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anarmel · 2 years ago

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hiya! just wanted to say i ADORE your dnd au for stranger things it is so captivating to see each art piece you've created (⁠≧⁠▽⁠≦⁠)

can i ask if there's any little headcanons or plotlines you'd be willing to share about it? I'd love to hear more but totally understand if not (⁠人⁠*⁠´⁠∀⁠｀⁠) either way i appreciate the work you do!!!

Thank you for your kind words!(i read ALL tags) And sorry it took me so long I’m bad at writing hope you’re still interested)

I have entirely too much in my head for this AU and it’s ever evolving but I’m dog at writing stuff down because my brain gets like scrambled so I always forget what I want or write down and english is not my native language so my writing is blunt and sometimes i don’t have the right words for concepts i want to communicate and I overall suck at communicating but I do want to share something about this AU with someone who appreciates it so I will try)

This is my continent map and planar map for this AU because every official planar map in DnD is too unnecessary complex for my type of worldbuild:

This table is my basic ideas and info on characters (i change it all the time because I’m inconsistent and have new ideas every week) and I fucking love multiclassing it’s more storytelly

And i have a Pinterest board for this AU with visual clues and inspiration for the characters if you want to get a feel for that take a look: Link

Worldbuilding and character ideas(completely too long wall of text but I attached some old sketches for paragraph breaks):

Worldbuilding portion

I usually don’t like to put racism in my fantasy scenarios but The Empire is based on America with all the colonization and racism and all that so its there (reason: ST has too much themes that are purely American and if you take them out it’s kinda unrecognizable and some characters lose some experiences that effect their characteristic and choices they make. And the world needs to feel violently bigoted and secretive with governments that lie and do terrible things) but don’t look for direct correlation to real events. it’s like heavily inspired by America. i don’t want to erase racism and white supremacy and how it effects most if not all characters.

This Empire is under one of god pantheon(most of the faerunian pantheon with some exceptions). As one if the main worshiped gods that effect the story I chose Torm(the god of duty, loyalty, righteousness, obedience and law) and Bahamut(the dragon god of justice and a subservient deity to Torm). Empires are so greatly represented by dragons: massive gold hoarding uncontrollable and unstoppable and really hard to defeat. And because I want Tiamat dragon cults in the story. The list of allowed worship is limited some gods are outlawed some are just weird to worship and looked down upon. Most gods that are law and order based are great to worship

The Empire came as an expansion of an already existing Empire that represents one pantheon of gods that were at war with the Fey pantheon of gods and mortal rulers are continuing this expansion on mortal plane(even if mortal plane is abandoned and neglected by the gods). During war most Gates that connected Feywild with the Mortal plane were destroyed and in their place “Divine” Gates were built. The War of Establishment ended 200 years ago

The way my gods/worshiper interaction works is not as direct as I’ve seen in other campaigns. Paladins/Clerics get their power through tapping into residual celestial power that is left on mortal plane after calamity battles many ages ago and more advanced Paladins/Clerics can tap into celestial plane directly and it’s very rare for a god to communicate with their worshipers.

Empire general attitude towards different races(fantasy racism part… it’s worldbuilding okay):

Aasimar is the most respected race imbued with the divine blood most of the royals are Aasimar. Highest standing in society

Goliath are historically the giants that are the protectors of the divine. They are given opportunities other races are not. High standing in society

Humans are the basics as always. They have their hand in every pot.Mixed standing in society

Halflings were always a part of the empire. Infantilised in larger society. Mixed standing in society

Anything Fey is perceived as weird and inhuman and often fey magic and creatures are blamed for all manner of mischief and ills, ranging from petty vandalism and theft to outright murder and kidnapping.

But there’s a distinct difference between every elf group

High-elven culture is the one of the biggest ones that was crushed by the empire. Empire is built on elven ruins. Elves that didn’t escape to Feywild earned their keep in the empire by being great merchants because they knew to local surroundings and had established goods production and even with inter planar fey gates destroyed some elves had trade connections in Feywild. Being there from the beginning of the empire given some High Elves really high standing in society and more opportunities to build up their capital but at the cost of abandoning or suppressing their culture. Material plane High elves have purple/pink blood and similar skin under tones medium pointy ears(from living in the material plane for a while) Mostly culturally integrated. Mixed standing in society

Wood Elves mostly come from Beast Lands plane that lays between material plane and the Feywild and when empire conquest reached Feywild they stopped their war expansion on woods and wanted to build more of business relationship with the faerie court and the faerie court doesn’t care about the rogue elf tribes of Beast Lands that are being misplaced because they see the benefits of empire as a reluctant alliance instead of an enemy even if fey believe they could win the war if it comes to that . The Empire use the kidnapped elves as the laborers to build new empire cities across the continent. Wood elves have a distinct green skin undertones, green blood and large pointy leaf-like ears that make a Great War trophy and bringing a few souvenirs a soldier can show of is not that looked down upon. And high elves on large don’t associate with wood elves they are both seen as fey but different in “usefulness” in society. So wood elves have a low standing in the society but it’s slowly starting to change in some parts of the empire

Eladrin native to the Feywild and mostly are not present on the material plane and seen as distant trade partners.

Other elves(astral, aquatic, drow)exist but are not seen inside the empire

Gnomes is the other race that was native to the land the Empire took over they are integrated as the high elves and seen for their innovations and trade. But also they’re infantilised in society of larger races and sometimes are not seen as a full person but as cute creatures who are mostly helpful to bigger races. Mixed standing in society

Dwarfs mostly live underground in stone cities. I like Dragon Age lore for dwarfs so I’m incorporating it. True Dwarfs are not permitted to see the sky and those who do are considered sky walkers and still can serve as merchants of dwarven goods to the surface or can just go live as they want on the surface but they will never be considered true dwarfs and are not permitted in places of under mount worship of the Morndinsamman. They are not a part of the empire even if the mountains are on empire territory. Mostly seen as trade partners

Most of genasi populating empire are mixed. Air and earth genasi are the more accepted. Fire and water are not as much. Mixed status

Different Main Genasi tribes set up close to their respective elemental planar gates but those tribes all really different.

Air genasi mainly have a cloud city surrounding their gate populated by other avians but also have travel tribes that travel on cloud settlements.

Fire genasi are mainly nomadic with some preferring to live in a settlement near their gate it is considered their home base and if a fire genasi was outside it’s tradition to make their way to the gate at least once in their life

Earth genasi mainly have a permanent home under the mountain near their gate the city is populated by some dwarfs and rock gnomes

Water genasi live near their gate that is surrounded by mostly underwater country (enter a fantasy name for Soviet Union here)(?TSAR?) populated by aquatic elves, tortles, merfolk, tritons, simic hybrids and vedalken

Firbolgs are mostly nomadic small tribes and lived close to the fey gates so a lot of them were massacred during the war and there’s not much of them left. Perceived as fey and mostly forgotten because they live outside of cities.

Any half breed is looked down upon. A little anti-miscegenation in the mix to this horrible prejudiced bigoted world(just like the real one)

There’s also magic and class(DnD) discrimination

Any Divine and Radiant magic is praised so most of paladins clerics and monks are thought highly of in society

Any nature magic is looked down upon ether it be too fey of holistic and barbaric in the eyes of the divine

Barbarians if not zealots for the right gods or have right ancestors are barbaric and looked down upon

Sorcerers are usually put through governmental evaluations to find out their levels of danger those who deemed too dangerous go into maximum security prisons or are simply executed,those deemed controllable go into an educational program(less strict prison). Any sorcerer magic can only be used under strict control of a sorcerer’s keeper appointed by government.

Wizards studies and education mostly are behind walls of magistrates that operate separately from other government controlled magic institutes but for the greatness of the Empire. Arcane magic is controlled but not as strictly as sorcery

For Wizards to deepen their studies of magic there’s one option walls of magistrate a separate arm of the government specialized in arcane magics. Arcane magic is controlled but not as strictly as sorcery because it’s considered an intellectual and intelligent magic

Artificers are the inventors and move the world forward. Government gives grants to institutions of artificers for development of weapons and transportation for people without magic and such

Necrotic and blood magic is prohibited and outlawed

Character stuff(most of it is just like a starting position in the story that will never be)

Byers family. I wanted to make Joyce a merchant but then I came up with the idea of them being a grave keeper family for an old eleven graveyard, being just poor in fantasy settings is not enough for stigma they get (the monarchy class system is just too different everyone’s poor but the selected few…well not different at all but I wanted something different and more fantastical).

Joyce after escaping her abusive husband stared working for an old elven lady that owned the graveyard and not having any family of her own she let Joyce and her boys live on the property and when she left the mortal plane she left the graveyard to the Byers family. So in this world there’s a lot of stigma around anything fey but high elves are more integrated into society and Byers family looking over a spooky scary creepy and ancient fey graveyard filled with old dying magical remains can make the family ostracized and it brings a somber tone and a death theme to back up Wills story. Because usually grave keepers task is to make sure the dead stay dead and don’t turn undead. And Will is kind of undead after his stint in the upside down and that is his one more secret from his family and friends (I want a more magical and powers related secret for will to struggle with).

And Jonathan’s first iteration was a Chronurgy Wizard because I wanted to play with the theme of him capturing moments in time (like photos) but more I thought about him he is such a rogue and there’s Phantom Rogue that has an interesting trinkets system that you get by capturing souls of your defeated foes still has the same idea of moments being captured in a still object but Assassin suits too so idk. Maybe I should have made Byers Shadar-Kai instead of High elves. Maybe they as a family need a rewrite???

Hopper’s story is similar to canon grew up in Hawkins moved to a big city (W.D.C) for opportunity. Low standing Goliath have an opportunity to earn status through Arena (gladiator fights). Got married. And after losing his child and divorce he transferred back to his old town with status that earned him a position of chief.

El and Henry are both kalashtar (a compound race created from the union of humanity and renegade spirits from the plane of dreams(limbo)– spirits called quori) with the appearance of astral elves to play into the themes of alienness (E.T. glowing fingers and long glowing ears). A big meteor struck near Fort Hawkins and The Empire researchers stumbled upon a lost child named Henry (astral drifter who only looks young) that possessed powers that they wanted to research and use as potential weapons (like they use ordinary sorcerers). After some years of research Henry showed scientists where they can find more power. A research group with a military support was sent into the Astral plane they returned with several adult war prisoners and the experiments jumped a few levels in cruelty. Most “Main Experiment” children were bred and grown in a lab. Events that happen at the lab resemble what happens in the show. Some sketches of El and Henry I didn’t land yet on design that is set in stone (I don’t like how I draw their quori too literal):

Steve’s family is royalty. His dad is a king of the smallest province named Indwarim with the sit of power being in Fort Hawkins which is still not the biggest town it’s small and underdeveloped and was mostly built to separate the gate to Beast Lands from the Capital it doesn’t even have a “Divine” Gate (gate system that connects main cities of The Empire). The King of Indwarim is not known for spending time in his seat of power leaving it in the hands of his council and expects his son to take over his small province while he gets close to the emperor and climbs the social ladder closer to real seat power (Whitheirion Divine Court).

Steve is fond of all attention and admiration his royal blood and divine blessing brings but all his life he felt inadequate, people respect him for the things that were given to him by birth right and nothing he did or deserve. But who is he to complain about the easy life he lives so he enjoys all the positive attention that he can get and lets people bask in his light even if deep down he knows all they want is a crumb of prestige and power befriending a royal can give, Steve has never met a genuine person in his circles so he assumes that all people are like that everyone plays their part of court theater. Steve has his own masks so he understands them. He always had people around him that tailored him to their expectations and that keep him in check. In social circles he paints a picture of a royal you can find at all the parties that are worth attending with new arm candy every time, all masked in charm and light conversation, all surface no depth, not an intellectual but at least he’s martially gifted. He’s not fit for the system but plays it enough for it to benefit him, he’s not going to stand up to it. He doesn’t know who he is without others making him.

And I want Steve to have some kind of insecurity where he thinks he’s useless without his legendary weapon which is a stolen fey artifact that was claimed by empire and now one of Harrington’s family heirlooms (which Steve doesn’t know for a while) and later in the story he will return it where it belongs because it’s a right thing to do even if it strips him of his additional powers. (Some inspiration characters for D&D!Steve are King Arthur, Stella(Winx), Fjord(CR))

Robin is a miracle child to her older parents. They loved their little girl and given her all that they could while running a small but successful tailoring shop. I did make Robins parents fantasy hippies while well-meaning they appropriate the culture of fey creatures but don’t struggle with the stigma around it since they themselves are not fey and even benefit from it in their business because their designs perceived as exotic and “new”.

At 12 Robin come to realization that something is off about her and there’s things that happen to her that don’t happen to people around her and the desire to find out what’s wrong with her took her to the library and there she stayed studying anything that took her scattered interest. Meanwhile her parents put her into a music studies and Robin even gets to play at royal court a few times.

At 14 she come to the conclusion that she is a changeling a myth a child swap of the fey and since then she felt like she truly doesn’t belong in her family and believes that if her parents found out they would stop loving her and disown her. She keeps up her mask around her parents and doesn’t inform them about her discovery but unknowingly she keeps distancing herself from her parents.

At 17 she requests to go into a new Starcourt research center to start studying magic more seriously and spends most of her time as a scribe and even going on expeditions into the sea and forgetting her musical studies. At the Starcourt she meets prince Steve not for the first time who was sent to the magistrate to “learn humility and to appreciate his divine gifts properly and maybe it will make you more intelligent, Steve” and then it kind of follows the shows events. Some Robin sketches and a design of her parents that I’m not sure about they need to look older I think:

Eddie is a child of a warlock pirate and an elven druid. He’s a tiefling because of his father’s infernal contract that affect him physically.

In his early years he mainly lived with his mother on land with his father’s rare visits but one day his mom just didn’t return home (I want it to be ambiguous did she get into a situation and died or got murdered or raising a tiefling child alone without support in a judgment filled town got to her and she decided to run away from it? who knows? not Eddie that’s for sure and sometimes not knowing is worse especially when you have overactive imagination) Eddie is at home alone for several weeks afraid to leave and sleeps for most of the time to repress hunger. That is the state his father finds him in and has to nurse him back to health and they live on land for a month but living a stable life was never in the cards for Eddie’s dad so he decides that Eddie is mature enough to follow him in his adventures and learn what it means to be a true son of a pirate. His father has an ego and sees Eddie as a continuation of himself and his power but he does love him but never more than himself his freedom or his pursuits. Every time Eddie is trying to bring up his mother his father shuts him down like he doesn’t want to think about whatever happen to her, like she’s not here let’s move on kind of attitude. so no closure there.

When Eddie is around 10 his father goes to visit his brother with Eddie in tow for the first time. The relationship is strenuous but a favor his father asks of Wayne is just to look after Eddie when he’s gone on a big job that will change their lives. His father never returns. Eddie lives with Wayne and he feels like a burden to this man who didn’t even knew he existed several weeks ago. Wayne is a matter of fact battle hardened tough guy that was trying to find his stability after years of service (he was in an expedition to the astral sea among other things he did in the military) Wayne after his years as a sailor was recruited into a government sponsored mercenary group and he mainly joined to lift himself and his brother out of poverty while his brother chose a different path to that same goal. While in service his needs were accommodated but after the system has abandoned him with trauma and not as much money as he was promised. But with that money he got himself a small house in the least developed province of Indwarim on the outskirts of Fort Hawkins in an area named Forest Hills and got himself a job as miner the only job available to him. His settled life gets interrupted by his brother and his grand plans for a better life but this time he doesn’t try to bring him into it all he asks is to take care of his child for a while and that Wayne can do. Even if that while turns to years he’s not that bothered the child is endearing and if both of his parents are not there for him his uncle will step in as a parental figure to the best of his ability.

Oh and for his shaved off horn he has thousands of stories about that and he will NEVER admit that it was him at 13 childishly coming to a conclusion that his horns one of the main reasons he is different and rejected by society he wanted them off he wanted to look more like his uncle he wanted to fit in he wants the snide comments and dirty looks toward their family to stop. But not only was it painful as soon as he saw himself in a mirror he knew he made an awful impulsive mistake. He wants to hide it from Wayne for as long as he can so naturally as soon as Wayne gets home from his night shift he finds out. He sits Eddie down and struggles how to fully communicate to his kid that we are dealt a certain hand in life and we got to play it to its fullest potential and that his uniqueness only makes him that unique and people who don't see it through their prejudices they are the ones that are missing out. Uncle of the year. But Eddie being a kid takes it a little differently and just changes up his tactic of shielding himself. He cranks up his "uniqueness" to a 1000% and to be bigger scarier more attention garbing more repulsive than he is so no one would even try to go after him and his out of fear of consequences. He finds other street kids like him and they form a group power in numbers as they say. Hell Fire is formed.

When Eddie is around 14 years of age and alone at home old associate of his father Reefer Rick appears on their doorstep to inquire about money that his father owns to him and how will he get it when that fucker got himself imprisoned which is the first time Eddie hears the reason for his father’s absence. As Rick is mostly a smuggler and not a distributor he recruits Eddie for his plan to get his money without unnecessary harassment of his uncle and for Eddie to make some gold of his own all and all Rick know the kid and he's scrappy. All Eddie needs to do at first is leave some packages in particular places but if he wants to make more he has to get proactive and get new clients. And Eddie does want more in as he thinks the more gold he can make the more he will help to alleviate Wayne’s burden and Wayne doesn’t even need to know (Wayne will know really soon). And to make the most of his new gig he takes his bard troupe Corroded Coffin to the court as jesters and while entertaining the stuck up upper classes he makes a few sales.

Wheeler family is quite a wealthy family with their father working in some governmental transportation bureau and their mother being a stay at home mom.

Nancy became a small time volunteer agent to The Harpers the faction that she believes is good for the world at 14 as soon as she, by the power of her father's station, was allowed at court to find a husband and just live that court gossip live. Even that young she has her believes in order but she’s still a young girl who wants to live out her girlhood and build a good life for herself but that dream crushes when her best friend disappears under some suspicious circumstances and is presumed dead. Nancy's pursuit for truth takes over her life and she starts uncovering something bigger than court gossip something that she cannot take on alone even if she wishes she could. Armed with a gun that Barbara made for her and her strong principles she falls into a world of governments secretive experiments and what they lead to.

Mike…oh Mike he’s such a hard character for me to nail down. I saw a lot of people making him a paladin and I get that he plays a character that’s a paladin in the show but if I were to give Mike as a character D&D stats charisma is will not be his highest but it’s my opinion. He and Will are still childhood friends they met at the graveyard when Mikes curiosity won over and he’s gone exploring we’re adults said not to and fell into a grave where Will found and rescued him and then they became besties. Mike is situated by his father to work for a house that will help him get into a higher society and he gets to be an errand boy some days. He meets Dustin and Lucas when one of those errands goes sour and after their little adventure he introduces his new friends to Will and they form their little adventuring party

Sinclair's are a family of wood elves which is already hard under rule of the Empire but they make do and father of the family even earned himself a respected position in his hunting guild so they have it better than some but still surrounded by a lot of stigma.

Lucas has gone on some scouting expeditions with his father and likes to explore the forest by himself developing his tracking and hunting skills. One time exploring on his own he noticed smoke and what is smoke without a forest fire and went to investigate. He saw a small dwarf and a big mechanical cat on fire. After Lucas helped to extinguish the Steel Defender he met the dwarf properly he found out his name is Dustin and that the fire was caused by a failed experiment he for some reason ran in the forest. They became fast friends both fascinated by each other’s experiences and lacking any other friendships they gravitated towards each other’s weirdness. When he’s older l would expand on his relationship with Patric who is the most integrated into empire society wood elf Lucas ever met and Patric is kind of his mentor and that’s how his cleric powers find him and Lucas joins the greater divine order. He enjoys his new station and it makes him feel more accepted so he doesn’t understand why his friends have to shut his new side down and make him the bad guy for exploring himself and finding his place in this horrible world. Divine power doesn’t make you a bad person but it’s powerful and most bad people seek power and it’s unfair that Lucas’s new found power diminished by his friends by putting him in the “other” box. His people were one of the most oppressed by divine powers that be and by joining the order he wants some of that power back he didn’t create this situation he’s only trying to survive in society as best as he can and find a better life for himself and everyone he loves. It’s not the power that’s bad it’s the application.

Erica is another one of the characters that is hard to nail down for me. At first I wanted for her to be a druid that pretends to be a cleric and maybe it’s an idea that is still alive but making her rogue/ranger/monk makes more sense to me but it has less narrative I think. Because she as a character has this unearned respect for the empire (based on the quote “You can’t spell America without Erica”) She too seeks acceptance but goes around that really differently to her brother. She’s larger than life boisterous bold and even if she is unwanted she will power through it and insert herself in a place that she thinks she does belong. Fake it till you make it as they say. She’s really protective of her family and will not listen for your negative opinion of her but she will hear it and will try really hard not to internalize it. She’s still a child yet doesn’t show weakness as she supposed to through her hard exterior shell. She’s charismatic and smart beyond her years and has a clever jab for every situation. And it’s no surprise that she has a side gig as a mysterious bounty hunter information gatherer she will get you all information you need on your target and you will never know that job was done by a child (imagine puss in boots in Shrek 2 situation) she has a little bit of a reputation for being efficient and anonymous.

Dustin is half mountain dwarf on his mother’s side half rock gnome on his father’s side. His parents met when his father who works for a wealthy jeweler was send with an expedition to discover precious minerals and gemstones for a supply chain but instead of finding new deposits they stumble upon an undrermount dwarven settlement where they established a business relationship with a local gem carver and Dustin’s father established a relationship with a daughter and an apprentice of said carver. They fell in love and Claudia decided follow her love and live her life on the surface leaving the undermount behind. She is really overwhelmed by the sun and the openness of the space but with support of her husband she has a beautiful time living in Fort Hawkins. Her husband recommends her to his employer as she has unique dwarven expertise and style of making jewelry and working with gems. They make decent money and decide to expand their little family. When their boy is three years of age the father of the family passes away in an unfortunate work incident while visiting a work site a rock slide happens and takes the lives of several workers. Claudia is inconsolable but she puts herself together for well-being of her child. But every year that passes it’s tougher for her to leave the house and she slowly becomes agoraphobic the surface becomes too much without support of her husband she already worked from home and her employer doesn’t care if she is the one making the trek to deliver her product to and request raw material be delivered with the same boy she send. She has unique product and it sells.(I don’t know fully why I made her agoraphobic but the idea of juxtaposition of Dustin’s mom always being at home and available but in an unhealthy and kind of smothering way but always loving and supportive to her child despite their struggles and Steve’s parents that are never home and absent in his life is interesting to me story-wise) Dustin himself is a little engineering genius creating his first fully realized Steel Defender at age 11 despite his intelligence he’s not taken seriously in small artificer circles of Hawkins even by children his own age because not only he’s an uncommon half-breed which grants him a weird standing in society by birth but also he’s of a “small” race and that infantilizes him further so he always striving to prove himself by being the smartest person in every room he’s in which sometimes makes him insufferable and more isolated. That’s until he meets Lucas who is interesting to talk to and who is not afraid to give him shit when he steps out of line.

Mayfield's and Hargrove's. Niel Hargrove is a human noble of province Calafia his family secured most of their power through a secret chromatic dragon worshiping society (a cult) and even there he managed to stand out as Tiamat cults are usually matriarchal and Niel is not that fond of women in power. Even his first wife who is of northern aasimar clan is kind of his prisoner. After her death he took in a second wife, widow of his fallen friend Sam Mayfield, because they all together started an experiment with dragon blood and a child that Susan bore and he needs to see that thru.

Billy is half aasimar which already makes him insecure from birth like he's incomplete and unfinished but still he is superior to so many so why do the unworthy get any power at all when they don't know how to use it and some powers should not exist at all. To enhance his martial prowess his father makes him get dragon blood tattoos and to activate them and enhance his rage he needs to consume more dragon blood and he is hooked on high of that power when it streams through his veins he feels on top of the world. He feels like a King. He deserves to be one.

Max is born and its already a train wreck. Some of dragon blood in her gives her a partially scaly skin but apart from that she still looks human. Her step father tells her about her greater purpose and she goes thru brutal training she is told its to make her stronger but it only making her exhausted bleeding and afraid and from a young age she learns not to share her fears or insecurities as they will be used against her. At 13 her power gets out of control when she unexpectedly got injured in a public space and the whole family is forced to move to not get discovered as blood magic users they lose a lot of material possessions but their noble status is intact but they need to start from scratch in Fort Hawkins. After that incident Max is strictly guarded by her step brother a situation that they are both not happy with. Even before losing control like that she struggled with her powers what they mean for her and how dangerous they are if she does purse them so she pivots into developing a more controlled way to channel them which does not make her family that happy.

Basic Story

It all leads to a battle against The Far Realm (a plane of madness situated very far from the planes of the standard cosmology. This maddening realm was feared for its power to twist unfortunate visitors into gruesome monsters, and it was from here that aberrations came). A plane that Henry discovered through his talent as an Astral Drifter (someone that has traveled the Astral Sea for so long that they have lost track of the amount of time they have spent there. Aging stops in Wildspace, and it is not hard for adventurers to get lost in time during their travels. Astral Drifters have traveled to the far-flung corners of Wildspace to satiate their wanderlust. Along the way, they have crossed paths with everything from petrified gods to unspeakable monsters) So Henry got warped and combined with his quori spirit and declared himself an Aberrant God and as a being of Far Realm he seeks to consume it all and be the only power in the multiverse and he will go about it in a way that will make it final. The Celestial plane is the hardest to penetrate so at first he tried to go thru outskirts planes but it didn't lead anywhere so he found a stable connection to a mortal plane the plane that is the most interconnected with others. Limbo is his weapon. Through the plane of dreams he can influence most beings on mortal plane. He is the voice in the dark. He is the premonition. He is inspiration that comes suddenly out of nowhere. He is the Dream of greatness. He is The Voice Of God.

But mostly it's just the events of the show through a very heavy D&D lens but like with more character exploration and preferably with a more cohesive story but that's just in my head its been my night time story to myself for a while now.

Hope you enjoyed reading thru this shitstorm and I hope it makes some sense)

#ask box #long post #stranger things d&d #stranger things dnd #stranger things #can you believe me when I say I never watched ST #it’s a show that is not for me personally #the shows main theme is nostalgia for the 80’#and it gets stuck in 80s tropes and doesn’t subvert them #it has decent beginnings of characters but they do nothing with most of them with very selective development and exploration #and Henry is such a boring villain #*oooo* I’m a nihilist and I want to get rid of the world because nothing matters i don't understand his motivation #Henry is just tentacles on elm street #so...boring #and i really dislike the pure evil child who is bad for birth trope #but one day I’ve got to tumbring saw some art of steddie and now I’m in hole the walls are smooth and slippery and I can’t get out #my art

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philcoulsonismyhero · 5 months ago

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Tell Me Who's the Enemy (With All Eyes On The King) for the WIP meme!

So this one is basically just me going 'I really like a bunch of these Ironwood-centric scenes I've written for the big vol8 rewrite I'm never going to finish, so let's see if I can post some of them as a standalone thing'. Chapter one is on AO3 already, and you can find it here:

This fic is going to have the scenes I wrote around the beginning of vol8, from James alone in his office when he first gets the news about Clover to his choice to shoot Sleet and the immediate aftermath of that decision, with a focus on James's state of mind and how he gets there. It's also my attempt to make a more rational timeline out of what happens with James's arm, because that happened far too fast and with basically no narrative attention given to it and it was such a cop-out.

Here's a bit from later in the fic, which also has a bunch of stuff about James's Semblance because I absolutely love that he has stubbornness as a superpower and I wish the show had actually spelled that out and explored the fucked up implications:

The elevator ride down to the military complex on the underside of the city was a long one, and for once James was thankful for that. It gave him time to prepare. Alone in his office, he could throw things or punch things if he needed to. In front of his subordinates, he had to appear to be in control. Closing his eyes and breathing deeply, he reached for his Semblance again, for what had to be at least the dozenth time in the last 24 hours. He was overusing it, he knew, but he didn’t care. When you were in his position and you had the ability to draw on an extra reserve of willpower and certainty, you used it. And you especially used it to ignore the niggling voice in the back of your head that whispered about the dangers of inflexibility. It wasn’t comforting, exactly, the feeling his Semblance produced when it was active. It wasn’t a warm certainty, or buoyant confidence. It was the certainty of iron, of steel, of something unyielding. A metal rod splinting a broken bone, or a cold but solid wall against a back. ‘Mettle’ was a childish pun, but it was appropriate. He needed to be made of steel tonight.

#thanks for the ask!#james ironwood #asked and answered #writing stuff #personal stuff #i love this tragic bastard his brain is a very fun place to hang out in #especially when he's in this state #he's also a delight when he isn't in a trauma-fuelled slide down the slippery slope #and there's a lot more in this rewrite as a whole showing that side of him #the part of him that cares and is kind and tries very hard to be a decent man #and how he's actively suppressing more and more of that because he thinks he has to #to fight monsters he has to be prepared to do Anything #even if that thing is also monstrous #love a complicated mess of a character

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saltiestgempearl · 2 years ago

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This makes me so, so tired. Imagine thinking that the people who are frustrated or uncomfortable are with those gleefully celebrating the deaths are just confused about why the average person hates a billionaire.

This misses this point so hard it makes me stomach hurt.

this is probably the best take I’ve heard so far on the debate of people being told that they aren’t having enough ‘compassion’ for billionaires making bad decisions and paying the obvious consequences for it

#undescribed #oceangate #all of us know where it’s coming from #it’s just uncomfortable for some of us #to be reminded that any people see our worth as human beings #as being intrinsically tied to whether or not we are doing things you approve of #because that’s a slippery slope #and don’t tell me I’m catastrophizing because there are non-billionaire examples of this everywhere #and I’m not saying you are a bad person if your aren’t sad #like goodness gracious thafs your business #but if you are literally celebrating #and/or making ‘too bad they didn’t suffer more’ comments #I am saying maybe you should look at where that is coming from

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herbirdglitter · 2 months ago

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The ehlers danlos syndrome person to historical costumer pipeline is or will be a thing and I shall explain why.

At some point one discovers that some sort of supportive structure around your torso feels incredibly comfortable and gives your tired muscles a rest. What’s the coolest and most non obtrusive torso bracing garment? A corset. Believe me when I say that when your torso has the structural integrity of a wet sack of jello, a tightly laced corset makes you feel like a god.

And because historical corsets tend to be more comfortable and are usually made with regular wear in mind, they are the natural choice.

Then you have the shoes. What shoes is someone with unstable ankles supposed to wear, you ask?Lace up boots, for stability. And due to their middle of the heel heel placement, historical lace up boots tend to be way more comfortable than the modern variety.Even the non healed ones, really. Couple that with the fact that Edwardian and Victorian boots are really really pretty…

And after the boots and the corset, it’s a very slippery slope.

Pretty soon you’ll be wondering how to hide your corset under your clothes for when an outer corset is not the vibe, and you’ll be buying yourself a corset cover. Or making one yourself. They’re a great starter project. But that looks weird with a fitted top so cool flowy blouse it is.

Then you realize wearing this with a skirt makes you feel intensely powerful but you don’t want to keep tripping over it so you add petticoats.

And then you realize your neck isn’t so great at holding up your head so you really need to find a hairstyle where your hair sits on top of your head instead of to the sides or to the back so that it’s balanced and you don’t get a neck ache. A high bun it is. Not too tightly, because your scalp is sensitive, but a high bun still works if you bobby-pin it in place.

And then one day, you look in the mirror and you’re dressed like Anne of Green Gables.

And you’ve never looked cooler.

#ehlers danlos syndrome #hypermobile ehlers danlos #historical costuming #disablity #cripple punk

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luna-azzurra · 2 months ago

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Body Language Cheat Sheet For Writers

╰ Facial expressions

These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.

Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.

Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.

Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.

Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”

Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.

╰ Eye movement

The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.

Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”

Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”

Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.

Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.

Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.

╰ Gestures

This is where characters’ emotions go when their mouths are lying.

Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.

Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.

Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.

Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”

Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”

╰ Posture and movement

These are your vibes. How someone occupies space says everything.

Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.

Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.

Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.

Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.

Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)

╰ Touch

This is intimacy in all its forms, comforting, protective, romantic, or invasive.

Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.

Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.

Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.

Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.

Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.

╰ Mirroring:

If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...

Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.

Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.

Finger tapping — Time is ticking. Brain is pacing. Something’s coming.

Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.

Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.

Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.

Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.

Hands behind the back — Authority. Control. Or rigid fear masked as control.

Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.

Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.

Squinting — Focusing. Doubting. Suspicion without confrontation.

Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.

Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.

Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.

#writing #writerscommunity #writer on tumblr #writing tips #writing advice #character development #writer tumblr #writblr #writing help #body language #writers #aspiring writer #creative writing #fiction writing #tumblr writing community #writeblr #writer community #writer stuff

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insipid-drivel · 1 year ago

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Horses: Since There Seems To Be A Knowledge Gap

I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!

Some Of The Most Common Horse + Riding Mistakes I See:

-Anybody can ride any horse if you hold on tight enough/have ridden once before.

Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.

Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.

-Horses are stupid/have no personality.

There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.

My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.

Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.

-Riding bareback is possible to do if you hold onto the horse's mane really tight.

Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.

Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.

-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.

At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.

The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.

Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.

Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.

So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.

-Big Horse = War Horse

Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.

More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.

Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.

-Any horse can be ridden if it likes you enough.

Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.

Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.

When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!

-Horseback riding isn't exercise.

If you're not using every muscle in your body to ride with, you're not doing it right.

Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.

-Horses aren't affectionate.

Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.

-Riding crops are cruel.

Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.

I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?

Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.

-There's only one way to ride a horse.

Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.

Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.

-Wealthy horse owners have no relationship with their horses.

This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.

So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.

-Horses can graze anywhere without concern.

This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.

There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.

#horses #horseback riding #writing #writing tips #long post

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opt1mistic · 1 month ago

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A NIGHT TO REMEMBER ✶ ft. bbf!ellie williams. prequel to this.

cw. smut, nsfw, angst if you close your eyes and look away, fingering(r!receiving), dryhumping, reader is intoxicated but it’s all consensual, mentions of a man, gin slander lol, modern au, afab!reader and fem reader. wc. 5.2k(what the helly???) note. the plot was lost halfway through so it’s just basically smut mixed with nonsense…i’m really sorry :/

the music felt way too overbearing; mixed with the alcohol you’ve consumed over the past hour or so it all felt way too heavy—almost suffocating. bittersweet clung to your tongue, sharp and herbal, the aftertaste of gin curling at the back of your throat like smoke. dry. piney. something bitter underneath, like citrus peel left to burn.

you hated gin. you only drank it because it was the first thing that was handed to you.

pushed into the far corner of your kitchen, your clothes felt too tight, and your shoes didn’t fit right. you knew they didn’t. it wasn’t because you were overwhelmed and on the verge of a breakdown, it was because they were a size too small. you wore them because they looked good with your outfit, thinking you might’ve at least gotten one compliment about it. but no. not a single person mentioned to you how your shoes looked like they were personally customized for the outfit.

you weren’t mad, or annoyed for that matter. people came here to party and not to tell you that your ass looked fantastic, and your boobs sat so perfectly they might not be real.

none of that mattered really, at all even.

you’re sweating. you feel the cup in your hand feel slippery against the softness of your palm, it might fall to the floor and ruin those shoes you should really get rid of because they don’t fit. these fucking shoes.

it wasn’t even about them. it never was. you’re just pissed they don’t fit you the only time you decided to wear them. and you were pissed because she was talking to her and not you.

it wasn't jealousy.

it wasn’t.

you were just upset. that’s all. upset because she’s been hitting on you for at least two years now and now she was talking to someone that wasn’t you.

you had no right to be jealous. you turn ellie down every time she says anything remotely suggestive, you don’t let her get anywhere pass a flirty comment, maybe two or three more get by, but that’s all.

you don’t like ellie. i mean how could you?

(but it really was more like who doesn’t? ellie was pretty, gorgeous even. with her stupid freckles, green eyes that shine so brightly under the sun of dawn. the light over her face and those freckles. and her hair, it was so pretty, soft with the most addicting smell. every single fucking time you look at her you feel unwell. this sickening feeling in your stomach, it aches.

you have no good reason to turn her down, you do it because you’re confused about why a girl like her likes you.

you‘re clumsy, anxious, you let your mouth run when you shouldn’t. you talk back when enough's been said. your comebacks are snarky. you know you shouldn’t speak, but your mouth moves anyway—quick and defensive. regret always comes later. you feel as if there isn’t much to look at if you look at a mirror.

but that’s the thing that ellie likes the most. you’re different. not in the ‘i’m not like other girls’ kind of way—but in the way you flinch when you laugh, the way you don’t know what to do with your hands. in the way she notices. she doesn’t say anything, but she sees you.

but that’s what pisses you off the most.

because ellie doesn’t like you in spite of those things. she likes you because of them.

she likes the way you get flustered when you’re cornered. she likes when you talk back. when your voice shakes, but you say it anyway. she likes how your mouth runs when it shouldn’t. how you can never just leave things alone. she likes that you’re messy, and mouthy, and unsure of yourself. and maybe that’s why you keep pushing her away.

because if she sees all that and still wants you—you don’t know what that makes you.)

with your eyes shooting laser beams into the wall right next to her, as to not seem like you’re watching her because she’ll get all cocky about it if she catches you looking. it’s not ellie if she doesn’t tease you to death. smothering you with her words, like a pair of hands around your neck—gentle at first, like she’s cradling you to kiss—until they tighten, deliberate, marking you with nothing but words. words that leave an effect they shouldn’t, and it bothers you more than you’ll ever admit.

and now she’s gone, and so is the girl she was with.

wonderful.

you unstiffen your shoulders, dropping them, trying to relax when you feel so uncomfortable. you hear your bed practically calling your name. you’re so fed up. this was supposed to be a fun party, just like every other party your brother throws. but all you could think about was that ellie hasn’t talked to you once, and that some random guy, you were pretty sure wasn’t even invited, kept trying to hit on you, giving you this disgusting drink and telling you to come find him later.

he didn’t even ask you if you like gin, just poured it into a cup with a mix of diet coke, it’s the most nasty after taste you’ve ever tasted. who would drink such monstrosity and like it?

you set your cup down—finally. the stickiness from your palm feels gross; it’s sweaty and moist, like thick mucus. you’re about to disappear upstairs when you hear her.

“you always make that face when you're annoyed. d’you know that?”

ellie.

her voice is too close. low, amused. like she was watching you from the other side of the room and couldn’t help herself. and maybe she was.

you don’t turn around. not right away. you know how this goes—she says something cocky, you get defensive, she teases you until your thoughts melt into something you can’t name. it’s always the same. always her and her dumb words.

you roll your eyes instead, loud enough for her to hear it in your silence. “didn’t know you were watching me.”

“always do.” she says, like it’s obvious. like it’s nothing. you hate the way your heart stumbles at the sound of it.

then she moves closer. you feel it more than see it, her presence sliding in beside you, the press of her arm almost grazing yours. not touching. never touching. but close enough to feel the heat radiating off her skin, her breath ghosting near your jaw.

“you looked like you were about to murder someone.” ellie murmurs, glancing at the abandoned drink.

“watcha got there?” she picks up the plastic cup you had just set down on the counter. her curiosity is shut down by the awful taste that appears in her mouth when she takes a generous sip from the cup.

“what the fuck is this!?” ellie’s face scrunches up into a look of disbelief and disgust. “what human fed you this?”

she sets the cup down and moves it further away on the counter like it’s radioactive.

“uhhhh. him over there.” you search in the crowd of people for the dark haired man that shoved the cup into your hand and smirked at you when you forced yourself to take multiple sips.

ellie follows your gaze, spots him almost instantly. the guy’s leaning against the fridge like he owns it—shirt half unbuttoned, drink in hand, grinning at someone who’s definitely not you.

she scoffs. “that guy?”

“that guy.”

“he looks like he harasses women on the street.”

you bite back a laugh, lips twitching. “that’s mean.”

“you drank his little science experiment. i’m being merciful.”

she turns to face you fully now, leaning her hip against the counter, one hand tucked into her back pocket. you glance at her, finally—just a flick of your eyes, quick and stupid—and she catches it. of course she does.

“you’ve been avoiding me all night,” she says, like it’s a casual observation and not an accusation.

“i haven’t.”

“you didn’t say hi.”

“you didn’t either.”

she tilts her head at that, amused. “so it’s my job now?”

“didn’t say that.”

“but you thought it.”

you huff, crossing your arms. “you’re insufferable.”

“and yet.” ellie grins. “here you are. still standing next to me.”

you look away. again. the floor is suddenly very interesting.

ellie leans in just slightly, drops her voice to a hum. “you look good, by the way.”

you don’t respond. not right away. your brain short-circuits a little, glitches like an old tv. there it is again. the teasing, the soft menace in her voice. the compliment you weren’t expecting but still secretly hoped for.

“shoes don’t fit.” you mutter.

“doesn’t matter. your legs look great.”

your cheeks burn. you hate her. you want to crawl out of your own skin. skin yourself alive, bash your head into a wall.

“stop it.” you say, weakly. it’s barely above a whisper.

“stop what?” she asks, already smiling like she knows. like she can feel the heat radiating off you.

you don’t answer. you can’t.

ellie shifts closer. not by much—just enough that you have to fight the urge to lean back, or lean in, or do something other than stand there, vibrating with everything you’re trying not to feel.

“you always get like this when i say something nice,” she murmurs. “all twitchy and silent. like you’re waiting for me to take it back.”

you scoff, but it doesn’t land right. too shaky. too soft.

“i’m just saying,” she continues, voice syrupy, “if you’re gonna stand there looking like that, all flushed and pretty and bitey, you can’t expect me to behave.”

your breath hitches. that’s not fair. that’s so not fair.

“i’m not bitey.” you say, eyes narrowed.

“sure you’re not.” she grins, teeth sharp. “you’re a terror.”

you glare. or try to. but your face won’t cooperate—it wants to smile, to give in, to break in all the ways she makes you break.

ellie takes one step closer, and now she’s really in your space. the music blurs behind you both. voices fade to a dull, distant buzz. it’s just her, now. her and that look in her eye. the one she saves just for you.

“you miss me?” she asks, soft and unserious and too real all at once.

you could lie. you’ve done it before. you’ve done it so many times—shrugged her off with sarcasm, buried the truth under something wry. but right now?

right now you’re toeing the edge of something dangerous, and it’s never felt more tempting.

you don’t answer. you just let her look at you. let her wait. and ellie…ellie takes that silence like for a yes.

her grin fades, just a little. her eyes dip to your mouth, then back up again, slow, like she’s memorizing the way you’re holding yourself together for her.

“come upstairs with me,” she says, gentle now. no teasing, no game.

your heart slams against your ribs. you shouldn’t.

“okay.” you say.

and she doesn’t smile this time just nods, once, like this is the moment she’s been waiting for. like she knew you’d say it eventually.

ellie takes your hand. she doesn’t ask. just does. and you let her. because of course you do. because it’s ellie. and you’ve always been hers, even when you swore you weren’t.

you follow her out of the kitchen like a shadow, steps quiet, careful. she doesn’t look back. she doesn’t need to. the music is louder in the hallway, vibrating through the walls like a pulse. it drowns out everything—your thoughts, your doubts, the little voice in your head telling you this is a mistake.

she leads you up the stairs, weaving past bodies draped over railings and sitting cross-legged on the floor. no one notices you. no one stops you. it’s like the two of you are moving through a world that doesn’t quite exist. like this is some strange little pocket of reality where everything is charged, unreal, and fragile. only you and ellie.

her hand is still in yours when she opens the door to your room. she only lets go once it’s shut behind you both, the lock clicking into place with a soft finality.

the room is dim—just the string lights across the ceiling casting a golden glow over everything. a mess of clothes on the chair. an unmade bed you can’t stop staring at. why couldn’t i clean up after i got ready for this shit of a party?

ellie sits first, casually, like this is just another friday night. leans back on her hands, legs spread, jaw set. watching you carefully. the smallest movements you make she’s there to catch them. you stay near the door. back pressed against it like it might keep you grounded.

“you okay?” she asks after a moment, like the tension isn’t loud enough to swallow you both whole. the blurred absence of the music and shouts makes you feel somewhat better. but that bitter feeling doesn’t seem to slip away.

you nod. too quickly.

“you’re lying.”

“i’m not.”

“you always do that thing with your hands when you lie.”

you look down. fuck—she’s right. your fingers are twisted together, knuckles going white.

“i didn’t come up here to fight.” you say finally, voice thinner than you want it to be. ellie doesn’t move. she just keeps looking at you. her gaze is steady, unreadable.

“i know,” she says. “i didn’t bring you up here to make you uncomfortable.”

“then why’d you bring me up here?”

a pause. her eyes soften.

“because i couldn’t look at you all night without wanting to touch you.”

your breath catches.

“ellie—”

she cuts in, quick. “i won’t. not unless you want me to.”

the silence after that is almost unbearable. you stare at her. she stares back. her face is open, honest in a way she rarely ever lets it be. you want to say something sharp. something deflective. but the truth is boiling over in your chest, and it’s too hot to ignore. you want her to touch you.

“you scare the shit out of me.” you say, with a breathy laugh feeling awkwardness flair up inside of you.

ellie blinks. “yeah?”

“yeah.”

she lets out a breath—quiet, amused, fond in that infuriating way of hers. you hate it.

“you scare the shit out of me, too.”

and just like that, the air shifts. the room tilts. everything feels precarious, like a match held too close to the fuse. your face heats up again.

“come here,” she says, barely above a whisper.

you hesitate. only for a second. then you do.

your feet move before you know it. you walk to her with your heart in your throat and your guard barely holding, and when you stop in front of her, ellie doesn’t move—not until you do. not until your knees brush against hers, light as a question.

she answers it by reaching up, slowly, fingertips grazing your hips. her eyes stay on yours. you’re confused again. you don’t understand why she wants to touch you, like this of all ways.

“still okay?” she murmurs.

“yeah,” you whisper.

and then she pulls you in. you crash into her, not fully losing control of your body but enough for her to take control and maneuver you to straddle her. her touch isn’t rough nor is it rushed. it’s small but has power. ellie knows what she’s doing.

she doesn’t kiss you. not yet. she waits. waits for you to decide.

and god, you want—no, you crave it, in that feral, bone-deep way that makes your skin itch. you want her mouth on yours, soft at first, maybe, just to mock you—but you want it to dissolve, fast, into something hungry. something unholy. you want her to kiss you like she’s starving, like she’s trying to crawl inside you through your mouth.

you want the spit. need the spit. thick, hot, shared and messy—her tongue in your mouth, sliding against yours, teeth knocking when it gets too desperate. you want it to drip, to smear, to cling to your lips and chin, to mark you in the most revoltingly human way. like her saliva belongs in your mouth. like yours belongs down her throat.

you want her to spit into you. mouth parted, eyes half-lidded, breath panting between kisses—and when she pulls away, you want it to trail between your mouths in slick strings. sticky, glistening. you want to taste her down to the root of your tongue.

you want it to ruin you. make your lips swollen, red, wrecked. make your jaw ache. you want to feel her breath enter you and exit in shudders. to drown in the taste of her, sweet and sharp, like blood and peaches and the end of the world.

the silence was killing you. like a sword penetrating skin. you stare into her eyes, deep and honest. if ellie wanted, she could get every confession out of you. she could make you admit how much you like her, she could make you say how badly you need her. make you tell her all the nasty thoughts your intoxicated brain is frying up.

your hands sneak to rest on her shoulders and you just hope she doesn’t say anything about you being desperate for her. she knows you are but ellie isn’t any better, after all, she did bring you up here for the exact reasons you’re thinking.

ellie moves in closer now—much closer than she was back in the kitchen. she’s always been bold like that. you’ve seen her before, at one of your brother’s parties, hand already halfway down some girl’s pants like it was nothing. she never cared who was watching. didn’t even seem to care how the girl felt about it, not really. maybe it was a distraction. maybe she just needed something to do with her hands.

if she wanted, she could’ve had you like that in the kitchen, but she chose to bring you to your room and be more open with her words. none of the teasing that make it seem that she was joking. she’s serious about this. she really does want you, needs to touch you.

her nose is touching yours, she doesn’t blink, just looks at you with a shine to her eyes, if you looked deep enough you could see that she’s holding back. she could take you right here right now but she chooses not to, she waits for you. she doesn’t want to take advantage. because it’s you, and she couldn’t live with herself after if she were to do so.

“ellie…” you say her name breathless, eyes trailing towards her lips. your tongue sticking out slightly licking your upper lip. you move your eyes back up to hers, reaching you hands to the back of her head to twist her hair between your fingers.

she answers you by slowly crashing her lips into yours, moving them against the plush skin when you open your mouth a little for her to slip her tongue in.

she kisses you like she means it—like she’s been waiting. her mouth is warm, slow at first, but there’s weight behind it, like she’s trying to memorize the shape of you. her tongue grazes yours, testing the waters, and you hum into it, your fingers tightening in her hair. she breathes in sharp through her nose, like she wasn’t expecting that.

ellie’s hands wander off around your body squeezing at your waist and hips, needing the flesh above clothes. she unsure about her touch, as if she squeezes you in some way you’ll tell her to stop, she careful but needy at the same time. she’s not rough or aggressive, but there’s a possessiveness to her hold, and it’s dark and full of desire.

ellie pulls back just barely, lips brushing yours as she speaks, her voice low and raspy. “you don’t know what you do to me.”

and she’s kissing down your neck, toying with the skin between her lips, making sure she leaves a mark to tease and laugh at you tomorrow. you know this but let her mark you either way, you’ll yell at yourself when you’re sober; realizing this was a mistake on your part because you gave in this easily.

but it was going to happen sooner or later, so why not now?

and you know exactly what you do to ellie. maybe not everything, maybe not the exact details, but you know what your presence does to her. the way she looks at you like you’re a loaded gun—dangerous, tempting, too easy to lose control around.

“then show me.” you whisper, a challenge and a plea in one. you move your palms to cup her face, tugging her up and kissing her harder this time, and she answers with a soft groan against you, her hands sliding beneath your shirt, palms flat against your spine as they pull you flat against her body. her hands, they’re calloused, warm, grounding. she doesn’t rush. her touch is reverent, tracing you like you’re something fragile and holy.

but you’re not, and she knows.

her teeth catch your bottom lip, not hard, just enough to make you gasp. she pulls away again, panting now, forehead pressed to yours. “if we do this…” she swallows.

“i need to know you want it. really want it.”

your thumb brushes the edge of her jaw, and she’s watching you like you’re the only thing in the world worth watching. she’s so close you can feel her heart racing against yours.

you nod. “i do.”

and ellie’s restraint finally snaps.

her hands move down to the plush flesh of your thighs, feeling the warmth of your blood beneath her fingertips as they grope you hard.

she kisses you again, rougher this time—hungry, desperate, her hands slipping further under your shirt, palms splayed wide across your bare back. her fingers dig into your skin, not hard enough to hurt, but firm enough that you know she’s grounding herself with you. your mouth parts against hers, a quiet, needy sound slipping out before you can stop it. ellie swallows it down like she’s starved for it, chasing the noise with her tongue.

she shifts underneath you, tugging you impossibly closer by the hips until you’re straddling her properly, your thighs bracketing her waist. the heat between your bodies makes you dizzy. she presses her forehead to yours, breathing heavy, like she’s trying to hold herself back, but failing.

“gonna lose my mind,” she mutters, half to herself, before she kisses you again—messier this time, open-mouthed, your tongues sliding together with a slick, desperate sound that makes you ache in places you didn’t know could ache.

your hands roam too, almost frantic, pushing under her hoodie to feel the solid lines of her stomach, her ribs, the thin cotton of her tank top clinging to her. you tug at the fabric and she gets the hint, breaking the kiss just long enough to yank the hoodie off over her head, ruffling her hair and making her freckles stand out sharper under the low light.

“better?” she teases, breathless, voice wrecked and full of something dark.

you just nod, too stunned by the sight of her like this, cheeks flushed, lips swollen from kissing you. and she’s looking at you like she wants to ruin you, hands resting heavy on your thighs, thumbs stroking lazy circles over the fabric of your skirt.

ellie tugs at the hem of your shirt, fingers curling into the material. she doesn’t pull it off yet, just slips her hands under it again, feeling your bare waist, the dip of your lower back. her thumbs brush just under the edge of your bra, and you shiver.

“can i?” she asks, and you barely hear her over the pounding in your own head.

“please.” you whisper.

and that’s all it takes. she lifts your shirt over your head slow, almost reverently, like unwrapping something she’s been dying to get her hands on for years. your hair gets a little messed up in the process and she smiles at the sight of you, like you’re the best thing she’s ever seen.

her hands come up to cup your face, thumbs brushing your flushed cheeks. her eyes are wide, a little wild, like she still can’t believe you’re here, half-naked in her lap, asking for her.

“so fuckin’ pretty,” she murmurs, leaning in to kiss your jaw, your neck, the slope of your shoulder. anywhere she can reach. you’re squirming in her lap now, needy and impatient, your hands clutching at her tank top like you’re afraid she’ll disappear if you let go.

ellie groans low in her throat when your hips grind down, just a little, testing. the friction pulls a sharp breath from both of you. she grabs your hips, holding you still.

“easy,” she mutters, voice thick, “wanna take my time.”

you whimper at that, and she grins against your skin, proud and a little smug. ellie mouths at your chest, pressing open-mouthed kisses along the top of your bra, teasing, teasing, until you whine and tug at the straps, silently begging.

“okay, okay.” she chuckles, voice rough and fond, like she’s never heard anything better than you falling apart for her.

she helps you shrug out of your bra, tossing it somewhere across the room without looking, too busy staring at you. her hands come up to cup your breasts, thumbs brushing experimentally over your nipples, watching the way your body reacts—your back arching, your mouth falling open in a silent gasp.

“jesus christ,” she mutters under her breath, more to herself than to you. “look at you.”

and then she’s leaning in, mouth closing around one nipple, sucking gently, tongue flicking, while her other hand toys with the other breast. the heat of her mouth sends sparks shooting straight to your core. you gasp, hands threading into her hair, holding her there like you might fly apart if she stops.

you rock your hips against her without thinking, chasing any kind of friction. ellie growls low in her chest, the sound vibrating against your skin.

“needy.” she mutters, pulling off you with a wet pop, dragging her mouth back up to kiss you again—deeper, messier, less polished than before. her hands slide down your back, squeezing your ass, dragging you harder against the ridge of her thigh.

“wanna feel you,” she rasps against your mouth.

“wanna make you cum just like this. fuck.”

you moan, high and broken, grinding shamelessly against her now, feeling the roughness of her jeans against the soaked fabric of your underwear. the friction is almost too much. almost not enough.

ellie kisses you harder, teeth clashing, spit slicking your chins together, hands everywhere—your hips, your thighs, your back, your ass. she rocks you against her thigh, murmuring filthy things into your mouth, barely coherent.

“so wet for me.” she pants, pulling back just enough to look down, to watch you rut against her thigh.

“fuck, look at you. makin’ a mess all over me.” you whimper, desperate, lost in it. in her.

“c’mon, baby,” ellie coaxes, voice rough and tender all at once.

“wanna feel you cum for me. just like this. show me how bad you need it.”

you shudder, the pressure building, unbearably sweet and sharp and right there. ellie keeps rocking you, keeps whispering in your ear, dirty, soft, wrecked herself.

and when you finally cum—when you break apart with a soft, bitten-off sob against her shoulder—ellie holds you through it, arms wrapped tight around you, grounding you, anchoring you.

“that’s it,” she murmurs, kissing the side of your head.

you slump against her, boneless, trembling, feeling like you might float away if she let go.

but she doesn’t.

she keeps holding you, kissing you, whispering promises you don’t have the strength to hear yet, not really. but it’s okay. you believe her anyway.

because it’s ellie. and she’s always meant it.

and just when you think she’s done, ellie shifts you, pushing you gently but firmly onto your back on the bed. climbs over you, fitting herself between your thighs like she belongs there. her hands trail down your sides, slowly, thumbs hooking into the waistband of your skirt, dragging it down your hips with agonizing patience.

you lift your hips for her without thinking, needy and frantic now, again. ellie’s mouth trails down your body as she goes—kisses on your belly, nips at your hips, leaving little stinging bites that make you gasp. she’s taking her time, savoring every inch of you like she’s been dreaming about this. maybe she has. maybe you have too.

when she gets the skirt off, she sits back on her heels for a second, just staring down at you, panting and trembling under her.

“you’re unreal,” she murmurs, voice rough with something almost reverent.

you reach for her, impatient now. “ellie—”

she smiles, wicked and sweet all at once, and leans down to kiss you again—deeper, slower, taking her time wrecking you. her hand slides between your legs, over the damp patch of your underwear, and you whimper into her mouth at the first touch.

you whine, hips bucking up into her hand, chasing the friction just like you did on her thigh. ellie shushes you, soothing, almost tender, rubbing slow circles over the wet spot right over your clit.

“gonna take real good care of you.” she promises, voice thick and syrupy.

you nod frantically, desperate for her, dizzy with it.

she slides your underwear to the side with one hand, not even bothering to take them off, and runs two fingers through your folds—testing, teasing. when she brushes your bare clit you gasp, clutching at her shirt like it’s the only thing keeping you tethered to earth.

ellie’s watching your face the whole time, eating up every little reaction you give her like it’s her new favorite meal.

“you’re gonna let me make you feel good?” she murmurs, voice low and wrecked with want.

“yes—yes, ellie, please—”

that’s all she needed to hear.

she slides one finger inside you, slow, careful, watching you for any sign of hesitation. when you moan—high and breathy—her restraint snaps. she pumps it in and out, building a rhythm, adding a second finger when you start grinding against her hand like you can’t help yourself.

her thumb finds your clit again, rubbing tight circles, and the pleasure starts to crest fast—faster than you’re ready for.

“that’s it,” ellie coos, mouth brushing your ear. “god, you’re so fucking pretty like this. wanna see you fall apart for me.”

you sob out something that might be her name, might just be a broken noise, as you tumble over the edge, more overwhelmed this time—clenching around her fingers, trembling so hard your vision whites out. ellie fucks you through it, slow and sweet, murmuring praise into your skin until you finally, finally go still beneath her.

a dragged out orgasm flushing inside you, stick around her fingers still deep inside you, toying with the squishy spot.

ellie doesn’t pull away immediately—just presses kisses along your jaw, your neck, the shell of your ear, whispering how good you were, how gorgeous you are, how she’s never wanted anything so bad in her life.

and when you finally catch your breath enough to open your eyes, she’s smiling down at you—soft, adoring, like you hung the stars in her sky.

“still scared of me?” she teases.

you laugh, too weak to reply.

you whisper something incoherent, and pull her back down into a kiss. because if this is what being scared of her feels like, you never want to be brave again.

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lambilegs · 4 months ago

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୭ ˚.⁺⊹ .ᐟ contains: nsfw content (minors + ageless blogs dni), reader receiving strap, dirty talk, breeding kink, sevika being a taunting little shit, degradation (including the name "slut"), reader thinking they're straight and sevika taunting them about it, face smacking, daddy kink, slight painplay, reader's body is referred to with the terms: "pussy," "clit," "cunt," not proofread

୭ ˚.⁺⊹ .ᐟ divider by: @/anitalenia

imagine: you've gone most of your life thinking you're straight, always having pointedly ignored any telltale signs of your desire for women. lingering gazes, feelings just teetering on the edge of affection, moments of curiosity -- you've always swept it under the rug, opting for what you thought would be easier, albeit less fulfilling, relationships with men.

now, imagine how it'd be if sevika was the first woman to ever fuck you.

she'd be pure arrogance, riding on the fact that she was the person you just couldn't resist giving into, the woman you just finally had break out of your willful ignorance for in order to have, even for just one night. she'd be pulling out all her best moves, determined to turn you into utter putty from her touch.

at this point, your thoughts are a hazy blur of pleasure, aches and clenches. you can't even recall which touches came first or last, which way gave attention to your clit first, how many fingers she had in you moments before now. because your mind is just a malleable, softened and exhausted lump of sensations, incoherent little noises bubbling up your throat as sevika's longer fingers wrap around your wrists and keep you pinned down, her dildo spreading you out with every dive it takes into your hole, the stinging stretch mixing with an undeniable fullness that tickles at your g-spot and sends you into an raging amount of satisfaction.

saliva drips onto your chin, warm and slippery, as her voice rasps against your skin, "you like getting dicked down by a woman, huh? this pussy hasn't been treated right by your boy toys?"

"no, no, daddy," you babble, your mind too frazzled to even resist giving into her stroke of her ego. "wasn't good, wasn't good, no one felt as good as you."

"yeah, I can tell," she grunts, her mouth twisted into a downright evil grin, the split between her teeth clear as day. "practically panting and moaning like a porn star over this dick."

you gasp at her words, your arms wrapping around her broad frame, palms spreading over her hot, sweat-dampened skin, relishing in the feeling of the hard muscle that rolls and flexes beneath. when she smacks her hips against yours extra hard, her cock sinking deep into your cunt, the fit so snug and tight that you can feel the burn of her burrowing in you, you keen loudly, your nails digging into her back.

you nearly apologize until she chuckles against your ear, teeth grazing the lobe. "got some heat in you, don't you? go on, leave your marks. wanna look back on them and remember the little slut who practically folded in two seconds."

"f-fuck off," you cry out, your neck hanging back when her hand snakes down, thick thumb rubbing careful circles around your clit, making it stiffen and pulse in complete lust.

"'fuck off, daddy,'" she mimics, the mocking words littered with grunts of effort from her. "easier to believe if it wasn't for this pussy getting so tight on my dick." she lightly smacks her hand against your cheek, grabbing your jaw and shaking it around. "gonna cream this dick, baby? have my come shoved so deep in you that you can never fuck another guy without wishing I was buried in you?"

your mouth drops in a silent cry, writhing against her. god, the mere fucking thought of her creaming your cunt, sending load after load into your hole until it's oozing out, has you losing your fucking mind.

"yeah, you like that, don't you? if this dick was real, I'd be leaving you nice and pregnant, babygirl -- such a cute little thing, getting so--" she thrusts harder, "fucking--" and harder, "hard--" and harder, "to thrust into."

you sob, wrapping your legs around her, wanting to cling to her, to this moment, for as long as possible. "yes, yes, fuck, wanna be claimed so badly."

"you better know what you're asking for," she mutters against your jaw, pressing sloppy, slick kisses all over it. "because I'm gonna give you a lot more than what you're bargaining for."

through your moans, you giggle, "that cocky?"

her smile broadens, grey eyes flashing at the challenge. "no. just that certain."

#sevika #sevika x reader #sevika x you #sevika arcane #arcane x you #arcane x reader #s.writing

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simplygojo · 6 months ago

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Under the Desk ⸺ Nanami

author's note ⸺ I may or may not have a crush on the handsome senior consultant on my team...so what. pairing ⸺ Kento Nanami x reader teaser ⸺ "It should have told you that eventually, you’d end up here: bent over his desk, legs spread wide for your mentor, who was more than happy to show you the ropes in a way that had nothing to do with consulting." content ⸺ 18+ SMUT, MDNI, hot office nanami, age gap implied, lowkey perv nanami, office siren vibessss, oral sex (reader recv.), reader got that WAP, reader has a vagina, reader uses female pronouns

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Kento Nanami didn’t particularly enjoy training new hires—especially the ones who were on a short contract like you were. They were often overzealous, unpolished, and too eager to prove themselves. But when you walked in on your first day, something in him shifted.

Nanami wasn’t proud of the thoughts that crossed his mind when you walked into the office on your first day—He blamed that little skirt. Too tight, too short, hugging your hips in a way that wasn’t at all appropriate for a junior consultant. And yet, it wasn’t the skirt’s fault he couldn’t stop staring.

He cleared his throat and looked away.

This wasn’t him. He wasn’t that guy—the type to ogle a junior or let his mind wander to places it had no business going.

You were new, eager to learn, and assigned to him as your mentor because of his reputation for professionalism. And so, despite his initial lapse in judgment, he resolved to keep his thoughts in check.

But you didn’t make it easy.

You had this way about you—bright-eyed and ambitious, always so eager to please. Every time you asked him a question, you’d lean in, wide-eyed and genuinely curious, your voice sweet and lilting. When you listened, you bit your lip in concentration, nodding along like his every word was gospel.

Nanami told himself he was imagining it, that you weren’t actually flirting with him. You were just... enthusiastic.

But then there were the moments that felt too deliberate to ignore. Like the time you stayed after hours, your blazer draped over the back of your chair, leaving only the silky blouse underneath. It wasn’t see-through exactly, but in the low light of the office, he could see the faint outline of your bra.

He forced himself to look at his monitor, jaw tight, and tried to focus on the report in front of him. “Get a grip,” he muttered under his breath. This was a slippery slope, and he wasn’t about to fall.

At least, that’s what he told himself.

Things escalated when you suggested the coffee chats. You’d said it so innocently, wanting to hear more about the job and his career path, but Nanami hesitated.

Alone. With you. Outside of the office. It wasn’t a good idea.

Still, he agreed. He convinced himself it was harmless, part of his role as a mentor.

The first coffee chat was fine. He kept things strictly professional, answering your questions about client strategies and work-life balance. But then you started showing up in skirts shorter than usual, leaning forward a little too much when you laughed.

Your questions turned more personal—how he handled stress, what he did to unwind, if he’d always been this... dedicated.

He noticed your eyes drifting, lingering on his hands as he stirred his coffee, on the way his shirt sleeves strained against his forearms. And you—you—must have noticed the way his gaze followed the curve of your legs as you crossed them.

By the third ‘coffee chat’, Nanami couldn’t lie to himself anymore. He wanted you. Desperately.

He told himself it was harmless, that he could keep it professional even as his thoughts grew more explicit. But then came the late nights in his office. You’d stay back, asking for feedback on your work, standing close enough that he could feel the heat radiating off you.

“Thank you for your help, Nanami,” you said one night, looking up at him through your lashes.

He nodded stiffly, stepping back to create space between you. “It’s my job,” he replied, his voice gruffer than he intended.

He should have stopped it there. Should have set boundaries. But he didn’t.

All of this—the coffee chats, the lingering looks, the late nights—should have been a warning.

It should have told you that eventually, you’d end up here: bent over his desk, legs spread wide for your mentor, who was more than happy to show you the ropes in a way that had nothing to do with consulting.

Nanami hadn’t intended to go this far. Truly, he hadn’t. But the moment your trembling voice broke into soft, pleading whimpers, any sense of guilt burst.

His mouth found its way to places he’d only imagined in quiet, shameful moments—places that had haunted his late nights and unguarded thoughts.

The slickness of your pretty pink folds coated his lips and chin, shining faintly in the dim light of his office. His name spilled from your mouth like a prayer, broken and reverent, as he worked you closer and closer to the edge.

Nanami knew he was losing control. Knew he’d already crossed every line imaginable. But when he felt your thighs quiver on either side of his head, your fingers tugging helplessly at his hair, he could not have cared any less.

All of this—the coffee chats, the late nights, the way your body had grown so eager for his attention—should have given you an indicator—should have told you that you'd end up like this…breathless and undone in his office, his mouth working you open, claiming you in ways you couldn't have imagined.

And that, dear reader, is the story of how you were secured a permanent contract.

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enderlovez · 6 months ago

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No Germs Found

Spencer Reid x Female BAU Reader WORD COUNT: 1000+

Summary: You and the team are back in Arizona on another case, and when an amazing unfortunate mishap takes place at the front desk, everyone is forced to share rooms with each other.

Content Warning: non-sexual nudity, strong language in reference to the temperature, blushy Spence, mentions of heat stroke, pain from the heat, mentions of murder, slightly NSFW at the end, Spencer likes boobs- I MEAN WHO SAID THAT?

A/N This is kind of a continuation of another one of my works called Germs, but they don't necessarily need to be read side by side. There's only one mention of something that happened in the first part, and it's not really that important to the story, so...

────── ꒰ঌ·✦·໒꒱ ──────

None of you really anticipated being on another case so soon, at least not in the same place you'd just gotten home from a few days before, and the place you all seemed to... strongly dislike.

Maybe 'dislike' isn't the right word, but one thing is for sure — the moment you step foot off the jet, you feel like you're covered from head to toe in sweat, and your throat dried up like a fish in a desert.

Not to mention how you' were all stuck in a stuffy room all day, with crappy air conditioning that did absolutely nothing for anyone. So far you had practically nothing on the unsub, they were slippery as soap, and that stress — the stress of not knowing who they are, who they are going to kill next — has you in a very grumpy mood.

And despite the inconveniences, the day still somehow finds a way to get worse.

That much is clear as Hotch strolls up to our group of people with an annoyed look on his face — granted he almost always looks like that when we're having a hard time finding anything on the unsub.

"There was a malfunction in their system, and they overbooked their rooms," he says simply, only earning a choir of groans from us, "so we're going to have to double up tonight."

You throw your head back, a heavy sigh escaping your mouth. It's been a long day, and all you want is to lay around without your clothes on and go to sleep — but you can't exactly do that with someone else in there with you.

"You're free to pick your roommate yourself, but please, for the love of God, keep it professional," he finishes as he drops a small pile of numbered keys onto the little table in the reception.

Everyone immediately splits off into pairs, while you make no move to do anything, laying back on the armchair with your neck bent over the top, eyes closed against the white fluorescent lights.

"You know, frequent hyperextension of the neck can have negative effects on its structure and function," a familiar voice says from above you. "Around fifteen to twenty-five percent of North Americans experience lasting effects, such as chronic pain and nerve issues."

You peel your eyes open to find none other than the brilliant Spencer Reid standing over your head, dangling a key over your face, and just like that, all your apprehension melts away.

"Stop flirting with me, Spencer, it's incredibly unprofessional," you joke lightheartedly, a vibrant smile overtaking your face as you pluck the key from his fingers.

He doesn't seem to realize you're joking, though, because he immediately goes to defend himself, stuttering adorably and blushing firetruck red. "No, um, I wasn't — I would never flirt with you!" he tries to defend himself, only realizing a second later how it might've come off. "I-I mean I would, but that's not what I was trying to do."

You shake your head and laugh, standing from the armchair and threading your arm through his so you can lead him down the hallway towards the room you both would be staying in.

The room that was, technically, booked for only one person.

The room that only has one bed.

It's not like you don't want to share a bed with him, you're more worried that he might not want it, with his whole 'germ' thing. Not that he really seemed to care about that the other day, when he drank straight from your water bottle without a care in the world, then proceeded to ask you out on a date.

"I can sleep on the floor, if you'd like," he offers quietly as he shuts the door behind him.

You immediately dismiss that idea, shaking your head before the words are even fully out of his mouth. "You're not sleeping on the floor, Spencer, that's not fair," you say quickly, a sly smile tugging at the corner of your mouth. "That is, as long as you're alright with me sleeping in my underwear, because I will be doing that."

Of course you're half-joking — if there's any indication that he's uncomfortable with that idea you'll just sleep in a t-shirt and shorts, it's just that you'd much rather not in this heat.

"N-no, no," he says, his voice pitched just a little too high. He's blushing from head to toe, you know that without even looking at him. "You can s-sleep in whatever you want to, I don't mind."

It's entirely unprofessional, you know that, but you really can't help it as you instantly begin tearing your sweat-drenched clothes from your body, tossing them around haphazardly until you're left in only your bra and underwear. You don't waste another second, flopping onto the bed, briefly stretching your limbs out, then rolling to one side.

It's a relief to be out of those clothes...

Only now do you realize that Spencer has not moved an inch from were he was standing when you initially asked the question, face bright red, breathing uneven as he tries desperately to keep his eyes from dipping from your face.

"Come on, I don't bite," you say quietly, patting the empty space on the other side of the bed, meanly deciding it would be funny to tease him, "not unless you ask very nicely."

Nervously, he drops his stuff beside the door and makes his way towards the bed, siting on the edge of his side. You're sure you can see him sneaking glances down at your chest every now and then, when he thinks you're not paying attention.

Who is he kidding? You're always paying attention to him, clinging onto every word he says like you'll die if you forget a single one.

"Come on, Spencer," you urge, "you've literally shared spit with me, don't get all shy now."

You're phrasing it that way as a joke, and you're sure he knows that.

But the next words that come out of his mouth leave you stunned, mouth dropped open and butterflies stampeding through your stomach, heart beating a million miles an hour.

You're not expecting something like this to come out of his mouth, really, but after his strange confidence the other day in drinking all your water and asking you out, you're not sure what to expect now.

"Can you please bite me, then?"

#spencer reid x reader #criminal minds fanfic #spencer reid oneshot #criminal minds fic #spencer reid #criminal minds #spencer reid x female reader #spencer reid x bau reader #enderlovez

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girl-lostconnection · 3 months ago

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Small continuation to this. @nightunite @beloveds-embrace I remember your interest in Price’s divorce, so here we go

John Price promises

Thinking thoughts about ex-husband John, who’s never there, who’s married to his work in the best and the worst sense of the phrasing. He misses birthdays and Christmases and Valentines and everything in between.

He promises-promises-promises, kisses the crown of your head, eyes tired and deeply seated in the web of his crow’s feet — dark blue of his irises so unreachable it feels like choking when you try to even try and touch the bottom of it.

Pressure changes, pressure threatens to burst your eardrums, pressure promises to make you sorry for trying to push through it.

John sighs and turns away, shoulders a rough square, tension already lacing through him because yeah, of course, luv, not like he doesn’t know that he’s missing your anniversary.

Yes, he knows. Yes, he gets it, sweetheart, he really does, but didn’t you know who you are marrying?

He is not even angry, exasperation of his tone slicing through your chest and it almost feels like condescension — the way he keeps patting your head and trying to kiss it better, like a spare kiss and a kind word would suffice for everything he didn’t live up to.

Like it can reinstate your trust in him after another cancelled date and another lonely dinner when he swore he’d get a day off and never did.

Honestly, he has no one but himself to blame and all things considered some people would say it’s a miracle you lasted this long with him.

It’s wonder you loved him so much you forgot that you need some love too. A true miracle you always loved him and never looked the other way, god knows he had to fight a lot of potential suitors for your hand before you decided you want him.

Angry, stubborn, moody and controlling him.

You picked him up as an explosive sod in his mid twenties and made him the man he is now, carefully manoeuvring through the triggers of his and making him smile when it all felt like a big load of shite.

Why did you even settle for him?

Why does he now feel like you settled for him — a closed off git who spent his whole life proving that he’s worthy of respect and his rank and responsibility.

And you.

God, it’s been years and he’s still not sure if he really is worthy of you.

John stares down at the divorce papers on his desk and feels something very similar to hurricane unfurling in his chest, rage pounding inside his head, panic icing our all warmth that was there, ring on his finger suddenly so slippery he has to curl his fingers into fist.

Can’t risk losing it. Not when he’s already losing you.

Simon watches him sometimes, John notices, but Ghost never says anything or perhaps, he does, just not to John. Small mercies.

John can’t help but feel a twinge of acidic envy at Simon getting along with his bird so well — his pretty partner picking up the behemoth of 141’s lieutenant.

Simon’s partner who always murmurs something in his ear and Ghost’s eyes crinkle in the corners.

Simon’s partner who seems content with how things are and with how often Simon is absent and Price just doesn’t bloody get it.

Simon works almost as much as he does, Simon is always away, Simon is never home for holidays.

And yet Simon’s partner says “yes” to a proposal and grins like the happiest person in the world whilst standing at the altar.

And yet Simon’s now spouse is bringing him snacks and is kissing his jaw and doesn’t fucking plan to divorce Simon.

Drives John right up the fucking wall, it does.

But there is no way he’s going to ask his lieutenant why his marriage isn’t failing, why his spouse seems to still love him. Why John’s doesn’t.

John drags his feet through the whole proceeding, John watches you with heavy bottomless eyes but stays stubbornly silent because okay, that’s your choice.

You want to get rid of him so badly that even wedding vows aren’t stopping you? Off you go then, he’s not gonna tie your leg to a kitchen table and lock you in the house.

John just scoffs and looks away but still hides your car keys in his fatigues so you don’t leave after another fight.

John murmurs “alright then”, but doesn’t sign the fucking papers because “I’m sorry, love, I lost them” and asks for the seventh copy.

John nods and says he’s letting you go if that’s what you want, but he doesn’t take off his ring and shakes his head when you offer to give him back your engagement one.

Yeah, it was his mom’s but it’s yours now, alright, love? Always yours.

He’s yours.

John is the wickedest man there is because he says one thing thinks another and does the third one.

And never never admits what the fuck is going on, because he can’t, because there has to be something wrong with him if even his lovely spouse is running.

Because John must be sinking if even his better half doesn’t think it’s worth staying and he doesn’t say anything but just stays in the kitchen while you are shuffling around the house.

Drinks the same cup of earl grey for hours on end, twirling spoon in it mindlessly, nervous tremor to his left wrist getting harder when his head gets a little too dark.

You hover in tne doorway, eyes deep with something he isn’t sure how to reach and it would be so easy if you said something like always. If you made the first step so he doesn’t have to.

But you just stand there, awkwardly shifting weight from one leg to another before you finally leave upstairs to get ready for bed.

Feels just like another defeat for John and at this point he is not even sure he knows how to play.

His tea gets cold the longer he sits on a wooden chair, lower back aching in protest but he just stares out of the kitchen window in the darkness of the night.

John says he can do this, John says it’s nothing, John says that he will sign it all.

John promises-promises-promises and still crawls in your bed, wrapping arms around you and breathing in your scent.

John whispers sweet quiet things in your skin, pleads you to reconsider, murmurs that he can’t do it without you.

He presses his forehead to your shoulder and scoops you up in his embrace, covering your whole body with his (come morning, he’ll pretend to be thoroughly asleep when you pull yourself out from underneath him just to be able to leave the bed).

Price still kisses your temple before work, press of his lips to your skin is more of a ritual than a routine, a second nature of his to love your whole being.

Price sits at his desk for a good hour before realising he hasn’t been writing a single fucking thing, he just can’t.

Not when his stomach churns at the thought of you right now packing up your things.

Of you leaving the house and leaving him.

Simon watches him carefully and at this point, it’s bloody annoying, can’t a man at least go through the divorce in peace?

Ghost huffs air out, rolls a fag between his teeth, tilting his head to the side — eyes heavy bottomless nothing, eyes the colour of graveyard soil, eyes-dark-holes that lead to a darker place of Simon’s head.

“Thought you didn’t want to divorce ‘em.”, Simon hums out like it’s a fact, like John hasn’t been missing every important date and important thing for the past few years.

Like John has been a good husband that deserves to have good things and deserves you.

Truth to be told, even before he became captain, John never fucking deserved you.

Could have lived a thousand lives and never earned the right to call himself your husband.

Still did though.

(Doesn’t matter if he deserved it if he really fucking wanted it, right?)

John rubs his eyes, pressing the heels of his palms down until the kaleidoscope of his ganglion cells doesn’t start to dance with flashes of colour.

Fucking hell, what is he even doing here? How did things turn to be so complicated?

“I don’t.”, he doesn’t realise he has said it out loud until he pulls his hands off his face and Ghost is still watching him with the same unnerving intensity.

He will get his lieutenant sunnies on one of these days and will never have to deal with this headache of a gaze.

“Then why do you?”, Simon asks like it’s simple, like it’s a fucking fairytale that Price can fix with a snap of his fingers or a kind word or a kiss of true love.

What’s the point of his true love if he’s not sure you can even feel it?

“How do you do it?”, John asks instead, words tasting like acid in his mouth, scraping his tongue and tender insides of his mouth, bleeding sickening weakness down his throat.

His father would have smacked the taste out of John’s mouth if he heard the way he sounds right now.

But Ghost is not his father, Ghost just watches him silently, the only indicator that he even heard the question is a raised eyebrow of his. This cunt.

“Your spouse.”, John adds grumbling, dragging his feet through the whole conversation because god, he hates having talks. “They seem to be happy. Mine’s aren’t. ‘ts like I’m snuffing out their fire”, admitting it is even worse than thinking.

Admitting it is his personal defeat, his biggest flaw, his grandest fuck-up. Admitting it is a weakness.

Yeah, he deserves this fucking divorce all right. Miracle you put up with his arse for this long.

Ghost watches him with annoying understanding, with something almost akin to amusement, the same way you watch a dog run into clear glass doors repeatedly and then whimper on the porch in confusion.

“When’s the last time you talked?”, the question catches John off guard because it is so…normal? He honestly expected more silence or something more obscure but instead he is just awkward again.

But before John even gets to answer, Simon adds “Actually talked, John. Not snapped at each other like a pair of miserable toads”

Price has half a mind to tell Ghost to go fuck himself and his fucking talks but coincidentally Ghost is the one of them who is not going through the divorce, so John shuts his fucking gob.

“Think when you two actually connected like people. You’ve been together longer than some live in our line of work, sir”, Simon presses a cigarette butt down the ashtray, thin thread of smoke still rising off his desk.

“But when you are together this long you start forgetting that the other party can’t read your bloody mind. Goes for both of you by the way”, he chuckles, crossing arms over his chest, muscles rolling under the dark sweater of his.

“Reckon it’s third time they’ve been wringing you through it, isn’t it? Why’d you think they won’t back down now? What changed, eh?”

Price keeps rolling this pep talk on repeat the whole day, his mind a broken record speaking with the voice of his lieutenant and watching him from inside out with your eyes.

When was the last time you talked to each other?

When was the last time he asked you about the book you were reading? When was the last time you asked him about the op he came back from?

What changed?

John rubs his face, anxious sharp coils crawling up his arms to his heart, tremors getting worse before he has to physically force himself to stop and take a breather.

Not as young as he has been once, can’t just power through it anymore.

John shifts his weight from one leg to another, standing in front of the front door to your house and hates his own arse because what is even going on with him.

Price doesn’t want to think about the possibility of house being empty when he steps inside.

He will burn this bridge when he gets to it.

John gets inside and slowly pulls the heavy boots off, carpet cushioning his steps to the kitchen, warm glow of it welcoming him the same way your arms usually did.

You sit with his cup already filled up, steam rising off of his Earl Grey, something in his chest clawing from inside out in the open.

You don’t say anything but just raise to your feet and get ready to leave. So he can have his evening sit down with a cup until you fall asleep.

So you can hover for a moment longer in the doorway like the ghost of your own marriage before taking your leave and pretending later that you don’t melt into John’s embrace. That you don’t curl into him at night.

Price watches you, eyes heavy and dark, fingers of his right hand twitching involuntarily.

Here it comes. Now or never, John.

“Would you…do you want to have a cuppa with me? I bought these biscuits you seem to fancy, saw them on my way home, I—”, oh for fuck’s sake and now he’s rambling. This is just prime, John, that’s exactly how you were supposed to sound.

He coughs in his fist trying to mask the embarrassment, available hand still gripping the poor baggy of biscuits like it might run if he doesn’t do it.

What does he even think he is doing, offering his spouse fucking biscuits halfway through their divorce? He’s gone mad, that’s for sure.

“You are probably tired though. Must have had a long day with…everything.”, he adds softer, eyes down in his cup. Giving you an out.

Giving himself an out.

No need to have all these awkward conversations with your emotionally inept husband if you get divorced, right?

He’s a fucking coward when it comes to you. Always has been. Maybe that’s part of his “charm” you bought into?

“I can stay for a cup.”, you murmur quietly and plop himself down next to him. No cup in sight, John’s cheeks aching in a way that feels entirely too unnatural but your eyes crinkle and god, you are the prettiest, aren’t you, sweetheart? “Gonna make me one or you plan to stand there and look handsome?”

Teasing snaps him out of it, force of his smile just getting harder and he must be beaming at you like a proper idiot. But you don’t seem to mind too much.

Maybe you still like him after all.

“Just a moment, love”, John says, kiss to your cheek making his heart flutter, warmth spreading in his chest when you ravage through the baggy and bite off half of the biscuit.

Got them right this time, didn’t he? Seems like he’s still good for something.

John spends his whole life proving to himself that he deserves you and never asks whether you think he does or no.

John knows how to make your tea since your third date and knows what kind of biscuits his love fancies since the second one.

John decides he’s going to marry you on the first date you two have.

There is something bittersweet in brewing tea for a spouse he will always love and will always fail.

Because that’s what he does, because he never learned how to talk it out and he isn’t sure a daft old dog like him can learn any new tricks.

Coward’s way out.

No need to watch him claw his chest open and present you the infected wound of his heart if you get divorced, right?

Yeah, he never deserved you. But he always wanted.

John presses a dozen kisses to your face while he moves around the kitchen.

Each one a haste warm thing, more of a breath on your skin then actual touch.

That’s as much as he can muster up of actual tenderness without crumbling at your feet and swallowing his pride.

It all feels like a dead end. Like there is nowhere to go from here, he’s looking straight in the wall and he’s never been one to barrage through the obstacles.

Maybe that’s what was lacking. Maybe that’s why Simon’s spouse still loves him.

“You are thinking awfully hard there”, there is no malice in your voice, only quiet laughter and it spreads through Price’s achy bones like hot bath water, bubbles raising to his thorax.

Prettiest fucking thing you are with laughter like a hundred bells. Absolute darling.

John hums quietly, eyes meeting yours and he has a thousand different blunt questions that wary in degrees of hurt and confusion but you are still here.

Sitting in your kitchen, sipping tea he made for you, wearing his bloody sweater.

His spouse, his love, his partner for life.

“I got really lucky, didn’t I?”, it’s a rhetorical question, but there is choking tenderness the size of Jupiter in John’s mouth and he isn’t sure how to tell you that he’d kiss the soles of your feet every day the same way he kisses your forehead.

That bathes with you felt holier than any baptism, that he was closest to god when he was with you, your fingers combing through his hair like he’s something precious. Like he’s something you love.

John doesn’t know how to express the enormous amount of love he feels when you smile at him, when you yell at him, when you push back and snap your fingers in his face, his cheeky treasure.

John doesn’t think he earned the right to pleadask you to reconsider.

“I got more than most people ever did”, he murmurs softly and laces his fingers through yours, softly squeezing — callouses of his hands rubbing on the skin of yours.

There is a small twitch in the muscle of your jaw, your eyes intense enough to make him sorry if he tries to push harder and reach the bottom of your head.

“What’s that?”, your voice cracks the same way it usually did when you’d catch flu, cough ravaging your throat, rasp weaving itself in your vocal cords.

John looks at you for the first time in a very long time and there is no exasperated condescension in his eyes, crows feet of his eyes melting into a smile so gentle you feel like crying. This bastard.

“You.”, he murmurs, thumb circling the knuckle of yours, eyes soft in a way they haven’t been in forever and this is so unfair, he could ask you anything and you could never say no when he does it like that. “I got you.”, he adds quietly and his smile gets gentler. “Even if I never deserved to, I just want you to know that I always wanted it. Always wanted you. Always will”

John holds you like your are precious fragile thing, his skin warm from holding his cuppa, palm cupping your face when he angles your face up and kisses your brow.

Like it’s a goodbye.

“You deserve to be happy, love. You deserve to feel loved, not just know that you are”, Price says and wipes away a stray tear of yours, his eyes creasing in the corners to hide the redness of them, sharp lashes wet with something he would never admit.

Weakness that bleeds down his throat and chokes him out. Tenderness he never learned because men aren’t about the sappy talk.

John thinks one thing, says another and does the third one so he never mentions that he knows you have the stack of copies of divorce papers in your nightstand and never mentions that he left a signed one on top of them.

You deserve better than silent signature and stubborn husband.

You deserve better than him. But god, if it doesn’t kill him to admit it.

Just one more thing John Price will never talk about.

#call of duty #cod mw2 #girl.snippets #simon ghost riley #simon ghost x reader #simon riley x reader #simon riley x you #ghost x reader #simon riley #john price x you #captain john price x reader #john price x reader #cod john price #price x reader #price cod #captain john price #john price #captain price #price

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