#because of your desperation of needing to be the hero?

[thiscityneedslessfog]

Yosuke is an awesome character and I need to talk about him, and how he’s a perfect representation of how your ties to a land are your ties to its people.

When we first encounter him in Inaba, he’s a bit of an isolated wreck—his dad is the manager of Junes’ Yasoinaba chapter, and Yosuke is isolated and mistreated for it, a reason completely outside of his control. When two women see him in his Rank 2, they start talking about how Junes is overtaking and closing down businesses in Inaba. (I could probably do an analysis as to why I think Junes is important to the themes of the story but this is about Yosuke)

As it stood, Saki Konishi and Chie Satonaka were the only two people with a genuinely friendly rapport with him by the time Yu Narukami came to Inaba. (It’s no wonder he was so distraught over Saki, especially since he’s heavily implied to have become so attached he developed a crush on her.) And Yosuke is used to this isolation. To the point Saki’s kindness towards him is startling enough that, again, he developed a crush on her. He got that attached to her. And Jiraiya even calls him out on it because he’s repressed and numbed that pain so hard.

And in his Rank 8, he’s actually vulnerable for one of the only times in the game other than the scene with Jiraiya, and doesn’t really know how to respond to being met with genuine affection and sympathy. This kid is so isolated he doesn’t really know how to react, so… he just calls Yu a dumbass.

even ignoring the fact I ship these two this scene is so damn sweet AUGH

When Jiraiya is encountered and we get introduced to Shadow Selves, Jiraiya accuses Yosuke of trying to stop the Midnight Channel Killings because of his boredom. Which understandably upsets Yosuke, since the main reason is really trying to find closure over Saki’s death. (Again, shadows are not the full person, as much as they’d like to pretend they are. They’re parts of you that are upset about being repressed. Fragments. They’re you, but not all of you.) But… Jiraiya’s not lying when he says Yosuke is genuinely bored out of his mind and trying to be a hero. I wonder if a part of the reason Yosuke wants to be a hero is out of desperation to not be so isolated in Inaba. He’s been demonized by most of Inaba thanks to who his father is, and he had only two friends at this point, and one just got murdered.

It’s touched upon in Yosuke’s Rank 9, where he tells Yu about the reason for that desire to be a hero. Not just to protect others, but to mean something to someone else—something he’s shown to need, and told by his own repression made sentient he desperately, desperately needs—something to get himself out of isolation.

At the point of the confrontation with Jiraiya, Yosuke was pretty detached from Inaba, and Saki (who is now dead) and Chie were his only two reasons to like it, which was the main reason he was so bored, he couldn’t find any proper ways to attach. In his Rank 8, he actually talks about how Saki managed to lighten his view of Inaba.

And then he starts to develop more of a friend group. With Yu, becoming closer with Yukiko, befriending Kanji, Teddie, Rise, Naoto, becoming closer with Chie.

And he slowly grows more and more genuinely attached to Inaba. His ties with its residents become stronger and stronger, and that’s what truly makes him love the can-barely-be-called-a-city of Inaba.

I really want to emphasize those last two lines of dialogue. There’s still necessarily nothing in particular to keep him entertained by the city. But the people around him, his support network, who protect him from feeling isolated, who comfort him when he’s being mistreated just for being the manager’s kid when he has no power over that… these people, who he’s allowed to be vulnerable with and lean on, to hug and have a friendly brawl with, people he can laugh with and exchange little things they both like together with… he has that. And now Inaba feels so much brighter, just because of that.

To be honest, it’s a little relatable when I put it that way. Not sure how much I want to disclose about myself, though. But man… I love Yosuke. I love this arc so much, dude.

[icouldntthinkofabetternamesook]

my brain made so connections

I'm not sure how pictures work here so this is gonna be formatted goofy but these two polycules/love angles have far to much in common and I need to share

Mel Medarda and Hazel Levesque

beautiful terrifying black women with mommy issues, gold, an association with wealth, prodigious magic powers, artistic pursuits and a distant brother. in a position of power in a system that will always see them as outsiders to some extent. big kindhearted boyfriend. terrible relationship with mother who is in many ways the antagonist of the entire piece and they never get a satisfying conclusion to their relationship(I see Gaea as Hazel's mom in this comparison). deeply and seriously underserved by a narrative that treats getting magic powers as the same thing as getting character development. I once again cannot overstate the shared connection to gold and wealth, especially gold. in many ways responsible for the events of the series but she did it for her mother's love so I can't blame her. Mels love of painting and Hazels love of drawing. A deep, loving, if damaged heart. if they came from anywhere near the same social strata they would be the same character

these two characters are defiantly cross universe variants of each other and their massive similarities kicked off this entire thought process

Viktor and Leo Valdez

scrappy, messy inventors with low self esteem, resurrections, a weird thing going on with a magical entity, and they both die to save the world. in weird sorta love triangle with the above. Leo has that pre arcane Machine herald vibe. they both push people away and are in a self inflicted cycle of loneliness despite being full of love. died for your sins and only got hate and pain in response

Jayce Tales and Frank Zhang

probably the least similar of the polycules. absolute puppies of men, tendencies to fail upwards, get put at the very top of a system of authority of a kinda fascist organization, magic totem of some form, come from some level of legacy in their systems though Frank has far more. most importantly in a weird polycule, love angle with the other two, officially dating the golden girl and has weird thing happening with the resurrected one.

these are both utterly delightful polycules were the boys should go make out so the girl can self actualize

a few more arcane riordan parallels under the cut with more thematic exploration

Caitlyn Kiramman and Reyna Ramirez-Arellano

queer woman of color who got pulled into the facism despite their good intentions

Vi and Piper McClean

a bit of a stretch, but messy haired lesbians in conflict with a lot of the existing order and pressure of family legacy. I kinda have it divided with Piltover=Rome, Zaun=greece. which leads me to another connection. their both very close to the next person on my list

Jinx and Annabeth Chase

now this is definitely a hear me out, but I love my girl geniuses who after a falling out with their family ran into an older male figure who loved them like family but nonetheless was horribly toxic and wound up falling into even through their genuine dedication to their righteous crusade being soured after a falling out with another figure who also acted in a similar capacity to the girl they took in and the story ends with the little girl standing over their corpse they are various levels of responsible for after choose their devotion to another over their toxic semi parental love who spends their last breaths reaffirming their relationship and ultimately winning a more centrist version of their cause after death. I just love when little girls wind up alone, and desperate to prove themselves because the system cares about them as weapons over children to be protected.

Silco and Luke Castellan

was right. bitchin scars. fallen hero figures who care deeply for the people they sent out to protect but ultimately became what they feared most and got corrupted by power. leftist hero's in a centrist narrative. this does not change the immense harm they did specifically to the young girl in their care they have weird semi sexual/romantic subtext with despite ultimately having a familial bond. they also have an antagonist relationship with

Ekko and Percy Jackson

the boy savior, far to much on their shoulders to early, leaders in their community, truly look out for the people, will spit in authorities eye but is also pretty close to some specific people in power, in love with the victim/adopted family of the villain/fallen hero. the one who breaks the cycle and saves the day

I managed to get most of the Arcane characters and the tip of the ice berg for riordan. this obviously has Thalia as Vander in the Luke/Silco, Annabeth/Jinx trio, as well as an association with wolves and dying in a heroic sacrifice to protect a little girl in their charge and ultimately coming back from the dead after being saved against their will. I think Vi might actually be the closest to Jason in this dynamic, especially after making Reyna/Caitlyn, but they don't have that much more in common. serious complexes about being what others need and a lack of internal stability? amnesia if you take vi's old league lore into account? I still prefer Piper I think they have more similar vibes and I'm trying to make the camps and city's line up

this also has Gaea as Ambessa and Calypso as Hexcore Sky. no one really lines up with singed or Sevika and no one lines up with Nico. Sevika works as Clarisse, as in utterly amazing butches

this might all just be similar tropes lining up in similar ways but I kinda like it

[magical-girl-coral]

Okay, what is the Internet's brilliant idea of how to stop the I/p conflict

*checks notes*

You people are planning on boycotting an entire fucking country?

[ehlnofay]

Pax should have said no.

Damn it all, they should have said no. Should have said go to hell and fucked off back – stop contacting me, sort out your own shit – but they didn’t, fuck knows why, and now they’re stuck here.

(They know why. They know exactly why; absolutely anything would be better than fucking off back to Cyrodiil. What’s for them there?)

But there’s nothing worth staying for here either, and now she’s crammed in between strangers on a long table, everyone dressed in fabrics she’s never seen with dyes so saturated they seem almost gory, eating stuff that isn’t food and talking loud enough to make her want to hurl a glass into the wall. It’s bizarre. The woman next to her, ruddy-faced and bald, wears a headpiece that shines like the sun the Isles doesn’t have; the other side is taken up by a stranger in a bone-white porcelain mask who has not moved but to swill the wine around in their glass. There’s scarcely room for Pax’s chair. It all feels like such a baffling pantomime of aristocracy (she's known the real thing well enough – feasts and toasts and luxurious gifts she had no use for, and if she doesn’t stop thinking about it she actually will throw a glass), bright colours and rich settings and a god taking offerings at the head of the table.

At least, Pax thinks, no-one tries to talk to him; they’re too busy fawning over their lord. Which is probably to be expected; but it all feels so strange, so unsettling, the way they all lean in towards it like flowers turning to face the sun, like seaweed dragged at by the inescapable pull of the tides. They grow towards it through the cracks in the air, matter moving toward the inevitable centre, as if they can imagine nothing more than this.

(Even more unsettling is the way it responds in kind, listening attentively to anyone who speaks to it, leaning in as though to kiss them, as though to swallow them whole. All hell, why did Pax agree to this? Why did they come?)

(They should have told it to fuck off. Should have said no way, I don’t want to help you, don’t want to get involved in anything you’d need my help for. I don’t owe you anything. I don’t need anything from you. I don’t want anything to do with you. I’m done.)

(Pax is done. Pax is sick to death of all this shit; doesn’t want to deal with this, the vaguely described problems of a god that picks people apart like it’s unravelling a thick yarn shawl. Doesn’t want to deal with anything like this. He’s had his fill of gods.)

(Why is he still fucking here? Why did he agree to this? This is no better than eating in that weird fucking inn in town. This is no better than –)

(That’s a lie. It’s a bit better than Cyrodiil. Just as much a shithole, but it pulls the rug out from under him often enough that he doesn’t have time to think too much.)

“Not hungry?” says a prowling voice, coiling catlike into the plaits in their hair, and Pax jumps enough to jostle the masked bastard sitting ramrod straight next to him.

He looks up.

At the empty placemat across from him sits a figure veiled in gossamer, glittering in the glow of the lit-up lichen on the distant throne; the fabric of its endless shawls pulls apart at the ends, peeling away from itself, shedding patches like iridescent insect wings every time it shifts. If Pax squints, they can see through it to the grand marbled wall behind.

She glances back at the chair at the head of the table, where something lounges, eyes dripping gold, intricately carved cane laid across its knees; its too-many fingers are laced with the hand of a man whose gown blooms floral. Flatly, she says, “What the fuck?”

“Aren’t you hungry?” Sheogorath asks, pouting; she can hear it laughing down the other end of the table. “It’s a proper feast. We pulled out all the stops.”

Pax shifts their eyes away to peer down at their plate. “You have served me worms,” she says. She flicks the dish with a fingernail. “In jelly. With flowers.”

“Larva, actually,” Sheogorath replies. It’s still at the other end of the table. It doesn’t seem eager to explain this. When it smiles, the gossamer falls away; its whole face splits in half.

It’s all so fucking stupid. Pax takes a deep breath – in through the nose, ignore all the odd spiced smells, and out – and does not yell at it, or try to hit it, because she’s gotten herself into a situation where that’s not really an option, because she’s a fucking idiot. Why didn’t she just say no?

(She knows why.)

The Mad God’s teeth flash bright as the ornate silver cutlery. Its chair scrapes back from the table. “It melts in your mouth,” it tells her, eyes glittering, “but I won’t make you try it. Walk with me?”

The figure still sits at the head of the table, snatching something from someone’s plate, always, always laughing. Its limbs sprawl like tentacles, like the silken threads of a tapestry, to encompass the whole room. The dinner guests stare as though bewitched, bedevilled, beguiled. Not one of them is looking at Pax. If he were to drop dead with his face in the food his corpse would not be discovered until sunrise.

Pax sniffs and shoves his chair back from the table. He lets Sheogorath (the second Sheogorath – but it must be, what else could it be?) lead him through a narrow door into some winding hallway, the walls lined and rimed with ornate coloured-glass windows. (It’s so much quieter. Still as garishly bright, but Pax is getting the sense that that is inescapable, here; the clothes they wear, as crumpled and covered in travelling-grime as ever and startlingly out of place against the odd jagged finery of the dinner party, seem unimaginably dull in comparison. Everything seems unimaginably dull in comparison.) Outside the windows, they can catch glimpses of the city – its winding, lamp-lit streets, the jumbled mess of its architecture, the sky arcing above it like a child’s attempt at watercolours. Pax wants to smash it, tear it down.

There’s no sun here, but still it’s night. The sky has shifted to purple and black.

“Isn’t it nice?” says their companion; when they look back, it’s nothing more than a shifting impression in the stained-glass window, a series of hairline cracks. It still manages, somehow, to smile at them.

It’s not. The sky is a shadow and the flamboyance of the palace is scraping at their spine. “Sure,” Pax says flatly. When she flexes her fingers, the bruising staining the base knuckle of her thumb aches.

Sheogorath looks at her – an ancient man leaning on a stick, a flickering painting, a bloody corpse, a little girl in velvet-red skirts, a breath. In its mercurial shifting she catches the flowery blossom of the man at the table’s collar, an unpleasant glimpse of her own braided hair, the smell of sulphur. It tips its head. She can’t focus on it anywhere but for the eyes.

“You don’t like my dinner parties,” it announces, as though it’s a revelation, a tragedy; its body crumbles like sea cliffs slowly eroded by the ways. It’s annoying – bloody obnoxious, and incomprehensible, and kind of weird that it noticed, that it would even care. (She’s never liked dinner parties. Nobody ever commented on it before.)

I’ve had well enough of them, Pax could say, or no, I don’t like you, but it’s the fucking Mad God, Daedric Prince of – Pax doesn’t even know what, he’s never known much about this shit, only that it’s well worth avoiding. Prince of the mad and the missing and the foolish, of breaking and breaking and putting yourself back together backwards. She should have said no, but she didn’t, and who knows what would happen if she went back on that now?

It's slinking closer. All that stay static enough to make out are eyes and teeth.

“Pax, yes?” it says, soft-voiced – a hand lands on his arm, small and dry and shivering, the skin as thing as a mouldering leaf. “You have no obligations here. If you want to be on your own, be on your own. We’ve plenty of space for it.”

Pax’s eyes narrow. He does not jerk away from it.

In the light of the coloured sky, the coloured windows, its face is phantasmagorical. “If you don’t want to be here,” it continues – still so skin-pricklingly gentle – “then your hand will not be forced. I’ll speed your way home if you wish.”

They can’t help but twitch at that. It’s setting their teeth on edge. (It’s lying – has to be. After its ages of coaxing them in, meting out information, not telling them where they were until they were on its doorstep, it would not give them the chance to leave.) Rough, still covered in road-grime, Pax asks, “Why should I believe you?”

(None of them have ever given them the chance to leave.)

Sheogorath, a figure of hollow skin and bone, inclines its head. “I wouldn’t lie to you, Pax,” it says. Its eyes are wide and bulging, whites on full display like a frightened horse; it grins again. “Others might. But we’re not a monolith. We’re not even especially similar.”

Pax bites down on the flat edge of their tongue. “That doesn’t mean anything to me.”

The light coming in through the windows flickers. The Mad God turns to meet it.

“I’m the youngest,” it says, its voice glittering like mist on the air. “Did you know that? I don’t remember the world without you in it.” Its form spasms, volatile, wings and limbs and eyes like a snail’s on stalks sprouting and choking and subsiding back into its mass. “I’m closer to you than any. I understand, almost.”

“That doesn’t mean anything,” Pax repeats. She’s gritting her teeth, tonguing at her gums where two are missing. Are two devil-gods not enough to deal with for a lifetime? Is there really going to be more of this now, too?

Rolling through the air like smoke, the voice says, “It will.”

Pax presses purple-green knuckles to her mouth. Her teeth dig into the soft meat of her lip.

Sheogorath turns to face her, hair moving as though blown by the wind, as though tugged by the tides. It sighs. “You don’t believe me,” it says. Its tongue pokes through its teeth. “That’s perfectly fine. Clever, even. But if you want to leave, all you need to do is tell me so.” It pauses, then; the train of its strange, gnarled crown shifts over its shoulders when it moves its head. “Or just leave. The door is still open.”

“You’d be fine with me just leaving,” Pax rasps around his knuckle, “after weeks of not leaving me alone?”

(Of begging him to come, poorly-hidden agitation giving way to blatant franticness, half-swallowing the fear that choked its face in every mirror it spoke to him through. Of begging him still, after he got here, after he met it – begging in a roundabout manner, casual as anything, its every motion reeking of fear. Its abject terror when he turned to leave. You’ve come this far. Why not hear an old man out? Pax told it that it wasn’t an old man, that he didn’t give a shit either way, and it slid through a child, a monster, a sulphur-burned body coughing blood, his own shuddering form in armour he hasn’t seen in months, and it said please.)

(Regained its composure, its gentleman’s face, immediately afterward. But it – the Mad God, unknowable, inconsolable – said please. Pax still doesn’t know what to do with that.)

The Mad God, now, shrugs. Taps at the hairline cracks in the stained glass windows. “I’d prefer you didn’t,” it says, one pair of hands braiding something intricate into its beard. The hand on the glass slips down. “I told you. I do need a champion.”

“And I told you,” Pax bites, something aching and ugly surging in their gut, “not to call me that again.”

A smile, bloody-mouthed and beaming. “But we will abide,” says Sheogorath, and digs its fingers into the cracks of the stone. One brick slides loose, mortar dug up under its nails. It offers it up.

Pax licks their teeth and takes it.

The brick shivers, momentarily – crumbles, in their hand, like sand slithering through their fingers, and left in their palm is a hardy slip of bone. Spiked and sprawling, carved with intricate patterns; it arranges itself around an oval of empty space, the perfect size for four sharp-knuckled fingers.

“You can always leave,” the Mad God tells them, and for a moment it does look so very young and strangely, staggeringly hopeful. “But give it a chance. I think you could love the Isles, if you choose to.”

[polysyndetonaddictsupportgroup]

did every hero really follow endeavor's plan during the jail break? I've never watched bnha, but I always figured there were more heros then Japan knew what do with. Was endeavor really just that worried about how the fight again AFO would go? and did AFO have the league with him? or other prison escapees? Given eraserhead was so entrenched?

As a preliminary matter--yes, it was way more than AfO. The League basically did what they did during the USJ arc and subcontracted their violent attacks. They needed a big force to first get AfO and everyone else out of Tartarus, and then they made it very clear (via loudspeaker and also fucking tweet) that they would all be very peacefully retreating while all those criminally insane and violent motherfuckers went that other direction. Ball's in your court as to how you want to tackle it.

AfO was the biggest threat, by fucking far, but it was far from isolated to him. It was the entire League of Villains + Their Very Special Friends. It was the kind of force that would be required to make the entirety of Tartarus fall for the first time in history. So the heroes had plenty to keep them busy.

And as to whether Endeavor was that scared about the next fight with AfO... Yeah.

I think bnha does a good job at establishing that All Might and AfO just exist at entirely different levels than every other person alive. Their fight leveled a decent chunk of Kamino. And I think that's kind of power and devastation is hard to conceptualize as like, people in a world where we don't have to worry about superhero fights. (as a side note--Sukuna's Big Fight in the Shibuya arc from JJK did better than any other fight in media to really capture the sheer cosmic horror of being caught as a bystander in one of those fights).

But endeavor saw it. He was there for AfO’s and All Might’s last fight. The gods were fighting. Everyone else was just an ant.

He is facing the villain that ultimately took down All Might. All Might won Kamino, sure. But he didn't get up again after. He was permanently and irreversibly taken out of play. And Endeavor has spent the last year feeling like he was struggling to be even half of what All Might was with two hours of productivity a day. He was so consistently voted to not be able to compare to All Might that he bought a wife and had four kids about it, all of whom hate him actively.

He does not think he is winning this fight. He is Japan's number one hero. The responsibility is going to fall to Midoriya Izuku to him. He is the best they have left, and the fight that would be coming was one that already nearly killed All Might, the one guy he has never ever been able to compare to. And when he really looked himself in the mirror and asked if he could stop AfO, the answer was no.

And it wouldn't just be AfO if he came back to power. It would be his followers--and he was liable to get more than just the current League of Villains roster. It would mean more Nomus. They could barely handle one Nomu--how could they possibly handle the Nomus, and the LoV, and AfO?

And the answer that he came to was that they couldn't. Not without All Might.

He thought he was sacrificing Yokohama for every single other city AfO was going to level if he had time to grow in strength again. He thought that if they threw absolutely everything they had at him while he was weak, then maybe they could contain him and the League before entire cities fell.

So. That's why he came to that decision. Why did every hero fall into line?

So what’s key to what happened here was it was this complete structural breakdown at exactly the wrong time.

Structural Flaw #1: Transportation

Was it every hero in Japan that responded to Endeavor’s order? No. But not every hero in Japan was available. Any heroes out of the immediate area were too far away to do shit.

But it's a massive crisis. Heroes would commute from all over if they could--but it's not about desire, it's about time and resources. With how imminently emergent the threat was, a lot of far-away heroes would need something like a jet to even conceivably get there in time.

Who is sending the jet?

Let's pin down what heroes could, conceivably, get there in time. Very few heroes are in walking distance. How do heroes typically get from Point A to Point B?

Hero society in bnha is an agency model. There is no communal pool of resources--you have what your agency has. You have a jet to transport you if your agency has the money for one, and I’m pretty sure only all might had that (he has since had it dismantled and the parts repurposed for the sake of the environment. He only had it to begin with so he could quickly respond to imminent threats. All Might thinks there's more than one way to save the world and saving the environment is part of it). Like. We even saw Endeavor flying fucking commercial.

But let's just assume, arguendo, that some agencies have jets. It would have to be the very top agencies to possibly afford it.

All of whom are shown in canon to mostly operate out of the same area. So they're going to have to send the jet somewhere else to get more heroes. Now any travel time is doubled. If they do send it out, how many people are they realistically getting? Are these heroes in multiple different cities? That's more travel time then. Maybe we just land the plane in Kyoto and whoever gets on in the twenty minute period while they're refueling is who is coming back. We'll hand them parachutes and kick them out the plane door over Yokohama. Okay. Good plan. Go team.

Who is sending the jet?

Like, who is physically making the call to send the jet? Who do they call? Do they just start ringing around their buddies and seeing if they have other plans? The city is on fucking fire and we need people fighting now, so the big name heroes don't have time to organize transport with other agencies. They’re not even thinking of that right now. Make it a sidekick's job.

They are all on fucking strike.

Fuck it. Fine. Make it an admin's job. There has to be some kind of office staff who can work a telephone who's available.

Who is thinking to send the jet?

Admins are not making strategic calls about where the company jets go. There would have to be some kind of protocol in place or someone with the authority to send the jet would have to think of it in the moment. And I guarantee you this would not be the case.

Because this is a society where they have canonically semi-privatized public safety and put people in direct competition with each other over it.

ASIDE: The Economic Structure of Heroics and Why It Sucks

I have an economic structure. You must listen to it. I promise it is relevant. This is why it takes me forever to do things it's because i get too deep into the weeds and have to explain the fucking economic structures underpinning the analysis for my nonsense to make sense.

How the fuck do heroes get paid?

I have no idea if canon ever tells us because to be so for real with you guys I have not watched this show in years. I haven’t cared about canon since the Shie Hassaikai arc. The fucking YouTuber arc broke me. I literally never watched it again. If they ever explain to us how heroes get paid I do not know and I do not care. I refuse to go back to canon. Everything I found out about canon after the Shie Hassaikai arc, I learned against my will. The ending to this story was so fucking stupid and I only have a scattered knowledge of the details but I’m still right. If canon ever tries to explain it then please do not tell me, I refuse to learn more things about this show.

But I still like poking around the potential economic structures based on the part of canon that doesn’t cause me psychic damage. So here’s the thought process for the economic underpinnings of hero society in the pez universe.

From canon, we know it can be an enormously lucrative profession, we know that it involves some degree of private interests (re: merch lines), and we know that there are some people who cannot have merch lines (Underground Heroes, e.g. Eraserhead), so there also must be some kind of public funding aspect to it as well. So. Who the fuck signs your paycheck?

Sources of Funding

a. Public Funding

There must be some kind of official governmental budget for heroics. Like. They are very much a public service. There would be no way to have a fully private heroics force without government funding. What else are you supposed to do, fucking Venmo heroes after they save you? Do they put your kitten back in the tree if you don’t have enough.

In my mind, there's public funds allocated to heroes as part of a city's budget. That funding is allotted based on the number of employees in a given entity balanced against the confirmed acts of heroics of that same given entity. There’s a base salary level and that can be increased based on how successful you are, but salary isn’t exclusively what this fund is for. The heroic entity (an individual hero or an Agency) is effectively receiving grant money from the government to run their agency. You put it into salaries, gear, office space, everything. The government is basically investing in heroes, and it’s investing more in heroes who are shown to have a greater positive impact on society.

It involves overly complex calculations regarding the scaled difficulty of a given bust/rescue/act and ranking of the villain (if there is one) and the overall public benefit for the service rendered. You get bonuses for having a lower average property damage, for contributing to community building projects, that kind of thing. It is Complex. There is a lot of paperwork that has to be submitted to strange and vaguely threatening government accountants. When Mirio and Izuku start their agency, they will burst into tears multiple times trying to figure it out once filing season rolls around, bundle all the paperwork in a Massive Tears And Shame Package, mail it off to the shadowy powers at be, and then get a perfunctory notice that they are getting a ludicrous amount of the city budget allotted to their dinky little agency for the upcoming fiscal year because they are Big Fucking Heroes and enormously good at what they do and it reflects in their stats. They will then lay on the ground of their haunted fucking office and stare at the ceiling for a very long period of time.

But this puts the heroes in competition with each other. Your public funding is chained to your stats under this model. There's only so many criminals out there--you've got to get the right numbers or it cuts into how much of a slush fund the agency is working with.

It's sort of an insane model for a public servant position, but I think it matches with what canon shows us. Imagine having firefighters pitted against each other. like, having a competitive model for public safety raises extreme concerns about how it incentivizes public servants to act.

But this isn't canon's model. It's my guess as to how canon works based on the hints i can remember and my own mental illness. So why do I think canon suggests a model like this?

It's because 1) canon does establish that heroes are in competition with one another and 2) this kind of model would likely be necessary due to the level of autonomy that heroes have.

The literal first fight we see involves heroes in competition with each other. Kamui Woods is doing a big Ultimate Move, and Mount Lady rushes in and steals the show. Like. that is crazy behavior if we are looking at this through the lens of a typical public servant. Imagine you're trying to get directions from a park ranger and a different park ranger kick flips in with a map and a desperate need for you to get your directions from them instead. You call poison control and they’re beating each other in the head over who gets to tell you you’re dying.

Still, on its own, the competition isn’t dispositive, because the private income streams (we'll get there) would incentivize competition even if public funding wasn't based on it. But the level of autonomy that hero offices exhibit also suggest some kind of competition model.

Heroics agencies are not run like a typical police force or fire station. With most entities that function as first responders, they respond to some kind of centralized force (like 911 call centers) and they have highly regulated resource distribution. Like, police forces are restricted to a specific jurisdiction. Within that jurisdiction they have multiple districts and officers typically stay in their district. They're not going to a different fucking city because they think the crime is cooler there.

But Endeavor does exactly that. He's like "hello, son who hates me. Let's go to Hosu because I want to fuck with the hero killer for street cred. won't you come along. It is non-optional" and todoroki says "i hate you father and will abandon you on our father son trip to set a serial killer on fire with my mind. it will be for mildly gay reasons."

These agencies aren't a centralized public service. They are all just off doing their own thing. They're not responding to specific areas as allotted to them by the city--they just fuck off and do whatever. Like, there's probably some coordination between agencies as to who is covering what patrol, but it likely would be more out of courtesy than formal requirement. People wouldn't step on each other's toes nearly as much if there was more of a structure to this.

Typical public agencies who receive funding in accordance with staffing and budgetary needs have more structure and formality than is exhibited in canon. Heroics Agencies act like they're all independent contractors. They probably function like grant money recipients, where they're all fighting for the same pool of funds. You have to write in and show why you deserve that money when that's the case. They're in competition with each other.

Like, is this definitively the structure in canon? No, of course not. I have no fucking idea what, if anything, canon has going on. But it definitely fits with canon.

b. Private Income Streams

We know from canon that it can't just be public funding. Izuku alone probably paid for the Mighty Agency private jet with how much fucking all might merch he bought. Canonically, heroes have merchandise lines, branding deals, commercials, everything. All Might had fucking movies made about him. Those are all extremely lucrative income streams--and likely where the richest heroes get the biggest brunt of their income.

In order to get this kind of income, you are necessarily in competition with your fellow hero.

Public attention, spending money, screen time, all of it--it's a limited resource. You have to be the person who gets to the fight first, who does the big move, who saves the day. If it's someone else? Then that's another kid buying their action figure instead of yours. Heroics is heavily commoditized in canon, and that inherently invites competition.

2. Distribution of Funds

So now that we have a theory as to where the money comes from, how does it get paid out? Based on canon, it comes down to a structure of (a) Independent/Underground Heroes and (b) Agencies.

a. Independent/Underground Heroes

I can't actually remember if the word "independent" is said in canon or if I came up with it, but I think canon implies its existence. It's basically the same thing as being an underground hero, but you're still a Spotlight hero. I also cannot remember if the underground/spotlight thing is canon or fanon or what I’m sorry I haven’t watched this show in years.

Independents are spotlight heroes without the backing of an agency. They just go out every day with the clothes on their back and a dream. They have no support staff, no back up, and no one to help them if things go sideways.

It is not a popular employment option.

Part of it is because it's that much harder to fund being an independent. Like. Say you're just out of high school and you decide to strike out on your own as independent. You're still spotlight, so you can have a merchandise line, and that'd be a nice income stream while you're just starting out.

How the fuck do you start your own t-shirt line?

How do you make contracts with the manufacturers? How do you make and copyright the design? how do you sell the stupid things? Do you try and get them in Walmart? Do you start an Etsy? Your own website? do you call your mom and cry when you have 500 ugly t-shirts with your face on them that no one wants to buy and they're taking up all the space in your studio apartment.

Agencies have preexisting structures in place to help launch these kinds of options, which is one of the reasons why they're so attractive for baby heroes just starting out. The only reason why Mirio has merchandise is because he decided that he didn't care and didn't need to make merch and Izuku came after him with feverish crack addict energy because he cared and he needed Lemillion merch like. yesterday. All Might ended up getting his agency to start a lemillion line. Mirio gets the profits with a reasonable fee to the Mighty Agency. To this day he suspects that Izuku is 70% of his sales but Izuku denies this fervently, like a liar (he actually has a small but very devoted fanbase who rabidly support him and buy all of his merch. he would cry if he knew this. Still. Izuku is his biggest fan and buys literally every single piece of new merch in triplicate.).

Underground heroes are in the same boat as independents but they don't even have the option of a merch line. They exclusively get public funding unless they're backed by an agency, which none of them are because agencies have a tendency to fuck them and their busts for the sake of the spotlight. All underground heroes are bitter and culturally opposed to agencies.

On that note:

b. Agencies.

This is where by far the most heroes would end up. But an agency is like thirty dudes with the same joint bank account. How does the money get there and get distributed out?

i. Public Funding in an Agency Context

Take the above model. How do you attribute public funds based on personal statistics if there's no single person? Does everyone get their own check? But that wouldn't make sense--this isn't just for salaries, it's for funding the actual heroics itself.

Everyone under the same agency would be counted together for the purposes of funding allotment. If Sidekick A managed 300 busts last year and Sidekick B man managed 350 busts, then congratulations, The Big Hero Hero Agency made 650 busts last year, here's a check made out to the agency, figure out what you want to do with it.

But what about incidents that involve multiple heroes from the same agency? Let's say that The Big Hero Hero Agency is involved in a big bust. It is Sidekick A's baby. They have spent months doing this. This has been blood, sweat, and tears. When the day comes, they are joined by Sidekick B, Sidekick C, and Big Hero himself. Sidekick B has been helping Sidekick A for the past three weeks on this case. Sidekick C got called in the day-of to help.

Big Hero showed up for the last twenty minutes of the fight when they were mostly done with everything.

So. You're filling out the post-arrest paperwork. For funding and for public statistics, you need to make sure to properly account for who gets credit for the bust. It has to be one person--if you had everyone individually credit themselves for the bust, then it looks like you've resolved four incidents instead of one under this financial model. it's artificially inflating your numbers for public funding. that's fraud. Who should get the credit: Sidekick A, Sidekick B, Sidekick C, or Big Hero?

Well, there's nothing stopping Big Hero from writing their own name. So let's go with Big Hero. He helped.

This was one of the big sources of the sidekick strikes: a lot of agencies had an absolute policy of attributing successes to the name hero if they touched the case at all, because there was no rule against it. It was better for the agency, after all--unrealistically high numbers on the biggest name meant the agency as a whole appeared more successful.

So there were a lot of heroes artificially inflating their stats with things that were more properly credited to their sidekicks. Which made it all the harder for sidekicks to leave because their stats were shit because their boss was taking credit for their work.

ii. Private Funding in an Agency Context

But that’s just public funding. How would agencies distribute private income streams?

Big Hero Agency is proud to announce its newest line of Big Hero Action Figures, featuring the Entire Big Hero Team, now retailing for $39.99. Get it now from a store near you.

So. An agency is selling an action figure line featuring Sidekicks A, B, and C, as well as Big Hero himself. We’ll round up to an even $40. How do we split up the cash?

You can’t give everyone each $10. You have to first pay the suppliers, the advertisers, the trucks that shipped the toys to the store, etc. Then you have to pay back into the agency to fund miscellaneous expenses—the stationary, the insurance, the coffee in the fucking break room. Everything. By the end, there’s only $4 of profit left over. Not great, but hey—they’re selling a lot of toys. So if they each get a $1, then it should add up quick.

Right. But. If you think about it, people are only really buying it for Big Hero. He’s the best hero of all of them—his name is on the agency, and just look at how much higher his stats are. So it’s only fair that he gets $3.70 a toy and the rest of them can get $.10 apiece. Don’t worry, it’ll add up quick.

Not all agencies would have been like this. But a lot of them would be. Money is a hell if an incentive to screw people.

END OF ASIDE.

With all that in mind—why would they feasibly have a structure to fly in help from other heroes far away? That’s their fucking competition. Sure, we have team ups, but they’re all either well in advance or in the heat of a moment. If they are in the heat of a moment, half the time the heroes resent it because they just stole their fight. They’re gonna what—pay the exorbitant jet fees to fly in someone who’s just going to steal their hard work in the eyes of the public?

Okay, but what about situations like this? Massive emergencies where you need more people?

Those haven’t ever happened before. They had All Might.

So. The heroes on the ground calling in help are out. What about the heroes who are close enough to make it there by ground transport? No one calls them, they just show up out of public need. How are they getting there?

Trains are out. All the trains into the area are shut the fuck down. We are not giving the freshly escaped villains a bullet train to the rest of the country. Same thing for buses. No fucking bus driver is making their regular route into a fucking battleground.

Private transportation it is. Anything more than a few hours out of the area is completely out of the question. Like, good ol’ Manuel from Hosu City and all his buddies? Not making it. The wild wild pussycats? Watched this on TV from their mountain home. Gran Torino? On FaceTime with All Might, who is watching the fight with Midoriya Inko’s hand gripped in his left and Bakugou Mitsuki’s hand gripped in his right. Gang Orca? Twelve hours away and on a fucking island so he needs a boat AND a car to get there. Or he just fucking swims.

But there has to be at least some hero that saw this happening and heroically climbed in their Mazda sedan to make the three hour car trip. Why didn’t they go to the fight in Yokohama instead of the one against AfO?

Frankly at that point those literal children were visibly doing way better than the actual heroes were faring and any heroes showing up went where they were most needed and uh. It wasn’t by the kids.

If we have the agency model as given to us by canon, then that means there is a decentralization of resources. If you want to utilize your public defense force in the case of emergencies, then you need a way to fucking get them to the emergency. Canon does not have that. This is a huge structural failing that only wasn’t a disaster sooner because most emergencies required one guy and he had his own private jet. So most heroes in the country never had to even consider if they would listen to Endeavor’s order because they were completely cut off and useless at the time.

So. Now the analysis has been narrowed from all of Japan’s heroes to just the ones in the immediate vicinity of the fight. That’s still a fuck ton of heroes. This is a heavily populated area with a bunch of heroes around. You can’t go outside without tripping over a hero.

Most of those guys were on fucking strike.

Structural Flaw #2: Over-Reliance on and Abuse of Sidekicks.

The vast majority of the workforce had to be sidekicks. Like, just from a business model perspective. Even the smallest agencies we saw had 2-3 sidekicks. Endeavor’s agency had at least double digits, and I think Idaten was at over a hundred or something. We were probably looking at, conservatively, a 1:10 ratio of heroes to sidekicks.

All those guys are on strike.

Okay. But not all of them, right? Idaten already settled and got their sidekicks back. That’s like a hundred guys.

Except the Strike was not isolated to the Tokyo/Mustufasa/Yokohama area. Idaten sent out a lot of their sidekicks to other regions to help alleviate some of the strains of the strike. (As a note, this was not the Idaten sidekicks crossing the picket line. Them picking up the slack for other sidekicks still striking would have helped minimize effects on the public. However, the agencies of the striking sidekicks would have reaped no benefit from this under the compensation structure outlined above. Idaten would have gotten the credit for everything their sidekicks did, so the other agencies would still be bleeding from this while risk to the public was slightly alleviated. Idaten’s entire function in this strike was to set an example for quick settlement and minimize public harm. There’s this entire sub-analysis on Idaten’s internal culture and how it intersects with broader heroics standards that I won’t get into now this is already way too long.)

Idaten is at 1/10 capacity. It has like, ten guys, all of whom have been working say, thirteen hour shifts (voluntarily—again, it was a decision made to try and minimize the public safety risks of the strike while still allowing their colleagues their best chance at improved conditions) daily for the past month.

All of those ten guys responded to Tartarus before Endeavor made the call.

To understand the exact nature of the breakdown, you really have to see the chaos of how exactly this unfolded.

The LoV and their merry band of criminals hit Tartarus. The heroes do not realize at this time that they intend to let everyone out, give them transportation, and point them straight towards the mainland. They think that they’re just there for AfO. That’s still a huge crisis that needs to be shut down immediately, so they call out all of their best. Endeavor responds. Hawks responds. Eraserhead responds. Mt. Lady, Kamui Woods, Miruko—everyone in the vicinity who could conceivably respond show up. For a second, it looks like it’s going to end here.

Once the LoV get AfO out of his cell, the entire tide of the battle turns against the heroes. Now everyone’s out. All of those horrible, terrible villains. Tartarus has fallen. They have to make hard decisions. The high ranking, very powerful heroes who are most likely to break the line on Endeavor’s decision? They’re already at the fight by the time he has to make it. It is chaos and something they cannot easily leave.

The LoV’s picked right now because they knew that the heroes were operating at less than a tenth of their regular capacity. They picked right now because they knew the system had structural faults, and if they hit them just right, it would all come down on the heroes’ heads.

But the sidekicks broke strike lines to respond, right? Why do they all go to endeavor’s side?

For one thing, it wasn’t all of them who showed up—maybe a third of them were not even in the area any more. It wasn’t malicious, or intentional, or anything like that—they were off visiting their families for the first time in a long time or taking vacation. All of them had spent the past few years being completely overworked and abused by their jobs. They just weren’t there.

So now we’re down to 2/3rds of them who can even try to show up.

A lot of it wasn’t actually made as a reasoned choice. For many of them, they ended up where they did because of all the chaos.

So you’re a sidekick. You’re on strike. The entire world has gone to shit. How do you normally find out about the world going to shit?

This is a competition model streamed through individual entities. There’s no central command structure. Your agency calls you.

Well, your agency either fucking fired you or they cut you off completely during strike negotiations. This time, you find out through the news when the story breaks. Now what?

You frantically try to get in touch with your (ex) agency. Who is picking up the phones?

No one. That was your fucking job before you went on strike.

I used to work at a government public-service type deal, and let me tell you, they abuse the fuck out of non-unionized workers. You are doing everyone’s job. No one ask why we don’t get more support staff because they have unions. Like. I had a law degree. I was hired to be a lawyer in that office. They had us all doing the jobs of four people, and by that I mean it would be the literal entire job description of another fucking position in that office and we were all expected to just do it too.

Unions incentivize treating workers right. The absence of them opens the door to the opposite.

Why the fuck would agencies hire more people to lighten the load on the sidekicks and let them focus on actual heroics? Just make the sidekicks do everything. What are they going do, complain? They’re a dime a dozen. Hire more of those fresh faced kids with no standards just out of school.

You know when you had a job where you’re like. This fucking place is going to fall apart without me. But they treat you as disposable and easily replaceable and you’re like “okay bet” and so you leave and you find out from the people left behind that it actually fucking fell apart without you and you’re just like :o

Yeah. So that happened.

There has been a massive break down in the function of heroics offices for the past month and change because the sidekicks were not there. They were the ones who actually did most of the day to day handling of the office. They were the ones coordinating transport and figuring out the actual mechanics of who would be deployed where in a crisis. All those things that would be super helpful now? Yeah, those guys aren’t there, and they’re locked out of the fucking offices and can’t get in to un-strike for the sake of societal crisis.

But they know where the fight is. It’s on the news. Why don’t they just show up?

Where’s their gear?

Who owns it?

Heroics support gear must be an enormously expensive thing. It would have to be provided by the agency itself. Literally the only reason why Mirio has gear is because 1) all might would NEVER let his pseudo step son run around without proper support so the man would have bankrolled it himself if needs must and 2) the UA support class has a stipend each year where they can make support gear for active heroes and those heroes get it for free in exchange for free advertising for the students trying to kick start their careers, so he is decked out in THE most experimental bullshit from Hatsume Mei Industries (I have this entire side plot where the support class this class year low key became a sort of religious cult haha not really it’s just a joke it’s not really a joke and power loader is afraid every single day when he comes to work he is afraid under the iron clad rule of Hatsume Mei’s weird girl energy and they all decided Mirio was the Tabula Rasa, a figure of prophecy, and I just cannot get into that right now it’s too long it’s too long already. But it’s so fun).

All those sidekicks on strike lost valuable time trying to get back into their agencies so they weren’t showing up to an S-class villain fight in their fucking jammies. Then, when some poor admins figured out what was going on and let some of them in, everyone was frantically gearing up and getting in whatever transport van they were pointed at. Some of them didn’t know they werent reporting to Yokohama until they were already at the other fight. There’s was so much chaos and confusion that very few people had a clear idea of what was happening.

With the sidekicks, some of them never made it, some of them just got in a van and went wherever it took them, and some of them chose to obey Endeavor’s orders. Some agreed with the decision. Some disagreed but deferred to his experience. With how the Sidekick Strike had left their infrastructure, very few sidekicks were able to respond fast enough to make any real difference.

Now for the last possible demographic: the heroes that weren’t on strike and weren’t initially deployed to the Tartarus Prison Break. Why didn’t any of them go to Yokohama?

Structural Flaw #3: All Might was that one kid doing the entire group project for like forty years and some of these people are having to be heroes for the very first time and realizing that they don’t actually want to risk their lives to save people they just sort of liked the idea of this job.

It may be a bit too specific to be a structural flaw but I’m counting it anyway.

So, just to give a bit of a recap: We consider every hero alive in Japan as a candidate for Endeavor’s order. The vast majority of them are too far away to do shit, and there’s no centralized transport network to get them there faster. Toss in those who are dealing with personal medical issues or are away on vacation or just can’t come for some reason or another, and you’ve lost most of the heroes in Japan as respondents. Probably ~80% of potential heroes are culled from this alone.

So we have, generously, 20% of Japan’s heroes left as potential people to respond. ~90% of those are sidekicks on strike. They’ve got hours before they make it to any fight, because of the aforementioned structural breakdowns.

Now we’re down to 2% of Japan’s total heroes.

Some of that 2% were first responders to the initial Tartarus prison break. All the big name heroes in the area. But there can’t be that many top heroes—so let’s say 0.2% of them were at the initial fight.

Now we only have the remaining 1.8% of heroes to analyze.

There have to be a percentage of those who agreed with Endeavor’s call as a tactical decision. If they show up to any fight, they’re going to be obeying his order.

So we only have the ones who disagreed with his call left to look at.

These are small-time heroes. All of the big names are already at the fight. So they are less likely to have flashy Quirks, be especially talented, or consider themselves to have an especially large effect in the grand scheme of things. They have likely spent their entire careers living in a world with All Might.

It has never actually been down to them.

Think of Uwabami. Momo did her work study with her.

Her hero outfit is a fucking evening gown. She spent the entire work study doing commercials and meeting with her fans. She explicitly invited the young heroes that she did because she thought they were cute enough to be in commercials with her.

Now, she’s had some good if minor moments helping rescue civilians. It’s not that she’s never saved anyone.

But all of the top heroes are already committed to the fight against AfO. The current Number One Hero just ordered all her colleagues to report there. And Yokohama has a lot of S-Class villains en route.

And what the fuck is she going to do to stop them? It’s just her. Half of those villains took All Might to stop the first time. She is not fucking all might.

Is this a hero likely to go to Yokohama completely on her own to fight *checks notes* literally the entire prison population minus one guy? The worst guy, albeit. But one guy.

These are all heroes who have never had to be the actual thing standing between society and destruction. There has always been someone more powerful or capable or heroic nearby. Until recently, there has always been all might.

This isn’t to malign them. A decent percentage of them are legitimately well meaning about being a hero. They do good. But when it came to the big, blowout fights, they have always, always, always been the heroes evacuating civilians in the background or performing rescue in the aftermath. It has never been them who had to stand up and do the fight itself.

Every single one of those villains represent a big, blowout fight. And this hero trying to decide if he’s going to obey Endeavor’s order? They are one guy. And they’re not sure if they could even beat one of those villains alone, let alone all.

The reason why no one disobeyed Endeavor’s order was because, frankly, at the end of the day, they did not want to die.

Endeavor’s order signaled to everyone that there was no guarantee anyone would show up to Yokohama. It actually put good odds to the opposite. If you decided “fuck that, I’m going to Yokohama” then you’d likely be doing it alone.

What Class 2-A did was considered a death sentence. People who didn’t know them and their bullshit were shocked that they all made it out alive. These were the worst villains their society had ever faced and it was all of them at once (minus that one guy).

The heroes who were in a position to disobey endeavor didn’t actually think it’d make a difference if they did. They’d just… lose.

Most if not all of these heroes made the decision to become heroes during all mights era of peace. Everything just had lower stakes. Crime was less frequent and less serious. The big fights always had someone there who could handle them, because All Might was there. They’d fight the odd mugger or purse snatcher and help put out fires and go home at the end of the night. They’re heroes. That doesn’t mean they’ve ever truly had to grapple with a life or death fight.

If they went to Yokohoma, they thought they’d die. So they might as well respond to a fight that has a chance. Even if they feel ashamed as they do it. Even if they think Endeavor made the wrong call and wanted to go to Yokohama instead. All Might wasn’t there anymore. And they were afraid.

But there is one thing that Class 2-A had going for them that gave them an advantage over these heroes. And that was the fact that they are all medically insane.

It’s that they were together.

It’s a decentralized heroics structure. If you have a large agency, you are necessarily a top hero because no one else would be able to get that many people to agree to work under them. So you’re already at Tartarus and this isn’t a decision you had to make.

Maybe you’re independent. Maybe you have a small agency with 2-3 people. There is no preexisting centralized line that you can use to try and gather more people to go to Yokohama with you. You’re stuck with your immediate colleagues and maybe a few other heroes you’re close enough with to have their number. You really don’t have time to try and ask around to see if anyone else wants to go to Yokohama instead—you need to pick a battle and get there yesterday.

What good is 2-3 people going to do in Yokohama? You’ll just get massacred and it won’t have made a difference. At least if you go to stop AfO, you’ll have a chance at doing something that mattered.

Maybe you disagree with Endeavor but you defer to his training and experience.

Maybe you don’t go at any fight at all. Maybe you’re afraid. Maybe you became a hero in a time where you had a symbol of peace, and you realize you can’t keep doing it in a time without one.

I think there’s a small subsection of heroes that quit in the aftermath of Yokohama. Because they wanted to disobey endeavor’s order, and they thought they’d just die and it wouldn’t matter, and then dawn came and a bunch of school kids had managed what they were too big of a coward to do. I think the fact that they fell into line when their hearts told them they shouldn’t made them seriously doubt whether they were good enough to be a hero.

But they were alone when Endeavor made the call. And it felt like certain death. And—yeah, it sort of felt that way to Class 2-A when they made the decision to respond. But they weren’t alone when they did it.

They were together. And they always felt braver when they were together. Together, they could make miracles happen.

[lululeighsworld]

and for Gunter's birthday fic this year I finally ended up writing Leigh's love confession to him; I promise his birthday is relevant!! 💜❤️

Read the story here on AO3

[malleleothreesome]

YOUR MALLEUS POST IS JUST!!!!! AGDKFFLSVFL!!!! WHO KNOWS HOW MANY TIMES I RE-READ THAT THING BUT IT WAS WORTH THE WAIT!!!! 😫😭👌🖤💚

I'm so late to this but thank you so much Knight!! 🖤💚🖤💚 I'm so happy you enjoyed Blindfolded Malleus... I was so excited for you to read it, and I'm very happy it lived up to the hype and anticipation!!! Truly, I am so honored and grateful that you would re-read something so long 🥹 it amazes me how supportive you are!! I hope I can continue to write things that you enjoy! One day in the [regretfully] far future I swear to you that I will put out an Idia fic just for you hehehe. I'm so overwhelmed by the amount of things I am excited to write, but I guess that is a wonderful problem to have! I only wish I had more time in the day to write, but alas, such is life. Why the fUCk am I writing so formal right now daiohssadoi;hdSAO not me saying BUT ALAS. SUCH IS LIFE????? It is so.

I'm actually taking a TWELVE DAY vacation from work starting on the 22nd so I might actually do a little request event where people can send me like kink prompts or something. I think that'll be fun!

Okay and FINE I'll do some fluff prompts too for the fluff people but please don't judge my fluff too harshly, I'm still learning!!! For some reason smut just comes naturally dhaDSAHIDDASijdsan I'll start gathering some prompts and we will do a little ask game or something.

📣 By the way FELLOW HONEST THIGH RIDING ANON if you SEE this first of all, ONCE AGAIN: I wish to express my undying devotion to you and your exceptional thought process. I am positively frothing at the mouth over your request and I am PLEASED TO ANNOUNCE I am finally making good progress and it WILL be out soon. We WILL make him cum in his pants. We WILL make him cry, whimper, and moan.

[dbphantom]

you know if you guys voted for stretch armstrong i probably would have shut up a lot sooner tonight

[reiverreturns]

some of the popular reactions to the ted lasso finale are a perfect example of why big fandoms are sometimes not all that fun tbqh

[oumaheroes]

I may be biased but of course ‘Odd Socks’ is my favourite story of yours 💖 (and probably my favourite thing I’ve ever read in general) I always go back to it if I’m feeling down or I’m just peckish for some scotfra and it always leaves me so satisfied and the ending always makes me so giddy with happiness. You capture everything so beautifully, it honestly feels like magic idk how you do it but you have a way of telling stories that’s so immersive and atmospheric and I can imagine them so vividly in my head being all in love and married and ahhh! I am going to go back and reread it in a minute ajhsjshsj one of my favourite parts of your writing is the dialogue, it’s such a hard thing to get right and you do it so flawlessly! I’ve said this before but reading the conversations between Arthur and Francis is always so fun, and I just love them in this fic 🥺 you have one of the most interesting and dynamic portrayals of them I’ve ever read and it’s probably my favourite ❤️

Phi... Phi 😭😭

I don't care if you're biased, this is such a lovely thing to hear and i want to squeeze you really tight ❤️ Odd socks was all for you, especially the dancing scene!!

[kurooh]

FILL ME UP ! — BOKU NO HERO ACADEMIA

⊹₊˚. he thinks you look so pretty with his cum dripping from your pussy.

⟡ feat. aged up! midoriya izuku, bakugō katsuki, kirishima eijirou, dabi, takami keigo.

⟡ warnings: 18+ content (mdni), f! reader, breeding, mentions of pregnancy, unprotected sex, oral [f receiving], cum eating.

⟡ xoxo, juno: i’m sorry this is so short ): the past 72 hours have been horrible hahah

— MIDORIYA IZUKU.

unsurprisingly, he wants to get you pregnant someday; he cums the hardest whenever he thinks about filling you up with his cum and picturing your swollen belly.

“ah, baby, i’m gonna cum, i’m gonna cum— fuck! where do you want it?” izuku stutters, hips jerking wildly as pleasure zaps through him like lightning.

“inside, ‘zuku..”

“a-are you sure?” his voice rises in surprise and he doesn’t know where to put his hands when you thrust your ass into his pelvis. your eyes are hooded when you turn, tossing him a look over your shoulder that has him spilling inside of you with a desperate whine.

izuku cums so much that it starts to run down the length of his cock, so he collects the excess on his fingers before rubbing his sticky fingers against your clit.

you moan lowly, “fuck it deep, izu.”

with a shaky nod and a tight grip on your hips, he complies, thrusting into you hard. despite having cum already, he feels his cock throb, eager to fill you up again.

“can i cum again, please? need to fill you up!”

— BAKUGŌ KATSUKI.

he fills you up because he has a possession kink.. in his mind, cumming inside you makes you his. he’ll take photos/videos of you dripping with his cum and jerk off to it later.

“s-shit, your pussy’s so fuckin’ tight,” katsuki grits out, pressing into the backs of your thighs to make the mating press a little closer. your ankles rest on his shoulders, feet dangling, gold anklet with a ‘k’ he gave you catching the afternoon light through the window.

you grin up to him, before pleasure washes over your whole body and your face falls as you moan. “go ahead and fill it up, kat.. i need it so badly.”

“shit, you’re not on the pill.” crimson eyes are full of worry and thoughtfulness.

“i don’t fucking care,” you groan, your eyes rolling back when the tip of his cock presses deep inside you, in just the right place.

katsuki doesn’t doubt you, or object — after all, he wants to fill you up. but why are his balls clenching at your words, his cock spilling cum deep inside you so quickly?

you feel his cock tighten inside you before heat is gushing all over you, sending you right into your own orgasm. he pulls back to stare, watching wide eyed as his cum drips out of your fluttering hole.

“fuck, you’re so good. i’ll never be able to pull out again, god.”

— KIRISHIMA EIJIROU.

he loves to make you as messy as possible, and then he’ll lick it all up.

“mmmh, ‘m still sensitive eiji..” your words come out as a soft mewl as your boyfriend spreads your legs open eagerly.

“wanna taste,” eijirou mumbles, eyes hooded as he notices your hole clench on nothing as he licks smeared cum off your thigh. “i also wanna make you cum again, yeah?”

“y-yeah,” you stutter when he drags his tongue along the sides of your pussy, collecting your squirt and his own cum on his tongue. eijirou swallows, kissing your clit with a quiet moan before he’s licking a stripe between your folds.

when he hears you whimper at the light touch, he fights off a smile and dips his tongue inside you easily. he tastes the bitterness of his own cum and the sweetness of your slick, and lets out a groan as his cock throbs against the bed beneath him.

“god.. ‘s good.” he doesn’t hesitate to pull back, pressing his tongue flat against your clit. then he slides his fingers into you, looking up at you eagerly. eijirou’s eyes meet yours, and he grins at just how shy you look.

“don’t worry baby, i’m gonna make you squirt again, yeah? focus on me.”

— DABI [TODOROKI TŌYA].

whenever tōya’s feeling jealous, he fills you up and makes you cry.. sometimes he likes to fuck you on top of a building or in an alleyway during pro-hero hawks’ patrols.

“you gotta scream for me, doll,” tōya hisses before biting into your shoulder while his grip on your neck gets tighter.

face burning with horniness and head spinning, you let out a long whine, and it echoes in the secluded alleyway. “fill me up and make me yours, tōya!”

he ignores the rustle of feathers from above, and only fucks into you harder. a thin sheen of sweat gleams on the darkened skin of his chest, the staples shining even more in the light.

tōya thinks you look beautiful like this, back against the wall and oh so pliant — letting him bounce you on his cock, or fuck your hole until all you can slur out is his name.

“louder. let the whole city know who’s fuckin’ you, doll.”

— TAKAMI KEIGO.

though he’s human, his bird-like quirk influences so much about him, such as his food choices, interests, and the way he likes to fuck.

vermillion wings rustle beneath you as you ride keigo’s cock into oblivion. his head is thrown back, golden tufts spread out on the car seat around it; above, your holding down both of his wrists tightly.

“lemme touch you, dove, come onnn.”

“no,” you gasp after a particularly deep stroke, “you’re just g-gonna bounce me up ‘nd down, and i want to ride you.”

your eyes close tightly as you languidly drag yourself up and down, pussy squeezing him so tight he feels like he’s about to burst. slowly, he feels himself thicken, approaching his high.

it’s as if a switch is flipped.

without even holding your hips and waist, keigo slams his hips upwards into you, stretching out your pussy almost mercilessly.

“keigo! that’s not— fuck!” your voice breaks off into a gasp, tits bouncing as he fucks you hard.

“g-gotta fill you up, dove.” his golden eyes are dark, swirling with some kind of breeding instinct. his wings are fluttering now, beating the air so strongly that goosebumps rise on your skin.

keigo’s entire body lurches beneath you as he chokes out a groan, “nghhh— i’m cumming, shit..”

his cock spills inside of you, effectively filling you up. however, he makes no move to pull out. when you start to sit up, he stops you.

“mm mm. let’s let it sit for a while, ‘nd i’ll stay inside, alright?”

[thebarneschronicles]

Nine Lives

Pairing: Bucky Barnes x Female Reader

Word Count: 9.4k

Synopsis: Bucky Barnes drives you insane—in every possible way. The bickering, the reckless plans, the way he smirks like he knows exactly what he’s doing to you. But when a mission goes sideways, leaving you both bloodied and too close for comfort, the tension between you ignites into something impossible to ignore.

You can keep pretending. Keep fighting him. But Bucky isn’t one to back down—especially when he knows you don’t really want him to.

Trigger Warnings: Bullet wounds, unprotect sex (wrap it before you tap it!), p in v, dirty talk, BUCKY BARNES (he needs his own warning)

Author’s Note: I had been tinkering with a few scenes in this and the Thunderbolts trailer made me finish it. Hope you like it! B x

-- Bucky Barnes was going to be the death of you.

Whether it was because he got on your last nerve or because you were desperately, irrevocably, undeniably in love with him—either way, he’d be the reason your heart stopped beating.

And honestly? It might happen in the next five minutes. Because God help you, the man was insufferable.

The room smelled like burnt coffee and bad decisions.

Sam stood at the front, gesturing at a holographic map as he laid out the mission plan, his voice steady and patient—too patient, the way a parent speaks when they know their kids are about to cause problems.

You were paying attention. You really were. But out of the corner of your eye, you could see Bucky leaning against the wall, arms crossed– and looking bored out of his mind.

Every once in a while, he flicked his gaze to you, not saying anything. Just watching.

And you knew that look. That I’m about to do something reckless and you’re going to yell at me for it look.

You gritted your teeth.

“—we’ll go in through the east entrance,” Sam continued, pointing at the building layout. “Stealth is key. No unnecessary attention.”

Bucky made a quiet sound. It wasn’t quite a scoff, but it was close enough.

Sam’s jaw flexed. “Got something to add, Barnes?”

Bucky shrugged, like the whole thing was barely worth his effort. “I just think you’re overcomplicating it.”

Your brows shot up. Oh, here we go.

Sam closed his eyes, visibly counting to ten. “What part is complicated?”

Bucky shifted, pushing off the wall. “The part where we’re tiptoeing around like we’re on a damn field trip. We go in, take out the threats, get what we need. Done.”

You turned in your chair, slowly. “Take out the threats?”

Bucky smirked. “What?”

“What?” you repeated, voice rising. “You mean brute force? Like some kind of rabid raccoon?”

Sam sighed deeply, rubbing his temples.

Bucky grinned, which somehow made it worse. “I’d say more wolf, but sure.”

Your grip tightened on the edge of the table. “Barnes, if you go off-script, I swear to God—”

“Relax, doll,” he said, casual as anything. “I’ll mostly follow the plan.”

Your eye twitched. “Mostly?”

Sam exhaled sharply, muttering to himself. “I should start charging overtime for this.”

Bucky wasn’t done, though—he turned that damn smirk back on you. “You do love bossing me around, don’t you?”

And that? That was the last straw.

Your chair scraped against the floor as you stood, planting your hands on your hips. “We are sticking to the plan, Barnes. No improvising. No wandering off. No turning this into some solo hero death mission.”

You pinched the bridge of your nose, inhaling through gritted teeth as you fought for patience you absolutely did not have. “Why is your solution to everything brute force? Sam has a plan. A good plan. A plan that does not involve you punching your way through every obstacle.”

Bucky folded his arms across his broad chest, looking completely unfazed. If anything, he seemed amused. “First of all, rude. Second of all, my way works.”

“You mean it works when it doesn’t get us killed?” you shot back, voice rising. “Which, by the way, is not a guarantee.”

His mouth twitched like he was trying not to grin. “C’mon, doll, you’re overreacting.”

And there it was. That goddamn nickname.

You felt it like a spark in your bloodstream, a rush of heat you refused to acknowledge. Instead, you rolled your eyes so hard they nearly got stuck. “Don’t ‘doll’ me, Barnes. I’m serious. We are sticking to the plan.”

“I am sticking to the plan,” he said, far too casually. “I’m just… modifying it.”

Your jaw dropped. “Modifying it?”

“Enhancing.”

“You mean ignoring it?”

He shrugged and you had never wanted to strangle and kiss someone in equal measure more in your life.

God, this man was going to be the death of you.

You took a slow, deep breath, curling your fingers into fists at your sides. “Bucky. No modifications. No enhancements. No Barnes-ifying the plan.”

He tilted his head, looking irritatingly pleased with himself. “Barnes-ifying? Huh. I kinda like that.”

You threw your hands in the air. “Of course you do.”

Sam, who had been observing this entire exchange with the long-suffering patience of a saint, let out a loud sigh. “Are you two done? Or should we clear the room so you can work out all that tension?”

Your head snapped toward him. “There is no tension.”

Bucky, the absolute menace that he was, had the audacity to murmur, “Oh, there’s tension.”

Your entire body went rigid. Your face felt hot. You whirled back to him, pointing an accusing finger at his chest. “I will kill you.”

His lips twitched. “I’d love to see you try, doll.”

You weren’t sure what infuriated you more—the way he said it— doll —like it was his own private joke, or the fact that you liked it. Loved it, even. That it sent a pulse of something traitorous through you, something that made you want to either punch him or grab him by the collar and—

No. Focus.

You squared your shoulders, planting your hands on your hips. “Here’s what’s going to happen, Barnes. You’re going to follow the plan. No making things up as you go along. Got it?”

His blue eyes glinted with something unreadable. “And what if I don’t?”

You narrowed your eyes. “Then I’ll personally make sure you regret it.”

Bucky grinned, slow and wicked. “Kinda looking forward to that.”

Your breath hitched. Your brain short-circuited. You opened your mouth, then shut it again, because there was absolutely nothing appropriate to say to that.

Oh. Oh, that son of a—

Bucky chuckled, clearly enjoying the way he’d just rendered you speechless. Then he leaned in just slightly, voice dropping to something low and smug.

“Face it, doll,” he murmured. “You’d miss me if I was gone.”

You scoffed, even as your stomach flipped. “I’d miss arguing with you. That’s it.”

“Mm-hmm.”

The knowing look on his face made you want to smack it off. But more than that, it made you want to—

Nope. Not going there.

You exhaled sharply, turning on your heel. “I’m done. Sam, let’s go before I change my mind and let him get himself killed.”

Sam snorted, giving Bucky a pointed look. “See what you did? Now you’ve pissed her off.”

Bucky only smirked, watching you walk away. “Nah,” he said, mostly to himself. “She likes it.”

—

You didn’t like it.

Not one bit.

And do you know why? Because you knew—knew—he wasn’t lying.

Bucky Barnes didn’t say things he didn’t mean. He wasn’t the type to play games with words, wasn’t the type to tease just for the hell of it. If he said there was tension, if he said you’d miss him, then he meant it. He knew.

He knew before you did.

And that was the worst part.

You had no idea when your constant bickering turned into something else, something deeper, something dangerous. One day, you thought you hated him—the next, you realized you couldn’t imagine a world without him in it.

It had terrified you.

So you fought.

You fought harder, argued louder, refused to let him see just how deeply he had burrowed into you. You clashed over the stupidest things—his reckless plans, his stubbornness, the way he called you doll like it was a secret between you. Because if you didn’t fight, if you let the walls slip for even a second, you weren’t sure what would happen.

And it infuriated you.

How dare he?

How dare he make himself at home in a corner of your heart you didn’t even know existed? How dare he take up permanent residence there, until that tiny space expanded into the whole damn thing?

How dare he make you want him when you were supposed to be angry at him?

How. Dare. He.

The memory took over before you could stop it…

It had been a disaster from the start.

The mission was supposed to be a simple recon—go in, get intel, get out. No unnecessary engagement. No close calls. No getting shot.

But Bucky Barnes? He didn’t believe in simple.

You were fuming as you dragged him into the safe house, your grip tight on his arm, ignoring the way his blood seeped through your gloves. He was bleeding all over the place, but of course, he still had the audacity to smirk at you.

“You’re manhandling me, doll.” His voice was rough, teasing. “If you wanted to get handsy, you could’ve just asked.”

You pushed him down onto the rickety cot in the corner, none too gently. “I swear to God, Barnes, if you don’t shut up, I will make your injuries worse.”

Bucky groaned dramatically as he flopped back, far too casual for someone who had just taken a bullet to the shoulder. “You’re so mean to me.”

“Oh, I’m sorry—should I be nice to the guy who just got himself shot?” You tore open the med kit, grabbing a pair of scissors and snipping at the sleeve of his tactical suit. 

Bucky’s smirk vanished. “Hey, whoa—this is a perfectly good jacket.”

“You’ve bled through half of it, Bucky!” You glared at him, slicing the fabric open with zero hesitation.

Bucky scowled. “Still wearable.”

“Still ruined.”

“You’re ruining it more.”

“Oh my God—do you wanna keep arguing, or do you want me to keep you from bleeding out you reckless, metal-armed asshole?”

Bucky huffed a laugh, because of course he did, the sound painfully casual. “Little dramatic, don’t you think?”

Your hands shook as you tore open the med kit, fingers fumbling over the supplies. “Shut up.”

“Oh, come on, doll, it’s just a—”

“Don’t you dare say ‘scratch.’”

Bucky sighed, dropping his head back onto the cot. “I’m not bleeding out.”

“You got shot, you dick,” you snapped, peeling the fabric away to get a better look at the wound. Through and through, just above his bicep. A clean hit, but it would scar if you didn’t take care of it properly.

Bucky peered at the wound like it was barely an inconvenience. “It is just a scratch.”

Your eye twitched. You gritted your teeth, pressing an antiseptic wipe to the wound with zero mercy.

Bucky hissed, body tensing as he glared at you. “Jesus—are you trying to kill me?”

“Oh, now you feel pain?” You didn’t let up, pressing a little harder just for good measure. “You didn’t seem too concerned when you ran into a hail of gunfire like a rabid golden retriever with a death wish.”

Bucky scoffed. “Golden retriever?”

“You just charged in, Bucky! What part of ‘stealth mission’ do you not understand?”

Bucky rolled his eyes. “I had to.”

“No, you didn’t!” You grabbed a fresh gauze pad, pressing it against the wound. “Sam and I were handling it just fine before you decided to be stupidly heroic.”

“Doll, you were cornered,” Bucky argued.

“No, I was waiting for backup.”

Bucky gave you a pointed look. “You were outnumbered and had a jammed weapon.”

You locked your jaw. Because okay, maybe that was true.

But he didn’t have to jump in front of a bullet for you.

You cleared your throat, trying to sound unimpressed. “I was fine.”

“You were two seconds away from getting shot.”

“I know, Bucky!” You slammed the antiseptic wipe against his skin, not caring when he hissed. “But you didn’t have to—you didn’t—you— I told you not to do it!” you cried out. “But no, you just had to go full Terminator and jump in front of a goddamn bullet for me—”

You stopped.

Because suddenly, your throat was too tight, and your breath was coming too fast, and you hated that the panic was winning, that it was spilling over.

You weren’t just mad.

You were terrified.

Bucky blinked at you, actually looking concerned now, which only pissed you off more.

“Doll—”

“You think you’re indestructible, don’t you?” You threw the used gauze aside, grabbing another one, your hands shaking as you pressed it to the wound. “Just because you have the serum, you think you can—can take all these stupid risks—”

Bucky sighed, clearly exasperated. “I heal faster than you do, sweetheart. It’s not that deep.”

Something inside you snapped.

“Oh, fuck you, Bucky!”

His eyebrows shot up at that.

“You think the serum makes you invincible?” you seethed, eyes burning. “Is that why you keep throwing yourself into danger? Why you never hesitate before taking a hit? Why you jump in front of bullets like it’s your damn job?”

Bucky opened his mouth, but you weren’t done.

“Guess what, Barnes? The serum doesn’t make you immortal! One day, your dumbass luck is going to run out! And what then?”

Bucky stilled, blue eyes searching yours.

But you were unraveling too fast to stop now.

“I swear to God, Bucky, I’m gonna lose my mind if you keep—” You sucked in a shaky breath, voice cracking. “I can’t—I can’t keep watching you do this to yourself.”

Something changed in Bucky’s face. The teasing, the smirking—it all vanished.

You didn’t want to see whatever was in his eyes.

You dropped your gaze, fingers moving on autopilot, taping the bandage down over his shoulder. Your hands wouldn’t stop shaking, but you pretended not to notice.

You felt him watching you.

For the first time since the mission, Bucky was quiet.

The weight of it pressed against your chest.

You swallowed hard, clearing your throat. “Just—just try not to die next time, okay?”

Bucky let out a slow breath, something almost amused slipping into his voice. “Not really my style, doll.”

You snapped your head up, narrowing your eyes at him. “Yeah, I noticed. You’ve got a real stubborn track record of coming back from the brink of death.”

Bucky grinned, slow and lazy, like he couldn’t help himself. “What can I say? I’m persistent.”

Your jaw tensed.

“Yeah? Well, I don’t want to be the one watching you zero out your nine lives.”

The smirk disappeared.

A flicker of something serious passed through his eyes—so fast you almost missed it.

For a second, you thought he was going to say something that would change everything.

But then, as quickly as it came, he shoved it away.

He exhaled a soft chuckle instead, shaking his head. “You worry too much.”

You clenched your jaw, standing abruptly. “And you don’t worry enough.”

Bucky watched you, his expression unreadable.

You grabbed the med kit and turned away, before he could see just how badly your hands were still shaking.

Because the truth was—

You weren’t sure what scared you more.

The fact that Bucky Barnes kept coming back from the brink of death—

Or the fact that, one day, he might not.

–

You exhaled sharply, shoving the memory aside.

No. Not thinking about that.

You couldn’t.

Because if you let yourself sit with it for too long—

If you let yourself acknowledge how much he meant to you—

You weren’t sure how you were supposed to breathe through it.

Bucky must have sensed the shift in you, because as you stalked ahead, fuming, he was suddenly there—keeping pace beside you, his presence entirely too much. Too close, too solid, too him.

“You’re quiet,” he murmured. “That’s never a good sign.”

“Maybe I just ran out of things to say,” you snapped, not looking at him.

He made a low sound, somewhere between a scoff and a chuckle. “That’ll be the day.”

You whirled on him before you could stop yourself, jabbing a finger into his chest. “Do you enjoy driving me insane, Barnes? Is it, like, a hobby for you?”

His lips twitched, that damn smirk already forming. “I mean… yeah. Kinda.”

You let out a frustrated noise, turning on your heel, ready to put as much distance between you and that insufferable smirk as possible. But before you could take two steps, his fingers curled around your wrist—gentle, but firm enough to stop you in your tracks.

The warmth of his skin against yours sent a jolt through you. His grip wasn’t rough, wasn’t forceful, but it was steady, intentional. And for a split second, you couldn’t breathe.

When you looked up, his blue eyes were locked onto yours, unreadable, intense.

“I’m not trying to drive you insane,” he said, his voice softer now, but laced with something heavier, something that made your chest feel tight. “I’m just trying to figure out why you won’t admit it.”

You swallowed, pulse hammering. “Admit what?”

Bucky tilted his head slightly, studying you like he was searching for something, peeling back layers you weren’t ready to let him see. His gaze dragged over your face, lingering—too long—on your lips before flicking back up.

Your breath hitched.

He was going to say something else. You knew it. Could feel it. But whatever he saw in your expression made him change his mind at the last second. His features shifted, the quiet determination giving way to something smug, teasing. A deflection.

“That it’s a good plan.”

Your pulse stuttered.

This wasn’t what he wanted to say. Not even close.

But he was giving you an out. Letting you pretend, letting himself pretend, like this was still just another argument. Another round of your never-ending bickering instead of… whatever the hell this was becoming.

And that? That scared you more than anything.

“It’s not,” you shot back, seizing the escape he’d handed you. You took a step back, yanking your wrist free of his grasp. “It’s stupid. It’s reckless, and it’s going to get one or all of us hurt if we do it.”

Bucky’s jaw tensed, his smirk faltering for the first time. His eyes darkened, something unreadable flickering in them before he asked, voice quieter, but rougher—”Why do you never take my side?”

The question hit like a sucker punch.

It knocked the breath from your lungs, left you reeling in a way you hadn’t expected.

“I—” The words caught in your throat.

He wasn’t teasing now. Wasn’t throwing out some cocky remark just to get under your skin. This was something real, something raw, and it left you woozy.

A slow smirk tugged at the corner of his mouth. “Second time I’ve got you speechless today, huh? Must be a new record.”

His voice was light, teasing again, but the look in his eyes said something else entirely.

Then, before you could recover, before you could shove something sharp and defensive between you, he turned and walked ahead—leaving you standing there, heart racing, breath unsteady.

Completely, utterly furious at him.

And even more furious at yourself.

Your hands curled into fists at your sides, nails digging into your palms as you forced yourself to breathe. In. Out. Don’t let him get to you.

Except he had. He always did. And the worst part? He knew it.

You glared at the back of his head as he walked ahead like nothing had happened, like he hadn’t just thrown you completely off balance and left you scrambling for solid ground.

Why do you never take my side?

You hated that the question still echoed in your head. That it stung in a way you weren’t ready to unpack.

You stormed after him, your boots crunching against the pavement. “Barnes, we’re not done talking about this.”

He didn’t stop, didn’t even turn around. “Seemed pretty done to me.”

Your jaw clenched. “God, you are infuriating.”

“Yeah, you’ve mentioned that once or twice.” He threw a glance over his shoulder, his smirk still in place, but his eyes? His eyes were still sharp, still waiting.

You caught up to him in two quick strides, grabbing his arm to yank him to a stop. “Don’t walk away from me.”

Bucky arched a brow, glancing down at where your fingers gripped the sleeve of his jacket. “Thought you couldn’t stand being near me, doll.”

You ignored the way your stomach flipped at the nickname. Ignored the way your traitorous hand lingered for a second before you let go.

“That plan of yours?” You crossed your arms, tilting your chin up. “It’s reckless. And you know it.”

His smirk faded, just slightly. “And what if reckless is the only option?”

“That’s bullshit, and you know that too.”

Bucky let out a slow exhale, running a hand through his hair. “Look, I get it. You think I’m some idiot who just punches his way through problems—”

“I know you are,” you shot back.

He glared at you, jaw ticking. “But maybe—just maybe—I actually know what I’m doing this time.”

You opened your mouth, ready to argue, but something in his expression stopped you.

There was no smugness, no teasing. Just raw frustration, something worn down underneath.

You stared at him, chest rising and falling too fast, the words dying on your tongue.

“Right,” Bucky muttered, shaking his head. “Should’ve known better than to expect you to trust me.”

The words weren’t loud. He wasn’t even looking at you when he said them. But they landed like a slap.

Your breath caught. “That’s not—”

“Forget it.” 

— 

Shockingly, Bucky had followed Sam’s plan.

And—even more shockingly—it had gone wrong.

In the end, brute force had been the only way to get all three of you out alive.

You weren’t sure when the dust had settled, when the ringing in your ears had finally faded enough for you to hear your own breathing again. But when your vision cleared, Bucky was still standing.

Standing over a pile of bodies, bloodied and exhausted, his chest heaving with exertion.

There was a split in his lip, a gash across his forehead, and a bullet graze along his ribs, the fabric of his tactical suit dark with blood.

And you hated it.

You hated how your stomach twisted at the sight of him hurt. Hated the way your fingers curled into fists at your sides to stop yourself from running to him, from touching him, from grabbing his face and checking.

Most of all, you hated that you had doubted him.

Bucky Barnes had a century of combat experience. He had spent his entire life surviving fights he shouldn’t have walked away from, and still, you had dismissed him. Still, you had refused to listen.

And now? Now all of you were bleeding. All of you were shaken.

But the worst part—the part that made your throat tighten and your breath shudder—was that Bucky wasn’t even gloating.

No smirk. No I told you so.

Just silence. Just his sharp, assessing gaze, scanning the aftermath like he was still bracing for another fight.

By the time Torres had you all back on the plane, you were shaking.

The adrenaline should have worn off by now, but the weight in your chest only grew heavier. You knew—you knew—Bucky would heal faster than you or Sam. Logically, you understood that.

But logic wasn’t stopping the tightness in your throat when your eyes landed on the bruising around his temple.

It wasn’t stopping the way your fingers trembled as you grabbed the first aid kit and sat down in front of him, against every warning screaming in your head.

Bucky exhaled slowly, tilting his head back against the seat. “I’m fine.”

“You’re bleeding,” you shot back, voice sharper than intended.

“So are you.”

You ignored that. “Just—hold still.”

For once, he didn’t argue. But when you reached for him, when your fingers ghosted over his skin, his gaze flickered—just for a second—to your hands.

He noticed.

Noticed the tremor in your fingers, the way they weren’t steady.

His brows drew together, just slightly. He didn’t say anything, but you felt his stare, felt the question lingering on the tip of his tongue.

Your breath hitched. You curled your fingers tighter around the antiseptic wipe, focusing too hard on dabbing at the cut on his forehead.

When he flinched, you huffed. “Big bad super soldier can take on twenty guys at once but can’t handle a little stinging?”

His lips twitched, but the teasing was half-hearted. “Not my fault you’re rough.”

You shot him a look. “I wonder why.”

His jaw flexed. “You do like making things difficult.”

“Oh, I make things difficult?” You shook your head, pressing a little too firmly as you cleaned the wound. “I don’t remember me running in headfirst with zero regard for a plan.”

Bucky scoffed. “Right, because your plan went so well.”

You froze, fingers stilling against his skin.

His voice hadn’t been sharp, but the words still landed heavy in your chest.

“You didn’t have to follow it,” you murmured.

Bucky let out a slow breath. “Yeah. Well. I did.”

Silence stretched between you, thick and weighted.

You forced yourself to move again, forced yourself to focus on the cut rather than the way his eyes lingered.

Your throat was dry when you spoke. “You were right.”

His expression didn’t change, but you felt the shift in the air.

“We should have done it your way,” you admitted, barely above a whisper.

Bucky’s fingers curled over the edge of the seat. He didn’t speak, didn’t move, but you knew he was watching you.

Finally, he exhaled, his voice quiet. “Didn’t do us much good, did it?”

You pressed your lips together. “Would’ve gone a lot worse if you hadn’t stepped in.”

His eyes flickered. His jaw worked, like he wanted to argue but didn’t have the energy for it.

“You don’t have to say that,” he murmured.

“I do.” Your voice wavered, but you swallowed hard, pushing through it. “Because I was wrong.”

Bucky was still. Unreadable.

Then, after a beat, his voice dropped lower. “That an apology?”

You rolled your eyes, but there was no real fire behind it. “Don’t push your luck, Barnes.”

A slow smirk tugged at the corner of his mouth. “Wouldn’t dream of it, doll.”

But his eyes? His eyes told a different story.

—

The hum of the jet was steady beneath you, the vibrations deep in your bones, but it did nothing to ground you. The cabin lights were low, throwing long shadows across the metal walls. Sam was already passed out in the back, his breathing even, the tension from the mission finally easing from his shoulders.

You should be doing the same. You should be closing your eyes, letting exhaustion take over, shutting out the memory of the chaos you’d just escaped from.

But you couldn’t.

Because Bucky was still watching you.

He sat across from you, silent and unreadable, his blue eyes darker in the dim light. He hadn’t spoken since you finished patching him up, but he hadn’t stopped looking, either.

It wasn’t his usual sharp-edged irritation or teasing smirk. No playful bickering, no cocky remarks about how he’d been right. Just this.

Something softer. Something heavier.

Something you weren’t ready for.

“You should get some rest,” he murmured, voice low and rough around the edges.

You shook your head, fingers curling into your palms. “I’m fine.”

Bucky exhaled through his nose, like he didn’t believe you. “Yeah? You don’t look fine.”

You hated that he could see it. The tremor in your fingers, the tension in your shoulders, the way you were still breathing too fast, like your body hadn’t realized the fight was over.

You hated that he noticed. That he cared enough to notice.

And then—because you were tired, because you were furious, because he had almost died and you were still trying to claw your way back from the sheer panic of it—you snapped.

“You could have died, Bucky.” Your voice was sharper than you meant, thick with something you didn’t want to name.

His brow twitched, but his expression didn’t change. His voice stayed infuriatingly even. “Yeah. That’s kinda what happens when people shoot at you.”

“That’s not funny.”

“I wasn’t trying to be.” His lips pressed into a thin line, his jaw tight. “You think I don’t know what I’m doing out there?”

“That’s not—” You exhaled sharply, dragging a hand down your face. “That’s not what I meant.”

“Then what do you mean?”

The question hung between you, thick with unspoken things.

Bucky didn’t move, didn’t blink, just watched you—his gaze steady, patient, like he was giving you the space to say it.

And God, you wanted to.

But the words sat like stones in your throat, impossible to force out. You clenched your jaw, tried to shove them back down, but they wouldn’t go away.

Because the truth was, you weren’t just shaken by the mission.

You were shaken by the way seeing him bleeding had made your stomach drop, by the way his pained groans had made your hands shake, by the way you had wanted—needed—to run to him, to wrap yourself around him and never let go.

You were terrified.

Because this wasn’t just anger or frustration or a heated argument in the middle of a mission.

This was Bucky.

And you couldn’t lose him.

So instead of answering, instead of trying to put words to the panic still rattling inside you, you did the only thing you could do.

You reached for him.

It wasn’t sharp or defiant, wasn’t out of frustration or anger.

You just—needed to touch him.

Your fingers brushed over his wrist, barely there, hesitant. A point of contact. Something to anchor you.

Bucky stilled.

For a second, he just stared at your hand, at the way your fingers curled against his skin like you weren’t even sure if you had permission to hold on.

Then, slowly, he turned his wrist under your palm, letting your fingers slide over his pulse point. His skin was warm, his pulse steady. Alive. Here.

Your throat went tight.

Bucky’s voice was quieter this time. Rougher. “You gonna tell me what’s going on in that head of yours?”

You swallowed hard, but you didn’t let go.

Your thumb ghosted over his pulse, barely a whisper of touch, but it still wasn’t enough.

You didn’t know what you needed, what you were searching for beneath your fingertips, but the slow, steady thrum of his heartbeat wasn’t easing the raw ache in your chest.

Your eyes flickered around the cabin.

Sam was still dead to the world, Torres nowhere in sight. The only two people awake on this jet were you and Bucky.

Something inside you snapped.

One second, you were gripping his wrist, tethering yourself to him like that alone would make this feeling go away. The next, you were moving before you could stop yourself—sliding out of your seat, crawling into his lap, wrapping yourself around him like holding on tighter would somehow keep him safe, keep him yours.

Bucky made a sound—something low, something confused—but his hands came up anyway, large and warm and steady as they settled on your hips, instinctive.

His breath hitched, and you felt it against your temple, the subtle shudder of his inhale.

You buried yourself closer, curling into his chest, fingers winding into the hair at the nape of his neck. His scent was everywhere—gunpowder and metal and something distinctly him—and you could have drowned in it.

“If you ever tell anyone I did this,” you muttered, voice muffled against his neck, “I will find ways to kill you.”

There was no bite to it. No real threat.

Just you—raw and exposed in a way you didn’t know how to take back.

Bucky let out a breath that sounded suspiciously like a chuckle, but he didn’t pull away.

Didn’t tease.

Didn’t shove you off like he should have.

Instead, his arms shifted, wrapping around you fully, pressing you into him like this was what he had been waiting for, like this was something he had been needing just as badly.

Like he wanted to.

His metal fingers flexed at your waist, pressing against the fabric of your suit, a steadying grip. His other hand flattened against your back, tracing over the curve of your spine as if he was committing the shape of you to memory.

His touch burned.

His warmth was everywhere.

You squeezed your eyes shut, your fingers sliding from his hair to his cheek, brushing over the stubble there, the still-healing cut on his temple. And then—before you could stop yourself—you were tilting his face toward yours.

For the first time since the mission, since the gunfire, since you watched the blood dripping down his temple and felt your entire world tilt on its axis—you met his eyes head-on.

Bucky swallowed.

His gaze dropped—just for a second—to your lips.

It was enough.

Your resolve snapped like a frayed wire.

And before you could second-guess yourself, before you could remind yourself that this was Bucky, before you could convince yourself that you didn’t love him like this—

You kissed him.

It was desperate, messy—nothing like the slow, sweet build-up you had imagined in the deepest corners of your mind.

Your lips crashed against his, your hands fisting in his suit, pulling yourself closer, closer, closer, needing more, needing everything.

Bucky froze.

Didn’t move when your lips parted against his, when your tongue flicked against his bottom lip, when your teeth caught the cut there, tasting blood.

Didn’t react when you kissed him again, soft and searching, when your nose brushed against his, when you sighed against his mouth, the sound fragile and aching.

Didn’t kiss you back.

The realization hit slow, creeping in at the edges of your desperation, sinking its claws into your chest.

He wasn’t—

Oh, God.

The sting of rejection burned hotter than the wounds littering your body.

You tried to breathe, tried to steady yourself, but your lungs felt too tight, your hands shaking as you forced yourself to pull back, to put distance between you before you shattered entirely.

“I’m sorry,” you whispered, a shaky breath washing over his lips. Your throat was tight, your vision blurring at the edges. “I’m sorry. I shouldn’t have—”

Your voice broke.

Bucky was still silent.

And that was somehow worse.

It took a second to register the weight of what you’d done, to catch up to you.

You had kissed him.

You had kissed him and he hadn’t—

Your stomach plummeted.

“I’m—” Your breath hitched, panic clawing at your ribs. “I’m so sorry, Bucky.”

You tried to untangle yourself, tried to scramble out of his lap, to preserve whatever dignity you had left, to put distance between you before you completely fell apart in front of him—

But then—

God.

Then his hands tightened on your hips.

Hard.

Before you could even get further, Bucky dragged you back against him, fingers digging into your skin, like he wasn’t about to let you go. He maneuvered you until your legs were astride his hips, your arms around his neck, your chest pressed to his.

Your breath stilled, eyes wide, heart hammering against your ribs.

His expression had changed.

The shock, the hesitation—it was gone.

In its place was something darker.

Something heated and unrelenting.

Something like want.

Bucky’s breathing was uneven, his lips parted, his pupils blown wide as his gaze flickered between your eyes, your mouth, back up.

Then—

Then his fingers traced up your spine, slow and deliberate, leaving goosebumps in their wake. His metal hand trailed over your ribs, up your arm, curling at the back of your neck, tipping your face toward his.

And then, finally, he spoke.

“Doll,” he rasped, voice wrecked and low. “Can you do that again?”

Your stomach flipped.

“I—” You swallowed, your pulse hammering against his fingertips. “You didn’t—”

“I froze,” he cut in, jaw tight. “I won’t now.”

Oh.

Oh.

Your lips parted, heart stumbling over itself.

Bucky let out a breath, something between a laugh and a groan, shaking his head like he couldn’t believe you. His grip on your hips flexed, strong and sure, and for a split second, all he did was look at you.

Like you were something he didn’t know how to handle.

Like he wasn’t sure if he wanted to devour you or worship you.

Then—slower this time, more sure—he leaned in.

And kissed you.

You had been right.

Bucky Barnes would be your undoing.

He’d kill you with the way he kissed, slow and deliberate, like he wanted to ruin you, like he wanted to take you apart with nothing but the sweep of his tongue and the heat of his mouth.

You felt it—every glide of his tongue against yours, every careful press of his lips, every sharp inhale between kisses—like a spark lighting up your spine, sinking deep, settling between your legs with a heat so intense you could barely breathe through it.

You shook on top of him, the way he touched you sending shockwaves through every nerve ending in your body. His hands were everywhere—tight, possessive squeezes against your hips, reverent drags of his fingers down your back and thighs, gripping you like he never wanted to let go.

A whimper escaped you, completely unbidden, and Bucky groaned, a deep, wrecked sound that vibrated against your mouth.

Then, suddenly, his lips left yours.

You gasped at the loss—until you felt him move.

Felt the warm brush of his breath against your throat, felt his nose skim along the sensitive skin there before his mouth followed.

“Bucky—” His name left you in a sharp breath as he kissed down your neck, slow, teasing, his lips dragging over every inch of exposed skin he could reach.

The problem was—there wasn’t enough.

Your suit covered too much, kept him from truly touching you, and it was driving you out of your mind.

You arched into him, restless, desperate. “Take it off,” you whispered, the words spilling out before you could stop them.

Bucky stilled, his lips pausing against your collarbone.

His hands tightened on your hips, but he didn’t move. Didn’t continue.

“Take it off,” you begged, fingers digging into the fabric of his suit, tracing over the zippers, tugging uselessly at the buttons, trying to feel more. “Please, take it off.”

His breath was uneven, ragged. “Doll, there are people—”

“I don’t care.” You tugged at his collar, leaning in, pressing another desperate kiss to the corner of his mouth. “They won’t see.”

Bucky’s hands flexed against your waist, like he was warring with himself.

You kissed him again, lips parting over his, trying to convince him, trying to make him understand, to feel just how badly you needed this, needed him.

He let out a shaky breath, his forehead pressing to yours, his chest rising and falling unevenly beneath you.

“Please,” you whispered, voice breaking. “Please, before you change your mind—I need this. I need you.”

That did it.

Something snapped in him.

The hesitation vanished.

And then, suddenly, you were weightless.

Before you could even process what was happening, Bucky was standing, lifting you effortlessly, your legs tightening around his waist as he carried you toward the back of the jet, moving with a singular, determined focus that made your breath catch.

Your back hit the cool metal wall of the jet, the impact sending a shiver down your spine, but you barely had time to react before Bucky was kissing you again—hot, rough, devouring.

You gasped against his lips, fingers curling into the hair at the nape of his neck, holding on for dear life.

His hands roamed down your back, over your thighs, squeezing, gripping—and then, finally, finally, he found the zipper of your suit.

“I’m not changing my mind,” he murmured, his voice thick, edged with something raw that made you shiver. His fingers curled around the fabric, tugging just enough for you to feel the weight of his words. “And you’re not changing yours.”

You nodded without thinking, without hesitation, without fear.

There was a faint awareness of the reality around you—the steady hum of the jet beneath you, the wall of gear shielding you from the others, the knowledge that Sam and Torres were mere feet away. The fact that you were both bloodied and bruised from the mission, that maybe this wasn’t the time, wasn’t the place.

But then Bucky moved, and all of that faded.

The zipper came down in a slow, deliberate slide, the rasp of it against your skin sending a shiver down your spine. His hands worked quickly, efficiently, but gentle, pushing the suit down your arms until you could shake it off completely. The moment it was gone, he pulled your arms around his shoulders, guiding them to hold onto him, like he needed you to keep him close.

“Hold on to me,” he murmured, voice quieter now, almost reverent, before dropping to his knees.

Your breath caught, your pulse hammering as his hands gripped your hips, firm and unshakable, guiding the rest of your suit down your legs. His head dipped, his lips grazing the fresh bruise blooming along your hip. He kissed it once, then again—soft, lingering. Worshipping.

You swallowed hard, your fingers threading into his hair as he nuzzled along your thigh, your knee, before rising back to his full height.

“Not getting these off,” he muttered, his fingers ghosting over your soaked panties. You’d be ashamed if it weren’t for the way his lips parted, like he was desperate to get back on his knees, get his mouth on you, There was also something else. The look on his face - regret, you thought - like he wanted to take his time with you, but was disappointed he couldn’t.

His hands moved up your body, skimming over your waist, tracing along your ribs. You shivered at the sensation of warm and cold, flesh and metal. His eyes darkened at the sight of you trembling under his touch.

“We have to be quick.”

You nodded, obedient, but there was something clawing at your chest, something making your breath catch, making your hands shake as you reached for his belt, undoing it with frantic fingers.

“This—” You took a breath, sliding the zipper down, pushing his pants and underwear down in one swift motion. His cock sprang free, thick and hard, the tip already slick with pre-cum. You ached at the sight of him. Ached to drop to your knees and taste him.

Instead, you swallowed hard and met his eyes. “This isn’t how I imagined doing this with you.”

Bucky let out a low, disbelieving chuckle, shaking his head. “Me either.” His voice was rough, wrecked, breaking apart at the seams. His lips brushed your ear as he groaned, deep and ragged, when you wrapped your fingers around him, stroking him slow, teasing. “Fuck, sweetheart—”

A shudder rolled through him, his forehead pressing to yours, eyes fluttering shut.

“But I’ll make it up to you,” he promised, voice thick with something dangerous, something devoted. “I promise.”

His arms wrapped around you again, lifting you effortlessly, your legs instinctively wrapping around his waist, your hips rolling forward to grind against him.

“Bucky—”

“You want this?” he asked, pressing you back against the cool metal wall, the contrast making you gasp. His mouth was everywhere—dragging down your jaw, across the swell of your breast, open-mouthed and hungry.

“I do. I—”

The words faltered on your tongue.

Your heart was hammering, your chest was aching. This was reckless. This was insane.

This was everything.

You squeezed your eyes shut, pressed your forehead to his, your lips brushing his with every ragged breath. “I want you,” you whispered, voice breaking. “All of you.” Your fingers twisted into his hair, tugging just enough for him to feel it. “Please.”

Bucky exhaled sharply, his grip tightening. “You have me.”

His words were iron, unbreakable, true.

Something cracked inside you.

And then—there was no more hesitation.

His lips crashed into yours again, raw and consuming, leaving no space between you, no air, no room for anything but him. His free hand slid down, tugging at your panties, dragging them to the side. Your own hand moved between you, wrapping around his cock, guiding him to where you needed him.

“Jesus, doll—”

It wasn’t gentle.

It wasn’t careful.

It was one full thrust, his cock pressing inside you inch by inch, filling you completely, stretching you to the edge of pain. Your nails bit into his shoulders, your head falling back against the wall as a gasp tore from your throat.

You felt full. Too full.

Your legs shook around him, your walls clenching tight around his cock, the overwhelming stretch making your eyes slam shut, your mouth parting on a silent moan.

Bucky groaned, deep and wrecked, his forehead pressing to your temple. His body was shaking too, his breath coming in short, ragged gasps against your skin.

“Fuck,” he ground out, metal hand locking around your thigh, keeping you open for him. His other hand tangled in your hair, his grip tight, desperate. “Fuck, you feel—Jesus, sweetheart.”

Your breath hitched, your arms trembling as you clung to him. “I can’t believe you’re inside me,” you whispered, voice barely there, overwhelmed and ruined. “Oh my god, Bucky—”

He snapped his hips forward, and your world split apart.

The pleasure was sharp, blinding, a lightning strike surging through your veins. Your body clenched around him, gripping him so tight he groaned against your neck, his rhythm faltering for a beat. His hands tightened on your hips, metal and flesh both possessive, both desperate to hold on.

“You’re so fucking wet,” he choked out, voice strangled, roughened with something close to reverence. He thrust deep, his cock dragging against every nerve inside you, every sensitive place that made your stomach coil so tight you thought you might shatter.

“For you,” you confessed, arching into him, letting him feel it, letting him know. “All the time. Every time you look at me—”

Bucky snapped his hips forward, harder, deeper, tearing a cry from your lips.

“Shit,” he breathed, voice breaking, cracking at the edges. “Shit, shit—”

“You’re so deep,” you gasped, barely able to breathe. Your nails raked down his back, desperate, pleading, needing. “Bucky, I—I can’t—”

“I’ve got you, doll,” he groaned, pressing his mouth to yours, swallowing every sound you made as he ruined you completely.

Every thrust was a curse, every breath a kiss, and you were careening toward the edge so fast it was dizzying.

The pleasure ripped through you before you could warn him, before you could even process it. Your walls tightened, pulsing around his cock, body shaking so violently that he had to pin you to the wall with his hips, burying himself to the hilt, his hand cradling the back of your head, shielding you as you contorted in his grasp.

His mouth devoured your cries, catching every broken, pleading gasp as the orgasm tore you apart. It was an explosion that didn’t stop, that kept rolling through you, wave after wave.

You rocked against him, desperate for more, still chasing, still needing, barely hearing the way he rasped your name, telling you to slow down, telling you to look at him, warning you that he was—

“God, you’re heaven,” Bucky breathed against your ear, grinding deep inside of you, his voice wrecked, every syllable tinged with something broken, something beautiful. As you slowly came down, you could feel how close he was, how tightly he was holding on, trying to keep himself from falling over the edge. “I can feel you—fuck me, I should pull out.”

“No.”

It came out fast, urgent, a whisper laced with something dangerous. Your legs locked around his hips, keeping him trapped in your hold.

His entire body went rigid. His breathing stilled.

“Baby.”

Bucky’s voice was low, frayed at the edges, filled with disbelief. The word hung in the air between you, unspoken until now.

You froze.

Somewhere, in the back of your mind, you knew you shouldn’t have given that away. Shouldn’t have let it slip, shouldn’t have handed him something so fragile, something you couldn’t take back.

But what was a drop to someone who was already drowning?

Bucky’s hands tightened on your hips, but he didn’t move. If he wanted to, he could have pulled you off of him without lifting a finger. You had always been painfully aware of how much stronger he was, how easily he could overpower you.

And yet, he stayed still, locked in your hold. Completely at your mercy.

You swallowed, your fingers shaking as they curled into his hair, pulling him closer, refusing to let him run.

“C’mon, doll,” he whispered, his lips brushing yours, stealing a kiss that felt like it was more for him than for you. “Let go.”

His hips rolled, his pelvis grinding against your clit, making you whimper. Your body was still trembling, still oversensitive, but fuck, if he kept going just a little longer—

“I want you to cum inside me,” you pleaded, your voice trembling, your nails digging into his skin.

Bucky froze.

The words echoed between you like a shot fired into the silence.

His hips stilled. His breath hitched. His hands trembled where they held you.

You had to bite your bottom lip to keep from crying out, from begging him to move.

“Doll,” he rasped, warning in his tone, his forehead pressed to yours. He looked wrecked, as undone as you felt.

“Stop arguing with me,” you shot back, voice shaky, grinding against him, dragging your soaked, sensitive heat over him, pulling a moan from his throat so deep it made every hair on your body stand on end.

“Fuck,” he groaned, head dropping to your shoulder, his grip on you bruising.

“I want this.” You tightened your arms around his neck, pressing yourself closer, wrapping him in you, cocooning you both in the moment. “I’m begging you, Bucky. Please.”

“It’s—” He swallowed thickly, voice strangled.

“Irresponsible, yes, but what’s a little irresponsibility?” A breathless laugh escaped you, but your voice broke at the end, too raw to keep up the teasing. You squeezed your eyes shut, inhaling deeply before forcing yourself to meet his gaze. “I’m on the pill.”

His jaw clenched.

“I need this,” you whispered, the truth clawing up your throat before you could stop it. “I need you.” Your voice cracked, your breath hitched, emotion swelling too fast, too much. “You don’t get it, I—”

You didn’t even realize you were crying until he softened.

Something in his eyes clicked, something changed, and suddenly, his arms were wrapping around you tighter, his hands cradling your face like you were precious, like you were fragile, like he had to hold you together before you broke apart completely.

“It’s okay,” he murmured, kissing your temple, your cheek, your jaw. “It’s okay, sweetheart.”

And then he moved.

His thrusts were slower, deeper, his lips brushing yours between each movement. His hands wandered, soothing, worshipping.

“Giving you exactly what you want, yeah?”

You nodded frantically, breath labored, losing yourself in the way he felt, the way he surrounded you, consumed you.

“Don’t pull out,” you begged, voice barely there, a whisper of devotion, of desperation.

Bucky let out a shaky breath, forehead pressed to yours. “I won’t, baby,” he promised, voice breaking. His pace picked up, hips rolling against yours, pushing deeper, harder, dragging against your oversensitive clit in a way that had you whimpering. “Gonna fill you up like you wanted.”

Your toes curled at the words, at the image, your walls fluttering around him.

“Oh, please don’t stop,” you gasped, rolling your hips, needing, aching.

Bucky groaned, his head dropping back as his rhythm faltered, as he snapped his hips harder, chasing the end, giving you what you wanted, giving you everything.

“Fill me up, baby,” you pleaded, your voice a broken, desperate thing. “Make me yours..”

And that—

That was what finally broke him.

Bucky snapped.

A curse tore from his throat, his grip on you bruising, unrelenting as his hips slammed into you, chasing the inevitable, giving you everything. His rhythm turned frantic, needy, his body demanding what you had just offered.

And you took it.

You craved it.

Your body tightened around him, coaxing him deeper, begging for more. Every thrust was an answer to a question neither of you had spoken aloud, a declaration in the language of skin and breath and longing.

“Fucking hell, sweetheart,” he gritted out, his forehead pressing to yours, his breath hot against your mouth. His hand slid down between you, his metal fingers finding your clit and pressing, rubbing tight circles, dragging you back to the edge with him.

Your body shook, every muscle tensed, the pleasure sharpening into something unbearable, something deadly.

“Bucky—”

“I know, baby,” he groaned, his voice cracking at the edges, his own body trembling as he held himself back, as he waited for you. “Give it to me.”

You did.

Your orgasm hit like a tidal wave, knocking the air from your lungs, blinding in its intensity. Your body locked around him, your hands clutching desperately at his shoulders as the pleasure ripped through you in violent, unrelenting waves.

And that was it. That was everything.

Bucky followed, slamming into you one last time before breaking, burying himself as deep as he could go, a shuddering groan torn from his chest as he spilled into you, filling you like he promised. You felt it as his warm cum Costas your walls, so much of it you weren’t sure there wasn’t some spilling out.

His body trembled, his arms locked tight around you, holding you close as he gave in, as he let go, as he let himself have this.

For a moment, there was silence.

Just the sound of your breathing, labored and uneven. The quiet, lingering shock of what you had just done.

Bucky’s forehead pressed against yours, his chest rising and falling rapidly, his heart hammering so hard you could feel it through his suit.

Neither of you spoke.

Neither of you moved.

You stayed like that—wrapped around him, his cock still twitching inside of you, his arms cradling you like you might disappear if he let go.

You let your eyes drift shut, your fingers tracing slow, lazy circles against the back of his neck, the weight of him comforting, grounding, even as reality started creeping back in.

You should let go.

You should move.

You should say something.

But when Bucky finally pulled back, just enough to look at you, his hands coming up to frame your face gently, his thumbs brushing over your cheekbones—

The words died on your lips.

Because he was looking at you like you had just ruined him. Like you had just changed something fundamental inside of him.

Like you had just made him yours.

And you had.

Slowly,, Bucky eased his grip, his arms still wrapped around you, his hands still mapping the shape of you, like he needed to memorize every curve, every ridge, every place he’d touched.

His lips brushed your temple, then your cheek, then your jaw—soft, tender kisses that made your heart clench, made something deep inside you ache.

It felt too big.

Too much.

But you couldn’t stop touching him.

Your fingers traced the lines of his jaw, the stubble rough beneath your touch. You pushed damp hair out of his face, ran your knuckles down the slope of his nose, his cheekbone, memorizing him the way he was memorizing you.

A hand slid up to cradle the side of your face, his thumb tracing your cheek, his expression unreadable.

When he finally spoke, his eyes were soft, but serious.

“You meant it,” he murmured.

It wasn’t a question.

You swallowed, lips parting, breath hitching.

“Bucky—”

His other hand was still pressed to your lower stomach, like he could feel himself inside you, like he could brand this moment into your skin.

“I felt it,” he whispered, almost to himself. “The way you—” He exhaled sharply, like the words were too heavy to get out.

You closed your eyes, trying to give yourself some kind of reprieve from the enormity of it all.

“Don’t run from this.” His voice was so calm, but it cut through you like a knife. “Please, doll.”

Your throat tightened.

You weren’t sure if it was the aftershocks of pleasure or the overwhelming emotion of it all, but your body was still trembling—and Bucky felt every bit of it.

His arms tightened around you, securing you to him, anchoring you.

“I’m not running,” you whispered.

He pulled back just enough to search your face, like he didn’t quite believe you.

And maybe you didn’t quite believe yourself.

Because what came next?

What happened after this?

There was you before Bucky Barnes.

There was you after Bucky Barnes.

And they weren’t the same.

[sugarwarachan]

sex pollen troubles - ft. k. bakugou

summary: prohero!Bakugou gets hit with a sex quirk. too bad his roommate hates him—right?

wc: 1.8k

pairing: prohero!Katstuki Bakugou x roommate!reader

content warnings: MDNI, Bakogou has a roommate because his therapist tells him to, fem!reader is an investigative journalist, gratuitous use of Ace (hello gilmore girls fans) idiot Katsuki, pining Katsuki, fingerless gloves make an appearance sorry not sorry, making out, fingering, unprotected sex, dirty talk, pet names like baby, pretty girl, princess, breeding but only if you squint

a/n: word vomited this out in less than 24 hrs

He’s praying you don’t pick up.

“Bakugou?” You sound annoyed, a little suspicious even.

He never calls you.

“Ace.” You hate that nickname, but the thought of saying your actual name in the desperate growl that is his voice right now makes his head spin. “I need - fuck - are you home right now?”

Sex quirks are a dime a dozen these days. He’s been hit with a few before, simple one that are usually pretty easy to shake. (He still hates the premature ejaculate memory, though, coming home with his boxers stiff and an image of you spread out on his bed playing like a film in his head. He hadn't been able to look you in the eyes for weeks.)

He’s never been hit with one as strong as this. The second the mist hit his nostrils he was huffing up the scent of vanilla and citrus and strong black coffee, just the way you like it, before he realized what was happening, the villain ripping down the street in the opposite direction while arousal hit him like a truck.

Bakugou's practically doubled over talking to you now, the ache in his dick throbbing in time with his fucking heartbeat.

“Yeah, I’m home.” Even annoyed you sound like heaven. “What’s going on? You don’t sound like yourself.”

He barks out a laugh, and before he knows it, he's telling you the truth. “Got hit with a sex quirk. A big one.”

Your breath bitches slightly on the other line. He’s pretty sure his cock jumps at the sound.

“And I - " need you right fucking now - “fuck - I can’t call anyone else.”

It has to be you. He’s got women he could call, sure, anyone who might want to get into a pro hero’s pants, but it has to be you for a reason he doesn’t want to look at too closely.

You’re silent for a beat, before you say, “Send me a pin. I’ll come get you.”

He hated you at first. Always talking his ear off about every fucking thing, bringing up articles that remind you of cases you're covering—it was like living with Deku dialed up to 11.

But what he hated even worse was when you stopped talking. When you realized he wasn’t actually gonna come around and be nice to you, when you figured out, oh fuck, he’s actually just an angry prick, and left him alone.

One day he could count on constant chatter when he was back from patrol, the next, nothing at all. You even switched up your schedule so he barely saw you, a fact he didn’t tell his court-ordered therapist because he was supposed to be getting better at being around other people, not worse.

He hates remembering this now with his dick hard as steel and weeping from the tip like he’s fucking 15. The alley is secluded, thank fuck, so no one can see him shaking and groaning, forearms braced on the wall in front of him, head hanging down like a panting dog. He can barely move; every brush of his pants against his erection like a live wire to the brain.

By the time you pull up—five minutes, forty six seconds later, he counted—he’s so frayed and tense that the minute he sees your face, he shouts, “Took you fucking long enough."

Your face shutters closed the way it always does around him, and he wants to fucking die.

“Fuck, Ace, I’m sorry - it’s just, I’m fucking miserable right now - "

“Why did you call me, Katsuki?”

It’s a mistake to look you in the eye. His restraint is a razor’s edge at this point, and seeing your beautiful face is too much. You've always been pretty, but the light shining on your soft hair is convincing him he can write fucking poetry all of a sudden.

“You know why,” he grits out.

You step forward, vanilla and citrus and coffee flooding his nose.

“No, I don’t. You act like you fucking hate me half the time and ignore me the rest.” You scrape a hand across your face in frustration. “And then you call me sounding like that. Why wouldn't I be confused?"

“I want you.” It’s out of his mouth in a flash, and he knows it’s the right thing to say by the way your shoulders relax. “I’m a fucking asshole, I know it. I’m not good at feelings, baby, I'm sorry, but I want you so fucking bad it’s like I could break my teeth over it. It has to be you, Ace, fuck, I’m sorry, it can’t be anyone else - "

You shut him up your mouth, your lips locking into his as both of your noses bump against each other. He doesn’t care; he just needs you as close to him as he can get you. It’s better than anything he imagined, finally touching you, finally giving in to the attraction that’s dogged him ever since you walked into his life.

You taste like coffee and a little bit of that strawberry lip gloss he loves so much. He licks into the seam of your mouth and relishes the shiver that goes through your body.

“Like that, baby?” He breaks away, nosing at your jaw, nipping at the juncture of your throat. That makes you gasp. “You smell so fucking good here.” He jerks his hips, hisses through his teeth as his cock jumps in his pants, pulsing with need.

“Let me,” he hears you say, and you’re tugging his pants open to get your hand around him. The second your fingers wrap around him his eyes roll up in his head. He could cum just from this, he realizes.

“Of course you’d have a pretty dick,” you say with a look of annoyance, and he’s not entirely sure what to say to that besides puff up his chest. You laugh, and it’s almost fond, and goddammit he wants you more than he’s ever wanted anything else -

With a growl, he pulls your hand away and backs you up against the wall, peppering kisses down your neck. The whines he’s pulling from your mouth is making everything in his life worth it. He’d fight a thousand fucking villains if it meant this, fingering the seam of your panties under your little skirt as you cry out for more.

“Wear this for me?”

“Like fucking hell I did,” you retort.

“Sure thing, princess.” He runs the pad of two fingers over the soaking wet seam of your panties. A feral grin passes over his face as your thighs tremble and press together. “This just happened to you all on your own?”

He roughly pulls your panties to the side to gather up the slick at your entrance, pushing your hips apart and settling himself between them.

“You’ve gotta come first, pretty girl.” You like when he calls you pet names; he’s been watching the way your skin breaks down out in goosebumps each time. It’s a like a drug being this close to you, making you feel this good. “The second I’m inside ya I’m gonna blow my fucking load so be good and come for me, yeah?”

The rough material of his fingerless gloves rubs against your clit as he stuffs two fingers in your pussy. Your little hole sucks him in greedily as you whine and buck against him.

“Harder, Kats, please - you won’t fucking break me - "

He adds another finger to stretch you out, keeping his palm rocking against your pubic bone with every grind. You’re fluttering around his fingers, whimpers echoing off the walls in the alley.

“That’s it, baby, there you go. Fuck, yeah, you like me stuffing this pretty pussy full?” You dig your nails into his scalp as you hold onto him for dear life, whimpers ratcheting up to moans and cut-off screams as he starts to feel your cunt clamp down hard on him.

You moan his name against his neck as you cum. “Just needed to think about me stuffing you full?” He can’t help but smirk, which quickly turns into a hissing groan when your hand finds him again and positions him right at your core.

“I could say the same for you,” you smirk, rolling your hips and coating the head of his cock in the slick of your orgasm. He chokes on his spit, bracing one forearm on the wall behind you, his free hand stilling your hips in place.

“Lift me up,” you pout.

“Didn’t know you were bossy.”

“Didn’t think you would like it,” you shoot back, rolling down onto his cock and taking an inch of him inside you. “This position’s better, isn’t it?”

“Of course it is, you devil woman.” He can barely think. “Baby, I don’t - god fucking damn it - I don’t have any - "

“I’m on birth control and I’m clean.”

“Same. Clean, too, I mean.” He’s rambling. He never rambles. “I’ve got my check-up stats in my phone if you’d like to see them.”

You laugh, and it’s the sweetest sound he’s ever heard in his entire life.

“Can I kiss you?”

It takes him aback, but he’s been dying to know what you taste like since he met you, honestly.

“Yeah, pretty girl. You can kiss me.” He nips at your mouth and laughs at your pout when he pulls away. “Let me get all the way inside ya though first, huh?”

He feeds you his dick inch by inch, clenching his teeth at the way you squirm and plead for more. You’re slippery and warm, your cunt making obscene squelching noises with every rock of his hips.

With one final thrust, he’s seated up to the hilt, balls slapping against the meat of your thighs and ass.

“So fucking perfect,” he moans in your ear. “All for me - just for me, isn’t that right, Ace?”

Your head jerks up and down in affirmation.

“Say it, pretty girl. Say you’re fucking mine. Tell me how much you like my dick getting this pussy nice and tight. Bet I can get her to scream again, huh?”

He pinches your clit between two fingers. You jerk in his arms.

“Close, princess? Like it a little mean?”

He rocks his his up so he’s dragging the head of his cock across your g spot, over and over. Your eyes roll back in your head and your breathing gets shallower, shorter.

“Please please don’t fucking stop, ohmygodohmygod feels so fucking good, Kats- "

Your pussy clamps down on him like a vice and all rhythm flies out the window. He grabs the meat of your hips and fucks up into you roughly, shooting thick ropes of cum against your cervix.

The creamy sticky ring at the base of his cock when he pulls out is probably the hottest thing he’s ever seen in his life.

He looks up at you, sees the appreciative gleam in your eye. You're turned on by that, too.

“Can we do this again when we’re home?” he asks. “Maybe after I’ve made you dinner?”

The smile you return is like the sun. “We better.”

[tojisun]

Okay, now I need something about bf!logan and his girl making a porno (bonus points if wade finds out after the show they put on for him and that man is willing to RISK IT ALL to see that sex tape😩🤣)

cw: porn link; f!reader; smut; consensual filming during sex; slight sexting at the end // divider by @/plutism!

this is definitely the porno they were making <3

logan has you on your knees, your ass dimpling with every one of his greedy caresses, his heavy hand kneading your flesh. you’re whining to be creampied—to be bred—and logan indulges you with a quiet chuckle because you’re so adorable like this, all needy and demanding, babbling nothing but nonsense because he’s fucked you to the point of incoherence.

you jut out your chin at his croon. he tells you to do it yourself if you really want his cum; says that you’ve got to show him how much you need it.

“an’ here i thought i was bein’ a gentleman,” logan says, sighing in that what-can-you-do? tone like he hadn’t been fucking you so hard, you were sure that the condom was on the brink of ripping.

you grumble, rolling your eyes even mid-tears, before reaching back to where he’s got his cock rutting along the cleft of your ass. you give it a stroke, giggling breathily to yourself at its sheer girth and weight, before sliding your hand down to the pinched tip and tugging.

logan moans, and it rumbles deep, sending tingles to rise from the tips of your toes to the base of your neck. he sounds just a little too excited, and you wonder how you must look as you reach for the rubber, tugging it off the expanse of his cock. do you look desperate, the camera capturing the way you’re shivering like you’re on cum-withdrawals? or do you look like the brat that you are, whining how sex is not enough until logan’s pumping you full of his sperm?

god, the thought that this moment is being immortalized makes you clench at nothing, your hole puckering as it waits to be filled.

the condom comes off with a pop, the rubber snapping off and into itself. it sounds so lewd and dirty, like the two of you are really starring in a corny porno, and it fills your cheeks with warmth as your need wanes in the face of your shyness.

you fling the condom to the side, before burrowing your face on the pillows, as though that alone can hide the palpable hunger rippling from you. logan laughs at your reaction like he’s not softly humping his cock between your thighs, rutting it along the wet mess he’s made out of your cunt.

“y’ready, bub?” logan asks, still giddy with his laugh. you grumble a reply, before jutting your head in a stilted nod.

he taps his weeping cock along your folds, testing, and you shuffle in your impatience. you feel the itch exploding, the need to be stuffed bloating, but logan continues to tease and god, pleasepleaseplease—

“i’ve got you, darl,” he grunts, then he’s pushing in, steady and filling, and, and—

the moan that’s ripped from your throat sounds foreign, like you’re a damn wounded animal. you don’t even get to adjust to his width—pussy lips going taut at his thickness—before logan’s drawing his cock out until all that’s left is the head. there’s a bated breath that you two share, leaving you suspended in anticipation, then he’s bullying it back in.

you flop on the bed, all useless now like you’ve got your strings cut loose. logan doesn’t seem to mind, not with the consistent ringing slaps of his pelvis meeting your ass echoing in your quaint room. god, your brain’s being scrambled right now, you’re sure, because you can’t even think of anything but logan—

loganloganlogan.

you’re already cross-eyed by the time he sprays his first load inside you.

.

wade gets a five second clip from logan’s number. the thumbnail is just a blur of colours and wade’s interest is piqued because logan rarely reaches out to him—a video is just unthinkable.

he was expecting many things—that the video is the one of deadpool being broadcasted on national television with the words “hero or criminal?” after he’s accidentally set the robber’s van on fire, or that the video is an accidental recording of logan’s butt because that wolverine suit was tight and wade can’t even think where logan must keep his phone with him.

but this—

wade wasn’t expecting this.

it was a video of you—wade’s not even embarrassed to admit that he’s memorized the way you look from all angles; what? one doesn’t get a show of wolverine fucking his girl without gaining a new hyperfixation—reaching for logan’s monster cock. wade breathes in sharply as he watches you reach for the condom before tugging it off with a filthy, filthy pop. the video cuts into a next scene of logan relentlessly fucking you hard; the audio is a mess of squeaks and slaps, but also the wet squelches of logan’s cock fucking in-and-out of your gaping cunt.

two things:

1. that’s fucking hot.

2. that video has clearly been tampered with; it was edited to show the barest of the highlights.

this was a conscious decision, with deliberate efforts. this was personal.

an invitation.

wade rubs one… okay, fine.

wade rubs three out before he’s running back to that apartment he’s daydreamed about. mid-parkour, another notifcation comes in. wade falls, because of course he does, but while he waits for his ankle to mend itself back into its socket, his eyes devour the new message.

> darl wants to know if you’re in.

wade sends a dick pic as a reply.

wade busting a fat nut behind tim hortons because he’s patriotic like that

(ext)

[largishcat]

I’m not sure exactly how to articulate it but—there is this bizarre base assumption i see from people discoursing about children’s media, and that’s the assumption that children are somehow unfamiliar with negative emotions. Like, maybe you’ve managed to completely forget your entire life before you turned eighteen, but kids spend a lot of time being hurt, and scared, and angry. A lot of people had terrible fucking childhoods, and a lot of kids are having terrible fucking childhoods right now. When i was a child, and i read books where bad things happened to kids, that was in no way shocking to me, i already knew bad things happened to children. It made me feel more connected to those stories, not less, and it made it more impactful when those child characters overcame it all in the end. That’s important for children. A lot of them are in desperate need of a little hope, and they aren’t going to get it from nothing stories with no conflict. They put conflict in children’s media for a reason

Also i see some of you handwringing over child protagonists going through, like, the most basic hero’s journey. Please, for the love of god, realize that you as an adult are going to understand children’s media differently than the actual kids it’s intended for. Because you’re all grown up now, you aren’t going to be able to relate to a child protagonist. You’re going to see a child in danger. The children the story is meant for are going to see a kid like them who is able to face hardship and triumph

[captain-krow-drozdov]

Danny Is An Alternate Version Of Ra's Al Ghul And Flash Already Called Dibs On Adopting Him

Danny In All His Sleep Deprived Slightly Scuffed Up From A Fight Glory Is On His Way To Clockworks Tower To Hopefully Get A Nap And Maybe Some Homework Done When A Natural Portal Opens Up In Front Of Him And Proceeds To Unceremoniously Drop Him In The DC Verse Just Outside Of Central City Before Promptly Closing Leaving A Tired Danny Behind In A Run Down Abandoned Parking Lot.

It's Times Like This When Danny Regrets Putting Off Learning How To Make His Own Portals, Cause Now He Is Very Much Stuck For The Foreseeable Future And He Has No Idea Where Or When He Is. Luckily For Him However Central City Isn't Too Far Away, Unlucky For Him However Is That Once In The City He Realizes This Isn't His Dimension. He's Pretty Sure He'd Remember Something Called The Justice League.

So What Do You Do When Supernatural Bullshit Fails You? You Fall Back On Your Mad Scientist Roots And You Make A Portal Gun. So That's Exactly What Danny Plans To Do.

Unfortunately Staying Alive And Building Questionably Safe Portal Technology Requires Money And Supplies, So He Ends Up Wandering From City To City Doing Odd Jobs/Fixing Up Busted Tech For Cash Or Unwanted Electronics For His "Operation: Get Home" Needs. This Obviously Ends In A Few Superhero Encounter Shenanigans.

Though He Always Ends Up Back Near Central City, Both On The Off Chance The Natural Portal Will Open Up Again And Because Out Of All The Superheroes That Apparently Exist In This Universe The Speedsters Are His Favorite (Red Robin Is Solidly His Second Favorite Ever Since The Gotham Vigilante Gave Him A Large Coffee Filled With Enough Caffeine To Kill A Man).

Unbeknownst To Danny However Is That Every Hero/Vigilante He Has Encountered Has Come To At Least One Of The Following Conclusions; 1. Run Away Meta Who Is In Desperate Need Of A Good Meal/Adoption Bait. 2. Possibly Red Robin/Tim Drake Clone 3. A Good Kid But Could Possibly Be A Future Rouge If Left Unsupervised. 4. Did Bats Get A New Kid And Why Is He Here?

All Flash Knows Is That He Saw The Kid First And Therefore Has Dibs. Suck It Bruce.

Fast-forward A Few Months And Danny Gets Hurt During A Rogue Attack While Trying To Help Some Civilians Get To Safety (Old Hero Habits Die Hard (Ha Die Hard) And All That Jazz) And He Nopes Out Once Everyone Is Safe And When The Paramedics Are Busy With Other People Unaware He Left A Blood Sample Behind.

One DNA Test Brought To You By Paranoid Bat Concerns Of A Possible Red Robin Clone Later And They Find Out That Dannys DNA Matches One Ra's Al Ghul.

They Now Think Danny Is An Escaped Ra's Al Ghul Clone.

Memes For The Vibes: