#before the final battle

[sunsetwaltz]

Last goodbye

[dragon-slayersxxx]

[humbuns]

ray of light 🍀

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[missholoska]

soriel week 2024 day 1: together! 💜💙

[theaceofarrows]

[stargirl230]

Sunshowers ☀️

It’s crazy to think I started this before I came to college and now I’m heading home for break…anyway here’s the final piece!

(no reposts; reblogs appreciated)

[buckycap]

i do think it’s very important that liam pointed out specifically that no matter how hardheaded orym is in what he believes he doesn’t let that stop him from seeking dorian out for comfort and wanting dorian close to him and dorian quickly reciprocating. i think that’s especially important when so many people thought that their opposing sides would drive them further apart (especially on orym’s part) when in actuality we learned that orym’s love for dorian is SO fucking strong that it it supersedes his hardheadedness which when you remember who orym is, is actually a big fucking deal

[myassuter]

"LOST" - An YGO fancomic (read from left to right)

Thank you @paesthethyc for helping me with the translation and giving me feedback to improve the drafts!!

[annasofthe11thdimension]

Alright, so this is basically...an art dump for all the pics i drew when i was trying to draft the ending i wanted my Odile looping Au 'Like a Wheel Ever Turning' which...is not even SLIGHTLY how this fic is going to end now, but while figuring that out i still like draw all this and had to do SOMETHING with it.

So figured I'd post it and be like 'hey! fun Odile looping act 5 boss fight vibes not connected to anything else!' since like...that basic IS what they are at this point lol.

The one cool idea i loved that i think is now FIRMLY ditched is the act 5 boss fight starts when Odile uses wish craft to splinter herself into two halves.

The 'old/current' her that is meant to be her coldly logical side, and a younger 'copy' version, which is meant to be the childish irrational side...that is what's stopping her just shutting down the time loop because she can't figure out how to be happy with her friends leaving.

I mean, if you murder the part of you that WANTS the wish to come true, that's basically a 'get out of time loop free card' right? Right! Totally sound logic!

Yes the 'young' version of her firmly believes that she's real, and also also got memories going up to about age 21, and also that she ought to be in Ka Bue not HERE among these french weirdos.

Also yes again, a 'young' Odile is EXACTLY as unhinged about this as you'd expect a 21 year old to be upon finding out that apparently the 'real' her think murdering her is the correct solution to this problem!

The shift of the fight was meant to have the inverse 'colors' shift from one version to the other by the end, wrapping up with the point where the 'original' Odile is forced to have a heart to heart with the personification of her perceived 'worst' qualities.

Pretty sure the vibes for this ending was a lot more focused on the resolution of having deeply complex feeling about EXPRESSING emotion directly to other people. That along with a side helping of how isolating it is to be perceived as a 'real' adult such that you can't be weak enough to ask anyone for help. Because really if you can't even be that then why are you any different then when you were irritating mess of a youth?

Not saying any of that isn't still present in the story, but like...there is a LOT of other stuff going on, and those themes are now linked into many other ones too, and that's not even TOUCHING on how Loop's been...somewhat complicating my redrafting lol.

...Also I might have drawn/plotted this version before i knew about two-hats lol. THAT also is a factor.

Anyway! Still liked all of these enough to want to do SOMETHING with them, and figured this worked, so i could like map out my thoughts on them, even if i never got to write this.

[itsalrightmeow]

Happy 20th Anniversary!

[gotstabbedbyapen]

Apollo/Hyacinthus and the god - mortal power imbalance (and how they have little to none of it)

A common argument against god/mortal relationships in Greek mythology is the uncomfortable power dynamic, that the god will always have a glaring power leverage over the mortal. Even if the god is fond of their lover, just one wrong move and still put the mortal in danger, intentionally or not. And I don't discard that.

Zeus and Poseidon's conquests didn't always consider the consent of the women they bedded. Aphrodite threatened her lover Anchises that if he were to reveal her as the mother of his son, he would be punished. Circe was fond of Odysseus, but their coupling was very coercive and Odysseus didn't feel safe around her; and if you're still adamant that Odysseus willingly became Calypso's bedmate, I will assume you're projecting your CNC fetish to the myth. Even Apollo, the god we'll be talking about, had intentionally or unintentionally had his lover Coronis killed in a fit of jealous rage.

And now we have Apollo and Hyacinthus, an Olympian god and a Spartan prince in a relationship with pederastic nature. Right off the bat, it's easy to call them problematic because of the age gap and power balance like the previous couples, and I've written a debunking post about the age gap allegation before. Now I want to talk a bit about the power imbalance between them.

While we didn't really know if all of Zeus and Poseidon's mortal love loved them back and knew for sure that Odysseus was terrified of the goddesses that held him captive, it was recorded that Hyacinthus was just as in love and openly chose Apollo:

Zeus himself told Eros that Hyacinthus was fond of Apollo.

Then why are Branchus and Hyacinth so fond of Apollo? (Dialogues of the Gods 6, Lucian)

Hyacinthus was also admired by Zephyrus, but he turned the god away for Apollo.

He [Zephyrus] had long been in love with Hyakinthos, though Hyakinthos would have nothing to say to him. (Dialogues of the Gods 16, Lucian)

Hyacinthus rejoiced at Apollo's sweet promises of love and companionship.

The son of Leto for love of the youth promises to give him all he possesses for permission to associate with him [...] The youth keeps his eyes steadfastly on the ground, and they are very thoughtful, for he rejoices at what he hears and tempers with modesty the confidence that is yet to come. (Imagines 14, Philostratus the Younger)

In the same scene in Philostratus' book, after giving the promises, it was also suggested that Apollo waited for Hyacinthus to answer. For all we know, Apollo could have just taken Hyacinthus away for his own pleasure, but no, he still gave him a choice.

Here is the god, painted as usual with unshorn locks; he lifts a radiant forehead above eyes that shine like rays of light, and with a sweet smile he encourages Hyakinthos, extending his right hand with the same purpose. (Imagines 14, Philostratus the Younger)

Remember the previous excerpt were Hyacinthus rejoiced at Apollo's promises? He was also filled with confidence when facing the god. Even though he's a powerful deity, Apollo didn't make Hyacinthus feel fear or inferior.

For comparison, this is how Hyacinthus behaved when he was with Apollo...

[Hyacinthus] stands there [...] and he supports his right hand on a spear, the hip being thrown forward and the right side exposed to view, and this bare arm permits us to describe what is visible [...] his neck is moderately erect [...] (Imagines 14, Philostratus the Younger)

Then, when the youth and Phoebus were well stripped, and gleaming with rich olive oil, they tried a friendly contest with the discus. [...] Heedless of danger Hyacinthus rushed for eager glory of the game, resolved to get the discus. (Metamorphoses 10, Ovid)

... and this is how Odysseus behaved when he was with Circe (quotes were taken from the Odysseus post)

[...] just approaching the halls of Circe, my heart a heaving storm at every step, paused at her doors, the nymph with lovely braids— I stood and shouted to her there. She heard my voice, she opened the gleaming doors at once and stepped forth, inviting me in, and in I went, all anguish now… (The Odyssey 10, Homer)

[...] but I went up to that luxurious bed of Circe, hugged her by the knees and the goddess heard my winging supplication: "Circe, now make good a promise you gave me once— it’s time to help me home [...]" (The Odyssey 10, Homer)

While Odysseus was frightful when approaching Circe and had to beg her for favors, Hyacinthus was seen to be very open when he was around Apollo. Although I don't know why Hyacinthus was depicted to be holding his spear when talking with Apollo, I don't think he was being defensive against him. I interpreted it as Hyacinthus feeling comfortable enough with Apollo that he didn't feel the need to discard his weapon and grovel at the god's presence, he can keep it as he like because Apollo wouldn't mind his attitude.

Aside from the mutual attraction and consent, Apollo also humbled himself for Hyacinthus and not minding in displaying acts of service even as a god (though to be fair, he took care and spoiled a lot of his lovers in the same way)

And the love my father had for you was deeper than he felt for others. Delphi center of the world, had no presiding guardian, while the God frequented the Eurotas and the land of Sparta, never fortified with walls. His zither and his bow no longer fill his eager mind and now without a thought of dignity, he carried nets and held the dogs in leash, and did not hesitate to go with Hyacinthus on the rough, steep mountain ridges; and by all of such associations, his love was increased. (Metamorphoses 10, Ovid)

Another addition I'd like to add is the fragments of a supposedly lost work that described Apollo placing his bow or lyre at Hyacinthus' feet as a suppliant, which you can check out its post here.

In conclusion, despite being a god/mortal couple with a pederastic relationship, the myths had shown that Apollo and Hyacinthus had insignificant power imbalance in their dynamic. There's no denying that they both loved and respected each other very much, trying to make things work despite the difference in nature between them. And now you understand why I'm so not normal about this OTP.

Thank you for reading, and you can go home now.

[cubbihue]

POV: You just got apprehended by your own lawyer.

Chimmy Changa spent his early years as a Public Defense Lawyer. He had to get really into shape because. For some reason. He kept getting clients who'd bolt from the court room.

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+ bonus sketches i tossed out becuase i couldnt draw them to my satisfaction >:I !!

[cringefail-clown]

havent drawn dirkri in a while

[swampybogg]

[hootgrowlbears]

"Stop antagonizing the fucking Bad Kids."

It was Jace's words that really doomed all the Rat Grinders. Now they get to be like Dayne and Penelope, unimportant and unceremoniously murdered. Antagonists with little screen time. Easy for the Bad Kids to hate, impossible to pity.

If Jace hadn't said that, they might have been Like Aelwyn and Ragh. Constant thorns in the Bad Kids' sides, there for so long that it would stop hurting. For so long that the Bad Kids would actually want to understand why they were there, and get invested.