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thetonecontrol · 6 years ago

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Ep. 130 - It’s a Rat With Robot Legs! It Can Learn Tricks!

EarthQuaker Devices Swiss Things (stab: SG Electroman)

2 Effects loops, with an a/b/y switcher, boost, tuner out, expression input… everything

Loop 1: unbuffered. Ideal for distortions, overdrives, vintage pedals.

Loop 2: buffered, after loop 1. Ideal for modulation and time based stuff

Amps: This lets you run stereo in a A, B, or Both setup. Boost switch to give those amps a little extra umph. Also features a phase switch.

Buffered tuner out, high headroom output buffer to drive long cable runs

Expression volume in lets you use any exp pedal to control volume. Volume is placed after loop 1 for true volume control, not for cleaning up dirty tones.

“Flexi-Switching”, which is relay-based true bypass. Can be set to momentary or latching.

Pretty much a small true bypass looper with a bunch of added stuff

$250

Strymon Volante (stab: MH DMBL)

Multi-voice, multi-head, magnetic echo machine.

Four heads, each with on/off button for Playback and Feedback.

Controls for Record level, mechanics (controls amount of mechanically related speed fluctuations), low cut, wear, repeats, echo level, spring reverb mix, time, and head spacing.

Time controls delay time at head 4. Heads 1-3 subdivide according to the spacing knob.

The repeats stop at head 4, so there is no decay unless the feedback buttons are engaged

Three types of delay: Drum delay (echorec), Tape echo, and Studio (reel to reel) delay.

Up for preorder, $400

They have also updated the Multi-switch to work with Volante as well as Riverside and Sunset Drive. More functions, still works with other strymon pedals. $129

Sono Amp Modeling Interface from Audient and TwoNotes $450 (stab: WA Descent)

Audient desktop USB interface with 10 in / 4 out

12AX7 preamp with 3 band eq and Two notes Power Amp and Cab Simulation and re-amp output.

2 Audient console mic preamps, ADAT input, main speaker out, to amp out, headphone out, Zero latency monitoring with monitor mix.

Free plugins and software with ARC. Torpedo Remote

IK Multimedia AXE I/O Audio Interface $350 (stab: 805)

Guitarist focussed computer USB interface

2 instrument inputs / Mic inputs, amp out, 2 line outs, external switch inputs, midi

Active/Passive Pure/JFET Z-Tone impedance adapting circuit (1MOhm to 2.2kOhm)

Amplitube 4 Deluxe

Fender Acoustasonic Tele - video demo included (stab: MS Consider the Raven)

This is supposed to be the first true hybrid between electric and acoustic guitars, not just “acoustic electric”

5 position selector for Electric, Acoustic/Electric blend, Percussion and enhanced harmonics, alternative acoustics, and core acoustics

Instead of a tone knob it has a “mod knob” that blends A & B voices

Fishman electronics, sounds like some of the stuff they’ve been working on with Martin

The idea is to have one guitar that does it all, which I guess is always the dream, right?

Acoustic sounds still feel a little “plastic” to me, highly compressed

Guitar center demo. Acoustic sounds are better in this one. https://www.youtube.com/watch?v=0e9QLaHEt-I

CME Demo. best sounds yet https://www.youtube.com/watch?v=NP7jbgou9Ks

This will be interesting to watch over the next few years… but I think right now it’s a master of none.

JHS The Clover $200 (stab: Strymon Mobius)

Boost/preamp based on the Boss FA-1 FET Preamp

Controls for Volume, Bass, Mid, Treble, and a 3-way rotary for EQ selection

No EQ, No Mids, Full EQ. No Mid setting is the replica of the original Boss FA-1

XLR output for Acoustic or Bass use. Also has a ground lift for XLR

Low-cut switch on the side.

Original FA-1

#The Tone Control #Music #Guitar #Recording #Podcast #DIY #NAMM #NAMM 2019 #episode #JHS #Fender Acoustasonic #Telecaster #Pedal Genie #IK Multimedia #episodes

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eggfast762 · 2 years ago

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daily5sosupdate · 7 years ago

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I’ll be the first to admit that when I first heard of 5 Seconds of Summer it was because of my niece Kayla. At the time, she was starting to get the hang of playing guitar and she said, “There’s this cool band called 5 Seconds of Summer, you should check them out.” I said, “OK but didn’t they open for One Direction?”, she proudly said yes and played a few songs.

My initial reaction was this is really good radio-friendly Pop-Punk. A few months later she asked for help in learning some parts of one of their songs from their debut album 5 Seconds of Summer. We started going through the parts and I was forced to pay closer attention. While listening, I thought to myself, “Wow, these are well crafted songs…. Those guitars sound great, the vocal arrangements are on point and the rhythm section is seriously good.”

As soon as Kayla started learning guitar I was feeding her a steady diet of Zeppelin, Hendrix, Pink Floyd, U2, Nirvana and more, to show her the groups she “should be” drawing influence on. She humored me, listened and had some positive comments but like my first listening of 5SOS not much came out of it. Then I realized, “Why on earth would she want to emulate my “rock gods”? “. She has found her own for her generation and they deserved the recognition.

Rock Out With Your Socks Out

My first in person encounter with 5SOS in September 2015 and I was determined to find out who they were as musicians. Studio albums are one thing but playing live is a completely different animal. At that time, I had failed to appreciate that 5SOS was a band that was essentially born on the road opening up for One Direction in 2013 and 2014. Now 5SOS and 1D don’t exactly have the same sound and opening for one of, if not the biggest groups of 2013/2014 has an upside and a downside. On the upside, you get to perform your music and expose your band to a massive audience but the downside is the fans came to see One Direction not 5 Seconds of Summer. Therefore, you have to work harder than the headliner to capture the audience.

We had made arrangements to go to meet the 5SOS technical crew at the show in Hartford, CT on the final run of their first headlining tour Rock Out With Your Socks Out, which covered 3 continents and 69 cities. The pre-show period of any live concert is already a hive of controlled chaos hours before the band takes the stage. A team of hard working people are loading in equipment, placing stage pieces, setting lights, rigging line arrays, conducting sound checks, dealing with the inevitable and daily “uh oh” moments, plus getting all the instruments set and show ready. Don’t forget, this is all what you can see from the seats at the venue, there is just as much going on backstage too.

After sound check the stage was empty and doors hadn’t opened yet, so that was the perfect time to meet with the crew to understand how everything on stage is used. During this brief downtime, Ashton Irwin (Drums/Vocals) had taken it upon himself to come over and introduce himself and thank us for coming. Ashton didn’t have to do that, in fact he probably gave up his one break he had all day to do it, but he did, which made an impression on me.

Ashton went on to explain how he was using a V-DRUMS Portable TD-4KP as a warm up kit and a SPD-SX Sampling Pad on stage. One of Michael Clifford’s (Guitar/Vocals) first pedals was a BOSS DD-20 Giga Delay , plus Luke Hemmings (Guitar/Vocals), Calum Hood (Bass/Vocals) and Michael were already using BOSS TU-3 Chromatic Tuners on stage. The first single from the band’s forthcoming second album Sounds Good Feels Good had just been released and the video for She’s Kinda Hot was released a month later.

The video for She’s Kinda Hot features Ashton playing SPD-SX with custom stickers. In addition, it is clear the band’s sound had evolved and pushed forward from the first album.

So there I was, standing in the audience like a good forty something musician, arms crossed with that “impress me” look on my face. The lights went down, 5 Seconds of Summer took the stage and the venue went exploded with energy. 5SOS can put on a show and they didn’t rely on gimmicks or hide behind production. It was clear to me that they were not only talented musicians but performers too, I was truly impressed, these guys could play.

Sounds Good Feels Good

Just like their debut album, John Feldmann produced their second Sounds Good Feels Good, but the songs featured a deeper musicianship and darker tone than the first album. The evolution of their sound had started and Jet Black Heart is a great example of the new direction the band was taking.

Sounds Good Feels Good, like its predecessor 5 Seconds of Summer, debuted at number one on the Billboard charts, making 5SOS the first band (non-vocal) to have their first two albums debut at number one.

Sounds Live Feel Live

To accompany the success of Sounds Good Feels Good and the three singles released from the album, 5SOS announced another world tour, Sounds Live Feel Live which covered 4 continents and 101 shows.

The relationship between Roland/BOSS and 5 Seconds of Summer had deepened since the initial meet up the previous year. The band was in rehearsals and all the pieces for the tour were coming together. Ashton was going out with a new hybrid drum kit that was half acoustic and half Roland V-Drums. The V-Drums components were the SPD-SX, KT-10 Kick Trigger, TM-2 and V-Pads.

For the tour, Michael and Luke had both selected the Waza Amplifiers and Cabinets which was very exciting for both us and them (more on that later). Calum was running a BOSS only pedal board which included a BB-1X Bass Driver . In addition, all three were using the BOSS ES-8 Switchers. Finally, Michael had led the decision to have the RD-800 on stage. Carry On was the opening song and the first notes heard would be the RD-800.

The Waza Amp Story

As the guitarists in “The World’s Hottest Band” ( Rolling Stone – Dec 2015), Michael and Luke could have chosen any amp they wanted but they decided to go with the BOSS Wazas based on tone. This decision is another example of the band putting their vision and sound ahead of “playing it safe”. They loved the tone control and “Waza Brown Sound” that Waza system brought to the stage.

BOSS had only just announced the Waza Amps a few months before so the factory was still ramping up production. The plan was for the first units from the factory in Japan were to be hand delivered by the BOSS team to the first show of the tour in Nagoya. As you can imagine, a band embarking on a world tour with empty flight cases and trusting that your gear will be ready once you fly halfway across the world is not exactly the norm and requires some significant trust.

Meanwhile in Hamamatsu, Japan, the BOSS team including Yoshi Ikegami President of BOSS, were diligently hand assembling each amp and cabinet.

On the day of the first show in Nagoya, Yoshi Ikegami and the BOSS team loaded up the vans with Waza Amps and Cabinets and headed out to Century Hall in Nagoya. The 5SOS team had finished assembling the the stage and were getting ready to start sound check when Ikegami-san arrived with the Waza Amps and Cabinets. They unloaded the vans, rolled the Wazas on stage and fired up. The show and more importantly the tour could now go on!

Youngblood

Evolution is a key to life and this is no different when it comes to music. Given the success 5SOS had achieved, you would think that they had found “the formula” to producing hit after hit. Instead of sticking to their Pop/Punk roots that had garnered them worldwide success, the Australian quartet ripped up their “playbook” and took an entire year to craft their new album. The result is another step forward in their sonic evolution.

Want You Back is the first single from the forthcoming third album Youngblood. The audio only video is already over 10 million views and the music video was released at the end of March. Check out the video above and you’ll see the Waza cabs.

Want You Back – Acoustic

5 Seconds of Summer have been preforming acoustic versions of Want You Back at radio stations across North America and Europe. The reception to the stripped down version has been incredibly positive and on April 6 they released videos for both an acoustic and remix version of Want You Back.

The acoustic performances of Want You Back also feature Roland & BOSS products. Calum, Luke and Michael are using TU-3 tuners and Ashton is using an SPD::ONE Kick. The SPD::ONE Kick is a single trigger pad loaded with kick drums sounds that can be mounted on a drum kick and hit with drum stick. In addition, the SPD::ONE Kick can be placed on the floor and used as a pedal to allow the percussionist to trigger the sounds with their feet. Ashton is using the yellow SPD::ONE Kick as a trigger pedal and you can see him using it in the SirriusXM performance below.

5SOS III Tour

Now that the 5SOS III tour has started, additional new songs from the upcoming album have been heard by the masses. The sound and direction are more mature and another step forward in the band’s continual evolution.

Luke, Michael, Calum and Ashton didn’t stop with changing their approach to making music, they also changed things up in regards to touring.

The 5SOS III tour is a four-month tour across Europe, North America, Asia and Australia, focusing on intimate venues. They could have easily kicked off another worldwide headlining arena tour but instead decided to “flip the script” and go small when everyone expected them to go big. This approach ensures the best fan experience for their new songs. Performing in smaller venues impacts the amount of equipment used as everything has to be efficient and just as importantly, need to be able to fit on stages that vary in size form night to night.

Here’s a rundown of what Roland & BOSS products 5 Seconds of Summer are taking out on the 5SOS III tour.

Ashton Irwin – Percussion/Vocals

Ashton plays a Gretsch drumkit with DW hardware. The Roland SPD-SX-SE is used to trigger samples and loops. In addition to playing the SPD-SX-SE directly, Ashton utilizes the RT-30K, RT-30HR and RT-30H drum triggers on the Kick and Snare. The drum triggers allow Ashton to either completely replace his acoustic drum sounds with samples on the SPD-SX-SE or he can augment the existing acoustic tone with sounds from the SPD-SX-SE. For example, a kick drum might require extra punch or low end for a single song, the triggers allow an additional sound to be played every time he hits the kick drum, toms or snare.

Michael Clifford – Guitar/Vocals, Luke Hemmings – Guitar/Vocals

Michael and Luke both use the BOSS Waza Amp Cabinets to get their tones on stage. Each of the stacks feature 2 Waza Amp 412 Cabinets which are closed back with four custom 12-inch speakers for a maximum input of 320 watts. Given that each stack can handle up to 640 watts for a total of 1280 watts coming off stage, we are not sure if they will need a PA!

To ensure their guitars are in tune, BOSS TU-3w Chromatic Tuners are used by both Luke and Michael. The TU-3w has the same tuning functions as the TU-3 but includes more refined internal circuity.

Calum Hood – Bass/Vocals/Synth

Calum is utilizing BOSS pedals to sculpt his bass tone. The CEB-3 Bass Chorus is used to fatten up his sound, the ODB-3 Bass Driver is used to add distortion, the BOSS GEB-7 EQ is used to shape the bass sound and the BB-1x Bass Driver adds a rounder and warmer distortion and depth to his bass tone. Finally, everything is kept in tune using the BOSS TU-3w Chromatic Tuner.

On the previous tour Michael and Luke also performed keys using the RD-800 however for this tour Calum has taken on the keys duties. The Roland SYSTEM-8 is used for deep bass tones and you can hear Calum play the INTEGRA-7 superNATURAL Sound Module piano sound (via MIDI) on the intro to Want You Back when they perform live. The SYSTEM-8 is a PLUG OUT synthesizer which means not only does it generate incredible sounds using the four onboard Oscillators (including a sub oscillator), waveforms and LFOs it also can load PLUG OUT iconic ACB synths like the JUNO-106, JUPITER-8 and more which means you can customize the SYSTEM-8 in anyway you want! You can even use any of the these synths and many more in your favorite DAW by subscribing to the Roland Cloud.

On June 22nd the third album Youngblood will be released and is available for pre-order now. The title track Youngblood is available now to anyone who pre-orders the album. Check out the live video of Youngblood to see all of the Roland and BOSS gear in action from the 5SOS III tour.

To support the album release the first leg three month leg of Meet You There Tour has been announced which will cover the US and Canada starting in August 2018. Roland and BOSS are looking forward to being part of this next chapter.

#5sos #5 seconds of summer #roland #6 may 2018 #press #5sos3 tour #5sos1 #sgfg #5sos3

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zed-air · 4 years ago

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Z-Guitarsenal: studio pedalboard build

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Blog post below

Follow the exploration of my gear on Instagram: #zguitarsenal

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I overthink things. Most things. Pedalboards are no different.

I built my first proper pedalboard during my studio period of 2015-2018. Before that I only owned a few pedals, and used them only when necessary. I’ve had a handful of effects that accumulated over the years due to various needs, and when it made sense to keep them organized and ready for action, that first pedalboard came together. When I resumed playing live shows, I needed most of those same effects for performances, so it became and remains my concert board.

Unfortunately, I’m afflicted by various worsening hangups and paranoias about the assorted filth that accumulates in most live-music environments. Having now used my live board wearing outdoor shoes - shoes which have walked through various bars, public toilets, casinos, parking lots, dingy alleys, and other shared areas of questionable cleanliness - I’m not comfortable using these same pedals in stocking feet. Honestly, I’m surprised that I haven’t seen more people discuss or reflect upon how much crud they’re spreading when they unpack a live board at home and start stepping on it with their socks. I doubt that gear is getting a thorough cleaning between each use. Never mind the millions of people who don’t remove their shoes when entering a home....

As a result of that, and the fact that I have other pedals which have been neglected in the interim, I’ve decided to put together a second board for studio use which is more flexible. I’m not a keen pedalboard builder. I tried to plan my studio board to mimic most of the functionality of my live board, but keeping it alterable in a way my live board isn’t. (Now that the live board is set up and working, I have no interest in tinkering with it until something fails.)

I started by drawing out what I thought the new board would be. Then I revised the drawing a few times. Then I got tired of having to re-draw the entire thing and started working with bits of paper (cut to scale) which represent the pedals and can be rearranged to see what fit best on the board I planned to buy.

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Then, when I decided it didn’t need the unit to sit on the floor at all, I changed the planned surface and instead bought a couple of IKEA cutting boards - which were much cheaper and several inches wider than the original surface. Then I tried placing the pedals on the board to see how it all actually fit. Too crowded. Too messy. Adjust plans.

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Part of the issue is that I want to be able to have the flexibility to alternate different pedals on the board, which makes spacing a problem. This is obvious for anyone who’s done this before, but it’s still frustrating if you want it wired up and ready to go at all times. I have several kinds of delay, for example (which are all different shapes and sizes), but few spare overdrives. I don’t have another wah or EQ pedal, and little other modulation, so I’ll probably be looking for some used boxes in the future. I never seem to have enough tuners. Other pedals I already own are less likely to be used for this, and I’ll probably sell them to make room.

Having wired everything up, I’m starting to think that my studio board is likely to become two separate boards: a master board, and a slave. The main essentials will live on the master (overdrive, EQ, tuner, maybe a compressor, boost, or fuzz for impedance purposes). The master board will contain an insert point after the overdrives in the form of a simple single loop switcher that I already own, where the slave board can be connected. The second board is likely to contain all the modulation, delays, and other colours of the rainbow. The slave might also require its own power supply, which would be a bummer but not a deal breaker. This approach would save me having to buy several new loop switchers to keep the signal path clean, and that way I have lots of board space to try a variety of odd-shaped pedals on an as-needed basis.

It isn’t finished yet, and if I go the slave route none of that board is arranged, but here are the most recent two drafts of the master board. I’ll probably cut a few holes, affix the power supply, and install the velcro next. Then, when I get the remaining two pedals for the master board (currently represented with space-holder boxes), they can be added into the equation.

#blog #zguitarsenal #guitar pedals #pedalboard

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cavemancyborg · 5 years ago

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This is the pedal side of Megadesk. I think it’s only absent bypass switchers and expressers, @notthedomyourelookingfor mentioned the situation in a comment the other day. It’s hard to post panorama pictures on ig, but we all do our best. #megadesk #studiolife #guitarpedals #fuzz #distortion #digitaldelay #analogpedals #superwizard #dwarfcraftdevices #midfielectronics #mijboss #randomphaseandvibrato #thegreatdestroyer #zvex #zvexeffects #boutique #nuglife #nightcoffee https://www.instagram.com/p/B09FrkGpo3P/?igshid=1ncmx5jpdf2tm

#megadesk #studiolife #guitarpedals #fuzz #distortion #digitaldelay #analogpedals #superwizard #dwarfcraftdevices #midfielectronics #mijboss #randomphaseandvibrato #thegreatdestroyer #zvex #zvexeffects #boutique #nuglife #nightcoffee

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tusharsinghshekhawat-blog1 · 6 years ago

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I can take place right here, however I am thinking you comprehend that there are countless categories, and also millions of needs relying on the occasion.

Tushar Singh Shekhawat

Normally as an Event Planner, you will wish to be very information oriented, and have an extraordinary memory retention. If you do not have an eye for information, and or have problem keeping in mind the basics, then this occupation is most likely not for you.

A great Event Coordinator have to have the following abilities and or have the following:.

- Solid Memory Retention.

- Information Oriented.

- Creative.

- Anal.

- Extremely Organized.

- Budget plan Conscious.

- Reliable Trouble Solver.

- Adaptable and Calmness Under Pressure.

- Manufacturing Savvy.

- Uplifting Mindset.

- Boundless Energy.

- Understand of Occasion Flow.

- Understanding of F&B.

- Flawless Interaction.

- Ability to Perform Under Limited Due Dates.

Once again these are just a couple of high qualities; however it is important to comprehend that an Event Organizer is not simply anyone. Good, strong Occasion Planners have specific kinds of qualities and attributes and typically you can detect an excellent Occasion Planner a mile away.

They have boundless energy, as well as can recite components and also information at the decrease of a hat, and if not, they have their reliable binder packed with notes, all archived as well as slotted in place to make sure that he/she can draw them out whenever they require them. Organization is crucial right here, and without solid company, you will have a bumpy ride being a successful event organizer.

Tushar Shekhawat

Lots of individuals describe Event Preparation as Occasion Advertising. What they are referring to is an Event that is part of driving their total advertising and marketing plan and advertising and marketing approach. For instance, if a specific business wants to market 50,000 products in one year, as well as they think they can sell 10,000 at a specific tradeshow, then it depends on the Event Organizer to supply effective Event Advertising and marketing techniques in order to make sure that this goal is an achievable one.

Allow me supply an example, and also introduce you also Customer A. Client An intends to go to a best tradeshow, in which future products are displayed in order to protect orders for the year, as well as to show their modern innovation.

Client An invests 1.5 million dollars for this show, as well as the expectations are big to claim the least. As an Occasion Online marketer, you need to figure out just how to showcase this item in the best means possible so Client A resembles a master innovator in their area. Even if the items are not fantastic items, it depends on the Occasion Planner/Event Marketing expert to ensure that these products look unbelievable on the program flooring. There are guidelines, unions as well as all sort of barriers in your way, and also it is up to you to determine just how to jump over the difficulties as well as be successful.

In this specific situation, the products are opus tools, mixers, speakers, guitar amps, and also a lot more.

Among the initial things to consider as a creative Event Organizer is exactly how am I going to display these items in the most effective method feasible. Here are some things to think of in regards to music tools and showcasing them on a tradeshow flooring as one event organizer shared his story with me:.

- Cord Administration-- this is super important because without it, you will certainly have cables and cables lying around the ground, as well as the program floor will certainly look careless, and messy. All of the layouts need to integrate cord management as well as have a safe location to hide these undesirable security threats as others journey over them on the tradeshow flooring.

- Raising the items to eye degree so others are not stooping on the ground to look into the devices. This suggests putting audio speakers on pole stands, as well as raising the devices with thoughtful and significant design.

- What speakers need to fly on a gear, as well as which require to be ground assistance.

- What additional aspects are needed in order to display the product, i.e: iPads, iPhones, computer tools, plasmas, monitors.

- Showcasing stomp pedal boards by integrating switchers and also other tools so a possible client can listen to the differences in each as they play away on the guitar. Yes, don't neglect the guitar an amps needed for each location, including stage established up, microphones.

There are numerous components that integrate in order to develop a successful event.

The key right here is straightforward-- as an Event Organizer, you will certainly likewise be an Event Marketer, as well as you will need to comprehend basic, fundamental advertising and marketing techniques in order to generate an effective show and also stay on factor in regards to the goal as well as spending plan. In this day and age with innovation transforming so quickly, it is essential to remain abreast of all new modern technologies, as this will not just allow the business to look rapid onward, yet it can save you countless bucks in manufacturing prices as well.

#Tushar Shekhawat #Tushar Singh Shekhawat

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nicerackcanada · 7 years ago

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Fresh off the @nicerackcanada workbenches comes a tour size pedalboard system for guitarist Aaron Marshall of I N T Ξ R V Λ L S.

The new I N T Ξ R V Λ L S album is nearly done, tour dates & rehearsals are booked so it's time to get the gear ready for a global excursion of great tone & virtuoso playing.

Picking up where we left off with Aaron's writing rig, we wanted to implement the very best tools for Aaron to perform his new compositions in a more compact footprint that would lend itself well to touring logistics.

To do so we started at the core of the system, the switcher. We repeated our choice with the standard setting RJM Music MasterMind PBC to handle audio switching and MIDI control. Once you work with an RJM Music controller, it's hard to imagine working with anything but RJM Music.

Aaron spent countless hours experimenting with various Compressors + Overdrive + Amp Voicing combinations until he finally settled on this lean & mean set of Dynamic & Harmonic tone shaping tools that is comprised of a DigiTech FreqOut, Suhr Koji Compressor, Bogner Harlow Compressor / Boost, Horizon Devices Precision Drive, KHDK Ghoul Screamer, Empress Para Eq & ISP Decimator.

Modulation colours & Time dimensions in the system are provided by a Jim Dunlop EchoPlex Delay, a Strymon Mobius in Pre/Post configuration as part of the system's "4CM" signal routing, a Strymon TimeLine & a Strymon BigSky.

Further control of the system is provided by a Treble Bleed modified Boss FV-30 volume pedal, and a pair of PBC External Switches, with one switch programmed Globally as a Tap Tempo and the 2nd Switch on a "Per Preset" basis.

The MasterMind PBC's 10 loops are all in use and the signal flow demanded a total of 12 loops. With this mind Nice Rack Canada built up 2x custom single effects loop switchers that are remote controlled by the PBC's Function Switches that allow the Nice Rack Canada loops to be under the system's MIDI Control on a per preset basis.

The Nice Rack Canada system interface contains all sorts of sonic secret sauce to fully integrate the rig's components in the manner that the client desired. Among the ingredients are a Spillover Mixer for the EchoPlex with a switchable Phase Inverter for the wet signal.

We also included a tunable Input Buffer with output splits to the system, a Dry Re-Amping DI and a TC Electronic PolyTune 2 Blacklight. Additionally there are Switchable Isolation Transformers for each output and a 4CM to Series mode switching circuit to allow the system's "Post Effects" to be routed in series to an amp that may not have an effects loop.

In keeping with the criteria of minimum possible weight & footprint, we used the Strymon Zuma + 2x Ojai power supplies. The new SquarePlug SP400 plug allows us have an overall smaller system footprint as well, leading to the lowest possible weight for maximum derived value of the system in the touring realm.

No matter where you intend to use your rig in the studio, on the road or at home, Nice Rack Canada can build the system of your dreams to the highest possible standard that will give you years of top quality tone.

#pedalboard #pedalboards #guitareffects #effectspedals #GuitarRig #guitartone #professionalguitarrigs #strymon #suhr #jimdunlop #tcelectronic #gearporn

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contrabassconversations · 7 years ago

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355: Tom Mendel on Hamilton, pedal boards, and finding joy in playing

Tom Mendel is currently playing bass for the Chicago production of Hamilton. He has performed on over 100 musical theater productions like Wicked, The Lion King, Billy Elliot, and Book of Mormon. Tom is also the President Emeritus of the Theatre Musicians Association.

We also cover the gear that Tom is using for Hamilton.

Tom uses most of the same gear that Richard Hammond is using for the New York production of Hamilton:

Lakland Joe Osborn 5 string bass

Lakland Hollowbody 4 string bass with flat wounds (to emulate the Hofner Beatles bass sound)

Arturia KeyLab

Poellmann upright bass with low C chromatic extension (low notes are required for Hamilton book)

Thomastik for lower strings and Pirastro Flat Chromesteels for the super strings

Avalon U5 Direct Box for electric bass

GHS Super Steels

OPUS 1000 Direct Box for acoustic bass

DPA Microphones

Additional upright gear:

Visual Sound Volume Pedal

Wilson Pickup

Pedal board (used mainly for two tunes: Blow Us All Away and Washington On Your Side):

Pedaltrain Jr

Voodoo Lab Switcher

Aguilar Tone Hammer

Peterson StroboFlip

BOSS TU-3 Chromatic Tuner

BOSS CE-3 Chorus

MXR Octave Divider (two of them)

Fulltone Supa-Trem

Passive volume control and true bypass from Tom Erwin of Peregrine Effects

Thanks to our sponsors!

This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance.

Enter our latest string giveaway for Kaplan strings at contrabassconversations.com/strings!

Thank you also to the Bass Violin Shop, which offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!

Subscribe to the podcast to get these interviews delivered to you automatically!

Check out this episode!

#doublebass #bass #music #interview #orchestra #teaching

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fuckyeaheffectspedals · 8 years ago

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My little rig: first in the chain there is a line6 Relay g30 wireless (not the best, but it gets the job done in small venues with no tone sucking). There it comes a discontinued Morpheus Bomber (sometimes I put here a Whammy IV instead, but I prefer the more organic-sounding Bomber). Then, the pedals: a bunch of TC (Flashback, Vortex, T2), Maxon OD808, Boss Super Chorus, ISP Decimator and a Red Witch Violetta Delay (love this little one!). All of them goes through a chinese Joyo looper/switcher (AKA The Tape Dancing Killer) and finally everything is powered with one of the few power supplies that can handle all this AND my 9vAC Whammy, the Yankee MS2

submitted by @waitingforestragon

Noice. This is a sick board for gigging. Every time I see Yankee stuff I want their giant ass power supply again. So I can power the universe. I still haven’t had good time with a Bomber, but they are definitely interesting and I’ve heard great things from friends of mine who use the hell out of their Whammys.

Thanks for sharing!!

#pedalboard #submission #pedals #effects #guitar gear

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paulmoakmusic · 6 years ago

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FOR SALE- GUITARISTS!!!!- separately or as a bundle. 1. Head Case - fits 4 Marshall-sized or smaller heads. Case and foam are in great shape but you may need extra depending on your heads. Wheels and case are excellent. $350 2. Axess FX1 - designed by the @axessmario this is the best midi switcher PERIOD. With manual and power. hate to sell but I just don’t need it. - $500 3. GXC ground control units - 8 loops of true bypass for your pedals for a total of 16. $250 a piece. Quiet and noise free switching. If you know, you know. 4. Sound Sculpture Headtrip - footswitch 3 heads into 2 different cabs. Puts load on the heads your not using so it’s dummy proof-not gonna blow anything!!! Also has 2 effects loops. Amazing piece of kit. $400. EVERYTHING YOU SEE FOR A FULL SESSION/TOURING RIG - $1250!!!!! That’s an unreal deal for some hard to find/pro quality pieces. Come snatch it up. DM me! (at The Smoakstack)

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best-productonly-for-u-blog · 7 years ago

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Best auto cleaning and auto mind tips

1. Try not to clean in extraordinary warmth or direct daylight

Plainly, if it's warm, you must work speedier with parts of the auto drying quicker than ordinary. In any case, outrageous warmth will influence the quality of the chemicals in the items you're utilizing, as well.

2. Evacuate grime before washing

Guaranteeing your auto has as much earth evacuated preceding putting your hands on the car is essential. Adam Eaton clarifies: "The general purpose is that before we put our hands on the auto, we clear as much earth and grime to guarantee that nothing gets dragged along the paint."

On the off chance that you don't have a weight washer and a snow froth spear, Gtechniq's master prescribes splashing the auto over with a customary cleaner. On the off chance that you have a weight washer (recall when utilizing, don't stand excessively close as you may make harm the paintwork), apply snow froth to the whole vehicle start to finish in a notwithstanding covering. The cleaners and froths accompany citrus oils that further help expel soil and grime from the bodywork. Wash the foam and cleaner away with water.

3. Utilize different pails

Here a solitary basin of water and some cleanser never again meets expectations. Eaton by and by clarifies why "You'll require two cans. One with washing arrangement and the other simply loaded with water for flushing. What's more, make certain to put a coarseness protect in each basin to get the grime."

Additionally, utilize a wash glove; they're intended to evacuate the most earth and be the most 'cordial' to your auto's paint. As we begin cleaning the auto, Eaton instructs us to just move the glove in vertical movements and not whirl it around. Amid the wiping procedure, make sure to wash the mitt as regularly as would be prudent, to diminish the danger of earth developing and harming the paintwork.

4. Try not to utilize silicone-based splashes inside the auto

While silicone-based splashes can be convenient to dress links under the hat, don't utilize them in the lodge. Some roadside auto washes will use them to give a sparkly complete, yet this can make critical parts, for example, your pedals slippy, additionally the reflections from the dash can turn out to be unimaginably irritating while at the same time driving.

5. Utilize a blow dryer or expert fabrics

The vast majority will drive their auto to enable get it to dry. However, this can cause sticky brakes and seawater pool in seals and holes, making streaks on the paint as it depletes away. With a blower, you can keep this. Then again, triple-layered microfibre materials collapsed into a square are what a great deal of the engine exchange utilize, and can be unimaginably viable.

6. Pick cleaning items given an auto's utilization

Is your auto going to be concealed in a carport for the following week, paraded at a demonstrate the next day or out in all conditions each day of the week? This is a vital thought before you begin enumerating, as per Richard, as it decides the complete you ought to apply.

You can get a here and now, unfathomably polished complete or any longer-term complete to the bodywork reliant on which items you utilize. Settle on the wrong choice here, and you can squander hours reapplying when you ought to have run with a more reasonable wrap-up.

7. Utilize a dirt bar

While the auto may look smooth, on the off chance that you run your hand along the bodywork, you'll feel uneven parts where carbon stores and other grime have attached to the paintwork. The earth bar is a standout amongst different approaches to annihilate this, and accordingly, is picking up prominence in the auto cleaning world.To know more about Car Detailing Products please visit website.