#bernart
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bernard-posting-inactive · 1 year ago
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This hot pink pikmin I've named BREAKFAST just stole a pair of my SUNGLASSES straight from the ship
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bernart-gallery · 3 months ago
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zabrinas · 4 months ago
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artistabernart · 1 year ago
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museoparticular · 3 months ago
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Puentes de hierro en Asniéres 1887 Émile Bernard (1868 – 1941) fue un pintor postimpresionista francés. Comenzó sus estudios en la Escuela de Bellas Artes, haciéndose amigo de artistas como Louis Anquetin y Henri de Toulouse-Lautrec. Se unió al Atelier Cormon en París en 1884 donde experimentó con el impresionismo y el puntillismo.
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lesser-known-composers · 5 months ago
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Bernart de Ventadorn (f. 12Cent.): Can vei la lauzeta mover ·
Catherine Bott · Mark Levy
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cliothedaydreamer · 1 year ago
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⊱ ─ CLIO’S FANART
“ Vejo a luz perfeitamente E o nevoeiro passou Vejo a luz perfeitamente Nesta noite o céu é meu É tão quente e tão brilhante Sinto que o mundo mudou De uma vez, tudo é tão diferente Isto ao ver-te a ti ”
> [Eu Vejo a Luz, Entrelaçados - PT Dub of Tangled ]
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laku-incarnate · 1 year ago
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When I see the lark beating
by Bernart de Ventadorn
When I see the lark beating Its wings in joy against the rays of the sun That it forgets itself and lets itself fall Because of the sweetness that comes to its heart, Alas! Such great envy then overwhelms me Of all those whom I see rejoicing, I wonder that my heart, at that moment, Does not melt from desire.
Alas! How much I thought I knew About love, and how little I know, Because I cannot keep myself from loving The one from whom I will gain nothing. She has all my heart, and my soul, And herself and the whole world; And when she left, nothing remained But desire and a longing heart.
I have never had power over myself Nor been by own man from the very hour When she let me see into her eyes, Into a mirror that pleases me so much. Mirror, since I saw myself in you, I have been slain by deep sighs, That I have lost myself just as the handsome Narcissus did in the fountain.
I despair of ladies; I will never trust them again; As I used to defend them Now I shall abandon them, Because I see no one who does any good for me Against her who destroys and confounds me, I fear and distrust them all, Because I know very well that they are all alike.
She really shows herself to be a woman in this, My lady, for which I condemn her; Because she does not want what she should want, And what she shouldn't do, she does. I have fallen on an evil grace, And I have indeed acted like the fool on the bridge And I do not know how this happened to me, Unless I tried to climb too high on the mountain.
Mercy is indeed lost, And I never knew it, Because she, who ought to have most of it, Has none, and where will I look for it? Ah! It would never seem, when looking at her, That she would let this love-sick wretch, Who will never be well without her, To die, without helping him.
Since these things will never bring me good from my lady, Neither prayers, pity, nor the rights I have, Nor is it a pleasure to her That I love her, I will never tell her again. Thus I part from her and give her up. She has slain me, and through death I will respond, And I go away, since she does not ask me to stay, Wretched, into exile, I know not where.
Tristan, you will have nothing more from me, For I go away, wretched, I know not where. I will withdraw from singing and renounce it, And I hide myself from joy and love.
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bernard-posting-inactive · 1 year ago
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(@plasm-wraith-posting)
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bernart-gallery · 3 months ago
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carolpresents · 1 year ago
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nanshe-of-nina · 2 years ago
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now i dont condone cheating but u have to admit the historical importance adultery had on good music
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artistabernart · 1 year ago
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omens-for-ophelia · 11 months ago
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Time comes and goes and returns by days, by months, by years, and I, alas, know not what to say, for my longing is always one, it is always one and never changes.
-Bernart de Ventadorn
part 5 of my ineffable kisses series - imagining some kisses throughout their canon timeline that went decidedly better than That Kiss did...
<< start || part 2 || part 3 || part 4 || part 5 - middle ages || part 6 || part 7 || part 8 || part 9 >>
this one fought me a LOT because i was having some real RSI flare ups, but i do love the idea of them thriving in the era of courtly love and chivalry, i think it suits them beautifully. lady crowley and her bold knight sir aziraphale... someone fetch my lute!
note: in every work in this series, aziraphale & crowley are queer celestials, regardless of their gender presentation, pronouns or otherwise.
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lesser-known-composers · 5 months ago
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Bernart de Ventadorn (12Cent. ): Conortz, era sai ben ·
Sinfonye · Stevie Wishart
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explorersaremadeofhope · 2 months ago
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Well, it was bound to happen:
A collection of medieval and medieval-inspired music that fits the vibe of Cadfael's world! Some love songs, some crusade songs, some hymns, some songs about nature and the turn of the year, and some instrumentals.
I've made an effort to include 12th century music, but many of these are 13th century. A few are 14th, and a few are modern.
(Fun fact: Chanterai por mon corage, which dates from the second crusade, is mentioned, albeit not by title and with some details changed, in Monk's-Hood.)
Ca 1h 40 minutes, for now. Will no doubt be updated/changed and added to as I find more music.
Floruits/lifespans and approximate datings under the cut:
Walther von der Vogelweide: c. 1170-1230 Richard I of England: 1157-1199 Raimon de Miraval: c. 1135/1160-1220 Guiot de Dijon: fl. 1215-25 Blondel de Nesle: c. 1155-1210, or d. 1241 Giraut de Bornelh: c. 1138-1215 Bernart de Ventadorn: c. 1130-1200 Hildegard von Bingen: c. 1098-1179 Alfonso X of Castile: 1221-1284 Peter Abelard: c. 1079-1142
Blow Northerne Wynd: c. late 13th/early 14th cent Nou Shrinketh Rose: c. late 13th/early 14th cent Mirie it is: c. early 13th cent Lyke Wake Dirge: attested 17th cent, but is much older Dance of the forest of no return/Stantipe II: Chansonnier du Roi, c. 1300 Bujo: Anonymous, c. 13th cent Flos in monte cernitur: Florence Manuscript, c. 1245-55 Beata nobis gaudia: Manuscripts Jul. A. vi, Vesp. D. xii, both 11th cent. Redit aetas aurea: coronation of Richard I of England All the Cantigas date to the reign of Alfonso X.
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