#being sukuna's favorite

[haruchi-slit]

BEING SUKUNA'S FAVORITE CONCUBINE!

Being sukuna's favorite concubine! he would spoil you with luxury, but sometimes the luxury's not even necessary, like gifting you expensive hairpins, expensive cushions, expensive platter, expensive utensils and undergarments.

Being sukuna's favorite concubine! he would let that tongue of yours to run non-stop, either complaining or whining about everything and sassing him up with sarcastic responses which he loved, he thought to himself that you weren't like others-whose treating him like a monster which he is, fearing him with every word he commands, he felt like a human being, being with your presence after all he was once human.

Being sukuna's favorite concubine! during sex he would be as gentle as a flower asking you if it hurts or should he slow down, handling you with care and caution, carefully thrusting in you rearranging your insides each and every time he buries his huge cock in you. if he's jealous, he'd be rough and would not hesitate to break you in half and restore you with his cursed technique. (RCT) (please it's a headcanon don't come at me pleaseeee)

Being sukuna's favorite concubine! he doesn't like being the giver during sex but, BUT just for you he would burry his face, deep between your legs for eternity if you asked him to, he'd lay his tongue on your pussy eating it out like a starved man, like a feral animal with out a leash, nibbling your inner thighs, leaving hickeys, the one's that turn purple the next morning, "Su- nghh yess right there!" you'd moan tugging his hair, roughly pushing his face deeper on your pussy rocking your hips back and forth, he'd shook his head left and right on your pussy while sticking his tongue out, gobbling your pussy up like a five-star Michelin.

Being sukuna's favorite concubine! He's a top a solid fucking top! but ohhhh when it comes to you, he'll let you dominate him, he'll let you ride his throbbing dick as long as you please!

a/n: that's all for noww :)

[obsesssedblerd]

i love the way you write sukuna oh my god. "petal" makes my knees weak. like yes he's evil but imagine being his favorite and he spoils you ugh 😫

yupppp 🤭 also babes, i think i have like 5 drabbles in my drafts about being sukuna's favorite lmao. i think about it way too much to be sane.

[thepersonperson]

Backstory theory for Sukuna? I wanted to say Kenjaku and Tengen too but let's just stick with Sukuna for the sake of your sanity

(Written as of JJK 262 using TCB scans and raws. Click images for captions/citations. I want to see how poorly or well this ages.)

I already kind of went into how I think Sukuna’s birth occured answering this ask, and we know for a fact he was born as an unwanted little wretch. But that's not really a full backstory. I was a conjoined twin truther before the reveal so I'm definitely deranged confident enough to propose something.

What is Sukuna's deal anyways?

When I say Sukuna and Gojo are twin flames, I'm referring to how their internal logic and their narrative framing are very similar. For this reason, I believe how they respond to trauma is also similar.

Much of early JJK is a different reread knowing Gojo's specific trauma. His use of the childish Boku as his personal pronoun, his obsession with sweets, having Infinity on all the time, his avoidant attachment style, and his fierce desire to ensure teens enjoy their youth...all these little trauma-induced quirks hidden in plain sight, sometimes as humor, are now depressing reminders of what Gojo went through. You also start to see how paranoid he is about another Toji incident with how he treats Miguel and Hanami...

Sukuna's backstory has probably been set up in the exact same way. It's likely that most of Sukuna's actions and attitude are influenced by some unrevealed/hinted at trauma. Since he and Gojo are twin flames, I'll try to piece it together using Gojo as the blueprint.

Sukuna's Way of Speaking

In the same way Gojo's manner of speaking is unusual for his age, Sukuna speaks really weird even compared to other incarnated sorcerers. If you're not aware, Japanese pronouns do not carry gender, but they do indicate how the speaker views themself and the person they're talking to. (This wiki summary table is quite helpful for this sort of thing.)

Sukuna's personal pronoun is 俺 (Ore) which is very informal, rough, and masculine. And he uses お前 (Omae) as the you pronoun for others which is either a casual thing amongst peers or indicates the speaker's higher status. (It's probably the later given how arrogant Sukuna is.) These are also the same pronouns Yuji uses for himself and others. But because of his personality, we can infer that Yuji uses Ore because he's a sporty boy from the countryside and Omae because he's friendly and views everyone as equals. Same pronouns, but completely different characterizations that get lost in translation.

Sukuna also uses 貴様 (Kisama) as the you pronoun for Gojo. Historically, this was a formal way to show respect and then it evolved into an ironic hostile insult sort of thing, much more rude than Omae. Since Sukuna is 1,000 years old, uses Omae for Yuji, who he hates, we can reasonably assume him using Kisama for Gojo is the formal version. (This would be another very funny instance of Gojo thinking Sukuna hates him but he’s actually trying to be nice.)

All of Sukuna's pronoun usage combined with his personality suggests a very tough and rude individual, which he is. However that rough speaking style is exactly why his frequent use of flowery language, double entendre, clever wordplay, art references, and puns is bizarre.

The weird way in which Sukuna uses words is most known by how he speaks to Megumi during their fight at the detention center. (I'm paraphrasing all this person's translation work for this.)

Sukuna uses the phrase "misetemiro" which is commonly translated as "show me/show me what you’ve got". The caveat here is that the "mi" of "misetemiro" can be written as 見 or 魅. When using 見, translating as "show me" is most accurate. When using 魅? The better translation is "bewitch me/enchant me/charm me/fascinate me".

Sukuna, of course, uses 魅, which means he's saying "enchant me" when he uses "misetemiro". It should be noted that this exact phrasing is used for Mahoraga before it cuts off Gojo's arm. (This is apparently what what Sukuna finds to be enchanting. Violence against Gojo Satoru.)

The thing is, Megumi heard Sukuna say "misetemiro", so he likely assumed the common meaning "show me". This is either a case unintentional misunderstanding or Sukuna making his true feelings dubious. That in of itself is the best example of the double-meaning wordplay Sukuna gets up to.

Sukuna seems to be really fond of puns in particular (very old man of him). He calls Yuji 小僧 (kozō) which can be translated as brat, but it also means young/novice monk.

He also uses extremely outdated words. (An example of which was provided by this user.)

You have all of these conflicting speaking mannerisms balled up into one character. It's as if a gangster/ruffian majored in Literature Arts. And that’s precisely why I think he was of low status at birth.

Sukuna's Upbringing

We all know Gojo's Limitless Cursed Technique (CT) is a literal and metaphorical barrier between him and other people. His technique is his isolation. And how it developed informs us directly of how his interpersonal relationships changed with it.

Back when Gojo only had Blue and Infinity had to be manual, it meant that he had downtimes where he was vulnerable. That physical vulnerability doubled as emotional vulnerability and Gojo was able to form a close relationship with Geto and befriend Shoko. After he awakened, Infinity could be on nonstop. Gojo became untouchable to everyone at all times and it destroyed his relationships.

In the same way Gojo's CT compliments his changes from child to adult, I believe Sukuna's CT does the same.

As we all know by now, Sukuna's Shrine or 御厨子 (mizushi) could be referring to a Buddhist shrine used for storage or a imperial palace kitchen. I think it’s both at the same time. To me Sukuna's CT indicates he initially cooked for the emperor and then became an object of worship at a shrine. But I have some additional caveats to this theory.

We know that Sukuna learns by mimicking others. It wouldn’t be a stretch to say he picked up on formalities while being near nobility if he was of low birth. But how did a lowborn like Sukuna get near nobility in the first place?

So historical Japan had a social caste system called Ritsuryō (you can read more about its application in the Heian Era here). The upper class was called Ryōmin (good citizens) and the lower class was called Senmin (low citizens). Amongst the lower class there are the following subcastes:

Ryōko (dedicated to the imperial family or guards of imperial tombs)

Kanko (dedicated to public ministries)

Kenin (servants of high-ranking families)

Kunuhi (slaves of the court)

Shinuhi (slaves of families)

I think Sukuna was a Kunuhi or court slave during his time as an imperial cook. That would give him access to the higher art forms directly or by listening in while also explaining why his speech appears to be a mesh of two completely different backgrounds. (If he were of noble birth, his personal pronoun would likely be Watashi, Waga, or even Ware-Ware like most snobby upper class characters in Japanese media.)

Another trait of the slave class is their forbiddance from having a registered family name. Both Sukuna and Uraume use full names as a show of respect. The fact they only use single names for each other suggests that they have no family names at all and fall under this low class category.

The other thing to note about this caste system is that class mobility in both directions was possible. To what extent I'm not sure (there’s not a lot of in depth literature in English), but this would allow for Sukuna to rise from a lowborn status and fall back to it as the Disgraced One.

In summary:

Sukuna is born and branded an undesirable. (Some of his tattoos match up with markings for both criminals and outcasts. Particularly the single band around the wrist labeled Hinin, a term that translates to non-human used for the lowest social class.)

Sukuna is taken into slavery where his talents start to show. (Durable, 4 limbs, and quick learning make for great labor exploitation.)

Sukuna, as a slave, eventually finds himself working in the kitchen for the emperor where he meets Uraume, who is there under similar circumstances. (Heian nobles were fascinated by commoner life and sometimes took peasants into the palace for entertainment/exploitation. Please read this entire thread on Heian commoner life it’s very good.)

They rise through the ranks together because of hypercompetence.

Eventually Sukuna becomes so strong that he becomes an involuntary saint/warrior monk. (Heian nobles mobilized monks for rituals and maintaining power.)

The court nobles start a smear campaign out of fear of his power and lowly upbringing, which causes Sukuna to have his Joker moment and start eating people. (Based on the mythological Sukuna stories.)

Sukuna's Theoretical Coping Mechanisms

After Gojo endured the fallout from Toji and Geto, he developed coping mechanisms to deal with it. They're all quite unhealthy to be frank—Gojo is very stuck in the past and seems to be in a near-constant state of trying to relive it, but better.

Those traits were all initially introduced as gags. It all made Gojo appear like a very strange, childish, and questionable adult. In retrospect it's all tragic. So with that in mind, I want to examine some of Sukuna's traits that could be a manifestation of past trauma.

It goes without saying that being a slave is traumatic. And the coping mechanisms developed to deal with that level of dehumanization don't go away if someone escapes it.

Sukuna's extreme aversion to being told what to do and self-centeredness reminds me of the ex-slave character, Izutsumi from Dungeon Meshi. She starts out as a slave paraded around as a circus freak after being experimented on before she's sold to a wealthy clan and forced to be a retainer. A curse is placed on her to keep her from escaping in the form of a tattoo around her neck. When she finally frees herself, she is very cat-like in her selfishness, poorly socialized, and abrasive. (Also she is canonically aroace!)

If you noticed, her personality sounds like a description of Sukuna's, so I'm left thinking he has some variation of that backstory (kind of like a combination of Toji and Geto's). It would fit with him being an unwanted child, explain his bizarre manner of speech, and give him a pretty good reason to be the way that he is.

In the same way Gojo used Hanami to relive his trauma but control the outcome, I think Sukuna uses Binding Vows relive and conquer his enslavement. The vows he constantly makes and breaks with himself are a show of control over thing that hurt him.

When binding vows are first introduced, it's by Sukuna and with chains. In the anime the chains constrict Sukuna until they destroy him.

This imagery is rather oppressive in nature. Similar to a prisoner's chains or a slave's chains. (And it's quite common for prisoners to be used for slave labor too.)

I've previously discussed how I view Kenjaku as someone who exists through nonconsent and causes others to relive their trauma. Gojo's sealing illustrates how this kind of manipulation works. And since Gojo's twin flame is Sukuna, I believe Kenjaku did something similar to him.

We've already established how much Sukuna hates taking orders from people and how much he wants to fight Gojo. Everything he has done for the past 6 months was for Gojo. And guess who stops him from obtaining what he desires? Kenjaku through a binding vow.

Sukuna also calls Yuji an 檻 (ori) which can be translated as cage. The type of "cage" ori can refer to is either one for animals or for criminals. Kenjaku pretty much created Yuji to contain Sukuna in this manner.

So we have 2 forms of restriction encroach on Sukuna's boundaries in a way that would be reminiscent of slavery. If Sukuna and Uraume are former slaves, their treatment of Kenjaku and each other makes sense.

With Uraume, Sukuna is gentle and reassuring. He faces towards them when speaking and will initiate conversations, going out of his way to praise their work. This seems a bit out of character given how harshly Sukuna treats others, even those he respects.

Uraume is constantly apologizing to Sukuna in a way that suggests in the past they were punished severely for the slightest mess up. Given their relationship and how little Sukuna cares when they're not perfect, I don't think Sukuna was the one to make Uraume feel this way. If they're ex-slaves, this constant groveling would read as trauma response, and Sukuna's reassurance would be him showing consideration for someone who went through something similar.

With Kenjaku, Sukuna never makes eye contact, often has his back turned, and only responds when spoken to. Uraume is constantly pissed at Kenjaku's presence and tries to keep the two separate as much as possible.

Whatever binding vow Kenjaku has wrapped Sukuna in is clearly upsetting to the both of them. I imagine those were the tools used to subjugate people within the Jujutsu hierarchy. Wait I don't need speculate on that point, Yuta already did this for me when he was forced to execute Yuji via a binding vow with the higher ups.

And you know who else might have suffered the exact same way? Uro.

And boy is Uro strikingly similar to Sukuna, enough for Yuta to notice. She had no name, was groomed into being a weapon by nobles, discarded after being used, and is now someone who toys with sorcerers as she tries to become her own person while scorning bonds/love.

And if you recall, Sukuna obliterated the Fujiwara Subjugation Clan and Uro isn't really mad at him for that.

Not just Uro, but Ryu is similar to Sukuna as well in his hunger and seeing others as meals to satisfy him.

These parallels seem deliberate and may hint of how Sukuna was treated in the past and what his true motivations are. Uro seeing the incarnation as a chance at a second life as her own person is probably how Sukuna feels. But you know. Both of them are beholden to Kenjaku so that “freedom” came with a steep price.

What separates Uro and Ryu from Sukuna is that they acknowledge exactly why they're here. They reflect on their old lives and take action to address their problems. Sukuna seems to be in some kind of state of denial.

I have no doubt Sukuna is serious when his ideals don't go beyond himself. What's troubling is how unaware of why he feels this way. He won't even acknowledge his hunger for an equal which is obvious to everyone else. He also doesn't seem to know why he incarnated, dodging Kashimo’s question on it entirely. It reminds me of Gojo, who despite being blatantly motivated by Geto and Toji, never shows it except in fleeting instances. And those instances are either internal or deliberately vague to whoever is hearing it.

I think this is because acknowledging he experienced weakness at one point in his life is admitting that he can be put in a position like that again. That can be a scary thing to confront. Gojo doesn't deal with the fact he can be made vulnerable and does everything in his power to prevent it while pretending nothing is wrong. Sukuna is doing the same thing when speaks of the past as briefly as possible and crushes anyone who might have power over him.

Uro herself kind of puts that motivating trauma in the back of her mind until Yuta's Fujiwara heritage and ideas trigger her. Not wanting to recall your life as a nameless slave and having it incidentally brought up by the phrase "live for others" kind of sounds like the beef Sukuna has with Yuji.

And imagine if Uro was trapped in Yuta’s body, where this lucky individual, born free, decides to become a Cog of his own volition. She would probably never stop hating him. (I think Sukuna is mad Yuji chose the life he escaped.)

This would also fit well with his initial view of heriarchies. As long as he's the strongest, he doesn't have to worry about becoming a slave again.

And in a way, this is also him showing concern for Gojo. You’re this strong and letting these fudgers push you around? Kill them.

I also think that's why this Yuji quote is going to age poorly.

I don't think Sukuna ever had the chance to live normally. This would also make this exchange really interesting.

Sukuna suggesting he has suffered more than Yuji fascinates me. Of all the things that could possibly be worse than what Yuji went through, I think existing as a slave and being subject to discrimination since childhood would make for a pretty compelling case.

Rejecting Love as Cope

I’ve been on about how Sukuna hates on love as a cope in other posts. I think the former slave angle gives a little more weight to this idea, his poor social skills, and general aversion to other people.

Love is a type of tethering to another person. Sometimes it results in marriage, a legal contract that binds you to another with a myriad of social expectations. If Sukuna is a former slave, his aversion to that sort of thing is only natural. Relationships of anykind are a bond that comes with restrictions.

I keep bringing up Yorozu because analyzing the ways in which she upsets Sukuna is useful for understanding him. Sukuna is most dead-eyed when marriage comes up and he sees losing as the same thing as death. The common problem here is Yorozu’s desire to control Sukuna’s life.

If you know anything about ex-slaves, it’s that they would rather die than go back to that.

Sukuna being the strongest means that no one can ever hold that kind of power over him again. And like Gojo, he believes human connections and love are a point of weakness that need to be discarded to obtain absolute strength. If Gojo is using that excuse to run away from others, Sukuna is using it too.

Despite rejecting all forms of love for the sake of self-preservation, Sukuna expresses cravings for it in very roundabout ways. Usually with how he mocks it.

Another puntastic bit of foreshadowing with Sukuna and Yuji’s binding vow, Enchain also doubles as a discussion about love.

Here's a link to the full poem and context of it.

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Kind of sounds like how Sukuna ruins Yuji’s life.)

Sukuna canonically reads literature about love and he will use that knowledge to torment people. That’s pretty interesting for someone who hates it. There’s also the underlying theme of exploitation and discardment in this poem that reflects how Jujutsu Society treats sorcerers. And in both cases, the strength to survive and love can’t be had.

Sukuna calls Kashimo greedy for wanting both. But much much earlier Sukuna warns Yuji that there are consequences for being greedy.

I really wonder why he believes that.

Jujutsu Society and Labor Exploitation

The other interesting thing about Izutsumi is how aimless she is after learning the modifications to her body are irreversible despite obtaining freedom. She simply doesn’t know what to do with this. And that makes sense. Grand ambitions take a backseat when all you know is surviving. Her development involves slowly learning how build relationships with others that aren’t exploitative and coping with the permanent changes to her body. And it only comes about because the people she finds herself with are other social weirdos who give her the space and time to change.

That’s what seems to be the problem with Sukuna. He doesn’t have a space within sorcerer or non-sorcerer society where he’ll be accepted and won’t be exploited. But I don’t need to tell you that, Nanami will.

He’s miserable as a sorcerer or not. Might as well pick the one he is good at.

Later he recounts exactly what made him come back.

And if you noticed, his listlessness after escaping Jujutsu and “I always thought that having a 'purpose in life' had nothing to do with me” is very similar to Sukuna’s boredom and “I'd never though about it. ...Ideals. Desires that go beyond oneself”.

It’s weird that Nanami and Sukuna have similar realizations about their place in society while arriving at completely different ways to deal with it. I think that’s intentional.

From an interview with Gege:

"If there was one thing worth mentioning, it's that no one has the ultimate truth. The “good guys” and the “bad guys”. Some seek to kill the hero out of pure selfishness, but others are led to this decision by logical reasoning. If no one is really right, then no one is wrong either. Each character is guided by their own ethics."

I've interpreted this quote as the author telling me to consider the characters as having similar motivations, but completely different methodologies and logic driving their actions. With that in mind, I have concluded the following:

Every single character that’s kind of insane has recognized the same problem. Japanese work culture sucks. It grinds you to dust, leaves you with no freetime, and even corrodes your identity under the guise of collectivism. “The nail that sticks out gets hammered down.” is the go-to Japanese proverb to justify conformity to this suffering. Uro calls it out exactly.

Toji and Maki are beaten into place, used as scapegoats, and isolated by their families for being born wrong and staining the Zenin reputation by existing. Toji decided the solution was killing sorcerers and leaving Jujutsu society. Maki decided the solution was killing her family (she did nothing wrong) and building a better Jujutsu society with allies.

Geto, Nanami, and Gojo all broke from overwork that isolated them and never allowed them to grieve. Geto decided the solution was killing non-sorcerers and leaving Jujutsu society. Nanami decided the solution was leaving Jujutsu society and doing non-sorcerer work. Gojo decided the solution was reforming Jujutsu society and eventually killing the higher ups (based).

So despite all these different solutions, some of which are indefensible, I understand exactly why they became that way. They’re dealing with labor exploitations and dehumanization without the theoretical framework to be productive about it. (Gojo is the closest person to discovering what a union is.)

Geto snapped from a single traumatic event coupled with the knowledge that his labor would be exploited until he joined the mountain of sorcerers’ corpses. Though he was introduced as a mass murdering lunatic, there were always hints of how badly he wanted sorcerers to be free of exploitation. (Karl Marx could’ve saved him.)

Sukuna experiencing the most egregious form of labor exploitation, slavery would fit into these themes nicely I think. It's the ultimate form of dehumanization—becoming a literal commodity for people to sell, trade, and break. (And him deciding to be this wild about it would be understandable to me at least because I truly believe in the John Brown solution for slaveowners.)

Sukuna is fond of Megumi, Maki, Gojo, and Jogo. Megumi was sold by his father to a clan, the Zenins tried to make Maki subservient for being female, Gojo was bossed around and run ragged by the higher ups, and Jogo was puppetted around by Kenjaku. All of these characters are powerful individuals that for one reason or another were shafted by societal constraints that had them exploited by others weaker than them. Since Sukuna likes people similar to him, it's not a stretch to assume he’s recognizing their hurt as his own.

And just like Geto, instead of abolishing the hierarchy that subjugated him, Sukuna has chosen to sit atop it to escape. But unlike Geto, Sukuna doesn't dream of a world where he enforces it. (The guy clearly hates having responsibilities and doesn't want to be a ruler. He just wants to do what he wants whenever he wants. You know, having freedom.)

Sukuna existed within a society where it was acceptable to own people if you were strong enough. The fact he treats Uraume, a voluntary servant, so well and refuses to keep slaves speaks volumes. Sukuna may live for himself but he clearly has some form of ethics about it.

Wait, what about Megumi’s subjugation?

Well, sometimes people are hypocrites. Nanami, Mr. Would’ve Loved Unions and outspoken labor critic, is content with pushing all the work onto Gojo, who has suffered in the exact same way he has.

Maybe it’s resentment for his Gojo’s birth making curses stronger and therefore harder to deal with. Maybe he sees Gojo as everything wrong with Jujutsu and is lashing out. The point is, I don’t know why Nanami made the exception to his rules for Gojo and that’s why I’m clueless on where Megumi fits into this theory.

I’m not sure if Sukuna intends to keep Megumi as a puppet forever. For the sake of his own entertainment, he’ll probably release him after ingesting his final finger if Yuji can’t separate them first. And in a very twisted way, his treatment of Megumi could also be seen as a cruel training regiment. Sukuna thinks suffering and isolation brings strength. That’s how he’s justifying whatever happened to him.

But on the other hand, maybe he won’t. Because now Megumi has the blueprint for surpassing him. Defeat means being a slave again and Sukuna can’t have that.

[nxnamikento]

Kusakabe reading all the tweets about him now that it's his turn to face sukuna

[ravenpureforever]

So guess who finally watched JJK

[sulky-cabbage]

I once made a not so serious post about a possible parallelism between Megumi and Sukuna.

And....

Sorry but how do you keep Megumi trapped inside Sukuna and when Yuji reaches the depths Megumi starts saying this stuff

right after the chapter where Yuji was trying to reach Sukuna and show him the beauty of life without me thinking that what Megumi's saying is a hint to Sukuna's true buried (human?) feelings and maybe what he could never have?? (Or maybe not and he's just the antithesis of Megumi which is another form of parallelism)

Megumi's soul is trapped inside a curse!!!

let me rephrase that...

A "Blessing" is drowned inside the king of curses!!

A "Blessing" that he tried so hard to suppress by killing his love one(s)

This is the exact type of symbolism that sticks in my brain and I just can't ignore it.

Maybe it's a reach but I just can't brush it off!!

Yuji tried to save them both!!

Keep in mind the Ksitigarbha is also a guardian of children and a patron deity of deceased children and aborted fetuses.

Gege did repeat the scene where Satoru meets child Megumi but with Yuji this time!!

Satoru was trying to save Megumi and reach Sukuna but he failed. (Seems like Yuta's method of becoming Satoru also failed)

I didn't take the Yuji being Satoru's parallel seriously before but I think there's some merit to it now.. (especially after that panel of him with child Megumi, Really Gege?)

Yuta was also a gojo parallel (he literally became gojo) and his character was connected to the theme of love as well. (There is also that whole Rika= Geto thing)

Maybe Gege is showing us two types of students? the one that imitates his teacher, and the other one that does it in his own way and actually succeeds??

Reminds me of these images lol

It makes sense that Yuta is the one to carry Satoru's will and kill Kenjaku (a major villain) and maybe even get to bury geto's body and Satoru's body... maybe next to each other?👀

I imagine Shoko will be there too at the burial...

On the other hand we have Yuji dealing with the main villain (the other thing that Satoru wanted to do and failed)..

I can see Yuji having the ability to see the afterlife of others like Sukuna and Maybe he will guide Sukuna and Gojo (and the others?) to go North?

Honestly this correlation between Megumi and Sukuna is interesting I don't know what it is exactly but...

The fact that we found out that Gege planned for Sukuna to possess Megumi from the start but he was told to change it!!??

AND The cursed womb arc (which I think is the heart of the manga) where Sukuna rips Yuji's heart out and says he can live without it but the brat can't..

(Which was a very cool and symbolic way to subtly tell us the difference in their ideals)

I don't know if it still has the double meaning in Japanese... it probably does

The shibuya stuff and everything was to get gojo out of the story so Sukuna can possess Megumi (which is what Gege wanted all along) so he can repeat what happened in the cursed womb arc again but in reverse.

Also..... there's a possible parallel between Megumi killing Tsumiki and Sukuna killing Gojo?????

Gege gave Megumi a sister that's important to him (and literally does nothing with her) makes me think she was made only so she can get killed by Megumi's hands, but not before making her possessed by a woman who's obsessed with teaching Sukuna about love. (Right before his fight with Gojo mind you) and then connecting this love thing with his fight with gojo (possibly Sukuna's important person?) Bringing up yorozu's words again and again and again during the fight!!

He killed gojo while in Megumi's Body!! (He didn't need to do that!! Don't you find it suspicious that right after killing gojo he turns into his true form??????)

He only gets into his true form when he starts fighting Kashimo (who's kinda Satoru's true form in a way) and he uses the weapon Yorozu gave him on Kashimo!!

And then more talk about love ensued !!!!

And love was never brought up again!!

Honestly this whole thing is diabolical I don't know how Gaygay managed to cook this hard !!

I still have no idea how this is gonna end though.. is Sukuna really just evil? Will we ever get his backstory? Will Yuji be able to actually reach him and make Satoru proud?

[twentyfivemiceinatrenchcoat]

help im getting emotional over satoru gojo again

[missingn000]

if you want something done right….. DON"T TRUST GEGE….. !!!!!

[epickiya722]

Y'all, tell me why I saw this and the winning vote so far is THIS?!

We know damn well if Sukuna had to say who his favorite person it's Uraume. They have been his right-hand for how long? Shared laughs with him? When he saw them Sukuna actually was glad to see Uraume?! Only person he hasn't shown displeasure towards and tried to (and has) kill(ed)!!

AND AFTER GOJO?! No disrespect, Gojo. You my guy and everything but you are not Sukuna's true bestie. The most given was an entertaining fight.

[byfulcrums]

See, the thing is, I do like the angst (I wouldn't be a JJK fan if I didn't). In fact, I love it! I love tragedies and stories that make me cry. However, all this feels so unnecessary and meaningless

It doesn't really make much sense, either. This might be me being petty, but (also based on proof that was previously stated as canon) Gojo should've won lmao

Before, the tragedy was so good. Satosugu and Itafushi parallels. Nanami and Nobara dying. Junpei. Yuta and Rika. Etc, etc, etc. It was well written, it was interesting, and I liked seeing it. Most of all, it was creative

Now it just feels like Gege is pulling all of that bullshit out of his ass to school their audience, or something

Every single chapter has been just "[X] goes to fight Sukuna, [X] dies" and then it just repeats and repeats and repeats. It's always the same goddamn thing. The blatant favoritism towards Sukuna is kinda ruining the entire series for me

[allpromarlo]

gege just tell us that it's called sukuna kaisen now its alright

[lonelysatoru]

i like making headcanons about sukuna that are lowk silly but could also be true in a way if you ignored (1) specific thing. like i hc that if the trio had to analyze a old poem for school, if they were analyzing it completely wrong sukuna would come out mad as fuck about how wrong they are cuz he’s a arts nerd

[gojooooo]

sukuita being the most convoluted couple ever and thinking the other wants megumi, so ryomen “i like this face much better” sukuna thinks yuuji “just looking at your face makes me sick” itadori will like him better if he becomes megumi. but yuuji thinks that sukuna leaving him means he likes megumi better. so they’re both miserable. but they end up gravitating towards each other again. they always do. and yuuji’s heart does ache for megumi and sukuna does enjoy megumi’s power but the way they long for each other is just different. they want each other back so badly and it takes them not having each other to finally get it

[introloves]

THE MARKET FOR SUKUNAS CONCIBE IS IN SUCH HIGH DEMAND PLS PLS PLS PLS

(thank god ive already written 1k words over this)

aheemheem... perfect

[kingofanemptyworld]

.5 seconds of Grimmjow content… god I’m going to be insufferable when he shows up again for good

[longagoitwastuesday]

Gushing about Gojo and Megumi and how they are or could have been everything to me I forgot to mention that I really really really love Yuuji. Like, a lot