#berlioz requiem

[elfinaldelcamino]

Hector Berlioz

El compositor francés Hector Berlioz (1803-1869) es conocido por su Sinfonía Fantástica y por ser pionero en la instrumentación contemporánea. Su música, profundamente influída por Gluck y Spontini, traza un camino muy personal y de tintes germánicos. Berlioz, también director de orquesta y crítico perspicaz, es un buen ejemplo del paradigma de creador romántico.

Hector Berlioz

Una de sus obras más remarcables es el Requiem (1837), escrito para conmemorar la muerte del mariscal Mortier. Estrenado pese a los numerosos opositores por razones políticas, tuvo un gran éxito en su época. Se cuenta la extravagante reacción de Paganini al conocer la obra de extender al francés un cheque de 20.000 francos para la creación de Roméo et Juliette (1839).

[u2fangirlie-blog]

Good Omens Aziraphale's Sad Bastard Breakup Playlist

After the breakup, Aziraphale has a new job in heaven, having taken Gabriel’s vacant position. Aziraphale is haunted by sad music reminding him of his time with Crowley. The songs are dramatic, tragic, melancholic, angry, wistful, romantic, and sentimental. How does he listen to music at his new job in the head office? Are material objects allowed? Does he keep a secret stash of tea, cake, and records and a phonograph player in his office? Does he have a celestial radio that can tune in Earth radio stations? Does he sneak off to Earth to hang out in record shops and bookstores? Or more dramatically and emotionally torturously, does he remember every note, every nuance, every feeling, of every song and replay them in his mind? He's stuffing his face with angel food cake and tea while crying and listening to sad bastard songs and hiding from Michael and the Metatron.

See note after list on song selection process.

Songs include:

“Lacrimosa” – Mozart, Requiem in D Minor, Vienna Mozart Orchestra

“Commendatore” – Mozart, Don Giovanni, Amadeus film soundtrack

“Ja, tot katoramu vnimala” – Rubenstein, The Demon, Nicolai Ghiaurov

“D’amour l’ardente flemme” – Berlioz, The Damnation of Faust, Maria Callas

“Liebestod” – Wagner, Tristan and Isolde, Waltraud Meier

“Ach ich fuhls” – Mozart, The Magic Flute, Gundula Janowitz

“Thy hand, Belinda … When I am laid in earth” – Purcell, Dido and Aeneas, Janet Baker

“E lucevan la stelle” – Puccini, Tosca, Placido Domingo

“Celeste Aidia” – Verdi, Aida, Mario Lanza

“Ich bin der Welt abhanden gekommen” Mahler, Dietrich Fischer-Dieskau

“Der Wanderer” – Schubert, Dietrich Fischer-Dieskau

“Love is a Plaintive Song” – Gilbert and Sullivan, Patience, D’Oyly Carte Opera Company

“I am a Courtier Grave and Serious” – Gilbert and Sullivan, The Gondoliers, D’Oyly Carte Opera Company

“The Gentleman is a Dope” – Rodgers and Hammerstein, Allegro, Blossom Dearie

“A Hymn to Him” – Lerner and Lowe, My Fair Lady, Rex Harrison

“Could I Leave You?” – Sondheim, Follies, Alexis Smith

“We Do Not Belong Together” – Sondheim, Sunday in the Park with George, Bernadette Peters and Mandy Patinkin

“On My Own” – Schonberg, Les Misérables, Frances Ruffelle

“As Long as He Needs Me” – Bert, Oliver, Judy Garland

 “Stranger in Paradise” – Wright and Forest, Kismet, Richard Kiley and Doretta Morrow

“A Nightingale Sang in Berkeley Square” – Sherwin and Maschwitz, Vera Lynn

“Night and Day” – Porter, The Gay Divorcee, Ella Fitzgerald

“I’ve Got You Under My Skin” – Porter, Born to Dance, Shirley Bassey

“Bewitched, Bothered, and Bewildered” – Rodgers and Heart, Pal Joey, Sarah Vaughan

“They Can’t Take That Away From Me” – Gershwin, Shall We Dance, Fred Astaire

“Mon Deu” – Dumont and Vaucaire, Edith Piaf

“Non, Je Ne Regrette Rien” – Dumont and Vaucaire, Edith Piaf

P.S.: Aziraphale likes Les Mis because it reminds him of that time Crowley rescued him from the Bastille. Don't tell anyone. It's a big secret.

P.P.S.: “Bewitched, Bothered, and Bewildered” reminds him of the time he and Crowley got drunk in the backroom at the bookshop the day the anti-Christ was delivered to Earth. Basically, this song reminds him of every time they went out for drinks or stayed in and drank.

P.P.P.S.: “I am a Courtier Grave and Serious” was the song Aziraphale planned to play when trying to tempt Crowley into learning the gavotte. It reminds him of the ball in the bookstore when he finally danced with Crowley.

P.P.P.P.S.: “Non, Je Ne Regrette Rien” is as close as Aziraphale can get to telling the world and Crowley to eff off. He has no more effs to give. Or at least he’s trying to convince himself he no longer gives a f***. He’s going off to his new job at the head office and Do Good.

Note on song selection:

I selected songs that thematically fit with the relationship between Aziraphale and Crowley. I think the songs tell a story of Aziraphale’s struggle to reconcile his conflicted motivations. They reflect Aziraphale’s fears and desires. He fears being hauled off to hell for disobedience. He fears Crowley’s death and being alone in the world. He desires to be emotionally intimate with Crowley. (Dare he risk physical intimacy with Crowley?) He feels self-righteously indignant, but he’s soft and squishy and weepy and misses his best friend.

I don’t have much knowledge of opera or musical theater, but I have some experience with choir and solo performance. I did a lot of research into opera, art songs, musicals, showtunes, and standards to create a playlist on YouTube. Selections were based on availability, popularity, and sound quality. My big question was whether or not Aziraphale is a strict originalist or if he likes different versions of songs. In some places, I chose newer versions over original versions due to the sound quality of the recordings. I tried to keep selections accessible to a wide audience with varying degrees of musical knowledge. You may not like my choices, so your mileage may vary. You can make your own playlist.

You can listen to it on YouTube.

[opera-ghosts]

OTD in Music History: Composer Maria Luigi Carlo Zenobio Salvatore Cherubini (1760 - 1842) -- better known as Luigi Cherubini -- is born in Italy. Although Cherubini is now largely relegated to the pages of music history books, in his own time he commanded widespread praise from the highest quarters. Ludwig van Beethoven (1770 - 1827) regarded Cherubini as his "greatest" contemporary, and at his specific request, Cherubini's 1st Requiem Mass (1816) was performed at Beethoven's funeral. Giaochino Rossini (1792 - 1868) hailed Cherubini's operas, and Hector Berlioz (1803 - 1869) and Robert Schumann (1810 - 1856) both praised them in the press. Cherubini was also good friends with Frederic Chopin (1810 - 1849), and in 1841 he became the first musician to be awarded the prestigious "Commandeur de la Legion d'honneur." Cherubini's "posterity problem" stems in large part from the fact that after he assumed the directorship of the Paris Conservatoire in 1822, he discharged his duties in a highly reactionary manner and thus came into intense conflict with Berlioz (who studied there from 1824 to 1830). The two men personally despised each other, and Berlioz's deeply unflattering portrayal of Cherubini in his "Memoirs" (1865) went a long way towards tarnishing the older man's reputation. Nevertheless, despite his posthumous fall from grace, Cherubini’s work has never entirely faded from view; for example, Maria Callas (1923 - 1977) performed his opera “Medea” dozens of times over the course of her career. PICTURED: An autograph receipt that Cherubini wrote out and signed in 1837, accounting for royalties from the publication of his 2nd Requiem Mass (1836). Cherubini actually wrote the 2nd Requiem Mass -- which only employs male voices -- for use at his *own* funeral, after his 1st Requiem Mass came in for criticism by Catholic authorities for utilizing female voices.

[armandposting]

classical music I would consider giving birth to:

beethoven piano sonatas (moonlight, appasisonata, pathetique, etc) (bad for the multiple vampire references that exist in this body of work)

fauré requiem (don't think you are supposed to welcome a newborn with a requiem probably)

berlioz symphonie fantastique (probably not the vibe for similar reasons)

stravinsky rite of spring (I think this is how you end up with a demon changeling child so probably also not)

you see my problem here

[autistic-autumn]

Interesting medieval Latin poems

Okay so I've been reading a lot of medieval Latin poems recently and some of them are pretty cool. My latin is unfortunately very limited so I've most been relying on translations. I am no expert in the field at all. A lot of these poems are quite long so I'm not going to post all of them. Some of them are just stuff I have written up part of in a google doc too so they aren't great.

Most of the translations I'm using are by Helen Waddell because she did an enormous amount of translation and her stuff tends to try preserve a lot of the meaning and poetic form over direct translations. Her translations are sometimes not all that direct but still poetic and neat.

This here is the Dies Irae, known as the day of wrath:

I've just stolen this straight from wikipedia because it's so famous. It is a 13th century poem of unknown origin got turned into a Gregorian chant and later became part of the traditional requiem texts as the Dies Irae sequence. As such there is a large number of music works for the text, the most famous being in Mozart's and Verdi's requiem. The text is often split into a large number of verses and makes up the full requiem sequence. The original Gregorian chant melody was picked up into general music works and being reused in a number of works (I believe the first instance of this is Berlioz's Symphonie Fantastique mvt 5). Overall just a very cool poem with some musical adaptations.

On a similar note a lesser known poem titled Dies Irea exists.

This poem here is by St Columba, a 6th century poet. Hellen Waddell suggests with her translations that it may be a precursor to the more well known Dies Irae above. This appears to just be a small snippet of the full poem by St Columba. It was set to music in 1962 by Benjamin Britten.

Another very famous poem is the O Fortuna:

This too is just take from wikipedia and has many translations out there (Helen Waddell's isn't all that great I don't think and I don't want to type it out). The poem is of unknown authorship and taken from a 13th century manuscript known as the Carmina Burana. This manuscript is full of goliardic poetry. The goliards who wrote this poetry often spoke on topics such as love, fate, drinking. ect. A lot of this stuff was somewhat sacrilegious by 13th century standards and much of the poetry remains anonymous. Carl Orff famously took 24 of these poems and created the Carmina Burana, with the O Fortuna as the opening work.

One of the poets who we do (kind of) know the name of in the Carmina Burana is The Archpoet. The Archpoet had 10 poems, with all of his 10th and part of his 6th appearing in the Carmina Burana manuscript. Here is the Confession by the Archpoet:

This poem is a personal favourite of mine. I've mostly seen the original poem laid out in four line stanzas with slightly different spellings in the Latin. Waddell's own translation spells the first line as "Estuans inrinsecus" but splits the original into eight line stanzas. I have no idea why this is but I just quickly found a latin one online that matched up with the translations by Waddell. I find this poem very powerful and the translation very well encapsulates both the poetic form and rhythm while keeping the original meaning intact. I have set this text to music myself and have most extensively studied the latin translations of any poem on this list.

Another Goliardic poem that appears in the Carmina Burana Manuscript is the Portrait Of Despair:

This translation is actually by George Whicher in his book "The Goliardic Poets; Medieval Latin Songs and Satires". The full piece is three stanzas long (at least in the book) but this one here is just the one stanza I wrote up. I think this verse is the most interesting anyways.

Another poem from the Carmina Burana Manuscript in George Whichers book is Iste Mundus, This Dizzy World:

I don't really have a lot to say about this one. It just think it's neat

There are a bunch of other interesting ones I have that I might update this post with but that's a little collection of some of the interesting stuff.

[nanshe-of-nina]

Halloween playlists:

[Playlist]

45 Grave — Evil

45 Grave — Partytime

Emilie Autumn — Dead Is the New Alive

Balzac — Inside My Eyes

The Birthday Massacre — Happy Birthday

The Birthday Massacre — Horror Show

Birthday Party — Release the Bats

The Brides — The Strange Passing of John Coal

The Brides — Whore Money

Bloody Hammers — Witch of Endor

Coven — The White Witch of Rose Hall

Creature Feature — The Greatest Show Unearthed

Creature Feature — Here Be Witches

The Cramps — Goo-Goo Muck

The Cramps — Surfin' Dead

Don Hinson & The Rigamorticians — Riboflavin-Flavored, Non-Carbonated, Polyunsaturated Blood

Einstürzende Neubauten — Ein Stuhl in der Hölle

HorrorPops — Where They Wander

HorrorPops — Walk Like a Zombie

Hamburger Brothers — Omar the Vampire

Inkubus Sukkubus — Belladonna & Aconite

Inkubus Sukkubus — Corn King

Inkubus Sukkubus — Song to Pan

Inkubus Sukkubus — Wytches

The Irish Rovers — The Banshee’s Cry

Jack Off Jill — Cinnamon Spider

Jack Off Jill — Witch Hunt

Killing Miranda — Burn Sinister

Mandragora Scream — Dark Lantern

Ministry — Everyday is Halloween

The Misfits — Die, Die My Darling

Mister Monster — I’ll Watch Them Die

Nick Cave and the Bad Seeds — The Curse of Millhaven

Nick Cave and the Bad Seeds — Red Right Hand

Nick Cave and the Bad Seeds — Up Jumped the Devil

Richard O’Brien — Science Fiction Double Feature

The Ramones — Pet Sematary

Rasputina — Gingerbread Coffin

Shonen Knife — Devil House

Siouxsie and the Banshees — Spellbound

Skycycle — The Ghost Is Here

Skycycle — It’s Terror Time Again

Sopor Aeternus and the Ensemble of Shadows — The Inexperienced Spiral Traveler II

ThouShaltNot — The Haunted Phonograph

The Tiger Lilies — Start a Fire

Jill Tracy — Evil Night Together

Jill Tracy — The Fine Art of Poisoning

Traditional — Down in the Willow Garden

Traditional — Pretty Polly

Traditional — Twa Corbies

Traditional — The Lyke-Wake Dirge

Type O Negative — Black No. 1

Type O Negative — Wolf Moon

Vermilion Lies — Circus Apocalypse

Xmal Deutschland — Incubus Succubus II

Zombina and the Skeletones — Come On

Zombina and the Skeletones — Hey Weirdos

Zombina and the Skeletones — Island of Zombina

Zombina and the Skeletones — New Orleans Incident

Zombina and the Skeletones — You’d Scream If I Knew I Did Last Halloween

Instrumental: [Playlist]

Johann Sebastian Bach — Toccata and Fugue in D Minor

Béla Bartók — Music for Percussion, Strings and Celesta: III. Adagio

Hector Berlioz — Dream of a Witches’ Sabbath from “Symphonie fantastique”

Johannes Brahms — Hungarian Dance No. 5

Fryderyk Chopin — Piano Sonata No. 2 III: Marche funèbre: Lento

Coil — Main Title (unreleased Hellraiser Theme)

Philip Glass — Candyman theme

Gustav Holst — Neptune, the Mystic from “The Planets”

Gustav Holst — Saturn, Bringer of Old Age from “The Planets”

Gygory Ligeti — Requiem

In Slaughter Natives — Beauty and Bleeding

Franz Liszt — Hungarian Rhapsody No. 2

Franz Liszt — Totentanz

Lustmord and Robert Rich — Hidden Refuge

Wolfgang Amadeus Mozart — Dies irae from “Requiem in D Minor”

Wolfgang Amadeus Mozart — Lacrimosa from “Requiem in D Minor”

Midnight Syndicate — Born of the Night

Midnight Syndicate — Carousel Ride

Modest Mussorgsky — Night on Bald Mountain

Nox Arcana — Calliope

Nox Arcana — The Doll House

Nox Arcana — Haunted Carousel

Nox Arcana — Hall of the Witch Queen

Nox Arcana — Once Upon a Nightmare

Nox Arcana — Shock Treatment

Nox Arcana — Temple of the Black Pharaoh

Nox Arcana — The Witching Hour

Sergei Vasilyevich Rachmaninoff — Isle of the Dead

Camille Saint-Saëns — Danse Macabre

Michael Shields — Ginger Snaps Opening Theme

Igor Fyodorovich Stravinsky — Part I: The Adoration of the Earth from “The Rite of Spring”

Pyotr Ilyich Tchaikovsky — Swan Lake - 19 No. 10 Scène (moderato)

[theniftycat]

10 songs / 10 people

thanks for the tag, @nablah​ !

10 songs i’ve listened to lately (I haven’t listened to much music lately and I don’t use spotify, so I have to rely on my memory, like an old guy. also, this is just my top 10, because who knows what I listened to last)

Dies Irae (the Gregorian chant)

Ultravox - Oh Vienna

Hellfire from Disney’s The Hunchback of Notre-Dame

Berlioz - Synfonie Fantastique

eRa - Ameno

Emilie Autumn - Shalott

Berlioz - Requiem

Rimsky-Korsakov - Scheherazade

Би-2 - Черное солнце

Stravinsky - The Rite of Spring

(omg, I’m too edgy)

tagging @mitochondriaandbunnies @wildphoenixofthe80s @kleenexwoman @fountainofsnow @white-bow-tie @olgsecond @gowan43 @arrrhe @lilahlefae @jackymedan

[mikrokosmos]

For AMA music: can you list 10 works (or more if it's too hard to choose) that "convey a Christian sense of the Divine" (quoting you here) for you? Have you already made a playlist of these works?

What do you think of Hector Berlioz? (there's a big festival dedicated to him in my hometown every summer so I wanted to get your opinion on him, but I can't remember if you mentioned his work because I haven't looked through your tags for a long time , sorry about that)

haven't made a religious playlist, but if I had to it would include:

Messiaen - L'Ascension

Messiaen - Quartet for the End of Time

Messiaen - Et exspecto resurrectionem mortuorum

Tavener - Lamentations and Praises

Gorecki - Beatus vir

Part - Cantante domino

Kilar - Angelus

Dutilleux - Timbres, espace, mouvement

Boulanger - Ville priere bouddhique (an ironic choice maybe lol)

& I used to kind of ignore Berlioz, but over the past two or three years he's become one of my favorites. Amazing imagination and the gargantuan sounds he was able to create must have been even more shocking to the people of the time. Haven't listened in a while, but other than the Symphonie fantastique, I love Harold in Italy, the Te Deum and Requiem, Romeo and Juliet, and the Grande symphonie funèbre et triomphale

[elizabethplaid]

Classical Music for Halloween - from Halidon Music

Idk if this is Halloween per se, as it’s more dark autumnal vibes than spoopy. Like most of their videos, it’s 2.5 hours long. (I often find 3-6 hour mixes, rarely anything around 1-hour or less.) Lots of very good tunes, including a lot of stuff I love.

There’s a few that bug me. Gershwin’s prelude andante whatever is too modern-jazzy to me. (I first heard it played on hammered dulcimer, and it sounds even worse to me there.) Tired of “A Night on Bald Mountain”, especially for Halloween mixes. It’s good, but it’s overplayed.

I liked seeing “Palladio” by Karl Jenkins, aka the diamond song. The opening track stole my heart, showing this would be a good mix of stuff that’s not over-played. It feels like a prime example of what I expect from a “dark academia” mix. Really, a lot of this stuff is “new” to me, or at least something I’ve only heard in recent years.

It only took about half an hour to realize I wanted to share this mix.

Tracklist with timestamps copy-pasta’d from the video description:

0:00:00 Litvinovsky - Tales of the Magic Tree: IV. Spider Knows His Craft 

0:03:39 Jenkins - Concerto Grosso for Strings "Palladio": I. Allegretto 

0:06:12 Vivaldi - The Four Seasons, Concerto No. 4 in F minor, RV 297 "Winter": I. Allegro non molto

0:09:28 Vivaldi - The Four Seasons, Concerto No. 2 in G minor, RV 315 "Summer": III. Presto

0:12:08 Albéniz (arr. Naughtin) - Suite Española No. 1: V. Asturias - Leyenda 

0:19:09 Händel - Suite No. 11 in D Minor, HWV 437: III. Sarabande

0:21:57 Haydn - Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto 

0:23:43 Litvinovsky - Pelléas and Mélisande: XI. Duel. Épée de jalousie (Duel. Sword of jealousy)

0:26:28 Litvinovsky - Suite for Strings "Le Grand Cahier": X. L'Incendie

0:28:47 Litvinovsky - Suite for Strings "Le Grand Cahier": III. L'Hiver 

0:32:23 Litvinovsky - Pelléas and Mélisande: IV. La grotte. Lac souterrain (Grotto. Underground lake)

0:36:24 Gershwin (arr. Naughtin) - 3 Preludes: No. 2, Andante con moto e poco rubato  

Mozart - Requiem, K. 626:

0:40:28 Introitus. Requiem   

0:45:52 Kyrie

0:48:33 Sequentia. Dies Irae   

0:50:14 Verdi - Requiem: 2a. Dies Irae

0:52:24 Verdi - Requiem: 2f. Rex Tremendae

0:55:51 Mozart - Requiem in D Minor, K. 626: Lacrimosa (Live) 

0:58:45 Barber - Adagio for Strings 

1:04:23 Beethoven - Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (Live)

1:19:02 Beethoven - Symphony No. 7 in A Major, Op. 92: II. Allegretto 

1:28:15 Orff/Killmayer - Carmina Burana: O Fortuna (Live) 

1:30:55 Liszt - Mephisto Waltz No. 1, S. 514 

1:42:49 Prokofiev - Ten Pieces for piano from the ballet “Romeo and Juliet”: No. 6, Montagues and Capulets (Dance of the Knights) (Arr. for Piano)

1:46:50 Mussorgsky - Night on Bald Mountain

Schubert (arr. Mahler) - String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden":

1:58:06 I. Allegro

2:09:39 III. Scherzo. Allegro molto - Trio

2:13:53 IV. Presto - Prestissimo

2:22:58 Berlioz - Symphonie Fantastique, H 48: V. Songe d’une nuit de sabbat. Larghetto - Allegro (Live)

[evilfloralfoolery]

The music dork in me needs to know what composers Lucian likes most. ❤️

The music nerd in me recognizes the dork in you lol.

Hmmm, there's a range. I'd say Paganini, Mozart, Prokofiev, Fauré, and Berlioz are some of his more well-known faves. He's a flashy violinist, so of course, Paganini is way up there.

Ask him opinion about Fauré's requiem vs. Mozart's, if you really want a heated lecture lol. 🤣

[capn-o-my-soul]

For the ask thing!

1, 2, 6, 10, 17

As always no pressure.

yayy thanks for the ask :D

#1: "What’s your favorite color?" hmmm PORPLE

#2: "Coffee or tea?" i don't drink either regularly but i've never had coffee and the small amount of tea i have had was very yummy so tea

#6: "What’s a song that you relate to?" hmmm struggling to come up with songs that i relate to but how about gustav mahler's "Das Iridische Leben"

#10: "What song would you play at your funeral?" the ENTIRE berlioz requiem

#17: "Do you like the taste of blood?" not really? it usually signifies that i injured my mouth in some way and i definitely do not like that? and also it makes me a little nauseous

[iwantoseeafrigatebird]

Created a requiem collection playlist that does what it says on the tin... Yesterday afternoon, sunny weather, I sat in Grayfrairs and listened to Agnus Dei from Berlioz's Grande Messe. Nothing other than requiems seems to be able to appease me.

Listening to Sanctus right now. Comrade Alberto, I so want to walk into the light.

[maximuswolf]

Berlioz Requiem - Glasgow 15/06

Berlioz Requiem - Glasgow 15/06 Hope this is not against the rules.Whoever happens to be in Glasgow and would like to attend Berlioz Requiem let me know. I’d hate for tickets to be wasted. Not selling, only giving. Details:Berlioz Requiem (La Grande Messe des Morts)Glasgow Royal Concert HallJune 15th, 19:30 (doors 18:30)Very good seats! DM me for more details. Submitted June 14, 2024 at 04:04AM by imraqays https://ift.tt/ZRbrlBO via /r/Music

[dopingconsomme]

2024年04月01日の記事一覧

2024年04月01日の記事一覧 (全 17 件) 1. XZ Utilsの脆弱性 CVE-2024-3094 についてまとめてみた - piyolog 2. ノーマ・シェフィールド - DO YOU REALLY WANNA LOVE ME - MF GHOST VERSION 3. HOTBLADE - MANIFOLD LOVE - MF GHOST VERSION 4. 椛田 早紀 - Lonely Rolling Star 5. 田中 昌之 - 塊オンザロック～メインテーマ 6. 紗倉ひびき(CV:ファイルーズあい) - お願いマッスル 7. エクトル・ベルリオーズ - Roméo et Juliette, Op. 17, H 79, Pt. 2: No. 2b, Fête 8. エクトル・ベルリオーズ - Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: "Le vieil hiver a fait place au printemps" (Faust) 9. エクトル・ベルリオーズ - Tristia, Op. 18, H.119: 1. Méditation religieuse, H.56b 10. エクトル・ベルリオーズ - Berlioz: La Damnation de Faust, Part 1, H. 111: "Les bergers quittent leurs troupeaux" (Chorus/Faust) 11. フランソワ＝ジョセフ・ゴセック - Symphonie concertante in D Major, "Mirza": I. Allegro 12. フランソワ＝ジョセフ・ゴセック - Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave 13. フランソワ＝ジョセフ・ゴセック - Sinfonia In B Flat Major: III. Allegro 14. フランソワ＝ジョセフ・ゴセック - Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave 15. フランソワ＝ジョセフ・ゴセック - Gavotte in D Major, "Rosine" (arr. for violin and piano) 16. 「TikTokは事実上のキーロガー」と専門家、知らないうちにユーザーを侵害する「アプリ内ブラウザ」の脅威とは？ 17. https://www.nicovideo.jp/watch/sm43604451 April 02, 2024 at 05:00AM

[dealthorpakp]

14 Mars 1982 Charles et Diana assistent à une représentation du "Berlioz Requiem" (grande messe des morts) au Royal Albert Hall à Londres. Diana est vêtue d'une robe en mousseline de soie rouge et or conçue par Belville Sassoon et d'une cape en velours noir de Maureen Baker