#because you know what? he's a child of irish immigrants

[lnsfawwi]

Here's a thought:

kid Steve speaks better Gaelic than English. their pastor sometimes takes care of Steve when Sarah is working and he'd teach Steve English but, as one can imagine, the accent is not good. Steve is also partially deaf, he doesn't always control his volume well, so he speaks broken, heavily accented English, and that isn't a winning combo for friendships on top of his firecracker personality.

enters Bucky, the popular kid who somehow decides that Steve is his best friend in the world.

Bucky's grandparents immigrated from England, his dad is Romanian Jew. Bucky is not a very devoted Catholic, and the family still celebrates major Jewish holidays. they even hold a mini bar mitzvah for Bucky's 13 birthday.

the point is, Bucky has a fairly neutral accent that gets more Brooklyn by the day, he is also some kind of a polyglot. he speaks also Yiddish, he learns Italian from the neighbors, and French at school.

Bucky never makes fun of Steve's accent or gets frustrated when Steve can't quite get the pronunciation right. they read together, literally. Bucky would have one of his favorite novels, and he'd read the words out loud for Steve, when it's Steve's turn, he listens and helps him when Steve struggles.

Bucky is also the one to suggest they create a sign language of their own. just simple daily vocabulary like 'food', 'movies', 'home'. they add 'punk/jerk' and 'sorry' to their vocabulary after a short while.

and the thing is, losing Bucky is more than just missing a person in his life, it's that the most basic act of talking - not even about him - just talking, in his own native language, is a constant reminder of this loss. they don't have only their own sign language. in a way, English is their language too. losing Bucky is losing the languages, the tool of communication and connecting with other people and the world around him.

[weemietime]

One thing that often gets thrown in our faces when we discuss Jewish indigeneity is that converts are not always ethnically Jewish. I hate to break it to you all, but ethnicity is separate from race. Ethnicity is your culture. Converts are indeed ethnically Jewish. They have literally been accepted into the tribe, which is literally what we say when welcoming them ("welcome to the tribe," verbatim).

I am a convert. I am Irish, Polish and French. Guess what, I am 1/8th Ashkenazi. My great-grandfather left Poland before World War 2. He lost his entire family who stayed. Our family tree stops with him. That intergenerational trauma? Passed down to me.

He was a drunk. He abused my grandma. He hid her heritage from her and conversely from us for decades. My grandma has NPD, my mom has AVPD and I have SZPD. I found his journals ~24, which vindicated to me what I've always suspected since I was a child. I was frequently bullied with antisemitic slurs in school, because I have always been openly and fervently opposed to antisemitism and they turned their bullying onto me.

Before I confirmed my heritage I have been practicing Judaism since I was 19. I am religious. I feel it in my soul and I have always known I am a Jew. I speak Hebrew. My culture is Jewish, we call it Yiddishkeit - "Jewishness." This is a form of qualia. You simply know what it feels like inside your body.

Israel is my homeland. I have felt the pull and longing to return home for my entire life. Finding out that the reason why my family is so fractured is because they were all murdered in the Holocaust, just vindicated my feelings. A lot of converts have similar stories. Because we know we are Jewish, and then surprise surprise, it turns out we have Jewish ancestry.

But even for those who don't, they are still ethnically Jewish and Israel is still their homeland. Why? Because they have completed the arduous and complex process of immigration into the Jewish tribe. Because they have adopted the culture, history, language, and religion of the tribe. Because it is a spiritual connection to this piece of land. Our souls were at Sinai, too. We received the Torah and became Jewish in that very moment just like every other Jew. That is why the Shulchan Aruch says when the convert comes to convert and not when the gentile comes to convert.

And as the actual real indigenous population of Israel Jews have the sole right to determine who is entitled to call themselves Jewish and who is entitled to claim Israel as their own. We are not strangers coming in to appropriate Jewish indigeneity, we have been accepted as a member of this indigenous group. A full member. The same as any born Jew - and even this term is misleading because we are also born Jews, our soul has been Jewish since Sinai, we simply had to complete the rituals of returning to our tribe.

[godeaterazathoth]

Issues I have with ikevamp

That I’m venting here because they won’t leave my skull

*Content warning, we’re talking about men in the past, they did some bad stuff*

Part 1, historical inaccuracies

I’m I history nut so this really gets to me, since I know the deep details of these peoples lives.

The timeline, ok so the game takes place in 18th France, correct me if I’m wrong but I think it is in the second empire (1852-1870) considered there is a noble class, yet you can clearly see the Eiffel Tower which was completed in 1889, there is no mention of the 1889 exposition, so it must be after the tower had become permanent, by then the 3rd republic was around, if we are in the republic the Count wouldn’t be called that by the npcs at all the parties he goes to, no matter which we’re in, NOBODY mentions Napoleon III at, NOT EVAN HIS UNCLE (WHOSE SOMEHOW BECAME CASS CONSCIOUS!)

How does the time travel work, example, Dazai died in 1948, his plan was seemingly to wait until he’s born in 1909 then kill himself as a baby, but then he decides to use the magic door, what are the consequences of 2 Dazais existing at once or him erasing himself from history, he’s a pretty important literary figure, does someone else replace him or does the space time continuum collapse?? Is the future Vlad sees set in stone or can it be changed, just copy someone else’s time travel bit!!!

So straight up these guys aren’t who they say they are, we’ll go through 1 by 1

Napoleon- doesn’t mention he left the love of his life to marry a girl 20 years his junior (like think how interesting it would be if he’s conflicted about love cuz he had to give it up for political reasons) -that scene where MC talks about all the ‘good’ that he did in Europe, like committing war crimes against the Spanish and Portuguese and Eastern Europeans, being a coloniser, killing the slaves he freed when they asked for more rights, killing thousands of men in a meaningless war (ligit H*tler vibes)

Arthur- goofy irl, literally believed in fairies, had 5 children and married twice but he never mentions any of this, he cheated on his first wife while she was dying of TB, he was a liberal unionist (tldr didn’t like Irish people) he was anti-immigration, might have committed fraud. We’ll get to the other issues I have with him.

Leonardo- fruity as hell, vegetarian

Mozart- they got his character completely wrong, the guy was a complete man child, vain, broke, by the end of his life his career fell off (Beethoven better composer), in love with his cousin 🤢, had a s*at fetish 🤢🤢🤢. The hole Salieri thing didn’t happen.

Vincent- they made him too mentally stable, I’m all for him being meek, but the guy had serious issues that they ignore, he ate paint thinner, was rejected by his both crushes, WHY DOES HE HAVE BOTH EARS, DID IT GROW BACK, THEY SHOULD HAVE LEFT HIM WITH ONLY ONE, also he should be ginger smh. Oh yeah and they never mentioned the s*ecide attempt.

Theo- doesn’t mention his wife, or son, WHO HE NAMED AFTER VINCENT, his wife is the person responsible for Vincent’s work not being completely forgotten, was way nicer irl.

Issac- tbh hotter irl, low key ace, maybe a fruit, kinda mean, the only thing they got right was the major virgin vibes.

Jean- WHY MAN!??!! Even if the didn’t want a lesbian route, they could have gone with any other guy from the 100 years war, Edward black prince, idk WHY GENDER BEND ONE OF THE MOST PROMINENT WOMEN IN HISTORY, I’m fine with the delusional trans dude lie, but they say that he was a guy all along, THEN WHAT WAS THE POINT OF HIM BEING BURNT AT THE STAKE IF HE WASN’T CROSS DRESSING???!!! was he double cross dressing??? This is the worst of them all, give me the girl boss we deserve (revers fate)

Dazai- not depressed enough imo, he was a leftist, again missing wife, their were two su*ecide attempts, guy lived through fire bombing, had a few children that he is fine to erase from existence.

Shakespeare- probably a fruit, again never mentioned his wife and kids, btw the way he talks is annoying, some people don’t think he’s real.

Faust- NOT A REAL PERSON.

Sanson- too young, this guys is 67, really liked the guillotine, just saw execution as his job didn’t really care, had a wife and kids.

Vlad- Ok is he supposed to be Vlad THE impaler? Cuz he’s not evil enough, or is he a Dracula reference, cuz he can’t dance that dance either, why did they call him Vlad if he isn’t a blood thirsty war criminal.

Count- not enough history to work with.

Part 2, problematic moments

So I ha have seen some posts on the low key misogynistic way the MC is written and treated and there are a lot of issues wit white washing history so another trigger warning ⚠️

Misogyny- the MC of this game is not the best, I know she’s a self insert but she has no backbone at all. She lacks agency I’m most of the routes, like the MC getting kidnapped is a troupe in all these games, but Emma can escape on her own, Kate has ⚽️, even Alice had more depth to her, seems the only thing MC can do is cry and wait to be saved, I swear she gets kidnapped once in every route, I think they could have given her more character to work with. Another thing, but Jean being a man is bad, really bad, she’s a feminist icon but they made her a man, it’s sought of saying that women aren’t capable of this so she had to have actually been a man.

Handling of SA, important one here, I’m ok with the flirty guy, but I really hate Arthur, he doesn’t just flirt with her in chapter 1 he assaults her and acts like he did her a service, and she just forgives him!?! I’m fine with a guy that sleeps around, I like Jin and Nokto fine, but the way Arthur talks about women, always calling them Birds (if they were going for English slang it doesn’t work cuz he doesn’t have a cockney accent) or worse Skirts, it’s dehumanising, and shows that to him women are vehicles for sexual pleasure and aren’t on an equal level of understanding. There are smaller parts to, Leo kisses her without consent, the Count hides the truth from her, idk but Theo calling her a ‘hound’ sounds like he’s calling her something else…

Minor points on classism, I’m not expecting the communist manifesto, but all these games aren’t very good at dealing with class deviation. In Vlad’s route, the orphan boy thinks he can impress the rich girl, this is the 19th century, capitalism is on the rise, but there’s no comment about how it’s impossible. The little school Napoleons runs is strange, considering he was in a position where benefited from poor people existing and staying poor, ( side note, he’s teaching them swordsmanship when ww1 is right around the corner, just saying they won’t need it in the military) called MC out as a social climber, these games sought of depict the past through rosé tinted glasses, there’s only passing reference to how fucked people were in the past, Also all the historical inaccuracies above tie to this.

Anyway love to hear some other opinions, (I started playing this game before my transition and have always thought it it was wired, it’s my personal least favourite just cuz I couldn’t really get into any of the guys, my OC ended up as a Carmilla reference so….)

I have seen a post talking about some of the issues before so that’s what got me to write this out, if you disagree or want to add anything I’m all ears 👂

Thanks for reading 💗💖💖💕💓💝💗🥰🥰🥰❤️✨✨✨✨❤️��️⭐️⭐️

[cherrybombfangirl]

Hey you! Yeah you! Interested in my in progress Marvel OC Fanfic?

Ao3 Link: Only Human (7244 words) by cherrybombfangirl)/

Wanna read a Marvel fanfic that’s mainly an OC insert but also fixing everything that’s wrong with the MCU? It includes fixing what needs fixing, and my OC and all the small OCs that come with her.

Yeah you wanna read it!

The fic includes:

My OC Stacy who is the daughter of Steve and Bucky, a chaotic bisexual ADHDer, a maliciously compliant little shit, a gremlin but also a sweet ray of sunshine, coming from a mixed faith family, and just being the bane of the US government/Tony Stark’s existence in general

Fixing the erasure of representation issue- not just the whitewashing! Especially Steve’s disability and being an irish immigrant, also aggressively queer as he should be

^^^ and Stucky Supremacy :D 

Autistic, Trans, Asexual, Bisexual, and Jewish Peter Parker! (also he actually acts like a teenager and not a fucking child, the fuck writers and fans)

In fact, all of the characters that should be Jewish are actually Jewish (Wanda and Peitro, Kate Bishop, Bucky, Moon Knight, etc etc), because we all know how terrible the MCU is at respecting the source material

No romanticizing Tony’s shitty behavior and getting called out on said behavior multiple times

Civil War is actually about Steve Rogers and not just Iron Man 4 :) (also Tony being proven very very wrong)

Actually addressing how bad the Sokovia Accords are and how awfully they treat people with superpowers (and how it’s really just the US gov. trying to have their own little superhero army and how that’s fucked up)

Fixing this issue the MCU has where they reduce characters to a few traits and take away what’s at the core (especially with newly introduced characters)

Fixing Age of Ultron and Endgame (because AoU was a trash fire and Endgame was a good concept but terrible execution)

Did you know Peggy’s character was based on a character from the comics named Cynthia Glass who was a Nazi Spy? “Based on” as in the writers took Cynthia’s character and just slapped Peggy’s name on her? Yeah so, Peggy’s actually gonna be a Nazi spy in this fic and her sus behavior (shooting at Cap, Operation Paperclip, etc) won’t be ignored or brushed off

^^^ in fact she manipulates Steve into letting her have his and Bucky’s daughter so that HYDRA could have their own little supersoldier lab rat and also Peggy not being a good mom and handing Stacy over to HYDRA like it’s nothing

The ending to Endgame actually makes sense (and no Steve undoing his entire arc because WTF WAS THAT-)

More time saying fuck you to the US government because we hate them in this house, and we stan Stacy for doing everything she can to be the bane of it’s existence. Everyone but Tony is right behind her :) 

All the Young Avengers are closer in age because they should be, also they’re all younger than 20 because that should be happening they’re not supposed to be adults

Lots of trauma and mental health issues for everyone, including PTSD, depression, and anxiety and more!

More time with Nat and Yelena BECAUSE THEY DIDN’T GET ENOUGH T-T

[usaigi]

Mexican Matt Murdock Headcannons

Yay my meta was well received thank y'all. Here are some hc as a treat :)

Jacobo "Jack" Murdock is from Monterrey 🤠🇲🇽 Super Norteño, he sounds like a cowboy. Has the thickest accent, it embarrass Matt so much

Jack never went to high school and tells Matt to copy how the people on TV talk. They speak "proper" Spanish.

Dad's great great great... granddad was an Irish soldier in the Saint Patrick's Battalion. Hence "Murdock"

He was boxing in Mexico when he met Roscoe Sweeney. Sweeney promised he'd sponsor Jack's work visa and help him immigrate to the US

Sweeney never followed through with the sponsorship. He'll get around to it, don't worry. But as long as Jack's undocumented, he can't box for other promoters/organizers

He would go back to Mexico but he's making more money here than he could back home. Plus he met someone.

Margarita "Maggie" was training to be a nun until she saw him

Baby Mateo Murdock takes after her. He has her eyes, red hair, and pale skin Maggie worries will burn in the sun.

(TW Intrusive thoughts/Post Partrum Psychosis) Maggie worries a lot. About Matty choking on his blanket, about SIDS, about how she betrayed God, about how her child carries her sin, about how the devil possessed her husband, how maybe she should borrow Mario's car with Matty in the back seat so she can drive them off a bridge so at least one of them gets the change to go to Heaven

She nearly kills him.

Jack calls Father Lantom and their marriage is annulled. Maggie leaves to get help and doesn't come back.

Jack still misses her. Matt never knows.

So many nicknames: Matty, Canelo (Cinnamon), Chiltepin (Small Peper), Rojo (Red), Tomatillo (Tomato), Chapulín Colorado, Diablito (little devil), Irlandés (Irish. Later takes a 23andme and finds out he's only 5% Irish)

Jack doesn't speak a lot of English. Matt becomes his personal translator by 1st grade

After the accident, Matt even has to translate what the nurse says for his dad. There's an interpreter when the doctors need to talk to his dad. It hurt hearing about his diagnosis and treatment from the doctor. It hurts all over hearing the interpreter repeat it to his dad.

Matt feels so guilty he can't help translate documents for his dad anymore.

His dad's funeral is the first time Matt meets his extended family. One of his Tia offers to take him in but that would mean leaving New York/the USA and going to Mexico.

He says no. New York is his home.

Sister Maggie is one of the few nuns who speak Spanish. And the only one who will read him poetry. She reads him Jose Marti, Juana Inés de la Cruz, Miguel de Cervantes. Matt likes her. Even if she's strict and doesn't tolerate his sass.

Nina Rosario from In The Heights Kinnie

Almost cried the first time he heard "Breathe," no song has even spoken to him more

NINA: They are all counting on me to succeed I am the one who made it out The one who always made the grade But maybe I should've just stayed home... When I was a child I stayed wide awake, climbed to the highest place, on every fire escape, restless to climb .... I got every scholarship Saved every dollar The first to go to college

Takes a 3000-level Spanish for Elektra. Should have thought this through, Elektra speaks it with an Ethpañol accent. Cringe.

But the class is interesting. So he takes another. And another. And soon enough he has enough credits for a Spanish language and literature major.

Eavesdrops on a lot of conversations. Both because no one assumes he knows Spanish and because of his senses

Foggy: Do you have health insurance?

Matt: of course *pulls out his Vick's Vaporub*

Can't eat spicy food. This face turns as red as his hair :( The other Defenders/HFH tease him for this

Dislikes Spanglish because text to speech/screenreaders don’t recognize it

Calls La Virgen de Guadalupe Mom

Drinks Corona :D

[denimbex1986]

"It's a really difficult one to, to try and sum up, but it's about this man who's lost his parents when he was a boy. And the basic premise of it is a very beautiful one; what would you say to your parents that you weren't able to ever say to them before? He meets his parents as, as they are now; and they're the same age, he talks to his mum and dad...when they're the same age as he is now. And he has to let them know who he is, and so it's a very beautiful premise. A difficult one to, to - I keep saying to my friends you know: 'Just go see it, just go see it.' Because you're like: 'Oh my god, it sounds crazy', but it's a really beautiful idea. Because, you know, so, so much of us, you know, so many of us think about people. You know, I was walking down Fifth Avenue today and I was thinking: 'Most of these people are probably having conversations with, with people they haven't seen in 15 years.' You know, we spend so much of our time in memory, you know, and so - that's where the ghost is. Yeah, yeah, yeah."

"What's so extraordinary about this film is that you're always the child, aren't you? When your parents...and I love this idea that you know, we don't do any, in the movie we don't do any - like, in the theater you can play several different parts, and, and the audience immediately believes it. But in the movies, sometimes we've got to put like a nuclear glow around them to show that they're ghosts. We do none of that stuff; it's just exactly the way our memory works, which is, you know, you remember the people exactly as you remember them and not - you don't really think about logic too much. So all the conversations are very beautiful and loving, but they're also kind of thorny because they've got a lot of kind of attitudes that would have existed around the nineteen - late 1980s. And he has to sort of, in some ways, kind of come out to them and it's very - it's beautiful because it talks about the accidental cruelty of families. You know, that we can have great love, but also your family can say things to you that are pretty bruising. But it's so compassionate and it's so tender, and people when they go and see the movie, you know, you can audibly hear - I wasn't able to see it for ages because of the strike - and I went to see it in, for the first time with a big group of 500 people, in London and just, people were audibly weeping. And so to be able to, I don't know, capture the audience imagination in that way is, is pretty wonderful."

"It was incredible you know, because Jamie Bell and Claire Foy play my parents, who are younger than me...It's sort of a crazy idea but it's got this epic, it's got this epic subject matter to it, which is - it's literally about life and death. And it's so, so beautiful and so incredibly; I'm proud of it - I find it very moving even talking about it. So, but yeah, so it's, it's really just very, very specific, and we shot it in the childhood home of the director, which is extraordinary. He lived there when he was nine or ten, so we went back into his, his home, so it was sort of magical; the whole thing was really magical."

"...He'll kill me for saying this but Paul was in an ad for sausages in Ireland. Now he's so cool. No - he's still an ad for sausages; he'll always be an ad for sausages. Easy, tiger. So, and then of course, I knew him from 'Normal People', which I'm sure everybody knows him from. And so we were required to forge this sort of huge kind of chemistry and intimacy in this, in this, in this movie and, you know -

...We did a little sort of a sketch for Comic Relief in, in London, but certainly nothing like, like the intimacy we have to forge in, in this one. And so, yeah, it was just one of those wonderful, wonderful experiences. I, I love him dearly."

"...You know, I think storytelling is so much part of Irish culture. I think probably because of immigration. You know, so many Irish people moved over here, you know, and so how you keep people alive is by telling stories about them. You know and so Ir - Irish people - you know, of course I'm biased - but I do, I do feel like there's, there's, we've had a lot, we've had a bad; a lot of bad knocks, but I love it. It's fun; I'm going back there for Christmas obviously. Well, I don't wanna, you know, I don't want to fall into cliche but we'll have, we'll have a couple of drinks."

[kingofthewilderwest]

Hi, in the HTTYD episode "Tone Deaf", you had mentioned that Smotlouts song was a ripoff of a similar song (repetitive melody with increasing pitch). What is the artist/song title of the song that Snotlout was imitating? I remember hearing this on a radio station and have been unable to identify it. Thank you.

Hey there! I'm stoked about this because you're sneaking into my passion for folk music! Be prepared to get 500% more information than you needed! ;)

For starters, I'm glad good search engines exist to refind what you were referencing. In this 2016 post about Tone Death, I commented Hiccup's song started melodically similarly to "When Johnny Comes Marching Home," while later elements of the song sounded familiar, but I was unable to place it. I'm still unable to place it, though it sounds like another old-fashioned band tune.

Since you mentioned a repetitive melody with increasing pitch and that matches When Johnny Comes Marching Home, I'm assuming that's what you were thinking about!

I don't mind that RTTE 'used' When Johnny Comes Marching Home. It wouldn't be a ripoff in my book. It makes music in RTTE boringly unoriginal, but composers closely mirror songs (especially folk songs) constantly, and a composer would know that, if he modeled something off a famous melody like When Johnny Comes Marching Home, it'd be noticed.

I'm not going to assume knowledge or nationality here, though I know many folks online will be well-acquainted with the song. So I'll start by saying there's no artist particular to it. There's technically not even one concrete title since it's a folk song from the United States Civil War, and as with all folk songs, that means variation, variation, variation. As a child, I learned it as The Ants Go Marching One by One! There's another children's variation, The Animals Went in Two by Two.

I have to nerd out and blab on the song since your ask gives me the excuse!

Irish-born immigrant Patrick Gilmore, one of the most well-known bandleaders of his time, is said to have composed When Johnny Comes Marching Home, with lyrics, in 1863 while serving the Union in the US Civil War. It was published on September 26 under the pseudonym Louis Lambert. The song became popular with both Unionists and Confederates, as it sang about the desire to see soldiers return home. However, Gilmore acknowledged he'd adapted an older melody. Where this older melody came from, though, isn't clear-cut.

The best claims I've seen point out the tune was published in July 1863 as Johnny Fill Up the Bowl, arranged by J. Durnal. Well, where did Durnal arrange it from? I've read Johnny Fill Up the Bowl was a popular drinking song with soldiers. But that's not the origin point, either.

There's a branch of this folk tune that's Irish, Johnny, I Hardly Knew Ye, published contemporarily to When Johnny Comes Marching Home. (Hmhmhmhm Gilmore was Irish.) This publication was in 1867 by Joseph B. Geoghegan. I read that was originally under a different melody, though I couldn't find a scan of the sheet music to verify that with my own two eyes.

Tracing the song back further isn't as certain. Folklorists have pointed out melodic similarities to John Anderson, My Jo. That came from Robert Burns circa 1789, but even he was placing lyrics to an earlier melody. His poem was a polite change from bawdy lyrics that existed previously - a song running back to at least 1630. There are tons of variant titles to John Anderson, My Jo, and there are reportedly about forty variations to the tune (everywhere from Sweden... to Wales... to the USA's Johnny).

Going further back then that, there's less consensus. One scholar has suggested a connection to The Three Ravens, which was first referenced in print in 1611, but would be even older than that. Another song that's been proposed is I Am the Duke of Norfolk or Paul's Steeple, first put to print in 1651, but possibly arising from an event that occurred in 1561. Presumably a ballad arose within a week of a fire that burned down a steeple at Old Saint Paul's in London.

Of course, if you listen to something like Paul's Steeple, it's quite different from Johnny I Hardly Knew Ye - but that's the nature of centuries-long folk song evolution, where new sounds, shifting melodies, different lyrics, and more spawn across generations. It's like languages... Old English ain't intelligible to today's English, but there's a direct chain of evolution linking back.

As an American, I can say When Johnny Comes Marching Home is one of the most ubiquitous folk melodies around me. Its references typically retain military connotations -- to give one example, in Guns N' Roses's Civil War.

If you heard it recently on the radio, that's heckin' cool! I know that this song keeps appearing and reappearing in pop culture in different iterations. I'm so removed from pop culture I have no idea what you might've heard that's recent. Maybe now that you know it's citing When Johnny Comes Marching Home helps! Best of luck finding what you heard.

[hollow-keys]

Diana and Clark for the character bingo (bc you said they were on your mind)

I mean, they were on my mind but I have the attention span of a *remembers goldfish can actually remember things for months* me.

Anyway, on it boss 🫡

Clark

People in the 30's were so right to get attached to him I really love him. I relate to his feeling of alienation and his self consciousness a lot which has led to some. Projecting. A lot of people are wrong about him (by virtue of being so popular) but not enough to tick the everyone is wrong about them box.

Of course there's the "Superman should be dark" Zack Synder crowd and whatever the fuck Injustice is but there's also people who make him too clean and perfect or overemphasise his niceness IMO. My view of him probably comes from reading older comics (especially golden age) where he's a bit rougher and I like that side of him. Like his original tagline was "Champion of the Oppressed" he forced a war profiteer to enlist to teach him a lesson, he trapped a mining company owner (and his party guests) in a mine so he would make his mines safer, he tore down a slum to force the government to rebuild it with better materials all within his first few issues in Action Comics. And this characterization wasn't entirely in those early issues, like later on in DC presents #28 where he fucking. Gives Mongul (unfortunate name)* a brain hemorrhage (it was the only way he could think of to defeat him). Or in The Death of Superman where he kills Doomsday without umming and ahhing over whether or not it's sentient. He's like Diana in that he won't kill most of the time and tries to understand others but he's not a hardline "no kill" guy.

*Elaborating on that but giving a character who is both a villain and has yellowy coloured skin a name that's one letter off of a real Asian ethnicity is uhh... unfortunate ignorance at best and purposefully racist at worst. Mongul. Mongol. They're not even pronounced differently.

*Abrupt segue* Anyway, back to Superman. His meaner and more overtly leftist side frequently gets watered down so he gets characterised as a "hug it out" liberal. I won't say this is a mischaracterisation because there's no one Superman, but it's not my fave.

There's also a lot of discourse about who the real guy is. Is he Kal, Clark or Superman? So you get the shitty take in Kill Bill that calls Clark Kent his critique of humanity (what?) or the Byrne take where Kal doesn't matter.

In my view, he's all of it. He grew up an anomaly, worried he could crush his peers without a thought, constantly having to control himself. Of course he's clumsy because he's spending so much time reigning in 99% of his power, he doesn't have brainspace to think about minutiae. Of course he's anxious because one wrong move could kill somebody. When he's Superman a lot of his brainspace gets freed up because he doesn't have to hide so he's more confident. His heritage does matter because all immigrants, or even descendants of them like me, feel a connection with their heritage, and for someone who never got to know it in the way he should have, he feels a longing for it.

He idealises Krypton and is forced to recon with the flawed reality of it later when he talks to Kara about what it was actually like, which I found a bit relatable because I would idealise Ireland as a child and only really took the rose coloured glasses off later on (which sounds stupid but I was a child and it was really easy to feel like Ireland would be more of a home for me when I didn't fit in in England and my Irish mother accepted me. I extrapolated).

None of it is fake, which is out of line with golden age Clark being non-confrontational and making himself small as part of his disguise, but I don't treat any era as gospel. So yeah, I have a lot of autistic feelings about him.

Umm. I didn't intend for this to be so long I just got rambling about various Clark thoughts that have been buried somewhere in my head for a while.

Diana

She may not be your fave of all time but she's still going in the blorbo by proxy category because you're a fan. On to my actual thoughts about her.

A lot of my feelings about her are mired in my thoughts on her treatment as the only female member of the trinity and how the amazons are treated/written in general rather than solely being about her because in a lot of ways she's symbolic of DC's treatment of women.

WRT the trinity, she's the only member without a secondary title (she used to have Sensation Comics a long time ago) and her potentially much more interesting dynamic with Clark is shoved aside in favour if Clark + Batman. The trinity really feels like it's BATMAN!!! Superman also! and uh *checks smudged handwriting* Wobner Woman.

WRT her she's frequently sexualised, almost always written by privileged men, her supporting characters get nothing (the first non-Diana wonderfam related ongoing was Wonder Girl in 2021 and only lasted 7 issues), her lore gets retconned with much less hastle than Batman or Superman's and her series numbering keeps getting rebooted*

*This may seem like a petty complaint but I've noticed that characters who get rebooted numbering are often ones who while popular enough to get consistent ongoings, don't get a lot of faith from DC so they use the new number 1's as a gimmick to garner interest.

But to focus solely on her as a character, I feel similarly to you about liking her in a chill way. She feels less relatable to me than Clark but she's very cool still. I like her optimism, her strong sense of justice, general badassery and also that she's willing to cross that line and kill under certain circumstances. Her diplomatic bent really makes her unique among heroes too.

I need to read more of her absolutely.

---

But yeah, the reason I was thinking about them was because I was (and am) annoyed that Clark and Bruce are pushed as the dynamic when Clark and Diana make much more sense.

They're both outsiders (in different ways) with incredible power who base their justice around harm reduction and have a sense of optimism about the world and the ability to do better. Both make a point of being compassionate, considerate and diplomatic. Bruce's justice is rooted in his trauma and a desire to protect others from experiencing that and he's more pessimistic. He's not particularly considerate or good at communicating, he can be quite self centered and he's obscenely wealthy, which I think would put him at odds with Clark and his values. (Yeah, yeah, Bruce donates to charity but he's still a billionaire so it's clearly not enough, and while Clark may not be straight up commie, I do think he'd agree that being a billionaire is too much).

The reason Bruce and Clark are pushed so much is because they're DC's most famous characters but Diana isn't too far behind and she makes more sense as Clark's closest friend on the League but DC hates women and loves Batman so it's Batman and Superman: World's Finest forever and ever.

Thanks for asking!

[thesunsethour]

dia dhuit! i was wondering why you dont like leo varadkar? this is completely genuine, im a young irish person who knows very little about irish politics and would love to learn more, ive seen a lot of leo hate but im not sure where it comes from, and i respect your opinions on other things so i was hoping you would be willing to explain a little?? no worries if not, go raibh maith agat!! <333

dia dhuit! thanks for this ask, getting really annoying about politics is unfortunately one of my favourite hobbies 🙏

i’d like to start by saying that i am biased against varadkar since i lean left politically, and therefore have never voted fine gael and will never vote fine gael, because i don’t believe that their policies/promises/ideas are what’s best for ireland in the short or long term, and are often actively damaging.

leo varadkar has been the leader of fine gael since 2017, and his party has been in government since then. in that time:

• child homelessness in ireland has reached its highest ever recorded level

• he and his government ended the no-fault eviction ban during the worst housing crisis this country has ever seen

• our hospital systems reach breaking point every winter, and in 2022, 60% of newly trained doctors emigrated to Australia

• the mother and baby home records have been sealed for 30 years, against heavy protests from the victims and their families

and in terms of varadkar more personally, i just think he’s a very unpleasant politician:

• his ‘welfare cheats cheat us all’ campaign was hateful to its core, and incredibly ironic considering the dodgy accountancy going on in gov depts

• leaked confidential information of GP pay deals to a friend

• just google “tiny tim should get a job”

• is a landlord. enough said

i do want to stress that i vehemently disagree with some criticisms of varadkar, namely those coming from ireland’s far right wing. accusations against him include: that he has let immigration spiral out of control and ireland is full (this is fascist rhetoric used to justify the arson attacks against various asylum seeker accommodations), that he has let ‘trans ideology’ (whatever that is) dominate our schools (blatantly untrue. if anything, varadkar still has a long way to go before he is anywhere near as progressive as he should be regarding trans rights). lots of these far right wing criticisms are heightened against varadkar since he is of indian descent and openly gay.

in fact, i will give one (1) small bit of praise to varadkar: i thought he handled brexit okay. but apart from that? i can’t say much

fine gael have been in government for over a decade, and our most successful feats (gay marriage referendum, abortion referendum) have come as a result of grassroots campaigners. i do not think that fine gael, especially under varadkar’s leadership, has helped ireland. as a young adult trying to live in dublin, i feel the effects of the housing crisis every day. i feel the effects of our government’s apathy towards young people every day. this is leo varadkar’s government, and so yes i do blame him

[inkribbon796]

Egotober 2023 Day 5: Roses are Red, Violets are Blue

Summary: . . . Florida Teen Arrested for Putting Humans in Jars at Florida Zoo

Prompt: Jar

Chapters: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31

Bing liked humans, they were fun. Some were less fun than others, but on average he liked them.

And in Gainesville he saw all kinds of interesting and fun people. He liked going to school fairs and the schools definitely liked having an actual sentient AI talking to their budding STEM students. He had the names of hundreds and even thousands of budding scientists.

His names.

Bing wanted to see what they would become, what they would do.

One of his names however was causing problems in the city. And Bing only knew that cause this human child, a teenager really, was using something he had given to every name he kept tabs on. A little pin with a minute amount of dead nanites. Unusable, but noticeable.

A little budding eco-terrorist, and a dangerous one. Most of the time, his names resorted to firecrackers or at the most dangerous a pipe bomb.

This one was more dangerous, this one was causing civic engineering damage. They were smart, not just in what they were doing, but in being smart enough not to get caught.

And Google was starting to get interested. He refused to tell Bing why he was so intent on finding this person.

Fourteen hours after he’d called the Egoton branch for help, he got a call.

“Bing, what’s up?” Silver called.

“Finally,” Bing said. “Finished putting out fires?”

There was silence for a bit. “No. We’re fighting Irish and American immigration to get Marvin over here. Fuck Dark, and fuck no one here being able to read aura. What’s the problem? An eco-terrorist?”

“Yeah, one of Gainesville’s brightest is turning to crime to push back against a couple things in the city. And they’re smart enough not to get caught. We’ve been trying to catch this kid for four months.”

“How old is this person supposed to be?” Silver asked.

“Seventeen,” Bing said. “We think. They’re at least in high school.”

“Too young,” Silver said. “Between them and the guy that keeps trying to solve crime over here we might be dealing with a miniature league.”

“Don’t have to, dude,” Bing said.

“What does that mean?” Silver's tone sounded dangerous.

“Google’s interested in them, not Dark, Googs is hella interested.” Bing’s mind was already made up.

“We can’t have children fighting super villains, they’ll die. I’d rather fight against them than have them up against Dark. I lost Iblis, I will not lose anyone else.”

“Iblis wasn’t killed by a villain,” Bing said.

“I’m not arguing this with you. Dark travels down there to talk with some snake kingpin almost monthly. And he can be down there in minutes. I take either nine or three hours depending on where the fuck Egoton is because I sure don’t know where I am right now.”

“I can’t let Google have this kid, I can’t,” Bing said and hung up. Silver tried to call him back but Bing didn’t pick up.

Bing kept ignoring him as he broke apart into nanites and jumped from electrical outlet to outlet until he got to the nearby zoo where the latest situation was.

The eco-terrorist was in the zoo, terrorizing some of the patrons in, what felt like to Bing, the funniest way possible. Three patrons trapped under what looked like giant glass jars, ranting at them.

It was as adorable as it was dangerous. A seventeen-year-old in blue and black biker gear. It was almost enough to make Bing forget about how much damage they’d done.

“How do you like it when something throws things at you?” The teenage future-supervillain told a woman whose jar he was standing on top of. They sounded male-leaning but Bing had been corrected enough times.

“Well,” Bing said as he leaned against one of the jars where a young man was inside of it. Smiling. “Should I make the joke, dude? Or are you going to traumatize these people in a whole new way?”

The teenager almost startled and climbed off it before they could fall off of it. “Bing. You’re early.”

And they landed directly into Bing’s nanites. Nanites surged around them to bind the teen where they stood. Making it look like the top half of a jar.

“Nah, I was going to get you eventually, kid.” Bing said as he took the time to free the civilians and send them off.

Only one of the trapped people tried to beat up the tied and bound teenager.

Bing easily snagged him by the arm and threw him back. “Nah, big guy. You don’t need to pretend to be a man by beating up a tied up teenager.”

And for good measure, Bing audibly and visibly took a picture of his face. That got the guy to run off.

Leaving Bing with the “junior supervillain” on the mostly empty path. “Hey there.”

“I have a right to remain silent and I have a right to a lawyer.” The young villain said.

Bing used his nanites to unclip the kid’s motorcycle helmet. “You sure do.”

“Hey!” The teen said, trying to twist away. But the helmet came off and there was a perfectly normal teenage face.

Bing didn’t even need to start scanning his face. The android knew exactly who this was.

Logan E. Naraj. Honors high school student, and valedictorian at Buchholz High School. He/Him. The most promising of Bing’s names. Perhaps the single smartest student in the entire area, let alone in Gainesville. Maybe in the entire state, even. Not just in grades, Logan was devastatingly intelligent, and his eco-terrorist actions were proving it.

“I knew it had to be you,” Bing said. “You’re one of the only people smart enough to be doing half the stuff you’ve been doing.”

That seemed to disarm Logan a little bit, clearly not expecting a compliment. But he didn’t say anything in kind.

Bing stuck the helmet to Logan’s chest with nanites. Then Bing started taking Logan out of the zoo.

Police met with Bing about halfway towards the entrance. He was placed under arrest, and placed in the back of a cop car. Where Bing followed them closely to the station.

They got Logan into a little holding room, Bing not letting the kid out of his sight. It was only a matter of time before Google tried to sweep in. Bing couldn’t even guess what Google wanted with an actual human, but Logan had yet to actually kill anybody. If Google got involved he would quickly start.

They were waiting for a state lawyer and CPS to come in for Logan. So all they could do, since Logan refused to cooperate, was wait.

One of the investigators came over to Bing.

“Your friend come for him yet?” The officer said.

“No, but that’s probably because the dude knows I’m here,” Bing shrugged.

“Do you know what he wants yet?” The officer was shifting around but Bing didn’t pull up a camera to see it. He just shook his head and they were quiet for a good minute.

Then the officer clearly felt like silence was a bad idea.

“Logan Naraj, glad to finally have a name for what might be a two-year stint in juvie,” the officer said as Logan sat on the couch, Bing refusing to take his eye off him. So the second camera had to come up.

“And not the first Naraj we’ve had in the system, probably won’t be the last time either.” The office was giving Logan a scoffing, dismissive look.

“Why?” Bing asked.

“His older brother is currently serving a five year sentence at Florida Corrections, assault with a deadly weapon. He was sentenced last year. No parents, no surprise really.”

“Hmm, don’t think you should be making comments like that about a kid smart enough to make death rays.” Bing’s synthetic heart gave out a little bit.

The officer didn’t seem convinced but Bing didn’t care, he only had to convince Silver. And Bing was trying to cover every argument Silver had. He needed to keep this kid out of trouble, eternally bench him, and keep him in school.

He was already sending out a couple of emails as he’d been taking Logan to the station. And as he was looking at Logan and hearing this human bad talk him, he got a response from the only person besides Silver that he needed permission from.

“He’s going to be my apprentice,” Bing said.

“Why?” The investigator said.

“Look, either I take him for the Coalition, and he does community service for us, or Google takes him and he builds weapons for Dark and the League. Choose.”

“You said that just Google was interested in him,” the officer said.

“Yeah, and Google works for Dark, if Googs has anything, Dark has it,” Bing said. “And I don’t know if you know what happens in Egoton but Wilford doesn’t stay in jail, now does he?”

Bing waited to go in when the CPS rep and the lawyer had finally gotten in. He let them go in and talk to Logan before Bing walked in without the cops.

He grabbed a chair and turned it so he could lean his arms on the top of the backrest.

“Hey,” Bing smiled. Before the lawyer could make a noise, Bing kept talking. “You don’t have to say a word. You’re probably going back home after this. I just wanted to cut to the point where we make a deal, not waste your time.”

“He doesn’t have to take any kind of deal,” the lawyer said.

“Oh, I know,” Bing said, still smiling. “In fact, I hope he sleeps on it. Decisions need time to make them wisely, and I know Logan here is a smart kid.”

The lawyer glanced at Logan, and Bing let them remind Logan not to say a thing.

Bing pulled out a little card with the Coalition insignia on it and Bing’s contact information. “I want you to personally become my apprentice with the Coalition.”

“You can’t be serious,” The CPS rep said.

“Oh, buddy, I’m very serious,” Bing said. He looked at Logan. “I know Googs has been contacting you, and I know because he was gloating about it. And I don’t want Google anywhere near you, dude. I don’t want Dark near you because anything Google has, belongs to Dark. Dark doesn’t care about anything but himself, that’s just a fact.”

Logan didn’t say anything, but his standoffishness didn’t seem as cold. Which was good.

“So we’re gonna take you home, you’re gonna think on this, and then if you want you call me. And we can start some balls rolling. Get you some more equipment. Have you not go to jail for almost destroying the bridge? Think of it as cutting around juvie and skipping right to community service?”

Logan stayed quiet but Bing could see the gears turning.

Bing smiled and walked out, leaving Logan with the humans, and a smile on Bing’s face.

The police were pissed, no surprise. They’d caught Logan but were unable to arrest him on the spot.

Bing watched CPS take Logan home, where he basically was by himself, and was given instructions not to contact Bing or Google.

The kid didn’t last the night.

Bing stood on his apartment step, to be polite, and waited as Logan answered the door.

“I’m not saying yes,” Logan said as Bing walked in.

“Well, this sure ain’t a no, dude,” Bing smiled as he looked around and basically placed a tracking marker in the place so he could quickly come and go from the place.

“Hey, you like Wendy’s, kid?” Bing said.

The kid just glared at him. “I’m vegetarian.”

“Neat, cool,” Bing smiled at him. “I’ll order something else.”

“You don’t eat human food,” Logan said.

“I mean, I can, but we’ll be talking about this for a while and you’ve been out all night,” Bing said as he sat backwards on a rickety kitchen chair. Leaving the slightly comfier armchair for Logan.

“I’m just allowed to join the Coalition?” Logan asked.

Bing gave Logan a huge smile. “I’m in charge of the South Branch of the Coalition, only Silver and Jackie have any extra say on stuff. I got Jackie’s approval a couple hours ago, and I can convince Silver. Don’t worry. The only thing you’ve got to worry about, little man, is staying in school, and staying out of trouble.”

“You’ve promised change,” Logan said.

“There are a lot of things wrong in this city, and with the country, Lo, you’re taking on the small fry. Normal people. I want bigger, dude. I want to take on people like Dark, people who are stagnating the city.” Bing said as he tried not to lean forward in the chair and break it.

“If I joined, what would I be doing day-to-day?” Logan asked.

“Investigative work, maybe researching various magical and no-magical artifacts, you’ll be in school a lot of the time, there’s no getting around that.” Bing said.

“Okay, if it’s between you and Dark, I guess I don’t have a choice,” Logan said.

Bing stood up and clapped his hands. “Alrighty, then, dude.”

Out of his arm he pulled out something that looked more like a watch then the rest of the Coalition communicators. “To our newest hero. Welcome to the party, my man.”

“Logic,” Logan said.

“That your name?” Bing asked.

“Yes, if I could pick one it would be: Logic,” Logan said.

“Perfect, my dude,” Bing said.

“Where do you stay, or are you allowed to tell me?” Logan asked.

“Hey, I live anywhere with good bandwidth,” Bing said, shrugging. “You need me anywhere, anytime, and I got you.”

“Noted,” Logan said, trying to act normal but Bing wasn’t fooled. Those facial expressions, that heart rate. He cared a lot, that made Bing very happy.

Bing held out his hand. “I can order that food, and then you can get some sleep. You’ve got school tomorrow, after all and we’ll keep talking about Coalition stuff after school.”

“Alright,” Logan said.

So Bing ordered some late night vegetarian Chinese food. Logan ate and then he went to bed, and Bing went to go and officially tell Google to back off from Logan. That he had it under control and Logan got to be theirs without also being Dark’s.

[jadelotusflower]

Obscure Christmas Movie Rewatch: Mrs Santa Claus

Are you looking for a feminist, multicultural, pro-union movie to watch this Christmas? Then Mrs Santa Claus is for you!

Not only does it star the late great Angela Lansbury, it features some catchy showtunes composed by Broadway great Jerry Herman, choreography by musical stalwart Rob Marshall, and costumes by the legendary Bob Mackie.

The story behind this one is also pretty interesting! According to this retrospective on Dame Angela Lansbury (RIP), much like she was a champion for older actors to guest star on Murder She Wrote to keep their SAG cards, she was also the driving force behind this tv movie in order to honour her friend Jerry Herman. While he’d had great success as a lyricist and composer for such seminal Broadway shows such as Hello Dolly!, La Cage Aux Folles, and Mame (the latter staring Lansbury), he was diagnosed as HIV positive in 1985 and by the mid-90′s needed a project to focus on. Enter Lansbury stage left, who had a deal with CBS for a number of tv specials, and pitched this film together with Herman.

Here’s the perfectly simple premise: It’s seven days until Christmas and the magnanimous Mrs Anna Claus sends all the elves home since they’ve finished the toys early. She also tries to improve Santa’s navigational route and wants to help him with his mail, but is utterly underappreciated by her husband (Charles Durning).

Lansbury brings her distinctive voice to her pleasant I Want song - “I've been manning the business and planning each holiday plan/And I'm tired of being the shadow behind the great man”.

She takes the sleigh and reindeer, but due to bad weather emergency lands in New York City, meeting Italian stable boy Marcello (David Norona) who shows her the immigrant melting pot via the song and dance number Avenue A (well, the Italian-Irish-Jewish pot at least). There’s tap and joyous dancing, all culminating in a Consider Yourself-esque street celebration extolling the “great kaleidoscope called Avenue A.”

There's also a cameo from Jerry Herman, suitably playing a piano.

We meet Sadie (Debra Wiseman), a young Jewish woman and Suffragette, with whom Marcello is in love with from afar, Sadie’s mother Mrs Lowenstein (Rosalind Harris, who memorably played Tzeitel in Fiddler on the Roof) who fears the police after fleeing pogroms in Europe, local gossips Mrs Shaughnessy and Mrs Brandenheim, and Nora (Lynsey Bartilson), a young Irish girl who works at child labor factory Tavish Toys. Nora's Irish accent is...look, I'm not here to rag on child actors. She tried her best.

Our villain is Augustus P Tavish, played by Broadway veteran Terrence Mann, crooning that his toys “Only have to last till Christmas.” If you want to hear his voice used to full effect however, check out the original Broadway cast recordings of Cats (Rum Tum Tugger), Beauty and the Beast (The Beast, particularly If I Can’t Love Her), and The Scarlet Pimpernel (Chauvelin, particularly Falcon in the Dive).

Mann is delightfully hammy in the role, in spats and spinning a cane, delivering every line on pitch as if it’s a song. It's CAMP and I love it. The movie's worth it for his dulcet tones alone.

Mrs Claus (taking the name Mrs North), is employed at Tavish Toys as a supervisor, singing and dancing around the factory floor, improving morale but aghast at the working conditions and poor quality of the toys.

Meanwhile, back at the North Pole, Santa only notices his wife is missing because his cocoa hasn’t been made right (ugh). It’s up to head elf (there’s always a head elf) Arvo is tell Santa she’s gone and deliver Santa some home truths.

Arvo is played by Michael Jeter, one of those delightful character actors with so many credits it’s impossible to identify where you would know him from (for me it’s Father Ignatius in Sister Act 2).

Santa bemoans that he can’t bear to think of Anna about her out there “alone and helpless.” Smash cut to:

What is it about Victorian/Edwardian garb that just feels like Christmas?

Sadie is literally on her soapbox (a manifestation of the trope), and Anna asks her advice about industrial action for the factory. In return, she gives Sadie advice for persuading other women to her cause, utilising the soft power of persuasion rather than shouting slogans. They go a recruiting through song, culminating in a suffragette march where they are joined by Nora, Mrs Shaughnessy, Mrs Brandenheim, and Marcello. I really like this one! It’s uplifting and upbeat, if a sanitised depiction of the struggle for women’s suffrage.

It musically echoes the opening number Mrs Santa Claus, even repeating lines that Anna sung for herself, now applied the the community of women who have embraced her: "We've planned our strategy and our flag is unfurled/For we have gifts of our own to offer the world."

Anna and Nora bond over missing the people they love - Anna her husband, and Nora her mother and little brother who are still back in Ireland (her father is working double shifts to raise the money to bring them over). It’s time for another song and dance number,��Whistle - a tribute to vaudeville. This one is a bit overlong and unnecessary, the kind of number that works on stage post-intermission to ease the audience back in, but isn’t needed onscreen.

At the North Pole, Arvo and the Elves try to cheer Santa up by dancing to the tune of We Need a Little Christmas (first composed by Herman for Mame), but he remains sullen. Honestly, this Santa really sucks. He bemoans his predicament, and Arvo has to prod him to write down what his wife means to him. Of course he does it through song, promising to change but it’s a very shallow mea culpa.

Meanwhile Anna plays matchmaker, setting up local policeman Officer Doyle and Mrs Lowenstein, overcoming her fears when Doyle assures her he won’t be taking Sadie away for exercising her free speech. Mrs Lowenstein finally unpacks the bag she’s always kept ready in case they needed to flee again, including her grandmother’s silver candlestick - the matching one being lost when they fled the old country.

Marcello invites Sadie to the Policeman’s Ball, and they sing We Don’t Go Together At All, a pretty song I unapologetically love. However it does end with a trope I absolutely hate - where Marcello taps his cheek but when Sadie moves in to kiss it, he turns his head so she kisses him on the lips. It’s all played very sweet, but probably not something you’d see if the movie was made today.

At Tavish Toys, Anna leads the kids in a work slow down, and then a city-wide strike and boycott. Because this is fantasy world, this immediately leads to the mayor declaring that no child will again work under such conditions, and a call for child labor laws. I think its no coincidence that this passion project of Lansbury's deals with issues such as women's and worker's rights - however santitised. We must assume the elves have union benefits back at the North Pole!

At the policeman’s ball, Mrs North gets to wear this absolutely banger outfit, and gets toasted as “the Mrs Santa Claus of Avenue A.” Lansbury was 71 when she played this role, and all credit to Bob Mackie for dressing her not only with a stylish vibrancy in the earlier scenes, but putting her in a gown like this and going for glamour rather than the dowdy Mrs Claus cliche.

You may also recognise Nora’s outfit recycled from A Little Princess.

I also appreciate that Sadie hasn’t been overtly softened in her relationship with Marcello - she’s the one who gives the speech, engaging in some self-deprecation in decrying herself “the biggest mouth on Avenue A” and wearing a beautiful dress, but not torn down or diminished because of her activism - but rather celebrated and validated by the very people who used to deride her. She's learned the art of pitching your message to the audience rather than riding roughshod over them, but isn't any less of an activist.

But while Anna has finally been given the recognition and appreciation she’s craved, for some reason she misses her dropkick of a husband. “He Needs Me” is a nice song but undercuts the message a bit as she decides that “I need him much more”. You really don't Anna, go that extra step and stage a Santa coup - you deserve more than playing second fiddle to a dude who took two days to even notice you were gone!

She hurries back to the reindeer but is prevented from returning by Tavish, who has implausibly figured out who she is, and wants to stop Christmas so people will have no choice to buy toys from him again. It’s neatly and swiftly resolved by her recalling that as a boy the toy bear he’d received from Santa was stolen by his brother, and Mrs Claus gives him another one. Okay then.

Meanwhile, Santa is still sulking over his bad cocoa. WHY DON’T YOU TRY AND FIND HER YOU USELESS SACK OF SHIT?!? AREN’T YOU OMNIPOTENT? GET OFF YOUR ARSE AND DO SOMETHING!

This is a real false note for me - yes Anna has the sleigh and reindeer, but there is no way out of the North Pole other than that? He just sits and waits for her to come home - I suppose this gives her the agency, but it does feel like she is ready to return to her old life of being unappreciated, instead of going home to demand that he treat her right.

However Santa is slightly redeemed in that he declares that he will use her new navigation route, and also that she can join him in the present delivery duties. She also gets a new cape.

In New York, her friends also get their heart’s desire - Mrs Lowenstein her grandmother’s missing candlestick, Sadie and Marcello each other, and Nora the arrival of her mother and baby brother.

Overall I think this mostly holds up and deserves to be in the Christmas movie rotation. It’s a very female-focused piece - Mrs Claus is in the role of guardian angel, improving the lives of everyone she meets, but her solidarity is with Nora and worker’s rights, Sadie and women’s suffrage, and Mrs Lowenstein and her generational trauma.

It’s a charming little musical with a quintessential performance by Angela Lansbury and a nice parting message:

“As long as you love one another/You’ll have the best Christmas of all.”

[dominaharper]

Okay but not my biracial ass crying in da club in Spider-verse over generational trauma ™ and identity formation.

Tell me you were rich as a child without saying you were rich: my mother (Mexican, army brat, first generation American) was a stay at home mom; I had three younger brothers and I was the only (external) daughter. We have very large age gaps. We all had our own individual rooms. I had my own bathroom, and the bathroom my brothers shared was a 1 and half bathroom (two separate rooms on either side with their own toilets with a shower stall and tub in the middle room) that spanned between their three rooms. We had our own living room separate from my father (Filipino, immigrant to US at 10, dropped out of an aerospace engineering scholarship because mom got pregnant with me). We had a formal dining room (with mirrored walls and a proper size China cabinet with fine China) and a breakfast nook. Our pantry was the size of a large walk-in closet, and my parents’ master closet was a full walk-in wardrobe with a chaisse lounger in the middle. We had an inground pool in the elevated part of our backyard with a separate gate. Our garage and driveway were in the front of the house. I was one of THREE people who were a racial minority in my school (not including my siblings). My parents were on a VIP shopping list at FAO Shwarz and got to shop for us for Christmas after hours. My father had two cars, and my mom had a mini-van. My brothers had a train table and a train they could physically ride around our formal dining room table. My dad owned and ran car dealerships and “Take Your Daughter to Work Day” was me basically shadowing in the morning and then sitting with the accounting ladies in the afternoon.

And despite being one income with a wife and four kids, my father STILL owed insane taxes back in the early 2k.

But after my parents divorced, and we moved in with my mom’s parents with 11 people in a three bedroom house, I realized: I was only as white as my wealth.

Having gone from a mini-mansion to having to share a room with my cousin and one bathroom for 9 people didn’t bother me. My mother had a humble upbringing and told me constantly: “Be thankful for what you have, because tomorrow it could be gone,” and hot damn her parenting paid off.

Because what actually hit me hard was realizing that people looked at me different because I was no longer wealthy. I didn’t have the same types of friends or activities. No more softball/basketball/golf/scouts/family trips with a bodyguard/horseback riding.

It made me double down on finding and being me. Especially while living with heavily ethnically traditional Mexican grandparents.

And so yeah, Spiderverse kinda’ hit different because while ethnically, I had a very “rich white” upbringing (people are still floored my mom only did Southern home cooking for the first 12 years of my life), it hit me later that I wasn’t white, and that I had to work harder to be seen as “credible” and “valid” in my teen and professional years as a result.

Shoutout to my mom for semi-beating humility and grace into me, even if I had to ask my white Irish (now ex and weirdly enough late) husband to translate Spanish for me because he was fluent, and I didn’t even know what “mira” meant.

Tl;Dr: Something about navigating identity in the midst of racial identity just hits me different.

[k4nzi]

https://youtu.be/cWxDXR-YYNw?si=y7YSW176gFFFgNFa

I'VE FINALLY FOUND A THEME SONG FOR ADRIAN AND IT'S EVEN WRITTEN AND SUNG BY HIS VOICE CLAIM!!!!

I'M VERY EXCITED ABOUT THIS SO NOW I'M GONNA ANALYSE THE LYRICS

Off and over the waves

In a town far out of the way

In his mind he’s already made it, he’s

Daft but always elated and

"Off and over the waves// In a town far out of the way// In his mind he's already made it, he's daft but always elated"- Before dying, Adrian was very happy go lucky. Even more so as a child. He had dreams of making it big even as a child.

Heard he’s tippin’ away somewhere

Off away in the clouds, ah sure

He was a kid telling tall tales

He’s probably still telling tall tales and

"Heard he's tipping away somewhere// Off away in the clouds, ah sure// He was a kid telling tall tales// He's probably still telling tall tales"- When he was young and alive, Adrian was always telling stories to people about moving to the US and being successful during the roaring 20s. Adrian was born in 1914 and moved to NYC in 1925 meaning he would've been edging towards being a teenager at the time.

Has one thing on his mind

And it calls to him like a siren

His head is always a ways off shore

After some dream that he begged God for

"Has one thing on his mind// And it calls to him like a siren// His head is always a ways off shore// After some dream that he begged God for"- He didn't intend on becoming a criminal while alive. Adrian originally came to the US to be a performer/singer. I got that idea because Adrian's voice claim can not only sing but he can play several different instruments so I hc that Adrian can do the same. If Adrian was never a con artist, he would've been a performer.

(Chorus)

Day darkens and so does the road

Not all of fortune is silver and gold

Now tell me you found one to have and to hold

‘cause here there be monsters

But that’s just from what I’ve been told

This chorus refers to the US at the time. During the 20s and beyond, there were very strict opinions and laws on immigration. The WASPS (White Anglo Saxon Protestants) were heavily preferred. Basically meaning white British protestants were "better". Adrian wasn't British, he was Irish and the Irish were disliked due to stereotypes surrounding their relationship with alcohol and their religion being mainly Catholicism. This meant that discrimination was common ("...here there be monsters// But that's just from what I've been told").

Maybe you found the spot on the map

But lost the kid on the way to the mark

Tell me now were you digging for gold

Or digging yourself in a hole?

I like to think that this part is talking about how Adrian lost his happy go lucky attitude after arriving in NYC and experiencing all the shit going on at the time ("Maybe you found that spot on the map// But lost the kid on the way to the mark"). Instead of living the life of his dreams, Adrian was dragged into criminality which didn't end well for him ("Tell me now were you digging for gold// Or digging yourself in a hole?")

Now tell me “now, where’s the head in the clouds?”

Now tell me “now, where’s the bright eyed lad?”

Now tell me “now, where’s the kid tellin’ tall tales?”

Building on my last point, these lyrics reference how Adrian lost who he was when he was younger after he left Ireland. He became colder and more distant towards anyone and everyone.

Day darkens and so does the road

Not all of fortune is silver and gold

Now tell me you found one to have and to hold

‘cause here there be monsters

Believe that, just trust me I know

Chorus again. This time it makes implications about Adrian's death. I've decided that he was set up and shot by police during a failed robbery. In other words, he was sorta used as a decoy and literally took a hit for it. His ambition for money became his hamartia.

And I catch a glimpse of me mind

Now she calls to me like a siren

Saying “how'd you get so fake”

Not official but I'm thinking this part could be talking about the oc that @gummygoatgalaxy is currently working on for the Helluverse. Hopefully once we figure out a story for them.

Off and over the waves

In a town entirely fake

In his mind he should be elated

Now, don’t tell me that you’re jaded lad

In Hell now. Adrian sold his soul to Alastor for power and to make a name for himself. Something he never did when he was alive. He typically tries to downplay his contract with Alastor by trying to focus on the slither of benefit from it ("In a town entirely fake// In his mind he should be elated"). The word "jaded" is pretty interesting here. It means bored or lacking enthusiasm usually after having too much of something. However, it's also Irish slang for being physically tired or exhausted. In this context, it could be Adrian saying he's bored of being Alastor's pet as much as he denies it...but also physically tired of it.

Heard he’s tipping away somewhere

Probably telling his tall tales and

Doing a job that he begged God for

Don’t be forgettin’ to thank God for…

In Hell and under contract by Alastor, Adrian ends up being the Hazbin Hotel's butler because according to Alastor it was necessary. Being a butler means supervising other staff (one of those staff being Niffty...yikes), providing personal service to guests (Angel will take advantage of that 💀), ensuring everything runs smoothly and more. It isn't Adrian's dream job but surely he can learn to embrace it...right?

Damn my fingers hurt but that's my breakdown for this song and it's relevance to Adrian. As always, feel free to invade my ask thing!

[turtlebayoldbios]

Out of character:

Name/alias: Lisa

Age: 23

Pronouns: She

Activity level: 8/10

Roleplay experience: 10+ years

Anything else?: No hidden password here! Just add what you like, such as triggers

In character:

Name: Flynn Elias O'Connor

FC: Colin O'Donoghue

Character gender: Cis Male

Character birthday: January 26, 1981 (40)

Birthplace: Chicago, Illinois

Neighborhood: Uptown

Length of residency: 1 year

Occupation: Book Editor / Part-Time Professor

Song title: Come and Get your Love by Redbone

Bio: (cheating, death)

Flynn E. O’Connor was born to two Irish immigrants, Patrick and Saoirse O’Connor. Coming to America, they had big dreams for their one and only son. With big dreams of producing a doctor or a lawyer, they pushed the young boy to academics. Despite always loving books, especially history, he always wished he could have tried out for sports. His social and love skills lacked, but he thrived in academics. Getting a full ride scholarship to University of South Carolina.

That’s where Flynn met the love of his life. It was the first and only girl he had ever dated, but when you know, you know. They were both head over heels for each other, there wasn’t nothing that Flynn wouldn’t do for her. That was until he caught her with his best friend. That sent Flynn into a spiral. The nice boy that everyone loved was no longer living to please anyone.

He quit his major of biology and switched into english. His parents held out the hope that he’d still go to medical school afterwards. However, Flynn quit because he hated his major and hated what it was doing to him. In his free time, he finally went out and partied and lived (perhaps a little too much). His grade’s spiraled and with his new found happiness, he didn’t understand why he tried so hard in the first place. Once he graduated, he didn’t please his parents and go to medical school.

Instead of roughing out at a publishing out as the intern. His parents hated it and he wasn’t having the time of his life anymore. However, everyone found the ‘new intern’ charming and quickly his boss appreciated the talent and eye that Flynn had for literature. She ended up giving him three books to read for the weekend and to report of anything good and that’s where Flynn really fell in love.

Always going to the same park with the same cup of coffee, he met a woman that was doing the same thing, Teresa. The two book lovers talked for hours and slowly Flynn let go of the party life. Everything seemed to be good from then on, he got promoted, he ended up proposing to the girl in the park, and she was pregnant with their first child. Everything was perfect up until Teresa insisted she go to the store by herself when a freak accident happened. She lost her life and they couldn’t save the baby either.

Shattered once again, Flynn packed his bags out of the ‘city’ and moved to a small town he’d heard of, Turtle Bay. There he found peace in the silence as he struggles on making sure he’s still in the right path but also to preserve the person that he was and that Teresa once loved.

Personality:

Positive traits: reliable, candid, creative

Negative traits: home-body, serious, self-reliant

Misc:

Aesthetic: 1, 2, 3, 4

[zouisalmightie]

... stucky?

oh babes stucky is my bread and motherfuckin butter. absolutely 1000% ship! this is going to be stream of consciousness im so sorry

1. what made me ship it is steve literally broke 70 years of brainwashing by just saying buckys name. that’s how important steve is to bucky literally all he said was his fucking name. and then! steve literally put down the shield and was going to let bucky kill him because (once again!!!) he couldn’t live in a world where bucky did not know him. and then!!! he put down the shield and gave it to tony, gave up his superhero status because bucky is what he cares about.

2. my favorite things about stucky are “when i had nothing else i had bucky” like think about this for a second. steve literally did not know what his enhanced body could do, but he still went in stormed the fucking hydra facility by himself not fucking backup and was like im getting my mans out of here. they both had the opportunity to leave the other in the war and they both were like nah i gotta stick beside him. bucky fuckin dies and Steve drives his plane into the fucking ocean idc that he was holding a picture of peggy (which i do think steve loved her he’s my bi sexual king) you don’t think a tactician like steve couldn’t have figured out how to get the plane in the water and stay alive?? and then bucky literally his first memory we see is of steve (“but i knew him” the pain in his eyes im fuckin screaming). steve has always been his north star we see it in fatws he talks about what steve would want or what steve would do. that’s the one thing that bucky knew and bucky could trust even before hydra and the war. and i also love the fics that come from stucky writers like im in a lot of fandoms and some of the best written novels came from stucky.

3. idk if this is popular or unpopular but my headcannon is that steve is the only child of irish catholic immigrants and bucky is the eldest son of a jewish family. nothing can or will change my mind if this. also if we are talking mcu bucky, the decision to not give him the shield over sam was absolutely the correct idea he didn’t put in the work to take over for steve (also my biggest and most correct opinion is steve never would have went back in time to uproot peggy’s life like that, not because of bucky but because he got to hear from her how happy she was with her husband and no matter how much steve loved her he never would have gone back to take that away from her the russo brothers can meet me in the fuckin parking lot for that). also if they were at all invested in bucky, we should have seen his recover in wakanda not only would that have given us more of the beauty of the country, we could have gotten more bucky and i was fucking robbed!!

to ship or not to ship

[captainscifi22]

savage-america:

“But the real reason I had to chime in was that Steve Rogers is my favorite superhero. Why? Because unlike other patriotism-themed characters, Steve Rogers doesn’t represent a genericized America but rather a very specific time and place – 1930’s New York City. We know he was born July 4, 1920 (not kidding about the 4th of July) to a working-class family of Irish Catholic immigrants who lived in New York’s Lower East Side.[1] This biographical detail has political meaning: given the era he was born in and his class and religious/ethnic background, there is no way in hell Steve Rogers didn’t grow up as a Democrat, and a New Deal Democrat at that, complete with a picture of FDR on the wall.

Steve Rogers grew up poor in the Great Depression, the son of a single mother who insisted he stayed in school despite the trend of the time (his father died when he was a child; in some versions, his father is a brave WWI veteran, in others an alcoholic, either or both of which would be appropriate given what happened to WWI veterans in the Great Depression) and then orphaned in his late teens when his mother died of TB.[2] And he came of age in New York City at a time when the New Deal was in full swing, Fiorello LaGuardia was mayor, the American Labor Party was a major force in city politics, labor unions were on the move, the Abraham Lincoln Brigade was organizing to fight fascism in Spain in the name of the Popular Front, and a militant anti-racist movement was growing that equated segregation at home with Nazism abroad that will eventually feed into the “Double V” campaign.

Then he became a fine arts student. To be an artist in New York City in the 1930s was to be surrounded by the “Cultural Front.” We’re talking the WPA Arts and Theater Projects, Diego Rivera painting socialist murals in Rockefeller Center, Orson Welles turning Julius Caesar into an anti-fascist play and running an all-black Macbeth and “The Cradle Will Rock,” Paul Robeson was a major star, and so on. You couldn’t really be an artist and have escaped left-wing politics. And if a poor kid like Steve Rogers was going to college as a fine arts student, odds are very good that he was going to the City College of New York at a time when an 80% Jewish student body is organizing student trade unions, anti-fascist rallies, and the “New York Intellectuals” were busily debating Trotskyism vs. Stalinism vs. Norman Thomas Socialism vs. the New Deal in the dining halls and study carrels.”

Steven Attewell: Steve Rogers Isn’t Just Any Hero - Lawyers, Guns & Money

gotta love a well-researched takedown of such lazy, hoary tropes as “Captain America is a monolithic aryan crypto-fascist”