#been meaning 2 post the first 2 pages but someone put in the tags on my other art smth abt ''angels getting their wings when fanartists

[alebrijediscordico]

cries and sobs. purple ;;;;;;

[crepesuzette2023]

Hi! Because someone just asked me, I'd love you hear your Top 5 favourite McLennon fics!

You made my day! Nothing could have made me happier than this ask.

I'm not going to evade your question. I will post my top-five, even though it hurts to choose. But you inspired me to finally write a longer (okay: very long) post about some (not nearly all!) of my favorites, which will be under the cut.

(Sorry for not knowing every writer's tumblr, by the way. Please feel free to let me know, so I can tag authors where appropriate. Thank you!)

My Top 5:

MIRACLE WORKER by @scurator. What can I say. Every time I need my heart broken and to feel an inkling of what grace truly means, I go to this masterpiece about Paul and Robert Fraser finding each other again at Cavendish in 1981.

COAST STARLIGHT by bookofapril is "Miracle Worker's" cosmic twin. The sun to its night. Paul and Robert Fraser on Fire Island in 1974. Nothing I can say will do it justice, so I won't try. This is the "other world" conjured in "Tug of War," so powerfully and joyfully imagined, it's real. (I'm always thinking of this story, but I did so extra hard when I came across a prompt recently: 'They aren't each other's first love, but they're each other's true love'.)

SAME AS IT EVER WAS by RedheadAmongWolves. My favorite Outsider's POV. An ageing newsstand owner from Liverpool remembers John and Paul as boys and young men. There's something magical about the relationship coming alive in these glimpses. A story filled with tenderness that reminds me to always look closely.

AN ORGASM OF SOUND by @pauls1967moustache. The insanity of John and Paul in 1967 got the tribute it deserves. I sleep easier since I read this story. It feels cosmically right that it exists.

PLANT A SEED by @eveepe. Paul in his slutty sailor outfit in Miami. He and John are into each other, and happy, and fuck slowly. Afterwards, Paul has an idea for a new song. That's it. Tender, glorious, hot perfection. Apply at least once a week for best results.

For more thoughts about some of my favorite stories, sorted into very much defined-ad-hoc categories, read under the cut.

Young Love:

I love the myth of their first meeting, and stories that speculate about the sexually loaded creative fireworks/gritty jealousies/tentative hand-holding/topping and tailing during the first years. Here are some faves:

Paul finds music, and John, and his life is changing. In STREETS OF OUR TOWN (@with-eyes-closed) you can taste the upheaval and promise of first love and growing up. Deeply sensual, even without on-page sex. The shaky, sweet, and all-consuming fire of John and Paul’s first kiss is immortalized in ALL I KNOW SINCE YESTERDAY (RedheadAmongWolves). In NON NOBIS SOLUM (@downtothe-lastdrop), art student John simply has to know how far grammar school boy Paul will go to please him. But Paul matches him play-by-play. In THE CAST IRON SHORE (@m1ssunderstanding) Paul earns extra money through music and sex. John finds out. They fall in love, and hide their mutual pining behind transactions—but in the end, they man up to pair up, and get their band back on track. (The first part is finished; I can’t wait for part 2.) John and Paul’s ’61 trip to Paris has been honored in fiction many times; WHEN YOU ARE YOUNG THEY ASSUME YOU KNOW NOTHING (@lilypadd23) is a slow-burning, blessedly long story that blossoms sweetly. DON’T THINK ABOUT IT is the concept by which Paul measures both his pining for John and their deeply satisfying (but surely not really queer?!) sex life. Perfectly realized Paul POV by @merseydreams. Finally: I NEED YOU DARLIN’ (verse) (by @beatlessideblog) would have fit many categories, but I put it here, because in the end, it’s about young John and Paul becoming friends, making music, having sex, and falling in love. No more, no less. Embedded in a late 50’s/early 60's Liverpool omegaverse in which there's a place for their bond. But, surprise (?!): It’s still complicated. I can’t overstate how charming and satisfying and funny and hot this work is.

Old John and Paul:

Is there anything as lovely as imagining John and Paul growing old together?

In HERE TODAY (@herspecialagent), John and Paul found happiness with each other in Scotland. On 8th December 1980, they invite friends for a party, and fight an inexplicable sense of doom. A reminder that our other lives can be closer than we think, and to keep our loved ones even closer.

GROW OLD WITH ME (@inherownwr1te): Old farmers and husbands John and Paul enjoy domestic bliss, deal with a broken arm, and make sweet love.

HAVING COFFEE (@feathersandblue): John Lennon and Paul McCartney, “one of the most iconic gay couples in history,” look back on their early love, the Beatles, and being outed in the 80’s, in this oh-so-glamourous, well-written 2020 portrait…

Magical re-tellings of J/P and/or the Beatles Story:

No matter where you come down on the blessed vs. cursed continuum—they were living through something magical.

In KISSING THE BLARNEY (@zilabee) the Beatles draw love and music from kissing Paul, and each other, until the stupid world interferes. But fear not, all ends well. How to tell the truth through whimsy: this story demonstrates it.

In WE ARE ALL TOGETHER (also by @zilabee), John and Paul switch bodies. It helps.

I WAS A YOUNGER MAN NOW (THEN) (POST HOC) BY @fingersfallingupwards: Paul is a time traveler and braids his life together with John’s, out of order, through the years. And yes, they do grow old together—but not without losing each other first. I’m in awe of this story.

A darker time-traveling story is A MATTER OF TIME (D12Fan), in which John and Paul love each other, over and over, and never manage to make it work—but Paul won’t give up.

FOR THOUGH THEY MAY BE PARTED (@downtothe-lastdrop): The misery of the 'Get Back' sessions and memory-stunting technology imported from “Severance” are not enough to kill off John and Paul’s attraction and longing for each other. Again, this is basically what happened, so.

John and Paul without the Beatles?

Yes, please! Sometimes, the best way to dissect and celebrate (and fix?) this mesmerizing and exasperating partnership is to lift it from its context and drop it elsewhere. Anything goes.

WHATEVER FATE DECREES by @dailyhowl: A gorgeous, finely spun, securely handled, self-contained vision of how John and Paul could have worked as artists in love, without a band to 'legitimize' and constrain their bond. I love this homage to their deep and complicated love that needed trust and breathing room.

1967 by @walkuntilthedaylight: What if John and Paul had gone to Spain together and not come back? This story not only explores their relationship layer by layer, it also dives into the the feelings of those who knew them 'before' and who now meet them again, as a couple. A fascinating alternate history. Not a fluffy one.

TOMORROW I'LL MISS YOU (@pauls1967moustache): Paul abandons John in Hamburg—or John stays behind without bothering to write, depending on who you ask. This "Before Sunset"—AU reunites them, years later. They ride a bus and write a song, and the love and tension are sweet and painful.

DOUBLE FANTASY (by @javelinbk): Modern AU in which John and Paul meet at John's flower shop and manage to ignore and creatively re-interpret their feelings for one another for a surprising amount of time, before fate has mercy. I love how their sweet, well-matched eccentricity makes the world a warmer place for both of them.

WE ARE STARDUST (Unchained_Daisychain): AU. John and Paul meet at Woodstock, fall hard and fast for each other, and have to decide what to do with it: Paul's life is back home in England...except...

Angst, darkness, and courage:

Pain, fear, grief, and other dark emotions are part of the real J/P story, so it makes sense to honor and harvest them in fiction. One of my favorite brands of McLennon angst is the one triggered by their feelings for each other, and the thing they become once they're together™. When they're scared of how much they need each other, and of what will happen next.

ONE AND ONE AND ONE IS THREE and MANAGING EXPECTATIONS (both by @pauls1967moustache), for instance. The first is a terrifying threesome with Yoko (at John's instigation, of course), in which trust is never rewarded and sex resolves nothing. The second is Paul wondering, in thoughts both messy and crystal clear, whether he exists independently of John. He turns to Brian for answers. They fuck. It feels like a human thing compared to what is going on in Paul's mind. Just astounding.

SUNDAY DRIVER (@boshemians) dives into the theme of Paul and John being afraid of themselves in the aftermath of Paul's accident (moped, sexual) with Tara Browne. This one, like "Managing Expectations," ends on a lovely grace note.

MACABRE (@dovetailjoints). Lennon and McCartney go too far.

OPEN HEART (@paisanas). Paul drinks John's blood. John lets him. But Paul starts to hate himself for how much he needs John, which John feels as rejection. I love how this story ends on Paul embracing his need. You can see the painful, bare bones of their malnourished love under the lush sensuality of the vampire sex. Raw and rich.

SILENCE (@ohjohnnysblog). Short and piercing. If there is someone you love—tell them. Don't wait.

THE LATE, GREAT JOHNNY ACE (@midchelle). Reeling with grief, Paul is recording an album in 1981. George and Ringo are there. John is not. But in the end—he is. And they touch. I've always admired Paul's resilience in the face of having to perform or "prove" his love of John in public, and this story showed me, without sugar-coating, where this resilience comes from.

Light, hope, and fixing things:

There is also much lightness and brightness in McLennon, because John and Paul were ridiculous, and horny, and weird. And also: they deserve a laugh. They deserve the fluffiest of happy endings. They deserve high-quality, life-affirming smut. They deserve silly, because silly is what they were. You know their names, look up their number.

1980. John is in BERMUDA (@scurator), Paul visits. Paul comes prepared, John just comes. Sometimes, it can be this simple. This story always leaves me in such a good mood. Paul is the (more) experienced one, and it...really works for me.

GOT TO GET DOWN (@eveepe): In praise of John's obsession with Paul's...precious. His small and perfect prick.

ADVENTURES IN TOTAL HONESTY (@merseydreams). Pithy and sexy, and, I quote from the tags: #Excessive Margarita Mixing.

ANINUT (@pauls1967moustache): The Beatles heal, together and separately, after Brian's death. Once more, I quote the writer: "The Beatles did not follow any of the Jewish mourning traditions, and frankly, they should have."

The unhinged weirdness of the Mad Day Out, with John and Paul escaping and Francie, Yoko and Mal not missing them...much, is rightfully celebrated in one of the insaner stories I read: JOHN, I'M ONLY DANCING (@skylikeaflame)

FAIR'S FAIR (@javelinbk): John and Paul are being silly during a press conference, resulting in acute arousal requiring John's skilled intervention. I love the unexpected care and tenderness in this one!

WHERE THE POETS WENT (RedheadAmongWolves): Tender and enchanted story in which Paul and John go to a bookstore, where they're not as famous as everywhere else. As delicate as the chiming doorbells and the pages murmuring around them.

TAKEN AWAY (@crumblingcookies) Extraterrestrial Intelligence intervenes to reunite John and Paul.

CAN I TAKE MY FRIEND TO BED? (manhattanvalleys). Paul fucks the band in sequence and gets off in the end, as is his due. This is a story like Prince's KISS. No filler, all effect.

THEY SAY IT'S YOUR BIRTHDAY (@ohjohnnysblog). Warm and nostalgic phone sex in the 70's.

KEEP THE LIGHT WE'RE GIVEN (@backbenttulips). Amidst the rise of Beatlemania, Paul and John expect their first child. This is Paul's 1962 diary.

More Outsider POV's:

STILL MATES (@pauls1967moustache): in 1968, Peter Asher takes the leap to act on his feelings for his sister's spiraling ex fiancé. This isn't about Paul as much as about Peter, and who he wants to be. Gutting character study. It made me love Peter.

ANOTHER GIRL (@boshemians): Astrid reunites with the Beatles during the making of AHDN and registers their words and deeds with the same stark objectivity as her camera. I love how she seeks the shelter of obscurity while they are being dragged into the limelight. But she sees them, wherever they are. J/P in this story feels incredibly real to me.

WHY BUY THE COW (RedheadAmongWolves). The milkman sees everything on his early morning rounds: the arrival of a nice new family, the McCartneys, the mother's illness, the sadness after her death...and the arrival of a new love in the older son's life. He shouldn't approve—should say something, in fact. But a small inner voice holds him back.

SLEEPLESS IN WALES (thinkpink20). Mike overhears Paul and John whisper in bed. He doesn't understand everything they say. I do. Adorable.

Not each other's first love, but each other's true love

THIS YEAR'S FOR ME AND YOU (@skylikeaflame): After a long life, after deep and loving partnerships with other people, John and Paul, encouraged by their grown-up children, finally meet their mutual love head on. A festive story about waiting the perfect amount of time.

THERE ARE ALWAYS FLOWERS (tarenas): The Beatles are in the past; John and Paul's love is in ashes. Paul, who is fragile and bereft, lives with George, who is content. The four ex-Beatles unite for the second wedding of Mike McCartney. At times, the aching grief in this story is almost unbearable. But the love between George and Paul is unusual and real. This is unfinished. I'll keep waiting for the final chapter.

Beyond J/P

WANT ME WHEN I'M NOT THERE (@backbenttulips): Linda catches Paul cheating on her with John. She divorces him. Finally: a story that puts her most likely reaction front and center, with no mercy for the messed-up geniuses.

In the Rebecca-AU LOVE LIKE GHOSTS (@backbenttulips), Yoko becomes Mrs. Lennon. Soon, she discovers that her husband is haunted by the ghost of his first love. It's pleasing how well this re-telling matches the events as they (alas) (almost) happened. The ending is chilling. Genuinely horrifying. I love seeing Yoko as the sensible one and as the focus of empathy.

THE BASS LESSON (@aquarianshift). Paul and Stu fool around without letting go of their mutual resentment for even a moment. And it works. "Let's never do this again." I don't think so.

TELL ME ALL MY LOVE'S IN VAIN (@midchelle). Forget about quote unquote platonically obsessed male rock stars: This about about Maureen and Patti through the years. The web weaving continues.

SPOTLIGHT ON JOHN AND STU (@dailyhowl) A love story in letters—too brief, like Stu's life, but sounding as if the writer transcribed their dictation. Some of the best descriptions of what it must have been like to play on stage with the Beatles during the mania are in NO I IN THREESOME (@with-eyes-closed). George finds himself in the beam of attention between John and Paul, and nearly loses his mind. But he's determined to stay and become part of them. Paul is daddy and "fucks like music" as seen through George's eyes. The whole story is vicious and hot and uncomfortable—until there's the love and quiet at the eye of the storm.

Not for the faint of heart! WHAT THE CIGGIE CARTON SAW (@waveofhand): Paul McCartney having his way with cigarettes.

This is getting out of hand...but I'll stop here. There are so many more stories I love. And I can think of many other categories that would deserve their own post.

So, who knows: To be continued?

[stevelieber]

Thoughts on giving critiques to comics artists.

Seeing lots of discussion from students about sour experiences with an unhelpful art teacher, so here's a long, long post about giving critiques.

NB: I have no formal training as a teacher, but I was a student, and I've spent decades giving artists feedback on their work.

When someone brings me a portfolio, I like to establish my limitations & clarify my perspective. My work is firmly rooted in traditional US comics storytelling (i.e., not manga or art-comics.) I can give feedback on other approaches but they should know where I’m coming from.

“We've only got a little time for this, so I'm going to spend that time focusing on things to correct. That doesn't mean you're doing everything wrong, or that there’s nothing good here, but it’ll be more helpful if I identify some problems and show you how to fix them.”

Why? Because for many young artists their entire sense of self worth is wrapped up in being good at what they do. (It was for me!) In school they were probably the best artist in their peer group. But now if they're hoping to turn pro, they’re at the bottom.

Sometimes you know what’s up when you see page 1, but try to keep an open mind. Some build their portfolios by sticking new pages at the back & don’t weed out the old stuff up front, so the work gets better as you go. When it’s like that I ask: “Show me your best 8 pages.”

I ask questions: "What's the goal? Do you want to be hired to work on someone else's project, or to get the story you're showing me here published?"

If 1, I steer towards a portfolio that'll showcase hirable skills. If 2, I look for what tweaks will make that particular story more effective.

"Do you have teachers giving you regular feedback? What are they telling you?" Sometimes a student is getting bad advice. In cases like that, I'll do my best to be extra clear WHY I'm giving them advice that's 180 degrees from what they've been hearing.

“What artists are you looking at? Is there someone you admire or try to emulate?” This often helps me understand choices they're making, and I can sometimes incorporate things those artists do into my suggestions.

I ask myself questions about what I’m seeing. First: Is there a narrative? If not, I make it 100% clear I'm not speaking as any sort of expert. I'm good at critiquing storytelling, but don't have anywhere near as much to offer illustrators or designers.

Can I follow the story? Or am I confused about what's going on? Are the characters and settings drawn consistently? If not, is the artist at least making use of tags (distinctive clothing, hair etc.) to keep the characters recognizable?

Does the artist demonstrate a good command of basic academic drawing? If not, Do I think they need it? Do I focus on "how to draw" or on "what to do when you can't draw?" Is the artist putting the viewer’s eye where it needs to be to tell the story effectively?

(At this point I’m usually doing little doodles to go with my instructions. I scribble out ugly little 5 second diagrams that I hope will clarify what I’m talking about. Or they might make me seem demented. Hard to say!)

Is the artist making choices that are creating more work than necessary? Is there a particular weakness? I once spoke to an artist with a portfolio full of great work when he was drawing animals and monsters, but his humans were amateurish in comparison. I spent that critique talking about drawing people.

A crit can be a grab bag. In addition to big-picture advice, I'll point out tangencies, violations of the 180-degree rule, wonky anatomy, weird perspective, places where the artist neglected to do important research, odd choices in how they spotted black, whatever catches my eye.

I also try to make a point of defining the terms, so that jargon like “tangency,” “180-degree rule,” and “spotting black” don't go over their heads. Find simple, concrete ways to talk about these things, & clarify why it's a problem when they aren't done correctly. Draw diagrams!

Recognize that even a perfectly phrased explanation might not sink in. Some lessons can only be learned when a student is ready, and it might take a year or two of work before they can understand what you were saying. It's good to plant seeds.

Are there other artists who are particularly good at solving the problems the student is trying to solve? I steer them towards that artist's work. And I always recommend life drawing & the use of reference to give work specificity, variety, and authority.

Despite what I said earlier about focusing on what's wrong, I try at the end to find something encouraging to say. And if I’ve really piled on the criticism, I emphasize that I only spent the time and energy to do so because I take their efforts seriously.

If I've done my job right, they'll leave my table with tools to make their work better. And maybe in a few years they'll be looking at some younger artist's work, surprised to discover just how much you can learn when you're asked to teach.

[utilitycaster]

Do you think that Laura and Marisha are deliberately making their relationship somewhat toxic and unsustainable or do you think they see the relationship as healthy? It is just so different from all of the other relationships they have been a part of and not really in a good way. Would love to get your perspective on it if you have one

I am honestly unsure. I would like to say it's deliberate. Prior to it becoming canon, in fact, I, and a lot of other people who were less than enthused by Imogen and Laudna's romance and weren't entirely sold from the start, made the case that we expected they would be talking to each other and would put together a compelling story, not the dull fluff so common in fanon. While whether it's compelling is a subjective judgment, we know for a fact they didn't talk to each other. We know for a fact Marisha was surprised by the question of "Can I kiss you," and Laura was surprised by the answer. We know from a 4SD not long after (4SD #16, Kiss and Tell) that several episodes later they still hadn't talked. We know that Marisha perceives Laudna as holding Imogen back (and that Laudna perceives herself as doing so) from the Rose City Q&A. We know that from 4SD #20 (Episode Twenty) that Laura doesn't like conflict in narrative and Marisha does, and that Laura was thrown by Laudna's regression following Ashton's attempt to absorb the shard (4SD #19, Shard Candy).

I don't know if it's deliberate or not; I don't have any extra insight that isn't public knowledge any fan can easily access. But man, it doesn't feel like these are two actors on the same page about what's going on.

I've touched on this before but mostly in tags or whisper posts but I've always felt ill at ease with a number of for lack of a better term "fandom-approved opinions" and one of the ones that has baffled me the most is this idea that Marisha and Laura have exceptional chemistry. I watched Campaign 1 knowing the endgame ships but deliberately avoiding the fandom, and Vex and Keyleth did not even once occur to me as a thing. I watched the first year of Campaign 2 without a ton of fandom interaction because I was avoiding additional C1 spoilers and it seemed crystal clear that the obvious ship was Beau and Yasha; it felt like Beau and Jester only even had enough potential for me to multiship it as my general "whomever Jester picks" for like, 30 episodes. And yet people - people who didn't even ship either of the above ships and in some cases disliked them- would just say "oh man I can't wait until we get to a campaign where we can finally explore Marisha and Laura's incredible chemistry!" and it's like. I feel like I'm the kid in the Emperor's New Clothes on this! I understand that chemistry is to an extent a matter of taste and subjectivity, but it just increasingly feels like people looked at two campaigns of tables where Ashley was frequently absent and said "well, if I want an F/F ship that's between two of the women in the cast, I guess this is what I have to work with" and repeated to themselves that a flat pamplemousse La Croix was a Piña Colada until they started to believe it. I mean if someone wants to explain it to me in good faith I suppose be my guest and I will try to take it in, but it feels like people just treat this as incontrovertible fact and if you doubt it they're like "don't you have eyes" and it's like, well, pretend I don't. Explain like I'm eyeless and five because I have never understood this. They both have more chemistry with every single other cast member; it's not all romantic but man, I didn't even buy Laudna and Imogen as platonic best friends of two years. I have never had this problem with any other pre-existing character relationships Marisha and Laura have played, platonic or otherwise. It's literally just them. I just never feel like they're quite on the same page.

Back to the relationship between Imogen and Laudna onscreen, this was easily the best conversation since the start of the gnarlrock fight, and it is my hope it doesn't fizzle out the way that did. You can't keep kissing Laudna whenever she fears she's lost forever to Delilah, Imogen. Or you can, but that won't fix the problem. Again: are you disgusted? Do you feel betrayed? If you're not, why did you say that? If you are, how will you move past it? Do you want to be with someone who never feels like they're good enough for you? Laudna, do you want to be with someone who, no matter what they say, you feel you're holding back?

Early in the campaign, my feeling was that of our current situation, switched - Imogen felt her powers were a burden and a curse and Laudna kept referring to them and to her glowingly. It's just...ships passing in the night, no pun intended here. I hope it's on purpose and whatever comes from it is a good story - and either a tragedy or a happy story could be a good one. But I have a nagging sensation that Laudna wants out but is afraid to say no, and Imogen is afraid to let go, and I honestly don't know if the actors have realized this impasse and how the characters might resolve it, one way or another, besides the insufficient bandaid of a kiss whenever the conversation gets too uncomfortable.

[emmitaaa4]

Minor HOFAS spoilers ig?

The Walmart bonus chapter just leaked and good lord some people need to be for real. I'm so tired of people picking and choosing evidence.

So you're telling me that *gasp* Azriel's shadows seem to dance when he hums?? they react to sound/music?? no way. people from all sides of the fandom have been saying that for years (and use it for different arguments), and looks like ppl are still tying anything they can to feed their ship--which is fine but at least make it somewhat accurate.

The above is the last page of the Az/Bryce/Nesta chapter, and just as a refresher, this is the oh-so controversial phrases from the Az bonus chapter:

"(...) one of his shadows went out to dance with it (gwyn's breath) before twirling back to him. like it heard some silent music." and "(...) he could have sworn a faint, beautiful singing followed him. could have sworn his shadows sang in answer."

I'm confused, which is it? Was the shadow's reaction to her breath & the singing he heard all metaphorical, thereby hinting at a mating bond between gwyn & az (as in "music between souls")? Or was it rather azriel's shadows reacting to a literal sound coming from someone who has arguably been hinted at having some voice/song-related abilities? Because if it is the first, then this new HOFAS excerpt is completely unrelated. Well unless Azriel has a mating bond with himself? pleaseee make it make sense I beg. And if the second is true, it would mean that for someone to be able of making his shadows dance, they'd have to have similar powers as him... its just gonna fuel the lightsinger theories (which btw approx 5 ppl are saying means that gWyn is eViL) so this literally changes nothing. nada. absolument rien.

Oh also.

"He says no partner right now, aka NO FUCKING ELRIEL. ELRIEL IS DEAD." (no hate to whoever posted that btw)

He literally rushes out that answer. Idk about you guys but to me the poor man still seems internally dead over the whole mate existential crisis, which as far as we know was left with him wondering "what if the cauldron was wrong". Sidenote but if I understood correctly, this all happens 2-3 months post acosf and Bryce spends ±5 days in Prythian, so it is very likely that it is all set during Acotar 5, and that the events of HOFAS in general are happening while Az is separated from the other MC (ie. the acotar5 FMC).

Regardless of all I just said, I am going to ask people once again to be for real. cause this whole chapter Azriel keeps glaring at Nes when she is about to reveal too much info, so WHY would he be mentioning Elain (or literally anyone he cares about) to someone who he is said to be highly suspicious of? make it make sense x2

Almost forgot. Last thing.

"Azriel said that Nesta killed the King! He didn't credit Elain!"

... no? for context, this is what Az said:

See my second point above. He told Bryce exactly what Nes did, and nothing more: she beheaded Hybern. We could speculate about what his look at Truthteller made him think of... but tbh I'll leave it to someone else cause perso I dont really see the point.

I am getting tired guys... guess who finally understands what "fandom fatigue" is.

-----quick edit-----

I don't mean to sound hypocritical by tagging ships, cause tbh i dont even wanna put acotar ship tags to this, mais bon c'est la vie et j'en peux plus. this fandom is kind of a mess. Goodnight loves ♡

[yinyuappreciationweek]

Yin Yu Appreciation Week; Event Rules and Guidelines

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7. No harassment or hate speech of any kind is permitted. You will be reported for such behavior.

8. Ao3 and Tumblr’s rules should also be followed. Their guidelines are not necessarily listed here and you should visit their rules on your own to understand them.

Guide: These are not necessarily “rules” in the sense that you will be blocked, but they are a guide about how you should participate and behave for the event. However, your content may not be reblogged or included in any collections.

1. First and foremost, this event is to celebrate the character known as Yin Yu from Heaven Official’s Blessing. Content created for the event should focus on Yin Yu. Shipping is welcome but the priority should be Yin Yu.

2. Do not leave unwarranted criticism on others works.

3. Tag your work with #yinyuappreciation2024 or #yinyuappreciationweek if you wish to be featured on the tumblr page or the ao3 collection

This has been the general rules and guidelines for this event. Please check the FAQ for more info detailing the specifics of your creations and how to participate.

[multiplicity-positivity]

Just saw you're post about the some people on the pro endo comunity being agressive. And I've actually have had the opposite expirience.

The anti endos in my life irl and online are kind of really mean?

I want to have a pro endo account but I'm scared of being harassed, fakeclaimed, etc. A lot (not everyone) of the people who are anti endo are so aggressive, and I'm not in a state where I can really receive that.

Any words of encouragement or tips?

Thank you, have a nice day!

gah, memory issues so we can’t recall what post exactly you’re referring to, sorry.

here are our tips for running a pro-endo account, or some sort of account where all system origins are accepted. it got kind of long and heavy, so we’re putting it under a cut.

1) when you first set up the blog, before you’ve made any post at all, go through some of the anti-endo tags and block those users from your new side blog. some tags to trawl/search through are “#anti endo,” “#endos fuck off,” “#endos aren’t real” and “#endos are trash.” just a heads up, you may see some violent, harmful, or potentially triggering posts in those tags. if you have the energy and capabilities for it, preemptively blocking a lot of users may save you some pain and difficulties down the line.

2) you may very well be harassed or fakeclaimed by running this account. we have been fakeclaimed by others on this blog, and have had users block evade, follow us to our personal accounts, and try to purposefully trigger us. it’s been rough, but this is one of the risks of running an inclusive blog online. some things to keep in mind:

- you can block any user who sends you anonymous asks. just hit the three dots at the top right of the ask page and hit “block anonymous.”

- having anonymous asks turned off entirely could greatly reduce the potential for you to receive hate and unkind messages. personally we like to leave anons on since lots of folks prefer to send asks anonymously, but if you’re worried or nervous, you can definitely turn them off.

- delete any negative comments on your posts as soon as you notice them, and block the users who make them from your side blog. we do this to help keep our posts positive.

- if any asker threatens to dox you, sends you gore or purposefully triggering content, won’t leave you alone, or is block evading, report them to tumblr. we have had to do this before, and tumblr’s been pretty good about banning genuinely harmful or dangerous users.

3) don’t pick fights, don’t cross post into anti-endo tags, and leave anti-endos alone. we only use anti-endo tags if we are tagging a post that mentions them for filtering purposes. if you refrain from engaging with those who you don’t want interacting with you, you’re much less likely to face harassment, in our experience.

4) try to remember that everyone posting on tumblr, regardless of whether or not they are pro-endo, is a person or human being. when someone fakeclaims you or sends you hate, it is probably coming from a place of insecurity and low self-esteem. they may be lashing out as a trauma response, or they may be having difficulties regulating their emotions. none of these things are an excuse or good reason to be an asshole to others, but it is something worth keeping in mind.

when we are fakeclaimed, it is more a poor reflection on the fakeclaimers than it is on who we are as a person or system. you know yourself and your system more than anyone else online, so when you are fakeclaimed, try to just chuckle with your headmates about it, let it roll off your shoulders, and block the user.

we hope this helps. if any of our followers run pro-endo blogs and have some advice for this anon, please share it by all means. and when you do make the blog, anon, feel free to drop the @ here so we can follow and boost your new account. best of luck to you with your future endeavors - running an inclusive blog is not always easy, but for us, it has been an incredibly rewarding and beneficial experience :)

[paula-in-dreamland]

Fanfic writer interview

Thank you @errruvande for the tag!! :))

My AO3

How many work do u have on AO3?

Officially 3 - 1 in-progress multichapter, 2 "one-shots" (cause I'll probs expand eventually)

What's your total AO3 word count?

~42k (estimate cause some the stuff being counted towards the word count are from nav pages in the fic)

Your top 5 stories by kudos/likes

I mean if we included ff.net in this...that would be completely different. But we are not. So it's literally the three I've posted:

1. A Game of Revenge and Loyalty (HG AU, Sigtryggr x Stiorra centric) 2. Some News Isn't Meant To Be Shared (Canon Universe, canon divergence, Sigtryggr x Stiorra) 3. Vorres Lille Dukke (Vampire AU, Sigtryggr x Stiorra x Reader)

Do you respond to comments? Why or why not?

Yes, or at least I try too! I think it's important to engage with your readers when possible to not only thank them but also because engaging with someone about you work is fun! I've been dying to talk to people about my fics so you better believe I am going to take the opportunity when it comes! It's why I post them in the first place!

What's the fic you've written with the angstiest ending?

Maybe Some News Isn't Meant to Be Shared ?? Cause it is fluff, but if you read between the lines and think about what transpires in S5 after that moment...yeah. Angsty/Whumpy as fuck. Other than that, I have yet to write something with a truly angsty ending. Unless you include one of abandoned WIPs on ff.net.

What's the fic you've written with the happiest ending?

I have a bunch of WIPs with truly happy endings that I'll eventually write/post. Very romcom. Very sweet. As for current? LOL I guess Vorres Lille Dukke ...

Do you write crossovers?

A true crossover where characters from two different fandoms interact? No. But, I have done crossover AUs by putting TLK characters in those universes (a la my Hunger Games fic). And, I guess, you consider some of my fics crossovers in that I draw from Vikings and TLK when worldbuilding. Like Sigtryggr (and Stiorra but we ignore that in modern aus) is descended from Ragnar Lothbrok. So, I tend to draw from that show for depictions of those characters.

Have you ever received hate on a fic?

Not on AO3. But, on ff.net over ten years ago. Broke me. I was 14, 15? Posted my first multi chapter fic. Within the prose, I had littered ANs throughout it rather than keeping it to the beginning and end. Why did I do that? Because I'd see a few other fics in the fandom do it so I figured it was the norm as I was a newbie to writing/fic writing. I think they also had a few other things to say. I end up eventually taking the fic down, and now I think it's fully gone as I don't have it on my laptop anywhere :/ But yeah. Be nice to fic writers. English could be their second/third/fourth language. They could be a preteen or a teenager. They could just be starting out.

Do you write smut? If so, what kind?

HA. HAHAHAHAHA. HAHAHAHAHAHAHAH. Yes. It's mostly M/F. Just recently M/F/F for the first time. As I work through my WIPs, also exploring kinks a bit more. So, more on the vanilla side.

Have you ever had a fic stolen?

Nope. Don't think so.

Have you ever had a fic translated?

I think someone reached out to me on ff.net to translate one of my fics from ages ago? Have had people ask to print them out before! But not on AO3 (yet)

Have you ever co-written a fic before?

Okay I VAGUELY remember maybe doing it, or starting to do it 10+ years ago? But I also use to be an avid RPer on here, so uh...yeah we co-wrote a lot of fics that way ;)

What's your all-time favorite ship?

Oh fuck you can't ask me that. *pulls open junk closet door and gets covered in characters/ships* *Proceeds to grab one at random, then sticks arm out from pile* UH!?!?! THIS ONE?! *holds up Rosalie and Emmett from Twilight*

No, but like in all seriousness: 1. Rosalie/Emmett 2. Stiorra/Sigtryggr 3. Padme/Anakin 4. Kim/Tommy 5. Caroline/Klaus & loads more.

What's a WIP that you want to finish but don't think you ever will?

So, I am really hoping I get to all my WIPs for Sigtryggr/Stiorra because I love them and want to put them in all the scenarios. As for past fandoms/dormant fandoms, I don't think there are any that I want to finish, more so ones that I wish I had given more time too? And now it's too late cause I did not leave myself detailed enough plot notes to trigger my memory? Nor got that far in the first place?

What are your writing strengths?

I think I write some kickass dialogue. I also think I'm decent at writing scenery.

What are your writing weaknesses?

Introspection. is. so. hard. And being concise. And you know...allowing subtext to speak for itself instead of telling the reader directly.

What are your thoughts on writing dialogue in other languages in a fic?

I think it's awesome! But, it can make reading hard if you're not familiar with the language as you have to scroll down to find out what the hell they are saying if it's more than a few words. I also personally think you should stick to languages you actually know/have studied unless it's like a tiny little phrase/nickname. Or, ask someone who actually speaks the language. Because google translate is not reliable lol.

What's a fandom/ship you haven't written for yet but want to?

None currently. But did consider writing a reader fic for Bleach at one point lmao.

What's your favorite fic you've written?

I don't have a favorite because the one that would probably be my fave isn't written yet ;) But, I tend to like all of my fics even the poorly written ones from when I was 14/15.

Tagging: @azriona @holy3cake @ladyaldhelm @whitedarkmoonflower @gemini-mama and anyone else who writes :)

[autisticlancemcclain]

fic rec friday 41

hello and welcome to fic rec friday! where, on friday, i rec five of my favourite fics.

Won't you lie with me a while? by notverystraight

When their laughter finally died down, their eyes found each other, the two falling into an intimate kind of quietness. Keith realised their bodies were now so close that his bangs tickled Lance’s forehead, the warmth of their skin mingling, Lance’s every exhale grazing his lips. If he tilted his head ever so slightly, their noses would brush. Lance’s gaze was magnetic. All of a sudden, the air felt much heavier than it had been a minute ago. Keith was hyper aware of the arm curled around his middle, fingers ghosting beneath his shirt. The slow, burning heat that was beginning to pool in his gut was mirrored in Lance’s eyes as they roamed over Keith’s face, his neck, his chest, pausing where his fingers lay against the sliver of exposed skin at his waist. Keith’s breath hitched. - Or, Lance and Keith hang out in Lance’s bedroom. That’s it, that’s the fic.

i LOVE this one. all the little details are so cute. y'all know @mothmanavenue 's recent post with keith and lance's room?? this is like an older fic version of that, almost. the percy jackson poster in lance's room, the bed, the way they're squished together on it.....it's just so sweet and transitory i'm in love

2. In (Almost) Every Reality by notverystraight

When Lance finds himself face to face with alternate universe versions of himself and all his friends, he’s excited to talk to them – who wouldn’t want to see just how different their life could have turned out? However, that feeling begins to sour when Lance notices that, out of all his alternate selves, he seems to have the most underwhelming life. And another unexpected thing. He and Keith seem to be a lot more, um… friendly with each other in the other realities…

early season dynamics when lance is still like fully insisting on the rivalry thing while also being super attracted to keith and mad about it, and then finding out that he and keith are literally soulmates?? like in love in every reality?? ENDLESSLY funny. also lance being a big nerdy fic reader is so so real

3. Speak in Tongues by laidellennt

Lance learns Altean from Coran. Keith's kind of weird about it.

keith getting like lowkey horny when lance speaks different languages is SO real and SO funny 💀💀 like of course this whipped dumbass is just like so hugely attracted to lance in all his strange awkward competency and of course he has no idea how to handle it. of course lance is offended by it. i love early season dynamics

4. 5 things Lance was surprisingly good at +1 thing that should be obvious by orphan_account

5 things Lance was surprisingly good at +1 thing that should be obvious, it's pretty self-explanatory.

i love this one bc its just a way to headcanon lance as being good at random stuff. like yes obviously he can throw knives. of course he can bake. duh he can sing. the world would be a better brighter place if we just talked all the time about how good lance is. also side note but do any of yall remember when clicking the orphan account link on ao3 would bring you to a massive account that had archived every fic to every be abandoned instead of an error page?? bc i do lol

5. Would You Like A Sticker? by delaneym_15

Lance has been working hard these past few weeks. Getting the newly set up infirmary being one of his most pressing concerns. Gone are the days of being put in a healing pod for every little injury. Of course that means someone has to run it, and what better person than the paladin who has been all but officially apprenticing under Coran since the Blue lion first brought him to the castle. If only the rest of the paladins would take him seriously.

i fucking love the medic lance tag. well and truly it is the gift that never ever ever stops giving. he is just so well suited for it!! i love him so!! let him be competent and judgmental and pretty as he does it!! like!!!

that’s it for today!! i’ll see y’all back next friday for the next fic rec post!!!

[eriquin]

The Prophetic D&D Game

I'm going to try something new and post bits on tumblr instead of straight to ao3. We'll see how far I get. Tagging @2btheanswertothequestion because she was interested.

Now with Part 2

“All right, Hellfire club, listen up. I’ve got a new campaign for you,” Eddie said as he swept into the room. He’d arrived late and looked harried.

“Yeah, duh,” Gareth said. “We spent all of last week making characters for your Cult of Vecna run.”

“No, not that.” Eddie shoved at the character sheets in front of them all. “Put those away, this is something different.”

“What the hell?” Jeff asked. “If we’re not playing Cult of Vecna then why did you give Grant so much shit on Monday about missing it?”

“Bup-bup-bup!” Eddie said, putting one hand in front of Jeff’s face as the other dropped a lumpy canvas bag onto the table. “I didn’t know on Monday what I know now. He’s still a dipshit for missing Hellfire but that just means he doesn’t get to participate in my newest bout of brilliance.”

The three youngest Hellfire members glanced at each other nervously. “Uh, what’s going on?” Dustin asked cautiously. “What are we playing instead?”

Eddie straightened up and drew a folder from his bag. “Gentlemen! I have been struck by inspiration. This new run came to me in a dream, and I spent the past two days developing it—”

“This is why you skipped?” Gareth crossed his arms. “Dude, you’re going to fail again!”

Eddie gasped with dramatic offense and clasped his hand to his heart. “Just for that, Gareth, you pick your character last!” 

Gareth rolled his eyes. “Oh, you made the characters, too? Christ, you’re such a dictator.” 

“No more backtalk from you,” Eddie said. He flailed in Gareth’s direction with the folder but didn’t hit him. He sighed and grabbed the edge of his throne to pull it closer to the table. “And I didn’t make all the details of the characters. I just started them out. You can pick what they look like and all that jazz.” He opened the folder and took out a stack of papers to pass around.

Mike, sitting just to his left, took the stack from him. “Joe the human fighter? With a spiked club for a weapon? Huh. His charisma’s awful high, isn’t it?” 

“Just share them with the group, Wheeler,” Eddie said. “I’m going to make you all roll to see who picks first, except for Gare-bear here because he’s judgemental.” 

Mike put the stack in the middle of the table and they each picked up a character to read over. The group was quiet for a minute as they read through the pages. Lucas spoke up first. “So what kind of story is it?” he asked.

“I’m glad you asked, Sinclair,” Eddie said. He stood up and started to circle the table. “A terrible tragedy has rocked your little castle town. There’s been a grisly murder, and there’s something almost ritualistic about it. The guards have someone they suspect, but this group of intrepid adventures has information about what really happened. They know that the guards won’t believe them, and they have to act fast if they want to prevent more deaths.”

“So, it’s a murder mystery?” Dustin asked. “That sounds awesome.”

Eddie grinned down at him as he stretched his arms out over the backs of Lucas and Jeff’s chairs. “It is, and it isn’t. There’s definitely something sinister and supernatural afoot.” 

“Wait. Half of these characters are chicks,” Mike said with a sneer. 

“As is half of the population, Wheeler,” Eddie said. He looked completely unimpressed with Mike’s attitude. “What’s your point?”

“There’s only three guys to pick from, and there’s five of us. Do you really expect us to play as girls?” 

Eddie gave him another deadpan look before turning to Gareth. “Gare-bear, you’re no longer picking last. Wheeler is.” 

“Hey!” Mike yelled.

“Ha!” Gareth pointed at him and grinned. “I will admit that this sounds intriguing. You haven’t answered the question about how long we’ll be playing this, though.” 

Eddie scratched his head as he walked back to his throne. “I think it’s probably only a session or two? Depends on what you guys do with it.” He steepled his fingers and peered at his players. “So, are you all in?”

There were some shrugs and a round of silent communication around the table. “I still want to play Cult of Vecna,” Jeff said, “but I didn’t really want to start it without Grant. So yeah, I’m in.” 

“I love murder mysteries, so I’m definitely in,” Dustin said. 

Lucas nodded enthusiastically while Mike let out a very put-upon sigh and threw up his hands as he conceded that it sounded okay. True to form, Eddie made each of them roll to see who went first for picking a character. He snatched up Mike’s die before it landed and tutted at him. “I wasn’t kidding about you picking last, Wheeler.” 

“Aww, come on,” Mike said. “I don’t want to play a girl.”

Lucas had rolled the highest number. He shook his head at Mike. “To be honest, I don’t want to see Mike play a girl either,” he said. “It would probably be offensive.” 

“Point made, Sinclair,” Eddie said. “Who are you picking?”

Lucas grinned and reached across the table for one of the character sheets. “Sadie the thief,” he said. 

“Really? Not going to be a fighter this time?” Dustin asked. 

“Nah, Sadie looked cool. Kind of reminds me of someone, you know?” He picked up the character sheet and set it in front of him. 

“Dusty-buns!” Eddie said cheerfully.

“One time,” Dustin muttered. “You heard my mom call me that one time...”

“You’re up next. Who are you picking?” 

“I’m gonna go for the thief,” Dustin said. “Gaten the halfling. He sounds cool.” 

“I thought you’d like him,” Eddie said. He stood up and leaned over the table to watch as Jeff flipped through the four remaining characters. “What are you thinking, Jeffster?”

Jeff hummed to himself. “It’s an investigation, right? I think I’ll go with Caleb. It says he’s a junior member of the town guard... Could be useful.” 

“Excellent choice, Jeffinald. How about you, Gare-bear? We are down to three options.”

Gareth stood up so he could take a better look at the three remaining character sheets. “Did you write one up for Grant, too? Even though he wouldn’t be here?”

“No, these are just the ones I needed for the story,” Eddie said. “I actually have a seventh PC that will be introduced later in the story, if you all make it that far. If Grant wants, he can join us.” 

“Fascinating,” Gareth said. “What do you think, all? Should I pick the fighter and make Mike speak in a falsetto for the rest of the campaign?” 

Dustin rolled his eyes. “He’s going to be insufferable if you do.” 

“Hey, I’m right here!” Mike said. 

“Yeah, and he’s already insufferable,” Lucas added.

“You guys are just—”

“Well just for that!” Gareth said loudly, slapping his hand down on the table. The freshmen jumped in place. He grinned at their reaction. “I, frankly, have no problem playing a lady. I will be Maya, the lovely magic user. Both her and Natalia seem more interesting than the fighter.” He slid the last two character sheets across the table to Mike.

Everyone turned to watch him evaluate the options. “Wait, Natalia’s an elven cleric? I thought elves couldn’t be clerics.”

“DM’s discretion,” Eddie said. “A lot of those class and ability restrictions are a load of crap. Do we really think elves aren’t in tune with the gods? That’s just dumb.”

“Yeah, you know we have some house rules,” Jeff said. 

Mike as he read the sheets some more. “Wait, these two used to be married?” 

“Engaged,” Eddie said. “Separated because Natalia was too devoted to her career. But maybe there’s something to be rekindled there?” 

Mike let out a noise of disgust. “Ugh, I don’t want to play any romance in D&D. Come on.” He sighed and picked up both character sheets. “What happens to the one I don’t pick? Do they still appear in the story?”

“Yeah, they’ll be an NPC. I’ll voice them and everything.” Eddie smirked. “So make good choices, because you’ll be dealing with the repercussions either way.” 

Back and forth, Mike’s eyes darted between the two characters. “I can’t decide!” he whined. “They’re both good fighters. Natalia is smarter and has spells, but Joe is stronger and has cooler gear.”

“Jesus, just pick so we can get playing,” Dustin muttered. He was already filling in description details for his character. 

Jeff rapped his knuckles on the table to get Mike’s attention. “If you really can’t pick, just flip a coin.”

“Okay, fine!” Mike said, throwing his hands in the air. He picked up his twenty-sided die and tapped the character sheet for Natalia. “High,” he said. Then he tapped the one for Joe. “Low.” He rolled.

It landed on an eight.

“And through the power of random probability, Mike Wheeler will not be questioning his gender identity tonight,” Eddie said as Mike handed him back Natalia’s character sheet. 

“Oh, this means we have no healer,” Gareth said with a frown. “Well, at least Mike’s fighter is a front-liner and will probably die first.” 

“And mine,” Jeff said. “I’m a fighter, too.”

“You have higher dex,” Gareth said. “Get a bow, stand behind Joe the brutal over there, and let him take the hits.” 

“So are we ready to play?” Dustin asked, sounding impatient. 

“Almost, almost,” Eddie said with a broad smile that generally meant he had something planned. “Everyone familiar with their characters? Generally happy with them? Or at least comfortable?” He got a round of nodding heads and noises of agreement. His smile turned a little bit wicked as he said, “Great. Here are the real character sheets, and all their secrets. It’ll be up to you if you want to share them.”

[sonikkublue]

Do you have a master post of all the mafia au info? I've been scrolling through the tags and I fear I'm missing info

Tysm for lookin thru my au i rly appreciate that, but also plz excuse my secretive behavior, as I trouble myself with sharing barely any info on my projects🧎 specifically AND especially this AU of mine

I’ve been thinking of making one whole archive of it alone for the art, as well as a page that just explains the characters and a little of the story, just so ppl know a bit of what’s goin on, and who they are. Since I know illustrating this whole story as a comic/manga will take a while, especially just getting one vol out with only 2 ppl workin on it together- I want to keep my audience busy, informed and happy with, until the first vol comes out

To make up for not havin a proper explanation of ANYTHING yet, I will list some characters in brief for u. Mostly the ones u need to know. Others will show up over time:

Mr. H (he is the Sonic in this au. 30 yrs old and has been running his Uncle Chuck’s company, as well as the family mafia. He’s greedy and only cares for what’s in it for him, and money. He has no interest in relationships or love, but would make u pay to date/marry him)

Miles (he is the Tails in this au. Plays the role of Mr. H’s son, being adopted since day 1. He also hates Shadow. He looks up to his dad and wants to be just like him someday. He just doesn’t know abt the mafia…yet)

Shadow (he’s Mr. H’s right hand man, his consigliere, his lackey. Him and Mr. H have a little romantic connection, even tho H is not the romantic type)

Amy (she is one out of a krillion of Mr. H’s exes. They had a married life together at one point, but that only last abt a year. She has been there for all his troubles n struggles. They’re friends now, but when they bump into each other, they’re bumping heads. Amy does it out of fun, as she still cares for H somewhat. Mr. H always means it, bein a bit oblivious to Amy’s care for him nowadays)

Knuckles (he’s a detective in this au, currently on a secret case that has Mr. H involved as a suspect of a crime. Someone could be framing him, but honestly who knows. Knuckles has a bit of dumb in him, but when he finally puts the pieces together, he can close that case faster than H makin easy money in his free time. H n Knux have a little tension between em, w/ H flirting with Knux most of the time when he walks into his office. H doesn’t even know he’s flirting with Knux, he just thinks he’s messing with him)

Robotnik (he’s like a toy maker in my au, but also a tech genius. Mr. H and Robotnik still have that ‘Sonic vs Eggman’ relationship, but also like a ‘Mr Krabs vs Plankton’ one too. They’ve been at each other since childhood. Mr. H always bein better and succeeding, than Robotnik LMAO)

Oh ya Metal H is also exist HSKDKFKF

[b4kuch1n]

I'm not gonna screenshot it bc 1/it really doesn't matter that much and 2/the person who made the comment is a kid but: a while ago I made a comic that's supposed to be a genuine study and reinterpretation of someone else's sprite comic (made in the spirit of authenticity too - to recreate the vibes of the sprite comics from that era, iirc very specifically because it's funny) and I got a comment on that comic's post that's like "glow up"

which is a compliment obvs. and the commenter probably didn't mean anything by it, it's a common expression. but I've been trying to find a way to gracefully put that comment away ever since it appeared lol

I just very much don't want my art to be taken as trying to one-up someone else's art when that's not the piece's intention. especially when the piece that inspired my art is perceived as "low effort" or "shitpost" or stuff like that. I did mention in the tags of that post that my considering it a study is entirely genuine, and I can legitimately write pages about the cool stuff I find in it other than and inherent in the haha funneys, but that's not for you guys that's for me. I just think that approaching art competition-first like that is a miserable way to do it, and (tipping into overthinking here if the whole tiny-comment-got-stuck-in-my-brain-for-almost-a-month part hasn't given that away yet lol) I really don't want that to be the takeaway from my own art. at least generally. if I actually think the source material is trash and what I'm doing is genuinely categorically better I'd just come out and say it lmao

[bifuriouswaterbender]

WIP Wednesday

First one of 2024 and last one before I go back to work! I'm not feeling awesome today, but I'd still like to get a good amount of writing done.

As always, credit to @kedreeva

Here’s how it works:

In a reblog (or new post w/ rules attached), post up to five (5) filenames of your WIPs; not titles, file names.

Post a snippet from one of them. Snippet must be words you wrote in the last 7 days. We’re posting progress here. If you haven’t made any, go make some and come back to post!

After you’ve posted, people can send you an ask with one of your file names. You must then write 3 sentences in that file. If the filename is one you can't share from (for example, an event fic), write 3 sentences on it anyway, and then 3 more on another to share.

That’s it! You can invite others to join in, or just post. If you tag me in your post, I will send you an ask request! Also, if you send me an ask, I'll look on your page to see if you'd like one back. This works best when we help each other!

If you’re reading this, you’re invited!

If you see someone posting a WIP Wednesday Game snippet, send them an ask! Make them write.

Filenames

Reverse Big Bang 1 (Secret Project & Top Priority)

Reverse Big Bang 2 (Secret Project)

Chrissy Woke Up Ch 8 [1-7]

He's All That Ch 9 [1-8]

Merman Eddie

Why yes, I did add a second Reverse Big Bang project this week. I've stepped in as a pinch hitter for one of the projects I'd been considering originally!

Snippet: Once again, most of my writing this week has been in projects you can't see and/or already posted in two Steddie Microfic entries. Here's a bit from Chrissy Woke Up.

Steve licked his lips and seemed to be considering his words carefully. “I can’t be him. I wouldn’t want to be him. Hell, I don’t think Max would want me to be him. She doesn’t need a brother. She doesn’t need me.”

Chrissy doubted that.

“But I try to be there for her anyway.” He let out a shaky breath. “She’s never really had anyone to look out for her, and I don’t know that she really wanted it now. Still, she trusted me, and I…” Steve blinked furiously, and Chrissy tactfully looked away. “I let her put herself in danger.”

“You didn’t let her do anything,” Chrissy said, surprising even herself. “Max made that decision for herself. There’s nothing you could have done to convince her otherwise.”

“Yeah,” Steve said, although he didn’t sound convinced. “Lucas is beating himself up over it.”

“You both want to protect. That doesn’t mean you failed when someone gets hurt.”

[tarabyte3]

I'm not going to lie, December has been a pretty rough month.

(vent post. mind the tags.)

I have been struggling with anxiety, writer's block, RSD, loneliness, and some extreme imposter syndrome. (To the point I had to talk myself down from just fully deleting some of my drafts/WIPs. Because, unfortunately, I'm not a big fan of my own writing at the moment. And I know we're not supposed to compare ourselves to other people. I know we're only supposed to write for ourselves. I know that! But sometimes I look at how many hours I've put into my writing, and then look at my numbers on here and AO3, and I feel discouraged. Like, maybe that's a sign that I'm not very good at it so what's the point. Of course more people don't want to read it. I don't blame them! I'm kidding myself. OR maybe it's me specifically that people just don't like! Makes sense. Then the writer's block kicks in, which makes me feel bad, which makes it impossible to write, etc. A vicious cycle.) Tl;dr my self esteem is in a stagnant pool of murky gutter water.

On top of that, I recently learned that someone I quietly blocked on here a month ago (due to a lack of boundaries and trauma dumping in my DMs with no warning or consent, which went on for weeks) has since messaged other Andy fan pages on other social media platforms (that I've never spoken to!!), talked about me to them, and portrayed me as a hateful bully. Which was very upsetting and baffling! Because 1. even the thought of being mean to someone makes my stomach hurt (it took me over a week to make the decision to even block them in the first place because I felt horrible about it), and 2. all I want to do is exist, thirst over Andy Serkis, and hang out in my own lane. 😩 So I know, logically, I didn't do anything wrong by inserting a boundary and gracefully exiting a situation which was causing me stress and anxiety. But the part of my brain that tries to convince me that I'm actually a horrible, cold, obnoxious, unlikable person has had a fucking feast with that.

Then I had to deal with my shitty family over Christmas. They're very good at finding new and interesting ways of excluding me and making me feel like an outsider. I never know why, though, and I'm not sure which is worse: that they're doing it intentionally, or that I matter so little they don't even realize or think twice about doing it.

All that being said: Please don't worry about me. I'm safe and I will be okay. In time. It's just that the holidays are stressful, it gets dark at 4:30, I'm always tired, I'm sad, I can't write for shit lately, and I had to get this off my chest so that maybe I would feel light enough to finally dig myself out of that pit. At the very least, I'll do it for spite because I am also quite mad about that second thing.

[phoebe-delia]

You've spoilt me rotten with your fanfics. I LOVE ALL OF THEM SO MUCH. IT'S ABSOLUTELY BEAUTIFUL. NOW, if I went and complimented all your works, we'd be here all day, so let me get to what I wanna ask.

What's your advice to someone who wants to start writing ? Like any advice on things that I should keep in mind while writing fanfics or stories or whatever.

Oh my goodness, anon!!!! You literally have no idea the boost this gave me. Thank you SO much for reading my work. It means the absolute WORLD!!!! 🥹

I admit I feel a bit unqualified to give advice. That said, I will tell you a few things that I've learned in the two years I've been writing fic:

Write what you love, and write for yourself

When I first set out to write fic, I made a list of all the tropes and things I loved reading in other fics, and I started there. I also realized pretty quickly that I found a lot of inspiration in music; most of my fics are based on songs. That's what worked for me; you'll find what works for you!

2. Make friends in fandom

Comment on fics. Join discord channels. Reblog things and use tags. Do fests. Send asks off anon. Interact with other writers and fandom people. You will learn SO much from talking to them. A lot of fandom discords, if not already writing-focused, have resources for writers to help each other. When you make friends in fandom, you can alpha and beta for each other. So so so many of my fics have been made better by asking a friend to look at them. Making friends is also just a great way to experience fandom in general.

That said—remember that this is still the internet. People can be mean. Protect yourself and be safe. Set up boundaries. It is simply NOT worth it to fight with someone online, about anything. And don't you ever let someone make you feel like you're a bad writer; if someone you meet in a fandom space is not making you feel good about yourself, then cut off that relationship. It is not worth it.

3. Don't compare yourself to other writers

I'm still learning this one; every damn day. Don't compare yourself to other writers—as better or worse. Just don't. No one is going to write like you. No one is going to tell YOUR stories like you. Do not let other people's writing discourage you from putting out your own work.

OH and make a folder of all the nice things people say about you/your work!! (For instance, I screenshotted this ask and put it in my folder right away 😉) It will help IMMENSELY on rough days.

4. Don't make a habit of checking your stats page too often

I check my stats page way more than I'd like to admit, and there are days I'm disappointed when I don't see the numbers change. Try to establish a healthy relationship with your stats page early on, so it doesn't become a Thing for you like it did for me for a while lol. (I think at this point I've desensitized myself to it so it doesn't affect me as much when I don't see a change.)

5. This is supposed to be fun

If at any point you find yourself stressing about this, take a step back. This is a hobby. This is for FUN. This isn't school or work, you're not getting paid for this, no one will be impacted if you're late posting something or if you never post something at all. Write when it's fun; don't write when it's not fun.

I hope this helps, anon! Thanks so much again for sending this in. Sending you love and good luck, and let me know if/when you've posted!

[bisexualshakespeare]

Twenty questions for fic writers

thanks for the tag @lowkeyed1!

1. How many works do you have on AO3? 53 without my podfic only works

2. What's your total AO3 word count? 195,236

3. What fandoms do you write for? According to my front page, the fandoms I write the most for are Haven (7) Ted Lasso (6) Fandom - Fandom (6) Teen Wolf (5) Our Flag Means Death & Willow (4)

I'm fine with Haven being my number one but I'd like to bump Teen Wolf off there. My Willow fic will overtake it soon but I still need another fandom to push it off completely!

4. What are your top 5 fics by kudos?

A Wedding of Errors - Teen Wolf, Allison/Lydia, Rated T - Wedding Planner AU and my first (and only?) Big Bang fic! It had beautiful at and I still follow the artist though it looks like the post got deleted in a blog rebrand or something.

Not a Rebound - Supergirl, Winn/James, Rated E - Post season 2 episode 1 smut I wrote to make myself feel better after they nerfed Kara/James for no reason! (we know the reason 😑)

No Time Like the Present - Young Justice, Jamie/Bart, Rated G - Short little future fic of Bart having a panic attack and Jamie helping him out. First time I wrote something and was like wow that was like writing writing!

Uninvited - Elementary, Gen Sherlock & Watson - pod together project I had to ask for a co-writer to help pinch hit this for me because I was struggling. It was strange to co-write, especially with a stranger, but it was interesting and the podficcers seemed to have fun!

ShapeShift - Teen Wolf, Stiles/Danny, Rated T - AU based on a Bollywood movie I found on Netflix and became obsessed with called Pyaar Impossible. Also a pod together project!

5. Do you respond to comments? Why or why not? Sometimes. I like that ao3 has the unread comments on your front page, so I like to keep them there so I can see them and smile at them when I'm scrolling through the suggested marked for later stuff. If someone has commented multiple times, I'll usually thank them on the most recent one rather than replying to all of them. Of course if someone asks a question I'll answer. Otherwise it depends on my mood.

6. What is a fic you wrote with the angstiest ending? I was gonna say I try not to leave fics on too an angsty note but then I remembered Garder le Silence my Harry Potter pod together that's an episode of Potterwatch during book 7. It's pretty moody all the way through.

7. What's the fic you wrote with the happiest ending? Probably A Wedding of Errors. It's the only fic with an epilogue so you actually have a little time after the couple gets together. Hmm should I write more epilogues? 🤔

8. Do you get hate on fics? I got an angry comment on Wedding saying it was a bad f/f fic because I spend too much time on the side m/m/m love triangle. Honestly that was something I was worried about and if the person had just been disappointed, I would've understood but they were just mean so fuck em.

9. Do you write smut? If so, what kind? a little! increasingly more so last month lol some light d/s, with a lot of silliness and communication

10. Do you write crossovers? What's the craziest one you've written? nah I don't love the idea of crossovers. Usually I'd rather have a full AU

11. Have you ever had a fic stolen? i don't think so?

12. Have you ever had a fic translated? Yes! Wedding was translated into Russian in 2015, two years after I wrote it and the translator made a little banner for it!

😭 it is so crazy to think someone thought about my fic so much they put it in another language! I am in awe of them. Umi no Iruka you can ask anything of me. You can throw me into battle like a pokemon. I am in your debt.

13. Have you ever co-written a fic before? Just Uninvited!

14. What's your all-time favorite ship? Bakugou Katsuki/Midoriya Izuku from My Hero Academia. I have never written a fic for them and I probably never will. It's a classic case of, if I loved you less, I might be able to talk about it more. 🥺

15. What's a wip you want to finish, but doubt you ever will? Hmm well I don't usually post anything unless I've finished it. I did start a series of fics for a glee rare pair but I am nOT going back to that. I have the last installment in my Winn gets fucked series like 90% done I literally just need them to fuck and I can post it. I have a couple Haven WIPs I probably won't go back to unless the hyperfixation comes back in a big way.

16. What are your writing strengths? Dialogue, calling back to things earlier in the fic, estimating the word count of a story, which I didn't think was a strength but lowkeyed said it was their weakness so i guess!

17. What are your writing weaknesses? Description of places blegh, coming up with events for people to do between plot points, describing how people move and gesture? I can see things so clearly in my head it's so hard to describe! it's like "and then they do the face they did in episode 6 where they were like hmnmm you know??" impossible! I should've become an artist!

18. Thoughts on writing dialogue in another language for a fic? I would love to if I knew the language well enough but unfortunately I'm english only. I've thrown in a few lines sparingly but I think there's definitely some cool stuff that can happen if it's used right by someone who understands the language well.

19. First fandom you wrote for? I think Jimmy Neutron? I got into fandom young lol

20. Favorite fic you've written? Whatever I'm currently working on is my favorite! I love creating so much and I'm ecstatic imagining all the scenarios and tweaking them over and over and living in their heads and surprising myself when I come up with things I didn't plan! So by that measure my favorite is my unpublished Cyrano inspired romcom but if we're going published, I of course have to go with Multivocal, my heart ❤️ or perhaps A Familiar Sound, my soul! ✨

Tagging @secrets-of-luftnarp @lawlessferalgay @lichfucker @caseycassidy