#because remember when we used to do that?

[threeacttragedy]

Entry 6 – The One Where I Explained the Claddagh Ring to My Dad

I will preface this entry with an acknowledgement to my father. He is the most intelligent, quick-witted, and level-headed person I know. He’s also a bit of a bitch and tends to be blatantly honest. Sometimes that honesty hurts but it’s also nice to know he’s the one person in this world who won’t feed me a line of bullshit. He is also the best friend we all need.

On October 16, my father called me – like he does almost every day – to chat about, like usual, absolutely nothing. But, on this day, I was quite distracted (because the Time article about Nicola had just come out), which he called me out on almost immediately. Our conversation went something along the lines of:

Dad: “I can tell you’re not paying attention to me.”

Me: “Oh, I’m just reading an article that came out today. Actually, can I ask you a question about it?”

Dad: “Sure.”

Me: “I just want to read something to you, and I want you to tell me what you think this person is saying.”

Dad: “Okay.”

I then proceeded to read him verbatim the snippet from the Times article where Nicola talks about her relationship with Luke.

Me: “What do you think she is saying?”

Dad: “That this person is her best friend, and she thinks very highly of them.”

Me: “Oh, okay.”

Dad: “Why?”

Well, he opened the door so I gave him the backstory. I explained who Nicola and Luke were. I explained Bridgerton. I explained their chemistry during the World Tour. During this 15-or-so-minute conversation, my father took to renaming Nicola “Ireland” and Luke “Thang,” because that’s how he remembers things. Then I brought up the Claddagh ring.

Dad: “Wait. Stop – STOP! – STOP!! I said STOP TALKING! Why didn’t you lead off with this ring? I change my answer. She’s saying she’s in love with this guy!”

Me: “What?”

Dad: “Whatever you read earlier – I change my answer. She’s not saying they’re best friends. She’s saying she’s in love with him.”

Me: “Are you being legit?”

Dad: “Absolutely! Now, go back to the beginning because Ireland and Thang are a thing.”

Welcome aboard the USS Lukola, Daddy.

Recently, this conversation with my father got me thinking about how naïve I have been in believing all Lukolas were aware of the significance of Nicola’s Claddagh. I mean, surely, most of us know the term and meaning of “ring truther,” right?

Maybe not.

I’ve always chucked the Jakolas and A-holes up to be Conscientiously Stupid about the ring – disregarding it because it didn’t fit their narrative. But, shit, maybe they just don’t understand the Holy Grail of the Lukola fandom. So, I figured today, I’d dedicate my entry to explaining the ring to those who have no fucking clue what we mean when we say, “we’ll die on that ring!”

If you don’t want a history lesson or my opinion on the significance of the ring, you can move along and wait for my next post. Otherwise, happy reading. Actually, it’s a rather dull read – but informative. You may just need some caffeine to keep your focus up.

GENERAL HISTORY:

The Claddagh originates from Galway – yes, Nicola’s hometown in Ireland – and has been around for over 400 years. The ring typically shows two hands holding a heart which wears a crown, with the hands symbolizing friendship, the heart signifying love, and the crown representing loyalty.

The way a person wears their Claddagh traditionally signifies their relationship status.

On the RIGHT hand, with the HEART FACING OUTWARD away from your body (and towards your fingertips) means you are single, i.e, your heart is available for love.

On the RIGHT hand, with the HEART FACING INWARD towards your body (and towards the back of your hand), suggests you are in a committed relationship, i.e., your heart is taken.

On the LEFT hand, with the HEART FACING OUTWARD away from your body (and towards your fingertips) means you are engaged.

On the LEFT hand, with the HEART FACING INWARD towards your body (and towards the back of your hand), suggests you are married.

This is not gospel so please do not finish reading this post and start running around in circles, jumping up and down, exclaiming Nicola is married.

NICOLA’S CLADDAGH:

In June, Chupi announced it had designed and created a Claddagh for Nicola and noted “Nicola reached out to Chupi recently and requested a bespoke Claddagh Ring to celebrate the third season of Bridgerton.” Nicola’s ring was custom-made and differs from virtually all other Claddagh rings in that the hands of the ring also display rings of their own.

After creating the ring for Nicola, Chupi continued to sell it through its website, noting that the heart-shaped diamond in the ring was “[h]eld in a pair of hands that honor friendship and strength, with the left hand wearing a North Star signet ring.” In its original description, and for four months following this initial announcement, Chupi never explained the meaning of the ring on the right hand holding the diamond. We will speculate on that in a moment. Further, Chupi explained that the three diamonds in the crown “represent the traditional emblem of loyalty and also symbolize the past, present & future, along with a nod to the fact this is the 3rd season of Bridgerton.” There’s that Bridgerton reference again.

Now, let’s break down the hands holding the heart-shaped diamond, starting with the left hand.

The left hand is wearing a signet ring. This one is easy to explain because Chupi described the ring the left hand is wearing for us. It is the North Star signet ring, which Chupi sells through its website as its “North Star Diamond Original Signet Ring.” Chupi explained that the ring represented “True North.” What is “true north?” Besides its literal meaning, the phrase “true north” represents your “internal compass or your personal calling” and “your authentic self.”

The right hand is wearing a ring on its middle finger. This ring has always been a bit of a conundrum. As mentioned above, Chupi never explained this ring in its original description. In fact, it remained silent on its significance until November 1. And, even after it “explained away” the middle finger ring in an Instagram story (which disappeared after 24 hours), Chupi never updated its website to confirm its meaning. Why? Well, you’ll find that most “ring truthers” believe it’s because this middle finger ring represents Luke. Luke often wears a ring on his middle right finger. In fact, in his People spread for Sexiest Man Alive released November 14, he’s seen wearing a ring on his right-hand middle finger. You can also find him wearing a ring on his right-hand middle finger throughout the Bridgerton Season 3 World Tour.

But, let’s pretend for a moment that the rings on the two hands holding the diamond heart have no significance whatsoever. That does not negate the fact the ring was made as a nod to Bridgerton Season 3. Yes, the season that both Nicola and Luke repeatedly described during interviews throughout the World Tour as their “shared experience.”

To round out this little “history lesson,” and just so I am completely up front, on November 1, 2024, Chupi reshared to its IG stories a story shared by Ashley McDonnell explaining that the right-hand middle finger ring on the Chupi-branded Claddagh represented “power” (basically, women’s empowerment). As of that date, Chupi had also removed all mentions of Bridgerton from its Claddagh ring descriptions and left only a reference to the rings being “inspired by” Nicola. However, the Claddagh could still be found under Chupi’s “Engagement” ring section and the articles titled, “Designing a Chupi Claddagh Ring for Nicola Coughlan” and “What Way to Wear a Claddagh Ring” still, to this day, reside under its “News” section. These articles still reference the ring’s ties to the third season of Bridgerton.

A BUNCH OF POINTS I’M TRYING TO MAKE:

Point 1: Nicola had the ring commissioned herself, per Chupi. We can surmise she understands the meaning of the ring based on her Irish (and Galway) heritage; thus, we can also deduce she knows the meaning behind how it is worn.

Point 2: The ring is important to Nicola. I’m not even going to use disclaiming phrases like “may be” or “seems to be;” I’m just flat out stating the “ring IS important” to her. She has been seen wearing it a lot in her personal time. In fact, on September 20, she was photographed wearing the Claddagh during the Gucci afterparty, which means she took off the “workday” jewelry she had been wearing earlier in the day to put the Claddagh back on her finger. She has not been shy about flashing it in public. From her Chupi articles to her Tatcha stories to wearing it in public (at concerts, walking about).

Point 3: Based on comments made by Chupi on June 25 in its article titled, “Designing a Chupi Claddagh Ring for Nicola Coughlan,” it took four weeks “from a sketch to sparkling reality” to make the ring. This means, at the latest, it had to have been commissioned by May 9, 2024. However, some Lukola sleuths have stated the metadata they pulled from the sketches uploaded by Chupi indicate it was as early as April 26 (don’t even side eye me; I didn’t pull that shit). Based on this information, the ring was likely commissioned during and/or between the World Tour stops in Australia and Italy.

Point 4: Nicola wore the ring publicly as early as June 6 during the Dublin premiere. At that time, she wore it on her right-hand middle finger with the heart facing inwards. The way she wore the ring was also evidenced the following day in Galway by way of pictures in Chupi’s article titled, “What Way to Wear a Claddagh Ring.”

Point 5: Nicola flashed that glittering baby in her June 15 Tatcha IG post (I’m convinced that post holds so many secrets) and continued to wear it throughout the summer months (on her right-hand middle finger) as evidenced by pictures of her at the Taylor Swift Eras tour and in her August 1 Tatcha IG post. And, let’s round out the summer with her displaying the ring in her September 17 Tatcha IG stories, on September 20 during the Gucci afterparty, and in Alex Babsky’s September 25 IG post about Nicola being “in London today.”

Point 6: On October 1, Nicola had seemingly switched her diamond Claddagh from her right hand to her left-hand middle finger as exhibited in her Choose Love IG story. This switch was further indicated (but not confirmed because she conveniently put her caption over it) in her October 5 airplane IG story (deduced from the small gold band switching to her right hand) and in pap pictures of her published on October 8. On October 11, when she posted her Olaplex IG story, it appeared the ring was on her left-hand ring finger. We can also barely see the ring in the October 21 “Polin” picture; however, it cannot be determined if it is on her left-hand middle or ring finger. We haven’t seen her “out in the wild” since so the current status of her ring is not known, but we can probably safely assume she’s still wearing it, with the heart facing in.

Point 7: I believe everyone needs to make their own decision as to whether the right hand of the Claddagh – the one wearing the middle finger ring – represents Luke. Personally, I believe it does, but it is perfectly fine if you disagree. It could very well be a "power move." I’ve always believed the left hand of the Claddagh – the one wearing the North Star signet ring – represented “true north,” or Nicola’s internal compass to choose her own path. But, please do not let my opinion cloud your own.

Point 8: Regardless of your opinion about the hands holding the Claddagh’s heart-shaped diamond, the ring was acknowledged to represent Bridgerton Season 3 and that has Luke all over it.

Point 9: From Day 1, Nicola has worn the Claddagh with the heart facing inwards, meaning her heart is taken. To the best of my knowledge, this has never changed.

MY THOUGHTS:

First and foremost, Nicola has told the world her heart is taken.

Based on the above, why would Nicola wear that ring for anyone but Luke?

My father’s response: “She wouldn’t.”

Why? Because it would be fucking weird if she did.

Let’s play pretend for a moment.

You’re dating Nicola (and, NO, you can’t be Luke in this scenario). You’ve watched Nicola’s Bridgerton press tour for the past, say, six months. You’ve watched her flirt with Luke. You’re fully aware Lukolas ship her with Luke. In fact, you’re aware several of her castmates and crew ship her with Luke. You’re aware that, by the end of the World Tour, interviewers were getting bold enough to ask Nicola and Luke about their “friendship” because they, too, were intrigued by their chemistry. You’re also aware that, “People want [her] to marry Luke.” And, you’re fully aware that Nicola had that Claddagh ring made to, at a minimum, remind her of Bridgerton Season 3, the season she shared with Luke.

Would you be okay with her wearing THAT ring to signify the state of YOUR relationship with her?

If you are, get the fuck off my page.

Now, riddle me this, Batman –

Why was this ring made during the World Tour? And, more importantly, why was it worn during the World Tour?

Why did Luke and Nicola take a special trip to Galway? And (purely speculation here), why did the meeting with Nicola’s mum seem so emotional?

Why did the ring switch hands?

Why, Batman, why?

[lu-is-not-ok]

A Narcissistic reading of Hong Lu

Yup, I'm actually doing this.

To lay down some facts first: I have NPD, alongside a bunch of other things that coalesce into a nuclear concoction strong enough to kill every dark empath in a five mile radius. If I find you ableisting it up, I give myself the permission to smite you. This is a threat and a warning.

Now, let's talk about Hong Lu. Because as it turns out, he might just be the most difficult literacy check in Limbus Company according to what I've seen.

I could just say "I'm a narcissist and Hong Lu is just like me fr fr so he's a narcissist too" and end the post, but honestly, where's the fun in that? There are, legitimately, things I want to yap about, so I'm going to yap about them, and no chucklefucks can stop me.

So, to start this off, let's make one thing clear.

Hong Lu is not only a good actor, but also a skilled liar. The way he navigates conversations and the methods he uses are just as important to analyze as the actual words he says, if not more so. In fact, I'd go as far as to say that trying to understand him based Only on what he says and not how he uses the things he says would result in an understanding that's not only incomplete, but potentially outright wrong.

Now, this isn't really tied to why I think Hong Lu could be very reasonably read as having NPD, at least not directly. Narcissists aren't inherently evil liar manipulators, and if that's what you take away from this post, that's more of a you problem (and you can go ahead and block me considering I'm one of the evil liar manipulator narcissists according to you).

However, there is a reason why I have to bring it up. And it's because almost all of Hong Lu's narcissistic traits become a lot more obvious once you look at the exact ways he takes control of conversations.

With that out of the way, what exactly are we even looking for?

NPD, in my experience, primarily affects one's sense of self-worth and self-esteem. I personally found that the analogy of a pendulum makes the most sense to me - a narcissist's sense of self-worth can swing between massive highs and massive lows, almost never staying in a middle "balanced" position, with even the tiniest things being able to throw it to one side or another.

The ways this can present outwardly are. Quite frankly, way too fucking many to count. But there are some common threads we can keep in mind:

High sensitivity to criticism

Need for an external source of validation

Tendency to seek out ways to make oneself feel more special, important, or powerful

So, does Hong Lu fit those criteria?

Well. Yeah. This post wouldn't exist if he didn't.

Let's talk about the first point, high sensitivity to criticism. And, immediately, I would like everyone to remember Hell's Chicken, specifically the scene where Meursault begins to verbally roast his team's dish, and in the process laying down a verbal smackdown on everyone involved. That scene ended like this.

Curious, isn't it? The moment Meursault was about to start criticising Hong Lu, he just jumps in and distracts Meursault with a change of topic - something even Dante's narration points out.

Mind you, this isn't an isolated event. This is just the most obvious example of Hong Lu exhibiting this kind of behavior.

Don't believe me? Just look at these.

These are all examples of Hong Lu either backpedaling, changing the subject, or otherwise trying to avoid the acknowledgement of something that criticizes his status, thought process, or (in the last example) which would reveal an emotional vulnerability.

This is a fairly consistent pattern for him, and that's not even getting into the fact that the line he says when hovering over him before a skill check he has a Very Low chance at succeeding in has him suddenly try to excuse himself and leave.

Hong Lu is absolutely highly sensitive to criticism, it's just that his primary emotional reactions aren't ones we're privy to. Instead, what we get to see is how he acts to try and minimize the impact of those criticisms, if not outright find ways to never let them leave someone's mouth in the first place.

Next up - need for external validation.

This one doesn't have as many examples as the previous point, as Hong Lu is a generally closed off person who keeps a certain level of distance from most other Sinners. However, that doesn't mean I don't have any.

One such example comes from Canto 4, where soon after acting out his part in the play, Hong Lu seeks validation from Yi Sang.

Then there's this moment in Canto 6, where Hong Lu, once again, seeks validation for something he's done.

And then there's also these lines from Hong Lu's various Identities.

Aaaand then there's these base Identity voice lines, which, if you ask me, feel a bit like fishing for compliments.

This point is a lot harder to say is a definitive one, mainly due to Hong Lu's more closed off projected personality. That being said, the fact that one can find examples of it despite that is pretty notable.

And for the final one - trying to make oneself feel more special, important, or powerful.

This is one that's a bit harder to provide exact examples for, as again, Hong Lu isn't someone who talks about how he feels often, and when he does it's not always exactly trustworthy. He's not like Rodya, who while still putting on a facade, is pretty open and easy to read about how she actually feels.

But, there's still some non-mutually exclusive interpretations I want to posit here. Two, in fact.

One - I believe that for Hong Lu, the thing he sees as power is control.

See, avoiding criticism isn't the only time Hong Lu steers conversations. In fact, it's something he does All The Time. He's often the one asking questions to get the group moving, trying to gather information that might be relevant to him, and generally taking over the direction a conversation is going in. Chances are, if Hong Lu speaks up, it's likely to alter the conversation he joins in noticeable ways.

This, I think, is one of the ways Hong Lu makes himself feel more powerful. After all, it's not that hard to guess from what little bits of his background we have that Hong Lu lacked agency for most of his life. So, wouldn't it make sense for him that having that agency, that being able to be socially in control, would be the exact kind of thing that would boost his self-esteem?

In fact, the only times we see him rendered completely speechless, seemingly stripped of that confidence in conversations he usually exhibits, are in Canto 7 - specifically in scenes where he's Not In Control of what the others are talking about. Those scenes being when the other Sinners start shit-talking Xichun in front of him, and when Xichun actively tries to bother Hong Lu by alluding to the way he's been treated back at home.

Extremely confident until something external happens that utterly strips him of that confidence... sounds familiar, doesn't it?

Then, there's the second interpretation.

See, with NPD, there are two ways a narcissist can try to make themself feel more deserving of attention. One is the one most probably think of when they think about narcissists - setting out to fulfill extremely high goals to feel amazing when one reached them and then feeling utterly crushed in the case one doesn't. This would be someone like Rodya.

However, there is also another way, one which I personally have much more experience with - to undersell. To set extremely low expectations, so that it's as hard as possible to fail reaching them, and to feel way better upon surpassing them than one would with higher, more "regular" expectations.

This, to me, is exactly the kind of narcissist Hong Lu is. Think about it. He's constantly putting out this image of an extremely sheltered person that barely understands the outside world, with notable moments where it's made clear he's Just Making Shit Up at points. Wouldn't making one seem unable to do anything, only to then proceed to do things you've led people to not expect of you, make it feel like you're much more exceptional than you really are?

The underselling goes the other way too. When the other Sinners point out something odd about Hong Lu in a more positive way, he's often quick to point out how it's Nothing compared to what his Family expected of him. Wouldn't that make one feel exceptional, to make it seem like whatever effort you're putting in to do well is but a fraction of what else you can do? That you don't even have to try to be able to be special?

...So, there. That's all the analysis and interpretation I find important to do to get my point across.

Just to make it clear, I don't think that the only thing wrong with Hong Lu is the narcissism. There's definitely a lot more shit going on in that head of his. But, I'll be honest, the NPD reading felt so obvious to me that it genuinely took me by surprise that other people don't see it.

Though... maybe I shouldn't be shocked. Some fuckers out there still think Faust is a narcissist when she's literally just autistic.

[purple-is-great]

I had a summer job doing customer service calls and chats and god this so much. Unless it's an extremely simple situation (you just need one piece of info that is probably on our website somewhere but you couldn't find it), figuring out and solving the problem will be faster and easier on the phone.

On the phone you have the undivided attention of someone who does fundamentally want to help you, so if you're nice they will walk you through whatever you need to do, or figure out who it is you actually need to call about this. In the chat the person answering is almost certainly juggling several chats at once, so you'll have to wait.

Also sometimes in chat I'd see people's really long messages that must have taken ages to write but all the info I needed was in the first sentence. On the phone it's easier for the worker to just ask for the info they need and only that. Also at least where I worked quite often we'd have to ask people to call anyway because anything that required payments had to be done on the phone.

Don't get me wrong, before this job I disliked making those important calls as much as anyone, but it's something you can learn out of! I'm still a little nervous someone when I do them (frankly even at work calling out can be strange when you're used to answering the calls), but it really helps to remember that it's just a person on the other end that wants the call to go quick and wants the customer to be satisfied.

My top tips for how to make calls as easy as possible for yourself:

Know what you need before you call (make notes!). This is important especially if you have several problems or questions

Have all relevant information available. This means any order/ticket/tracking numbers or customer ids. If you've got a problem with a payment you want to have either the reference number (bank transfer) or your card (if it was a card payment) at hand.

Have note-taking equipment at the ready

If you have a name or email address that is tricky to spell, do not hesitate to spell it out or ask us to double-check we got it right. We try our best but it's honestly surprising just how many sounds can be mistaken for each other on the phone

one of the most infuriating things about becoming an adult is when you realize that it actually is 10x easier to solve problems by making a phone call vs literally any other communication method

[dadvans]

Your latest ficlet is so good… I can’t stop thinking about Tommy having to tell Buck about their 10 year old, it’s delicious

(part one)

There really isn’t much cool to do in Ukiah. Buck told Tommy this and he could hear Tommy rolling his eyes over the phone the way he said, “Buck, we live in Tehama, she’ll cope,” and then Tommy had said, “we can all go to a park, you can kill me and they’ll never find the body, it’ll be a great way for you two to bond.”

So, just before noon on a Saturday morning one month after the CFCA, Buck sees his daughter for the first time in person, watches her as she practically dislocates Tommy’s arm as they enter his favorite coffee shop and she bounces right up to the counter, braids swinging. It’s quiet, morning rush over and lunch rush yet to come, so he hears Tommy say, “you can have one flavor.” He hears his daughter’s voice for the first time when she leans on the butcher block counter top, smiling, and says, “a white hot chocolate with raspberry, please,” like she’s getting away with murder.

“That’s a small,” Tommy says, “and a medium drip, thanks. For here.”

“With whipped cream,” their daughter adds.

“None for me,” Tommy says, as if automatic. Like they’ve done this a hundred times. Maybe they have. He digs out his credit card and taps it against the register screen before he actually looks up and around to spot Buck sitting in the far corner. He nods. Buck raises a tentative hand, gives a small wave, and then Tommy is leaning down and getting their daughter’s attention, pointing him out.

She skips over while Tommy waits at the counter.

Buck wants to puke.

“Hi,” she says, and she reaches out a hand like she’s a little adult. “I’m Mary.”

“Nice to meet you, Mary,” Buck says, by some miracle finding his voice. He shakes her hand. “I’m uh, I’m Buck.”

“Daddy said your name is Evan,” Mary says, letting go and sitting down.

“Oh, yeah, Buck’s just my nickname. It’s what my friends call me. So, you can call me Buck too.

“Evan’s my middle name,” she continues, as if she didn’t hear or care. His daughter. “Mary Evan. Evan’s usually a boy’s name, but girls can be named Evan too. Like Evan Rachel Wood. She’s the mom in Frozen Two.”

“Yeah,” Buck says weakly. He didn’t know that, even if Jee made him watch everything Frozen before she hit high school. “My niece used to love that movie.”

Tommy walks over to join them, two mugs on little plates in hand. The smaller one has a mountain of whipped cream, sprinkles, and a straw.

“Here’s your cup of sugar, kid,” he says, sliding it in front of Mary before sitting down with his own. He takes a sip and gives an approving nod. “Not bad.”

“Yeah, I like this place,” Buck says, trying to keep his tone even. “They roast their own beans, so my house gets their coffee from here.”

“That must make you popular,” Tommy says, voice wry but not unkind, “Chief.”

“Daddy says you’re a Chief that doesn’t fly helicopters but still fights fires,” Mary says. The table shakes a little, because she’s kicking her feet.

“Uh, yup, just a boring, regular firefighter,” he replies. He can’t stop looking at her. Even with her braids she’s got frizz coming out from underneath her beanie bright red, redder than he was when he was her age but without ever seeing a picture of Tommy as a kid he’s sure she gets it from him. Her eyes are blue like the Pacific Ocean, murky and deep. She’s wearing a puffer vest and long sleeves even though it’s late September. Tommy always ran cold too, he remembers, thinking of the one summer they shared together.

“That’s not boring,” Mary tells him, so serious, before taking a sip of her drink. “I like engines more than helicopters. Did you know helicopters have a thirty-percent higher chance of crashing than planes? I’m learning percentages in school.”

His heart bursts. Yeah. She’s his fucking kid.

[thehmn]

A weird story from childhood:

One day I was being a little shit to my younger brother and rode around on his bike that was far too small for me while he angrily screamed at me to give his bike back. Instead I biked down the road, laughing at him the whole way, doing my sibling duty, ya know?

Anyway, I got further and further away and eventually came across a very young child running down the sidewalk crying hysterically while a car slowly followed him. A woman stepped out, he screamed and ran so she went back into the car and kept following him. When she got out again I asked her what she was doing. She told me she saw the boy walking around alone and got worried but she couldn’t catch him because she couldn’t walk very well. I immediately biked up to him, threw my brother’s tiny bike on the ground in a not so gentle way and grabbed the boy. He couldn’t have been older than three. He screamed and cried and wiggled but I held on and eventually he calmed down with the help of the woman. We finally got him to show us where he lived which turned out to be close enough to walk but far enough away that his worried parents didn’t even think to search for him there. They couldn’t believe how far he walked and thanked us over and over for bringing him back safely.

When I got back I told my furious brother that me stealing his bike had actually been a good thing because I helped save a little boy who might otherwise have panicked and been run over. He absolutely did not believe me and I’m not sure my parents did either. Today it’s one of those things I sometimes remember and think “Wtf? That was actually super weird”

[queen-of-the-avengers]

Red

Pairing: Bucky Barnes x Female!Reader

Word Count: ~2.4k

Warnings: sexual assault (not quite rape), angst, feeling uncomfortable by a man touching you, minor fluff at the end

Summary: A mission calls for you to find your inner vixen to get information from a man who is known to be a womanizer. Things don’t go according to plan, so Sam has to step up and take matters into his own hands. When Bucky hears about it, he turns to you knowing you need comfort in the safest way possible.

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Author’s Note: this is a commission fic for the lovely @elegantauthor! go give her a follow! if you'd like a commission, use the link above for more information!

x

The short black dress stares back at you in your closet with a knowing look. You don’t want to wear this. you don’t want to go on this mission. You’d rather spend the night cuddled up next to your boyfriend and watch movies. Instead, you’re going on a mission to essentially be a vixen, not in the literal sense where you have sex with someone but in the sense where you have to seduce the target to get what you want.

It's not ideal but this is the job.

The man in question is a womanizer and is high in the weapons world. He’s one of the most well-known weapons dealers across the country. He mostly deals out of his club but whenever authorities raid his club, they can’t find anything to nail him with. That’s when they called your team to do what they clearly can’t.

You yank the dress off the hanger and quickly put it on. You haven’t worn this since before you started going out with Bucky. You can remember wearing this to the club with your friends.  The material is a bit tighter than you remember but it’ll help you get what you want. You shift your boobs to make them pop more without having them completely spill out the top. You walk to your vanity and sift through your makeup.

Someone knocks on your door before walking in. You smile when you see it’s your boyfriend.

“Hey, baby.” He has a frown etched onto his face, deeper than usual. “What’s wrong?”

“I don’t like this plan.” You’re the only one who can get close to Mezzi. Anyone else would just tip him off. “Not that I don’t want you flirting with another man, but Mezzi is bad news. He treats women like shit. I don’t want to see you get hurt.”

You set down your makeup brush and walk over to him. You wrap your arms around his neck and his hands automatically settle on your waist.

“I’m a professional, baby, and a really skilled spy. I’ve gotten bigger, more tougher men to talk for less. I’ve done this before. Plus, Sam and John will be there if anything goes wrong.”

The mention of the blonde man makes his frown deeper.

“I don’t like that John is going.”

“You don’t like anything he does.”

“There’s something dirty about him. He’s not a good man.”

You pull Bucky down toward you and kiss him, keeping the kiss short and sweet.

“You have nothing to worry about. I’ll be fine. It’s just another mission.”

Bucky slides one of his hands into your hair and kisses you for longer this time.

“Okay, I trust you,” he whispers against your lips.

“Good,” you grin and peck his lips once more.

You finish getting ready and leave with Sam and John to the car. Bucky leads his own team of soldiers who will wait outside until the cue is given. He would have gone in with you but Mezzi knows Bucky’s face. He would have ruined the entire mission before it could begin.

“Okay, here’s the plan,” you say. “I’ll go in first and distract him while you two go to the bar and pretend to be just like any other customer. Once I’m close, I’ll casually ask how my friend heard about his weapons and would like to buy some. Hopefully, he’ll be drunk enough to say where he keeps them which we would call in Bucky’s team.”

“Sounds good to me,” Sam shrugs.

“We need a safe word,” you say.

“Why?” John asks.

“Because I’m a woman going in to seduce a womanizer who looks like he doesn’t like the word no. So, I need a safe word or I’m not going in.”

“Seems fair,” Sam says.

“Fine, what is it?”

“Red. I’ll work it into the conversation but if you hear me say that, move in immediately.”

John doesn’t say anything but nods in agreement. When you get to the club, you go in first. The place is already crowded with a bunch of people but you push past them all to get to the far end of the club. There is a section separated by curtains and guards which can only mean it’s the VIP section. Through the large slit in the curtains, you see Mezzi sitting back with both arms on the back of the couch.

Bingo.

You walk closer to the VIP section and start to move your body to the music. Sam and John walk in and head to the bar like they’re supposed to while keeping a close eye on you. You look up and meet Mezzi’s eyes through the slit and smirk at him. You’ve got his attention. You run your hands down your body and move sensually to the music. He leans forward and licks his bottom lip, already entranced by you.

He calls for one of his guards and whispers something to him while maintaining eye contact with you. The guard leaves and heads over to you, and you pull your eyes from Mezzi to look at the guard.

“Boss wants to see you.”

“Lead the way,” you grin.

He allows you to pass into the VIP section, and Mezzi leans back with a lazy smirk on his face.

“Up close, you’re even more beautiful,” he grins. “Drink?”

“Don’t mind if I do.”

He gets up and walks over to the mini bar to make your drink. You watch him carefully to make sure he doesn’t put anything in your drink, and you relax when he doesn’t. This place is so secluded from the rest of the club due to the curtains so anything can happen in here and no one would know about it. Luckily, you have Sam and John in your ear so you’ll be able to call for them if things get out of hand.

“Thank you,” you smile and accept the drink. He takes a seat next to you, a little bit closer than your liking. It’s okay. Pretend he’s Bucky. “I have to say, I don’t think I’ve ever seen anyone so handsome before.”

“Oh, baby, there is no one else like me. You’ve come to the right section. I can blow your mind without even touching you.”

“Oh, really? Lucky me,” you giggle.

Mezzi reaches out and runs his hands over your exposed thighs, and you picture Bucky’s hands touching you. This isn’t the first time you’ve had to do this for a mission, but it is the first time since you’ve been with Bucky. You respect him too much to do things like this, but there was no other way to get close to Mezzi.

“God, you’re so sexy. Best looking girl here.”

“You’re just saying that.”

His hands briefly slide up your dress before he moves it back down. “No, I’m not. When I see something I like, I make sure she knows about it.”

“Here’s to new opportunities,” you grin and hold your drink out to him. He raises his own drink and clinks it with yours, but he only takes a sip. He’s careful not to intake too much alcohol, especially when he’s involved in so much illegal shit. “I was hoping to talk to you tonight.”

“Yeah? About what?”

“I have this friend who was asking about you.”

“What friend?”

“Oh, just a friend.” You reach over and dance your fingers across his chest, slightly sliding them through the buttons of his shirt. “He says you have a certain shipment he’d like to buy from you. He wouldn’t tell me more. He says you’d know what I was talking about.”

Mezzi’s attitude switches but it’s very subtle. You can see it in his eyes. He does not like that question. He slides his hand up your body and rests his palm over the hollowness of your throat. Not hurting you but letting you know he can hurt you if you piss him off.

“Well, you tell your friend if he wants something I have, then he should be the one asking for it, not sending his whore after me.”

“Now, that’s not very nice.”

He smiles but it doesn’t reach his eyes. “Oh, baby, it was a compliment.”

He pulls you in closer so that you’re practically in his lap, and you suddenly grow uncomfortable. He has one thing on his mind and it’s not talking.

“Out of curiosity, what’s the shipment?” you ask, trying to get his mind somewhere else.

“Enough talking. You clearly came here for one thing and one thing only. I deliver on all of my promises, and I promise to make your time here worthwhile.”

He slides his hand up your dress and rests it very close to the one place you only ever want one man to go: Bucky. He leans in and presses kisses to your neck so lightly, and that’s when you panic. No mission is worth feeling like this. You don’t want to be here anymore.

“Red,” you blurt out.

“What?” he asks and pulls away.

“I like your red shirt. It’s very silky.”

“It looks better on the ground.”

Sam’s earpiece has been bothering him since he got here, so he’s trying to fix it. He should have gotten a new one when he had the chance since it’s not the first time this has acted up. John’s earpiece, however, works just fine. He hears your cry for help yet he does… nothing. He looks toward the VIP section and sips his drink casually.

“My favorite color is red,” you say with slight panic.

John can’t give away their position because Mezzi hasn’t given the location of his weapons yet. If they raid now, they might not have anything. Sam tweaks a few parts before putting it back in his ear. He smiles when it works but it’s lost when he hears your panicked voice.

“Has she been saying this? Why are you just sitting there?” Sam asks.

He gets up to rescue you but John grabs his arm.

“He hasn’t told her where the shipment is.”

“I don’t fucking care. Get your hand off me.”

Sam yanks his arm away and leaves to come to your rescue. John, on the other hand, finishes his drink leisurely.

Mezzi has you pinned to the couch with your dress bunched up at your hips. The only thing separating him from rape is a flimsy piece of cotton. You wish Bucky was here.

“Please stop,” you say, close to tears. “Red!”

He is about to silence you with a hand to your throat when he freezes. Sam places a gun to the back of his head.

“Let go of her.” Mezzi does and you scramble as far as you can get from him. You shake slightly and pull your dress down as much as it can go. “If you don’t want to get your head blown off, I’d suggest you tell us where your shipment is right now.”

“You’re bluffing,” he chuckles.

Sam moves the gun away from his head and aims it at his leg. He shoots once, and Mezzi jerks back in pain. The gun has a silencer on it so no one can hear how much Mezzi is in pain. The music drowns out his shouts of pain, and Sam moves the gun back to his head.

“Am I bluffing now?”

“In the basement, man. In the tunnels.”

“Come in, Buck. You’re up. It’s in the tunnels below,” Sam says into the earpiece.

“Copy that.”

“Are you okay?” Sam asks you while keeping the gun on Mezzi.

“I think so,” you whisper.

“Go. We’ve got it handled from here.”

You don’t think twice about leaving. All you want is to go home, shower, and cry.

“Shame,” Mezzi groans in pain. “She looks like her pussy would be tight.”

Sam rears his fist back and punches Mezzi hard in the jaw. So hard that Mezzi passes out right there and then. Bucky and his men found the shipment and were able to arrest Mezzi and his men on the spot. With that much evidence, no judge would ever think about letting them go. The adrenaline has worn off and the shakes have replaced it. You were almost raped. You were sexually assaulted. You might be a trained spy but that all went out the window the second Mezzi forced you on your back.

The second Bucky heard about what happened, pissed doesn’t even cover what he’s feeling. Sam had to tell Bucky what John did because it was wrong of him to hear your safe word and do nothing about it. Bucky storms into home base and makes a beeline for John. He grabs his collar and yanks him violently toward him.

“You heard her safe word and did nothing about it?”

“I knew she had it handled! He didn’t tell her where the shipment was.”

“I oughta kill you,” Bucky growls. He grabs John’s throat with his metal hand and squeezes. “She’s my girlfriend, you bastard.”

John is no match for Bucky so he doesn’t even try to fight back. Bucky is about to do more damage when Sam walks into the room.

“She’s asking for you, Buck.”

Bucky lets John go, and the latter coughs violently. “Get him the hell out. He better be gone when I get back.” He leaves the room and walks into your bedroom. The shower is going in your bathroom, and he looks inside to see you sitting on the shower floor with your knees to your chest. “Y/N?” You don’t reply. He knows how scared you must be. “He can’t hurt you anymore, baby.”

Again, you don’t respond to him. He steps inside the running shower and turns off the water, not caring if he has water on his clothes. He wraps you in your fluffy towel and scoops you into his arms. He brings you to the bed and sits you down before going into your closet. He grabs one of his big hoodies and dresses you in it.

The second he has you in his arms, you bury your head in his chest and cry.

“Shh, I’m right here. You’re safe now. I won’t let anything happen to you.”

“I was so scared,” you whimper. “I thought… I just wanted you.”

“I’m here now. I won’t let him touch you again. You’re safe now.”

Bucky smooths down your hair and allows you to cry as much as you need to. He won’t tell you what John did because that would only make you feel worse.

“Please stay with me,” you whisper.

“I’m not going anywhere. You can rest knowing you’re protected. You’re safe now.”

“I love you,” you say and snuggle closer to him.

“I love you. Get some rest. I’ll be here the whole time.”

That’s all the comfort you need. He makes you feel safe, and that’s all you can ever ask for.

x

Want to be tagged? Follow my library blog @aqueenslibrary​​​​​​ where I reblog all my stories, so you can put notifications on there without the extra stuff :)

[thatonegirlondiscord]

somewhat relavent so I justed wanted to add on a personal experience.

I was born and raised in a mid sized city in Southern China but moved to America at the end of 4th grade when I was about 9. My elementary school was decently sized. Three buildings, a large courtyard for morning assembly, gym, and sporting events, and a small small playground located at the one of the corners of the courtyard. In other words, it was average.

I remember that one day in third or perhaps second grade my homeroom teacher announced that our school finally got a library, and it was such exciting news. Up till that point in my life I've knew libraries as the shiny building downtown where it was white and clean and nice and you can go there to buy study books for exams. It was a shameful thing if you read books that you have not bought or owned in some way so when my teacher said that you can go and borrow and read books from the library everyone got excited, even those who are disciplined on the daily for bad grades.

The catch however was that you can only do so if you are a good student or had "merit." And hearing it my heart sunk. I don't exactly remember what I did but I knew I caused trouble either earlier that week or earlier that day, and it almost definitely meant that I was not going to be given the elusive library card. She told us to put our heads down and rest our eyes as we had just finished the school-wide mandatory eye relaxation routine, and she will be walking around the classroom and putting the cards down on the desk of students who "deserved" the opportunity.

She then proceeded to place the cards on the desks of top students, the arts representative, the class representative, and those who generally did not cause trouble in class. I was dejected but there is nothing I could do. It made sense afterall, that the spot which could've been mine are to be given to someone else simply because they are better. I was bitter but there was nothing to be done. To my surprise however, my mishap earlier was somehow canceled out by my diligent sweeping of the floor (assigned chore) and I received a card in the end. All I could remember was that it's such an honor, almost comparable to a teacher praising you to your parents, and I proudly showed it off to my dad the second I got home.

It didn't occur to me until just this post that my earliest impression of a library didn't match with my experience at all. I loved to read and have been reading as a child, asking my dad to read the newspaper stories to me was our bonding time so perhaps I just took the fact that books are now free for me to borrow and read in stride. It didn't occur to me at all that children such as I who hasn't proved themselves yet were given free reign to use the school library as they pleased, and what a strange notion it is to realize it now.

I know my experience may not be uniform across China but I just thought I'd share it to give a more comprehensive perspective to op's experience.

...I had a guy come in today asking about how to get his kids library cards. I told him. He asked me how hard it would be for them to get them, and I said that all it took was their presence and his government ID.

He told me about how nice the system was here, where it was so easy to get a card; he said that there was a beautiful public library in Beijing that was top of the line and everything, but that the only way to access it was if you were a high ranking government official or a top professor or something. Instead, our library "serves the reader." His kids will be able to take chapter books home at no cost. He'll even be able to get books in Chinese here so that his native language skills don't atrophy.

I didn't even really know what to say, so I told him how to ask us to buy books for him that we don't already have so that he can still read them at no extra cost. I don't know how to shore up what it must feel like to know that there are books out there you can't read; I've always grown up with a good library nearby. It reminded me of working in my old library, though, where families who spoke Spanish were startled to find out we took any government ID with a formal address in town— even foreign IDs— so that their kids could get access to all of our titles in all the languages we offered.

Ah. Anyway, I hope you check out a library book with this thought in mind. I checked out the first volume of YJ98 today with that thought in mind. I didn't have to pay anything. I put it on hold, and there it was.

Edit: for those who struggle with reading comprehension; no, this patron interaction is not meant to represent the status of the Chinese public library system at large nor the country of China itself; this was my response to a random Chinese immigrant dad's anecdotal concerns as he expressed them to me, because the whole breadth of concern I'm responsible for while on desk starts and ends at recommending which library services would fulfill his needs. If you think he misunderstood or was lying about the status of public libraries in China, that isn't something I'm charged to verify before writing my thoughts and feelings about the patron interactions I was exposed through throughout my day. Expecting anything else is absurd.

Edit edit: Also, your library may not actually use Libby as the distribution method for their ebook collection. The best way to find out about how to access your library's ebook collection is to call them directly.

[empty-vessel-of-a-person]

Review Time : Fluffy Treatment

Note: This is my personal take to Zayne's most recent memory. Noting has been confirmed by Infold, so this is just full delulu mode as I dive in to Fluffy Treatment. Spoiler Alert for those who hasn't seen the memory yet.

Infold is really giving Zayne girlies the stablish relationship vibe with Zayne. And the fact that MC again reciprocates Zayne's affection is definitely win for me.

Once again, MC willingly volunteers herself to take care of Zayne and honestly, they become more playful with each other. The stiff and aloof Zayne has becoming more and more accustomed to banters and jokes. He even openly teases MC referring to the whole box of chocolate she ate at his place.

And speaking of her place, remember that pajama set she bought for Zayne in Cozy Afternoon? he is wearing them again at his home. Come to think of it, only Zayne have a pajama set.

And about sleeping and napping, they were sleeping on the same bed/couch again. There is no stopping them being so cozy around each other. Let's also note that feeling each other's warmth is making them relax and sleepy. At the ending of the Fluffy Treatment, lets take in the fact the even if the are both half asleep they are taking care of each other. Zayne is such a gentleman covering them up because the blanket slip on the side.

Zayne is also being territorial with MC (Note: Territorial not Jealous because he knows she belongs to him), he was never rude and he still let her choose what she wanted to do. This was shown when MC wanted to enter the Pet Café. Even though he was clearly upset by wanting to pet another cat, he still doesn't force MC to do what he wants.

When MC reluctantly leave the Pet Café, Zayne wants to make up to her by dressing up as a butler without 2nd thought so MC can both have a Cat and a Butler. This is another heart warming event of them compromising to ensure no hard or ill feelings between them. If they couldn't do one thing, they will surely find a way around it.

Zayne also shows how submissive he is to MC, he did not put a hat when she stops him, he comes with her at the mall even though he is really anxious in going out, he let's her take care of him and most importantly, the way he knelt down to returns MC's shoes. I take this act as a complete surrender.

I have 2 favorite part of this memory. - First, is when he sniff MC a few time and confirms that he have his scent on her and saying "You're all mine!" Gosh it's so hot I almost peed my pants. And after claiming her as his, his tail wraps around her waits. I did a little research and found out that when a cat "Tail Wrapped Around You: Touching you with the tail or wrapping it around you is one way your furry friend expresses affection, relaxation, and love." I lost it! Zayne really is in love with MC and he is saying it by doing thing more than word can say. Oh my gosh, I can't tell you how much I swoon at this. He is friggin hot!!! - 2nd is when he bites and lick MC's finger and tell her that it was his way in showing affection and then!!! MC reciprocates his affection by rubbing his cheeks. His reaction is so overwhelming. We have to remember that he is a cat at that time and his senses are heighted. Try to imagine how Euphotic he must have felt when she rubs his cheeks. His facial expressions is sensational. It seems like his eyes are rolling back.

Once again, Zayne and MC shows us what being equally in love is. It was always give and take for them. Always compromising and always so affectionate towards each other.

Zayne and MC becomes a safe haven for me. They give me happiness. I just hope that in their future memory, we will get to see them lounging in together in the Kindled moments.

[p-e-n-i-s-c-o-r-e]

Jewels

Summary: In which the reader and Lando had been broken up for a while. He comes into her jewelery store looking for something.

Warnings: Use of Y/n

Authors Note: Hey, fellas, how we doing. It's currently 10:31pm where I am. Meaning it's still Landos birthday 😼. Which is when I wanted to post this. Remember I am a beginner so pls don't bully me I'll cum :(. Anyways, enjoy!

It's been rough these past few years. Having had been broken by the person who you had thought was the one. The one who you were still deeply in love with now. Yeah, he was quite distant but you just thought he was stressed. Never have thought he would've called you late while you were sitting in your hotel room in Brazil. The words I think we should break up echoing into the room. The words sinking in as your heart breaks into millions of pieces. His reasoning being I fell out of love. You had hung up. You had this plan that you would quit your job, and surprise him at Brazil just in time to watch him race, but he broke up with you. Carlos was helping you with the plan, providing the paddock pass you would've needed. Now you don't know what to do. You don't have a job anymore. You had some money still in the bank yes, but not enough to pay the bills creeping in from your house back in Texas. You felt like dying. The one you loved with your whole being just broke up with you. You called Carlos, explaining the whole thing. He didn't know. How would he? Lando rarely had been talking to anyone lately. Carlos offered to help, which you appriciate, the only reason you were somewhat stable now was because of him. He helped you find an apartment in Monaco, helped whenever you were short with payments. You always refused, but he wanted to help. He felt bad for you.

Here you were now. You worked as a Jewler for a small Jewelry shop in Monaco, known for the most gorgeous engagement rings. You hadn't seen Lando in years, and your heart still hurt. Never really getting over him, you tried, went on a few dates here and there, your co-worker, Isabella, setting you up with a few guys she was friends with, but they never worked. They weren't him.

You were helping out a customer pick out a necklace for his wife's upcoming birthday when the door chimed, signaling a new customer had walked in. You look up ready to greet the customer like how you do the others, but you freeze once you lock eyes. It was him. The man you hadn't seen in 4 years. The man who had broken your heart. You feel your body start to grow heavy, but you keep it together.

"Welcome! If you need any specific help, just ask."

You say, looking at him like you don't recognize him. You turn back to the old man you were helping when Lando speaks

"Uh, yeah.. Engagement rings?"

What? Your face visibly falls, but you catch it quickly, not fast enough, though, because Lando notices. You speak.

"Yeah, right this way."

You lead Lando further into the store, where the Engagment Rings were showcased.

"Anything specific?"

You ask, your eyes scanning over the display of rings. Your heart clenching inside your chest.

"Anything with like... a flowery design? Oh, and a black band."

Your mind immediately thinks of one ring in stock. It was this beautiful double ring with a Moss Amite stone that sat in the middle, surrounded with smaller Mossanite stones, brought together with a black gold band that had leaves spreading around the stone. You walk over to the cabinet right next to the display case, and grab a small black velvet box, opening it to show Lando.

You watch as his eyes widen slightly at the sight of the ring. Your heart is starting to deflate around itself.

"Shit.. it's perfect... how much is it?"

"€1699.00"

You say, your voice betraying you as your voice breaks. He doesn't notice it, though, simply following you to the front counter to pay for the ring.

"So.. uh.. how you've been?"

"Alright."

You say, one worded answer. The air around you both is awkward. Very, very awkward.

"That's good."

Lando watches you type on the computer before speaking again.

"You got a boyfriend?"

Your body freezes slight at his words.

"No."

You look at him, he seems surprised. Everyone always is. How a pretty girl like you doesn't have a boyfriend. You just couldn't find one.

"Really? Have you had one since.."

He pauses a bit, hoping you would get what he was trying to say.

"Little flings. Nothing serious." You say bluntly. Waiting for a few papers to print.

"Ever plan on settling down?"

You hesitate to answer with the truth, but you do.

"Don't think I'm gonna find anybody." You place a few papers in front of Lando.

"Sign these"

He takes the papers and signs them where it tells him. Hes not exactly sure how to keep talking to you. The air around you both was very awkward.

"That's.. sad. I'm sure you'll find someone, though. I didn't think I would, but now I'm about to propose."

Your lips purse together. You were noticeably uncomfortable, grabbing the papers in front of him and putting them away in a file.

He could tell that you weren't interested in the conversation, but what he was saying wasn't untrue. He thought it might be a bit better if you both got lunch together.

"Do you wanna.. get lunch maybe? Catch up?"

You open your mouth to talk, but quickly shut it afterwards. Hesitating.

"I.. I don't think I can do that to myself Lando."

"Can I ask why?"

You saw the look of confusion on his face. Did he think you both could just.. be friends?

"Let's not do this now." You flipped the card machine towards him.

"No, please.. we need to." He pleads with you, trying to get you to open up.

"Pay for the damn ring Lando."

Your tone is stern. You felt like you were about to cry.

He's slightly hurt by the sternness in your voice, but alas he does what he's told and pays for the ring.

"Can we talk now?"

"Fine. Follow me."

You lead him into the breakroom of the store. Closing the door slight, leaving it a bit cracked.

"Why can't you get lunch with me?"

He's very confused. It's been 4 years. He just wants to catch up. So much has happened since then.

"I.. I never got over you Lando."

He looks at you surprised. How was he supposed to know? He had assumed after all these years you would've moved on by now, but you haven't.

"You..-You're still in love with me?"

You look back up at him, tears starting to pool into your eyes.

"I told you. I never got over you."

You tried to keep your voice from breaking but it was a lost cause. Your feelings for him never died, only dimmed a little, but since he walked throught that door, they had lighten back up.

"Y/n.. I..-I don't know what to say."

You don't know why you had hope. The tinyist bit of hope that he might still love you. He broke up with you because he didn't love you. A few tears rolled down your cheek.

"You're an..-an amazing person, Y/n. You deserve someone who loves you. Someone that's not me."

You were silent for a little before you spoke up with a question.

"Lando..I need to know..-"

You paused, trying to find the right words.

"When did you lose feelings..?"

You could see Landos body stiffen, as I he was dreading this question. He knew he had to be honest.

"Um.. a year.. before we broke up."

A year? He led you on for a whole year? He pretended for a year that he loved you like you loved him. Forced 'I love you's, forced kisses, forced smiles, forced everything. Tears steadily fall down your cheeks.

"You..-You led me on.. for a year..?"

"I'm so sorry."

Was all he could muster up. You felt like your was getting the life squeezed out of it.

"Why didn't you do it sooner?"

"What difference would it have made? We still would've broken up."

You can't believe those words just left him mouth. Did Carlos never tell him?

"The night you had broken up with me was the worst night you could've done it. I was in Brazil. I was going to surprise you. I had quit my job to be there for you and you told me you didn't love me anymore. Do you know how hard it is to hear that? I had quit my job to travel with you, but I did it for nothing."

He looked surprised, which you understood. He didn't know you were in Brazil at the time. He was silent. Not knowing what to say.

"I..-Im sorry."

"Save your apologies, just leave, please."

Your face was stained with tears, and your heart hurt so incredibly bad. A year. A year he had led you on. You were so incredibly in love with him you couldn't even tell how he was faking everything, and it made you feel so bad about yourself. You let love blind you.

"Bye, Y/n."

You watch as he turns for the break room door. Opening it so he can walk out.

"Goodbye, Lando."

[magicbeardpowers]

The analogy I've landed on whenever I think "how can anyone be undecided?" is that a lot of people know about politics the way I personally know about football. I watch one game a year, the Super Bowl, mostly because it's also a family gathering for us. I find out who the teams are the week of. I pick one I want to win pretty arbitrarily, and often I'll start rooting for the team that's a little behind in he 4th quarter. I learn the names of specific players during the pregame interviews. I only know one guy's name because he's dating Taylor Swift, and I don't know what position he plays except it's not the quarterback because that's the position of the only other player I can still name. Long passes are fun to watch but driving up the middle seems boring and is completely indecipherable, and it doesn't seem to push forward very much so I don't know why they do it. I know very little about the actual rules of the game. "Holding" and "false start" are easy enough to get, but is there an offsides rule? Just typing this, I can't say with certainty how many points a touchdown is, just that the field goal after gets more points (4 points and 3 points? It seems like sometimes it's 7 points total but I swear I've seen multiples of six). How many yards is it actually to get a first down?

Meanwhile, I was at a trivia night last year where a whole category was to name the college football team exclusively from a picture of their helmets. Because giving more information would be too easy I guess. Most other tables got like 8 out of 10, many got more.

What I mean by this long football analogy is that we (the Democrats) need to get people interested in our candidates in a similar way the Super Bowl gets non football fans involved. Not literally funny commercials and a half time show, but it couldn't hurt. They also build narratives around their players too. "Can this older quarterback win his probably last Superbowl and get a record breaking number of wins under his belt, or will the younger quarterback come out on top and pick up his first ring?"

Time and again people approve of left or Democrat policies when they're not attached to Democrats. I've seen it mentioned in several places that my home state of Missouri both voted for Trump and voted to allow abortion and raise the minimum wage. If I remember right in 2020 Florida also voted for Trump while raising the minimum wage and legalizing marijuana.

I need to clarify that I am not trying to make a claim to moral superiority by saying "I know important things like politics instead of stupid football". I know about politics because I'm a nerd. These things are interesting to me in the same way I'm interested in the fiction I read and in the way football is to a lot of people. It's a matter of temperament, not character.

the lesson I'm taking away from this election is not that the Democrats need to become more left wing or more right wing but moreso that they need to find a way to cater their rhetoric towards people who genuinly have no idea what is going on. the target audience for every speech and political appearance should be someone who doesn't know what the three branches of government are because they were drawing a Cool S during high school civics

[threeacttragedy]

Great blog but if all was not good with L and A why was he holding her in the water in Italy. Seemed off

Appreciate the question because it's one that's been on a lot of people's minds for months!

The relationship between Luke and Antonia will always be a mystery. We will never be privy to everything that happened between them. We will never know whether they were serious, casual, phony, simply part of the same friend group, whatever label you want to put on them.

Eventually I will write out my thoughts on Antonia -- because, trust me, I have some (and, no, they're not mean-spirited) -- but to make a long story short, some things to note that also "seem off" are:

Italy was roughly four months ago. We have not seen Luke and Antonia together since. The only interaction appears to be two likes per month from Luke on Antonia's grid.

Even if we're going to consider the Spanish resort pictures, we have to take into consideration that Antonia was removed from Luke's narrative. Luke seemingly filled that grid post with images that were Polin and/or Lukola coded (the two fingers -- that man will never be able to put up two fingers again without evoking a carriage scene; the chaise-style bench; the cake and its accompanying emojis). He also immediately came to the rescue by clarifying the cake picture (effectively squashing any accusations that he had removed Nicola from the cake). Regardless of whether Antonia was there, Luke removed her from his narrative. It was Antonia that tried to slip it back in with her October 25 post. The interesting thing there is that no one would understand her reference to being in Spain except...Lukolas. The general public wouldn't give that picture a second thought.

To my knowledge, Luke didn't like posts from third parties that included Antonia in them over the summer. For example, when Rory posted to his grid on July 6, 2024, he included pictures of Luke and Antonia (separate images). Luke did not like this post. Sienna posted the same day, with a picture that included Antonia. Luke didn't like that one either. I am not saying Luke has to like every post (in fact, I've blogged on this already), but it is something to consider.

After Papsmear, there was really no reason for Luke not to step up and "claim" (gross word, by the way) Antonia. The damage had been done. He could have protected her in some way from the fandom, but he chose to remain quiet. Wait, not quiet, he chose to post his I-Won't-Let-Cressida-Ruin-Our-Evening story.

To be honest, the entire Luke and Antonia situation has had me going back and forth for months. My advice to people is to look at things collectively. Do not look at a single event and decide, oh, yeah, that's the absolute final answer. Instead, use that single event (assuming you find it intriguing enough) as the starting point for your opinion on the matter. Remember to go backwards, forwards, and sideways in your analysis, and be willing to adjust your theory as you collect information.

[porcelain-gal]

unpopular opinion. just a warning, i'm being pretty rude in this.

i don't like when some of y'all start with that "stop acting like a victim bcuz it's your fault you haven't shifted" shit because you're sayin' a whole buncha nothing. people are allowed to feel negative emotions and feel hopeless when we live in like the worst fucking world ever. why are we sitting here acting like someone not shifting for years isn't gonna make 'em feel at least a little dejected and upset especially if it's something they genuinely want to do or feel like they NEED to do? are people just not allowed to be sad ever because negativity bad, effort good?

mf we are beings with emotions, the majority of us gon' feel some typa way if we don't get what we strive for for a long ass time whether it be shifting, getting a job, starting a business, whatever. and i cannot believe that some of y'all genuinely think that telling people that shit is going to help. like seriously, what is wrong wit y'all? do you realize that saying ts literally only makes a LOT of other shifters feel worse and even more demotivated because now they're blaming themselves and fucking spiraling trying to figure out what they're doing wrong?

and then y'all don't even give any actual advice after that to be like "this is a way you can figure this out," no you just shit on people and leave them with that. all you're doing is wasting space on people's fucking screens and it is so aggravating. basically what i'm saying is please be mindful of what you say and how you say it because your words do affect people and y'all need to talk to people like you got sense.

remember that people other than you got feelings. people are allowed to feel bad and tryna tough love a mf outta that isn't going to work the way y'all want it to the majority of the time. a little piece of advice; maybe try normal love first? kindness goes a long way, especially in the shifting community. just a "hey, consider that it may possibly be something you're doing" is better than "it's all your fault." but whatever, i know ts really ain't that serious, i'm just irritated. regardless, happy shifting <3

race-changers, ageplayers, adults who shift for minors, and (unjustified) murder dr havers dni

[aquietwhyme]

It definitely proved more believable. I mean it's a racist canard, but it tracks with people's preconceived prejudices much more than promises of help from the "everything's fine" dog.

Imagine telling people who are struggling to absorb the 28% increase in food prices how great everything is, that their struggles are all in their head and expecting that to go over well when you're basically just promising more of the same, or help to people doing well enough to be thinking about buying a home. Oh, and remember all those things you disliked about the GOP back in 2012? We support them now, yay! Fuck the immigrants, fuck the Muslims, more bombs, more guns, more cut programs, more we have the biggest military penis, look Liz Cheney supports us! A "Murica fuck yeah!" so loud and garish that it would make George Bush blush.

And then being surprised when you lose the election.

Because it's not just fear that won, it was credibility. And I have to say that it's a sad day when the promises of Donald J Trump are more believable than his opponent, no matter what each one was promising.

And wouldn't you know it, all of us have to suffer the consequences, especially those of us in marginalized communities, and somehow we end up getting blamed anyway. None of us knows exactly what's ahead over the next few years, but it's going to be hard, and much of the hope depends upon Harris supporters understanding why she lost, really understanding how the Democratic party could be so bad as to drive people into the arms of a fascist clown like Donald Trump.

This is the second presidential election in the past decade in which people were demanding real structural change that was lost to an idiot demagogue who promised just that, elections where the liberal candidate spent most of their time bad mouthing the opponent while telling struggling families that "everything is great actually and they'll be more of that coming" and whose main fear seemed to be the idea that anybody to the left of Ronald Reagan might win the highest office.

Trump's win has destroyed the Democratic party's credibility, and unless its supporters understand why and either fix their party or turn to something better (leftism), we're all going to have to deal with people who want to make the Handmaid's's Tale a reality holding political power.

[fluentmoviequoter]

Words to Die By

The Rookie x Criminal Minds Crossover

Pairing: Tim Bradford x fem!BAU!reader

Summary: Seven years after failing to become an LAPD officer, you return to Los Angeles as a literary analyst with the FBI's behavioral analysis unit to catch a serial killer.

Warnings: angst, violence, discussions of autopsies and forensic science, literary references, fluff and banter, improper use of a meat locker

Word Count: 13k+ words

Masterlist Directory | Tim Bradford Masterlist | Request Info/Rules

As the slick black SUV with US government plates parks outside the LAPD Mid-Wilshire station, you try not to reminisce. It would be too easy to remember how excited you were to walk in on your first day after the police academy, too easy to remember the devastation and heartbreak you felt walking through the same doors after surrendering your badge. You open the car door and focus on the current job, keeping your head down as you follow your team into the station that once felt like home. After finding an empty space out of the officers’ way to wait while your boss speaks to the watch commander and captain, you unlock your phone and scroll through the case details you reviewed on the flight, looking for anything you might have missed.

“Can I help you?”

You look up from your phone, the case detail email disappearing as you press the power button and smile at the LAPD officer standing before you.

“Sorry, I’m waiting for the rest of my team,” you explain before brandishing your badge.

“Oh, no worries. This is my first time working in a task force,” she replies. “It’s exciting.”

You nod and subconsciously tug on your sleeves. Officer Chen is obviously a rookie, and her enthusiasm is refreshing.

“Is this your first time in LA?” she asks.

“No, it isn’t.”

“Chen, Bradford wants to see you before roll call,” another officer calls.

“Is Bradford your training officer?” you ask.

“He is. Do you know him?”

You look around, then say, “Tim is on, what? His tenth plain clothes day washout?”

“Eleventh,” she answers, surprised.

“Nice to meet you, Officer Chen.” You offer your hand and say, “I’m number five.”

Chen’s jaw drops before she asks, “And now you’re FBI? How did that happen?”

“Long story… But I’m a literary analyst for the behavioral analysis unit, not exactly a field agent.”

A passing officer stops, then steps backward to look at you. “Are you on Hotchner’s team?”

“I am. I assume you remember him?”

“You know an FBI agent, Officer Lopez?” Chen asks.

“He was responsible for over 100 convictions of corrupt cops six or seven years ago. Five of them were LAPD, and one was our watch commander,” Lopez explains. “Chen, we need to get to roll call.”

You nod to Lucy, then return your attention to an email from Penelope.

“Your phone should be at least twelve inches from your face to limit blue light exposure,” Spencer says as he enters the station. “Sixteen to eighteen inches is preferable.”

“Spencer,” you reply, smiling as you turn toward him. “Penelope used what appears to be 6-point font and then zoomed out. I appreciate the concern for my eye health but take it up with her.”

Spencer frowns and murmurs, “Sounds like a job for Morgan.”

“What’s that, pretty boy?” Derek inquires as if he was summoned by the utterance of his name. “Gettin’ girlie here a date?”

“In Los Angeles?” you ask incredulously. “Hard pass.”

“Right, because the location is the issue with the plan. Not the fact that we’re working a case, and new evidence was discovered this morning,” Hotch deadpans from your side.

“I can multitask, boss man,” Derek defends, tossing his arm over your shoulders.

“Psychologists have determined the human brain isn’t designed for successful multitasking,” Reid begins. “It can cause switch cost, which results when attention and information retainment are suddenly redirected from one task to another, and cognitive efficiency and performance diminish-“

“Says the walking brain with at least fourteen tabs open,” Derek jokes.

“They’re waiting for us,” Hotch reminds. “I mean, only if you’re ready.”

“Your station,” Derek tells you, shaking your shoulders gently as he follows you toward the roll call room.

“… and there is no excuse for failure to communicate,” Sergeant Wade Grey continues as you follow Hotch into the roll call room.

You stand between Hotch and Derek as he speaks and look around the room. Fourteen officers are seated at the tables, listening intently even as their eyes stray to the case board. JJ joins you a moment later, mouthing an apology to Hotch before passing him a folder.

“More evidence?” you whisper.

She nods, then whispers something to Spencer, who furrows his brows and squints at the case board. You know the look, and it increases your concern about the case. Though there have been two notes and a book tied to the previous crime scenes, you’re unsure why  Hotch decided you needed to join them in LA. You could have stayed in Virginia with Penelope, you think, but you trust him and the rest of your team. Turning away from JJ, you fight the urge to peek into Hotch’s open folder as you run your eyes up and down the rows of officers. You recognize Chen and Lopez from this morning, but stop when you see Tim Bradford.

Hotch notices your shoulders stiffen in the split second before you relax, and he taps his elbow against you. You look up at him, and he nods once to reassure you. You’re not alone, and unlike the last time you were in this station, someone else knows the truth of what happened.

“Any questions about the case?” Grey asks. He sighs when someone raises their hand and says, “Yes, Nolan?”

Nolan doesn’t seem concerned with Grey’s lethargy. “What’s the connection between the zoo and the first victim?”

Spencer shifts beside you, and Derek shakes his head in amusement. You can imagine the rambling fighting to get out of Reid, and you smile at Derek rather than laugh.

“I should’ve been clearer. Any questions about our side of the investigation?” Grey amends, and this time the officers stay quiet. “In that case, I’d like to introduce Supervisory Special Agent Hotchner of the FBI, the BAU unit chief, who has brought his team across the country to assist in this case.”

Hotch walks to the front of the room and sets his files on the podium. He fixes an evaluating glare on the officers before him, then nods.

JJ leans toward you and asks, “Remember how intimidating that look used to be?”

“Still makes me stand up a little straighter,” you admit.

“We’re here to help,” Hotch begins. “But that means that we need you to be as committed to solving this case as we are. If you’re not ready for that, you’re free to go.” No one moves, so Hotch says, “Good. Sergeant Grey has briefed me on each of you. You’re good officers, but street smarts and police procedure won’t get this monster off the street.”

“But talking about the suspect’s feelings will?” one of the officers jokes.

Hotch’s eyebrows raise, and his serious look fades into a knowing glare. “You must be Bradford.”

JJ takes your hand, and Derek exhales. They know more about your history in LA than the people in LA do, and you appreciate their friendship and presence.

“Sorry, sir,” Tim replies. “I only meant that there is tangible evidence at these scenes, and it seems to me that concrete proof will help us find this guy faster than dissecting his mind through his habits and words.”

Hotch returns behind the podium and admits, “I understand how our process could seem like a waste of time, and criminal profiling is not an exact science, we’re wrong sometimes, but you know as well as I do that there’s no one right way to solve a crime. The important thing in this situation is to get a killer off the streets before he claims more lives. If our behavioral analysis can assist in that, we’d appreciate your cooperation.”

“I can assure you that you have the LAPD’s complete cooperation,” Sergeant Grey interjects, looking pointedly at Tim. “And anyone unwilling to do so will be removed from this task force.”

Tim crosses his arms across his chest and nods, a position you remember well from your limited days as a rookie. You expected this type of attitude from him and possibly more cops. You truly believe that the BAU can offer insights Tim can’t glean from analyzing a crime scene or going through the processed evidence.

“Do any of you have questions for me or my communications liaison?” Hotch asks.

Several officers ask questions about task force protocol, what your team does, and other run-of-the-mill inquiries about the federal agency and its duties.

“I believe it is time for introductions?” Hotch says, stepping to the side as he welcomes Sergeant Grey back to the front of the room.

“The LAPD has selected fourteen of its best officers-“ He turns away from the room and lowers his voice to tell Hotch, “If you’re against rookies on the team, I’ve got some other officers on standby.”

“If you trust them, they’re welcome to stay.”

Grey nods and turns, then continues, “Officer Lopez, Officer Bishop and her rookie, John Nolan, Officer Janssen…”

You tune out most of the officers’ names, trusting Spencer to fill in any blanks for you, until you hear, “Officer Bradford and his rookie, Lucy Chen.”

You were in Lucy’s position just over seven years ago, and now you’re looking in from the outside. You love your job and appreciate the FBI and the BAU for giving you a home and a rewarding career. Yet, sometimes you’re still plagued by the inevitable wondering, what if?

“Pleasure to meet you all,” Hotch responds. “I’m SSA Aaron Hotchner, behind you is my team: Special Agents Reid, Morgan, Jareau…” Hotch meets your eyes before introducing you, and you watch him rather than Tim, who turns quickly in his chair and stares wide-eyed at you before controlling his expression and returning to his usual composed demeanor.

“How is a literary analyst helpful?” someone questions softly.

“This unit has taken down more serial criminals than you can name,” Wade snaps. “Show a little respect.”

“We’d like to brief you before the media,” Hotch explains. “If it’s possible to reconvene before tomorrow’s patrol begins, of course.”

“Not a problem. I want all of you back in here fifteen minutes before beginning of shift tomorrow,” Wade tells his officers. “Keep the conversation in this room, understood?”

“Yes, sir,” the officers respond as they stand and file out of the door, some whispering together, others leaving quietly and alone.

“I think that went well,” Derek says as Hotch gathers his things.

“Socially speaking, there was a divide and a complete lack of faith in us,” Spencer argues. “Though there is the question of authority and a misunderstanding regarding our purpose and purview.”

“Pretty boy and I are going to go find some coffee.”

As Derek and Spencer leave, and JJ excuses herself to answer a phone call, you’re left alone with your current supervisor and former watch commander.

“It’s good to see you,” Wade says, smiling as he pulls you into a hug.

“You, too,” you respond. “Sorry I haven’t been back as much as I’d like.”

“I understand,” Wade assures. “And it seems that you’ve found your perfect place in the BAU.”

“We like to think so,” Hotch agrees. “Although…”

“Bradford won’t be a problem,” you interrupt.

Hotch tilts his head questioningly, and you add, “He fights back on new things, but he’s a good cop, so he’ll do what’s right in the end.”

Hotch hesitates, then asks, “Do you trust him?”

“With my life.”

“He’s the best I’ve got,” Wade comments. “But if there’s a question about him…”

“He’s Morgan, but more serious,” you tell Hotch. He doesn’t change his stare, so you sigh and promise, “I want him here. There’s no bad blood between us and he’s going to be invaluable in this.”

Hotch nods and looks away from you finally and begins asking Wade about one of the files turned in the night before, which you understand as your cue to leave. After you step out into the bullpen, Derek returns to your side.

“Where’s Spencer?” you ask, looking over his shoulder.

“Telling Officer Chen about the health benefits of doing something boring. How are you?”

“I’m okay. Hotch doesn’t seem to think so.”

Derek gasps and holds your shoulder to exclaim, “You have two overprotective father figures to work for now!”

You consider arguing for less than a second before you realize he’s right. Wade stayed in touch after you left LA. Hotch has never left room for you to wonder how he sees you and his need to protect you. So, you’re working on a case that feels like two different versions of your personality, and parts of your life have combined into one perfect yet terrifying case. And you haven’t even talked to Tim yet.

“I hope our hotel has a hot tub,” you lament.

“Plain clothes day washout number five, huh?” Lucy asks Tim as they patrol Los Angeles.

Tim shakes his head and doesn’t answer. He’s gone seven years without talking about you, only having to relive the heartbreak on your face and the disappointment he felt during his loneliest nights. Tim saw great potential in you, considered you more than a rookie, and taking your badge had affected him in a way he never expected. Now, you’re in the FBI, which is news to him, and you’re working on a case that he hasn’t been able to solve even with ten crime scenes to work with.

“What happened?” Lucy tries.

“None of your business, Chen,” he snaps. “That case, Hotchner’s team, all of it stays in the roll call room for now. Understood?”

“Yes, sir.”

A bell chimes above your head as you enter your favorite Los Angeles diner. It’s your first night in the city, and since you don’t know how long you’ll be here, you wanted to revisit it while you had a chance. When you mentioned the diner, your team gave you their orders to bring to the hotel, where they’re currently reviewing the autopsy reports. It feels wrong to leave them, but you sigh in the comfort of a place that once provided you a refuge after long days.

“Old habits?” you ask as you approach the counter.

Tim looks up from the laminate and watches you. You don’t meet his gaze but look at the menu while you wait for the waitress to return. This was your favorite diner when you started at the LAPD, and Tim has never given himself time to wonder why he kept coming back even after you left.

“Something like that,” he says. “So, uh, the FBI. That’s incredible.”

You shrug. “Not what I wanted, but I love it.”

Tim nods, unsure what else to say. You’re not the girl you were on day one in the academy, not even the girl who left the station in tears after washing out. Tim still sees you, the woman who fought for what was right never gave up, and was smarter than she ever realized. That’s not the person he saw your last week on patrol, but he knew you were still in there somewhere.

“How long have you been with the BAU?” he inquires.

The waitress returns, and you take the excuse to not answer Tim. You retrieve your phone from your pocket and read a large order from the screen, then pass a shiny, FBI-issued credit card over the counter.

“It’ll be a few minutes, hun,” the waitress informs as she returns the card. “Feel free to have a seat.”

You thank her and slide onto a stool, ensuring you leave an empty seat between you and Tim.

“Failing to become a police officer was one of the hardest things I’ve ever experienced,” you confess. “A few months later, Aaron Hotchner knocked on my door. There was a case nearby, a serial rapist who was leaving personalized love letters with every single victim. He found my résumé on a local job board and came to ask for help because of my background. The rest just fell into place, I guess.”

“You get to carry,” Tim points out, gesturing toward the holster on your hip, concealed from everyone else by your shirt. “They don’t let people who just ‘fall into place’ do that.”

“I did everything by the book, if that’s what you’re asking.”

“I’m wondering what changed on plain clothes day,” he responds. “You were on track to be an amazing officer, and then that last week, you just… something changed.”

“I did.”

“There’s more to it.”

“There’s really not,” you insist. “If you don’t want to be on this task force-“

“I do. I wish you could see that you have the potential to lead it.”

“Hotch saved my life. I trust him.” Tim understands the part you don’t say: that you trust him more than yourself.

The waitress returns with two full bags, and you stand as you take them from the counter.

“Goodnight, Tim. I’ll see you at the station tomorrow.”

As you leave, the bell chimes over the door again, and Tim hears your voice in his head, the promise of another chance, but he doesn't miss the fact that you leave every time you see each other.

“What if - and hear me out on this - you just told him the truth,” Derek suggests.

You take a drink from a cheap Styrofoam cup and nod. “You’re right, Derek, why didn’t I think of that?”

“You know, most hotel chains serving breakfast fail to maintain proper culinary heat-“

Hotch raises one finger before Spencer can ruin breakfast for everyone. “Don’t.”

“I agree with Morgan,” JJ says. “There’s clearly questions there, and if you explain what happened, he’ll trust you more.”

“And he can deal with some of the guilt,” Hotch grumbles.

“What guilt?” you inquire, pausing with a cheap metal fork in your hand.

“He clearly blames himself for letting you lose your position,” Hotch explains.

“He knows how good you are, so that final week probably doesn’t make any sense to him,” Derek adds.

“He doesn’t,” you mutter. “He told me last night-“

“You saw him last night?” JJ exclaims.

“I ran into him at the diner.”

“He still goes to your diner?” Derek questions.

“It’s just a diner! But I saw him there and he insisted that there was more to what happened than me changing.”

“And you lied to him?” Hotch responds. “It’s over, you can tell him, you can shout it from the top of the Chinese theater.”

“That would be illegal,” Spencer mumbles.

“And wouldn’t change anything,” you add. “We’re here to work a case, not mend a bridge that has been-“ you scramble for the right word before finishing, “disintegrating for nearly a decade.”

Derek groans as he leans back in his seat, and Hotch finally looks up to say, “If this gets in the way of the case, I’ll have Garcia email him everything he needs to know.”

“I’m cutting holes in all of your quarter-zips tonight,” you threaten in return.

Hotch frowns and mouths, You’ll never find them all.

“Good morning,” Sergeant Grey calls as the door closes behind the twentieth and final member of the task force. “SSA Hotchner is going to fill you all in.”

“Thanks for coming in early,” Hotch begins. “There have been no new developments in the case since yesterday, but my team has created a preliminary profile based on the preexisting evidence and details from the first ten victims.”

Your phone buzzes with an incoming call from Garcia, and you exit the room to answer. “Whatcha got for us, gorgeous?”

“Ooh, does Derek know you’re talking to me like this?” she replies, her keyboard clicking in the background.

“Not like he’s competition,” you say with a playful scoff. “Find anything on the deep dive?”

“Nothing inherently helpful. The prelim suspects are all pretty similar, though one of them did alibi out. Carson Gillery was working remotely from Chicago during the second and third murders. Hotel and airline checks corroborate that.”

“I’ll tell Hotch. Anything else?”

“Are you okay?” she asks.

“Fine. Why?”

She stops typing suddenly and then inhales sharply.

“Garcia?” You ask.

The line beeps as she disconnects, and a phone on the desk closest to you begins ringing. A Virginia area code appears on the caller ID, and you stretch across the desk to pick up the receiver.

“Penelope?” you ask hurriedly.

“He’s in the data!” she explains, typing again. “He’s not doing much, but someone is overriding minor coding and there was another line tied into our call. I could hear him breathing; thought you were crying at first, but now I’m running a backward search to find this psycho.”

“None of the prelim suspects would know how to do that,” you point out.

“Uh oh,” Penelope breathes. “I think…  I think he left you a message.”

“What is it?”

“It’s in the seventh victim’s ME report, overwriting the details of the posthumous wounding to the back. It says 2/18/17… It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate; I am the captain of my soul.”

“Henley,” you murmur, trying to connect the dots as you forget the first half of the message.

“There’s more,” Penelope says. “A copy of your one-way ticket to Virginia with an alternate ID that says, ‘thanks for the perfect opening night.’”

“It’s about me?” you whisper.

“I’m going to trace these messages,” Penelope declares. “You tell Hotch about this, and please, please do not try to investigate this on your own.”

“You got it. But can you send me a scan of page 39, no- 38, from the William Ernest Henley book in my office? I need the annotated copy of Invictus.”

“You got it. Tell Morgan and I said hi and I’m wearing-“

You hang up and take a deep breath as you return the receiver to the cradle.

“Agent Hotchner,” you call as you return. “I need a word.”

“Let me finish-“

“There’s been a development,” you interrupt. “An urgent one.”

Hotch sees the look in your eyes and calls Spencer to the front of the room to continue reviewing the patterns in the killings and to discuss the psychological traits and drivers they suspect the killer will have. Derek watches as Hotch and Grey follow you out of the roll call room. Meanwhile, JJ watches Officer Tim Bradford as he manages to conceal his concern but not his interest as he watches you through the glass walls.

“Garcia called with information on the prelim suspects,” you explain. “Someone tapped into the call, and then… whoever it was started manipulating her date on the FBI server. She did say that Carson Gillery alibied out, he was out of state for several of the murders, but whoever this guy is, he is incredibly close to this case.”

“Manipulated the data how?” Hotch asks.

You wring your fingers together as you answer, “He left a message. Garcia thinks it was for me.”

“Left it where?” Grey inquires.

“The seventh victim Mel Houghton’s autopsy report. It was a date and a line from a William Ernest Henley poem.”

“The date?” Hotch presses.

You inhale deeply before saying, “February 18, 2017.”

“The day you lost your position in the LAPD,” Grey remembers. “What does it mean?”

You look toward Hotch, and he shakes his head twice. There isn’t an obvious answer to Grey’s question, but the implication that this case has something to do with you isn’t good.

“He… he also had a picture of my plane ticket to Virginia and added a note, something about ‘thanks for the opening night,’” you add. “Hotch, if you have to take me off this case-“

“We need you,” he interjects. “The literary aspect of this case is progressing.”

“Does that mean we could limit our suspect search?” Wade asks, looking between you and Hotch.

“Not likely,” you reply with a sigh. “Plenty of literature enjoyers can’t be located purely based on that. There’s no evidence he’s educated or active in book clubs, debates, anything.”

“Garcia’s tracing the data changes?” Hotch assumes.

“Yes, sir.”

“Then we work what we can until she gets back to us.”

“I need to see the novellas left with the victims,” you request. Hotch begins to speak, and you add, “Not the scans, the actual, physical stories left with their bodies.”

“I’ll get someone to go through the evidence with you,” Wade assures. “Any preference?”

You look into the roll call room through the glass sheeting, your eyes drifting past Tim as you decide, “Officer Chen, please.”

Wade nods once, then returns to the podium inside as Spencer concludes his comments on the psychology of the killer’s modus operandi.

“What are you expecting to find?” Hotch asks you.

“I really wish I knew,” you answer softly. “Hotch, what if this is all my fault?”

“The delusions of a killer have nothing to do with you. If something you did as an officer triggered him to start, there is no reason to assume he wouldn’t have started later. He’s clearly reality-challenged, living in a space between this world and the events of his imagination, and that is not on you.”

You nod, rubbing your forehead as you think. “Literature is clearly important to him. If it comes to it, will you let me go with JJ to a press conference?”

Hotch hesitates, and you know he doesn’t like the idea of putting his team in public view, unless absolutely necessary, but he says, “Fine. Only if it gets that far.”

“Hotch? February 2017 had massive storms. Urban flooding, mudslides, wind, snowfall, there was mayhem that week. I mean, a police chase with a DUI driver, a car fell into a sinkhole. I used some of those cases to…” You trail off, remembering all of the things you did wrong.

“Talk to me,” Hotch encourages.

“Any one of the people who had contact with the LAPD that weekend could have been pushed over the edge. He could have been killing for seven years, since whatever happened, but just got bold and brazen enough to make it public.”

Hotch leaves your side for a moment to wave Spencer out. When he joins you and Hotch in the bullpen, Hotch gestures for you to explain your theory.

“I suppose,” Spencer muses. “The killings have progressed minimally since the first victim three months ago. It does point toward a more practiced unsub, someone who has, in their mind, perfected their method. Yes, it’s completely possible.”

“The books,” Hotch points out. “Those are new. Unsolved cases with novellas or poems shoved down victims’ throats would have caught someone’s attention by now.”

“Serial killers gain experience with each new offense,” Spencer explains. “The learning curve is steep because of the logistics it takes to commit a murder. If he’s been killing without being caught, the thrill of killing would empower him to take more chances. In this case, the trophy aspect of his MO could easily have changed, but his idiosyncratic psychological needs remain the same.”

“We don’t have enough people to comb through seven years of cold cases to find similar killings,” you lament.

“We do have the media,” JJ interjects, sliding her phone into her pocket as she approaches. “It’s a long shot, but if we could find one or two, would it be enough to complete a profile?”

“An estimate of how long he’s been at this, with Garcia’s trace and the analysis of the literature at the scene… Yes, we could establish a firm MO and improve the unsub’s psychological profile.”

“Hold on,” Derek urges into his phone as he joins the rest of your team. He looks at you and says, “Give me your phone.”

You pass it to him, and he flips it in his free hand as he listens. He gives you an apologetic look and then drops it.

“Morgan!” Hotch exclaims as Derek brings the heel of his boot down on your phone screen.

“Unless Penelope told you to do that, I’m going to be very mad,” you say.

“Alright, baby girl, tell us all,” Derek requests as he puts his phone on speaker.

“I found our guy, or his IP address at least,” Penelope says.

“And?” Hotch asks. “Where is he?”

“That’s the thing. He’s in an apartment a few miles from the station.”

You recite your previous address and Penelope murmurs, “That’s the one.”

Penelope explains how she traced his data trail before you interrupt to ask, “Is there anything about another cop in it?”

“Uh, there were some numbers,” she answers.

“34381?” you guess. “And 6147?”

“Amongst others, yeah. Do they mean something to you?”

“One is Officer Bradford’s badge number. The other is Sergeant Kenneth Adamson.”

“I’ll run the rest of the numbers against the LAPD database and get back to you.”

“Are all of our phones in need of stomping?” Spencer asks before Penelope hangs up.

“Not yet,” she replies, and then the line clicks.

“Running everything is going to take too long,” you complain. “He’s probably already targeted his next victim. He could be writing the novella for all we know!”

“His system is organized,” Spencer explains. “We can use that. The past victims have been a week or more apart. Even if he does change his timeline because we’re here, he needs time to plan, write, correct?”

“Yes,” you answer. “He could do it overnight if the circumstances called for it.”

“Assuming he’ll take a break between kills, however…”

“We have two days,” Derek concludes. “Let’s hope he’s not too organized, doc.”

“He’s a criminal,” JJ says. “They all get stupid and forgetful.”

“We don’t change anything. He’s changing the rules, pushing himself, but we’re not playing his game,” Hotch says. “And, for the moment, we keep the LAPD connection to ourselves.”

“What if they could help?” JJ argues.

“No.”

“Act like we have a week, and he won’t expect us to be ready to go,” you say. “In that case, I’ll start analyzing the literature.”

“Speaking of which.” JJ pulls a paper from her bag and says, “The homicide detective said CSI found this on a secondary scene analysis.”

You read the scan of the evidence, and your eyes widen as you look up at Derek. “Good thing you came with. He’s building a bomb.”

“Whoa,” Derek says with little intonation in his voice, but his hands raise as he moves his head in surprise. “Explain the progression from writing stories to bombs.”

“Postmodern literature is the most recent literary movement that contains vulgarity in diction and violence. It’s often used as an authentic portrayal of humanity, depicting violence against gender, race, and the human body,” Spencer answers. “Epic poetry was one of the first storytelling forms to depict interpersonal violence.”

Derek rolls his eyes at Spencer’s reply to the rhetorical question, and you add, “The Victorian literary period was marked by violence through the use of suffering and physical dangers as literary themes. The gothic genre aestheticized the darker elements of human life, explored sexual violence, dramatic monologues, and realistic violence like robbery, beheadings, even serial murders.”

“Which affects us how?” Hotch inquires.

“William Ernest Henley was a prominent figure in the later years of the Victorian movement. He sent lines from Invictus to Garcia, and that piece has been the poem of choice for extremists and terrorists to justify their violence in the last few years. There is some hardship beyond our killer’s control, and this is how he’s dealing with it.”

“Still doubting your hypothesis?” Hotch deadpans.

“Wouldn’t he have to stop all of the suffering somehow?” JJ asks.

“Yes. But he hasn’t decided on an endgame yet, we’ll see the signs of that when it comes. The beginning of a plan for a bomb isn’t concerning yet. For now, we continue as planned, but he will likely strike again in 24 to 48 hours.”

“They’re getting concerned,” Derek whispers, waving toward the roll call room.

“I’ll handle them. You have your assignments,” Hotch states. “We reconvene tonight after end of shift.”

“Yes, sir,” you agree with the rest of your team.

As you return to the roll call room between JJ and Derek, you keep your eyes on the front of the room, ignoring how Tim turns to look at you. Hotch gives an acceptable excuse for your team’s private meeting and then provides tasks with Sergeant Wade.

“What about me?” Lucy asks as the other officers exit into the bullpen.

“You’re with me,” you reply, stepping toward her as you smile. “If that’s okay.”

“Yes!” Lucy cheers. She clears her throat and amends, “Yes, of course, I’d love to help.”

“Keep me updated,” Hotch tells you.

“Yes, sir. Oh, and…” You move your fingers in a scissor motion to remind him of your previous threat before concluding, “Spencer has the information you asked for.”

Hotch nods once, and Wade smiles. Suddenly, you’re hit with the feeling of being torn apart, stuck between the life you wanted and the one you have. When the case is solved, the killer is behind bars, and you’ll have to leave these people again. At least you’ve finally remembered that planes travel both ways.

“Ten victims,” you say as you pin the last picture to the bulletin board in the office you and Lucy have set up. “Six novellas, a book, two pamphlets, and a bloody poem.”

Lucy’s eyes follow the red thread connecting the victims to their evidence and the order of the killings as you stare at the T.S. Eliot poem from the fifth scene with your hands on your hips.

Plus, a William Ernest Henley poem meant to bring me into the killer’s world, you think.

“Ready?” you ask Lucy.

“Yes, ma’am.”

You laugh and invite her to use your first name, then spread the evidence pictures from the first murder on the metal desk. It isn’t the same as reviewing the physical books and poems, the thick paper holding the twisted ideas of a serial killer left warm from the printer beside the lives he claimed for the sake of his own story. It’s the best you can do for now.

“Janice Davis, our first victim. The killer stapled a San Diego Zoo pamphlet to her chest.” You flip through the case file and add, “Antemortem. Ouch.”

“That looks like a building staple,” Lucy muses, leaning over the picture.

“It is. Your forensics lab determined it’s a Powernail galvanized seven-eighths inch crown staple. Intended purpose is woodworking and flooring, and one side of the staple extends out at an angle, so even if she was conscious long enough to try removing it… well, it would’ve hurt more to take it out.”

“What was the cause of death?”

“Unknown,” you read, furrowing your brows. “Manner of death: homicide. But it looks like they couldn’t determine the cause. Any chance ME Daniella Smith is still around?”

“I don’t know,” Lucy confesses. “Sorry.”

“Don’t worry about it. Sorry, you’re good at this, I keep forgetting you’re a rookie.”

“That’s the nicest thing anyone has ever told me.”

You smile, then return to the evidence before you. “The next victim, Gregory Hunter, was found with a copy of Orwell’s Animal Farm open beneath his head. The page, as far as I can tell, is irrelevant.”

“Then what’s the point of leaving it there?”

“Hunter was Davis’s boss, and apparently they had been involved a few years prior to working together. Animal Farm presents Orwell’s ideas on power, equality, socialism and corruption.”

“All things the San Diego Zoo has been accused of abusing throughout history,” Lucy adds. “Along with the animals.”

“Precisely. Then it wouldn’t be a stretch to assume that our killer was wronged by a failing class structure, abuse of power and control, inequality, or socialism.”

“That’s a lot of options.”

“Which is why we keep looking. Victim number three had a personalized novella…”

“The method of killing has been consistent with every victim. They’re injured, kept alive for three to twelve hours, and then killed. Janice Davis, victim one, was ruled as undetermined cause of death, but there was no evidence of blunt force trauma, gunshot wounds or poisoning, which we’d expect based on the sudden killings of the others,” Spencer explains.

“You can tune him out,” Derek whispers. “When his voice drops an octave, he’s about to ask a question.”

Tim nods, but he wasn’t listening to begin with. His mind keeps drifting to thoughts of you. He watched you talk to your team, has worked with you, and knows the depth of your talent and potential. Yet he continues to wonder how you truly came to work at such an elite division in the FBI and what you’re hiding.

“Do any of you have experience with crime scene investigation?” Spencer asks.

Several officers raise their hands, including Angela. Tim has guarded scenes and looked around on his own time, but he isn’t sure when his unique skills will be required for this case.

“Morgan,” Hotch calls from the doorway. “Take an officer to gather the literary evidence. Someone with a station ID has to sign it out for us.” He looks towards the front of the room and sighs. “And tell Spencer to wrap it up.”

“Doctor Morgan,” Derek calls as he stands. “Perhaps we should move on to the evidence snapshots and physical profile?”

Spencer nods and shifts his attention to the tools and proposed appearance of the killer.

“I’ve got a station ID,” Tim tells Derek. “If you need that evidence now.”

Derek sighs but waves for Tim to join him. He remains quiet while they walk to the evidence lockers, largely because he’s evaluating Tim. Derek knows about your time in Los Angeles, and even if he did encourage you to talk to Tim, he isn’t sure if Tim deserves your time.

“You were military?” Derek asks as they wait for the evidence to be thoroughly signed out and accounted for.

“Army,” Tim responds. “FBI always the goal for you?”

“Oh, nah, I started as a cop up in Chicago. Things just happened.”

“Seems to be a lot of that,” Tim murmurs, remembering your ‘fell into place’ excuse.

“Why be a TO?”

Tim shrugs. He’s never had a good answer for that question, and if he starts thinking, he might get caught up on his fifth washout.

“Special Agent Morgan,” the evidence officer says as he places a large box on the ledge. “Your supervisor has to sign this form upon evidence return.”

“Got it. Thank you.”

Derek picks up the box and steps back, but the officer places another box behind it. Tim takes it without a word and follows Derek to an office with a closed door.

He taps his foot against the door and calls, “Open up, pretty girl, these muscles are just for show!”

You smile as you open the door, and Tim clenches his jaw at the realization that Derek Morgan just called you ‘pretty girl.’

“I fear you’ve mistaken me for Penelope,” you tell him as you hold the door. “Thank you so much.”

Tim nods as he places the box down, and then looks at the case board.

“Oh, Tim,” Lucy says. “Do you know if ME Daniella Smith is still working?”

“She retired,” Tim replies.

You drop your shoulders and nod. “Thanks.”

“I can get her address and phone number, though,” he offers, partially to help and partially because he hates how disappointed you look.

“That would be amazing!” you reply happily. “Lucy, feel free to go with him, move around for a few minutes.”

Lucy follows Tim, and you close the door to talk to Derek. You explain that the literature points toward class structure, abuse of power, or socialism.

“Maybe he should move to Canada instead of killing then,” Derek muses. “Have you told Hotch?”

“Not yet. There’s also the string of violence in the literature. At first, it was metaphorical violence, a symbolic representation of the dangers of power in society, but it’s gotten more blatant, more Victorian in its realism.”

“The novellas?” he guesses.

“I haven’t gotten to read them in their entirety yet, I’ll start that now, but I’d guess he’s outlining his preferred method of violence as well as the reason.”

“Think it will shed some light on the explosives schematics? Which, by the way, are pretty weak. A bomb like that would be hard pressed to flip a Prius, it wouldn’t do major damage unless it was an incredibly confined space.”

“Ask Spencer what he thinks about the space,” you suggest. “The killings have been in relatively open spaces, but he’d know better than me if it means anything.”

“I’ll run it by him if I can get a word in.”

You laugh at Derek’s joke, but he turns serious again to ask, “Are you okay? I know this can’t be easy for you, working a case here after seven years.”

“I’m okay,” you promise. “I’ll let you know if that changes and I need a Morgan hug.”

Derek smiles as he opens the door, and Tim and Lucy return soon after.

“She lives three miles from here and said she’d talk to you,” Lucy relays.

“Let me tell my team.”

Tim raises a hand to stop you as you gather your things and repeats, “She said she’d talk to you. She recognized your name.”

“Oh.” Hotch walks by the door, and you step out quickly to explain, “I found the ME who couldn’t determine Janice Davis’s cause of death. She’s retired, but lives nearby and agreed to talk to me, but only me.”

Hotch weighs his options, but when he sees Tim behind you, he suggests, “Then you should probably take your TO.”

Your eyes widen in shock, but you trust Hotch, so you nod and step back into the office.

“You don’t have to,” you begin as Tim asks, “Ready?”

You fail to find the right words for several moments, then say, “Lucy, do you want to help Derek Morgan review crime scenes for construction and security?”

“Sure! Let me know if you need more help with this stuff when you get back,” she responds. “Good luck!”

“Thanks,” you say, though you think I’ll need it.

“Do you want to drive or should I?” Tim asks once you’re alone.

You lift keys from your pocket and say, “I will. Do you think Smith will be any help?”

“We can hope.”

“Can I address the elephant in the room?” Sergeant Grey asks.

“Be my guest,” Hotch answers, not looking up from his improved profile.

“Bradford isn’t operating at his usual level.”

“She is.”

“Which is why I think there may be more to his side of the story.”

Hotch looks up to propose, “You think he had something to do with Adamson’s misconduct?”

“No,” Wade assures, “nothing like that. But two days of fire-able offenses and not a single correction from her TO? Bradford either didn’t care that she gave up or, for some reason, he wasn’t in a position to.”

“The corruption we found ran deep. There’s a chance he was hoping to get a piece of the takeaway… or he was in a similar position to her.” Hotch reaches for his phone quickly after he speaks and raises it to his ear. “Garcia, I need you to run the badge numbers again. Tell me how many of them had a direct connection to Keith Adamson.”

“One second,” Penelope requests. “Software’s running it now. Oh, the medical examiner, Smith, she resigned less than an hour after the charges against Adamson came in. Thought that was interesting.”

“That’s one connection.”

“Okay, yep, all ten of the badge numbers embedded in the coding have connections to Adamson. Seven subordinates, his captain, and two IA investigators.”

“Thanks, Garcia.” Hotch ends the call and tells Wade, “Whatever Adamson did, it wasn’t just skimming the evidence pile, it pushed our killer over the edge.”

“I remember Janice Davis,” Daniella Smith says as she passes you a mug of hot tea. “She was young, twenty-six, I believe, and had a construction staple in her sternum.”

“Your official report listed the cause of death as indiscernible,” you reply, wrapping your hands around the mug as your thigh presses against Tim’s on the small settee. “Do you remember if you may have had any hypotheses?”

Daniella sighs as she lowers into a chair across from you. “It was asphyxiation. Her mouth was sealed with superglue, and she couldn't get enough air after a few hours of lying horizontally.”

Tim looks at you before demanding, “Why didn’t you put that in the report?”

“I was scared.”

“And you think the people living here weren’t?”

“Tim,” you whisper harshly. You shake your head as Daniella shrinks in her seat. “Why were you scared, Ms. Harris?” She shakes slightly, and you give her a moment to breathe before you ask, “Did someone at the police station ask you to lie?”

She laughs once, a sad sound before she wipes her nose and corrects, “He threatened me if I didn’t.”

“Who?” Tim asks.

“Sergeant Keith Adamson. He was the watch commander at the time. My career, my life, my marriage, he threatened to ruin it all if I didn’t cover up how she was killed.”

“Was there residue?” you inquire. “From the superglue?”

“There were trace amounts, and the lab was able to identify it easily.”

“It was the only death to be covered up, why do you think that is?”

Daniella looks up quickly, her eyes wide as she states, “Because it was an experiment. The others were killed more conventional, faster: a slit throat, hammer to the temple. Her death would have taken time.”

“Was the time of death in your report accurate?” you ask. “Because it was around the same time as the others even with the changed MO.”

“It was,” she explains, “he must have taken her earlier to get a head start.”

“You said it was an experiment,” Tim repeats. “She was victim number one. If it didn’t go well, wouldn’t the others have just been an improved, or changed, MO?”

Daniella frowns, and you lean forward to ask, “How many more were there?”

Tim slams the passenger door as you return to the car. Daniella disappears from the front window, crying as you start the engine.

“The FBI will charge me if this car gets damaged,” you mumble as you shift into reverse.

“Thirty deaths that she knows of!” Tim exclaims. “How could she cover all of those up?”

“Pretty easily. Self-preservation is a powerful motivator.”

“This monster has been at it for years. You were probably on the job for some of his murders, how can you say that?”

“It’s not my place to judge everyone involved in this case, Tim. Not yours either.”

Tim scoffs, but he’s interrupted by your phone ringing. You answer by saying your last name and Hotch’s voice fills the car as he speaks.

“There’s been another murder,” he says. You slap the steering wheel before he continues, “A double murder. I’m sending you the address. Drop Bradford at the station and meet us there.”

“Yes, sir.”

After the call ends, you grit your teeth to keep yourself from yelling. You spent too much time with the retired ME, and two more people are dead now.

“I’m going with you,” Tim states.

“No, you’re not. You heard him, you’re going back to the station.”

“You need me-“

“Actually, we don’t. We have jurisdiction now, Tim,” you snap.

“Do they know about everything you did your last week on the job?” Tim challenges. “How you ignored calls, put yourself, and me, in danger just to let the clearly guilty criminals go? I mean, you let a guy get away with assault and your handcuffs!”

You don’t reply because your mind begins racing. You had forgotten about that specific incident. Your last two days on the job were a blur, just forty-eight hours you have done everything you could to forget.

“Alexander Riley,” you murmur.

“What?” Tim snaps.

“Nothing, Tim. I’m sorry you’re not happy, but you don’t have authorization to join me, and I’m done breaking the rules.”

“Convenient.”

You hit the brakes too hard as you stop outside the back entrance of the station. Tim slams the door again before he walks inside, and you shift into park to call Derek.

“Are you still at the station?” you ask when he answers.

“We’re about to leave,” he replies. “Did you beat us to the scene? You know speed limits still apply to federal agents, right?”

“No, I’m at the station too. I need you to - without raising suspicion - get Hotch and Sergeant Grey out here.”

“Okay,” he agrees slowly. “Why?”

“Because I think I know who the killer is. Bring the novella from the ninth scene, it’s Heralded Angels.”

“You got it.”

You can hear the strain in Derek’s voice, but there’s too much on your mind to dwell on his reaction right now. After Hotch, JJ, Derek, and Spencer join you in the FBI-issued SUV, you follow Sergeant Grey, driving an unmarked car, to the double murder scene.

“You had something for me?” Grey asks as you approach the townhouse.

“I do. Trust me for a few more minutes and I’ll tell you everything?”

Wade nods, and you enter the bloody living room with your team. JJ waits outside, and as you squat beside a bookcase covered in blood splatter, you know you’re right.

“Alexander Riley,” you announce, pushing against your knees to stand. “I think he’s our killer.”

“Why?” Spencer asks. “Wait, who?”

“Alexander Riley is one of the men I should have arrested my last week as a rookie.” You look toward Wade as you continue, “He assaulted a store owner while looting during a flood, and I let him get away. He ran away with my handcuffs, but I didn’t try to stop him because I was sure Sergeant Adamson would have used it against me.”

“Abuse of power,” Hotch deduces.

“Right, and class system. You know, cop doesn’t do what cop is supposed to do. So, he may have taken his escape as a sign that something needed to change.”

“Based on his killings, I’d agree that he saw a wrong that needed to be fixed, but why murder?” Wade asks. “How does that fit his idea of making things right, evening everything?”

“He chose victims he viewed as outliers,” Spencer explains. “The first two victims were romantically involved, and then she got a job in his company.”

“The fifth victim was a single man with adopted children, and he left a copy of T.S. Eliot’s ‘The Hollow Men,’” you add. “He went after people who didn’t fit into our traditional class system or who benefitted from misused power. And, if that isn’t enough… there’s an extra novella in here.”

“What?” Hotch and Wade say, stepping toward you simultaneously.

“It’s a little bloody, but the words cop, dirty, and corrected system are showing up pretty well. My name’s on the first page, and I’d guess it’s on the last, too.”

“He’s going to target you?” Derek translates. “That’s not okay.”

“We need to find him first,” you reply. “He’s not going to press pause until he can get to me, he thinks he has to fix the entire world.”

“I’ll get a BOLO out,” Wade offers.

“Wait, Sergeant Grey,” Hotch calls. “I think this should come from us.” He turns toward you and adds, “It would mean more from you.”

“I’ll do it. Although, some of those cops aren’t going to like hearing that I had something to do with it.”

“Just send ‘em my way,” Derek jokes.

“Our profile is complete,” you begin, looking at the entire task force. “And we’ve used that profile, along with scene evidence, literary analysis, and previous arrest records to identify Alexander Riley as our killer. Sergeant Grey has posted a BOLO, and we’d like to send you out in patrol teams to assist in the search for Riley.”

Tim has his folder open, and you’re sure he’s reading the incident report filed after you let Riley get away.

“Maybe you should get out there and find him instead of sitting in our station and reading,” he snarks, closing his folder.

“Bradford,” Wade begins.

“No, it’s okay,” you assure. “I will be assisting in the search, and I will admit that my incompetence likely played a role in Mr. Riley’s progression from petty thief to serial killer. However, we have reason to believe he was killing in private long before he felt the need to leave his victims in plain view for Los Angeles and all of America to see.”

“Officer Bradford, he listed you by name in the novella left at Liza Renner’s murder,” Hotch interjects. “Do you know why he may have done that?”

“No idea. Sir.”

“I’d appreciate if you would stay and help review the story to find an idea, then.”

You look between Hotch and Tim quickly, but their icy stares make you look away before you continue explaining what the manhunt entails and how the FBI will assist.

“Be safe out there,” you conclude.

As officers stand and leave, Hotch and Wade walk to Tim’s side, and then all three of them exit through a different exit.

“That was fun,” you mumble to Derek.

“On the bright side, no one has been publicly executed in the US since 1936, so it’s unlikely you’ll be burned at the stake,” Spencer says.

“That is bright,” you respond. “Thanks, Reid.”

An officer asks for your assistance and leads you to an observation room. Your eyes widen when you realize Tim and Hotch are on the other side of the glass in an interview room. Rushing into the room, you’re surprised when Hotch invites you to take a seat. As the door closes, Tim clenches his fists and begins to stand.

“Sit down,” Hotch demands, unmoving as Tim rises from his chair. Tim turns, face-to-face with Hotch. “Sit down,” Hotch repeats, quieter yet firmer.

Tim falls back into his seat and crosses his arms to stare at you.

“You can blame me if you want,” you offer. “But it won’t change anything. Twelve people are dead because of me.”

“Then why is my rookie still patrolling the streets of LA looking for the man your team decided did this? Hotch here covering for you again?” Tim challenges.

“Shut up,” Hotch says as he sits beside you, across the Table from Tim.

“Kenneth Adamson,” you say. “Do you have any idea of what he did?”

“Fired you for taking the easy way out when you decided you didn’t want to be a cop anymore?”

“Intimidated me,” you reply. “Got indicted for it, but it was never made public knowledge because ‘he was facing enough personal and professional issues for the widespread results of his corruption.’ Good excuse, right? Tim, I happened to be the person who put cuffs on Alexander Riley and allowed his delusion to take over. I didn’t mean to turn him into a serial killer, but I still feel like I have blood on my hands.”

“Wait,” Tim requests, raising his hand. “Adamson intimidated you?”

“Yes.”

“You could have told me.”

You scoff, and Hotch raises his brows. “Like you would have believed me,” you reply.

Tim leans across the table, ignoring how Hotch moves closer to you, protective and ready to finish this case.

“He intimidated me too,” Tim confesses. “We should have told each other, but we messed up, and I’m sorry for that. Adamson was going to tell IA about something I did in the Army and twist it to get me fired if I didn’t find a way to get you off the force. Then you suddenly stopped trying and I thought… I guess I didn’t think about it, or I would’ve seen it.”

You look at Hotch, who shrugs. There likely isn’t proof that Adamson did to Tim what he did to you, but you have to make a choice. You can believe Tim Bradford or walk away.

“I caught him stealing evidence,” you say. “Skimming money from scenes before CSI got there, pulling jewelry from robbed houses, little things he didn’t think anyone would miss. When I saw him outright lie to a victim who only wanted her late mother’s locket back, I said something. And he was going to make my life a waking hell for it. So, I did what he asked and threw away my career.”

“I’m sorry.”

“I don’t want your apologies, Tim. I want you to help me find Alexander Riley and put cuffs on him before he goes after another innocent person, because there is nothing to stop him from progressing to killing cops he sees as corrupt. We kept it from the other officers because of that, so please don’t make me regret trusting you.”

Tim nods and murmurs another apology. You read his lips as he says it, and when Hotch stands, you’re prepared to accept it.

“One more out of line comment and you’re off this task force, Officer Bradford,” Hotch says as he buttons his blazer.

“Yes, sir. I’ll do everything I can to assist you.”

“Do you know why Riley would have used your name as a cursed wanderer in Liza Renner’s novella?” you ask, standing beside Hotch.

“Cursed wanderer?” Tim repeats.

“Remorseful, unabsolved character tormented by their fate and their actions.”

“He must not remember you well,” Hotch tells Tim.

“He’s not a very good writer,” Spencer mutters as he flips the page of one of Alexander Riley’s novellas.

“Maybe we should find a way to charge him for that too,” Derek grumbles. “I mean, ‘Tim Bradford carried the weight of his sins, heavier than the Kevlar on his chest. Each day he was forced to face the memories of how he’d failed his partner, the only woman he may ever love, but would never deserve.’ That’s awful.”

You and Tim turn to face each other quickly, each wondering if you heard what Derek read correctly.

“Derek, does that- when you read it, does it seem like he’s saying his partner is the only woman he’d ever love? Same person?” you ask.

“Yeah. You.”

“That’s what I got too,” JJ agrees. “There’s characters in the third novella that look exactly like the two of you, but they’re married. Doomed by the narrative to watch each other die, but…”

“Are there characters like that in all of them?” Hotch asks.

The sound of papers flipping precedes several firm answers of “Yes.”

“They always die?” you add. “But he doesn’t know. He sees a relationship that isn’t there.”

Tim doesn’t say anything, but you ignore him as you ask JJ to use her laptop. After signing in to your email, you pull up the scans Penelope sent you from the books in your office.

“In the clutch of circumstance I have not winced nor cried aloud. Under the bludgeoning of chance my head is bloody, but unbowed,” you read. “Black as the pit from pole to pole.”

“Are you gonna explain it or is this like Jeopardy?” Derek questions.

“He doesn’t portray our characters as corrupt,” you cheer. “We’re unfortunate, ‘doomed by the narrative’ players in a bigger game. I need the newest novella, the extra one from the double homicide scene.”

Wade knocks on the open door as you look through the evidence boxes on the table. He glances between you and Bradford before he asks, “Have any of you heard from Lopez and West?”

“They’re revisiting the last scene,” Hotch says. “They haven’t checked in?”

“Not recently.”

Tim looks at you, and when you meet his eyes, he offers, “We’ll find them.”

“Be careful,” Wade implores. “And keep me updated.”

“Can you do me a favor?” you ask.

“Anything,” JJ and Derek answer together.

“Look for any sign of restoration or avenging. It’ll probably be in the first novella, but I need to know if my character in his story is avenged somehow.”

“Revenge is a psychological response to wounds from others,” Spencer says. “Why would he be motivated to retaliate and justify this level of violence for you, if you’re the one who did wrong?”

“I think he may have changed his motives after Keith Adamson was indicted. If you find something, let me know, if not, Hotch probably has a better idea.”

You follow Tim to an unmarked car and ride in the passenger seat like you’ve pressed play after seven long years of having this part of your life on pause. Somehow, it feels better than before.

Tim's radio crackles as he makes the last turn to reach the crime scene.

“07-Adam-07,” Angela radios. “Sergeant Bradford, contact on channel 3.”

Tim changes the dial to channel 5 as he slows on the curb. You point to the dial, and he raises a thumb to tell you it wasn’t an accident.

“07-Adam-19,” he replies. “Go ahead, Lopez.”

“I think we found something that might be helpful to the detectives. Meet me at the scene and see if you agree?”

“I was already on the way. To tell you the truth, I don’t trust the feds. ETA two minutes.”

Tim returns his radio to the dash and then sits back to wait.

“Don’t trust the feds, huh?” you ask, smiling as he rolls his eyes.

“You really think he realized we were just as aggrieved as him?” Tim asks.

“Big word,” you murmur before dodging Tim’s weak backhand. “Why else would he keep us in the grand story he’s trying to write?”

“You said your character died in the new one.”

“All I saw was my name. I made an assumption without enough evidence. It was stupid.”

“Welcome to the club.”

Your phone buzzes, and you shake your head as you read the message from Penelope. “FBI tech guru Garcia hacked into the house’s security system. She’s got cameras inside. Riley has Lopez and West holed up in the master bathroom. My team and your watch commander are watching, ready to breach if this doesn’t go well.”

“You think it will?”

“I think Derek is going to be very mad after I do something reckless. That’s how it usually goes.”

Tim clears his throat awkwardly, then asks, “Are you and Morgan…?”

“No,” you answer with a laugh. “He’s just one of the many protective men I work with.”

“It’s been a minute and a half,” Tim says, changing the subject and breathing a little easier. “Are you ready?”

“I hope so.”

You exit the passenger seat as Tim pops the trunk. He passes you an LAPD bulletproof vest and a standard-issue belt to help you look more like a cop and less like a fed. After pulling the vest over your head, you struggle to get the belt in place beneath it. Tim gently takes it from you, his hands moving carefully around your waist as he clips the tactical buckle and slides the gun holster to its correct position.

“Thanks,” you whisper as he straightens, mere inches from you.

Tim drops his hands away from your sides but doesn’t move away. “Channel 3 is Lopez’s code,” he explains. “She only uses it when something’s wrong.”

Your phone buzzes again, and you turn away from Tim to answer it. “Hello?”

“Riley is armed,” Hotch says. “He’s got Lopez and West in the master bedroom on the ground floor. They’re uninjured, but he’s fidgety.”

“Did Derek ask Spencer about the bomb?”

“He did,” Spencer replies. Hotch’s phone is likely on speaker, and you turn your phone to allow Tim to hear too. “The bomb schematics were for a very closed-in space… like the townhouse you’re about to go into. It’s not incredibly enclosed, but given that Riley has issues with control, it could be a manifestation of claustrophobia. If his anxiety has caused a fear of enclosed spaces, based on the fear of losing control in those spaces, then he may be attempting to overcome that by giving himself power in the situation.”

“Could he be a cleithrophobe?” Tim wonders.

“What is that?” Derek asks, and you can imagine him looking around Wade’s office.

“I haven’t seen evidence of it,” Spencer answers. “He doesn’t seem to mind being closed in; the murders in the townhouse didn’t seem to affect him, but he is clearly concerned with power, control, and the hierarchy of those. It relates more to claustrophobia. Though I wouldn’t advise locking any doors to test it.”

You hang up suddenly and gesture to the townhouse. Tim looks up in time to see the curtain in an upstairs room fall back into place. He takes the lead, walking to the door with purpose and his hand on his gun. You follow him and look around the front porch for any sign that Riley is planning to kill anyone today.

Tim pushes the door open carefully, nodding to tell you it is unlocked before Angela calls his name. The novella with your name in it is still by the bookcase, and you remove it from the evidence bag and slide it under your vest. You trade places with Tim, going up the stairs first as he covers you. At the top of the landing, Alexander Riley steps out into the hallway with a gun strapped around his shoulders.

“You made it,” he says.

“We’re here to help, Riley,” you explain softly, holding your hands where he can see them. “You know that.”

He nods before jerking his head toward the doorway. You walk past him and stop in the center of the bedroom, scanning Angela and Jackson for any wounds. Luckily, they appear to be fine other than the handcuffs secured around their wrists.

“What’s the plan here?” Tim asks. “Not much room for error, Mr. Riley.”

“Give me your gun,” Alexander replies, holding his rifle with one hand as he extends the other toward Tim.

Tim complies, but his glance at you is a clear communication to not surrender your FBI-issued piece.

“Against the wall,” Alexander tells Tim. “You’re right, there isn’t room for error. But I’m prepared. I’ve been preparing since I lost everything.”

Tim sits against the wall, less than a foot from Angela. Alexander turns toward you, and his gaze softens. You were right, it seems. Alexander Riley has a soft spot for you; he thinks you’re like him, wronged by corruption and abused power, and you’re going to work that soft spot until he’s in cuffs.

“Take your vest off,” he requests. “Please.”

You don’t move but look pointedly at his gun before raising your eyes to his face.

“I won’t hurt you.”

Despite your instinct to refuse, to call in the cavalry and help Tim incapacitate the killer before you, there is too much at stake, and the longer you’re compliant, the longer Riley will keep everyone alive. So, you pull the vest over your head, not bothering to catch the novella as it falls to the floor, the blood on the cover contrasting the neutral carpet below your feet.

Back at the station, Hotch clenches his jaw as you open yourself to Riley, and Derek says, “Don’t do it… I might kill her for that.”

“You wrote it, right?” you ask, gesturing toward the stapled manuscript. “You wrote all of them.”

Riley fidgets, then nods.

You step toward him, keeping your expression soft and conveying understanding as you add, “I read some of them. They’re good, Alex. Can I call you Alex, or do you go by something else?”

“Alex is fine,” he replies, whispering your name under his breath like a prayer.

Tim shifts as Alexander’s attention changes slightly, morphing from a fierce protector into someone who wants to be by your side after you’ve been saved. You don’t spare a glance toward Tim, and for a brief moment, he wonders where you learned to do this. Then reality crashes back in like a wave that knocks Tim off his feet, the reminder that he could have taught you if he hadn’t let Keith Adamson get to him.

“In Brightest Day, you wrote a character who was a young cop, naïve and desperate to do the best thing,” you continue. “Who was she?”

“You know who,” Alex mutters.

You smile and ask, “Was I in all of them?”

“Of course.”

“That’s why you went to my old apartment before you sent the message to my friend in the FBI? Because I’m part of this? No, because you’re improving the character, right?”

“You were so far away,” he whispers.

“Alex, did you learn how to code just to talk to me?” you inquire softly.

He nods, then looks to the novella at your feet. The toes of your boots are inches from the paper, and his mouth twitches like he wants you away from it.

“Kick it,” he demands.

“Why? It’s art, it’s part of your soul,” you argue.

“Kick it.”

Tim nods in your peripheral, and you swallow before kicking it toward the door. Alex doesn’t hesitate to shoot the paper. You turn away from the noise, covering your ears even though it’s too late to keep your head from pounding. As the noise fades and your hearing returns, you see the shredded paper surrounding the hole in the floor.

“How does the story end, Alex?” you ask, stepping toward him again. “Are you like the truck drivers in Animal Farm? The cursed wanderer in Render Down you wrote for Liza? Or are you some new character that only cares about usurping the power for yourself?”

“It was never about me!” he replies, louder than you’ve heard him before. He softens his voice to repeat, “Never.”

“She was mine first,” Tim interjects suddenly.

Alex spins on his heel, the barrel of his rifle rising as he faces Tim. You shake your head wildly, desperate to stop him from saying something that will make Alex pull the trigger again. Angela looks down quickly, and you see her gun beneath the bed. As Alex’s chest heaves, his eyes locked unblinking on Tim’s, you move closer to the weapon, to Alex, and to freedom where you all walk out of here alive.

“I was saving her!” Alex roars. “From corruption, from Adamson, from you!”

“Adamson is the only one who hurt her,” Tim argues.

“February 17, 2017. You took your rookie to a noise disturbance call, and when you got there, four stupid young men were looting a flooded store during a break in the storms. She handcuffed one of them, but the rest ran. Then… then you started yelling at her, blaming her for all of it. While you were busy berating her, the other man ran with the handcuffs. I got away, but the power, the corruption, the greed was all getting to be too much. We hurt the owner because she was too worried about not getting insurance money for the water damage to empty out the register.”

“Something changed,” you say from beside Riley.

He doesn’t move away from Tim but stops talking to listen.

“In the first novella, it was you and me, wasn’t it? You wanted to make a new world together, save me from the love you thought would corrupt me.”

“Adamson used you too,” Alex tells Tim. “I made room for you to come with us and this is how you repay me? Chasing me for making things better. You’re back where you started.”

“Maybe now isn’t the time to act,” Jackson West says. “What if the world could’ve healed on its own and the people you killed might have helped?”

“Fool! They’ve gotten to you, too.”

As Alex’s finger slides onto the trigger, he turns toward Jackson. You don’t hesitate to lunge forward, closing the distance between yourself and Alexander. While you tackle him to the floor, he squeezes the trigger, and the shot rings through the now-silent townhouse and seems to echo for hours as your team watches in horror.

Tim pulls the handcuff key from his belt and passes it to Angela before he crawls on his hands and knees to reach you.

“I hope somebody got scans of that novella before he shot it,” you groan as you sit up.

Tim sighs, taking your face in his hands as he wipes blood from your temple.

“Is his writing really that good?” Jackson asks as he stands.

“It’s a little preachy,” you reply with a smile.

Your phone rings, and you swipe the screen to answer, then immediately hang up.

“That was your boss,” Tim points out.

“He can yell at me when he gets here.”

“Alexander Riley has been charged in the deaths of twelve Los Angeles residents,” JJ says at the press conference the morning after your encounter with Alex. “His victims include Janice Davis, Gregory Hunter, Bryce Keller, Hank Sheller, Peter Bristol, Liza Renner, Mel Houghton, Destiny Crest, Angelica Thomson, Alissa Alvarez, and Jack and Cassidy Wilson. Nearly three dozen cold cases are now being reopened, and the FBI’s Behavioral Analysis Unit supports the LAPD’s claim that Riley could have committed these crimes as well. I’ll welcome any questions at this time.”

You scrunch your nose from the side, resisting the urge to remove the bandage on your forehead. Tim stands beside you, watching you.

Tim notices that the bandage is loose but doesn’t move before Hotch warns, “Don’t do anything in the public view that you don’t want to get out and give Riley a chance at walking.”

When the conference ends, Derek sighs and walks past Hotch to return to the hotel and pack. As he approaches you, he smiles and says, “And you didn’t want to come because I can’t help, and LA is too sunny.”

You try to punch Derek for his poor impression of you but miss as he breaks into a jog. Shaking your head, you turn to Tim and prepare a joke about how you don’t sound like that. Tim’s serious expression stops you, though.

“You didn’t think you could help?” he asks. “You were going to be an amazing cop, and I regret playing a part in taking that opportunity from you.”

You shrug and respond, “I like the FBI, and I got to tackle a murderer, so it all worked out.”

“Yeah,” Lucy interrupts, walking to your side. “But now you have to go back to Virginia.”

“Thank you,” Wade says, stopping at your side. “Come back soon, okay?”

You smile as he hands you a paper. As you read it, you sigh, then shove it into your pocket. The email came in this morning telling all active FBI agents about the new tactical unit, one which will work closely with the BAU. They’re actively recruiting, but if you tell Tim, you’re asking him to choose between you and the job again, and you can’t do that to him. Asking Tim to leave LA would be cruel, you think, so you force a smile onto your face.

“Thank you for everything,” you tell him. “Especially the part where you saved my life and the apology. I’ll try not to stay gone so long this time.”

Tim nods, and you smile at Lucy before following your team. He watches you walk away, ignores Lucy’s encouragement for him to chase you, and waits until you leave to whisper what he wants to say. But Tim lost his chance again. Worse, he lost you again.

Two Weeks Later

“Which one of you wants to die first?” the armed suspect asks, swinging his curved meat hook between you and Spencer.

“Probably you, right?” you whisper. “You know, my blood’ll be on it if he kills me first.”

“The mean value of Staphylococcus aureus in raw meat is 3.84 in a butcher shop,” Spencer replies. “I don’t know where that thing has been. At least your blood has been relatively well contained. And any amount of water on that thing increases the number of bacterial specimens transferred from the meat surface.”

The metal door of the meat locker blows open suddenly, and when the butcher before you turns to see what caused the noise, two men in tactical uniforms subdue him and confiscate the meat hook. Spencer rushes out of the facility, and you watch as the new FBI team takes your suspect into custody.

“I could have done that,” you complain.

“Sure you could, boot,” one of the men says, his voice muffled by the helmet.

You look toward him with your eyebrows raised. He takes his helmet off, and your jaw drops. Tim Bradford.

Smiling, you step toward him with questions racing in your mind, but he extends a gloved hand, holding it against your waist to stop you as he whispers, “Morgan has cameras everywhere.”

As you walk into the BAU bullpen together, Hotch looks up from a paper. He looks at you, then Tim, then back to you, and smiles. With wide eyes, you hide behind Tim’s shoulder, unsure what a Hotch smile could mean in this particular circumstance.

“We’re wheels up to Los Angeles in forty-five,” Hotch says.

“Why?” you ask, stepping out from behind Tim.

“There’s a domestic terrorist leaving Shakespeare at foreign-owned businesses hours before they’re bombed or become mass murder scenes.”

You nod, but before you can speak, Derek calls, “Bring Bradford! We could use the Army experience.”

Hotch narrows his eyes at Tim, then shrugs and agrees.

“Good, good,” you mumble, wrapping your hands around Tim’s arms. “I’ll show him the ropes then and we’ll be back in thirty.”

“Please do.”

You quickly forget the ropes as you drag Tim into Penelope’s empty office. He smiles and prepares to ask what this has to do with terrorism, but you slide your hands onto his jaw and kiss Tim. Finally. Tim's hands meet your waist, and he pulls you closer as he kisses you, both of you melting into one another and getting lost in the moment you’ve waited so long for. When you pull back, Tim keeps you close, smiling like he’s seeing you clearly for the first time, though he’s known your heart and potential for nearly a decade.

A quiet gasp draws your attention, and you both look to the door as Penelope says, “I’m telling Chocolate Thunder!”

[therelentless]

drop one of these "🩸" in the replies of this post, if you're more than ok with me tagging you in the most random & unprompted (mostly short) starters. of course, always with the understanding that you might not reply to it soon or never for w/e reason. bye.

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.