#best pedal switcher

[anbuselvi1]

5 Best Dumble Style Pedals For 2023 (Includes Budget Options)

5 Best Dumble Style Pedals For 2023 (Includes Budget Options)

1. J.Rockett The Dude J.Rockett’s The Dude is designed to capture the tone of the Dumble Overdrive Special amplifier. I’m not sure which Dumble Overdrive Special this pedal is based on. Their writeup mentions both Larry Carlton and Robben Ford. But their ODS amps were both individually voiced. Regardless – this is my personal favorite Dumble style pedal that I have ever played from a pure…

[effectsdatabase]

Last week's top 20 videos (2020, week 10)

Top 20 videos last week (March 1-7)

Electro-Harmonix Pedal Demo by Opal Ocean (by Electro-Harmonix)

40th Anniversary Maxon OD808 SHOOTOUT! (by fluff191)

Radiohead, War on Drugs & more with Strymon Timeline Delay Pedal | HOW TO SOUND (by Pedal Partners)

Pettyjohn Pedals: Premium Stompboxes for Discerning Tonehounds! (by AndertonsMusic)

Moog 16 Channel Analog Vocoder (With More Than Just Vocals) (by Perfect Circuit Audio)

The CHEAPEST reverbs on amazon - #AFFORDABOARD - Azor/Mugig/Eno/Mosky/Caline (by 60 Cycle Hum)

Live Demo: New Pedalboard Day, Fully Loaded Boss ES-8 Switcher (by Vertex)

Vertex Steel String MKII Demo w/ Isaiah Sharkey | CME Gear Demo | Nathaniel Murphy (by Chicago Music Exchange)

Electro-Harmonix Bass Metaphors vs. Electro-Harmonix Battalion (by Bassic Gear Review)

Ernie Ball: The VPJR Tuner (by Ernie Ball)

OFFICE HOURS with andy: let's learn about BLOOPER from chase bliss audio (by Andy Othling)

Funk Looping Like A BOSS with the RC-10R!! - Gear Tutorial (by JayLeonardJuatco)

Ernie Ball VPJR Combined Volume & Tuner Pedal | Review (by iguitarmag)

Using Revv G-Series Pedals into a Fender Combo w/ Shawn Tubbs (by Revv Amplification)

The BEST, TWEAKED Classic Germanium Fuzzface Pedal?! Fuzz-A-Matic - RYRA Pedal Demo (by Harry And A Guitar)

Pilot Wave? presets for Meris Enzo (by Molten Voltage)

Why Is There A TOUCHSCREEN On This Volume Pedal? Ernie Ball VP JR Tuner | GEAR GODS (by geargods)

Death by Audio Micro Harmonic Transformer (by rigrigrigmusic)

2:25 with the EQD Bellows (by Burgerman666)

Recovery Effects and Devices Bad Comrade Eurorack V3 Demo (by Recovery Effects)

Overviews of the previous weeks: http://www.effectsdatabase.com/video/weekly

from Effects Database http://bit.ly/2TLvwVH

[nikfix]

Tones from a Perfect World with Andy Timmons

Last year, I had the honor of meeting one of my biggest influences on music, particularly on guitar, Andy Timmons. He was kind enough some of his playing secrets and tips, as well as experiences he’s had in decades in the music industry.

I was a fan ever since I started getting into Ibanez guitars and listening to my other heroes like Steve Vai, Paul Gilbert, and the likes.

He performed a few songs from his records, Resolution, Theme from A Perfect World, his recently remastered album, Ear X-Tacy, and more. 

Me (left), plus a few other Andy Timmons fans. Photo courtesy of Audiophile Components and Ibanez Philippines.

I also had a rare opportunity to take a photo of the legendary pedalboard he’s been using.  This guy’s been swapping and changing his gear very often, and lucky for me, this is a newly developed one. 

In his chain are:

JHS Modded Boss BD-2 Blues Driver - This souped up Blues Driver is one of many drives Andy's equipped in his rig.

GNI Octa Fuzz - A new favourite of his 

Xotic BB Preamp - One of two BBs loaded into his rig

Xotic BB Preamp AT - His signature variant of the modern classic

JHS AT+ Angry Charlie - One of the most sought after JHS products out there, for obvious, awesome reasons.

JHS Emperor - 

Strymon Timeline - The legendary Timeline.

Carl Martin Compressor - 

Sonic Research ST-300 Mini Stomp Box Strobe Tuner - The best sounding pedal in the chain.

GigRig G2 - The ultimate pedalboard switcher, crafted and set up by the legendary Dan Steinhardt of That Pedal Show

Dunlop Volume X Mini 

At the end of the day, I had one of my guitars and my Boss Blues Driver signed. It was a happy day. 

Check out this video by Audiophile Components.  Special thanks to Chislon “Cheese” Bolaños and Ibanez Philippines. 

[thetonecontrol]

Ep. 130 - It’s a Rat With Robot Legs! It Can Learn Tricks!

EarthQuaker Devices Swiss Things (stab: SG Electroman)

2 Effects loops, with an a/b/y switcher, boost, tuner out, expression input… everything 

Loop 1: unbuffered. Ideal for distortions, overdrives, vintage pedals.

Loop 2: buffered, after loop 1. Ideal for modulation and time based stuff

Amps: This lets you run stereo in a A, B, or Both setup. Boost switch to give those amps a little extra umph. Also features a phase switch. 

Buffered tuner out, high headroom output buffer to drive long cable runs 

Expression volume in lets you use any exp pedal to control volume. Volume is placed after loop 1 for true volume control, not for cleaning up dirty tones.

���Flexi-Switching”, which is relay-based true bypass. Can be set to momentary or latching. 

Pretty much a small true bypass looper with a bunch of added stuff 

$250 

Strymon Volante (stab: MH DMBL)

Multi-voice, multi-head, magnetic echo machine. 

Four heads, each with on/off button for Playback and Feedback.

Controls for Record level, mechanics (controls amount of mechanically related speed fluctuations), low cut, wear, repeats, echo level, spring reverb mix, time, and head spacing. 

Time controls delay time at head 4. Heads 1-3 subdivide according to the spacing knob. 

The repeats stop at head 4, so there is no decay unless the feedback buttons are engaged 

Three types of delay: Drum delay (echorec), Tape echo, and Studio (reel to reel) delay. 

Up for preorder, $400

They have also updated the Multi-switch to work with Volante as well as Riverside and Sunset Drive. More functions, still works with other strymon pedals. $129 

Sono Amp Modeling Interface from Audient and TwoNotes $450 (stab: WA Descent)

Audient desktop USB interface with 10 in / 4 out

12AX7 preamp with 3 band eq and Two notes Power Amp and Cab Simulation and re-amp output.

2 Audient console mic preamps, ADAT input, main speaker out, to amp out, headphone out, Zero latency monitoring with monitor mix.

Free plugins and software with ARC. Torpedo Remote

IK Multimedia AXE I/O Audio Interface  $350 (stab: 805)

Guitarist focussed computer USB interface

2 instrument inputs / Mic inputs, amp out, 2 line outs, external switch inputs, midi

Active/Passive Pure/JFET Z-Tone impedance adapting circuit (1MOhm to 2.2kOhm)

Amplitube 4 Deluxe

Fender Acoustasonic Tele - video demo included (stab: MS Consider the Raven)

This is supposed to be the first true hybrid between electric and acoustic guitars, not just “acoustic electric” 

5 position selector for Electric, Acoustic/Electric blend, Percussion and enhanced harmonics, alternative acoustics, and core acoustics 

Instead of a tone knob it has a “mod knob” that blends A & B voices 

Fishman electronics, sounds like some of the stuff they’ve been working on with Martin 

The idea is to have one guitar that does it all, which I guess is always the dream, right? 

Acoustic sounds still feel a little “plastic” to me, highly compressed 

Guitar center demo. Acoustic sounds are better in this one. https://www.youtube.com/watch?v=0e9QLaHEt-I 

CME Demo. best sounds yet https://www.youtube.com/watch?v=NP7jbgou9Ks 

This will be interesting to watch over the next few years… but I think right now it’s a master of none. 

JHS The Clover $200 (stab: Strymon Mobius)

Boost/preamp based on the Boss FA-1 FET Preamp

Controls for Volume, Bass, Mid, Treble, and a 3-way rotary for EQ selection

No EQ, No Mids, Full EQ. No Mid setting is the replica of the original Boss FA-1 

XLR output for Acoustic or Bass use. Also has a ground lift for XLR

Low-cut switch on the side. 

Original FA-1

[eggfast762]

St-15b fm transmitter user manual

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User manual dreamGEAR FM Transmitter (English - 1 pages).

Linkplay Technology A76F Wireless Smart Audio Module User Manual.

ST-15B 15 watts FM Transmitter. - YouTube.

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Sainsonic AX-7C FM Transmitter - Antenna adapter help.

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Otázka - FMUSER.

The P275 FM Broadcast Analyzer is a stand-alone low-cost solution for FM broadcast analysis. It provides complete FM modulation and basic AF spectrum measurements in FM radio band through the combined antenna and MPX input. Built-in LCD display and control interface allows to measure and collect data in terrain without need of any PC computer.

FM User Manual - VictSing.

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Linkplay Technology A76F Wireless Smart Audio Module User Manual.

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[zed-air]

Z-Guitarsenal: studio pedalboard build

______

Blog post below

Follow the exploration of my gear on Instagram: #zguitarsenal

______

I overthink things. Most things. Pedalboards are no different.

I built my first proper pedalboard during my studio period of 2015-2018. Before that I only owned a few pedals, and used them only when necessary. I’ve had a handful of effects that accumulated over the years due to various needs, and when it made sense to keep them organized and ready for action, that first pedalboard came together. When I resumed playing live shows, I needed most of those same effects for performances, so it became and remains my concert board.

Unfortunately, I’m afflicted by various worsening hangups and paranoias about the assorted filth that accumulates in most live-music environments. Having now used my live board wearing outdoor shoes - shoes which have walked through various bars, public toilets, casinos, parking lots, dingy alleys, and other shared areas of questionable cleanliness - I’m not comfortable using these same pedals in stocking feet. Honestly, I’m surprised that I haven’t seen more people discuss or reflect upon how much crud they’re spreading when they unpack a live board at home and start stepping on it with their socks. I doubt that gear is getting a thorough cleaning between each use. Never mind the millions of people who don’t remove their shoes when entering a home....

As a result of that, and the fact that I have other pedals which have been neglected in the interim, I’ve decided to put together a second board for studio use which is more flexible. I’m not a keen pedalboard builder. I tried to plan my studio board to mimic most of the functionality of my live board, but keeping it alterable in a way my live board isn’t. (Now that the live board is set up and working, I have no interest in tinkering with it until something fails.)

I started by drawing out what I thought the new board would be. Then I revised the drawing a few times. Then I got tired of having to re-draw the entire thing and started working with bits of paper (cut to scale) which represent the pedals and can be rearranged to see what fit best on the board I planned to buy. 

______

Then, when I decided it didn’t need the unit to sit on the floor at all, I changed the planned surface and instead bought a couple of IKEA cutting boards - which were much cheaper and several inches wider than the original surface. Then I tried placing the pedals on the board to see how it all actually fit. Too crowded. Too messy. Adjust plans.

______

Part of the issue is that I want to be able to have the flexibility to alternate different pedals on the board, which makes spacing a problem. This is obvious for anyone who’s done this before, but it’s still frustrating if you want it wired up and ready to go at all times. I have several kinds of delay, for example (which are all different shapes and sizes), but few spare overdrives. I don’t have another wah or EQ pedal, and little other modulation, so I’ll probably be looking for some used boxes in the future. I never seem to have enough tuners. Other pedals I already own are less likely to be used for this, and I’ll probably sell them to make room. 

Having wired everything up, I’m starting to think that my studio board is likely to become two separate boards: a master board, and a slave. The main essentials will live on the master (overdrive, EQ, tuner, maybe a compressor, boost, or fuzz for impedance purposes). The master board will contain an insert point after the overdrives in the form of a simple single loop switcher that I already own, where the slave board can be connected. The second board is likely to contain all the modulation, delays, and other colours of the rainbow. The slave might also require its own power supply, which would be a bummer but not a deal breaker. This approach would save me having to buy several new loop switchers to keep the signal path clean, and that way I have lots of board space to try a variety of odd-shaped pedals on an as-needed basis.

It isn’t finished yet, and if I go the slave route none of that board is arranged, but here are the most recent two drafts of the master board. I’ll probably cut a few holes, affix the power supply, and install the velcro next. Then, when I get the remaining two pedals for the master board (currently represented with space-holder boxes), they can be added into the equation. 

[cavemancyborg]

This is the pedal side of Megadesk. I think it’s only absent bypass switchers and expressers, @notthedomyourelookingfor mentioned the situation in a comment the other day. It’s hard to post panorama pictures on ig, but we all do our best. #megadesk #studiolife #guitarpedals #fuzz #distortion #digitaldelay #analogpedals #superwizard #dwarfcraftdevices #midfielectronics #mijboss #randomphaseandvibrato #thegreatdestroyer #zvex #zvexeffects #boutique #nuglife #nightcoffee https://www.instagram.com/p/B09FrkGpo3P/?igshid=1ncmx5jpdf2tm

[tusharsinghshekhawat-blog1]

Tushar Singh Shekhawat: Come To Be An Event Planner Now

Many people assume that event preparation is tossing celebrations, and in fact really couple of event organizers throw parties, however actually work in various other sorts of events.

  Occasion planning or what I call Occasion Advertising and marketing is a basic principle: It is an event that a person generates in order to produce understanding, launch a product, generate Public Relations, give an experience, or simply develop a platform in which others can enjoy-perhaps a party of some kind. There are numerous different kinds of occasions, as well as with them countless challenges, and as an occasion organizer; it will be your job to blaze with these challenges without damaging a sweat.

  If someone strategies you to establish a conference with a little team of people at a dining establishment in a personal room, this would be an event.

  If somebody wants to host something at their house including a dinner celebration, this would certainly be an occasion.

  An occasion is anything where groups of people get with each other in one area, at a particular time to exchange ideas and suggestions, or celebrate a moment in time. This can be a tiny celebration, or an exceptionally large one.

  As an Event Organizer you can be responsible for the following depending upon the event:

  - Budget plan

- Location

- Wedding Catering (Food and also Drink, or F&B).

- Leasings.

- Speeches.

- Production devices.

- Illumination.

- Noise.

- Guiding Skill.

- Contracts.

- Supplier Negotiations.

- Volunteer Sychronisation.

- Public auctions.

- Contributions.

- Sponsorships.

- Ask For Proposal (RFP).

- Digital photographers.

- Allows.

  I can take place right here, however I am thinking you comprehend that there are countless categories, and also millions of needs relying on the occasion.

Tushar Singh Shekhawat

Normally as an Event Planner, you will wish to be very information oriented, and have an extraordinary memory retention. If you do not have an eye for information, and or have problem keeping in mind the basics, then this occupation is most likely not for you.

  A great Event Coordinator have to have the following abilities and or have the following:.

  - Solid Memory Retention.

- Information Oriented.

- Creative.

- Anal.

- Extremely Organized.

- Budget plan Conscious.

- Reliable Trouble Solver.

- Adaptable and Calmness Under Pressure.

- Manufacturing Savvy.

- Uplifting Mindset.

- Boundless Energy.

- Understand of Occasion Flow.

- Understanding of F&B.

- Flawless Interaction.

- Ability to Perform Under Limited Due Dates.

  Once again these are just a couple of high qualities; however it is important to comprehend that an Event Organizer is not simply anyone. Good, strong Occasion Planners have specific kinds of qualities and attributes and typically you can detect an excellent Occasion Planner a mile away.

  They have boundless energy, as well as can recite components and also information at the decrease of a hat, and if not, they have their reliable binder packed with notes, all archived as well as slotted in place to make sure that he/she can draw them out whenever they require them. Organization is crucial right here, and without solid company, you will have a bumpy ride being a successful event organizer.

Tushar Shekhawat

Lots of individuals describe Event Preparation as Occasion Advertising. What they are referring to is an Event that is part of driving their total advertising and marketing plan and advertising and marketing approach. For instance, if a specific business wants to market 50,000 products in one year, as well as they think they can sell 10,000 at a specific tradeshow, then it depends on the Event Organizer to supply effective Event Advertising and marketing techniques in order to make sure that this goal is an achievable one.

  Allow me supply an example, and also introduce you also Customer A. Client An intends to go to a best tradeshow, in which future products are displayed in order to protect orders for the year, as well as to show their modern innovation.

  Client An invests 1.5 million dollars for this show, as well as the expectations are big to claim the least. As an Occasion Online marketer, you need to figure out just how to showcase this item in the best means possible so Client A resembles a master innovator in their area. Even if the items are not fantastic items, it depends on the Occasion Planner/Event Marketing expert to ensure that these products look unbelievable on the program flooring. There are guidelines, unions as well as all sort of barriers in your way, and also it is up to you to determine just how to jump over the difficulties as well as be successful.

  In this specific situation, the products are opus tools, mixers, speakers, guitar amps, and also a lot more.

  Among the initial things to consider as a creative Event Organizer is exactly how am I going to display these items in the most effective method feasible. Here are some things to think of in regards to music tools and showcasing them on a tradeshow flooring as one event organizer shared his story with me:.

  - Cord Administration-- this is super important because without it, you will certainly have cables and cables lying around the ground, as well as the program floor will certainly look careless, and messy. All of the layouts need to integrate cord management as well as have a safe location to hide these undesirable security threats as others journey over them on the tradeshow flooring.

- Raising the items to eye degree so others are not stooping on the ground to look into the devices. This suggests putting audio speakers on pole stands, as well as raising the devices with thoughtful and significant design.

- What speakers need to fly on a gear, as well as which require to be ground assistance.

- What additional aspects are needed in order to display the product, i.e: iPads, iPhones, computer tools, plasmas, monitors.

- Showcasing stomp pedal boards by integrating switchers and also other tools so a possible client can listen to the differences in each as they play away on the guitar. Yes, don't neglect the guitar an amps needed for each location, including stage established up, microphones.

  There are numerous components that integrate in order to develop a successful event.

  The key right here is straightforward-- as an Event Organizer, you will certainly likewise be an Event Marketer, as well as you will need to comprehend basic, fundamental advertising and marketing techniques in order to generate an effective show and also stay on factor in regards to the goal as well as spending plan. In this day and age with innovation transforming so quickly, it is essential to remain abreast of all new modern technologies, as this will not just allow the business to look rapid onward, yet it can save you countless bucks in manufacturing prices as well.

[nicerackcanada]

Fresh off the @nicerackcanada workbenches comes a tour size pedalboard system for guitarist Aaron Marshall of I N T Ξ R V Λ L S.

The new I N T Ξ R V Λ L S album is nearly done, tour dates & rehearsals are booked so it's time to get the gear ready for a global excursion of great tone & virtuoso playing.

Picking up where we left off with Aaron's writing rig, we wanted to implement the very best tools for Aaron to perform his new compositions in a more compact footprint that would lend itself well to touring logistics.

To do so we started at the core of the system, the switcher. We repeated our choice with the standard setting RJM Music MasterMind PBC to handle audio switching and MIDI control. Once you work with an RJM Music controller, it's hard to imagine working with anything but RJM Music.

Aaron spent countless hours experimenting with various Compressors + Overdrive + Amp Voicing combinations until he finally settled on this lean & mean set of Dynamic & Harmonic tone shaping tools that is comprised of a DigiTech FreqOut, Suhr Koji Compressor, Bogner Harlow Compressor / Boost, Horizon Devices Precision Drive, KHDK Ghoul Screamer, Empress Para Eq & ISP Decimator.

Modulation colours & Time dimensions in the system are provided by a Jim Dunlop EchoPlex Delay, a Strymon Mobius in Pre/Post configuration as part of the system's "4CM" signal routing, a Strymon TimeLine & a Strymon BigSky.

Further control of the system is provided by a Treble Bleed modified Boss FV-30 volume pedal, and a pair of PBC External Switches, with one switch programmed Globally as a Tap Tempo and the 2nd Switch on a "Per Preset" basis.

The MasterMind PBC's 10 loops are all in use and the signal flow demanded a total of 12 loops. With this mind Nice Rack Canada built up 2x custom single effects loop switchers that are remote controlled by the PBC's Function Switches that allow the Nice Rack Canada loops to be under the system's MIDI Control on a per preset basis.

The Nice Rack Canada system interface contains all sorts of sonic secret sauce to fully integrate the rig's components in the manner that the client desired. Among the ingredients are a Spillover Mixer for the EchoPlex with a switchable Phase Inverter for the wet signal.

We also included a tunable Input Buffer with output splits to the system, a Dry Re-Amping DI and a TC Electronic PolyTune 2 Blacklight. Additionally there are Switchable Isolation Transformers for each output and a 4CM to Series mode switching circuit to allow the system's "Post Effects" to be routed in series to an amp that may not have an effects loop.

In keeping with the criteria of minimum possible weight & footprint, we used the Strymon Zuma + 2x Ojai power supplies. The new SquarePlug SP400 plug allows us have an overall smaller system footprint as well, leading to the lowest possible weight for maximum derived value of the system in the touring realm.

No matter where you intend to use your rig in the studio, on the road or at home, Nice Rack Canada can build the system of your dreams to the highest possible standard that will give you years of top quality tone.

[contrabassconversations]

355: Tom Mendel on Hamilton, pedal boards, and finding joy in playing

Tom Mendel is currently playing bass for the Chicago production of Hamilton.  He has performed on over 100 musical theater productions like Wicked, The Lion King, Billy Elliot, and Book of Mormon.  Tom is also the President Emeritus of the Theatre Musicians Association.

We also cover the gear that Tom is using for Hamilton.  

Tom uses most of the same gear that Richard Hammond is using for the New York production of Hamilton:

Lakland Joe Osborn 5 string bass

Lakland Hollowbody 4 string bass with flat wounds (to emulate the Hofner Beatles bass sound)

Arturia KeyLab

Poellmann upright bass with low C chromatic extension (low notes are required for Hamilton book)

Thomastik for lower strings and Pirastro Flat Chromesteels for the super strings

Avalon U5 Direct Box for electric bass

GHS Super Steels

OPUS 1000 Direct Box for acoustic bass

DPA Microphones

Additional upright gear:

Visual Sound Volume Pedal

Wilson Pickup

Pedal board (used mainly for two tunes: Blow Us All Away and Washington On Your Side):

Pedaltrain Jr

Voodoo Lab Switcher

Aguilar Tone Hammer

Peterson StroboFlip

BOSS TU-3 Chromatic Tuner

BOSS CE-3 Chorus

MXR Octave Divider (two of them)

Fulltone Supa-Trem

Passive volume control and true bypass from Tom Erwin of Peregrine Effects

Thanks to our sponsors!

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Check out this episode!

[fuckyeaheffectspedals]

My little rig: first in the chain there is a line6 Relay g30 wireless (not the best, but it gets the job done in small venues with no tone sucking). There it comes a discontinued Morpheus Bomber (sometimes I put here a Whammy IV instead, but I prefer the more organic-sounding Bomber). Then, the pedals: a bunch of TC (Flashback, Vortex, T2), Maxon OD808, Boss Super Chorus, ISP Decimator and a Red Witch Violetta Delay (love this little one!). All of them goes through a chinese Joyo looper/switcher (AKA The Tape Dancing Killer) and finally everything is powered with one of the few power supplies that can handle all this AND my 9vAC Whammy, the Yankee MS2

submitted by @waitingforestragon

Noice. This is a sick board for gigging. Every time I see Yankee stuff I want their giant ass power supply again. So I can power the universe.  I still haven’t had good time with a Bomber, but they are definitely interesting and I’ve heard great things from friends of mine who use the hell out of their Whammys.

Thanks for sharing!!

[sepedalistrikbekasi-blog]

JUAL SEPEDA LISTRIK BEKAS DI BANDUNG di MALANG | 0857 9999 9031 (WA)

New Post has been published on http://sepedalistrikbekasi.com/2017/09/09/jual-sepeda-listrik-bekas-di-bandung-di-malang-0857-9999-9031-wa/

JUAL SEPEDA LISTRIK BEKAS DI BANDUNG di MALANG | 0857 9999 9031 (WA)

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[steenpaal]

Dan Donegan - Wikipedia

Daniel Joseph Donegan (born August 1, 1968) is an American musician, who currently serves as the lead guitarist for heavy metal band Disturbed. Donegan began playing guitar as a teenager and eventually formed a band called Vandal, which was an 1980s-style hair band.[2] He also played with some of the members of Vandal in another band that was called Loudmouth. Donegan was added to the guitar show "Chop Shop's" list of "Top 100 Most Complete Guitar Players of All Time" at number 76.[3] Donegan is currently pursuing a side project band, Fight or Flight in collaboration with Disturbed band member Mike Wengren.[4]

History and personal life[edit]

Donegan had very long hair during the early days of Brawl and Disturbed.[5][6] According to Disturbed's DVD titled M.O.L., Donegan got a job with his father doing construction work. He was required to cut his hair for it, but instead opted to wear a wig to fool his dad and keep his long hair. It worked, and his dad eventually let him keep his long hair.[5] Donegan has a daughter named Maya and a son named Justin.

Technique and style[edit]

Donegan is a self-taught guitarist.[7] He uses one handed and two handed tapping in many of his solos, with pull-offs, legatos and hammer-ons, also sometimes using the "flick off" technique, as used in the solo for the song "Indestructible", and in others as well. His heavy riffs and sweep picking are seen in many music videos. He uses his DigiTech Dan Donegan, "The Weapon" for many effects in and out of his solo work. He also combines arpeggios with finger tapping and many other techniques. He is known for shredding in some songs and uses finger vibrato on occasion. He uses the whammy bar in many songs to give it a certain sound effect.

In the video "The Making of Indestructible", he mentions he prefers "tasteful" solos, as opposed to shredding solos that rely primarily on speed. Disturbed's frontman David Draiman mentions "he [Donegan] can rip with the best of them". David also mentions "He's [Donegan] in my opinion you know among the best in existence, and he doesn't give himself enough credit". In the 80's, he was in a hair metal band known as Vandal, where many of his solos were shred guitar solos, but he would incorporate other techniques, which many consider his own style of playing.

Equipment[edit]

While playing with Loudmouth, Dan played an Ibanez Iceman amplified through a Peavey Ultra 120 head with Peavey 4x12 cabinets. Early on with his career with Disturbed, Donegan played Gibson Les Paul Standards and SGs. Then, he switched to play a few Paul Reed Smith models, the Tremonti Model and a PRS Singlecut. In 2005, Washburn Guitars built Donegan his own signature model called the Maya, named after his daughter. For 2010, Dan built a signature guitar with Schecter guitars, that is based on the ultra classic model (his being the ultra DD).[8] Donegan is a fan of GHS Boomer guitar strings and uses the 12-52 gauge set. He also uses Seymour Duncan pickups in his guitars. He is currently signed to Schecter Guitars.

Guitars[edit]

The Schecter Ultra Dan Donegan signature model

Current:

Schecter Ultra Dan Donegan signature model

Schecter Solo-6 2010 limited edition (used in the studio for Asylum)

Past:

Washburn Maya DD81 signature model (Indestructible)

Washburn Maya signature model (Ten Thousand Fists)

PRS Singlecut (Believe)

PRS Mark Tremonti (Believe)

Gibson Les Paul Standards (The Sickness)

Gibson SGs (The Sickness)

Ibanez Iceman (used in the early days of Disturbed)

Amplifiers[edit]

Randall RM4 preamp with 1 "Clean" and 3 "1086" modules into a RT2/50 Power Amp. Has used Randall Cyclone and V-Max heads in the past since 2001, when Dan received an endorsement. Uses Randall R412XLT cabs

Mesa/Boogie Dual and Triple Rectifier amps with Mesa/Boogie Rectifier 4x12 cabs. Used until his Randall endorsement

Bogner Ecstasy heads

Marshall Heads and 4x12 cabinets in the early days

Effects[edit]

Note: All controlled by a Voodoo Lab Ground Control, except for the Whammy and Wah

2 Digitech Dan Donegan "The Weapon" overdrive/effects pedals

Digitech GSP1101 Preamp

DigiTech Whammy

Boss MT-2 Metal Zone (for a lo-fi effect)

Korg Toneworks 411FX

Dunlop Custom Shop Rackmount Crybaby with wireless foot control

2 Boss NS-2s and 2 ISP Decimators in tandem

Audiotech Guitar Products CL-2 Selector (amp channel switcher) and ABC Selector CCM.

Discography[edit]

Disturbed[edit]

Fight or Flight[edit]

Awards and nominations[edit]

Metal Hammer Golden Gods Awards

Revolver Golden Gods Awards

Year Nominee/work Award Result 2011 Dan Donegan Best Guitarist Nominated

Loudwire Music Awards

Year Nominee/work Award Result 2015 Dan Donegan Best Guitarist Nominated

References[edit]

External links[edit]

[tusharsinghshekhawat-blog1]

Tushar Singh Shekhawat: Come To Be an Event Coordinator Currently

Lots of people think that occasion preparation is tossing parties, and actually really few occasion planners throw celebrations, but as a matter of fact work in various other kinds of occasions.

  Occasion planning or what I call Occasion Advertising is a basic idea: It is an occasion that a person produces in order to generate awareness, launch an item, produce Public Relations, offer an experience, or merely create a platform in which others can enjoy-perhaps a celebration of some kind. There are millions of various sort of events, and also with them countless difficulties, and also as an occasion planner, it will be your task to blaze through these obstacles without damaging a sweat.

  If somebody techniques you to establish a meeting with a little team of individuals at a dining establishment in a personal area, this would certainly be an occasion.

  If a person intends to host something at their residence including a supper celebration, this would certainly be an event.

Tushar Singh Shekhawat

An event is anything where groups of people obtain with each other in one room, at a details time to exchange thoughts and also suggestions, or celebrate a moment in time. This can be a little celebration, or an exceptionally large one.

  As an Occasion Planner you can be in charge of the following depending upon the occasion:

  - Budget

- Venue

- Event Catering (Food and Beverage, or F&B).

- Services.

- Speeches.

- Production equipment.

- Lighting.

- Noise.

- Routing Ability.

- Contracts.

- Vendor Settlements.

- Volunteer Control.

- Auctions.

- Contributions.

- Sponsorships.

- Ask For Proposition (RFP).

- Photographers.

- Allows.

  I might go on right here, however I am assuming you understand that there are countless classifications, and also numerous needs depending on the occasion.

  Commonly as an Occasion Planner, you will intend to be incredibly information oriented, and also have an unbelievable memory retention. If you do not have an eye for detail, as well as or have problem bearing in mind the essentials, then this occupation is most likely not for you.

Tushar Shekhawat

An excellent Event Organizer should possess the adhering to skills and also or have the following:.

  - Solid Memory Retention.

- Information Focused.

- Creative.

- Anal.

- Very Organized.

- Spending plan Conscious.

- Reliable Trouble Solver.

- Adaptable and also Tranquility Under Pressure.

- Manufacturing Savvy.

- Uplifting Mindset.

- Boundless Energy.

- Understand of Occasion Circulation.

- Knowledge of F&B.

- Remarkable Communication.

- Capability to Implement Under Tight Due Dates.

  Once again these are simply a couple of top qualities, yet it is necessary to recognize that an Occasion Organizer is not simply any individual. Great, solid Occasion Planners possess certain kinds of high qualities and attributes as well as typically you can identify an excellent Event Coordinator a mile away.

  They have limitless power, as well as can recite aspects and also details at the drop of a hat, and also if not, they have their trusty binder filled with notes, all archived and slotted in position so that he/she can draw them out whenever they require them. Organization is essential below, as well as without solid organization, you will certainly have a difficult time being an effective occasion planner.

  Lots of individuals describe Occasion Planning as Event Advertising And Marketing. What they are describing is an Event that is part of driving their total advertising and marketing plan and marketing technique. For example, if a specific company intends to market 50,000 products in one year, as well as they believe they can sell 10,000 at a certain tradeshow, after that it depends on the Event Organizer to give effective Occasion Advertising methods in order to guarantee that this objective is an achievable one.

  Allow me provide an instance, and also present you also Client A. Client A wants to attend a best tradeshow, in which future products are shown in order to secure orders for the year, and also to show their modern technology.

  Client A spends 1.5 million bucks for this program, and the expectations allow to say the least. As an Event Marketer, you need to figure out exactly how to showcase this product in the most effective way possible so Customer A looks like a master trendsetter in their field. Also if the products are not terrific items, it is up to the Event Planner/Event Marketer to make certain that these products look amazing on the show flooring. There are regulations, unions as well as all kinds of challenges in your method, and it depends on you to find out how to jump over the difficulties as well as succeed.

  In this particular situation, the items are pieces of music tools, mixers, speakers, guitar amps, and more.

  Among the very first things to think of as a brilliant Event Planner is how am I mosting likely to showcase these products in the most effective way feasible. Right here are some points to think about in regards to songs equipment and showcasing them on a tradeshow floor as one event planner shared his tale with me:.

  - Cable Administration-- this is incredibly important since without it, you will certainly have cables and cables existing all over the ground, as well as the show floor will look sloppy, as well as unorganized. Every one of the designs need to incorporate cable television administration and also have a safe area to hide these unwanted protection threats as others trip over them on the tradeshow floor.

- Lifting the products to eye level so others are not stooping on the ground to check out the equipment. This implies putting speakers on pole stands, and also elevating the devices via thoughtful as well as meaningful design.

- What audio speakers need to fly on a gear, and also which require to be ground support.

- What added aspects are required in order to display the item, i.e: iPads, apples iphone, computer system tools, plasmas, monitors.

- Showcasing stomp pedal boards by incorporating switchers and other devices so a potential customer can hear the distinctions in each as they strum away on the guitar. Yes, do not fail to remember the guitar an amps needed for each and every location, including phase established up, microphones.

  There are numerous components that integrate in order to create an effective event.

  The trick right here is straightforward-- as an Occasion Planner, you will certainly additionally be an Event Marketing professional, and you will certainly need to recognize simple, standard advertising and marketing methods in order to produce a successful program and remain on point in regards to the objective and also spending plan. In this day as well as age with technology changing so swiftly, it is important to remain abreast of all brand-new modern technologies, as this will certainly not only permit the firm to look rapid forward, however it could conserve you countless bucks in manufacturing costs too.

[axedoc2010]

Why I love my Boss LS-2

I had initially bought the Boss LS-2 to give me the option of switching between a few pedals on my pedal board. It didn’t last long there as as the board got bigger I needed more options and the Rocktron Patchmate replaced it (a fantastic curiously underhyped pedal switcher). However the LS-2 has continued to be a valuable part of my pedal collection. Here are some situations where I find it very useful.

1. Patching in effects which cause a volume drop – pedals like the Boss TR-2, Dunlop Rotovibe and the EHX Small Stone have a volume drop when engaged. The LS-2 allows you to increase the volume of either of its two loops – this can be used to make up the lost output.

2. To run a stereo set up. The LS-2 works really well to power a two amp set up. There is no phase reversal switch and I’m sure at some point in the future I will run into phase issues but so far I haven’t had a problem. The different levels for each channel are again great for matching amp levels. Its a good idea to have the amps on the same power board to reduce the chances of ground loop noise.

3. Switching between the stereo outputs of my Epiphone Les Paul Ultra II. The A/B mode gives either pure Nanomag or pure Magnetic pickup tones. The A+B mode lets the two be mixed. The same applies to putting in as many as three guitars into the LS-2 and switching in between them. This could be useful at a show or while recording at home.

4. As a buffer. Like all Boss pedals the LS-2 has a built in buffer. It’s not the best buffer in the world but will get the job done.

5. As a power distributor. The LS-2 can supply power to other pedals with its power output jack.

6. As a kill switch. Set any loop on zero and the pedal becomes a mute pedal or a stutter box. There is no non-latching mode though so the stutter box use is limited.

7. As a silent tuner out. Put a tuner in any of the loops.

8. While bread boarding. Bread boarding is the process of testing electrical circuits for building things like guitar pedals. I put the test circuit into one loop of the LS-2 and this gives me a convenient on/off switch instead of having to actually bother with wiring in a switch into the circuit. Let’s me quickly compare my reference tone to the test circuit as well as the test circuit to any pedal I want.

9. Each channel gives you +20 dB of clean boost without coloring the sound. Two boost pedals in one.

10. One can theoretically even run three amps with A-B-Bypass option but a man has to know when to stop.

So a compact guitar pedal with 10 uses. Off the cuff. Without even going into its primary function of running separate pedals in the two loops. How many pedals can you say that about?

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