#berhinger

[catoptromantia]

If berhinger can just make a knock off Crumar Spirit I'll die happy. I refuse to pay $4000 for a vintage synth. Smh

[burlveneer-music]

Light - The Path - probably the most extravagant prog rock album of the year

An album mixing progressive rock, jazz and classical, featuring 24 musicians and 112 instruments. Written by Camille De Carvalho, Auriann Rossard, Loup Vaillant & Paul-Henry Touzac Lyrics by Camille De Carvalho, Jeanne De Carvalho & Morgan Casseau Camille De Carvalho : Piano, Ondes Martenot, Korg CX3, Clavinet Pianet Duo, Berhinger Model D, Toy Piano, Vibraphone, Marimba, Glockenspiel, Melodica, Suzuki Andes Clarinets (sopranino, soprano, alto, bass, contrabass) Oboe, oboe d’amore, english horn, bass oboe Bassoon, tenoroon Saxophones (sopranino, soprano, alto, tenor, baritone) Duduk, guanzi, hulusi, bawu, Trumpets (piccolo, soprano, bass), flugelhorn, cornet Trombones (soprano, tenor) French horn, Baritone horn, Tuba Ocarinas (soprano, alto, tenor, bass, contrabass), recorders (sopranino, soprano, alto, tenor, bass), gemshorn Racketts (bass, great bass), cornett Morin khuur, Erhu Theremin, musical saw, Garrahand, Waterphone Udu, tam-tams, opera gong, hand gong, lunar gong, burmese gong, vibraslap, jingles, bells, guïro, triangle, bongos, temple block, ocean drum, tambourine, thunder box, claves, shakers Jeanne De Carvalho : lead singer, mezzo choir Morgan Casseau : lead singer, tenor choir Auriann Rossard : double bass, drums, bodhran, baritone choir Paul Ferré : electric 8-strings guitar, bass guitar, fretless bass guitar, contrabass guitar, bass choir Emmanuelle Marchaud : harp, alto choir Camille Sabathier : violin, viola, mandolin, alto choir Loup Vaillant : cello Caroline Kempf : flutes (piccolo, soprano, alto and bass) Paul-Henry Touzac : mixing and mastering Additional musicians : Timothé Bougon : acoustic guitar, banjo, bouzouki, lute, baritone choir Clément Gaudry-Santiago : acoustic 12-strings guitar, tenor choir Donnchadh Mullaghy : electric guitar Camille Montarou : timpani Camille Fabreguettes : flute Anaïs Rabary : soprano choir Lisa Chaïb Auriol : soprano choir Marion Nicolas : soprano choir Marie Le Pohon : mezzo choir Lisa Auneau : alto choir Audric Faucheux : tenor choir Valentin Jansen : bass choir Egon Zanne : bass choir Hangsvart : growl Artwork by Fennek Fox

[al-industrie]

Convoyeur copeaux Vernet Behringer 800

Convoyeur copeaux Vernet Berhinger 800 Contexte Spécialiste de la maintenance, réparation des matériels de coulées en sources et parachèvement de produits sidérurgiques, notre client souhaite remplacer son convoyeur de sciage Vernet Berhinger 800. Il a donc fait appel à AL Industrie pour lui fabriquer un nouveau convoyeur identique à l’ancien qui était usé. Solution Nous avons conçu un…

[technovore13]

And We Drone On

[musicdiscoverylab]

View this post on Instagram

A post shared by Jason Mullinax (@musicdiscoverylab)

Jamuary 17: Sometimes it’s cool to just set something in motion and then just step back and watch. In this vid, I control my Volca FM with the SQ-1 through a series of effects and the result was this really sparse, self generating rhythm. I’ll definitely be exploring this concept more in the future. . . #musicdiscoverylab #lofi #diymusic #dawless #jamuary2019 #korg #volcafm #sq1 #berhinger #overdrive #alesis #philtre #hologram #infinitejets #ambient #experiment #music #sparse #minimalism #electronicmusic #gearhead #effects https://www.instagram.com/p/BsvLmwPhi5O/?utm_source=ig_tumblr_share&igshid=46pe6ttbhvcq

[i-hear-static]

First Day of Rehearsals was a hit !

⚡️🎸👹

[videolandexpress]

New musical gizmo added to the collection. Video soon. #music #Bass lines #instruments #collections #berhinger #musicians #photography https://www.instagram.com/p/CRRNv_WggVD/?utm_medium=tumblr

[jaysinchrist]

#newgeardaysweetwater #sweetwater #emgpickups #daveellefson #berhinger (at Charleston, West Virginia) https://www.instagram.com/p/COdSUA9lbaS/?igshid=cf2e01dwpr6c

[tolerantemc]

My sister's #wedding 💒 I'm so proud of her 💚 . . . #sister #samsmith #staywithme #marchanupcial #piano #musican #randb #berhinger #midi #maudio #flstudio https://www.instagram.com/p/CNfIqdns_YZ/?igshid=15ey4s5sr1vz3

[loclz]

[ Dark Odyssey ] Teaser # 1

- " Deux possibilités existent : soit nous sommes seuls dans l'univers, soit nous ne le sommes pas. 

.

 Les deux sont tout aussi terrifiants. "

. 

 - 2001 : l'odyssée de l'espace

.

- Arthur C. Clarke                                        

[ Dans un futur lointain, l’humanité est passée au stade de civilisation III . ]

[ Elle a sa disposition toute la puissance émise par la voie lactée. ] 

[ Malheureusement, il fallu faire des choix. ]

[ La terre n’avait plus la capacité d’accueillir tous les êtres vivants, et ses ressources étaient sur le point de s'éteindre. ]

[ Il fut décidé de terra former les exoplanètes pour que l’homme puisse continuer son existence. ] 

[ Au 30e siècle, une entreprise maîtrise parfaitement se procéder. ]                                                      

                                        [ SKYLAND ] 

[ Sa flotte de vaisseaux parcourent le système solaire en quête de nouvelle planètes. ] [ Mais l’être humain est-il vraiment le seul être dans l’univers ? ] 

[ Le choix de l'homme fait dans le passé a - t- il scellé son destin? ]

[ Plongeant l'homme petit à petit dans ses plus horribles cauchemars. ] 

[ Typographie : ] Jens R. Ziehn / Alien Ressurection 

https://www.youtube.com/watch?v=MWqPqbCLyms&list=PLtel7Qzl-OPeqc5BnhZsS2omgDCB_vzsC&index=3

[looncallmusic]

Out Now. Check out Olives everywhere music is fresh. Spotify link in bio. 😘😘 . . . . . #looncall #midwestern #americana #olives #valentines #valentinesday #newmusicfriday #musiciansofinstagram #analog #vc340 #deepmind #roland #berhinger #bedroomstudio #firstsingle #duluth #thepier #love #vocoder #upnorth #lovesong #lighthouse #tgif #fallinginlove #aesthetic #snapseed #distrokid #minnesota #home #pink (at Duluth North Pier Light) https://www.instagram.com/p/B8jPrWRnh9t/?igshid=s0rzykhiezp2

[jesusromerocarretero]

Non servium -Torpedos #nonserviumarmy #nonservium #non #servium #cort #x-2 #black #berhinger #guitar #electric #electricguitar #cortguitars (en Cybertron) https://www.instagram.com/p/CND4wynB6PS/?igshid=1ok5hwzjpr8jl

[musicdiscoverylab]

Here are a couple of quick demo vids of me running the Volca FM and the PO Rhythm through my new overdrive pedal. It’s definitely a subtle effect but it does add a nice amount of grit and saturation without being overbearing. I’m looking forward to placing it a chain with other effects to see how it responds. I know overdrives are old news to many of you but this is brand new to me:). More soon! . . . #musicdiscoverylab #lofi #diymusic #berhinger #overdrive #effects #guitarpedals #synth #drummachine #volcafm #pocketoperator #rhythm #experiments #newtome https://www.instagram.com/p/BsWUXuvBq84/?utm_source=ig_tumblr_share&igshid=izdme1q5y4wi

[davetasticdave]

Hi, I was wondering if you could give me a beginners guide to voice acting. Like equipment and software or even vocal tips, all would be very much appreciated.

Hello and thanks for your ask. Well, voice acting methods can be different for everyone but I can share what I personally did/do myself.

Starting out, I'd practice voices I'd want to perform, you can try imitating existing voices by voice actors and putting your own spin on it. Practice makes improvement, your voce is an instrument. Be sure to research warm ups like trills, hums, things like that so you perform better and don't break your voice attenpting something out of your current range. Trust me, I've lost my voice doin harsh voices I wasn't used to. You gotta find your comfort zone with your voices, something that doesn't strain yourself too much. With enough practice, you can push further into that range.

As far as equipment goes, I started with a usb microphone to start made by a company called BLUE. The blue snowball to be precise. If you have a higher budget, you can get an XLR microphone with an USB Audio interface to get better control and quality with settings. I use an Audio Technika mic now (AT2035) and a Berhinger 202-HD audio interface. I assume you have a laptop or desktop, but if you dont, you can get a cheap one for recording. Install a program called "Dark Audacity" it is a simple audio editing software that is easy to use especially for beginners! You can also look into more advanced softwares like Reaper.

Recording methods play a big part too. Try to soundproof best you can and test out different methods. Using foam around a recording space can be ideal or creating/buying premade "soundproof foam boxes" can eliminate echo and background noise. You can use software like dark audacity to remove background noise even further, I usually leave about 5 seconds of silence before beginning my recording, selecting that empty audio and applying the noise reduction effect. For more info on that, check out the Audacity FAQs or YouTube tutorials (they help alot, especially with effects and hot keys). A simple rule for recording is distance from the mic. If you're recording something quiet, lean in closer to the mic like for whispers. If it is something louder, stand or sit further away from the microphone. Practice with different distances and volumes when you speak and treat the microphone like a person's ear.

I hope any if this helps you or others who read this, and thank you again!

[aufox46]

Behringer Others Driver

Overview BEHRINGER USB AUDIO DRIVER is a Shareware software in the category Miscellaneous developed. It was checked for updates 63 times by the users of our client application during the last month. The latest version of BEHRINGER USB AUDIO DRIVER is currently unknown. It was initially added to our database on. Download Behringer X-USB Universal USB ASIO Driver 4.59 (Sound Card). Bear in mind that even though other OSes might be compatible, it would be best if you applied this package only on specified platforms. In addition to that, as technology evolves from one day to.

Behringer Others Driver Free

04-12-2020, 11:55 PM

Behringer Others Driver Download

Behringer Drivers X64

I bought the Behringer UM2 interface, since I really only needed the one port for input from my Roland TD-15, which I run thru a Mackie 1402 (along with a condenser mic for chat) and into the UM2. I was dismayed when I found out the driver I had to use was ASIO4ALL, as that is what JamKazam says NOT to use, but it's what Behringer pointed me to, so I downloaded an installed it - see attachment for latest settings used. BTW running on Lenovo laptop w/ Windows 10. On my numerous attempts to setup my Audio Gear in JamKazam, I have never been able to get it to work cleanly when I select ASIO4ALL. on initial setup, it can't determine latency and I have to go to loopback Test page, where (when the test works at all) latency is around 3-4ms, but I/O usually fails test and I can't proceed. Occasionally, for reasons I do NOT understand, it does pass the I/O part too and I am able to add that audio gear setup and then open a solo session. However, the audio in the solo session is either really bad, with lots of noise and odd sounds, plus I see lots of output jitter - but the latency is good (under 5), OR the sound is very intermittent, meaning I can tap one of the drums and only 1 note out ten come thru. (Direct Monior is OFF on interface). I also frequently hear a faint popping sound during setup. I have disabled the on-oard audio devices, so that only the USB Codec device (which is the interface) is active and set both input and output sampling to 48K Hz (have also tried 41K). I have alternatively been able to setup my audio by selecting USB Codec using the default WMD driver and jam, but my internal latency is ALWAYS 20ms, so that is not ideal. I am debating tossing the Berhinger UM2 and buying the Focusrite Scarlett 2i2 3rd Gen, but I have also seen some posts where that seems to have problems on Windows 10 and I think I might have seen one where it said that had to use ASIO4ALL too, in which case I am not buying it, if that is true. Wondering if anyone has been able to get ASIO4ALL working with any Berhinger interface, especially the UM2? Or is there another ASIO driver I can use?

[audiohut]

What do you think you need to produce and engineer your own music? SSL Mix Console? Teletronix LA2A? API 500 modules? The answer is none of thee above. Your skill in the craft is far more important than your equipment. While the gear you use does have an impact, if you do not know where and how these tools should be used, it will make no difference to the quality of your music nor the mix and master.

For the bedroom studio musicians, there are only a few elements you NEED to start up your learning process. With digital tools accurately replicating beautiful vintage pieces of outboard hardware you have more than what you need to get started. But the on a dime musician should start with: (And this entails all instruments digital and live)

Obviously you need a computer. Until you reach a specific point in power, most any desktop or laptop with 8GB’s of ram will suffice. You need decent processing power to stay away from latency as well as distortion and glitches within your project which will also translate to requiring latency in order to move past this until further power is required thus demanding more latency to allow your PC to process information from your wav and tools before it delivers the audio to your speakers or headphones.

An audio interface. You can find great budget friendly interfaces made by Focusrite, Berhinger, Avid and many more that offer great digital amps and a small handful of recording parameters most of which including phantom power if need be per microphone. I recommend the Focusrite 2i2 for starters who want to capture that of both XLR microphones as well as 1/4″ DI or analog signals from bass, guitars, vocals, keyboards and really anything that is mono. For stereo there is a bit of routing you need to implement via your Digital Audio Workstation which will allow multiple inputs to be recorded at once. This can come in handy for things like Drum Rooms, Vocals, Drum Overheads and again, anything you see fit for stereo recording.

This one is a good one as i know most certainly you want the best recording at the source. You can only fix so much in the mix and there is nothing that beats the genuine quality of a great recording as well as one that mails the take rather than editing to compensate. Good microphones ranging from $100-$300 includes the Shure SM58, Rode NT1A, Aston Origin and the famous AKG Pr Audio C214. All of these microphones deliver a brilliant high end as well as capture very natural elements of the performance in detail. The Shure as well as the Rode are very quiet in ways that they eliminate outside noise thanks to the full grill surrounding the unit in case of live recording with other instruments like a full band or group of vocalists in a choir.

This one is optional, but you can never go wrong. You will want a acoustic treatment shield to surround your microphone to help eliminate any reverberation that might make its way back to your microphone. I have an Auralex shield that i swear by in my studio as the whole thing i solid wood leaving lots of room for unwanted reverberation and frequency bleed which can stunt the quality of your performance. There are lots of great products that offer the same kind of shield, but i highly recommend Auralex. (Not noted but obviously you will need a microphone stand to equip your gear upon.)

This one is also quite obvious, but you will need a method of playback and monitoring. I love the process between headphones to monitors as i will detail my mix on headphones for lows and mids and focus the high end to the monitors as well as see how it all translates on a separate pair. Budget monitors are kind of tough, which i why i DO recommend headphones. Sennehsier 589SE or any Sennheiser headphone with a closed back will deliver very honest referencing, but depending on your purchase point you might end up with a pair that emphasize areas of your mix you want heard more truthfully. It is important to remember to reference your mix in your car. This is where most music is enjoyed and will provide a great ground for your further mixing or mastering decisions as subconsciously we all know what pro productions sound like in our car from years of listening. For budget monitors, i highly recommend Yamaha’s HS8’s or HS5’s. These are very transparent speakers that have adjustable parameters for your room as well as low end boosting, mid boost and high end boosting which can all be reduced to best suit your mixing and referencing needs per your room or just flat out what you are comfortable with audibly. I also recommend KRK Rokits. These speakers define your mix in a clean and precise way that is honest for the price point. Standing at around $300 for the five inch monitor set you can not beat this price. I had been referencing on a set of Fostex RM900 eight inch monitors for about a year and added the KRK set to my system and was blown away by how well the high end worked in comparison. To define it by ‘you get what you pay for’ the Fostex monitors were over one thousand dollars as the KRK’s i found used for $175 for both making a set.

Finally, you will need an audio workstation of some sort. Unless you plan on recording to tape, a DAW (Digital Audio Workstation) will inherently make your work flow more ergonomic. With the ability to punch in, edit, sample, use amp sims to develop tone and recovers mixes and so much more without tape you save  yourself an enormous amount of time in these processes. Depending on your styling of music there is a DAW for you! Sadly, not all of them are on a budget… For beat producers you can grab something like FL Studios from anywhere between $100 to $1000 dollars depending on the package you would like. Ableton is a great DAW as well, but does cost you a pretty penny of i believe a fat $800 for the full version. You can get a lite version which does not include some tools here and there for $100. You can find these tools among other companies to implement in your DAW of any kind to compensate as well but in some cases, you can not replicate the original tool. What i started with was Audacity because it was totally free. As i advanced in my needs, i found that Reaper was the best deal on the market as you can trial the FULL version for as long as you would like until you choose to purchase a license AND when you do purchase, it is only sixty dollars! You can download tools from various other aforementioned DAW’s and load them into Reaper to use as if though you were in the DAW of your choice. You get community based updates every thirty days or so which all do nothing but improve the quality and work flow for the people who pay into the company. But at the end of the day, there is no RIGHT DAW. Try the free versions of each one until you find something that pleases you in any way shape or form and really dive into it. I was told to get Logic but did not like how it felt for the price i had to pay. If you can afford it, i do recommend something that is industry standard along with the previously mentioned pieces of gear, but this is about a budget and the artist that is on a dime.

Edit: DO NOT FORGET YOUR CABLES.

And with that i bid thee happy mixing and creating. This small studio setup which should obviously include your instruments of choice (not mentioned for obvious reasons) will run you anywhere between $800-$1500 depending on your products of choice as well as what kind of computer you get with what kind of power. There is nothing cheap about audio and production but this is a killer setup that i spent years on to develop the skills needed to accurately apply those Teletronix LA2A Compressors, API 550’s and various other pieces of boutique gear we all seek. Once you learn the way your tools work you can present your talents among any genre as you will know what needs attention when and where. Do NOT let people tell you genre matters. As it does help to find a niche within your passion for listening, these skills work quite universally unless it is the physical beat, lyric or performance you are delivering. For mixing and engineering yes this applies about 15% from 100%. Stay strong with your setup and remember that practice makes perfect. If you can master your digital tools then you can master your outboard ones with an extra analog touch given by the actual electronics and tubes powering them.

I hope this helps you find the motivation to start recording and engineers your own music as i know hearing this helped the spark for me. For awesome digital tools check out VST4FREE as well as the product companies Waves and Fabfilter which all produce high quality tools for you mixing and writing. If you seek more song writing information or thoughts on music production follow my space and read back on my previous posts!

-Andrew Giordanengo

-Audiohut