#been wanting to draw this scene in particular for a while

[quirkle2]

has zombie mob ever bitten someone before? i know that he's pretty chill, but i like to think that the hypothetical situation that would trigger him would be if someone where to hurt ritsu or someone from the gang in general :o

(ALSO HIIII I HAVEN'T BEEN ABLE TO OPEN TUMBLR BUT AAAH I'M SO GLAD YOU DON'T MIND MY ASKS 🫶🏼 i just love mp100 AND zombie films, never thought i'd come across where these two are combined 🥹)

HIII im ALWAYS happy to talk abt the sillies there is never a time where im Not thinking abt the sillies <33 !!!!

to preface this answer, there's little settlements of survivors dotted around the place in this world, and for many people, they're safe havens that are stocked w food and supplies and people who are willing to help you. the people there are typically heavily armed and ready for any zombies that come their way, and they patrol the territory regularly not just to loot the places nearby, but to watch for any zombies that have gotten through defenses

the settlements are full of people who, in general, like to help any outsiders they can—if they see a person trying to survive out in the wild alone, they'll offer shelter and food to them as long as they're not infected

if ur not ritsu, that is.

(warning for guns and some gore btw)

normally, they'd be more than happy to help a kid as young as ritsu. but he's traveling with a zombie. that is obviously an instant red flag for them, bc to them, it's pretty much guaranteed that ritsu is infected at this point. they don't see zombies the same way ritsu does—they don't know that zombies r still human and capable of very human thing

settlements actively Hunt zombies, instead of just kill them when they come around. they go on patrols and Search for zombies to take out, even if the zombies aren't actually endangering anybody atm. it makes sense to them, it's the obvious answer to them, but to ritsu, that's unbelievably cruel. to ritsu, that's no different from attacking humans unprovoked

they will also kill any infected people, even if they're still very much human in behavior. they see it as mercy kills. ritsu is very bitter abt it, but defending those zombies means putting his brother in danger, and his brother matters more to him than anything

to most people, seeing a settlement up ahead is a godsend. to ritsu, it's an oncoming death sentence. they WILL shoot him and shigeo on sight once they figure out shigeo is a zombie and ritsu is traveling with him, so ritsu has to be Extremely careful when around settlements. he generally tries to steer clear of them—the areas around them r usually looted already anyway, so there's no point in getting near

they're hard to avoid, though. and sometimes he runs into people patrolling the area. and sometimes they see ritsu guiding a zombie by the hand, and they're suddenly right on top of them and aiming to kill

shigeo doesn't just bite somebody. the fight evolves from ritsu aiming pitiful shots from his own pistol that all miss, to trying to disarm one of the patrol guys and getting pinned to the ground where the barrel of a gun is inching worryingly close to ritsu's face

shigeo doesn't just bite him, he tears out the guy's throat. ritsu scrambles away and takes the shotgun that he'd barely kept away from his face, and he simply watches in horror as shigeo rips tendons and muscles out from a man's neck. he gets it all entangled in his teeth and it takes everything ritsu has not to vomit immediately—he can't seem to look away from it, from the strings of flesh and blood dangling and trickling from his brother's mouth

when shigeo calms and he's not biting down on muscle anymore, ritsu has to get on his feet and get near his brother, which is admittedly hard to accomplish at the moment. he eases into his field of view and when shigeo sees him he doesn't immediately growl—his angry eyes actually soften, and ritsu gently pulls him up and pointedly ignores the blood covering shigeo's chin

cleaning the blood off his brother's face later makes the experience feel Real to ritsu, and he does his best not to burst into tears. he firmly decides that if (when,,, when.) he Does find the cure, and if shigeo Doesn't remember this, ritsu will never tell him. he's pretty confident that his brother would never be able to live with himself, if he knew what he just did to another human being

[outeremissary]

Blacklistable tag update: in the next few days I will probably put up one or two original posts related to BG3, one of which will be art (assuming I finish my shit at a reasonable time). I will likely be posting these under "emi plays bg3" and not "bg3"; large fandoms make me nervous. I wanted to be sure I was clear so that folks could filter things out. I will try to be more consistent henceforth with using that or the normal fandom tags on posts. If you are looking to catch my characters from that and a recent PF campaign (I know I often don't fandom tag asks), "kasander" and "asperia" should cover your bases.

I will try to reblog this a few times at some more decent hours.

[jacksintention]

Still unwell about Rilke and PH

I love the dark hours of my being.

My mind deepens into them.

There I can find, as in old letters,

the days of my life, already lived,

and held like a legend, and understood.

Then the knowing comes: I can open

to another life that's wide and timeless.

So I am sometimes like a tree

rustling over a gravesite

and making real the dream

of the one its living roots

embrace:

a dream once lost

among sorrows and songs.

[maidenvault]

During my last rewatch of the prequels I was actually shocked by how much I've misremembered or decontextualized certain moments in my mind because of how they're often talked about in fandom as showing the Jedi as too arrogant, too bureaucratic, generally just burying their heads in the sand while everything goes bad etc. So I'm gonna try to address every individual scene that typically gets brought up to argue that this is an actual theme in Lucas's portrayal of the Order.

The Council doesn't take Qui-Gon's account of meeting a Sith seriously.

Mace and Ki Adi Mundi do both express doubt this guy could be a Sith. (Understandably! Historically they've never known Sith to be able to hide their existence, and for them to have survived totally in secret for a thousand years is a pretty wild thing for Qui-Gon to be so sure of.)

BUT Yoda admits that the dark side is hard to see, and Mace assures Qui-Gon they'll do everything to find out the identity of the attacker. Later he's ordered to go back to Naboo and try to draw out Maul to discover more. Qui-Gon accepts this and doesn't ask for backup. Why should he? He held his own against Maul before, and Maul's probably not gonna show himself again to face a ton of Jedi. They end up missing the chance to learn who trained Maul because of how things go down, but Qui-Gon's death isn't the result of the Council mishandling the situation.

At the funeral, Yoda says the presence of one Sith means there's another out there. They know they've got to be on guard now and will be, but they've got no more leads for now.

2. Qui-Gon's not here to free slaves.

There's this idea that slavery existing on Tatooine shows the Order is apparently too tied up doing shady things for self-interested politicians (footage not found) to help the people who really need it. But Padme's shocked to know the Skywalkers are slaves for a reason. The truth is there isn't a lot of slavery in the galaxy at this time because the Jedi have helped keep it that way for centuries only by working with the Republic. In TCW we see that Zygerrian slavers have a particular hatred of Jedi because they're literally The Anti Slavery People and did so much of the work to crack down on their trade. But Tatooine is controlled by the Hutts and they simply don't have the resources to start a war with them.

(And honestly, it's crazy how people talk like Qui-Gon's a monster for honestly and apologetically telling Anakin no, that's not why he's here. This is a child he's already indebted to and who has a hero-worshipping idea of Jedi, it would be fucked up for him not to be clear about how he can't help him and his mom.)

3. They doubt Dooku could be behind the assassination attempt.

This I understand shows the Jedi to be a little naive. But they knew Dooku as a good man, and at this point he and his followers are still putting on a show of wanting to secede for idealistic reasons (and a few of them, manipulated by Dooku, actually do have good intentions). Only later do the Jedi learn they're illegally building an army before they've even officially left the Republic and clearly have no interest in the peaceful resolution Padme's been advocating for. And they only find this out because they have Obi-Wan investigate the assassin and this very quickly leads him to Dooku.

4. "Arrogance, yes. A trait more and more common among Jedi. Even the older, more experienced ones."

In context, this line from Yoda is clearly not meant to be taken so seriously. Obi-Wan says he fears Anakin is too arrogant, and this is Yoda's light-hearted way of telling him not to be so hard on him. Part of training a Padawan is learning to trust them so they can grow, and Obi-Wan perhaps needs the reminder that he isn't done learning himself.

Of course Yoda saying this could be partly motivated by them having been caught off guard before by the existence of Darth Maul and the dark side clouding their awareness, as we're told repeatedly throughout the PT they know is a problem. But it's kind of contradictory to take this as confirmation that this is a serious fatal flaw of theirs. If someone acknowledges their own arrogance then they're aware of their ability to be wrong, which means they can't actually be that arrogant. If truly meant in a general sense and not just as a gentle reproof of Obi-Wan, it's a pretty self-deprecating comment coming from Yoda.

5. "If an item does not appear in our records, it does not exist."

Chief Librarian Jocasta Nu gives this haughty response to Obi-Wan looking for Kamino, a system that's not in the Jedi Archives. So being so overly confident in the infallible knowledge of the Jedi, he takes her word for it and totally drops this lead.

Except no, he goes to someone older and wiser to figure out what this actually means. And he and Yoda are forced to conclude that the unthinkable - a trusted person among them somehow had reason to erase information from the archive - must nonetheless be what happened. This is honestly an exception that proves the rule: Kamino, and we can assume only Kamino, is missing from the archive only because it was removed, which is so suspicious it just shows he must be on the right track to discovering something. Jocasta is kind of snooty about it but theirs obviously is supposed to be one of the most accurate and complete databases in the galaxy.

6. Obi-Wan doesn't believe what Dooku tells him about the Senate.

For one thing, in this conversation Dooku's lying about basically everything but this. And I can't ever stress enough that Palpatine is a threat unlike anything the Jedi have ever dealt with before, who's already taken control of so much before they even know they're fighting anything, so the idea that a Sith is controlling the Senate would be really hard for anyone to believe.

Still, we know Obi-Wan reports this to the Council anyway. But it's a vague statement and they still don't have any information to act on. Palpatine soon has them very busy putting out fires in the war, and naturally fighting the Separatists who are led by Sith seems the best way for them to get to the bottom of what exactly is going on with the dark side. And they do finally turn their attention to how power-hungry Palpatine is getting once the war is nearly over and they've got the bandwidth for it, and think about what they might have to do if he's the threat to their democracy they fear, but of course he's too many steps ahead of them all the time.

---

So basically, what we see the Jedi being so guilty of in these examples are thought crimes. When confronted with the crazy explanation that happens to be true, their instinctive reaction is "No, I don't think that's possible." And then they do their due diligence to uncover as much of the truth as they can anyway. And Yoda, the Grand Master of them all, is often the first to admit that their first assumptions could be wrong. But Palpatine wouldn't be a good villain if his moves were predictable and he couldn't get an advantage over the good guys - that's just how storytelling works sometimes and it's not that deep.

It honestly felt stupid typing so much of this out because it's 90% just describing what actually happens in these scenes. But I guess it's a lot to ask that people actually carefully watch the films they discuss. 😒

[alchemistc]

He likes occupying the same space as Tommy. It's - every time he looks across a room and sees him he just wants all the space between them to disappear. And - okay - yeah - Tommy has, like occupied space inside of Buck so there's - there's a little Pavlovian tic somewhere in the goo Tommy's smile can turn his brain into but also -

He likes the way it feels when they're side by side - naked or clothed - and Tommy arches his shoulder to smack it into Buck's. He likes the way his eyes dart, when they're breathing the same air and he's thinking about kissing Buck - which is a look he relishes now as much for the knowledge that he's about to be kissed as for the knowledge that he'd seen this look a half dozen times before they ever got to the kissing part. He likes the way Tommy occupies Buck's space - never overbearing but always close, close, close like if Buck asked they'd melt pieces of themselves and stick them together before everything cooled back down. He likes the way they can't quite hold hands without their arms brushing, and the way Tommy ducks his head when Buck exaggerates a flirty head tilt.

He likes a lot of things about Tommy.

He likes the way he grudgingly enters a gay bar because it's not really his scene and ends the night with a drag queens feather boa wrapped around his neck while he sings the Gaga parts of Shallow even if he gets a little pitchy.

He likes the way Tommy boops his nose, out of the blue while he's listening to Buck explain something that has no bearing on either one of them or the thing they're working towards together - still listening with rapt attention but also a little devastatingly charmed by Buck's rambles, of all things.

He likes the way his nose scrunches up when he laughs, soft and genuine, the way when he's really feeling it the ears draw back too.

He likes the way he sounds, that first time (and every time after) Buck found his prostate and he whined like a fucking siren.

He likes the way his face softens even when he's tired, worn around the edges as Buck flings a sock into his laundry basket and tucks his head up under Tommy's chin.

He hates the way Tommy shuts down every time Buck tries to bring up the future.

And it's not like - it's not like Buck isn't aware they'd sort of speed run some milestones. House keys swapped with the sort of flippancy you'd expect out of two guys whose schedules rarely lined up. A drawer in Bucks's loft for the clothes Tommy always left behind, because for some reason he liked to fling them over the balcony instead of stuff them back in his overnight bag. A toothbrush at Tommy's a month and a half in, which wouldn't be all that strange except for he'd gone out of his way to buy the same electric one Buck had in his bathroom vanity. The pin to each others phones, swapped and repeated until it was muscle memory and three weeks ago Buck had grabbed the wrong phone but he'd seen the lock screen of the two of them from their hike in Fern Dell and he'd punched the code in like it was rote before he'd even been fully awake.

Tommy'd hit a wall, though, the first time Buck brought up his lease. And it wasn't - Buck isn't always the best about understanding the shit going on in his own head, but he actually hadn't been going any particular direction there, it'd just been something to fill the lull that had popped in his head and -

Of course, when Tommy froze the fuck up Buck decided to poke at it like a particularly nasty yellowing bruise.

Kids - not his own, just the nebulous idea of them. (Tommy shifted to a conversation about cars so smoothly it'd taken Buck half an hour to notice.)

Marriage - not his own thoughts about it, just that Bobby and Athena had an anniversary coming up and man didn't it suck that Maddie and Chim never got the wedding they wanted and he'd gone to one once in Montana and it'd been in a barn and they'd had candles in Mason jars for their centerpieces before that was the thing to do. (Tommy booped his nose and scrunched his face and held out a ladle of tomato sauce for Buck to try and - son of a bitch he'd known it needed more acid and that Buck would get distracted with recipe talk.)

Homes - the idea of them. Tommy's century old ranch style rental and how it fit him, Bobby and Athena's hunt for a new home, how quiet Eddie's always felt without Chris there, and Tommy had spent an hour listing off all the things he'd fixed up for his landlady and the rent she'd been stubbornly stuffing back through his mail slot every time she found out exactly how much the labor alone for a full copper repipe cost.

So it's.

He's just.

He hates that he's about to do this, here, with his ankle hooked by Tommy's toes under the table at Micelli's when they're supposed to be enjoying six months but he's been on edge for weeks now and he's - God he wants this to work but if Tommy doesn't want to talk future then are they just gonna spend their whole lives stumbling into the next milestone? He doesn't want -

"I had something I wanted to ask -," Tommy starts, right as Buck opens his big mouth and blurts, "I want kids and that's kind of a deal breaker for me."

Tommy blinks.

Buck blinks back.

Not much better than Hot Chicks, as far as Buck is concerned. But Tommy's mouth quirks at the corners, and he jiggles his toes against the back of Buck's ankle, and -

Tommy blows out a breath. "Oh thank God."

"What?"

So he's -

Buck's confused.

"You've been fishing for months now and I thought you were..." Tommy grimaces. When he leans forward to reach for Buck's hand, his arms are tense and his fingers are clumsy. "I thought we'd gone too fast and you were throwing us in reverse and stepping on the gas."

"What," Buck says again, and rewinds.

Kids: where he'd tried to drop the bomb that there was one out in the world who already had half his genetic code and then blazed along to talk about how Chris was his favorite person in the world and Maddie had struggled with Jee and the whole foster debacle made him terrified of all the stress involved in state sanctioned parenthood.

Marriage: where he'd made some dumb joke about how many marriages ended in divorce and then reminded Tommy how much he hated the fact that weddings cost like a third of a years salary, and then told a horrendous anecdote about the way Eddie had asked Buck to come by one night after Shannon only to find him keyed up out back, with the fire pit going and Shannon's things still tucked into their plastic bag on a stool right next to it.

Home: where he'd told Tommy the house in Hershey was like a prison and he'd never felt more himself than wandering the continent trying to find himself and how the loft was suffocatingly open and of the two places where he always felt welcome, one had burned down and the other had been missing an occupant for so long it had felt sad and oppressive.

Foot in mouth Buckley.

"I brought up my lease and you looked like you were trying to figure out if you could hurdle three tables in one leap to get to the door."

Tommy groans. It's. Buck wants to be annoyed by it but he's charmed as ever.

"That - I did do that."

"So. I'm just. Tommy, I..." Because he's given himself time to think about it, since then, and he really doesn't want to re-up his lease but he's also not sure where to go from here.

"It wasn't what you're thinking, though," Tommy says, and there's a wry tilt to his grin. "Irene wants to sell me the house," he continues, and - there's got to be a point, here.

"Okay."

He likes that house. The lived in feel, the easy walk to a little public market where Buck can always find something healthy and Tommy can always come home with a growler of some new craft beer, the avocado tree in the yard and the renovations Tommy has spent half a decade on.

"When you brought it up I'd just spent two weeks trying to convince myself it was too early to ask you if you wanted to sign up for a mortgage with me."

Six months. A redo of their first embarrassing date. The wine, instead of pitchers of beer. I had something I wanted to ask -

"I want to be married, someday," Buck says, and Tommy's thumb skitters over his wrist. "And - the kid thing. That's still a deal breaker."

Tommy nods. Maybe not a surprise, but - still. That feels important.

"I still don't understand equity," Buck says, and Tommy. Tommy laughs.

"I can teach you," he says, and Buck swallows. He wants to call the waitress over, ask for too many canolli because Tommy's sweet tooth is a tyrant and Buck is still mystified by how he manages to always be so trim despite the amount of sugar he consumes.

Buck narrows his eyes. "How long a mortgage?"

He has a settlement from the city that's just been sitting around, mocking Buck for years. It'd make a good dent even with LA real estate. Tommy smiles. "Oh, 30 years, for sure, but we could refinance at least a few times."

"That's - a long time."

"Housing bubble might pop soon, and then we'd just be stuck in it."

"It's good we both have dependable government jobs."

Tommy's eyes crinkle, but his face gets serious after a moment. "Evan."

"Ask me."

Maddie's gonna fucking flip, Buck thinks. Eddie is definitely gonna give him a side eye. Bobby - Bobby will get it, probably.

Tommy hums. "You wanna share the tiramisu?" His grin is just this side of teasing, and Buck knocks a knee into his in retaliation. His eyes go soft and warm. "You wanna buy a house with me, Buckley?"

[chisatowo]

Uh oh *accidentally makes more splatoon ocs*

[trashogram]

He Chose You (Pt. 14)

Lucifer/Reader: Lucifer chooses you to be the mother of his child. Rated E for Explicit.

(A/N: I know Lute wields a sword. I changed it because.)

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 13.5 | Part 14 | End

“Take your hands off of her!” Lucifer’s command was 7 layers of demonic, loud and deep enough to make the clouds quiver. 

Still, Adam held fast to you until you managed to free one arm and slam your elbow into his gut.

“Fuck! Bitch!” He dropped you to the ground, sneering down at you briefly. You bared your teeth, pushing yourself up to barrel into the odious First Man, only to stagger at the impact of someone’s boot colliding with your hip.

“No! ” Lucifer roared, metal scraping beneath his growing claws.  

You fell back to the floor with a cry, pain exploding across your left side. Lute bore a hole into you with her gaze, glowing gold as a jungle cat’s while she kept you pinned by the shoulder with her spear.

“Stay down.” She smirked as you struggled to face her from beneath her weight.

“Fuck you!” You spat. 

“Wa-hoh! Mouthy now aren’tcha?” Adam teased, his eyes still locked on Lucifer tearing at the gate. “This really is your bitch, huh? All bark, no respect.” 

Lucifer snarled, smoke trailing from behind his pointed teeth. “Let. Her. Go.” 

“Or what, little man? Look around. You’re in no position to be making threats.” Adam scoffed, drawing closer and closer to the King of Hell. “You think you can tear down this gate designed to keep you out.” 

As if on cue, the mutilated poles and slats of Heaven’s gate began to reform. They straightened like an unbothered water stream over jagged rocks, until they once again gleamed unbent and reinforced. 

Through the haze of pain and mist rolling from the ground, you could just make out the crowd of angels that had been your audience. There was shuffling, latent gasping, and you could see a rainbow of expressions taking in the scene you were a part of. Yet no one was coming to your aid. No one did so much as protest the sudden violence in their midst. 

You slid a hand out from where it’d been trapped beneath your stomach, reaching out to implore someone for help. No one rushed to your aid, though you had caught the express attention of a few. One in particular — an Angel with rotating rings embedded with eyes for a head — looked at you in what you guessed was shock. 

“Please,” You pleaded. “Don’t let them do this.” 

The angel stalled, frozen at being addressed. One of their blue hands rose halfway, as if to take your shaking hand, but the hesitation remained. Lute instantly drove the spear’s end deeper into your skin, making you yelp and startling the angel back several steps. 

Why was everyone in Heaven so useless???

Lucifer cast a fleeting glance at the sea of ethereal beings that he’d once called family. Their horror meant very little to him — but they were so afraid of him that they refused to help you as you were assaulted in the holy land. 

     The fact that Adam was right — that Lucifer would claw at the gate as much as he wanted but not break through — only added to his abject helplessness and despair.

     Lucifer squeezed his eyes shut, trying to think of a solution before your cry set every nerve in his body alight. Until he wrangled the bars of the once damaged gate again, fruitlessly. The blond swerved up, down and sideways to try and see you, his heart lodged in his throat as Adam’s hulking form blocked you from sight. 

“Please. Stop hurting her.” Lucifer begged in his panic. “Please! I just came up here to make sure she was safe!” 

“Well looks like you fucked that up royally.” Adam snarked. “That’s what you’re best at though, isn’t it?” 

He held Lucifer’s gaze, something like genuine hatred hidden behind that thin veneer of grandiose arrogance. 

    It brought back memories long buried beneath the millennia of Lucifer’s self-loathing. Back when the pain of a broken heart was still fresh and waking each day was akin to bleeding out until there was no feeling left in his limbs. 

Eve gave him a last, discerning look. She placed a hand on his cheek and gave him a half-smile, reminiscent of the ones he’d been graced with after his magic tricks. 

“I love you, Lucifer.” She , basking in his soft grin for just a  longer. 

“But…” A shadow passed over her face. “I can’t go with you.” 

“Eve?” Lucifer’s voice was small to his own ears. 

Her lilac eyes crumpled, smile thinning. She stroked her thumb over the red blush permanently painted on his face, forever signifying joyfulness. It contrasted terribly with the way his face fell as Eve moved away from him. 

“I’m so sorry.” She  with a shuddering breath.

Her hand disappeared from his face, leaving him cold and crestfallen. 

She turned her back on him to walk to the other man waiting at Eden’s entrance. 

     Adam smirked, pulling her with him with the gate swinging back. He looked back at Lucifer, smug save for the twinkle behind his eyes that would swell and grow with unbridled resentment. 

“She’s innocent.” Lucifer looked up at the first man, feeling numb. “Whatever you have against me has nothing to do with her.” 

Adam glowered. “Nobody that fucks with you is innocent.” 

—

Emily’s wings sliced through the air as rapidly as a hummingbird’s would. She’d never tasted anxiety like this before, and decided it was the worst flavor imaginable as she raced through the labyrinth of Heaven’s capitol. 

It was a wonder that Sera had not been the first on the scene when Lucifer himself appeared. Not for the first time, the smaller seraphim wished she had a better understanding of the inner workings of Heaven’s bureaucratic system, and if there was some line of work that could keep Sera in the dark about something so monumental happening just outside paradise. 

      She’d never say it out loud, but Emily was getting tired of being told that she’d learn everything in time. 

Bursting through the War Room for the second time in a day, Emily made quick work of scanning the surroundings. The strategy table was dim, unused. It made the seraphim bite her lip as her anxiety spiked. She had already checked the grand council auditorium, the library, the commencement hall — Sera was nowhere to be found. 

Emily wrung her hands together. 

Had she somehow missed the presence of her greatest friend and mentor in the disarray?!

            Please Guide Us With Your Wisdom

                         Answer My Call

                              Father 

                     Help Me Understand 

Emily froze, arily spellbound by the pull of ancient beyond ancient energy pulsing nearby. 

— 

You groaned. The pain in your back was now shooting up your spine, overtaking the sting of Lute’s spear digging into your side. It was starting to freak you out, as the dissonant feelings of true hurt and spine-tingling reacted together and kept you wriggling on the floor. 

     Lute refused to budge, snorting at your desperation. 

“You’re wasting your time.” She stated matter-of-factly. “Filthy sinners like you are the weakest of the weak. Trying to worm your way out of your own fate.”

The heel of her boot rose just to join the spear in crushing your body. Your moan turned into a whimper as she twisted her foot in your back, as if you were a cigarette butt to stomp out. 

“Or is squirming like a pathetic maggot under your betters what turns sluts like you on?” She was in your face, having bent over to taunt you 

The question was so absurd that it stopped you dead, pain taking a backseat to it. Your eyes bulged out as you regarded her in disbelief.

“No.” Your lips turned up in disgust. “But the fact that you brought that up as a possibility is making me wonder if you’re getting turned on right now?” 

Lute clucked her tongue, chiding you. “Typical of your kind, twisting the truth to cloud the mind with unholy thoughts.” 

Your jaw dropped open as you squinted at the Lieutenant. 

“You’re the one that brought it up!” Your legs kicked and scraped against the floor with your sudden burst of energy. “You fuckin’ weirdo!” 

“That’s rich comin’ from you!” Adam hollered. He had the gall to turn away from a shamefaced Lucifer to look down at you with digitized eyes. “The freaky fuck that literally had the Devil’s dick in her mouth all day every day!” 

     Lute snickered as if her superior had  the funniest thing ever. It had you grimacing while saliva pooled in your mouth. 

“Think about that a lot, do you?” You asked, wincing. “If I didn’t know any better, I’d think you were jealous.” 

“Bitch you wish you could get this dick. Every bitch wishes they could get a piece of this.” Adam retorted cockily. “It is a shame though — if you didn’t fuck yourself on his cock and get yourself killed, I might’ve rocked your world.”

Lute hissed as you met his declaration with a peel of laughter, put off as your frame shook. 

“No need.” You tittered. “Eve made it clear that I wouldn’t be missing much.” 

Something in the air seemed to change at that, as Adam’s grin deflated. “What did you fuckin’ say?” 

Laughing burned your lungs, but you did so with as much gusto as you could muster. 

“Yeah.” You . “You know, Eve? Your wife? The one you left so unsatisfied she was tempted by an adorable snake to abandon you? I think I can take her word for it that you’re not the best lay —”

“You shut your whore mouth right fucking now.” Adam was looming over you in a flash, gritting his static teeth at your mocking expression. “Or I’ll —”

“Or you’ll what?” You jeered. “Keep projecting?”

Adam chuckle was far less boisterous than it had been before as he sank down to your level. 

“I don’t think you get it, cuntbag. You’re in my house. And your little devil dildo over there,” Adam gestured vaguely to Lucifer, then to the rest of Heaven before him. “Ain’t got any power up here.” 

Pressure mounted in your trapezius as Adam pulled you up and close by the jaw. You breathed in the irony burn of circuitry as you were forcibly pressed against Adam’s mask. 

“So why don’t you be a good girl and shut the fuck up before you get yourself smited?” 

Adam tilted his head, as if just now hearing himself talk. “Smited? Smit? Smoted? How the fuck do you say that?” 

“It’s a mystery, sir.” You heard Lute somewhere outside of the blood roaring in your ears. 

Your wings ripped through your skin as though it were paper, sprouting up like the trunk of a great oak tree without regard for anything in its path. 

Lute shouted in surprise as she was catapulted away from you and back into the shrieking crowd, rushing to get out of the way of the projectile exterminator. Your wings knocked her clear out, and the sensation was unlike anything you’d ever felt before, but you lept to your feet as soon as she disappeared. 

Adam exclaimed in surprise at the same time you spied the fallen lieutenant’s spear and snatched it up.  

Hefting it up like a baseball bat, you took a swing and slammed it against the side of Adam’s head. He pitched to one side with a curse, one hand coming up to cradle beneath his horns when you smacked him again. Your adrenaline had spiked, giving you enough strength to whack the stupid thing off with a third strike. 

“What the fuck? What the fuck?!” Adam’s voice lost its booming quality as he was revealed. But there was no time to take in just how pathetically unimpressive he appeared beneath all the angelic garb.

      You wasted no time racing toward Lucifer who, to say looked stunned would be an understatement, and clung to the gate. Your graceless crash seemed to snap him out of his trance, and the peculiar feeling of his still dagger-like claws desperately felt for your hands. 

Your name tumbled from his lips, as honeyed and reverent as a devoted follower looking upon God himself. 

“I love you!” The words were out of your mouth, finally. “I love you. I love you. I love you!” 

His gaze was nearly back to normal, but at their most demonic they still shone with awe. Lucifer’s soft inhale would’ve made you weep had he not suddenly looked behind you in horror. 

“Look out!” There was a split second between his scream, his aggressive tugging as if to pull you through the metallic frames, and your glance back to see the edge of an ax headed right for you. 

Your wing missed being cleaved by a fraction of an inch, fingers unlatching from the gate just in time to avoid being chopped off. 

    You and Lucifer pulled back from each other as the bizarre hybrid weapon scraped against the gilded post between you. The force of it resulted in sparks cast off and into the clouds below. 

Adam’s bulk was frightfully close, his human face twisted in an ugly rage. His arms retracted, guitar-ax rising to once again swing down on you as you skidded backward. 

“Fuck the ‘forgive and forget’ bullshit!” The first man sounded crazed. His eyes were blazing as he targeted you with another swipe. “I knew you were gonna mess everything up as soon as you got here, just like the ungrateful whore you are!” 

‘Jesus Christ.’ You might’ve raised an eyebrow if things were less dire. ‘I was half serious about the whole projecting thing. Damn.’

                                 “ADAM!”

The voice from on high thundered, prying you and Adam from your dual to stare at the source. 

Sera descended upon Heaven’s plane, and you noticed minutely that Emily was beside her, fumbling her fingers together as the crowd of her kin parted like the Red Sea to let them through. 

“Enough of this! You will invoke His wrath upon us all if this continues!” Sera thundered. 

      Lute was fighting against some invisible restraint like a fly in a spider’s web at her right, golden eyes screaming as they flit around to take in the scene she was thrown from. 

You and Adam remained at a standstill, both of you panting heavily as the magnitude of what you’d done caught up with you. You yourself could scarcely believe you’d managed to hold your own as well as you did. 

“She… fuck…” Adam sucked in a deep breath. “She brought him here. She fuckin’ brought Evil to our door! And you let her!” 

“I said enough.” Sera responded. “This has gone too far. Cast your weapons to the side.” 

The Seraphim’s eyes cut from Adam to you, gripping Lute’s spear with shaking hands. 

After a long, tense pause, you dropped the spear and kicked it away. Adam remained petulant until Sera moved to stride over and take the ax-guitar. He tossed it away as if anyone else touching the thing was unthinkable. 

The glorious Seraphim kept stalwart and tall, though her out-of-place curls and stormy eyes betrayed that she was put out. It felt wrong to see her that way. 

“Go to Lucifer.” 

You blinked up at her. 

“And bid him goodbye. Forever.” 

You trembled like you’d been doused in ice water, spear falling to the ground. Internally you wanted to scream at the mere prospect of being separated from Lucifer. Again. 

    Never seeing him again was logical. It was the only conclusion to all of this, really. But unlike before, when you could convince herself that missing him was enough, Lucifer was within reach. 

The line of your mouth trembled, eyes growing wet and glassy. The shake of your head when you couldn’t utter the word ‘no’ was pointedly ignored by Sera. She stood like a mountain, waiting for you to obey. 

Your name was called, and you pivoted to see Lucifer. He was smiling softly, it too trembling as he waited outside the gateway where you and Adam had migrated closer to in your fight. 

       Lucifer beckoned you with an outstretched hand, reaching into a viper’s den to bring you close again. Tears pooled from your eyes and trailed down your cheeks as you made your way toward him on shaky legs. 

You paused before walking past the gold and platinum ax that sparkled in the corner of your eye. 

“She can’t do it.” Adam accused behind your back. “She can’t fucking do it! She can spread her legs for the root of all Evil, but she can’t even —”

Was it possible?

To black out for ten seconds?

Fuck if you knew. 

It only became apparent that you’d turned round with Adam’s guitar in both hands after it was far, far too late.

     The ax cut through balmy air, glittering in the omnipresent sunlight before it hit its mark. Golden blood spurt in all directions, splashing over your face, neck and shoulders. Some of it burst into your mouth, gaping as you realized what you’d just done. 

     Adam’s headless body continued to stand upright for several seconds before it collapsed at your feet. 

*

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[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[halemerry]

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

[et6rnalsun]

LET ‘EM KNOW, chris sturn

𝜗𝜚 pairing: chris sturn x fem! reader

warnings: 18+ smut, p in v, unprotected sex (wrap it up) literally js sex, chris being rough as always, slightly toxic! reader & toxic! chris

posted this cuz i needed to post something so here u go sum freaky smut. there’s a small time skip directly to the sex, hope it’s clear

your relationship with chris was complicated — and it couldn't even be called that.

something unfinished, that neither of you wanted to end. something that you had to let go but were too attached and dependent to the toxicity of the entire thing. you fucked, argued, argued while you fucked. it was a cycle that repeated itself, threats of never seeing each other again and then ending up in each other's bed with sinful moans escaping from swollen lips.

you weren't a jealous person, never been, especially towards him. you knew perfectly well he fucked other girls and pride ate you up completely before you could make a scene or something. but there was one of his hoes in particular, who made your hands tingle with the desire to beat her ass, that kept hanging around on him as if he was hers.

you fought the urge to nibble on your freshly manicured nails as you stared at that photo posted on his instagram story, their faces too close for your liking, clearly laying in his bed. so, you didn't think twice before clicking on his number, calling him. you waited one ring, two rings, and at the third he finally answered, his raspy voice saying your name slurredly.

"can you come over?" you asked shortly, getting straight to the point as you sat on the edge of your bed. chris sighed, knowing where you were going with this. "i'm busy right now, i think you know that"

"do you think i care? drop this bitch, chris, we both know you're dying to come here anyway" you huffed, not caring in the slightest that maybe you sounded too cocky. then your voice took on a more pleading tone, trying to get to him. "please, i need you. i’m not even kidding"

you could practically hear him wavering, his silence the answer you needed while you were already smiling in victory. "i'm coming. i fucking hate you" and hang up.

you then stood up, walking to the bathroom as you changed out of your underwear into his favorite thong, a smirk on your glossy lips the whole time. you had won, as always. you had confirmed that chris couldn't even resist you and your sweet voice of yours that begged him so subtly.

you didn't care if you sounded pathetic, or if you wouldn't do it for any other man anyway. you wanted him and had him again.

and then you didn't care even more as your fingers continued to pull the long curls of his hair to draw him closer to your neck, already tortured by marks and hickeys. your other hand gripping the crumpled sheets of your bed due to the inhuman rhythm of his thrusts. your moans were like music to his ears, especially after not hearing them for so long.

the tight, pink thong you had worn a few minutes before his arrival had been thrown to the floor without the slightest importance or care, like the rest of your clothes, only that one had been completely torn by chris's fucking impatient hands.

“you're such a needy slut,” he murmured through gritted teeth, one of his hands resting on your neck to keep you still. "you couldn't stand the fact that i was with someone else, huh? admit it" to those last words he added a thrust that hit right in that sweet spot, making you whimper.

“shut the fuck up” you managed to breathe out, your thighs tightening around him as you were desperate to reach your orgasm. "you didn't even - ah- didn't even hesitate to come here, didn’t you?”

he tightened his grip on your neck, lifting one of your thighs onto his shoulder with his other hand as he groaned. "fuck you" small beads of sweat had formed on his forehead at that point. “no one, no one has a pussy as fucking tight as yours” he felt like your walls were about to snap him in half, his eyes nearly rolling into the back of his head. "you drive me so crazy"

your moans had increased, feeling that pressure starting to persist more and more. “admit it” you whimpered, your long nails scratching his back as your arched yours slightly in pleasure. "admit that no one is like me"

his lips had found your bare shoulder, his teeth digging and biting into the sensitive skin as he whispered and moaned shamelessly into it. "no one makes me feel like you do, ma, i would gladly die inside this pussy if i could."

and you're cumming around him the minute the words leave his lips.

[satorusugurugurl]

I Think He Knows

Summary: When your novel takes off and becomes a best seller, doors of opportunities open for you. You can work on the series you have dreamed about all your life. And you’re also given the chance to stay in a tiny cottage in Europe for two years to help with inspiration! Your best friend, Geto Suguru, shatters at the news. How could he possibly tell you how he feels when you’re leaving him? His opportunity appears right before him when you confess that your editor thinks a change of scenery will help with your not-so-steamy romance scenes. They’re lacking a particular spice because you’re a virgin. So, Suguru does what any best friend would do. He offers to teach you how things work. Will you cross that line as friends? Or will you both say goodbye?

Pairing: Geto Suguru x FAB!Reader

Word Count: 4,505

Warning: Language, suggestiveness, mentions of sex, mentions of death, depression, insomina

A/N: BestFriend!Suguru series is now our Saturday special!! Let’s goooooo!!! 😈💚

Part Two Part Three Part Four Part Five Part Six Part Seven Part Eight Part Nine Part Ten Part Eleven Part Tweleve

Fifteen years ago, you and your family moved to Tokyo from the countryside due to your father’s job. You were so nervous, walking into your kindergarten class and holding your bag as your homeroom teacher introduced you to your new classmates. Everyone stared at you as you were ushered towards a table with two boys. One stuck his tongue out at you while the other colored with crayons.

“Oooh.” You said in awe, looking at the picture the dark-haired boy was coloring. “That’s pretty! Did you draw that?”

The crayon stopped moving as the dark-haired boy looked up at you for the first time. His dark eyes widened as he looked you over, a rosy flush dusting his cheeks. “I uhm,” his eyes darted back towards the paper, “yeah, I drew it.” You leaned in, your eyes sparkling in awe, as your classmate sucked in a deep breath as you got closer.

“So pretty!”

Swallowing hard, the boy continued coloring. “I-If you want it, you can have it when I’m done.” His voice is so timid that you almost don’t hear it.

“Eh?! Really!?” You smile, revealing a missing tooth. “Thank you—uhm, what’s your name?”

“G-Geto.”

“Thank you, Geto!”

“You’re welcome.”

That day marked the beginning of your friendship with Geto Suguru! You two have been inseparable ever since that day. You were having play dates and attending the same middle school, high school, and college! You even lived in the same apartment complex, just two floors separating you.

Suguru never once gave up on his passion for drawing, trading his crayons and construction paper for oil paint and canvas. You didn’t have an artistic bone in your body. You did, however, have a way with words. You were constantly losing yourself in characters you'd create and worlds you built, and you never thought of sharing them with the world until Suguru pushed you to do so.

You took his advice and submitted your novel to several writing competitions, not expecting anything to come from it. Boy, were you shocked when you won first place and were allowed to publish your novel! The publishing company loved the story, your characters, and the premise of it, so much so that they signed you on for a whole saga.

That was great! Your characters would finally be given the chance to shine. Their stories would be told! There was just one issue that you kept running into while working on the sequel. Your high-end fantasy novel was a romance between the princess of your series and her knight. You ended the first book with a very intimate kiss and confession. The whole purpose was to have readers wanting more, and they wanted more.

Your reader wanted more Ilaus and Oaklynn, more kisses, sweet whispers of nothing, and steamy smut. The readers wanted to see the lovely, innocent princess and her hot knight getting freaky. Which you were all down for! You wanted them to get to that point as much as your readers! You wanted Oaklynn to be face down getting plowed by Ilaus more than anyone else! You had written their story and made them suffer; they deserved to be happy with each other.

So why was writing sex scenes your kryptonite?!

You anxiously watched Nanami Kento, your beta reader and editor, scroll through your phone and read the latest pages you had written. His face was stoic, unreadable as his eyes glimpsed over the screen. Your leg bounced as he put your phone down, his eyes focusing on his mug before he sighed.

“Oh my god, you hate it.” Anxiety settled in your gut. “It’s terrible! I knew it sucked.”

Nanami winced, his eyes not meeting yours, and he brought his mug to his mouth and took a sip. “Why did you call his penis ‘his raging meat stick’? Like it was a slab of salami?” Your friend watched you slam your head gently against the table. “And for her, you called it her fairy cave?” This time, your friend didn't wince; no, the bastard chuckled.

“This isn't funny, Nanami!”

“I know,” he took another sip, “look, it's not bad; I just think if you're going to write a sex scene, you need to refer to the genitals as genitals and not lunch meat and damp mystical caves.”

“L-Like use the word penis?”

“Or cock, dick, not meat stick.”

“Shh!!” you reached over the table, covering his mouth with your hands. “We're out in public!!”

Nanami pulled back away from your hands. “Oh please, we know Gojo and Sukuna. They are more foul than that.” He had a point; the two could make grandmothers cry with their colorful vocabulary.

The first half of your novel was easy to write—lots of action, passionate kisses, and dialogue. The middle had hit you with a brick of writer's block. This was your first time writing anything remotely spicy other than making out with tongue. The scene you were stuck on right now wasn’t even a full-on sex scene! That made it so much worse! They were pleasing each other in a tent with just their hands! It's a simple mutual masturbation scene.

But using a meat stick and a fairy cave would not cut it. And the next couple of chapters were due to your agent in a week. If Nanami pretty much flat-out told you these scenes sucked, there was no way in hell you would be turning this in to your agent.

“Fuck, Nanami, what am I going to do?”

“Scrape it and rewrite it.” Feeling your gaze on his, Nanami breathed out a breathy huff. “Look, it's not terrible, trust me; I know you're capable of more.” Your trusted friend chuckled as you puffed out your cheeks.

“Oh yeah, scrape it; maybe I'll use a hot dog instead of a meat stick this time.” What were you going to do?! There was a week to turn the poorly excused terrible smut you'd written into something that would please Nanami, your agent, and the publisher.

Nanami patted your shoulder as he collected his stuff. “You know, sometimes our own experiences can help.” Great, now you were frustrated and a blushing mess!

“I-I can't do that!”

“Well, then read some erotic novels for inspiration if you have any questions if you don't want to use your personal sexual experiences.”

“That’s not what I me—”

“Look, let's meet on Tuesday for lunch, and you can show me what you have then. I gotta run to class; I’ll see you then.”

With a heavy heart, you watched your friend rush out of the café and return to Campus. Nanami was full of good ideas. Using one's own experiences was a good muse. It was something you would do if you had any experience. The number one reason you had so many issues writing smut seems like this was because you were a complete and total virgin.

That was the sole reason why writing sex scenes was your kryptonite. Because you had zero experience, writing about something you had no experience in was hard. So Nanami’s advice, while appreciated, was utterly useless. You had no experience, and there was no way you were hooking up with some random person to inspire you.

Oh well, you had a lovely long week to try and fix the monstrosity you had created. It wasn't like your agent would call you out of the blue! Yeah, you had a week! A week! It was all good!

A bag slammed on the table as you packed your laptop and notepad. With a squeak and a jump, you turned to see your agent staring down at you—a look of dismay and stress plastered over her face.

“U-Utahime?” Her expression remained the same as she adjusted her baseball hat. “H-Hi, what's up?”

“Meat stick?”

“Fuuuck.” you cried out, throwing your head back.

“I come in to give you good news, and I hear that Nanami is saying you're struggling with the sex scenes?” She sips her coffee anxiously, her foot tapping against the tile floor. “You told me it was a romance? And you can't write sex scenes?!”

You hushed her, standing up and putting your index finger against your lips. “Shut up! Please! I'm working on it; I'm just struggling!” Utahime laughs, crossing her arms over her chest. “I'll fix it! I promise you’ll have a super spicy mutual touching session by next week!” she gives you a skeptical look, one you're pretty sure was on your face as well. “B-But what good news do you have?” Your agent and friend relaxes as she grins.

“You know that cottage that you saw online? The one in Europe that inspired your book?”

“The one that I can't find? Yeah, I know it.”

When you graduated high school, you and Suguru had stopped at a bookstore while shopping for supplies. You were grazing through pictures of European castles when you saw this darling little cottage. It looked similar to the cottage in Sleeping Beauty. It was made of stone in the woods beside a river where a water mill ran.

The cottage was gorgeous; it got your creative juices flowing. You imagined characters living there, and it was honestly the inspiration for your book. You desperately searched for it. Wanting to learn more about the cottage that had inspired your fantasy world, you couldn't find a lick of evidence. You had been under the assumption that it was either destroyed or didn't even exist. So you had given up on finding it two years ago.

“Well, your lovely agent made a few calls and sent out some photos, and she found it.”

“Shut up bitch.” Utahime just smirked, pulling out her phone. “Oh my god, oh god! Are you serious?!” Her phone slid across the table, the screen illuminated by the cottage that inspired your novel. “Ahh! Oh my god!”

“I also got in touch with the owners of the cottage. And when I told them a best-selling novelist was in love with their cottage, which they just so happen to rent out, they offered for you to stay there.”

“Oh my god! Oh my god! Oh my god!”

“Maybe staying here will get your creativity flowing! Help you with the next few novels.”

Your body was vibrating in excitement. “Oh my god, yes! A week here would be great!” A low ‘uhm’ from across from you drew your attention from the phone to your agent. “Or a weekend?” she shook her head.

“They offered it to you for longer than that.”

“Seriously? How long are we talking?”

Utahime’s smile was wide and warm. “You’re gonna need a few bags.”

The second you left the coffee shop with a coffee in one hand and a brown paper bag in the other, you bolted down the street. Your meeting with Utahime went so well! You couldn’t wait to tell Suguru all about it. By the time you reached the apartment complex and his door on the third floor, you were panting.

Glancing at the handle, you luckily didn’t find a tie on it, meaning he didn’t bring home some chick, so it was safe for you to come in if you wanted. He did that for you after you walked in on him eating some bimbo out on the kitchen counter. Knowing it was safe, you unlocked the door with your spare key and headed inside.

The smell of paint was strong, meaning Suguru was in the zone and probably had been for hours. Meaning he hadn’t eaten. He was so lucky to have you as his best friend in the whole world, or the man would have starved.

“Suguru~!” Stepping through the apartment, you followed the sound of alternative music toward the spare room, which he’d turned into his makeshift studio. Stepping inside, you didn't find him, but his easel had a new canvas.

Quickly rushing forward, you stared at it, and your heart sank. Suguru had sketched out an aquarium, the base colors down, and a girl stood in front of the tank. The colors hadn’t been placed on her, but you knew who she was from the ruffled sun dress she wore to the braid that cascaded down her back.

“Riko.” Her name tore at your heart as you reached out to touch the sketch of the girl who had been taken far too soon.

Before you could touch the canvas, a creaking floorboard had you pulling away, rushing far for the easel. Your best friend walked in, a fresh mug of water in his hand, while he scrolled through his phone in the other.

God, how he had changed in the fifteen years you’d been together. His hair was longer, pulled in a bun; his bangs hung in his face. Suguru’s left arm was inked with a dragon; it swirled around the head of it tattooed on his shoulder. His lip was pierced along with the cartridge of his ears, and he was wearing his black gauges. That boy you met in class was now a man who was shirtless and covered in paint.

Suguru finally looked up; seeing you standing there startled him, causing him to spill water on the floor. “Fuckin’ hell!” He yelled, putting the mug down to grab the edge of his tables covered with tubes of paint. “You little fuckin’ shit.” His words held no heat as you placed his food and coffee down.

“Oh please, you’d starve without me. I tried calling you when I came in.”

“I was in the kitchen.”

“No, you weren’t.” You sat on the table inches from where Suguru stood. “I walked through there; you sneaking a girl down the fire escape? Not wanting me to catch you doing something indecent again?”

There was always a playful, teasing tone between the two of you. Especially now that you were older and he was a man whore. His dark eyes narrowed as he grinned, slotting between your legs as he sipped coffee.

His eyes trailed over you. “Why would you be jealous if I was?” You shook your head as he pushed your hair back. “Damn, I was just talking to Satoru.” Suguru rolled his eyes as you whistled. “You would like.” He ruffled the top of your head.

“Nah~ I’ve seen you go down on a girl.” He opened his mouth again. “And no, I’m not jealous; I just don’t wanna see you going at it.”

“Yeah, he said we’re all going out tonight; something about that sushi train place.” He pulled out the sandwich you brought him, taking a bite. “Said we had to celebrate.”

“Oh, we do.” Suguru swallowed the mouthful of food. “Because I got some great news today.”

“Really? Did Nanami like your new pages?” He stepped away, grabbing the mug of clean water as he stepped back in front of the canvas.

“Well, no, but that’s a whole other situation.” The excitement buzzing in your chest could no longer be held in. “Utahime found the cottage!”

Suguru perked up, knowing exactly what you were talking about. “Shut the fuck up, she did, where?!” He’d helped you search for your inspiration for hours; he knew how badly you wanted to go there.

“It’s in a wooded area in England. Super pretty! The owners have read my book and offered to let me stay there!”

“Well, that’s gre—”

“For the next two years!!”

Glass shattered, leaving both you and Suguru in stunned silence. Your best friend was pale, the color leaving his cheeks. His eyes were distant as you looked down, seeing the water spreading over the floorboard, sliding under Suguru’s bare feet.

You were the first to move, not to pick up the glass but to grab Suguru’s face gently. He was as still as a rock; he only got like that when he had flashbacks to that night. Seeing that he was painting Riko must have meant he was stuck in that moment from your second year of high school.

He shut his eyes tight, leaning into your touch, cluing you in. It wasn’t a flashback. He took a deep breath before lifting you, putting you off to the side, away from the glass. Something wasn’t right with Suguru; you knew it from his lingering touch and the lack of light in his eyes.

“What time did you get up?” You asked as you bent down, helping him pick up shards of glass.

“Are you going to leave?”

“I asked you a question first. What time did you get up?”

“Three this morning. Are you leaving?”

Peering up, you found his eyes focused solely on you. “I’m uhm—I’m waiting for Utahime to contact the owners.” He gritted his teeth, his eyes returning to the glass on the floor. “It’s not set in stone yet, Suguru.” You gently nudged his hand with yours; those words had him relaxing a bit, like relief was washing over him. “Why were you up at three?” He stood up, tossing the broken glass in the trash.

“Nightmares.”

“About Riko?”

Riko Amanai was a person Suguru didn’t like talking about. He went to therapy for what happened, but her death left a mark on him that probably would never heal. He had his good months and his bad months. Between the canvas and the nightmares, you knew he was going to have a hard time this month.

You didn’t push him; you hated to pry that part of his life. That didn’t mean you weren’t there for him, though. If he wanted to talk to you, your door was always open. There had been many nights when he would show up and ask to stay in bed with you. Those were the nights when nightmares were too much to handle when he had too much on his mind. Those were the nights you both stayed up, talking about life, your novel, or his work. They were also the nights you both fell asleep in each other‘s arms and got some of the best sleep of your lives.

“Suguru—?”

“I’m going to grab the broom. Just stay here.” Suguru grabs a white sheet and covers his newest canvas up before heading out of his room towards the kitchen.

Great, you just had to go prying into his trauma. What the hell is wrong with you? He would’ve talked about it with you if he wanted to talk about it. It was wrong to dig into what was happening in his mind. You worried so much about him, and sometimes you forgot you had no right to question him.

Despite your prying and prodding questions, Suguru was still warm to you. He wrapped an arm around you and plopped down on the couch with you while he finished eating breakfast and drinking coffee. He showed you some of the paints he wanted to get the next time he dragged you to the art store. Suguru acted like everything was normal when you both knew it wasn’t.

He was masking; he often did when he didn’t want to talk about what was going on in his mind. Or when he didn’t want to worry you. You could easily see through his façade, but you weren’t about to ruin the rest of his day with your questions. You lay there on the couch with him, listening to him talk about his paints and the commissions that he had received.

The mundane conversations lasted until four o’clock. The two of you freshened up before heading downtown to meet your other friends for your not-so-celebratory dinner. Satoru had invited almost everyone you knew. Nanami, Shoko, Sukuna, Haibara, and Yuki cheered when you two entered.

You were pulled towards the bar by Shoko and Yuki, who squealed over how lucky you were to have found your cottage. Suguru snatched a beer from the bucket on the table, chugging it as he sat beside Satoru. The white-haired man hissed out a sigh, his arm wrapping over Suguru’s shoulder as the two watched you closely.

“I can’t believe they offered her to stay there for two years.” Satoru purred out. “Like fuck, it’ll be weird not having her here.”

“Please shut the fuck up.”

Satoru pulled his dark sunglasses off, glaring at his best friend. “Who pissed in your cereal?” He paused, pursing his lips together. “Oh right, the girl you love is leaving you. I have an idea; tell her how you feel!” A handful of gyoza is shoved into Satoru’s mouth.

“I can’t. You know I can’t.” Nanami glanced at the two before him, gulping down his beer. “If I tell her, it’ll be like I’m holding her back. I can’t do that.” As he steals another glance at you, confusion, doubt, and anxiety settle in Suguru’s stomach. “If she wants to go, she can go.”

Thankfully, after his little rant, the conversation drifted from you and focused on school. The whole night, no one brought up the cottage, nor you leaving yet. As you assure them, nothing is set in stone yet, but finding out where your inspiration was was enough to drink to.

The happiness that seemed to radiate off you made Suguru feel bittersweet over the whole situation. He was happy for you. He knew how much finding that cottage. He spent his free time looking into it for you. But he could never find anything. He desperately didn’t want to go either. You were his best friend. You had been for fifteen years, and he was utterly in love with you, but he didn’t want to cross that line.

Now that there was a possibility that you would be leaving, he regretted all the chances he had to cross that line, and he never took it. That’s why he slept with so many girls who shared attributes similar to yours. Some of them had your eyes, others had your hair color, and there were just some of them that looked similar to you. It was a way to cope with being unable to tell you how he felt. But at least he didn’t ruin your friendship.

Between the lack of sleep and the new fear of losing you, Suguru needed something more potent than beer. He shimmed over to the bar, ruffling your hair as he passed you. As he leaned over the bar, waiting for his drink, Nanami squeezed in next to him.

“I think I know why she might be leaving.”

“Huh?” Suguru’s pierced brow lifted in confusion. “Why would there be a reason for her to leave? She’s always wanted to go to that cottage.”

“She offered to stay there to help with her writing. I may have called Utahime and given her a heads up about the pages I read today.” Nanami sipped his drink. “We both agreed that change of scenery might help with her writing.”

“The fuck do you mean?” A twinge of anger flashed over Suguru’s face. “Her writing is the best. There’s nothing for her to work on. She got published, for God's sake.”

Nanami chuckled nervously. “There’s no doubt that she’s a talented writer. While her dialogue and kissing scenes and her world-building are superior to other authors, I’ve read for. Her romance scenes are atrocious.” When Nanami saw the look of bewilderment on Suguru’s face, he nodded. “By romance, I mean sex scenes.”

“Well, she’s never had a boyfriend; I don’t think she’s even kissed someone.” Nanami makes a humming sound of understanding as a revelation overcomes Suguru. “Do you think if her sex scenes get better, she might now want to leave for as long as she said?”

“Maybe. But it’ll take a miracle for her sex scenes to improve.”

A miracle that Suguru was willing to provide. If he could help you, maybe, just maybe, you might consider staying if you’re given a chance to leave. And if he’s lucky, perhaps he would finally find the strength to tell you how he felt. Downing his drink, he rushed back to the table, grabbing your hand.

“Hey, can I talk to you?”

Your eyes glitter, making Suguru’s heart thunder. “Sure!” He drags you through the crowded restaurant, pulling you outside towards the alley. “What’s up?” God, you look so pretty with flushed cheeks.

“Nanami told me about the sex scenes”

“That traitor!” You pout, tilting your head back with a grumble. “Fine, go ahead and make fun of my usage of deli meat for describing genitalia.” The teasing never comes. Instead, Suguru's musky, earthy smell crowds you as he slams his hands on either side of your head. “S-Sugu?”

“I have a proposition.” His voice purrs out, making your heart race spike. “You’re struggling with the sex scenes. That’s why you’re thinking of leaving, right?”

“Y-yeah, and?”

“What if I help you? If your sex scenes get better, do you think you might not need to leave for two years?”

Heat begins to fill the tiny space between your bodies. You feel your exhaled air mingling with the others. Fuck was it the alcohol?

“I-I mean, maybe I wouldn’t need to leave for so long. Maybe just a week.” There’s a gleam in your best friend's eyes. “But how are you going to help me?” His mouth inches closer, and you can feel the heat as he leaves an inch away from your lips.

“I can teach you.”

(TBC)

Forever Tag List:

@darkstarlight82 @pandoness @nealeart @simp-plague @sugurubabe

[kenzirr]

Y/N was a force of nature, effortlessly charming and bold. She had taken a particular interest in Aaron Hotchner, and her playful flirting left him flustered more often than he cared to admit.

As they stood at the latest crime scene, Y/N leaned in closer to Aaron, her shoulder brushing against his. “Hotch, you know, I think the real crime is how serious you look right now. A little smile wouldn’t hurt,” she teased, giving him a knowing glance that made his heart race.

He cleared his throat, trying to focus on the evidence. “I’ll keep that in mind,” he managed, but her presence lingered in his mind long after she had stepped away.

One afternoon, she knocked on his office door and sauntered in without waiting for an invitation. “Hey, Hotch. Mind if I steal you for a minute?” she said, leaning casually against his desk, her body exuding confidence.

“I’m kind of busy,” he replied, but he couldn’t help but let his eyes wander over her, taking in the way she moved.

“Busy? Or just avoiding a good time?” she countered, a playful smirk on her lips. “You know you could use a little fun in your life.”

He chuckled softly, running a hand through his hair. “You certainly have a way of making things interesting.”

—-

On a flight back from a case, Y/N settled into the seat next to him, a subtle glint in her eyes. “Hotch, I was hoping you’d save me a seat. I’d hate to sit next to someone who can’t keep up with my conversation.”

“Is that so?” he replied, trying to sound casual while his heart raced. She leaned closer, her voice low. “Absolutely. You know I’m the most entertaining person you’ll find on this plane.”

“Right,” he said, feeling the heat rise in his cheeks as he tried to focus on his laptop.

—-

At the annual FBI party, Y/N approached Aaron, who stood at the bar, nursing a drink and trying to blend into the background. “You know, Hotch, you really should let loose once in a while. It’s a party, after all,” she said, her voice smooth and inviting.

“I prefer to stay focused,” he replied, but even he could hear the weak excuse in his tone.

She stepped closer, her smile warm and inviting, and he couldn’t help but steal a glance at her figure. The way her curves filled out her dress had his mind racing. “But you’re here now. How about we change that? Care to dance?”

He hesitated, his breath catching in his throat. “I think I’ll just stick with my drink for now,” he replied, trying to maintain his composure.

Y/N laughed softly, the sound rich and inviting. “You’re adorable when you try to be serious. Just remember, you can have fun while still being in control.”

—-

After all these moments, with his heart racing and mind spinning, Y/N finally found the perfect opportunity to ask him out. One afternoon, she walked into his office, her smile confident. “Hey, Hotch. Got a minute?”

“Always for you,” he said, his voice softer than he intended, feeling the familiar rush of warmth.

“I was thinking,” she said, stepping closer, her gaze steady, “it’s been a while since we had dinner together. Just the two of us. How about it?”

“Y/N, I—” he began, but she held up a hand, her expression playful yet sincere.

“Just think about it. I promise it’ll be worth your while. A night with me isn’t something you want to miss.” She tilted her head slightly, a knowing smile on her lips, and he felt his defenses start to crumble.

“Okay,” he finally replied, his voice low and tentative. “Dinner sounds… good.”

Y/N’s smile widened, her eyes sparkling with mischief. “Perfect! I’ll pick you up at seven. Wear something nice, Hotch.”

As she turned to leave, she glanced back over her shoulder, her expression teasing. “And just so you know, I can make a night unforgettable.”

With that, she walked out, her confident stride drawing his gaze. Aaron couldn’t help but stare, captivated, as he contemplated the new dynamic they had just entered—and how much he looked forward to exploring it.

[jayrockin]

Hey!

I'm enjoying your comic 😃 Talita is so cute and awkward 😊 If you don't mind me asking... What is your process like for making a webcomic? I have a graphic novel brewing in my head but I'm not sure how to go about making it!

Thank you! 😃

I talked a little about my process for drawing pages over here, but that doesn't go into writing. For writing I usually start with an idea of the broad overarching plot, and a collection of scenes I definitely want to happen in it. Then I organize those scenes (just written as single sentence descriptions) flowchart style, and add connective tissue scenes where the major ones need connection.

I had been using the Twine program to organize my book scenes, completely ignoring its intended function of game creation to arrange a bunch of connected digital post-its in space. Then I learned about Scapple, which is a program actually intended for that function. So I use that now.

Once I know what I need to write I start doing thumbnails and rough pages and scribbled scripts for them in no particular order. My script documents are kind of typed after the fact for the benefit of editors, I really prefer to do my writing while I draw characters and layouts. I also really prefer having all of the rough pages done before I commit to drawing finished pages. Like I already have a "finished" version of book 1 RttS with horrible art, I just have to make it look nice now. My workflow has been extremely all over the place except for that hard rule.

[whattheheckisatazelwurm]

I was rewatching the anxiety attack scene while paying particular attention to Ennui during it because, if you've never noticed, her expressions during this part of the movie are goddamn heart breaking.

Seriously, the way she looks at Anxiety just....... it drives me crazy, man. Given how expressionless she is in the rest of the movie, you can really tell how much seeing this fucked her up.

But I wanted to draw special attention to this shot, which I've never noticed before and I can't stop thinking about. When Anxiety is just starting to really freak out, we get this shot:

I'm highlighting this shot not just because, again, her expression is devastating, but also because, look at her phone. They specifically positioned her phone in this shot so that you can see she has the console app open. At this point in the movie, it's been a long while since we've seen her take the controls, she would have no real reason to have the console app open.

I think she was trying to take the controls from Anxiety.

I think she saw that Anxiety was starting to spiral and tried to step in to stop it, but by that point Anxiety was too out of control to stop.

Poor Ennui, she just tried to help. Ennui cares, she cares a lot.

[mrinafria]

[contains spoilers]

I'm an eternal digger of good narrative techniques. A decent story becomes great in my eyes if the narrative is done right. And it's one of the hardest things to do really, since there's no one-size-fits-all rule for what technique works well with a particular story and what doesn't. One of the primary reasons I keep obsessing over Lovely Runner is its' narrative technique. In all honesty, if it had a linear, singular narrative, I would not be hyperventilating over it on a constant basis (I still would just a certain amount, because both Byeon Woo Seok and Kim Hye Yoon deserve awards for what they are doing). One reason it has managed to knock it out off the park and take the top spot in my forever-favorite list is how wonderfully well the narrative is done.

The primary perspective used in this show is Im Sol's. It's through her we're introduced to the story. Her perspective gives shape to the plot, the characters, because we learn things through her. Her perspective is absolutely critical for exposition. Without her thoughts and way of viewing things, you would never realize why saving Seon Jae means so much to her, or why she would bend the rules and bulldoze ahead when it comes to his safety (exhibit A, her leaving home on the day of the accident, despite knowing about her fate). She'd rather have him alive than have him in her life. Without her narrative, you'd think it's really all about a fan saving her idol (thanks to everyone who'd rejected the script listening to that pitch by the way, I'm grateful we have BWS and KHY as the leads because of that, I would not change it for anyone else). With Im Sol's perspective, you realize, she is not just a fan: she's an ardent admirer, a cheerleader, a well-wisher, a protector, an invisible friend trying to support her friend any way she can, someone who respects Seon Jae, sees him as an idol but also as a human, someone who wants to give back to him the same kindness, empathy and love she had once received from him over a radio call. To her, Seon Jae is first a guardian angel and then an idol, the angel who changed her view of life, made her appreciate things even amidst all that could be wrong with the world and her life. He saved her. Not just on that day at the hospital but every time she struggled and faltered since then, he was there, as invisible as it may have been. So this time, she wants to save him, no matter the price.

Then comes Seon Jae. Oof. If Im Sol's perspective gives the story its beautiful, beautiful shape, Seon Jae's perspective breathes literal life in to the body of the story. The show wouldn't be what it is today if not for his perspective. Without his view into things, Im Sol appears as a fangirl going to extreme measures to save her idol, clinging onto him like a monkey (yes I mean the poster) embarrassing the heck out of herself, making you cringe (in a good, enjoyable way) throughout. Then you reach the end of episode 2 and it knocks the breath out of you because WHAT DO YOU EVEN MEAN. It all clicks.

All this while we kept thinking Seon Jae was caught off guard and just kind enough to tolerate her antics, and maybe he'd slowly fall for her now, only to realize we were completely oblivious to a whole different side of the story. If Im Sol's narrative draws you in and keeps you hooked, making you root for her to succeed, it's Seon Jae's narrative that makes you irredeemably fall in love with them and sincerely, genuinely, desperately hope they get their happy ending together after all the storm.

And the motifs. Walking/running, for instance. I'll focus on just one scene here. I recall seeing a bts where KHY is discussing the OG 2008 accident scene, and it explains how she has to slow down, while running away, for just a moment, only to be hit by the taxi driver. Have you ever been in a situation of absolute panic, desperation and stress, then suddenly found a familiar face or a name or a thing you could connect to, and felt a wave of relief rush through you? She sees Seon Jae, a person who is calling out her name. Even if she didn't know him back then, the fact that he knew her (and that he had his uniform on), gives her a sense of safety she badly needed that moment. That momentary relief, so visible in her features, then overtakes the crippling fear she felt running in the middle of nowhere with no one in sight in the dead of the night. Her body, already exhausted beyond anything, responds to the relief she feels for those few seconds, slowing down her steps.

And that is when she is caught off-guard and hit. That also might have added to Im Sol's anger at the hospital when she is screaming at Seon Jae, her internal anguish that if only she had not paused seeing Seon Jae, and kept on running, then maybe she wouldn't be hit, wouldn't fall, wouldn't lose her ability to walk. It's one thing to have tropes and symbolic things, but it's a very different thing to know how to use them effectively so they elicit very specific types of emotions/reactions out of people. Lovely Runner excels in that. All kdramas more or less have 'things' that take on different meanings for the couples/viewers. It's the way motifs are used to narrate the story in this one that has me going back over and over again to all the episodes aired so far. These are not just their 'things', these are 'things' that drive the plot forward, tell you about their characters, their personal motivations, what they mean to each other and so much more.

This is getting longer that I intended it to be so will end with this. I feel valued when watching Lovely Runner. And I've seen people saying the same thing. It feels like they respect your critical thinking skills, and your ability to infer, so they don't spoon-feed you everything from the get-go, and you can't predict much despite it being primarily a rom-com. You'd be pulling your hair out (again, in a good way) trying to figure out what they will show next, and you will be somewhat or very far from the truth, which will compel you to think further about the story, the characters, long after an episode has aired...I can't remember the last time it happened with a drama. I love this storytelling.

[definitelynotafurinasimp]

Them with a reader that worships another Archon

characters: Venti / Zhongli / Ei / Furina x gn!reader (separate)

warnings: none

a/n: Didn't write for Ei in a long time... not to mention Zhongli and Venti, so if I got some of their personality traits wrong, I'm sorry.

Anyway, hope you enjoy!

Venti 

“Let’s hope you’re not made out of sugar, or else we’re gonna have a tiny problem”, the Bard joked once he took a glance out of the window, the heavy rain and thunder that had come seemingly out of nowhere difficult to notice, even for the drunken inhabitants of Angel’s Share.

“Rain’s a nuisance at best, I’ll be fine”, your response lacked any signs of the usual annoyance people would feel in this situation, whether it was the alcohol or your attitude towards rain that made you seem almost relaxed was up for debate however.

Just as the words had left your mouth, a giant lightning caused the room to light up, soon followed by a deafening thunder, earning you a grin that spoke more than a thousand words. “Still only a nuisance?”

“Sure, the Raiden Shogun will protect me from the lightning”, came your dry response, causing the bard’s ears to perk up. Truth be told, he couldn’t care less about whatever god you were worshiping, forcing people’s hands or getting grumpy over their decisions was hardly the God of Freedom’s modus operandi. Although this did open up a whole new conversation topic.

“Want me to pass your mighty Raiden Shogun a message the next time I see her?”, Venti offered with a smirk, drawing a laugh out of you almost instantly.

“Yeah, sure Venti. I have no doubt you’d be able to play your way into an audience with her, especially since the last time you stepped foot into Inazuma went so swimmingly”, you jokingly responded, waving goodbye before readying yourself to run back home through the rain.

Zhongli

There was neither law nor contract that obliged the citizens of Liyue to worship Rex Lapis. Sure, the Archon might have been the city's patron god and had descended each year to give instructions and advice, but who’s name spilled out of its citizens' lips during their prayer was none of Zhongli’s business. 

And yet, when he heard a particular name slip out of your mouth, the Archon couldn’t help but furrow his eyebrows for the briefest of moments.

“Thank Barbatos, I was starting to think I’d never find it”, you let out a relieved sigh once your eyes finally spotted the pin on the floor, glistening as if it was calling out for its owner before quickly finding itself stuck onto your coat once again, your lips forming a small smile.

“Hmm? Is something the matter?”, you once again turned towards Zhongli, not missing the conflicted expression that had since long been replaced by his usual smile.

“Not at all. I was simply surprised for a moment, Barbatos Worshippers in Liyue are pretty scarce after all, although there’s certainly nothing wrong with having another Archon as one’s Deity.” His explanation was enough to satisfy you, as your conversation quickly shifted back to the previous topic. And yet the scene remained on his mind for quite a while.

Let’s hope you and your god’s paths never converged… for your faith’s sake.

Ei

Hearing you mumble another Archon’s name in your brief prayer before eating caused Ei’s hand to freeze just close to her mouth, leaving the small sweet hovering in front of her face as her eyes remained fixed on you, the silence gradually causing your face to turn all shades of red as you tried to hide your tenseness behind a polite smile.

“I didn’t know you worshiped Rex Lapis”, Ei stated, her tone coming out more accusatory than she ever intended, causing a small apology to follow shortly after, bringing the tension of the room down significantly. 

Humans were entitled to their own decisions, and yet hearing you worship another god left a… bitter taste in her mouth. Especially since she wasn’t sure whether or not it had to do with her or was totally unrelated, the thought that you liked another Archon more than her filling her with jealousy, no matter how ridiculous she knew the whole situation to be.

“My family originally came from Liyue, so praying to Rex Lapis before meals is somewhat of a tradition for me… even if I don’t worship him on many other occasions”, you explained sincerely, remembering scenes of sharing meals with your family as a small smile made its way onto your face.

Whether it was because of your explanation or the gentle expression on your face, but whatever semblance of jealousy Ei felt within her swiftly melted away, her shoulders relaxing before she finally took a bite of the food in front of her, the corners of her lips rising when you did the same.

Furina

Truth be told, when Furina heard another Archon’s name come out of your mouth she felt a wave of relief wash over her. The last thing she wanted was for you to put her on a pedestal, no matter how attention-seeking she could be from time to time. And while she couldn’t blame those still seeing her as their Archon, considering how she had played the role for generations, she wished for your relationship to be one of equals instead of a god and her worshiper.

“Ah, I guess praying to another Archon in front of a former one is a bit rude. I’m sorry-”, you rushed to form an apology once you noticed Furina’s silence, your face growing red in embarrassment and shame before being cut off by her.

“It’s fine, I’m not as vain as to feel slighted by such a non-issue”, she lifted her hand before waving you off, a smirk on her lips as she thought of what to say next. “I am no longer an Archon after all, so having people worship the grass the Archon ‘Focalors’ walks on would only serve as a distraction from how mesmerizing the great Furina is.”

A chuckle from you was all it took to bring her back down from her ego-trip, your smile quickly spreading over to her, and before she knew it, she was snickering herself.

“Alright, let’s get the great Furina a dessert as reward for her inexhaustible modesty.”