innovate today with the Stanmore II Bluetooth Speaker. A heritage Bluetooth speaker that embodies the iconic style, sound, and technology of the legendary British amplifier maker.
The Stanmore II is inspired by the classic English amplifier and has been designed to deliver incredible sound anywhere. Built with the same proven technology used in Marshall's legendary guitar amps, this portable wireless speaker delivers superior audio quality and powerful bass.
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"Fuck yeah I do, still gotta work to fully harness it but we'll make it fun so it'll happen in no time! I'm one who believes if you're passionate about what you do, you'll always do your best." She's getting fired up with this chat, giving him a big hug!
"So what do you say, want to jam a little? See what'll come up?" Verosika had her guitar close by and goes to set up her portable amp, ready to rock.
"You want to know what I see? What I think sets you apart from the rest? The feeling. That's what counts. Anyone can get up on stage, perform, have stage presence, but REAL music? It comes from the heart. Music is emotion at its core. I'm sure you've seen all the cookie cutter soulless bullshit that comes out that's only popular because it's catchy? Yeah fuck that shit."
"You have heart. Rough around the edges but I think... no I KNOW you have what it takes."
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fucked with my tiny amp some today and realized i might not need a fuzzbox after all lmao
#like im def getting several of various kinds as i get money to put into music but like#i spent this past year like ''guess i just wont do that til i get the money'' and havent written anything or even practiced playing much#and the whole time i had that shitty trash little amp my sister got from my stepdad and none of us ever used it cause we had good amps lmao#only for me to have a revelation the other day about some of my favorite fuzz and distortion heavy albums#it wasnt always pedals#sometimes it was some shitty little portable amp guitar amp with the drive cranked up and hooked to a bass#and fuck does this thing sound like shit in all the best ways#this is what im talkin about babey
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Forever grateful to MJA (aka @puisheen) for restoring this 1969 #SGStandard...and then letting it go! 😉 Even after 7+ years of ownership, I still love it so much. . The #amp is another loveable mongrel: a 1963 #Fender #Princeton, purchased several years back from @theguitarshopca, it is the quintessential "players" amp, so I got it for an incredible deal. And you know what? It's the best all-round amp in my collection. It sounds huge for its size, has a full bassy tone, overdrives nicely at medium volume, and is very portable. Player grade vintage at its best and most affordable. . . #gibson #gibsonsg #vintageamp #vintagefender #fenderamp #guitar #guitars #guitarra #chitarra #guitarre #electricguitar #vintageguitars #vintagegibson #gibsonguitars #tone #guitargear #guitarsdaily #guitarsofinstagram #geartalk #vintagegear #gibsonsofinstagram #guitarphotography (at Peterborough, Ontario) https://www.instagram.com/p/CZzn2mRJKV4/?utm_medium=tumblr
#sgstandard#amp#fender#princeton#gibson#gibsonsg#vintageamp#vintagefender#fenderamp#guitar#guitars#guitarra#chitarra#guitarre#electricguitar#vintageguitars#vintagegibson#gibsonguitars#tone#guitargear#guitarsdaily#guitarsofinstagram#geartalk#vintagegear#gibsonsofinstagram#guitarphotography
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(Temporarily) Nameless Jujutsu Kaisen OCs
I love my trend of drawing women that are one McDonald’s Sprite away from going feral and their loving spouses who would go to the ends of the Earth for them.
Married couple reaching their 30s. The embodiment of rivals to lovers from the moment they met as freshmen at Kyoto Jujutsu High.
Wifey:
Extroverted, passionate, loud, and proud.
Surprisingly slow to anger. Respectful.
Is a sorcerer and teacher at K.J.H.
Adores her students. Fun aunt energy.
Grade 1. Cursed technique is explosive in bursts and difficult to control, so she uses an electric guitar and portable amps as mediums to channel it (Yaga tutored them personally though it’s clear who was inspired the most). Is best as a ranged sorcerer (only swings her guitar for physical impact as a last resort).
Her reverse curse technique is limited to herself only (much to her chagrin).
Used to smoke, stopped, and now has a raspy voice which she’s proud of, especially when singing.
Became ecstatic when she realized how much income jujutsu sorcerers make.
Plans on working until she has enough money to have her own record label (and a little more on the side). This way she can open up more opportunities in the music industry for artists that are discriminated against in Japan (i.e. mixed race, LGBT+, etc.)
She proposed before her husband could muster up the courage. They both had rings for each other before she got down on one knee lol
Hubby:
Introverted, subtly cynical (he’s working on it), and utterly in love with his spouse (keeps it on the down low because a. It’s no one else’s business and b. he gets flustered when his wife teases him)
Becomes irritable rather quickly. Just because he’s courteous does not automatically mean that he likes someone.
Is an auxiliary manager. Does not like to fight head-on. Prefers desk work.
Is not as strong as his wife (in terms of cursed technique).
His cursed energy is more manipulative of the environment surrounding him (trickery, can be illusionary or minor physical alterations. Can include shifting the small area underneath his opponent’s feet or make a building appear to be missing).
It also serves as a major boost to an individual, or a slight boost to multiple people (the more people he assists the less each person receives). The easiest way he can release his cursed power is through his violin.
He has a Lot of cursed energy, though not at Mechamaru’s level. His area of effect is limited by the distance his music can reach.
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Pool side shenanigans; Brian May x teen reader
*Author’s note*
Okay everyone along with this being a request, I wanted this to be done by today because in honor of our beloved Brian May’s birthday, I have a fic to present to all of you. So to the anon who requested this lovely platonic fic with Brian May, I hope you enjoy it and also BIG shout out to the man himself, Happy Birthday Brian May I hope you had a great one and just know that you are always loved and an inspiration not just as a musician, scientist or animal activist, but also what being a human being is. You are a true star and we don’t deserve you. Happy 72nd Birthday Brian Harold May :)
Queen Taglist:
@geek-and-proud
@psychosupernatural
@queendeakyy
@waddles03
@plethora-of-things
@coolcxt
@ixchel-9275
____________________________________________________________
It was 1975 at Ridge farm studios. It was probably the hottest day of the summer and I could barely take the heat any longer. If you’re wondering who I am, I’ll tell you. The name’s (y/n) (l/n), I’m 16 years old and you could call me Queen’s official ‘roadie/makeup artist/mini-groupie’. I’ve known the band since I was nine years old since my older brother Derek has been with the band since the beginning.
He’s real close with the band since he’s responsible for helping Deacy with his amp, even having a little cocktail bar installed behind it for his performances. And since my brother is close friends with all four guys, that made me close with them. But even by being close with them, I always found myself drawn more towards Brian.
I’ve always had a fascination with the guitar and always wanted to play it, and the first time I saw Brian play, I was just in awe of what he could do. It was like his fingers moved independently from each other and just molded with the guitar. During one rehearsal I was spying observing him and just fell under the spell of the sounds that his famed Red Special made, I was so entranced that he had caught me watching him.
Now I wasn’t quite as close to the guys just yet at that point in time, so I shyly hid under behind all the crates and amps hoping that he didn’t see me, but he did. He talked to me and of course being that age standing before an upcoming rockstar being born I was a bit intimidated but he talked to me, just like how my brother does. He even let me touch and hold his Red Special and even gave me a mini-guitar lesson and showed me how he plays, and from that point on the rest is history.
As years went by, my brother taught me the ins and outs of what being a roadie technician is and how the amps work out and every summer I helped him out with Queen’s tours. Now when it came to this trip for the boys to record their recent album “A Night at the Opera”, my brother had unfortunately came down with a really bad stomach flu so he said that I would have to go on my own.
Which was no problem with him because he knew I would take care of the boys and help them out with whatever they needed me to do. And of course all 4 band members equally agreed that they wanted me on the trip. So after awhile of recording, we all now relocated here at Ridge farm studios to just relax and take the time off before heading back to Rockfield.
Now with it being summertime, the summers here in England get pretty hot. I was in the pool along with Deacy just simply talking as we lounged on those pool beds that float, while Fred and Rog were goofing around trying to dunk each other in the water.
“When’s Bri gonna come out?” I asked.
“He said he’d come out whenever he got done checking his thesis.” Answered Deacy.
“But even a brain like his needs rest.”
“Ohh love face it, when Brian gets too involved with his studies, nothing’s gonna change his mind.” Freddie proclaimed as he had dunked Rog under the water before taking away the inner tube they were both fighting over, that was until he was pulled under the water and Roger now came through the tube as Fred now came back up for air only to see his prize taken away.
“Well good thing he always falls for me. Watch and learn boys.” I got out of the pool and dried myself off as best as I could and headed back towards the house.
Inside I saw Brian in the dining room with the portable fan on its highest setting and all around the table were papers and astrophysics books scattered around. Brian was sweating from the heat and I swore I could see smoke coming out of his ears and see the gears in his head working as he was editing his thesis. I quietly walked up to him and just wrapped my arms around him and leaned my head up against his.
“Hey (y/n).” he said.
“How’s the thesis going?” I asked.
“Slowly but surely. Just found out there’s some points that I didn’t quite backup enough so I’m having to rewrite certain structures of it.”
“Uh-huh, and what’s your paper about again?”
“Interplanetary stardust. My thesis revolves around the radical velocities in zodiacal dust.” I just nodded along pretending to understand what it was he was talking about.
“Well I can clearly see the gears turning in your head, and I think I even see smoke coming out of your ears.”
“Ha-ha. Now what exactly do you want (y/n)?”
“Come take a break Brian. You’ve been working so hard lately not just with this but I’ve also seen you writing more songs for the album. Take a break Bri and come out and have a nice swim with us, please?”
“I’ll join in later (y/n), I promise okay.”
“But—”
“Bo buts. Now please leave.” I pouted as he went back to his work but I refused to leave. If there’s anything you need to know about me, it’s that I’m too stubborn for my own good. And I don’t leave until I get what I want.
I walked back toward him and just leaned up against his back, lying my head against his curls.
“What are you doing?” he asked.
“Has anyone told you your hair is like a fluffy pillow?” I teased. I buried my face into it, allowing his curls to tickle my cheek and nose.
“It would seem you’re the first one to tell me that.” He said.
“And I actually get to brag to Derek about one thing.”
“What’s that?”
“That I’m the first person ever to actually see what the top of Brian May’s hair is like. And it’s even floofier on top.” I wrapped my arms further around him and said, “C’mon Bri please. I’ll be your best friend.”
“You already are my best friend.”
“Just please take a break, you’re the one always telling me to take a break when I get stressed out from school. Want my advice, take a lesson from your book and know that if you keep going like this at this rate, you’ll only make yourself sick.” I quoted him using my best Brian impersonation while bopping his nose much like how he always does it with me.
He turned to look at me and I tilted my head at him giving him my best puppy dog pout.
“C’mon Bri.” He just stared at me and then I upped up the antic by saying sadly, “Okay then. I guess I’ll just go back out and be lonely. Maybe die of heatstroke because now I don’t want to swim with anyone but my favorite queen member.” I began to walk away from him when I heard him say.
“Alright love, you win. I’ll be out in a second.” I smirked and walked right out of the house but it wasn’t until I got out of the house that I had a spring in my step.
Works every time.
As I returned to the pool with a confident stride I proclaimed.
“Hello children.”
“So I assume by the walk, you managed to convince him?” Deacy said.
“Hook, line and sinker every time.” I said smugly as I got back on my innertube bed. “Guilt trip works like a charm. I’m so clever I even amaze myself.”
It was a few minutes later and I was the only one still lying on a innertube bed while the boys were going off on the diving board, mainly Rog and Fred were trying to outdo the other one in dives or flips. As Roger managed to do a backflip I shook my head and muttered.
“Show off.” I rested my head back against the ‘pillow’ portion of my bed when suddenly I felt myself being flipped over. I let out a shriek as I was now underwater. I came up for air and I said as I turned towards them. “Alright Rog! What was that about?”
“What are you talking about (n/n)?”
“Don’t pretend I know that was you who flipped me over!”
“Love I may play some pranks on you but that wasn’t me.” He reasoned with me.
“It’s true darling, the minute you flipped over, he had come up from his back flip, how could he get from there to here so fast?” Freddie questioned. Okay so if Roger was just coming up from where he dove, Freddie was at the diving board as well as Deacy, wait that means……
Suddenly I felt something grab my waist and pull me underwater once more. I opened my eyes and I saw the familiar face of Brian. He took me over towards the innertube bed and I came up for air coughing out while his eyes and nose peeked out of the water staring right at me.
“Not cool Brian! Hasn’t anyone told you it’s rude to disturb a girl on an innertube bed?” It was then he did something I never thought he do. My mentor, rock god of the guitar, astrophysicist Brian May actually spat water in my face like a whale breaching the surface. “Oh you are so dead!”
It then turned into a water fight, splashing each other in the face laughing and roughhousing like children. This continued on for a few more minutes until finally Brian had me trapped in his arms and he said.
“You surrender?”
“Fine, but not because of you. It’s only cause I’ve tired and I really want this tube off of my head.” Brian then flipped it off of us and he released me and I swam back towards the tube and got back on it. “What was that all about Bri?”
“Well how else was I supposed to get back at you for interrupting my work?” I sighed and said.
“I’m sorry, I just wanted you to finally have a chance to relax. I know how hard you work and with this heat I figured you’d want to relax. Heat and hardworking brains don’t mix too well together.”
“I know you meant well love. And I thank you for it. Guess I got a taste of my own medicine after all the years I’ve got on you about stressing out over your own classwork.” He ruffled my wet hair and I slide off the tube and swam out towards the diving board to show these old guys what real diving is all about.
For the rest of the day it was hanging by the poolside, cold glasses of tea or water and just talking by the poolside. By nightfall, while everyone was inside for the night, Brian and I had a scheduled a stargazing party for two.
We were ‘camped’ out just a few yards away from the house past the pool out to a wide greenery passage with a clearing of the sky, just barely underneath where the moon was.
“So you see (y/n) if you’re wanting to know where the brightest star in the sky is, just turn toward the Canis major constellation and there you will find Sirius.”
“Ohh, see I was told Betelgeuse was the brightest star by a friend of mine.”
“No that’s the 9th brightest star.”
“Well some astronomer he’s going to be, luckily for me I’ve got the best one I know.” I praised as I snuggled up closer to him. He chuckled softly and stroked down my hair and kissed the top of my forehead.
“What is it?” he asked.
“What’s what?”
“I know that face anywhere, you’re thinking about something that’s making you depressed. So c’mon love out with it.” I sighed and said.
“It’s just—” I tried to find the right words. Lucky for me Brian’s always so patient with me, while Derek would be telling me about now to just let it out and fess up. “Well all my friends have officially decided on what they’re gonna do after graduation. Astronomy, biologist, teacher, librarian. All those important jobs, as for me I—I’ve got no clue on what I want to do with my life. I don’t even know what to study.”
“What does your heart tell you?” I looked up at him and asked,
“What’s my heart gotta do with choosing a major?”
“It’s what you’re interested in. Whatever passion you have, your heart will help determine what you want to do.”
“I—I don’t know. And it gets worse cause my parents are always hounding me about getting a better education and me away from this job since my brother chose not to go to college and just worked for a living at an autoshop before meeting you guys.”
“Believe me love I’ve been there before. My mum wanted me to be a surgeon and my father wished for me to have a career that would support me. He’s still peeved about me being in a band, thinking it isn’t doing anything for me.”
“Yeah, my dad’s the same way with Derek.”
“But listen love, I know you’ll find something to study. I know you’re a good story writer. Remember those short stories you would read out loud to me when you were first starting off secondary school?” I nodded and said.
“But I don’t know if mum and dad would approve of me being a writer. Most English majors think you’ll end up being a teacher and I suck at explaining shit to people.”
“Hey, first of all language. And second you are smart. You’re probably the most clever girl I will ever meet in my whole life. Now repeat after me. You are smart.”
“You are smart.” I mocked. He glared down at me and said.
“Alright cheeky have it your way.” Suddenly he began to tickle my sides.
“Wah no!! Noo Brian not…..not that stohahahp!”
“Then say it.”
“Okay! Okay I’m smart! I’m smart!” he finally stopped leaving me breathless. “I am so gonna make Derek regret ever telling you guys that I was ticklish. You guys are sadists when it comes to tickling. Especially you and Deacy.”
“Ohh come off it darling, we only do it because we love you so much.”
“Yeah, too much.”
“Never enough.” He said as he nuzzled his nose against mine. I smiled softly and rubbed my nose against his as well, giving each other Eskimo kisses. “In all seriousness though love, you can be whatever you want to be. It doesn’t matter how long it takes you to figure it out, so long as it makes you happy. And that’s all we ever want from you.”
“Thanks Bri. And I don’t mean just for this but for everything. You’ve taught me so much and—I don’t think I can ever pay you back.”
“There’s no need love. I’m just glad I got the chance to meet you that day, what was it seven years ago?” I nodded and he said, “And it has been my honor to see you grow into a smart, strong young woman. And I know you’re going to do great things love.”
“So will you Bri, I just know Queen’s going to be known by everyone after this album takes off, and I’m just lucky to see the four men behind the masks and see who they really are. And I’m proud to also call them my family.”
“And we’re proud to call you ours.” He brought me close to his chest and kissed the top of my head and the two of us remained outside stargazing throughout the night until the dawn came to greet us.
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