#because it’s a big character moment for her yknow representative of finally letting go of her mother

[cptnwynnie]

She’s on my mind again and everyone’s gonna hear about it

[devilgem-archive]

heya!! do you mind if i ask a bit abt ur kyokoswap au?? if u dont wanna thats fine but any info/hcs u have abt it wld be cool bc the au seems rlly neat!! tho again if u dont wanna def no pressure ^^; have a wonderful day!! :D

VIBRATES EXCITEDLY i’ve been waiting 50 years for someone to ask about this!!!!!kyoko magica is one my oldest and most developed aus, i’m more than happy to answer this!

aside from minor adjustments to better fit each character’s arc, the story itself follows canon’s exactly! starts with kyoko having a dream about mami, ends with mami tearing apart kyokami in a new world. ofc a lot of the girls’ original traits remain in tact. kyoko is more like her pre-tds self, kind but ditzy and reckless, mami retains her ladylike grace, homura her overprotectiveness and so on…i always prefer leaving aspects that makes characters…themselves in swap aus if u get me? or maybe that’s just me

KYOKO

swaps with madoka. madokyoko or kyokami, as i like to call her!

a simple christian girl with a plain, ordinary life. kyoko had everything she could ever ask for: a loving family, supportive friends, amazing teachers- just everything! all of that changed when she meets a mysterious blonde girl in a post-apocalyptic setting in a dream…and that very same girl appears in her life the very next day!

while she has a kind heart, she is known to be fiery and unreasonable at times. this temper was usually displayed in heated confrontations with mami

the sakuras used to be rather poor. their financial status improved when the akemis stepped in to assist them, and the two families had forged a close bond ever since

eating is practically her hobby. still hates wasting food and will call out anyone who does so

is a d@ddy’s girl through and through. her father is wise and caring, so she often seeks him out for advice

her wish varies from time to time. in the first timeline she wished to save a cat she named Amy, while others had to do with wishing one or all of her friends back or to be able to defeat walpurgisnacht etc. her final wish was to erase all witches from the past,present and future with her own hands, which caused her to ascend to godhood and leave no trace of her existence in the new world.

kyokami felt lonely when she first realized she had no way to get in touch with her loved ones on earth. it felt even strange to be god herself…she’d always been a girl of faith yknow? she eventually embraced her fate as the composer of the universe, and is perfectly happy in bring salvation to magical girls all over the globe.

ophelia is the witch of abandonment. unlike gretchen, who desires to save the world, ophelia wants to destroy it. kyoko’s faith in humanity died the second ophelia was born…and the all-powerful wudan witch stops at nothing until this cold and cruel world is nothing more than barren wasteland

MAMI

switches with homura! her nickname is homumami, but she’s usually mamicifer to me

i like to call her moemami (or moemi???) in her ‘moe’ phase

was orphaned at the age of 6 when a fatal car crash killed her parents and left her paralyzed from waist down. the hospital had practically been her home since, until she was officially discharged yeaaaaars later

used to wear her hair in drilled pigtails, complete with colorful flower clips that surprisingly correspond to her future friends’ colors. in later timelines she would let her hair down and replace the childish clips with her signature bronze ones.

used to be wheelchair bound before contracting. learned to utilize her healing powers so she could walk again; she used crutches and ribbons to assist her during the early timelines. in later timelines, she fully healed her injured spine the same time she changed her personality

she had a big crush on sayaka in the past…something she’d rather forget. it still flusters her

her wish ofc was to redo her meeting with kyoko sakura

her birthday falls on may 1st. more abt it here

mami has a major sweet tooth.

candeloro is a miserable witch, literally shackled with chains of despair, forever alone in this nightmarish prison- her eternal pity party. although she comes off as aloof at first, her true nature warm and inviting, almost needy even.

she has her own set of ‘clara dolls,’ known as delightful dolls. there’s four of them, each resembling the girls of the quartet but represent the hostess’/mami’s worst aspects: vexation (kyoko), disgust (madoka), cruelty (sayaka) and love (homura)– the youngest doll is the least favorite and looks suspiciously a lot like the good-for-nothing’s dolls (see sayamura for the answer)

HOMURA

switches with sayaka. i lovingly dub her sayamura

was kyoko’s friend from childhood. they attended the same catholic elementary school together before mitakihara middle school.

sported her ‘moe’ appearance pre-contract. after making her wish, she ditched the braids and glasses in order to look ‘cooler’ (@ which kyoko wld say she always looked cool in her eyes

kyoko had been her knight in shining armor for as long as she could remember, and homura really wants to repay that by protecting her as well! she is also hella gay for her bff 

her wish was to have the strength to protect others

her shield is very similar to the one seen in the original madoka manga, though it lacks the hammerspace storage. her firearms are formed via magic

her desire for kyoko, self loathing and jealousy are big big factors to her inevitable demise.

homulilly here is a mix of her nutcracker and mortal world forms. each and every one of the clara dolls still exist along with lotte, luiselotte, liese and lillia.

love is in fact, one of homura’s dolls; because homura and mami cherish the same person deeply, their feelings intertwined and therefore ‘share’ ai. post-rebellion, ai continues to pose as one of the delightful dolls and attempts to revive homura’s memories behind mamicifer’s back

SAYAKA

switches with mami. her nickname is mamisayaka here!

ghost and lonely are big inspos,esp for oktavia

came from a rather well off family, so she never really needed to worry about provisions when she was left on her own. still, all the money in the world could never fill the gaping hole in her lonely heart

knows how to play the violin

her parents and kyousuke and hitomi all perished when a theater collapsed on itself. old wounds reopened when madoka left her to live life her own way

is the ideal big sis! cheerful, sporty and has good grades…For A Sayaka. beneath the facade she’s a depressed slob who doesnt take care of herself as much as she should. its oke as long as she hides it all with a smile :)

oktavia von seckendorff is very highkey based off lewis msa; deadbeat-esque familiars, an abandoned mansion/concert hall labyrinth and a disembodied glass heart, which sits at the very bottom of her lagoon- that kind stuff. those she falls in love with, whether romantically or platonically, are never to leave her- she wont be alone, never again. one condition must be fulfilled in order to kill her successfully: stay. if she’s truly feels content, she will accept death without fail.

MADOKA

swaps with kyoko. kyodoka has a nice ring, doesnt it?

used to be exactly like the sweet and well-meaning canon!madoka in the past, a key difference was she would resort to stealing and breaking other rules to keep herself and her parents and little brother alive.

her mother was a businesswoman who wanted to take a more innovative approach to her work. alas, this would cost junko her entire career and the kaname family became penniless

madoka wished for her mother’s dream project to become reality. just as ur familiar with canon!kyoko’s story, it backfired horribly. disowned from her family, her mother became an alcoholic, dad gets pushed around and baby tatsuya doesnt understand whats going on. days later…press f for the kanames and madoka’s broken heart.

is vile, absolutely vile. can be sweet in one moment then violent and emotionally manipulative in the next like the two-faced bitch she is

rarely uses honorifics to address people anymore, unless she’s playing sweet to get something out of someone. uses ‘-chan/kun/san’ for those she sincerely cares for; she didn’t call homura ‘-chan’ before she began sympathizing with the latter

has a minor problem with booze and tobacco, namely the latter.

she loves loves loves melons!

knowing the value of being frugal, madoka hates wasting things that could be put to better use. she can be kind of a cheapskate in some sense, though she's sane enough to avoid resorting to ridiculous extremities.

kriemhild gretchen is exact the opposite of canon!ophelia. this towering witch continues oh so obsessively reaching for what she cannot; that one faraway glimmer of hope sitting at the endless skies of her labyrinth she calls paradise. shes stubborn as all hell, and will not let herself be destroyed UNLESS one convinces her the world is already a happy place in no need of saving

NAGISA

nagisa is nagisa.

the same charlotte that ate mamisayaka’s head is now a bapy that lives with her post-rebellion

her wish remains the same: to have one last cheesecake with her mother

not much to say here

thats all i can remember from the top of my head! if you want me to elaborate further, pls ask me @mahoutrauma!! 

[littlemisssquiggles]

RWBY Musings #64: A Squiggles Meister’s Views on the potential parallels between the RWBY V3 and V6 finales.

I’ve been saying this for a while now but I believe the CRWBY Writers might be gearing us fans up to have the V6 finale pay homage to the epic V3 finale or at least that’s my theory. So if I had to guess the parallels to V3 that might pop up during the V6 finale, here’s what I think they’ll be:

 Grimm Rampage through Vale ------ Grimm Rampage through Argus

During V3, the City of Vale got rampaged by hordes of Grimm including one colossal Grimm Dragon. I have been wondering what the point of the Wall of Argus was alluding to. I still stand by my previous hunch that something is going to come from beyond the wall to rampage the city. Either that’s the case or the one in my next parallel.

Grimm Dragon from Mountain Glenn ----- Grimm Hecatonchire from the Wall of Argus

A bit of a stretch but what if… there’s secretly a Grimm Titan like a Hecatonchire Grimm that’s secretly hidden inside the Wall of Argus. Since Cordo preached about her Atlesian ancestors helping to form Argus, imagine if those same ancestors put Grimm inside the Wall of Argus or built the city around one that’s been dormant for centuries just like the Grimm Dragon.

In the series, Attack on Titan, it was revealed in a later season that there were Titans in the actual walls that were supposed to keep humanity safe from the Titans. Imagine how cool it would be if a Grimm Hecatonchire suddenly immerged from the Wall of Argus in the same fashion as the Grimm Dragon in V3 and similar to its Dragon counterpart, it also brings forth legions of Grimm to prey on the innocent civilians of Argus, forcing the Argus Military to cease their pursuit of our heroes and take immediate charge to protect the citizens of Argus.

Huntsman vs Atlesian Paladins-----Huntsmen vs Atlesian Megazord

In V3, we got all the main huntsmen from different academies working together to defend Beacon against the swarm of corrupted Atlesian Paladins. Now in V6, it seems C10 set up out heroes who, may not be from different academies but represent the diversity of the kingdoms in a sense (minus Vacuo) going toe to toe against Cordo and her Atlesian Megazord.

Weiss Summons Armor Gigas against the Paladins---Weiss summon Armor Gigas against Cordo

In V3, we got Weiss summoning part of her Armour Gigas for the first time. Right now, Weiss’s trademark summon is the only thing that can grow to a size big enough to give Cordo’s giant megazord a run for its money provided she has the aura levels to do so. I’m sure if Jaune were to amplify Weiss’ aura, the same way he did with her last season and at the start of V6 with Ren, we could get our first ever giant robot vs giant armoured summon fight in the history of RWBY.

Velvet Weapon Reveal ----- Oscar Weapon Reveal

Need I say more? V3 was the first time we saw Velvet’s weapon and her semblance I think too in action. Who knows? If we play our cards right we might finally see what the Oz-cane can do at its true power because as a Pinehead, I have definitely been wondering what tricks to the Oz-cane Oz was talking about back in V5.

Cinder killed Ozpin ---- Neo kills Oscar

Now before my fellow Pineheads come at me with them pitchforks for daring to even theorize this, let me explain my hunch. What if…on the same level as Adam’s reappearance, Cinder Fall also shows her face in Argus and she targets Ruby as expected. So Cinder overpowers Ruby with Neo’s help and just as Neo is about the deal the final blow to Ruby, Oscar jumps in and takes it for her, right through the heart.

I have been hearing this whole thing about Neo doing something to make the fandom hate her going around for a while and I’ve even had one or two fellow FNDM come to me with the theory of Neo harming Oscar. Well here’s my rendition of that theory. What if…Neo goes in for the kill on Ruby but Oscar daringly jumps infront of Ruby to shield her and takes it. So Oscar is there on the ground on the cusp of death. Maybe to make the situation even more dramatic, he straight up does die in Ruby’s arms, shocking her and the fandom.

Then after Oscar technically dies, instead of going to the afterlife as one would expect or reincarnating, Oscar shockingly winds up in the Realm between Realms where he meets the God of Darkness, similar to how God of Light met with Ozma. To Oscar’s surprise, a reluctant Ozpin is also present. The God of Darkness then offers the two souls something neither could refuse. He offers them the chance to undo what his brother did centuries ago. As it turns out, the whole reincarnation thing was all Light’s idea because he still believed in humanity and that they could change.

His brother felt the opposite but he did want to entertain himself a bit with his brother’s immortal pet. So he offers both Ozpin and Oscar the chance to undo his brother’s curse so that they may return to their normal lives free of having to be revived to continue his brother’s dirty work. 

But he only offers the deed to one. In order to decide who gets to return to the land of the living, God of Darkness forces Oscar and Ozpin to fight each other one and one to see which soul gets revived only. And to Oscar’s surprise, Ozpin actually wants to fight him so that he can finally be free. So the two souls fight. Of course, Oscar wins and gets to go back but this time he’ll be revived by himself as himself. No longer will he have Ozpin’s voice inside of his head. He’ll be his own person again. He’ll be…alone; a comment made by a grief stricken Ozpin.

It’d be interesting if we could get an equivalent of Oscar calling out Ozpin in the same manner Ruby did to Qrow in V6 C10. Oscar scolds Ozpin for his words implying that he’s never been alone. He’s always had his people. His friends and so does Oscar and so long as they accept him and wish to keep fighting, so will he until his dying breath. His last dying breath in his now only life.

The God of Light’s curse was bestowed so that Ozma was never alone during his cycle but Oscar would be revived as himself without Ozpin. He will be the last incarnate. The last life. The last Wizard of Light. So as Ozpin goes to the afterlife, Oscar returns to the real world where he returns as himself to continue the good fight.

This parallel will probably not happen at all. Definitely not. But as always, I wanted to toss it out there just to entertain myself at the possibility, y’know what I mean?

Team JNPR dies with Pyrhha ---- Team JNPR is reborn with Oscar

Ya’ll know I’ve been saying this since the beginning, right? Ya’ll know how much I want that Team JNPR Revival with Oscar replacing Pyrhha right? I feel like these past two episodes are slowly gearing up to have this happen. Though I didn’t particularly enjoy C9, it did give me my biggest indicators of Jaune asking Oscar to join JNR. 

That Pyrhha closure for JNR. Jaune mentioning in his own words how valuable Oscar is to the team. Bruh, at this point, I’m just waiting for this to come. I’m waiting on this conversation.

Cinder killed Pyrhha----Jaune kills Cinder

This one I’m a little iffy about. I know I’ve been waiting for Jaune to have Justice for Pyrhha moment with Cinder but after C9 I don’t think Jaune will be as angry to kill Cinder anymore. I mean, if Cinder turns into a Grimm monster or gets eaten by a Grimm only to fuse with said Grimm making her less human. Then I can see Jaune being the one to deal the final blow on Grimm Cinder. I’ve said this before too. If anyone deserves to kill Cinder, it’s Jaune.

I doubt the Writers will make him kill her as human but…if she turns into a Grimm then it’s a bigger possibility but that’s just me.

Adam vs Blake and Yang ----- Adam vs Blake and Yang The Remix

Duh. Just duh. This doesn’t even need to be on the list because it’s something the season has been alluding to all volume. Plus C10 already showed it happening. The only twist I can think of from this fight is if Adam dying at the end. I know some people like Adam as a character (like EruptionFang) but I really feel the Writers might be setting up for V6 to be Adam’s curtain call.

I can’t see Adam moving forward, not after the focus he’s been given this season. It’ll be interesting if Adam ends up dying in a similar fashion to Gaston from the Beauty and the Beast. Like he tries to stab Blake but ends up missing and falling to his death. Or maybe he ends up caught on the ledge and Blake tries to help him. Like I’m picturing Adam on the ledge with Blake offering him her hand only for Adam to refuse and fall to his death or something. That’s my hunch.

Then after the Adam fight is one and he’s no longer a thorn in their lives, the Bumblebee could finally have their closure with that. Who knows? Maybe they might make Bumblebee have a moment in the V6 finale. Instead of Blake crying over Yang getting hurt, it’s the two smiling at each other after being found safe together. Maybe they might even kiss, who knows? I’m not a Bumblebee shipper but if a kiss somehow happens between these two gals, I won’t be shocked. I can expect Yang to kiss Blake revealing she’s in love with her.

Again, I ship BlackSun but Bumblebee peaks my curiosity particularly with how Yang sees Blake. I’ve always viewed the Bees as being a ship driven by Yang mostly. Ironic since Yang’s motorcycle is also named Bumblebee. Any Bumblebee hints or vibes I’ve gotten throughout the seasons came mostly from Yang. I think Yang might care for Blake in the romantic sense. Blake I’m not sure about.

I don’t know if Bumblebee is in the cards. All I know is that I think the series has kind of dropped one or two hints about Yang’s true feelings that I’m waiting to see addressed in some shape or form in this remix rematch battle. If all the Bees do is hug then cool. But if they kiss, I’m just saying I won’t be shocked. But that’s just me.

 Arkos First Kiss ---- Renora First Kiss

Nothing serious, I just want to see these two kids kiss finally. And what would be great is if Nora and Ren kiss after the group save Argus. The Arkos first kiss was bittersweet because it was Pyrhha’s last chance to let the boy she loves know how she felt about him before she sacrificed herself. A Renora after battle kiss would mean hope and happiness. For Pete’s sake, it’s been six seasons, let these two kiss already you cowards!

Alrighty then, I think that’s all the parallels I have in mind. If I think of anymore I’ll add them to the list later. For now, enjoy guys!

More Squiggles’ RWBY Content

~LittleMissSquiggles (2018)  

[theothermodulesideblog]

In defense of Anastasia (1997)

20th Century Fox’s 1997 animated film Anastasia is.... let’s face it, not very well thought of by most animated film fans. It’s widely thought of as Don Bluth’s worst work, due to what most of them thought of as pandering to the Disney audience. It was a princess musical from the creator of The Secret of NIMH, of course animation nerds left and right were gonna call bullshit on that. 

I can kind of see where they’re coming from here, but the film itself is gorgeous. The animation is clean and (mostly) devoid of what I like to call “90′s face animation slide”, which is when a character’s face tends to slide around between frames as they move, which is something I noticed a lot of in late 90′s animated features like Beauty and the Beast. It also has some of the best motion I’ve ever seen in a 2D cel animated/cg film, probably only bested by the more action-packed animated movies of the late 90′s, like DreamWorks’ Prince of Egypt and Disney’s Mulan, both of which required a lot of smooth motion scenes and believable kinetic moments. The art direction -- especially the backgrounds -- are stunning, and do a great job representing pre-Revolution Russia. They do a great job immersing the viewer in the aesthetic of the time when it was set; all the decadent golds and reds of the Romanoff palace contrasted against the greys and browns of the rest of the city is a powerful image. 

Another aspect in which it does well is the character building and designs. Dmitri is a whiny little bitch and no mistake, but his character grows with Anastasia and they have an incredibly cute romantic arc (I really love the idea of two people that approach each other as equals and have natural chemistry that manifests in being annoying and teasing each other). His bestie Vlad, and his love interest Sophie (who enters in the middle of the second act, if memory serves), are my favorite part of the whole film. These two characters are adorable and sweet, and they flirt with each other for pretty much all of the time they’re on screen. Anastasia herself is.... Meg Ryan with red hair that magically changes length, probably due to some oversight on the animators’ part. She’s not really a very compelling character to me, but I do like the final (long hair) design. She has some very good costume choices (the blue dress and ponytail she wears on the boat is lovely, as is the sparkly midnight blue dress she wears to the French Opera -- tangent: apparently they had to devise a new technique to animate that dress), and, as she is voiced by Meg Ryan, is very facially expressive. I also love that she has a dog, but then again, I love dogs.

The musical score and songs are great. There’s really no question there. I haven’t seen this movie in 5 years and I can still call to mind pretty much any of the songs from it. They’re memorable and catchy without breaking the character of those singing it, besides maybe I Can Learn to do It, which, okay, I can’t imagine Dmitri going with that. But Rumour In St. Petersburg and Once Upon a December (the first two songs in the film) are incredibly strong, and the animated sequences that accompany them are great. Rumour has a big group scene where everyone in St. Petersburg is complaining and gossiping, and it shows in the animation how miserable the revolution made them (historically inaccurate, yes, but we’ll get to that), and Once Upon a December has a haunting ghostly ball in an abandoned ballroom at the Romanoff’s palace that’s just lovely. It has all the hallmarks of a scene from Joe Wright’s Pride and Prejudice (2005) -- revolving camera view, yellowy colorscheme, ballroom, tension -- and I love that. The song itself gives me goosebumps just recalling it. The songs from the second act (Paris Holds the Key To Your Heart and In the Dark of the Night) both have slightly lacking lyrics, but the animated sequences still hold up after 20 years. I have to give special credit to Paris Holds the Key because it went for some pretty ambitious visuals and had quite a few references to period-appropriate 20th century French thinkers/writers/artists, which both my sister and I find pretty great. The end song, At the Beginning, is probably the weakest song (it was written by Richard Marx, what can ya do), but I can forgive one song not being as great as the rest. 

Yes, I will admit this film has quite a few shortcomings, not the least of which are the glaring historical issues. The Russian revolution wasn’t brought upon by some evil sorcerer hellbent on killing the aristocracy. There were no evil sorcerers in 19th century Russia to begin with, let alone to incite some big revolution. And I’m no expert on the revolution aftermath, but I’m willing to bet they weren’t secretly wishing there was one Romanoff left to guide them back to their previous ways, because yes early Russian socialism was pretty shit, but I doubt they’d want to go back to having all the issues they wanted to rectify in the first place. Also Anastasia was missing and presumed dead, but I think they actually confirmed her as dead at some point in the last 100 years, so yknow, also there’s that. 

Another criticism which I mentioned earlier is that this is seen by most discerning animation fans (read: animation nerds) as Don Bluth selling out. His last few animated features, Rock-A-Doodle and The Pebble and The Penguin, were meh at best, and hot trash messes at worst. They’re really not well-thought of, and are nowhere near as beloved as The Secret of NIMH and Fern Gully, two of his best-known films. This man was well-known and well-loved for not pandering to his audiences, and giving them dark children’s content, which may be coming back into vogue now, but wasn’t really a big thing back in the 80′s (unless you count Jim Henson). To see him creating what is essentially dumbed down Disney content was disheartening to a lot of his fanbase, and upset most of them. And it’s not hard to see where they’re coming from; if Alex Hirsch had decided to cop out and make more seasons of Gravity Falls, or if Over the Garden Wall had been extended further for the sake of making money, I’d be really upset too. I’m a drama queen about this sort of thing, so I’d most likely wail about how my favorite creators were losing their integrity to the great machine of capitalism, and I wouldn’t be completely off. But the fact of the matter is that market trends change, audiences change, and art changes as a result of them.

 Anastasia is probably a copout, yes, and is probably the worst of Bluth’s filmography if you grew up with his darker 80′s material, but it is by no means his worst work. This is a film very near and dear to my heart and I will fight whoever says it’s not at least worthy of a viewing, because it’s kind of a masterpiece. The animation style is gorgeous, the songs and score are literally haunting, and the characters are well-written and expressive, and they grow as characters -- something not a lot of animated films care about anymore (absolutely throwing shade at all the Smurfs movies). It may not be Bluth’s best work but it is SUCH a far cry from his worst, sellout or no.