#ben bradlee jr.

[lemondeabicyclette]

Lors d'une récente interview avec Lex Fridman, Robert F. Kennedy Jr. a qualifié la CIA de « plus grand bailleur de fonds du journalisme dans le monde entier ». De manière assez surprenante, l'affirmation du candidat démocrate à la présidence porte beaucoup de vérité.

En 1948, Frank Wisner a été nommé directeur du Bureau des projets spéciaux, qui a rapidement été rebaptisé Bureau de la coordination des politiques (OPC). Connu comme la branche d'espionnage de la CIA, l'OPC s'est concentré sur la subversion contre les États hostiles et sur la fourniture d'aide aux groupes de résistance clandestins.

Avec la bénédiction de la CIA, Wisner a mis en place l'opération Mockingbird, un programme qui visait à façonner les médias nationaux américains.

Selon l'auteure Deborah Davis, l'opération Mockingbird a recruté un certain nombre de journalistes américains de premier plan pour diffuser des messages très spécifiques. L'opération, de nature étendue, comprenait certains des journalistes les plus influents du pays, dont Joseph Alsop, dont les écrits ont été publiés dans des centaines de journaux différents.

Parmi les autres journalistes recrutés pour promouvoir des récits favorables à la CIA figuraient Stewart Alsop, Ben Bradlee et James Reston du New York Times.

Avance rapide jusqu'en 2023, et l'influence néfaste de la CIA semble être plus forte que jamais, si ce n'est même plus forte. Ces derniers temps, la CIA a été liée à un certain nombre de grands médias américains, dont The Daily Beast et Rolling Stone. Dans l'interview susmentionnée avec Fridman, Kennedy a également lié Salon, un nouveau site Web libéral, à l'agence de renseignement.

Lors d'une récente interview avec Lex Fridman, Robert F. Kennedy Jr. a qualifié la CIA de « plus grand bailleur de fonds du journalisme dans le monde entier ». De manière assez surprenante, l'affirmation du candidat démocrate à la présidence porte beaucoup de vérité.

[ojamajomary]

Mario & Sonic at Oscars Party brainstorm

For some reason Mario & Sonic is discontinued so we cannot see Nintendo and Sega making a new Olympic video game for them! If let that crossover continued, they should consider another theme... Turns out into Mario & Sonic Party is nice, but how could makes different with original Mario Party (and Sonic Shuffle)? Should consider a new theme in reality for it...

And my answer is movie. The Oscars. Let them cosplay some classic Oscars Best Pictures nominees and winners, most movies are PG-13 and if select the movie is R-rated, that rating must still 16+ on other countries.

Pauline as Robot Maria in Metropolis I added Metropolis with some selfishness reason: I feel sorry it cannot get any Oscars since that was no Best International Feature Film in 1st Oscars yet.

Bowser Jr. and Metal Sonic apart as Jack and David in Wings

Peach as Glida and Amy as Dorothy in The Wizard of Oz

Sonic as Jewish barber dressed in Hynkel (confused?) in The Great Dictator

Silver and Blaze as Mr and Mrs Bailey in It's a Wonderful Life

Mario as eponymous protagonist in Ben-Hur

Daisy as Maria and Knuckles as Captain Trapp in The Sound of Music

Bowser as Michael Corleone in The Godfather

Luigi as Carl & Tails as Bob in All the President's Men

Donkey Kong as eponymous protagonist in Rocky

Waluigi as Harold Abrahams in Chariots of Fire

Yoshi as eponymous protagonist in E.T.

Vector as Oskar Schindler in Schindler's List

Wario as Frank Costello in The Departed, or Hon Sam in Infernal Affairs the original Hong Kong version

Sticks as Katherine Johnson in Hidden Figures

Rosalina as Katharine Graham and Eggman as Ben Bradlee in The Post

Shadow and Rouge as Robert and Kitty in Oppenheimer For the system spelling problem I turns Barbenheimer into Oppie + Barbie, but more correctly is Oppenheimer costume with some Barbie Pink accessories. @dracarialove I still waiting you upload my commission in your tumblr page, please...

Finally, that game maybe release at 2027 would be better. Metropolis and Oscars 100th anniversary, baby!

[periodisme]

Throughout the time, beginning in 1984, when I worked as [Ben] Bradlee’s managing editor and then, from 1991 to 2008, succeeded him as executive editor [at The Washington Post], I never understood what “objectivity” meant. I didn’t consider it a standard for our newsroom. My goals for our journalism were instead accuracy, fairness, nonpartisanship, accountability and the pursuit of truth

Len Downie Jr, sotsdirector i director de Ben Bradlee (el del Watergate) a The Washington Post i després director del diari

[byneddiedingo]

Mark Ruffalo, Rachel McAdams, Michael Keaton, and Brian d’Arcy James in Spotlight (Tom McCarthy, 2015)

Cast: Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Brian d’Arcy James, Stanley Tucci, Gene Amoroso, Jamey Sheridan, Billy Crudup, Richard Jenkins, Paul Guilfoyle, Len Cariou. Screenplay: Josh Singer, Tom McCarthy. Cinematography: Masanobu Takayanagi. Production design: Stephen H. Carter. Film editing: Tom McArdle. Music: Howard Shore.

Considering that we spend half our waking lives at work, it's surprising that there are so few good films about what we do there. The problem may be that many, if not most, of the jobs we do lack the essential narrative shape: beginning, middle, and end. They're a routine repeating itself until death or retirement provides the closure. The exceptions would seem to be cops and doctors, who deal with life and death, and sometimes lawyers, if their jobs lead to the courtroom and aren't just an eternal drawing up of documents. But surprisingly, given the low esteem in which they're held by the general public, there are also some classic films about journalists at work; His Girl Friday (Howard Hawks, 1940) and All the President's Men (Alan J. Pakula, 1976) come immediately to mind. (I omit Orson Welles's Citizen Kane because it seems to me less about journalism than about obsession.) I will have to add Spotlight to the list, though despite its best picture Oscar (or maybe because of it) I think it's too soon to call it a great film. What makes it work for me is that it's a convincing portrait of what I know about journalists: that the good ones love what they do. What Mark Ruffalo gets right about Mike Rezendes, whom I know slightly, is his absolute delight in doing the job right, flinging himself body and soul into his work. I would also single out here the performance of Liev Schreiber, one of our best and most underappreciated actors, whose Marty Baron is a spot-on portrait of the journalist who has found himself promoted upstairs to where his commitment to the profession is regarded with suspicion, even though his heart is in the right place. Michael Keaton's Walter Robinson is one of those who suspect Baron, and I wish there had been more scenes in which the growing confidence each has in the other was dramatized. John Slattery's Ben Bradlee Jr. is a keen portrayal of the journalist whose edges have been worn down to the point where he's always in danger of playing it too safe. Now, this judgment of the film is being made by someone who knows the territory, but considering how many cop movies seem ludicrous to cops, and how doctors tend to despise medical dramas, I think it speaks well of writer-director Tom McCarthy and his co-screenwriter Josh Singer that they manage to capture the essence of the journalism game (at least as it was in 2001-03, before the demise of newspapers) so extraordinarily well.

[brawlcloud]

ok one is actually Ben bradlee jr which makes a lot more sense

watching all the president's men and this is the third journo flick I've watched that features Ben Bradley this guy is everywhere

[estellamila]

“ Mark my words, Mr. Rezendes. If it takes a village to raise a child, it takes a village to abuse one.”

Gerçek bir hikayeden alınmış olan Oscar ödüllü Spotlight, mutlaka izlenmeli.

[hitchell-mope]

This was. A truly terrifying movie. Important. But terrifying

[timaldred]

“He raised millions of dollars for the Jimmy Fund charity, and then he would also help others, like retired ballplayers who would run out of money. He would call them up and say that he was raising money for the Jimmy Fund. And the guy would say, ‘Jesus, Ted. You know, I’m tapped out. I can’t give you any money, sorry.’ And he’d say, ‘Goddamnit, this is Ted Williams. Write me a cheque for ten dollars.’ So the fellow would send the cheque and Ted would take the account number on the cheque and put a thousand dollars in the guy’s account.”

Ben Bradlee Jr on Ted Williams. [The Greatest Hitter Who Ever Lived.]

[adamwatchesmovies]

Spotlight (2015)

I’ve seen Spotlight twice now. The first time I saw it, it blew my mind. It shocked and infuriated me. I needed to see it again. I wanted to make sure that my strong feelings towards it were because the movie was well made, not because you can’t see a movie about corruption this blatant and not become emotional. Revisiting it has given me a whole new appreciation for “Spotlight”. For the way it tackles its subject and its performances.

Based on true events, it follows the “Spotlight” reporters of the Boston Globe in 2001: Michael Rezendes (Mark Ruffalo), Walter Robinson (Michael Keaton), Sacha Pfeiffer (Rachel McAdams), Ben Bradlee Jr. (John Slattery), and Matt Carroll (Brian d’Arcy James). When a new editor (Liev Schreiber as Marty Baron) decides the paper needs to follow up on the story of a priest who sexually abused children, Spotlight uncovers a decade-long pattern.

This story is upsetting. We're talking about children who've been victimized and an organization people trust betraying its followers by caring about itself rather than anyone else. You don’t know whether you want to cry because of everything you see, or if you’re relieved that those responsible are being held accountable. Like the original articles published in the Boston Globe, Spotlight is someone planting their feet and saying, “It’s time for the world to know! We won’t stand for this!” Writer/director Tom McCarthy (who pens with Josh Singer) ensures none of this will ever be forgotten and shows the importance of real journalism but even without all the historical relevance and "important" messages, you’ve still got a triumph of cinema.

This movie is a snowball you push around. As the investigation progresses, it grows but remains manageable. You have an idea of what it will look like but you don't know for sure. Before you know it, you're struggling against a gargantuan weight and then, gravity takes over. You made it to the top of the hill and now the thing's got a mind of its own. When it'll stop you can't say but its impact will be unforgettable. Spotlight masterfully builds upon each plot point, revelation, and conversation so elegantly. It keeps raising the stakes and makes you care about not just the fact that once the article is published the child predators are going to be exposed, but also about the article itself. You are invested in this story because of the effort the journalists have put into it, and what it represents.

While the focus of Spotlight is on the research and the article's assembly, the characters are not ignored. Each reporter has a personality. You understand who they are by their reactions to the material, their mannerisms, and the way they talk. It's so genuine the film takes on a documentary-like feel. You’ll have the main piece of information that’s important for you to retain. Beneath that statistic, number, or testimony there’s so much more. You can tell that when the camera isn’t on these people, that their world keeps spinning. You just happen to be lucky enough to catch the essential glimpses.

I wouldn't call Spotlight fun but it’s exciting and masterfully directed. The suspense is off the charts and the performances are strong. It never feels exploitative, manipulative, or unscrupulous. Spotlight is a testament to the power and the responsibility of journalism, to the danger of people looking the other way. It's so well made you'll feel drawn to it again despite the subject matter. (Theatrical version on the big screen, December 30, 2015)

[carolinabronova]

Songs.

30 Seconds To Mars The Kill (Burry Me)

99 Souls The Girl Is Mine (ft. Destiny’s Child)

ABBA Lay All Your Love On Me

Adam Lambert Fever If I Had You

Adele Chasing Pavements Rolling In The Deep Send My Love Someone Like You When We Were Young

A-ha Take On Me

Akon Don’t Matter I Wanna Love You (ft. Snoop Dogg)

Alicia Keys If I Ain’t Got You No One

All Angels The Scientist

Ana Carolina É Isso Aí (ft. Seu Jorge)

Angus & Julia Stone A Heartbreak Big Jet Plane Big Jet Plane (Acoustic) Draw Your Swords Just A Boy Paper Aeroplane Yellow Brick Road

A Perfect Circle Counting Bodies Like Sheep To The Rhythm Of The War Drums

Arctic Monkeys 505 Brianstorm Do I Wanna Know? Fluorescent Adolescent I Wanna Be Yours One For The Road R U Mine? Stop The World Why’d You Only Call Me When You’re High?

Aretha Franklin Say A Little Prayer

Ariana & The Rose In Your Bed (Kevin Drew Remix)

Ariana Grande Almost Is Never Enough Bad Decisions Be Alright Be My Baby Best Mistake Dangerous Woman Everyday (ft. Future) Greedy Into You Jason’s Song (Gave It Away) One Last Time Right There (ft. Big Sean) Side To Side Sometimes

Athlete Rubik’s Cube

Austin Manuel I Just Want You To Love Me

Backstreet Boys If You Want It To Be Good Girl (Get Yourself A Bad Boy) I Want It That Way

Banks Drowning

Bee Gees How Deep Is Your Love More Than A Woman Too Much Heaven Tragedy

Ben E. King Stand By Me

Beyoncé 7/11 Baby Boy (ft. Sean Paul) Best Thing I Never Had Blow Countdown Drunk In Love Ego Formation Hold Up Love On Top Partition Sandcastles Sorry

Biel Demorô

Black Keys Howlin’ For You

Blue Öyster Cult Burnin’ For You (Don’t Fear) The Reaper

BoA Eat You Up

B.o.B So Good

Bon Iver Creature Fear Perth

Bonnie Raitt Can’t Make You Love Me

Bonnie Tyler Total Eclipse Of The Heart

Breaking Benjamin I Will Not Bow

Bright Eyes First Day Of My Life

Britney Spears 3

Bruce Springsteen Dancing In The Dark

Bruno Mars 24k Magic Calling All My Lovelies Chunky Gorilla (ft. Pharell Williams and R.Kelly) Locked Out Of Heaven Talking To The Moon That’s What I Like Treasure When I Was Your Man

Bryan Adams Heaven

Calvin Harris Feels (ft. Pharrell Williams, Katy Perry and Big Sean) This Is What You Came For (ft. Rihanna)

Camila Cabello Havana (ft. Young Thug)

Captain & Tennille Love Will Keep Us Together

Carly Rae Jepsen Run Away With Me Your Type

Cary Brothers Loneliest Girl In The World

Cash Cash Overtime

Charlie Brown Jr. Me Encontra

Charlie Puth Attention How Long Marvin Gaye (ft. Meghan Trainor)

Charli XCX Boys

Cheat Codes Let Me Hold You

Chet Baker My Funny Valentine

Chris Brown Liquor Show Me (ft. Kid Ink) Strip Take You Down

Christina Grimmie Must Be Love

Christina Perri distance

Chromeo Come Alive (ft. Toro Y Moi)

Ciara Body Party

City And Colour The Girl

Claudinho & Bochecha Fico Assim Sem Você Quero Te Encontrar

Clean Bandit Tears (ft. Louisa Johnson)

Coldplay Charlie Brown Hymn For The Weekend (ft. Beyoncé) Swallowed In The Sea Violet Hills Viva La Vida

Colbie Caillat Bubbly

Counting Crows Accidentally In Love

Cyndi Lauper Girls Just Wanna Have Fun Time After Time

Daft Punk Around The World Digital Love Harder Better Faster Stronger Lose Yourself To Dance One More Time Something About Us Technologic

Damien Rice 9 Crimes Delicate Rootless Tree The Blower’s Daughter

Danni Carlos Coisas Que Eu Sei

Daughter Landfill Medicine Run Touch

David Guetta Bad (ft. Vassy)

Dawin Dessert (ft. Silento)

Demi Lovato Sorry Not Sorry Stone Cold

Destiny’s Child Bills, Bills, Bills Bootylicious Independent Women Say My Name

Disclosure Latch (ft. Sam Smith)

DJ Snake Leon On (ft. MØ and Major Lazer) Middle

DNCE Cake By The Ocean

Drake Fake Love Hold On We’re Going Home How About Now Marvin’s Room One Dance Passionfruit Too Good (ft. Rihanna)

Dua Lipa New Rules

Duke Dumont Ocean Drive

Earth, Wind & Fire After The Love Has Gone Boogie Wonderland Fantasy Let’s Groove September

Eden Project drowning.

Ed Sheeran Cold Coffee Drunk Give Me Love Grade 8 I’m A Mess Kiss Me Little Bird One Night She Small Bump U.N.I The Man Wake Me Up

Ellie Goulding Love Me Like You Do On My Mind

Elvis Presley Can’t Help Falling In Love Suspicious Minds (You’re The) Devil In Disguise

Erasure A Little Respect

Escape The Fate Zombie Dance

Etha Franklin At Last

Evanescence My Immortal

Fetty Wap 679 (ft. Remy Boyz) Again My Way (ft. Monty) Trap Queen

Fifth Harmony All In My Head (Flex) (ft. Fetty Wap)

Flight Facilities Crave You Crave You (Adventure Club Remix)

Florence + The Machine Cosmic Love Caught Drumming Song Never Let Me Go Seven Devils

Flo Rida I Cry

Francoise Hardy Voila

Frank Sinatra Fly Me To The Moon If I Had You Moon River

Gabrielle Aplin Home Please Don’t Say You Love Me Start Of Time

G-Eazy F**k With U (ft. Pia Mia) Lady Killers (ft. Hoodie Allen)

George Martin Pepperland - Remastered

Gilberto Girl Vamos Fugir (Gimme Your Love)

Glen Hansard All The Way Down Falling Slowly Lies Say It To Me Now

Grayscale Palette

Gym Class Heroes Cupid’s Chokehold

Halsey Gasoline

Hozier Someone New Take Me To Church

Hudson Thames How I Want Ya

Hurts Illuminated Somebody To Die For Stay Unspoken

Ingrid Michaelson Can’t Help Falling In Love You And I

Iron & Wine Flightless Bird, American Mouth

Israel Novaes Vem Ni Mim Dodge Ram

Ivete Sangalo Quando A Chuva Passar Se Eu Não Te Amasse Tanto Assim

James Blunt You’re Beautiful

Jammil Praieiro

Jeff Buckley Hallelujah

Jeremih oui

João Bosco E Vinícius Chora Me Liga

Joe Walsh Turn To Stone

John Mayer Free Fallin’ Gravity Slow Dancing In A Burning Room

Johnny Cash Hurt

JoJo Beautiful Girls

Jon Secada If I Never Knew You (ft. Shanice)

Jordan Fisher All About Us

Jorge Vercilo Que Nem Maré

Jota Quest Blecaute (ft. Anitta and Nite Rodgers)

Justin Timberlake My Love (ft. T.I) Summer Love

Kanye West Bound 2 Power

Kate Nash Nicest Thing

Katy Perry Birthday

Kendrick Lamar DNA King Kunta Loyalty (ft. Rihanna) Poetic Justice (ft. Drake)

Kid Abelha Como Eu Quero

Kina Grannis Valentine

Kings Of Leon Pyro Sex On Fire

Kodaline All I Want

Kyle Edwards Starboy (Harder Better Faster Stronger Jersey Club)

Labrinth Jealous

Lady Gaga Bad Romance Do What U Want (ft. R.Kelly) Edge Of Glory G.U.Y Just Dance Marry The Night Million Reasons Monster Perfect Illusion Speechless The Cure You & I

Lana Del Rey Born To Die Dark Paradise Freak High By The Beach Love Religion Ridin’ (ft. A$AP Rocky) Sad Girl Serial Killer Video Games West Coast Young And Beautiful

Lauren Aquilina Wonder

Leonard Cohen Hallelujah

Leona Lewis Bleeding Love

Lil Dicky Lemme Freak

Lil Wayne 6 Foot 7 Foot

Linda Ronstadt I Will Always Love You

Lionel Richie Just Go (ft. Akon)

Lissie Everywhere I Go

Little Big Town Girl Crush

Los Hermanos Anna Julia

LS Jack Ô Carla

Lulu Santos Como Uma Onda Sereia

Lykke Li I Follow Rivers Until We Bleed

M83 My Tears Are Becoming A Sea

Madonna Material Girl

Maiara & Maraisa Medo Bobo

Mariah Carey #Beautiful (ft. Miguel) Emotions Obsessed Touch My Body We Belong Together

Marianas Trench Haven’t Had Enough

Marina & The Diamonds How To Be A Heartbreaker Oh No! Primadonna Teen Idle

Marisa Monte Depois

Maroon 5 Feelings Makes Me Wonder Stutter What Lovers Do

Marvin Gaye Sexual Healing

Maskavo Um Anjo Do Céu

Matthew Perryman Jones Only You

MC G15 Deu Onda

MC Leozinho Se Ela Dança, Eu Danço

MC Marcinho Glamurosa

Michael Sembello Maniac

Miguel Adorn coffee Simple Things Sure Thing

Mike Posner Cooler Than Me I Took A Pill In Ibiza Looks Like Sex

Miley Cyrus 23 (ft. Mike Will Made It, Wiz Khalifa and Juicy J) Wrecking Ball

MKTO Classic

MØ Fire Rides - Night Version

Mumford And Sons Little Lion Man Sigh No More White Blank Page

Muse Neutron Star Collision Plug In Baby Resistance Starlight Supermassive Black Hole Undisclosed Desires

My Chemical Romance Helena (So Long & Goodnight) I Don’t Love You The Light Behind Your Eyes

Natalie La Rose Somebody (ft. Jeremih)

Natiruts Me Namora

Nelly Dilemma (ft. Kelly Rowland)

Neon Trees Animal Everybody Talks Mad Love

Ne-yo Closer

NF Got You On My Mind

Niall Horan Slow Hands

Nick Cave & The Bad Seeds O Children

Nick Jonas Jealous Teacher Wilderness

Nigahiga Bromance (ft. Chester See) Nice Guys (ft. Chester See and KevJumba)

Ninja Sex Party FYI I Wanna F Your A Peppermint Creams Sex Training The Decision

Oasis Wonderwall

Olivver The Kid Attica ‘71

Olly Murs Dance With Me Tonight Kiss Me

Omarion Post To Be (ft. Chris Brown and Jhené Aiko)

One Direction Fireproof Happily Night Changes No Control Perfect Stockholm Sydrome Strong You & I

Outkast Hey Ya!

Panic! At The Disco Death Of A Bachelor Nine In The Afternoon

Papas Da Língua Eu Sei

Paramore Ain’t It Fun Misery Business Still Into You

Passanger Let Her Go

Paula Fernandes Não Precisa (ft. Victor e Leo)

P.Diddy Last Night (ft. Keyshia Cole)

Pentatonix Can’t Sleep Love Fantasy I Need Your Love La La Latch Love Again Natural Disaster

Pink F*cking Perfect Please Don’t Leave Me Sober So What Who Knew

Player Baby Come Back

Post Malone Rockstar

Psirico Lepo Lepo

R5 Dark Side

Rae Sremmurd Black Beatles

Raleigh Ritchie Bloodsport

Redfoo New Thang

Rich Homie Quan Flex (Ooh, ooh, ooh)

Richie Campbell Do You No Wrong

Rihanna Can’t Remember To Forget You (ft. Shakira) Don’t Stop The Music FourFiveSeconds (ft. Kanye West and Paul McCartney) Love On The Brain Needed Me Russian Roulette Te Amo Unfaithful Where Have You Been Wild Thoughts (ft. DJ Khaled and Bryson Tiller)

Rise Against Savior

Roberta Campos Minha Felicidade

Robin Thicke Get Her Back

Robot Koch Nitesky (ft. John Lamonica)

Ryan Adams Wonderwall

Sam Smith Nirvana Palace

Sarah Jaffe Clementine

Scorpions Rock You Like A Hurricane

Scott Bradlee’s Postmodern Jukebox Stacy’s Mom

Scouting For Girls Heartbeat

Seal Kiss From A Rose

Selena Gomez Bad Liar Fetish (ft. Gucci Mane) Good For You Hands To Myself Perfect Wolves (ft. Marshmellow)

Seu Jorge Carolina Mina Do Condomínio

Shania Twain From This Moment On Man! I Feel Like A Woman You’re Still The One

Shawn Mendes There’s Nothing Holding Me Back

Shura Touch (Canvas Remix)

Sia Cheap Thrills Elastic Heart

Simon & Garfunkel Bridge Over Troubled Water

Skank Ainda Gosto Dela Tão Seu Vamos Fugir Vou Deixar

Sleeping At Last As Long As You Love Me Every Little Thing She Does Is Magic Venus

Snoop Dogg Sensual Seduction

Stevie Nicks Edge Of Seventeen

Stevie Wonder Isn’t She Lovely

Story Of The Year Until The Day I Die

Talking Heads Psycho Killers

Taylor Swift Blank Space Love Story Safe And Sound (ft. The Civil Wars) Style Wildest Dreams

Tears For Fears Everybody Wants To Rule The World

The 1975 Chocolate FallingForYou Somebody Else UGH! The Sound

The Archies Sugar, Sugar

The Barr Brothers May 4th

The Bird And The Bee How Deep Is Your Love

The Black Eyed Peas Meet Me Halfway

The Black Keys Howlin’ For You

The Beach Boys Good Vibrations Wouldn’t It Be Nice

The Beatles Hey Jude Yesterday

The Black Eyed Peas Meet Me Halfway

The Cataracs Ready 4 The Weekend (ft. Icona Pop)

The Civil Wars Poison And Wine

The Cure Boys Don’t Cry

The Glitch Mob Between Two Points (ft. Swan)

The Irrepressibles In This Shirt

The Jackson 5 I Want You Back

The Killers Human Somebody Told Me When You Were Young

The Last Shadow Puppets Miracle Aligner

The Lonely Island 3-Way (The Golden Rule) I’m So Humble (ft. Adam Levine) Jizz In My Pants Spring Break Anthem

The Maine I Must Be Dreaming Into Your Arms

The Middle East Blood

The Neighbourhood Daddy Issues #icanteven (ft. French Montana)

The Platters Only You (And You Alone)

The Police Every Breath You Take Every Little Thing She Does Is Magic Roxanne

The Pretty Reckless You Zombie

The Script Breakeven

The Turtles Happy Together

The Weeknd Acquainted A Lonely Night Earned It I Feel It Coming Often Or Nah (Stwo Remix) Starboy The Hills Wicked Games

The White Strips Seven Nation Army

The Zombies Time Of The Season

T.I Whatever You Like

Tim Maia Descobridor Dos Sete Mares Gostava Tanto De Você Não Quero Dinheiro (Só Quero Amar)

Tinashe Superlove Quit You (ft. Lost Kings)

Tom Odell Can’t Pretend

Toni Braxton Un-Break My Heart

Toto Africa

Tove Lo Cool Girl

Tribalistas Aliança Já Sei Namorar Velha Infância

Troye Sivan Fools for him. Wild (ft. Alessia Cara)

U2 One (ft. Mary J Blidge)

Usher DJ Got Us Fallin In Love Hey Daddy (Daddy’s Home) U Remind Me

Van Halen Why Can’t This Be Love

Vinicius Cantuária Só Você

Wesley Safadão Aquele 1% (ft. Marcos & Belutti) Camarote

What So Not Jaguar

Whitney Houston I Have Nothing I Wanna Dance With Somebody I Will Always Love You

xxyyxx About You

War Why Can’t We Be Friends

Yvonne Elliman If I Can’t Have You

Zara Larsson Ain’t My Fault I Would Like So Good

Zella Day Hypnotic (Vanic Remix)

[universalplus]

Be it Resolved: The Mainstream Media is Dying, and that's OK. Matt Taibbi Debates Ben Bradlee, Jr. - TK News by Matt Taibbi

[cyber1ife]

The Kid: The Immortal Life of Ted Williams by Ben Bradlee Jr. | Biographies Memoirs Book |1.99 TODAY (down from $6.99) For A Limited Time ONLY! #kindle #books #Bookzio #Biographies Memoirs | From acclaimed journalist Ben Bradlee Jr. comes the epic biography of Boston Red Sox legend Ted Williams that baseball fans have been waiting for. Williams was the best hitter in baseball history....

[junker-town]

The best available players after Round 3 of the 2020 NFL Draft

Photo by Abbie Parr/Getty Images

Washington quarterback Jacob Eason is the biggest name yet to be drafted, but he’s not the best player out there.

As expected, several runs on positions happened on Day 2. In the second round, four of the first 13 picks were used on safeties. The round also featured five running backs after only one was selected in the first round.

Wide receivers also continued to be popular. After six were taken in the first round, seven were picked in the second round and four in the third round.

After 106 picks, there are still plenty of talented players remaining in the 2020 NFL Draft. There are some big names, too. The biggest is Washington quarterback Jacob Eason. The thought was that he’d be picked on Day 2 of the draft, but only one quarterback went off the board with the Philadelphia Eagles taking Jalen Hurts in the second round.

Here are the best players available at the start of the fourth round of the 2020 NFL Draft, based on SB Nation’s top 100 players and then some:

47. Prince Tega Wanogho, OT, Auburn

51. Curtis Weaver, Edge, Boise State

71. Saahdiq Charles, OT, LSU

72. Jacob Eason, QB, Washington

81. Harrison Bryant, TE, Florida Atlantic

84. Amik Robertson, CB, Louisiana Tech

85. Hunter Bryant, TE, Washington

87. James Lynch, DL, Baylor

89. Eno Benjamin, RB, Arizona State

91. Reggie Robinson, CB, Tulsa

93. Akeem Davis-Gaither, LB, Appalachian State

94. Leki Fotu, DL, Utah

96. Khalid Kareem, Edge, Notre Dame

97. K’Von Wallace, S, Clemson

99. Colby Parkinson, TE, Stanford

100. Bradlee Anae, Edge, Utah

101. Jack Driscoll, OT, Auburn

104. Alton Robinson, Edge, Syracuse

107. Tyler Biadasz, C, Wisconsin

108. Kenny Willekes, Edge, Michigan State

109. Jake Fromm, QB, Georgia

110. Gabriel Davis, WR, UCF

111. Netane Muti, G, Fresno State

113. Albert Okwuegbunam, TE, Missouri

114. Josiah Scott, CB, Michigan State

115. Collin Johnson, WR, Texas

116. Thaddeus Moss, TE, LSU

117. Troy Dye, LB, Oregon

119. Antonio Gandy-Golden, WR, Liberty

120. Rashard Lawrence, DL, LSU

121. Trey Adams, OT, Washington

122. Jonathan Garvin, Edge, Miami

123. Nick Harris, C, Washington

125. John Simpson, G, Clemson

127. Ben Bartch, OT, Saint John’s (Minn.)

128. Kenny Robinson, S, West Virginia/XFL

129. John Hightower, WR, Boise State

132. Jason Strowbridge, DL, North Carolina

133. Alex Taylor, OT, South Carolina State

134. Logan Stenberg, G, Kentucky

136. John Reid, CB, Penn State

137. Jared Pinkney, TE, Vanderbilt

138. Donovan Peoples-Jones, WR, Michigan

139. Lamar Jackson, CB, Nebraska

140. Joshua Kelley, RB, UCLA

141. Geno Stone, S, Iowa

142. Anthony Gordon, QB, Washington State

143. Tyler Johnson, WR, Minnesota

144. Anthony McFarland Jr., RB, Maryland

145. Larrell Murchison, DL, NC State

146. K.J. Hill, WR, Ohio State

147. A.J. Green, CB, Oklahoma State

149. Jauan Jennings, WR, Tennessee

150. Khalil Davis, DL, Nebraska

151. James Proche, WR, SMU

152. Bryce Hall, CB, Virginia

153. Markus Bailey, LB, Purdue

154. Calvin Throckmorton, OL, Oregon

155. Troy Pride Jr., CB, Notre Dame

156. Darryl Williams, C, Mississippi State

157. Benito Jones, DL, Ole Miss

158. Alohi Gilman, S, Notre Dame

159. Stanford Samuels III, CB, Florida State

160. Danny Pinter, G, Ball State

161. Derrek Tuszka, Edge, North Dakota State

162. Isaiah Hodgins, WR, Oregon State

163. Cole McDonald, QB, Hawaii

164. Joe Bachie, LB, Michigan State

165. Lavert Hill, CB, Michigan

166. Brycen Hopkins, TE, Purdue

167. J.R. Reed, S, Georgia

168. Quintez Cephus, WR, Wisconsin

171. Rodrigo Blankenship, K, Georgia

173. Nate Stanley, QB, Iowa

174. Trajan Bandy, CB, Miami

175. D.J. Wonnum, Edge, South Carolina

176. Quartney Davis, WR, Texas A&M

179. Solomon Kindley, G, Georgia

180. Stephen Sullivan, TE, LSU

181. Carlos Davis, DL, Nebraska

182. Essang Bassey, CB, Wake Forest

183. Kevin Dotson, G, Louisiana

184. Kalija Lipscomb, WR, Vanderbilt

185. Lamical Perine, RB, Florida

186. Carter Coughlin, Edge, Minnesota

187. Cam Brown, LB, Penn State

188. Levonta Taylor, S/CB, Florida State

189. Michael Onwenu, G, Michigan

190. Robert Landers, DL, Ohio State

191. David Woodward, LB, Utah State

192. Mason Fine, QB, North Texas

193. Trevis Gipson, Edge, Tulsa

195. Michael Warren, RB, Cincinnati

197. Evan Weaver, LB, California

198. Jeff Thomas, WR, Miami

199. Nick Coe, Edge, Auburn

200. Dane Jackson, CB, Pittsburgh

[hitchell-mope]

600 stories about the scandal, 249 culprits and 1000 survivors. But the scumbag who covered it up was never incarcerated. Typical

[ljones41]

"SPOTLIGHT" (2015) Review

"SPOTLIGHT" (2015) Review Have you ever watched a movie on DVD or cable that you regret not seeing in the movie theaters? I have. In fact, I have seen at least three films nominated for Best Picture . . . after they had been released on DVD. One of those films was the actual Best Picture winner, "SPOTLIGHT". Directed by Oscar nominee Thomas McCarthy, "SPOTLIGHT" told the story of The Boston Globe's "Spotlight" team, the oldest continuously operating newspaper investigative journalist unit in the United States and its investigation into cases of widespread and systemic child sex abuse in the Boston area by numerous Roman Catholic priests. The story began in 2001 when a new editor named Marty Baron is hired by The Globe. During a staff meeting, Baron brought up the subject of a Boston priest named John Geoghan, who was sexually abusing children and nothing was done - by the Church or the city's law enforcement - to stop him. Baron urged the "Spotlight" team to investigate. Initially believing that they are following the story of one priest who was moved around several times, the "Spotlight" team eventually uncovered a pattern of sexual abuse of children by Catholic priests throughout Massachusetts and an ongoing cover-up by the Boston Archdiocese, Cardinal Bernard Law. After watching "SPOTLIGHT", I easily understood why it had received a good deal of acclaim and award nominations. It really is a first rate movie. Due to the fact that the movie focused on a newspaper investigation team, it allowed moviegoers to enjoy the team's step-by-step investigation into the priests and their victims in the Boston area. I might as well say it. The movie reminded me of the 1975 Oscar nominee, "ALL THE PRESIDENT'S MEN" . . . and in a good way. I have not seen a really good movie about investigative journalism in a long time. I also have to commend director Thomas McCarthy and his co-writer Josh Singer for conveying the "Spotlight" team's discoveries via interviews and records in a well-paced manner. McCarthy did not rush the "Spotlight" team's investigation, but he did not drag it as well. In the end, the investigation itself struck me as a fascinating mystery that developed into a horror story that left me feeling appalled. "SPOTLIGHT" not only received nominations for McCarthy's direction and the screenplay that he wrote with Singer, it also received a Best Supporting Actor nomination for Mark Ruffalo and Best Supporting Actress nomination for Rachel McAdams. The pair portrayed two members of the "Spotlight" team - Michael Rezendes and Sacha Pfeiffer. I will admit that both gave first-rate performances. The movie also featured excellent performances from Liev Schreiber as Marty Baron, who started the whole thing in motion; John Slattery as Assistant Managing Editor Ben Bradlee Jr.; Brian d'Arcy James as reporter Matt Carroll; Jamey Sheridan as Catholic Church attorney Jim Sullivan; and Billy Crudup as attorney Eric MacLeish. Ironically, my two favorite performances in the movie did not receive any Academy Award or Golden Globe nominations. One came from Stanley Tucci, who portrayed Mitchell Garabedian, a sharp-tongued attorney who represented many sexual abuse victim. I enjoyed Tucci's sardonic, yet understated performance and how his character pointed out how many Boston officials cooperated with the Catholic Church to cover up the abuses. I also enjoyed Michael Keaton's ambiguous portrayal of editor and the team's leader, Walter "Robby" Robinson. Keaton did a great job in not only conveying his character's leadership, but also his knowledge that The Globe had learned about the abuses years earlier, but had covered it up. It seemed a shame that he did not receive an Academy or Golden Globe nomination. As much as I enjoyed "SPOTLIGHT" and was impressed by it, a part of me feels that it should not have won the Best Picture award. I think the Academy had awarded the film its top honor simply based upon its topic. The problem for me is that "SPOTLIGHT" simply lacked any real artistry. One might accuse me of being shallow. Perhaps I am. But I would prefer to choose a movie that not only provided a great topic, but also first-rate writing . . . and artistry. I can think of two other films that were also nominated the same year as "SPOTLIGHT" that provided all of those features. Someone once pointed out that if you take away the movie's topic of sexual abuse within the Catholic Church, "SPOTLIGHT" would come off as a solid, paint-by-the numbers film by a first-time director. And you know what? That person was right. There were times when McCarthy's direction for "SPOTLIGHT" seemed a bit amateurish. Even though I feel that "SPOTLIGHT" should not have won the Best Picture Oscar for 2015, I cannot deny that it is a basically an first-rate film. I believe that this is due to its fascinating subject, the film's approach to the topic as a mystery and the excellent cast led by Michael Keaton, Mark Ruffalo and Rachel McAdams.

[girlfromtube]

Mike Rezendes: Non ti chiedo se la polizia mente, so che lo fa. Voglio sapere, chi c'è dietro? Walter Robinson: Prevedi dei nuovi tagli? Marty Baron: Sarebbe prudente metterli in conto, però la cosa che più mi preme adesso è trovare un modo di rendere questo giornale indispensabile ai suoi lettori. Walter Robinson: Mi piace pensare già lo sia. Marty Baron: Mi sembra giusto. Dico solo, che forse possiamo fare un po' meglio. Marty Baron: Ci sono approfondimenti? Ben Bradlee Jr: E' un articolo, a quali approfondimenti pensavi? Marty Baron: Beh, a quanto pare questo prete ha molestato bambini in sei diverse parrocchie negli ultimi trent'anni, e l'avvocato delle vittime, il signor... Eileen McNamara: Garabedian. Marty Baron: Grazie, Eileen. Garabedian dice che il cardinale Law sa tutto da quindici anni e non ha fatto niente. Ben Bradlee Jr: Vuoi fare causa alla Chiesa? Marty Baron: Non sarebbe una causa, faremmo un'istanza perché quei documenti vengano desecretati. Ben Bradlee Jr: La Chiesa la leggerebbe come una causa. E così tutti gli altri. Marty Baron: Buono a sapersi. Eric Macleish: Anche se la aggiri, l'immunità che hanno le organizzazioni benefiche limita i risarcimenti a 20.000 dollari. Sacha Pfeiffer: 20.000 dollari, per abuso di minore? Eric Macleish: Questo è il modo in cui funziona il nostro sistema, si. La Chiesa è un osso duro... Mike Rezendes: Senta, signor Garabedian, so che ci sono cose che lei non puo' dirmi, però so anche che qui c'è una storia, una storia importante. Mitchell Garabedian: Ho già parlato con il Phoenix. Mike Rezendes: C'è un motivo per cui non l'ho letto. Nessuno legge più il Phoenix ormai. Sono finiti, non hanno potere. Il Globe, ce l'ha. Se raccontiamo noi la storia, tutti verranno a saperla. Mitchell Garabedian: La Chiesa ragiona in termini di secoli. Crede che il suo giornale abbia la forza per affrontarla? Mike Rezendes: Si, lo credo. Ma se posso permettermi, lei ce l'ha? Walter Robinson: Riuscite a fare qualche progresso? Mike Rezendes: Altroché! E' un'ottima storia. Walter Robinson: Perché? Sei un'altro cattolico praticante incazzato con la Chiesa? Mike Rezendes: Abbiamo materiale interessante. Steve: Quello sta messo malissimo, Mike. Walter Robinson: Abbiamo scritto due articoli su Saviano. Non la smetteva di inviarci lettere. Steve: Vuole una Guerra Santa. Mike Rezendes: Quindi non vale la pena di parlarci? -Vedete, la conoscenza è una cosa, ma la fede... La fede è un'altra. Cardinale Bernard Law: Trovo che la città sia in buona salute, quando le grandi istituzioni lavorano insieme. Marty Baron: La ringrazio. Personalmente, ritengo che, affinché un giornale svolga al meglio la sua funzione debba agire da solo. Phil Saviano: Non c'è discriminazione quando si tratta di violenza. E non c'entra niente con l'essere gay. Sono soltanto dei preti che usano il collarino per violentare, bambini. Maschi e femmine. Phil Saviano: Lui non pregava per me, lui mi predava. Phil Saviano: Se sei un bambino povero di una famiglia povera, la religione conta moltissimo. E se un prete ti presta attenzione è una grande cosa. Ti fa raccogliere i libri dei canti, gettare la spazzatura e ti senti speciale. E' come se Dio chiedesse di dargli una mano. Così è un po' strano quando ti racconta una barzelletta sporca, però adesso avete un segreto in comune e così stai al gioco. Poi arriva una rivista porno e tu stai al gioco. Tu stai al gioco, tu stai al gioco finché un giorno arriva a chiederti di fargli una sega oppure un pompino. E tu stai al gioco anche in quel caso perché ti senti in trappola, perché lui ti ha circuito. Come puoi dire no a Dio? Vedete, è importante capire che non è solo un abuso fisico, ma anche un abuso spirituale. Quando un prete ti fa questo, ti sta rubando anche la tua fede. Phil Saviano: Non posso non dirvelo, erano insufficienti. Dovete rendervi conto che è una cosa enorme! Qui non c'è solo Boston, c'è tutto il Paese, c'è tutto il mondo. E arriva su fino al Vaticano! Sacha Pfeiffer: Che cosa è successo in quel primo incontro? Joe Crowley: Lui era molto gentile all'inizio. Molto divertente, molto alla mano. Credo si fosse accorto che ero gay, mi fece vedere una specie di giostrina come quelle che si attaccano alle culle. Ma c'erano delle parole. Omosessuale, transessuale, bisessuale. Sacha Pfeiffer: Ok. Lei già sapeva di essere gay in quel periodo? Joe Crowley: Si. Ma era un segreto che non condividevo con nessuno. Non a Dorchester. Sacha Pfeiffer: Capisco. Allora, le ha fatto vedere quella giostrina, dopodiché? Joe Crowley: Beh, io ero un po' sconvolto. Credo che lui se ne accorse. E così disse "Sai, sarebbe d'aiuto se giocassimo a strip poker!" Io ho perso, è chiaro. E' da lì le cose andarono avanti. Sacha Pfeiffer: Puo' dirmi precisamente come sono andate avanti? Joe Crowley: Precisamente lui mi ha molestato. Sacha Pfeiffer: Joe, io credo che il linguaggio sarà molto importante in questo caso. Non possiamo addolcirlo. Creda, dire solo "Molestie" è insufficiente. Le persone devono sapere cosa è successo veramente. Patrick McSorley: Si offre di portarmi a prendere un gelato. Lui è un prete, io un bambino, quindi vado. Mike Rezendes: E' chiaro. Patrick McSorley: Tornando siamo in macchina e comincia a toccarmi la gamba. E sa poi, inizia a salire, scivola sempre più su e me lo prende in mano. Io ero lì immobile, ero come paralizzato, non riuscivo a muovermi. Non sapevo cosa fare, ero solo un ragazzino. Mike Rezendes: Si. Patrick McSorley: Non lo toccai neanche il gelato che avevo in mano. Mi si squaglio' tutto sul braccio. Joe Crowley: Disse che era un modo per farmi sentire più a mio agio col mio corpo. Sacha Pfeiffer: Che cosa è successo dopo? Joe Crowley: Si tolse tutti i vestiti e disse "Sono molto depresso, ma forse puoi tirarmi su se mi fai un pompino". Uomo di classe! Sacha Pfeiffer: Lei lo ha fatto? Joe Crowley: Si. Lo so che ora starà pensando che non avevo motivo di farlo con un essere viscido di trent'anni più vecchio di me, ma bisogna capire che quella è stata la prima volta nella mia vita in cui mi hanno detto che va bene essere gay! Ed era un prete! Sacha Pfeiffer: Quindi fece del sesso orale. Ed ebbe anche dei rapporti? Joe Crowley: Si, non allora, ma dopo. La cosa mi sconvolse davvero. Ora non bevo più, ma quello fu l'inizio di tutto. Disorienta molto, lo sa? Essere iniziati al sesso in quel modo e poi essere attratti dagli uomini. Patrick McSorley: Il mio nome lo puo' scrivere, se vuole. Mike Rezendes: Grazie, Patrick. Patrick McSorley: Non deve ringraziarmi, prenda questi stronzi invece. Mitchell Garabedian: E' uno dei più fortunati. Lui è ancora vivo. Richard Sipe: La Chiesa ci vuole far credere che si tratti di qualche mela marcia, ma è un problema molto più grosso. Mike Rezendes: Quanto più grosso, Richard? Richard Sipe: Beh, in base alle ricerche lo classificherei come un fenomeno di rilevanza psichiatrica. Mitchell Garabedian: Se serve una comunità per crescere un bambino, serve una comunità per abusarne. Richard Sipe: Credo che se davvero volete comprendere la crisi, dovete partire dal voto di castità. Questa è stata la mia prima grande scoperta, solo il 50% del clero è casto. Certo molti hanno rapporti sessuali con altri adulti, ma resta il fatto che questo crea una cultura della segretezza che tollera e a volte protegge i pedofili. Sacha Pfeiffer: Quindi lei pensa che la Chiesa sia al corrente della vastità di questa crisi? Richard Sipe: Assolutamente si. Dopo il primo grave scandalo in Louisiana, Tom Doyle, il segretario del Nunzio Papale, fu co-autore di un rapporto che definiva i pedofili un rischio da un miliardo di dollari per la Chiesa. Parliamo del 1985. Mike Rezendes: 1985? Richard Sipe: Esatto. Mike Rezendes: Chi vide quel rapporto, nessuno fra le Gerarchie Cattoliche? Richard Sipe: Si che lo videro. Doyle tentò anche di presentarlo alla Conferenza Episcopale Nazionale. In effetti all'inizio il Cardinale Law aiutò a finanziare il rapporto, poi però si tirò indietro e lo abbandonò. Walter Robinson: Pensiamo di avere tredici preti a Boston che possono essere implicati, quindi sarebbe una storia molto grossa. A lei torna questo numero come ordine di grandezza? Richard Sipe: No, direi proprio di no. E' troppo basso. Dalle mie stime, il 6% compie atti sessuali con minori. Mike Rezendes: Il 6% di cosa? Richard Sipe: Di tutti i preti. Walter Robinson: Quanti preti ci sono a Boston? Matt Carroll: Circa 1.500, l'1% è quindici, il 6% è novanta. Walter Robinson: Come??? Novanta? Novanta preti? Sacha Pfeiffer: Sarebbe possibile? Richard Sipe: Diciamo che come numero, si. Questo è in linea con il risultato dei miei studi. Ben Bradlee Jr: Novanta preti? A Boston? Walter Robinson: Così ha detto lui. Ben Bradlee Jr: Ma se davvero fossero novanta, la gente lo saprebbe. Mike Rezendes: Forse lo sà. Ben Bradlee Jr: E nessuno ha detto niente? Mike Rezendes: Soldatini tedeschi. Mike Rezendes: Richard, va ancora a messa? Richard Sipe: No è da un po' che non vado in Chiesa ormai, ma mi considero ancora cattolico. Mike Rezendes: E come è possibile? Richard Sipe: Beh, la Chiesa è un'istituzione, Mike. Fatta di uomini. E' transitoria. La mia fede è nell'eterno, cerco di separare le due cose. Mike Rezendes: Sembra complicato. Richard Sipe: Lo è. Soprattutto visto che la Chiesa continua a starmi addosso. C'è un prezzo da pagare, cercheranno di far tacere chiunque parli. Marty Baron: Dobbiamo concentrarci sull'istituzione, non sui singoli preti. La pratica e la politica. Provatemi che la Chiesa ha manipolato le cose per evitare i processi. Provatemi che rimisero quegli stessi preti in altre parrocchie più e più volte. Provatemi che era un sistema. Provatemi che avveniva dall'alto. Cop: Il capo lo sapeva. Lo sapevano tutti, ma nessuno vuole ammanettare un prete. Sacha Pfeiffer: E del procuratore che mi dice? Cop: Non dovrei parlare di queste cose. Sacha Pfeiffer: Io credo che debba, invece. Sacha Pfeiffer: Ci hanno detto che lei li ha molestati. E' la verità? Padre Ronald Paquin: Sicuramente qualcosa ho fatto, ma non è mai stato davvero appagante per me. Sacha Pfeiffer: Va bene. Pero' ammette di aver molestato bambini alla St. John the Baptist? Padre Ronald Paquin: Si, si, però gliel'ho già detto non ne ho ricavato alcun piacere. E' importante capire questo. Sacha Pfeiffer: Certo. Puo' dirmi dove e che cosa ha fatto con tutti quei bambini? Padre Ronald Paquin: Vorrei essere chiaro, non ho mai violentato nessuno. C'è differenza e io lo so. Sacha Pfeiffer: Come fa a saperlo? Padre Ronald Paquin: Sono stato violentato. Mike Rezendes: Mitch, lei mi sta dicendo che la Chiesa Cattolica ha rimosso degli atti giudiziari da un tribunale? Mitchell Garabedian: Senta, io non sono pazzo, non sono paranoico. Ma ho toccato con mano. Guardi le cause a ruolo, vedrà. Controllano tutto. Tutto. Jack Dunn: Qui stiamo parlando di sette presunte vittime in, quanti sono, otto anni? Walter Robinson: No, qui stiamo parlando solo delle sette di cui sappiamo. Mike Rezendes: Che c'è? Perché esitiamo? Baron vuole che arriviamo a Law. Questo è Law!!! Walter Robinson: Baron vuole arrivare al sistema. A noi serve il quadro d'insieme, è l'unica cosa che puo' mettere fine alla storia. Mike Rezendes: Allora andiamo da Ben e decida lui! Walter Robinson: Andremo da Ben, quando sarà il momento. Mike Rezendes: E' questo il momento!!! E' questo, Robby!!! Lo sapevano e non l'hanno fermato! Dei ragazzini!!! Ok? Poteva capitare a te, capitare a me, poteva essere ognuno di noi!!! Dobbiamo inchiodarli quei bastardi!!! Dobbiamo dimostrare che nessuno puo' fare questo e farla franca. Né un prete, né un cardinale e nemmeno un Papa!!! Walter Robinson: Qualcuno ha mai detto no a un drink con te, Pete? Pete Conley: Certo, ma il segreto è continuare a chiedere. Jim Sullivan: Ho aiutato quella feccia a difendersi, ma era il mio lavoro Robby. Stavo facendo il mio lavoro! Walter Robinson: Si. Tu e tutti gli altri. Jim Sullivan: Va fuori da casa mia. Jim Sullivan: Hey!!! Ti presenti a casa mia a ricoprirmi di merda. Tu hai ragione, Robby. Sapevamo tutti che succedeva qualcosa. E allora tu dov'eri? Perché ti c'hai messo tanto? Walter Robinson: Non lo so, Jim. Ben Bradlee Jr: Per aiutare la Chiesa a proteggere i preti pervertiti era sempre pronto. Figlio di puttana. Matt Carroll: E' un avvocato, faceva il suo lavoro. Mike Rezendes: E' una marionetta della Chiesa. Ben Bradlee Jr: Sapeva e non ha fatto niente. Mike Rezendes: Poteva parlare anni fa, magari salvava qualcuno. Walter Robinson: Perché noi, invece? Ben Bradlee Jr: Noi che c'entriamo? Walter Robinson: Gli elementi che avevamo. Perché non ci siamo arrivati? Ben Bradlee Jr: Non avevamo gli elementi. Walter Robinson: Avevamo Saviano, avevamo Barrett e Geoghan. E avevamo gli annuali in magazzino. Ben Bradlee Jr: Beh, ci siamo arrivati adesso. Marty Baron: A volte è facile dimenticare che per la maggior parte del tempo, brancoliamo nel buio. Poi all'improvviso si accende una luce ed ecco una qualche quota di colpa da attribuire a qualcuno.