#because it was clear that all the actual lore was delivered there

[giriduck]

The article is a good read about various types of game design. Super interesting!

ive been gathering sources on loz development for a while now and i want to finish writing an essay at some point on. basically Why I Think Loz Is The Way It Is, but in the mean time i wanna drop one of my favorite articles here related to zelda development & writing, which is this WIRED interview with a staff member named Yoshiaki Koizumi, who i wish more people knew about. and it’s not like a huge revelation or anything and Koizumi isnt the only person on the team who has ever cared about the games, but i think his work & commentary on the series helps add some context a lot of people are looking for, and at some point i might compile a larger list of interesting articles to check out. but this is a good one lol

[neiptune]

it’s valentine’s day, you clown

cw: 1.2k wc, blank blogs don't interact, something something your volleyball superstar boyfriend tooru flies home to surprise you only to pass out on your bed, this is my first ever hq fic and it's a complete coincidence that it's about him please be nice and don't make any assumptions

thank you @moondust-lore for reading this 🤍

His breathing stays regular and quiet as you crawl onto the mattress. Your bed is still somehow comically small and far from ideal to accomodate that unique ensemble of long limbs, sturdy muscles and swooping brown hair. Yet his sleep is serene, features relaxed that fill your chest with warmth that almost prompts your fingers to run through smooth locks. How have they not been rendered thicker or dry by the sea salt yet?

You’re careful as you snuggle closer to his broad back, not really wanting to wake him up. A small smile creeps onto your lips at the thought of how tired he must’ve been, couldn’t even bother to properly slip underneath the covers, knocked out in seconds. Flying all the way to Japan, travelling for almost 24 full hours to surprise someone must do that to a person.

The shock has worn out, the sensation of your heart being one second from bursting and exploding into a million golden confetti has dimmed. Now your head feels clear enough for your mind to be focusing on the important stuff, the mundane thoughts you didn’t have the luxury of dwelling on for months are a messy but colorful vortex. Would he like the usual for dinner? Does the uniform or any shirts need some ironing? Yes, yes, Tooru favors dry cleaners because they’re practical and he’s rich but you desperately want to contribute. You want proof that he’s home, actually home. With his big designer suitcases and wrinkled shirts and ridiculously expensive glasses and a smile that still shifts your world’s axis.

You allow yourself to scoot closer, until your nose brushes against his shoulder. He radiates a comforting  warmth and smells nice as always. Of sunscreen, beaches, the cologne you have bought for his birthday. As you shut your eyes, memories from the previous night start slowly blurring the edges of your consciousness and lull you to sleep.

“Shit! Fuck!” you jolt awake at the unexpected profanities, the last thing you remember dreaming about including tanned skin and a much more peaceful scenery made of rolling waves and golden, powdery sand.

“What… what’s wrong?!”

Oikawa Tooru is looking at your with what could be only defined as a glare. Eyes squinted, accusatory worry lines and all.

“You let me sleep? Why were you sleeping too instead of waking me up? It’s late!” his pitch gets higher with each word and by the end of the fully formed sentence you’re grimacing. The awfully old digital alarm clock on your nighstand flashes a red 11:05 PM.

“I’m sorry!” you panic “I didn’t mean to fall asleep! I know it’s late but I can probably put something together for dinner anyway? Are you that hungry? Wait, actually, let me get something delivered and…”

Now he’s staring with an openly outraged look on his pretty face, which makes you think finishing the thought probably isn’t the smartest idea.

“You… don’t want me to order in? I mean, fine, you can pick any local restaurant or takeaway, I don’t really ca-”

“Are you stupid?”

Ok, well. That feels unfair.

“I already apologized for falling asleep, no need to be a jerk” now you’re squinting your eyes at him. One eye. The other is being relentlessly rubbed.

“You’re right” he sighs and his massive shoulders slump, head hanging low like a wounded animal “it’s not your fault. I’m the dumb one. Couldn’t even set an alarm”

“I think you’re blowing this out of proportion, we can still eat something. If you’re worrying about your sleep schedule, I’m sure I can find some sleeping pills or…”

Oikawa looks at you, exasperated.

“That’s definitely not what I’m worried about”

“What the hell are you worried about, then?”

“It’s valentine’s day, you clown”

You blink back your surprise, his fond eye roll not easing the heat that takes over your face as realization finally dawns on you. “That’s… that’s why you flew here?”

Tooru leans forward to lightly flick your forehead. A car passes down the street, the light bleeding through your shades brightens the room for a moment and you catch the sincere amusement in his eyes.

“Yes, darling dearest. That’s exactly why I flew here. I was also supposed to make plans, take you out on a proper date, rob a flower shop from the inside out instead of passing out and drooling on your favorite duvet”

You stare back at his comical frown for a few seconds more before falling back into your pillows with a chuckle.

“Glad you think this is funny and not irredeemably gross. Stop giggling, let me think. I’m gonna go buy the most expensive champagne bottle and pick dandelions along the fucking sidewalk if I have to, and then-”

“Tooru”

“What?” he’s already swinging one leg over the edge of the bed “I’ll be quick”

“You’re here”

Oikawa snorts.

“Yes, I’m still here. Now, if you could kindly let go of my shirt…”

“I don’t want any of those things. You know I don’t want them”

He huffs and air comes out of his nose. “Yeah, I know. But I wanted it to be special” his tone is petulant but you recognize the real thing vibrating underneath, the genuine disappointment.

“It’s already special because you’re here. The only thing that could make it extra special is you filling this cold, empty spot next to me” you pat the covers with a lenient smile and Oikawa allows himself three seconds, three entire seconds to sulk and flash you those big, wet, sopping eyes with a pout that makes him less of a volleyball superstar and more of a kicked labrador puppy.

You welcome his painfully heavy body on top of yours, sharp angles and hard muscles that somehow melt perfectly in your embrace. He’s holding you so tight, head buried in the crook of your neck, soft hair tickling your cheek.

“I’m sorry” Tooru murmurs the apology quietly and seals it into your skin. You know he truly is, devastated as he always gets when something doesn’t go according to the plan. Always one for grandiose gestures and loud displays of affection, chasing whatever it takes to validate how he feels just in case the other person needs proof, always additional proof heaven forbid they feel neglected or get bored. His confidence wavering, his mind always running 100 miles an hour. Am I doing enough? Am I still enough?

“I love you” you reply for good measure and his arms tighten around your body.

But do I deserve it?

“Thank you for flying across the planet to get to me” you smile into his hair before kissing the side of his head “I missed you”

“I’d fly across the solar system to get to you” he’s smiling too, it’s in his voice.

“Corny” with a grin, you pinch his cheek until he looks up with an exaggerated, pained groan. But before he has the chance to protest, you take his disgustingly pretty face in your hands. 

“Wherever you fly from, I’ll be there to welcome you home”

Tooru smiles into the kiss, chases your lips when you relax back into the pillows.

And I’ll spend my life trying to deserve it.

Good thing he has at least five different Havanna Alfajores variety boxes somewhere in one of those suitcases. And two tickets to fly back to Argentina.

[a-bit-predictable]

I have 0 problems with people who cannot enjoy Caitlyn or caitvi because they cannot get past horrible actions that hit close to home and resemble issues extremely personal to them in the real world. indisputably valid.

I have problems with the people twisting the entirety of Caitlyn's narrative into "always was always will be 100% evil and should have died for it" and getting high on spewing neglectfully simple statements with extreme terms that don't apply in full or even at all, just because it makes them feel morally superior to anybody that allows even the slightest bit of room to acknowledge the complexity of a fictional character.

you don't have to like her or what she's done (and you shouldn't like what she's done, but at least get right what actually happened and why). at the same time, that doesn't make it impossible to still acknowledge she has (and was purposefully written with) goodness and compassion in the heart of her character. this was made abundantly clear all throughout season 1 and is something she absolutely compromised in season 2, BUT also realized she hated herself for and wants to do better going forward.

(and look, i understand longing for more meaningful reparations on-screen, but a fictional narrative doesn't owe you a perfectly depicted solved problem by the final frame. they gave us the first steps with a clear intention to continue improving (listen to Caitlyn's closing speech). not to mention it wouldn't make practical or narrative sense to deliver a giant montage of fixing every issue when arcane is ultimately a backstory and, to my knowledge, the piltover/zaun conflict is still part of current league lore and potentially other on-screen stories yet to tell.)

real evil does not experience remorse or make efforts to change. and making 1-for-1 comparisons of Caitlyn to.. certain real world figures & groups that don't do those things not only (1) is a huge failing of your own understanding of humanity, but also (2) severely undermines the severity and depth of those real world evils and ideologies.

(this show does not and never did intend to be a comprehensive and accurate depiction of real world issues, but references and makes parallels to it anyway. whether or not the way they executed that is a disservice in and of itself, is a far more important discussion than a single character's moral judgement. though I personally think the show did the best it could with the unfortunate original league lore.)

fiction aside, we're never going to get anywhere dismantling awful ideologies and dealing with people's moral lapses in the real world if we outright refuse their attempts to turn around because it's easier to demonize them forever. rehabilitation is vital.

[ravensvirginity]

Titans #15 Review

Oh my god. Where do I even begin.

To start with my one and only positive: the art is gorgeous. Lucas Meyer is the best artist the Titans have had in ages, and his new Raven design really delivered. I'm so sad that it appears that the artist who'll be taking over for him in #16 is undoing his design changes, I think it's a massive shame. I did appreciate the detail of Raven's white cloak design having rings on her index fingers, but it feels a little pointless without the lore of Azar's rings to back it up.

Now, the negatives: literally everything else about this comic. This comic fails to deliver on an eight issue arc in any kind of satisfying way, has a bizarre and out of character tone, and severely misunderstands the lore of its main villain. They literally defeated Trigon with the power of friendship. Maybe that could work in Teen Titans Go, but in a main timeline DC comic? What?

First, the demon Raven stuff. Gar saying that demon Raven and regular Raven aren't two different people--yeah, obviously. The severe degree of separation between demon Raven and regular Raven has been one of the big issues of this arc, and this conclusion is as unsatisfying as the rest of it. Raven and her demon side being able to talk face to face isn't new, but them being two separate people with separate physical bodies who can operate completely independently of each other--while there is some precident for this, to me it's a very strange writing choice and misses the point of a demon Raven arc.

The original idea of Raven and her demon side was that her demon side is her. It's all the worst instincts she inherited from Trigon locked up and carefully controlled. When Trigon takes control of her and turns her into her demon form, everything she's repressed, both good and bad, is released. Raven still having a soft spot for the Titans in her demon form makes sense; she's still Raven, just corrupted by Trigon into something she isn't. Raven deciding to stop being evil (not that she even really was) and going back to normal from one brief conversation with her teammate does not, and is really anticlimactic.

It's just such a waste of the story's potential. If you don't want to commit to Raven being the villain of the story, don't do a demon Raven arc! It's possible to do a Trigon story without Raven being evil, I don't get why they didn't just do that. None of the drama with Raven being evil was particularly well executed, and all it seemed to do was drag the comic on longer and longer with nothing actually happening, because they were unwilling to make Raven actually do anything villanous.

All that pales in comparison to how they defeated Trigon. I don't think I've ever seen such blatant disregard for previous canon. As Raven, powered up by the other Titans, fights Trigon, Gar narrates as follows:

"I doubt Trigon has ever been in a fight. An actual fight. With someone his own size and power level. Never had to face someone like Nightwing one-on-one. Never tried to stand while being pinned by the power of Donna Troy's will. Never been blasted... with a giant-sized Apokoliptian blast from Cyborg. And never, ever... felt the full force of a Tamaranean hit powered by the stars."

WHAT?

This comic canonically takes place in the same timeline as the New Teen Titans. There are many homages to the New Teen Titans. It has been made very clear that the team started as the New Teen Titans, and then after many, many years of crazy comic book history the team reformed as the Titans of this run.

The first ever Trigon arc that introduces him and Raven as characters takes place in the first six issues of the New Teen Titans, and culminates in Trigon being defeated by the Titans and thrown into an interdimensional prison. I can't stress this enough: literally every single one of the things Gar said have never happened to Trigon happen in that fight. Donna uses her lasso to dampen Trigon's will, in combination with Raven and Arella's empathic abilities. Wally rips a hole through the fabric of reality to throw Trigon into, and Kory and Vic connect their powers to amplify their blasts to throw Trigon into the interdimensional rift. The whole thing is coordinated and managed by Dick Grayson (who was still Robin at the time).

Gar was there when all this happened. There is no reason for him to not know that this happened. The only explanation is Tom Taylor doesn't know, or he doesn't care. This would be disappointing for any comic book run, but it leaves an especially sour taste in my mouth for this to happen in a run that's so built on NTT homages. It's clear that the writing could not care less about the comic it was inspired by.

And then Garth causes Trigon to have a heart attack. Okay, that was just stupid. Admittedly, I did think the page of Raven stabbing Trigon was cool (again, the art is really the only saving grace here), but her saying "Fuck you, Dad"? Seriously? An ongoing problem in this run has been the dialog feeling janky and too much like lines from a generic superhero movie, and this line embodies that very well. I'm not opposed to swearing in comic books, but to me, this is not the right time for it. It doesn't fit the moment, and I think it's quite out of character for Raven, even if the sentiment behind it isn't.

And then Trigon isn't even dead? What does "Demons don't die. They just fade away." even mean?? Is he dead or not? Will he come back tomorrow or in a thousand years? It's such a strange, confusing letdown of an ending.

I didn't have high hopes for this issue, but it was somehow worse than I could ever have imagined. I'm so glad that this run is getting a new writer. Here's hoping that the coming issues will actually feel like a team book, and that the decades of lore and characterization of these beloved characters will actually be considered during writing.

[alwaysahiccupandastrid]

Kraven The Hunter - Thoughts

Let’s state right now by saying that 90% of the reason I went was for Fred 😭 the other 10% was ATJ, Russel Crowe and it being a Marvel film to be honest.

I’m also still slightly ill as I’ve been battling a cold since late Sunday/early Monday so I probably shouldn’t have gone but I dosed myself with Sudafed and for the most part wasn’t congested during the film, plus I feel miles better today, so…yeah. Bear with me if I seem dumb or like I missed something 😭

Anyway… Spoilers below for Kraven the Hunter!

First, some general things:

The way the critics were going on, you’d think this film was completely unwatchable and that there’s zero redeeming features, which in my opinion is not true at all

Let me make it clear right now: is it the best movie I’ve ever seen? No. Is it the best Marvel film I’ve seen? Also no. Is it the best Sony Marvel film I’ve seen? Still not really. But it was watchable and I had a good time eating popcorn while watching it

I really could have done without the cinema going couple on the row behind me who kept going “it’s Kraven time” during the film and who laughed at weird moments but eh, they aren’t the worst people I’ve been stuck in a movie theatre with

AARON TAYLOR JOHNSON’S ABS 🥵

The best performances in this movie were definitely Aaron, Fred and Russell in my opinion (although young Sergei and Dmitri were also good)

Some of the line deliveries in this film were not always it 😭 I don’t know if it’s a post production ADR problem but Ariana DeBose had some really wooden line deliveries which baffles me because she’s an Oscar winner?!? Did she just not care?

Some of the special effects were also not it; I wasn’t expecting ATJ to fight a real lion or for a real bear to kill Nikolai but come on now-

Oh this film delivered on bloody and violent!

My only knowledge of Kraven before this film was from watching half of JackSepticEye’s Spider-Man 2 playthrough so I’m probably the worst person to ask about whether they did his story justice or not 😭

Okay, now the actual film:

I was half expecting David Harbour’s character from Black Widow to turn up in Russian prison 😭

(Speaking Russian) “Can I sit with you at lunch?” “No.” - ASDFGHJKL

Kraven really wasn’t kidding when he said he’d be gone in 3 days, he was in and out fast

Bear with me and I’m sorry if I sound stupid but is Kraven damage proof or are the Russian guards just shit shots? 😭

My mind blanked for a hot second when ATJ turned around shirtless at the beginning and his fucking 8 pack was on view 🥵

The film kind of weirdly started in present day, then spent 30ish minutes in flashbacks, then went back to present day which was an interesting choice

Baby Dmitri 🥹 I wanted to protect him so bad

Nikolai really just went “boys, your mother is dead. She took her own life, she was weak, she does not deserve funeral so we’re going hunting”?!?!

Calypso being there and being told by her granny about the tarot cards saying something bad was going to happen, and being given the potion was…very convenient. Like the grandma really was just there to dump some lore and plot devices I guess

FUCK PEOPLE WHO HUNT ANIMALS 😤 the ONLY reason it’s ever remotely okay to hunt animals is if you’re doing it for food/survival. If you’re doing it for trophies, for “legacy”, just for the horns etc., you can get fucked

I felt so sad when the hunters were making fun of Dmitri for being a bastard 😭 at the very least Nikolai said “it’s not boy’s fault for his father’s weakness”, he’s not a great father but at the very least he said that

^So does this mean that Dmitri’s mother is not Sergei’s mother? Because both boys are Nikolai’s sons? But did Sergei’s mother raise Dmitri too or…?

Sergei really just wanted to protect Dmitri and he got injured 😭 thing is, I don’t think the lion was going to hurt him until Nikolai fucking shot at it - before, it seemed like Sergei and the lion were having a moment, and it only got aggressive when it was shot at, so really it’s Nikolai’s fault entirely

Calypso being more interested in her grandma’s wack ass tarot cards and potion than in the giraffes on safari was by the most unbelievable part to me, like that girl really was so unbothered about the fucking animals in nature?!?

The lion carried Sergei’s lifeless body for MILES, saw Calypso standing there, put Sergei down and looked at her for a moment before wandering off, as if he was bringing him to her?!? 💀

I’m so confused, is it the potion that gave Kraven his abilities? The lion’s blood entering his?!? A mixture of both?!! They don’t really go into detail

Sergei: *lying in Ghanian hospital after being mauled by a lion and being medically dead for at least 3 minutes* // Nikolai: Get your ass up I’m taking you boys to London

Sergei’s mom wrote him a note before she offed herself telling him not to become his father so that’s…why he doesn’t want to be like his father I guess

Dmitri’s powers are shown by him doing spot on imitations of other people’s voices, like he opens his mouth and Russell Crowd’s voice came out, and Sergei is like “you’re getting way too good at that”

Nikolai killed the lion 😭 fuck that guy

I get that Sergei was upset about his dad being an asshole but why did he shut Dmitri out like that 😭 so rude of him

So because his dad is a dick, young Sergei decides he’s going to run away to Northern Russia or Serbia or wherever, abandoning his little brother who their father clearly doesn’t like very much… bro-

I wasn’t aware that Russia or Serbia or wherever he went had a particularly large buffalo population, can someone confirm?

How does his vision just zero in on things from absolute miles away while his eyes turn gold?!?

After young Sergei it switches back to present day and I do feel they could have done it a bit better? It just cuts to black then cuts to present day I think. There’s a scene before this young Sergei seems to be testing his new abilities by jumping over a chasm, running through the forest etc, they could have easily done a switch there in my opinion (if that makes sense)

I smiled so stupidly when Kraven got a voicemail that started with his father’s voice before Dmitri laughed because it was him messing about 😭 And immediately I love him-

Did Kraven eat a fish raw?!? 💀

I agree with Sergei/Kraven, we should 100% kill hunters who do it just for sport/not for survival

HE BIT A GUY’S FUCKING NOSE OFF I WAS GAGGED A BIT

I won’t lie, I was also gagged when he was going through the book of names, found the Andrei guy’s name, then immediately killed him before crossing off the name like it was nothing, I think that was pretty fucking good

So Calypso is a lawyer and Kraven somehow managed to track her down just from the tarot card she left in his pocket and the potion vial?!? I know that’s his whole thing, tracking and finding people, but HOW-

With all due respect to the actors, there was pretty much no chemistry between Kraven and Calypso so if they were meant to be love interests, I was not feeling it at all

Not me getting overexcited when I saw the Daily Bugle newspaper and website 😭

Aleksei (the Rhino) has a dog and I thought he was going to hurt the dog 😭 he just snapped at him but still-

“Like a Rhino, I take what I want” - BRO I AM SORRY BUT WHAT

DMITRI PLAYING PIANO AND SINGING SIGN OF THE TIMES BY HARRY STYLES?!?

For the record, whenever Dmitri “sings”, it is NOT Fred singing - they use studio recordings of the actual artists and Fred just lip syncs which is kind of a shame because I personally want to hear that man sing 😭

So Dmitri runs a nightclub where he plays piano and sings while impersonating actual singers which is…definitely an interesting use of his gift, to be honest

Nikolai says Dmitri does this for him and that just breaks my heart personally

“My son, he is like a Chameleon” - bro. Bro. BRO. This film has zero subtlety 💀

There’s something about Fred wearing rings and a gold chain, his chest hair on display, that just hits different 😋

Nikolai: I don’t trust anyone who doesn’t like Tony Bennett

If I had a nickel for every time Fred was in a movie released in 2024 hiding under a piece of furniture, I’d have two nickels which isn’t a lot but it’s weird that it happened in two different movies released a month apart 😭

Dmitri was really upset about his club being the site of a fucking shoot off (understandable), and Nikolai started saying what a coward he was and berating him, as if Dmitri didn’t impersonate Tony fucking Bennett for his father-

There’s a noise the Rhino guy let’s put when he hears that a load of his men were killed at the nightclub that made my entire screening (of which there were not many admittedly) burst out laughing - not in a good way, but in a “what the actual fuck” way because he sounded like a velociraptor or something?!? It was so fucking odd

Kraven scales the outside of the apartment building to get into Dmitri’s penthouse instead of just taking the lift like a normal person-

FRED IN THE SHOWER I REPEAT FRED IN THE SHOWER-

^Regrettably, we do not see him in the shower nor shirtless - for some reason Dmitri has a bathrobe on before he steps out of the shower 😭

IT’S DMITRI’S BIRTHDAY 🥳

“When it’s your birthday, we can go to a petting zoo or whatever it is you do to unwind” ASDFGHJKL I LOVE DMITRI SO MUCH

I literally burst out laughing when Sergei and Dmitri walked past a couple while going into the club and Sergei was like “oh nice perfume” to the woman, and she said “I’m not wearing perfume”, and he sniffed again then looked at the boyfriend who had wide eyes - for a moment I thought they were making a joke about the boyfriend wearing perfume but then Sergei was like “she had to find out eventually” and I realised “ohhh he cheated on her and has another woman’s perfume, got it”. Had us all laughing in the cinema though, so 10/10 for that scene

Dmitri got really hammered and I think that’s adorable of him personally, that Sergei had to put him to bed like that 😭

Dmitri saying he forgives Sergei for leaving and that he knows the only reason Sergei comes back for his birthday every year is because he feels guilty?!? 😭

Sergei decides to sleep barefoot in the park where it’s allegedly quieter for him (which is bullshit because anyone who’s been in London knows that even at night it’s a fucking nightmare of noise)

“I was going to hold it open for you” “No you weren’t” ASDFHHKL

Not him telling that random man he hunts people like are you even trying to be low-key about being a serial killer at this point 😭 (cool motive but still murder-)

So the Rhino’s men went to Dmitri’s apartment to find Sergei and trashed the place, and they took Dmitri instead?!? Like you’re telling me they managed to figure out he had been to Dmitri’s apartment but they didn’t see him lying in a public park sleeping on the floor?!? 💀

I just want to know why Sergei didn’t put any shoes on before going up to the apartment, he had that whole lift ride to do it-

You can tell that most of the film is set in London because when Kraven is running through the streets barefoot and climbing shit, no one moves out of the way or blinks an eye 💀

THEY CUT OFF DMITRI’S FINGER?!? 😭

Nikolai really believes his legacy and power is more important than Dmitri’s life, which is why he refuses to pay a ransom… fucking hate that man-

Not Dmitri sassing the guard by mimicking him 😂 he got smacked bad for it but still, love him

I am still so confused about the Foreigner and his powers like…? Is it when he takes his glasses off, it’s to do with the eyes or…?

The whole monastery thing is a blur for me because I was trying to clean my glasses at this point and so the screen was literally a blur 😭

That guy recording on his phone like “We killed the Hunter!” Only for Sergei to appear behind him and go “no you didn’t” 💀

If I’m getting this right, the Rhino’s whole deal is that he was upset by Nikolai on that hunting trip years ago (when the boys were kids) saying he was weak, so he allowed himself to be experimented on so he’d be stronger, and now he has rock hard skin but he’s also in pain which is why he has to keep medicine in his backpack that’s fed to him through a tube into his side?!? And when he takes the tube out he goes from looking normal to the greyscale rhino shit?!?

I’m sorry to be that thirsty bitch but Fred looks so good in the turtleneck 😌

^Me too, mate, me too

There’s a scene where Kraven meets Calpyso off some kind of aircraft when she arrives in Russia or Serbia or wherever, and I’m so sorry but the line delivery Ariana DeBose gave was REALLY wooden and their conversation was clearly ADR work.

When it shifted to the next scene of them walking through a forest, it was so fucking jarring and I can’t put my finger on why exactly that is

Kraven wrestling with the leopard only for it to run away and he’s like “…knew her as a cub. She’s a lot bigger then last time” “?!?

So is Kraven just able to communicate and be a friend to all animals or…?

The whole second half of the film is a blur to me quite frankly, Calypso has to go to Serbia or wherever to stay with Kraven because her informant was working with the Rhino’s men, all the baddies went to go kill Kraven… I don’t know, man, a lot happened and my congestion was kind of coming back by this point, so…yeah

Some random lore drop: Calypso is good at archery because she learnt at camp, I think?

THE GASP I LET OUT WHEN KRAVEN USED THE BEAR TRAP ON THAT GUY’S FACE, WHAT THE FUCK-

The Foreigner uses this poison dart thing that apparently causes the person to see their deepest fears and then kills them, which is why Sergei starts hallucinating fucking spiders in the middle of the woods

So Sergei’s mother was driven insane because…she was seeing spiders? And she’s afraid of spiders which she’s passed on to Sergei?

(Me too, Sergei, me too 🥲)

I shouldn’t be surprised that Calypso saved Sergei by shooting the Foreigner with a crossbow especially since ten minutes before they made a point of her holding a bow and going “I’m good at archery” 💀 also that she just so happened to have some more of the magical strength “this can cure any injury” potion on her person so she could save Kraven

I’m being 100% serious when I say that my reaction to seeing The Rhino in his full form was “what in the actual fucking greyscale?!?”

Kraven stabbing the Rhino in that little hole where his medicine tube should be was so nasty 😭 and he was still fighting after that?!?

Bearing in mind the Rhino’s skin is indestructible enough to withstand being shot, I’m honestly surprised that being trampled by a buffalo herd was enough to do the man in 😐

When Dmitri appeared with the gun I thought that the film was dropping a “Dmitri was in cahoots with the Rhino all along” twist but…no. He was just wanting to shoot the Rhino but his brother wouldn’t let him (would it even have done anything though given the Rhino seems bullet proof?)

WAIT IS THE RHINO FUCKING DEAD?!? I THOUGHT HE WAS A HUGE SPIDERMAN VILLAIN IM SO CONFUSED RIGHT NOW

This film had way too many bad guys for any of them to feel actually threatening: Nikolai (technically?), Rhino, Foreigner… they were all shoved in I guess

Nikolai was the one who leaked the video of his son being the Hunter who escaped prison etc like…? I thought Sergei was the favourite, bro, the fuck you doing-

HE REALLY TOOK THE BULLETS OUT HIS DAD’S GUN AND A BEAR KILLED NIKOLAI

Fred was so fucking hot in his last scene and a half, I’m sorry but I’m right, stop booing me-

The first two times we saw Fred lip sync in the earlier part of the film, it looked more believable that Dmitri was singing with someone else’s voice but maybe that’s because the camera didn’t linger too much…in this last scene though? Oh that was OBVIOUS lip syncing, again that could be an ADR/post production thing though?

Dmitri says that a doctor in New York did something to him…? Who? Is it Miles Warren or whatever the name Rhino mentioned earlier was?

Dmitri is pissed that Sergei killed their father, says Sergei is just like him, just “big game hunters searching for their next great trophy” and he’s…technically not really wrong?

BRO WHAT IN THE ACTUAL FUCK-

So Sergei is trying to talk to Dmitri as he walks away across this busy London Bridge (I think it’s the Millennium Bridge?) and when Dmitri turns around he’s got Sergei’s face and speaks in Sergei’s voice…?? And then he walks away and his face goes all white and porcelain and blank before going back to being Fred?!?

SERGEI WAS GAGGED AND SO WAS I 😭

Fred looked hot as fuck though so I’m not going to complain

The film ends with Kraven going back to his dad’s London house, reading a note from his father and a vest made from the skin/fur of the lion he killed years ago, and Sergei puts it on before sitting in a chair in front of a mirror…and then the film just fucking ends?!?

There’s really no mid credits or post credits scene 😶

FRED HECHINGER THE MOVIE STAR YOU ARE

Final thoughts:

Honestly the film was okay. Not great but it was watchable and not the worst film I’ve seen (that honour is currently held by “Sausage Party”). “Mid” is a good word to be honest.

Listen I know I’m biased but I do truly think Fred was a highlight of this film 😭 the fact that Sony has already said they’re giving up on the SM villain universe thing they’ve had going on makes me sad because we probably won’t see more of Fred as Dmitri but given the reception some of the films have had… yeah.

I feel like this could have been a great movie if the editing and post production had been done better. And some of the lines, obviously, because there were some REALLY cringey lines in this film that not even the greatest of actors could save (I’m pretty sure a few of them were definitely the Rhino)

It makes me sad that you can tell ATJ was genuinely passionate about this character and doing him justice, but the material he was given let him down I think - again, that could be a mixture of editing and writing

Hearing F bombs dropped in a Marvel film just seems so strange to me 😭

Honestly, I think I’m probably giving this a 5.5/10, maybe 6/10 if I want to be generous. It was watchable and fun to watch while eating popcorn, which can be nice sometimes.

[dice-sociation]

AP Review: Reckless Attack - Main Campaign

Listen Here: https://www.recklessattack.com/episodes/

Quick info:

Audio Quality: High Quality and Edited, Effects, Music. Vibes: Lord of the Rings, Ghibli, Never Ending Story, Avatar the Last Airbender, Frogs Extras: Discord and Patreon rewards. System: 5e DnD Average Episode time: 1 hour Uploads 1 Episode per week. Campaign/ Show Length: Long Term Campaign Platforms: Podcast, Audio Only. Accessibility: Content Warnings Language available: English Diversity: AAPI/BIPOC Number of Episodes Review is based on: 100 (This is my first review so I decided to start with a Podcast I’m already caught up on) ** If you want the TLDR, scroll to the bottom of the post **

Why Reckless Attack?

I honestly believe that part of the draw of listening to people play a TTRPG is not just the story telling but an assurance that adults can somehow actually and consistently come together, in person, to pull off a full long term game. Reckless Attack is one such podcast. They are a small indie podcast with excellent audio quality and editing. 

But, why should you listen to another high fantasy podcast? Well, have you ever wanted to see what a post-apocalyptic High Fantasy world would look like? The deeper you delve into Reckless Attack, the deeper the lore gets, and we have barely scratched the surface a hundred episodes in. You’ll join the players as they explore a world recovering from an apocalyptic event, ripe with magic and unstable artifacts, an undead army, and frogs.

Starting The Pod

Right out the gate, the listeners are greeted by a Lord of the Rings style opening monologue, giving relevant history and context to the kind of place the characters live in. I personally get the feeling a lot of the world was established in a previous game or between the DM and players prior to the start of this campaign. If, as a listener, it feels like you're missing something, don't worry; you'll get a lot more context down the road, especially once the players make it to the city of Agmar (Episode 15). The first 15 episodes are a nice slow build up. 

Conveniently, the first recap episode covers Episode 1-14! (Though I really enjoyed the first 14 episodes, I know not everyone has the amount of listening time I have). If you are so inclined to start from the first episode, you'll get nicely eased into the characters and their relationships with one another before a lot of the bigger world building really starts to soar.

(My one caveat is that I listen to this podcast at 1.3-1.4 speed since the players and Nathan speak with a good amount of pauses, and that can be a little too slow for me.)

About the Team

Nathan, the DM for the main campaign, paints some amazing pictures of his homebrew world. He has a real talent for creating larger than life NPCs and Big Baddies for his players to interact with. They all have clear motivations, flaws, and personalities that truly rounds out the overall story. When it comes to plot, Nathan kept me on my toes with plot twists that would literally snap me out of whatever multitasking I was doing. And I must recognize how often Nathan opens the floor for the players to build parts of the story and describe longer stretches of downtime. Those moments are like the equivalent of cinematic montages to represent the passing of time.

The players, Sophie, Steve, David, and Jonathan, deliver wonderful descriptions and leave plenty of space for each other to speak, balanced with just the right amount of crosstalk. Each character has a very unique voice which is helpful for listeners (especially because David and Jonathan are twins and have similar voices).

Sophie plays Valeska Carter, the Human * Cleric. "Valeska is a young woman in search of answers. Like, compulsively."* I quickly fell in love with Val, an exhausted nerd who can never have enough notes and organization. If you're the kind of person who is always rescuing animals, you will love her too. 

Steve plays Selv Asterlin, the Dragonborn Monk. "Selv’s years at his town’s icy mountain monastery has trained not just his body, but also his mind and emotions. The large dragonborn seeks to be a peacemaker in conflicts, exuding strength, calm and serenity while straying away from violence and lethal force when possible."* But don't be fooled, Selv is often one for the occasional good prank, and I always appreciate Steve's references even when the rest of the group don't understand them. (I got you Steve) 

David plays Kascorin "Kass" Brightmane, the Dwarven Warlock. "Tomorrow (Kass leaves) this city for the Golden Tree adventuring guild, and in leaving this city, (He leaves his) friends, (his) family, and (his) comfortable life behind."* Kass is very grounded, serious, and focused, until he runs into tasty dried meats. Kass has all the charm of a warlock and the grit of a soldier. 

Jonathan plays Checkers, the Gung Druid, with his trusty pals Mango and Junior. "Joining the Golden Tree adventuring guild on a dare, Checkers and his frog pal Mango are here to prove that it’s better to find your own path than to follow someone else’s. After all, where’s the fun in looking before you leap?"* Checkers is a lot like the characters I personally play. Someone who doesn't stand around for too much planning and prefers to "leap" into action. In my very humble opinion, every group needs an instigator. 

I have also come to really admire the level of trust and respect the group has for one another. They handle both wonderful whimsical beats as well as solemn moments with great care (Episode 108 was magnificent.)

*Quoted from the official Reckless Attack website. You can find this and more at their website www.recklessattack.com. (Be aware, reading the available character sheets may contain spoilers)

About the World

Ryxia is built on a world where long ago, the Gods walked among mortals, but one day they left. As if in consequence, magic in this world seems to ebb and flow, and monsters roam the wilds. Until, the "second of Ryxia’s twin suns disappeared from the sky, the Ultragiants appeared, and the Pentarchy’s great capital city of Narhasur was turned into a smoldering crater." *

You can think of the Ultra Giants as the Titans of this world, being elemental and colossal. These Ultra Giants terrorized mortals until one day, the mortals managed to kill one " wielding their city’s Object of Focus… The object was destroyed, as was much of the army. But strangely, within days, the Ultragiants no longer stalked Ryxia."*

As the mortals re-emerged, they started to rebuild despite the incredible amount of monsters who now roam the lands. 

*Quoted from the official Reckless Attack website. You can find this and more at their website www.recklessattack.com. (Be aware, reading the available character sheets may contain spoilers)

Extras

Aside from the main campaign Nathan has his own series called Reckless A-Talk. This series Nathan or others on the team interview incredible people from all over the TTRPG space. Nathan's style of interviewing is mostly allowing his guest to speak more than he does, followed by the wonderful lightning round questions. I highly recommend listening to these (as a little treat) if you are interested in learning other perspectives and other aspects of the industry. 

Bonus one shots are another part of Reckless Attack, allowing the players to take the reigns.  They serve as fun filler for when you just can't wait for the next episode to drop. 

And if that's still not enough content for you, you can always subscribe to their Patreon for even more content, including the very relaxed Reckless A-Snack.

TLDR

High Fantasy world rebuilding the world after mortals were nearly wiped out.

Listeners will get a good feel of the world within the first 14 episodes. (IMO, the pacing starts to pick up after Episode 14)

Here are "Tale Til Now," recap episodes for those who want to catch up faster. (Episodes 1-14, 14-42, 42-66, 67-84)

Non Player Characters are larger than life, with clear motives and personalities.

The Dungeon Master and Players share a lot of world building and you can feel the love and trust they have for each other.

Recommended listening at 1.3x-1.5x speed if you are one of those people (you know who you are).

Find more details about the world and characters at www.recklessattack.com.

Lots of extra content for those who just need more, including; interviews, one-shots run by the players, and patreon bonus content. https://www.patreon.com/recklessattack/home

Do you have ideas or suggestions? Please feel free to comment!

Special thanks to Artax of Who's Taking Watch for helping with editing!

No Context Spoilers:

[vladdyissues]

so i've mentioned before how i think reign storm made vlad want danny's babies and i feel like you might like what i'm getting at when i expand on it because i am drawin' on ALL the lore for that headcanon

so in season 1, we absolutely got the arc that Vlad had a bit more in common with Jack than he wanted to admit (interests, skill, the ability to hyperfocus until the ectofilter makes their house explode), and that he was desperate for people to love him but unwilling to see them clearly enough to actually love them--he would happily sand off any traits incompatible with his vision, before accepting them as-is. he especially wants to sand off all the traits in danny he associates with Jack

if their relationship had changed in s1, it would be badger cereal all the way down for me. you could not get me to romantically ship it again, even with the chemistry, for love nor money. but it didn't

and then we got Reign Storm in S2

where we got to see vlad and danny being their most sincere and straightforward around each other. vlad was sincerely a magnificent bastard and danny was sincerely not putting up with his shit, but they're so much of their authentic selves only around each other. vlad still wants danny to be his son, to be influenced by him... up until the Pariah Dark fight

i am 100% certain he never meant for Danny to win there. he was waiting for Danny to wear Pariah down and pass out where Vlad could take his place in the suit and win, getting the credit AND the kudos for saving Danny. but that's not what happened

Danny, a younger, weaker, still half-mortal being in a suit actively draining him managed to win against Pariah Dark, who was so powerful it took multiple implied gods to seal him away the first time. all without Vlad having a single moment of true, lasting influence on him. and my theory...

is Vlad's ghost instincts saw this, finally saw Phantom as his own unrelated entity, and went "THIS ONE. MAKE BABIES WITH THIS ONE. LOCK HIM DOWN NOW, HE IS GOING TO BE A LEGEND"

(and so we get Dan and Dani in the same season)

and in every episode after, it is clear Maddie takes a backseat to Danny for him. he doesn't even plot the murder of Jack in any real way until the series finale. his focus is 100% on Danny and making his own Danny using the original Danny and/or putting Danny in a submissive/pliant position

i don't think he's consciously aware of any of this. or, if he is, he hates that he's thinking that way about someone nearly thirty years his junior. but i do think there's a hell of a story in half-ghost instincts being misinterpeted between the two halves of themselves and having to adapt to being their own, separate entity from humans OR ghosts

and that is my comprehensive explanation as to why I headcanon Reign Storm made Vlad's metaphorical ovaries start screaming for his attention

OH.

Shit. That's perfect.

Of course Vlad would wait until absolutely necessary to jump in and deliver the coup de grâce to Pariah. (Let the pawn sacrifice himself, do all the work, King takes credit, etc.) But the pawn... held his own?? The pawn fucking put that thing back where it came from or so help me?? By this time Vlad would surely know how to spot a good investment, and I just know the inside of his head sounded like hitting the jackpot at a Vegas casino when he saw Danny put the smack down.

Is there such a thing as Investments to Lovers? Arranged (Baby) Carriage?

Another thing you're absolutely right about is how Vlad's obsession with Maddie dropped off immediately after Reign Storm. Excepting Phantom Planet, naturally.

I love this meta. It's pure rocket fuel.

[shihalyfie]

I've alluded to tri. having some very troubled production behind the scenes, and among everything that apparently went on back there, there seem to have been at least two major bottlenecks: 1) the fact that the director (who, based on his own statements about deliberately not consulting source material, most likely didn't even watch Adventure to begin with) kept asking everyone to make things more "mature" without being clear on what that actually meant, and 2) the fact they ran out of budget and had to rewrite the entire plot halfway into it. Even the most brilliant of creators probably wouldn't be able to work at their best under such conditions.

But conversely, this also means that there were some excellent people involved in production whose efforts probably haven't been as appreciated as they should be! So I want to take a moment to spotlight some people I want to give props to:

Ayana Yuniko and Nakanishi Yasuhiro: These two scriptwriters were childhood Digimon fans who were thrilled to be on the project, and their enthusiasm clearly shows in every interview they were in. Ayana even made keen observations like noticing that the Adventure kids aren't as super-tight as people tend to make them out to be (something I've pointed out myself, and something that generally only tends to crop up among fans who have studied the series closely), and Nakanishi stated that she would slip him detailed notes about the characters and their relationships.

Both of them stated they were trying to portray the Adventure characters in a character-accurate way but kept getting their scripts rejected for not being "mature" enough, leaving them unsure about what they were supposed to do. Their roles on the series were also limited; Ayana was on parts 1, 2, and 4 while Nakanishi was on part 4 only, and they were sharing the scriptwriter role with multiple others (even within a single movie). But if I were asked to pick who on the staff list I would want to see come back for another Digimon work, it would absolutely be these two.

Kakikara Yuuko: The one in charge of overall writing for the series. tri. had a total of five scriptwriters and could have up to four(!) on a given movie, so because of that, her statements on the series and its story direction have been a bit difficult to tell whether it was her idea personally or whether she was delivering the writing room's discussion result. But one of her final statements on the series basically amounted to "I'm grateful if you even came to watch it to the end at all," and she was quite humble about saying she felt things could have been done differently; considering it sounds like she had a hard time keeping everyone and everything in order, I can only imagine she went through a lot trying to make sure everything ended safely. Incidentally, her writing portfolio is also quite respectable (and even includes kids' shows).

Suzuki Takaaki: The person with the job of "setting researcher", i.e. the one with the job of looking into the lore. Sadly, it seems like most of his ideas didn't make it into the final series (possibly because of the budget loss-induced rewrite), but his one solo interview indicates that he put quite a bit of conscientious thought into how Digital World lore works, including the idea of an EMP weapon that would affect Digimon easily but not humans (an idea that doesn't pop up among fans as often as you'd think, and took up until last year to make it into actual Adventure material via Takeru's 02TB in-universe fanfic).

Sakabe Gou: The person in charge of the series BGM. We haven't heard a lot from him, but the little we have indicates that although he also had difficulty understanding what the director was asking for when he wanted "mature" music of some kind, he himself put some very thorough thought put into the composition. In particular, he went into detail regarding the music used at the beginning of part 4, which seems to be a fan-favorite track from what I've seen (it's also my favorite too!). Sakabe also has an extensive and respectable portfolio outside Digimon; in particular, he's very highly regarded in Kamen Rider circles, so if you have a friend who's a fan, it might be a good idea to ask them about it!

[homestuckreplay]

Liberty. Reason. Justice. Civility. Edification. Perfection.

(page 1116-1128)

As it turns out, there’s no such thing as a DEAPPEARIFIER. Such a machine is actually called a SENDIFICATOR, and funding for this technology drastically improves the postal service’s ability to carry out their work, as gloriously demonstrated by PM. This machine is presumably why things keep appearing, as well as disappearing, around Jade’s house (p.770).

I shed a real tear when PM successfully delivered the package – it’s only been a few hundred pages since her first mail spiel (p.894-6), but AR’s erratic shooting and the clear danger of the current situation mean this still feels like an earned victory. There is a song called ‘The Courier’ by Richard Shindell that I’ve been obsessed with for years and this is PM’s theme song to me. I’m actually so taken with this broader theme of mail and with this drive to carry information and items between people even in a world that’s not set up for it, that I want to explore other media that has this theme, and maybe even base my next D&D character around this.

Thinking about AR’s characterization, they’re mad at themself for shooting incorrectly, bonking themself on the head for it (p.1119) meaning they are not above their own laws. This doesn’t make them less dangerous, but it makes their moral code more consistent. The same is true with their attraction to PM – AR has this urge towards forbidden romance with the opposing side, but isn’t going to make a legal exception even for this carapaced hottie. AR is also extremely stubborn and doggedly convinced of things that are factually untrue – for example, they ‘don’t give a shit about’ their weapon being magazine-fed and not clip-fed (p.1101), they think of themself as a ‘crack shot’ despite not landing a single bullet (p.1119), and they think Serenity is a ‘little blinking bee’ (p.1122).

I think black and white thinking, strict ideals and no mercy for those who disrupt them, have to be more traits programmed into all chess pieces (for all its intellectual complexity, chess does not have much nuance to its lore). So this next part might be a reach and might be confirmation bias, but I wonder if these folks have similarities to the kids they command. WV was socially inept at first, prone to flights of fancy, and not great at prioritizing, which are also some of John’s flaws. PM is focused on her delivery tasks to the point of putting herself in danger, and Jade is behaving similarly as she harpoons herself across the ruins and evades Bec’s protection to deliver the time bait as per Skaia’s will. AR’s stubbornness and refusal to question their own biased perspective could fit with either Dave or Rose, but their immediate resorting to violence is a better fit for Dave – the kid who was so mad about being named ‘insufferable prick’ that he destroyed the input box (p.310).

Pretty fucked up that WV just sacrifices one of his pawns. One of his beloved citizens, martyred for the cause. Pour one out for- shit nevermind wrong phrase.

One complaint: there is no possible way WV and PM have read Sweet Bro & Hella Jeff. Even if they could access it from their command terminals – and I do NOT believe Skaia has programmed that functionality – they do not exist in the right cultural moment to appreciate the humor. When the narrative text references SBAHJ during the kids’ sections (for example, p.915) it works for me, because it’s an actual thought they might be having. It doesn’t work for me here on pages 1123-4, because the narrator’s inserting it where it wouldn’t naturally fit, using SBAHJ to distract me from the much better comic I’m currently reading.

UNLESS. I have been interpreting the scribbly pages like 1118 and 1124 (above) as Jade’s understanding of events upon waking, the way a dream that seems perfectly crisp and clear while asleep becomes vague and blurry after waking up. Again likely a reach, but I could buy that the SBAHJ is Jade editorializing on her own visions as she creates this note and draws the map for WV and PM to follow. That feels neater to me, at least.

> AR: Shoot at bass guitar to repair elevator.

[thefirstknife]

So, is there a "prevailing" idea/theory/lore fact on why Osiris and Saint have different memories of things? That he really isn't "our" Saint, or that he and Osiris just remember things differently because even IRL people who were there for the same thing can remember it happening in different ways since memory isn't infallible? Something else? (I don't personally think it changes that Saint is Saint--unless he was pulled from a timeline where he had radically different experiences that would shape him into a wildly different person, he's still himself at his core across all those timelines that would lead to him being the same person.)

From what I've seen, most people just assume that the Conductor is correct and Osiris fucked up or something and we saved the wrong Saint.

Personally, I think it's more complicated than that, especially with today's reveal about the Saint that died. Originally, it was never cleared up if us saving Saint completely overwrote his death. Like, we didn't know if his grave would simply be gone after we saved him. It appears not (or at least that's what Ikora believes; Ikora is convinced we'll find his body there)! Which is really interesting because there's several really complex things involved, most notably the time paradox.

This is really difficult to get across but basically, we can pretend that the original Saint that died is Saint 1 and the one we saved is Saint 2. Saint 1 must've met us because we found the remains of the Perfect Paradox on his body. We took that and crafted the gun and then delivered it to Saint 2 in another timeline who is then saved. But that creates a problem of how does Saint 1 have it; we have to give it to him too. And if we gave it to him, that means the Sundial was created and we're there. This is further complicated by the nature of the Infinite Forest as a simulation engine. The Perfect Paradox is a really big point, as is the whole actual time paradox. I think it significantly complicates the situation to go beyond the simple "oh it's just a Saint from some other timeline and we rescued a wrong one." Obviously, it depends on how detailed they want to go with this story right now.

Even if these are two different Saints, they both must've met us which sets the course for Saint's life and shouldn't really change much about it. The divergence possibly happens in regards to whether or not Osiris creates the Sundial in that timeline (but if he doesn't, then the Saint that dies can't have the Perfect Paradox on him). If Osiris' "real" Saint died and we saved another one, there should not actually be any significant difference with their memories. Their memories should NOT differ. And they didn't, until the yoke.

That means that the yoke is what caused this and if it's caused by the yoke, then we can't really fully believe anything that the Conductor put in Saint's head. So far we've seen them having diverging memories on one thing, but just before that, we saw them in complete agreement on their memories. And Saint never experienced this before with anyone else either. My conclusion is that the Conductor scoured the timelines for other Saints and fed him other memories that may exist, which naturally caused an existential crisis.

This week Saint also seems to be doing better. He exhibited other memories that we know are correct, like where and when he met us and how that all went. He also specifically doubts the Conductor's manipulation by saying that he remembers the smells and sounds of the City normally, so how can he possibly be a fake?

I wonder how they'll go about this. How in-depth they'll dig and if there's an easier explanation that I'm not seeing. I do think that a significant part of the solution will just be convincing Saint that no matter what, he is Saint who lives with Osiris right now and that's it. It doesn't matter which version he is. Saint already had some thoughts like this today in the radio!

If anyone else wants to take a crack at the time shenanigans, feel free to add!

[ennn]

How are you feeling about the aaa finale? idk I’m loving this show so much and I’m so afraid of being disappointed by the ending. I was still hoping for everyone to come back but now I’m accepting that they are gone, gone and the way it’s going Agatha’s coven will only be her and Billy and I like him but not nearly as much as I love everyone else

And then there is Rio, hopeful I’m just being too pessimistic but I fear the show will just end with her still being the antagonist, they will fight, there will be a truce and she won’t kill Agatha and Billy and they will part ways. The only way we will get that kiss is in the flashback which will be worth it but I still wanted more. idk the interviews usually makes me excited for what’s next but this time it made me conflicted

but Jac saying the show will be all about Agatha to the very end was nice to read. I can’t stand all this talk about where is wanda??? who knows but not in this show hopefully!!!

Hello Anon! Well, I would say my emotional state towards the finale has been about the same for the past few weeks, which is a mix of absolute excitement and nerves.

Probably not the best for my emotional and mental health so maybe I should be glad this is a limited series! My body certainly will be.

I was entertaining the thought of dead coven members possibly coming back but Lilia's death was so beautiful and her choice despite it being also her destiny, and her arc was about accepting the life she had and making the best of it and embracing her power.

As for Alice, it's possible she comes back, but it's also possible her character gets closure and moves on, given that we do know there's a scene with her post-death coming up. And Jac Schaeffer seems big on delivering emotional satisfaction at the end of her stories (not to say she's guaranteed to deliver, but it's her goal at least).

Putting the rest under a cut because omg this got long

I have some meta thoughts brewing about this episode's take on destiny and fate and time and death (alongside other death personifications in media) and as hinted at in the latest Schaeffer interviews, there's definitely stuff the show wants to say about it.

On another note, I've mostly processed my feelings about the tragedy of these two as star-crossed lovers in this post if you haven't read it it may help. For me it's still hard to get a read on Rio as they're building new lore with this version of Death. This is definitely not the same Lady Death from Marvel comics.

But I do think that it's actually a good thing that Agatha and Rio are getting into open conflict, the same way Agatha and Billy are having it out in the open, because the characters need to deal with their shit.

And I feel like... especially from the last episode, the show isn't setting up Death to be evil, or necessarily bad. Death is Agatha's antagonist because – as Schaeffer puts it – she refuses it, she refutes it. Lilia ran from her visions because she wanted to avoid seeing death but ultimately embraced it. Agatha's a rule-breaker, a trickster but witchcraft is inherently rooted in nature.

There isn't a simple or clear answer here on what's right or wrong, which is why I'm really interested to see how the finale unfolds. Schaeffer genuinely seems to love ambiguity and the discussions around her shows.

Like yes, Agatha and Rio are going to fight. That's not really new for them? Okay maybe the scale of this will be. But as we've seen with all these reveals, what really matters is how and why and all the details in its crafted execution.

And again, Schaeffer has said that she's aiming for an emotionally satisfying conclusion. Even if the stories for these characters continue beyond, this series is designed to stand on its own. And the Agatha-Rio relationship has been important to the show, from the very first episode.

I'll also be making a predictions post for the finale for funsies, if you want to see what my guesses and expectations are.

[munchkinmarauder]

Let's talk Magneto's letter!

I'm not marking this as spoilers because we've probably all seen the panels from Scarlet Witch and Quicksilver floating around the internet at this point (but I do apologise if I do accidentally spoil it for someone - take this as your warning to scroll past and not read this post).

So after many months of speculation as to what the letter could be and if it has big reveals the contents of the letter is not a lore changing or retcon inducing reveal but .... Drum roll please.... that Magneto thinks the twins should stay apart, that they are dangerous together (particularly that Pietro is dangerous to Wanda and Wanda coddles Pietro) and that Pietro should have stayed dead after Magneto murdered him.

Wow isn't Maggie father of the year? What a girldad!

Jokes aside and let's get this out of the way because I know a lot of the Magneto is right crowd have been calling for Orlando's head over this character assassination or trying to argue Magneto is in fact right about the twins (despite the story and the twins themselves saying otherwise) - Magneto being an abusive douchbag to his kids is the norm, we only have 60 years of their relationship in the 616 verse alone to prove this. Yes there is nuance to this that makes it all very interesting, one of the most interesting dynamics in Marvel, and I personally never expected to hear Magneto saying the silent part out loud because I do think cannon shows that he loves all his kids Pietro included (but is incapable of loving them the way a parent should), but this is simply an over exaggeration and not out of character. Its no surprise he says this to his son. It's also of note that Magneto never actually intended for the twins to see the letter or Storm would have given it to Wanda when she visited in SW#2 to deliver the news of Magneto's passing, it might have been Magneto trying to work out some feelings and opinions rather than protect them as he claims (cause again he didn't actually intend for anyone to see the letter, he sealed it shut in a box). He is justified in feeling frustrated that his last words were weaponised against his children (lol Mags being like how dare my own hurtful words were used to hurt my kids - no one hurts them but me)

Magneto is one of those genderbended boymoms that is jealous of their daughter and views then as competition. Only in this case it is with his son and the competition is for Wanda's affections. The fact is, Magneto is always going to loose that fight and he knows it.

The more I think about it the more I like that this letter wasn't a big reveal (though I'm sure the recton everyone is hoping for will come some day -I'm glad it wasn't today) but something that played into the themes of this series. Their father, the Wizard and the Giver are all saying the twins should stay apart and the story and the twins say no and prove them wrong. A lot of the twins greatest feats are reactive and evolving, tying back to the red queen hypothesis mentioned in issue 4.

On a side note if the Giver really wanted to deal with the twins she should have gone to dear old daddy Mags and he would have nipped that problem in the bud in a jiffy seeing as he and the giver are of a like mind when it comes to the twins. Technically you just need to get rid of one of them seeing as the Givers worry is about the twins together but let's see what the new Scarlet Witch solo has to say about that (I hope Pietro's role in this isn't forgotten but you can never tell with Marvel)

What the letter is is a classic case of a narcissist parent setting up a golden child and scape goat dynamic. Seeking to isolate the twins from each other. It's very clear he's self projecting onto his son (and Lorenzo Tammetta deliberately emphasises the similaries the two have in appearance to drive this fact home) and blaming Pietro for moments that happened that can apply to himself and are in fact caused by his actions for example his willingness to abandon his daughter to die and murder of his son in HoM. Both the major trigger points for the creation of the HOM verse and no more mutants. I'm not saying Magneto is souly to blame here but he does have a big contribution to what happens that he never has taken accountability for (along with the X-Men who play as victims and the avengers who did own up to what they did but otherwise keep silent about the blame the twins get from the X-Men).

A lot has been said about the impact of the letter on Pietro and I don't think I can add much more other than to emphasise how crushing that has be to hear from a parent and abuser even if you hate them. The twins helped each other survive for a very long time and we're each others everything parent, twins, best friend, protector, etc. You've spent time and energy and dedicated a portion of your life to protecting someone to the degree of making it your reason for living for a long time (please note I am not saying this is a healthy mindset for Pietro- hes taken it too far sometimes) and in a hypocritical tyraid are told it's all for nothing. Pietro handles it really well and comes out this with his head held high. Reacting calmly, expressing his love for his sister and throwing Magneto's words back at him. I think as a Quicksilver fan we can be reasonably happy with this outcome (but I do understand some fans frustration to hear Quicksilver be degraded that way and told he's bad for Wanda while she gets forced to interact with men that did treat her like shit like Vision and Magneto - however the point is that Magneto is WRONG and Wanda herself reiterates this point).

Now the one person who's screwed over by the writing and out of character in that scene is WANDA. Sure she tells Magneto he is wrong but that gentle response (even if she does react with a degree of unhappiness to see Magneto back) and effort to be neutral is so odd for her given that she sent the Wizard to a hell dimension for hurting her brother a few pages prior and has been even more vocal than Pietro in calling her father out in the past. She's as protective of her brother as he is her and I can't believe she would be written as a daddies girl and standby while a man who abused them both continues to abuse her brother.

The contents of the letter is also not great for Wanda. And I would argue is a subtler abuse tactic. Like a lot of the focus is rightly on how shitty it was for Magneto to say what he did in his letter to Pietro but we're also not considering the the negative implications it has for Wanda as well. Wanda has been working to establish herself as independent and not defined by the men in her life for so long and here is her "father", infantalising her and saying he knows better than her about her own life and what keeps her safe, that is seeking to take away from her the one pillar of support she's always had and one of if not the important relationship to her, a lot of Wanda's lowest moments did happen when Pietro wasn't even around, when everyone including Magneto abandoned her, her brother was there. The twins do have a codependency and that codependency does have it's toxic elements, Magneto touches on it but doesn't go into detail. Wanda is codasended to and told she is "coddling" her brother and everything else is Pietro's fault. The letter is worse for Pietro but it's shitty for Wanda too, she is a grown woman& a mother here is a man that abused her talking down to her, saying he knows best for her and her opinions are wrong, seeking to isolate her and undermining her authority.

The twins are right for saying Magneto is wrong but wish Wanda would get more angry at this undermining. Maybe like Pietro she is just very jaded and tired of the whole thing with Magneto. These words would be upsetting if they didn't in their own way love their father too as fucked up as it all is.

Now to be fair - does Magneto's letter have any merit? That isn't to easy to answer but in the interests of equal analysis let's try!

So I think one think that Magneto touches on but doesn't go into or outright say is the twins codependancy. He is a few years late to the party but he's been dead and their not dad for a while so well give him a small amount of leeway in his old age. I don't think the twins codependency is necessary a wholly bad thing but it does have it's nagative elements and in some cases has held the twins back. If we are to adopt a charitable approach her Magneto in his own twisted and emotionally constipated way may be trying to encourage the twins to be independent, to discourage his son from defining his self worth around his ability to protect his sister. Ofc I am reaching a bit here as Magneto could have just said this (though we'll never see the full contents of the letter - both Wanda and Mags may be summerising the worst parts of it) and done so in a way that wasnt cruel.

I also do believe that Magneto in writing those words to a degree did believe or convinced himself that he was not writing those words out of Malice and that it was an attempt to protect the twins (though I will reiterate how much it was actually intended to protect them when Magneto didn't actually intend for the twins to see the letter but at least he owns up to the fact he did write those words). In his mind he was being cruel to be kind but the narrative makes it clear that even if he had "good" intentions - he is nevertheless still fundamentally misunderstanding his children and self projecting onto his son. I'm not mad about this -its in character and I feel this letter is set up for a longer plot thread and I hope it's explored but let's see!

It certainly makes me feel that Pietro's lack of mention in RoM was extremely deliberate as was his lack of appearance in last week's FoX issue despite his cameo in the previous one to save the Magneto and Pietro reunion for this comic (the Xoffice are collaborative)

Is the writing for this scene perfect? no! Is Magneto potentially a tad one note? Yes but being a dick to his kids is in character and it's unsubtle but sometimes it needs to be.

[thekingofwinterblog]

Man the one thing Bionicle will allways have my respect for is the whole giant robot reveal amd planning, that shit was cool.

Like I never read any books or comics (just watched the movies as a kid lol) and of what I read of the lore I feel iffy, but just that idea alone is legendary

Funny thing is, the movies are actually the single WORST part of the bionicle franchise XD

Not only are the 3 good one, only decent movies at best, but they were made explicitly FOR fans, and fans alone, and has no shame about not telling you stuff because they fully expect the viewer to know all the lore through the books, the comic books, or games.

They are also absolutely terrible in terms of action, as the Toa in pretty much every other medium are stupidly powerfull, with elemental powers easily on level with an avatar state avatar if not beyond, physically capable of lifting over one ton, and as the toa mata estimated during their fights with the Bohrok swarms, while they might ultimately win if they just went all out, they would certainly destroy the island of Mata Nui(about the size of mainland denmark) in the process.

To say the movie toa arent quite on that level is... kinda an understatement XD Not to mention that the comics actually fills in scenes in between cuts in the movies, or just makes actual movie scenes better. It's kinda a mess to follow.

overall, I've always described the Bionicle franchise as the actual Star Wars extended universe. It's a whole mess of in-canon with each other stories, that has a very clear cronological flow, but would have been way better if they just made a tv series that covered the main story(which was basically the only thing bionicle DINDT have).

That said, i can tell you exactly why you think the lore is iffy. It is related one one, single sentence.

"Doing in the wizard".

Doing in the wizard, is a story telling trope, where something that was presented as magical or mystical, is later revealed(wheter it was planned or retconned in later) to actually have a mundane, scientific explanation.

And man, is Bionicle the single WORST example of this trope ever made.

So to explain this, and how it all relates to the series big twist reveal, I need to explain how Bionicle started out, and what it became over time.

Because when it began, Bionicle started out as a myth in the making.

On paper the story of the story of the six toa coming to deliver the land from a great evil is as stock as you get it.

But what made it special from day one, was that it managed to capture the feeling of a deeply spiritual tale, of faith, destiny, and myth.

The story of the six toa coming to deliver Mata Nui and his chosen people is treated, both by the narrative, and the people in it, as a great religious story, with the coming of the six Toa Mata essentially being this universe's coming of christ.

There is a moment in the mata nui online game that really encapsulates this, as when Tahu first meets the Ta-Matorans he is supposed to deliver, they attempt to trap him, and he easily breaks free, but then the fighting is halted as Vakama, the turaga(basically priest king) of the ta-matoran shows up, orders his men to stand down, after which he walks up to Tahu seemingly to talk, only to kneel down before him.

because for him this is basically the equivelant of the coming of christ. the divine prophecy that came from God himself is finally coming true.

Now Bionicle has a lot of things to love, as other than the movies, it has great action, it's characters are generally actual people with flaws and developments, and it has lots of awesome moments, amazing and deep world building that is stupidly thourough, and sweet character moments, and of course one of the biggest twists in fiction... but it is this very religious and spiritual tone that sets Bionicle apart from pretty much... everything else western childrens media has ever made.

It is this deep, unfliching and honest portrayal of a world that feels like a myth come to life that drew so many people to this story when it first came out, what ellevated it over yet another story about good and evil clashing.

The people in this story feel real, not only because they generally have actual character(some way more than others), but because they Believe in their world. as in, they believe in Mata Nui, his tennants, his story, and the six saviors he promised would come to deliver them and wake up their god.

this is how you create a real, genuine setting. it is why Bionicle has a feel to it that you never see in western childrens media(nor that often in adult either), other than some very, very few exceptions, due to our deep aversion to showintg religion to children.

and then of course there are the gods in question.

Mata Nui and Makuta. the two brothers who set this story into motion. The first who came here to this world, and created the matoran, and the second who followed him from paradise, and cast a spell that put mata nui into his current deep, deep sleep.

Now these two could have been just another set of "evil brother who who was jealous of, and hates his good brother and attempts to usurp him".

but that's not quite what we get.

When the toa Mata finally do confront Makuta, they get his perspective on it all. Now they ultimately write this off as just an evil villain trying to justify his actions... but if you actually break down what makuta is saying, he is a way more interesting villain than the very simplistic reading the devil figure the matoran believe he is.

"Destroy me? You cannot destroy me. No more than you can destroy the sea, or the wind. Or - the void."

"You are like the sea? The sea bears life! The sea bore us!"

"I bore you, for I am Nothing. And out of Nothing, you came. And it is into Nothing that you will go. I stand with Mata Nui, side by side. I am his brother. The people of the world are builders. But look into their hearts ... and you will find that they also have the power to destroy. I am that power. I am destruction. And I WILL destroy you."

ultimately, the story of the gods Mata Nui and Makuta is not the story of heaven and hell, but instead a story of yin and yang.

Mata Nui is the god of light, and that is the element that everyone associates him with... but thats not his main trait. his main trait, his defining virtue, is creation. That is what he is most famous for after all, creating the matoran and this island home for them.

Similarily, Makuta is tha god of darkness, as that is his element... but his main virtue is destrution.

as the creators themselves noted, using a lego methaphor, mata nui is the drive to create new things, to make something bigger and more interesting out of the parts you have... but Makuta is the drive to destory that creation, to take the lego set apart either before creating something new, or to put it away into the box so that you can use it later. before you create something new, you must destroy.

And this ties into the actual story as well, as one of the big main plots from the start is that to reawaken their god, one of the things that would happen, is that the toa and the matoran would have to give up on Mata Nui the island, their home, their promised land, as only by it's destruction could their god reawaken and lead them to the paradise he originally came from.

its really, really good stuff, and one of the things that ellevated Bionicle over so many other children stories.

now, you might have noticed i said, and continue to say, early bionicle.

There is a reason for that.

and it ties into two very, specific turning points in the development of the story.

the big twist that Mata Nui was actually a giant robot was always going to be the center of everything, the explanation for all the wierd mysteries of the series. Even if his final form didnt end up being quite as big as this above concept piece made him out to be, the overall point stands.

The god of the Matorans was a gigantic robot, and his childrens proper place was inside of him, both to live their lives, and to serve as part of the great ecosystem that was the universe inside of mata nui.

Mata Nui the island, which he created for the Matoran to live on, was always a temporary thing, and their true destiny was him brining them back to "Paradise", aka the great planet of the solar system this story takes place in.

Spherus Magna. a planet that was broken into 3 before he left, and left a hellscape.

his original home that he left long ago.

Now, you might have noticed that i said not a word about what Mata Nui's backstory on said planet actually was.

The only thing that is important as it was originally portrayed, was that Mata nui left the planet for whatever reason, ended up on the water filled moon he currently rests on, and his brother followed him there from paradise.

now, you could create a scenario where there was some scientific, "Mundane" reason for all of this, but if you read this summary so far, the first thought in your mind is probably that what broke this planet into 3 pieces was probably related to something Mata Nui and Makuta, the two known gods of this universe, did. Maybe it is the reason why Makuta no longer has a body, and ended up on this moon in a much weakened form as basically a spirit who can only inhabit souless machine parts.

and im going to take a wild guess that this is probably what was originally planned... but you see, there was a shift at some point. actually on two points.

The first shift was at the very start of Bionicle as we know it, for the series was actually meant to only last 1 year. The toa would defeat makuta, then awaken Mata Nui, and that was that. The end.

However, Lego, who was at the verge of bankruptcy at the time, saw potential in the setting, and given it was a hail mary to save their company said "Screw it, lets expand on this universe!

and so the original one year story became 3 years.

now this artifical extension could have been disasterous, but unlike so many other similar tales, it was the exact opposite.

Mata nui the island got more fleshed out, the big mystery got more build up, the characters got to go through more development, both in the form of a kickass new upgrade, but also character arcs as a result of their power increase going to their head.

new villains, new places to go, new developments.

all leading up to the point where it was now decided that they would end the story. The arrival of the seventh toa of light, which would be where makuta was finally defeated, and at the end of the planned movie that would be the finale, mata nui would finally awaken.

Except this part didnt happen.

at the last moment, Lego essentially pulled the plug and decided to extend the series, and the point where they would reveal the big twist for a second time.

that said, the following storyline of the big flashback to explain metru nui was always going to happen, its just that as originally envisioned, this would be a flashback as the Toa, Turaga and Matoren traveled to Metru nui, as Mata Nui was flying through space back to spherus magna.

So essentially the story was over, but lego got to get one more line of bionicle toys out of it, while the bionicle team got to have fun one more time.

But thats not what happened, as not only did mata nui not awaken(it would take 3 more storylines past this point before that happened), but the big flashback was where everything went wrong so to say.

this is where bionicle shifted hard from a story trying to be a myth with very clear religious and spiritual overtones, into full on sci-fi.

and you can tell that shift occured very clearly as they abandoned all their original plans for how metru nui was supposed to look like in the poster above, showing the very alien like enviornment that was mata nui's insides, into the far more boring and safe(as well as full on science fiction) setting in the poster below.

now im not going to say that everything that came after this point was bad, far from it, there was a lot of really awesome stuff that happened afterwards, but it was the critical turning point where Bionicle steered away from the essence that made it more than just another toyline, an attempt at creating a myth that while it had sci-fi aspects, was ultimately a story of faith, destiny, and trying to find ones place in the universe, into just another sci-fi story.

Basically you can sum it up as the point where mata nui went from a god who was also a giant robot, into just a giant robot.

and man, does it make the lore, and tone a mess.

while the new universe does make logical sense, it lacks the soul(pun very much intended) of what made bionicle, bionicle.

and you know what the really sad thing is?

The final part of the story, where Mata Nui is FINALLY awakened, only to lose his own body, and find himself trapped in his mask as its launched into space before crashing back on the shattered planet that he came from, could so easily have fit into this mythical storytelling.

what actually happens is that mata nui learns he was actually just a giant robot created by some scientis in a lab 100 000 years ago to travel the cosmos, learn about the universe, then come back and fix the broken planet. then he repairs his own, unstable, proto type body that wasnt really working out, makuta senses him and follows him, they duke it out, mata nui kills him, then uses the last of his energy to fix the planet, before dying. oh, also rather than being his actual brother, makuta was actually just a computer program mata nui created. and Makuta isnt even his real name. his actual name is Teridax. im not kidding. oh and the actual thing that destroyed the world? it was a fight amongst some tribesmen using the resident dues ex machina substance that began oozing from the planet's core. again, im not kidding.

here is how you could easily fix it, while keeping in the same tone with what was suggested in the first three years about makuta and mata nui's origins.

The exiled and humbled divine being, cast from heaven, and forced to wander the world he himself played a role in wrecking so long ago, as he travels across the world, and befriends the people he essentially left behind to create the matoran in a better place, rather than fix the mess he, ironically enough given his defining attribute, created.

basically a bionicle take on the atonement/labors of hercules.

and then, having wracked his brain on how to solve the problem of his brother having taken control over his own body, he stumbles upon the solution.

his brother's own, broken, non-active body, which after their ancienct, and catacylsmic clash his brother left behind to follow him to the ocean moon.

and so his journey becomes to essentially take a page out of his brothers book, and do what he did to him in reverse. Repair the mighty body of a god, and then take contrel over it.

after the great journey of hardship and pain, now comes the ressurection before ragnarok, the final battle.

see how easy it is to rewrite this story about what is essentially two computer programs fighting over different continent sized bodies into a story about gods fighting a thematic and climactic showdown on the ruins of a planet they themselves wrecked to pieces to begin with?

but of course the story has to end, and it ends on a note tying into the original message. you cannot create, withouth destruction coming first, and so to win this conflict, mata nui has to destroy something. himself.

His own body.

Like any good jesus analogue, he gives his own life in a sense, as he chooses to give up on the possibility of regaining his own body and with it, regaining his true power and goodhood for the sake of the future of his people and this planet, driving his own skull into the oncoming moon that served as his home for all these years.

and with his final bit of power as his brother's dying body begins to give up on life, he spends the last moments of godhood to do what he, the god of creation should have done from the start. fix the mess he and makuta left behind.

putting the massive planet back together into one whole, while also terraforming it into the green wonder it used to be.

then, we end the story as we began. with a prophecy, where Mata Nui predicts before his toa, as his spirit returns to slumber once again that he will return, but for now, they must make their way forward withouth him, in this new world, that they now must make their own destiny here on the Paradise he promised them so long ago.

I dont know about you, but i think that would have been a lot more interesting that desperately trying to rewrite the entire setting to be full sci-fi because you didnt want to continue with the spiritual and religious themes that you never managed to shake off anyway.

mind you, it's not impossible to have this kind of twist and make a good story about it, but when you commit to telling what is essentially a religious tale that is basically the coming of christ, Ragnarok, the exodus, and the eternal kingdom on earth into one, you are not going to be able to swerve into making it full on sci-fi withouth it feeling, really, really jarring.

And guess what? it makes Bionicle Lore feel really, really jarring. Or iffy as you put it.

[pruneunfair]

Oc's for my Au.

Malori Hemsley, Age:20

one of the many maids working at the palace of the Fahlgren empire (I renamed the eastern empire). Former slave of Nian and her husband, her job doubles as security since she knows how to use a sword but isn't allowed to join the military due to her past. Photo on the left is when she's at work and photo on the right is when she crossdresses to crash balls/banquets

Evalie Claude, Age:16

Duke Ergis wife and Maloris lost younger sister. The duchess who pushed a trend of regency styled dresses for women

Disclaimer: just gotta clear a few things up first. For anyone concerned for the age difference between Evalie and Ergi, he does not do anything to her, Ergi is a monster but he has standards and I will explain below why they got married to begin with. Also she has nothing to do with the Evalie from the original story, I just really like the name and I thought it would still fit since several historical figures shared a name at the same time period, still to avoid confusion I will call her Eva.

LORE DUMP: Malori and Eva's father, Sandro was a fallen Baron who was stripped of his title after going bankrupt from the consequences of schemes, scams and general white collar crime,though many think he just got sloppy it was actually because his partner at the time (Ergi) had screwed him over in trial by delivering the evidence. He and his wife changed their surnames in order not to be recognized and had 3 daughters, M+E being the older sisters to the baby Claire. The Hemsleys had little money to spare considering most of it went to the girls so Malori already had work experience as the oldest by wandering the streets to look for jobs such as chimney sweep or apprenticeships. As the years went on, Sandro grew to see all his daughters as burdens since it was harder for Malori and Eva to work as girls and Claire was too young and sickly and while he would rather not get rid of the daughter that did the most work, Malori would be more desired since she already has a track record of being able to perform most simple jobs. On Christmas eve, Sandro gave Malori extra food and let her stay home instead of working as a sort of compensation for what he was about to do. He doesn't tell Malori about what he's and her mother are going to do and shortly after, he sells Malori to a slave trader when she's 13 for enough money to last 3 years if spent wisely.

She winds up in the Tuania estate and becomes a slave. As a result, Malori starts to despise the noble class the older she gets but she also knows survival comes first and even after she escapes by burning the place down she still appealed to the higher class in order to manipulate some of them for her own gain such as becoming a rich man's mistress so she can take advantage of his eagarness by convincing him to let her get swordsmanship lessons. Once she abandons him Malori goes on a 2 month long journey of going out under a different name drinking at taverns, engaging in duels and even writting a few poems. After those months of utter depravity, she is inevitably caught and sent to be judged by Sovieshu himself after she attacks a nobleman, but instead of imprisoning Malori, Sovieshu was impressed that someone like her could defeat some of the imperial knights and even another noble, he decides to give her an ultimatum: live here as extra security while also doing maid work or be sent to prison for 30 years. Naturally she chooses the former.

As for Eva, she and her remaining family lived off the money Sandro got for selling her older sister for the time being, she and Clarie was told that Malori had died during the blizzard in a carriage accident and as the new oldest, Eva had to pick up the slack and go out for work. This time however Sandro had a new scheme to rise back in the ranks by looking to marry Eva off to a wealthy/powerful man starting as soon as possible. By now Clarie was dying of tuberculosis and the desperation for Eva to get married was not just for status reasons but also so Sandro wouldn't have to raise anymore children. What was not expected however was Duke Ergi to show himself after all this time much to Sandros fury. He offers to marry Eva with the promise letting the parents live in their own little home with fertile land to live off of. There wasn't much choice left and they might as well let Claire have a little happiness before she dies so Eva gets married off when she's 14.

On their wedding night, Ergi makes it clear to Eva that he is not a good man and does not plan to be loyal to her and that she shouldn't see him as some sort of savior who rescued her from poverty. While he doesn't sexually abuse Eva that doesn't mean he's nice to her either. The real reason he married at all was because it was the perfect opportunity to take advantage of the situation and have a perfect tool to sacrifice in the future. I wouldn't say he's full on toxic to her either.. it's a weird relationship where they mostly ignore each other but on occasion can have a decent conversation. She's not totally alone either since she has other friends thanks to her popularity in the fashion area.

Eva also suffers from endometriosis, due to the time period set, no one really knows what's happening to her and some even accuse her of faking it for attention, to ease this pain, Eva is given potions made up of opium and the nerves of certain monsters as a painkiller everyday during her times of the month, the side affects cause her to become disoriented and exhausted which keep her docile and obedient. Effectively killing 2 birds with one stone not just for Ergi but also the house of Lazlo in the future.

[rockybloo]

There's a lot of fun in writing Freebird is how he and Bitterbat have cat-and-mouse dynamic where no matter what stunt Freebird pulls, Bitterbat always outsmarts him.

It'd be hell on my brain cells to write Freebird and not have justice being served after every gross thing he says to or about Sweetheart under the belief she is just playing hard to get.

Bitterbat obviously wants that man dead. He hates him with all his heart and wishes the worse for him.

Freebird wishes the same. In all his years of knowing Sweetheart, he never had a single worry about her ending up with someone else. She was far above of the leagues of all the other heroes.

He was def concerned about Gabe but after learning about him being Delight's boyfriend, he eased up some. He def isn't a fan of Sweetheart having male friends...because of course he isn't, but he can live with it.

So the Freeheart ship survived for a good while as the top ship on the Sweetheart list...until Bitterbat showed up.

And that man flipped Freebird's entire world upside down along with his expectations for Sweetheart.

She was the most professional hero he knew, so imagine the surprise over witnessing her get all flustered and a mess because of this new guy on the block. A new guy who really isn't as new as Freebird thinks because he doesn't know about the whole history between the Beloveds and Flavor Four.

If he did, he would have been worried about Bitterbat since day one of meeting Sweetheart. But being a hero stationed primarily in mainland America means he typically isn't interested in hero lore outside of the first 50 states.

Truly an American hero, some may say.

So the second he sees that Bittersweet has over throned Freeheart on the Sweetheart shipping list, Freebird realizes he has a problem. He can't escape Bitterbat's name either because it follows very close behind Sweetheart. That bird lived in a blissful ignorance where he could enjoy only Sweetheart's name making headlines but now he's hard pressed to find a single thing that doesn't mention her new archenemy right along with her.

He makes his dislike of Bitterbat very clear and verbal. He disses him any chance he is brought up, especially during talk shows and interviews.

He questions his appearance, especially his taste in clothing. Freebird has very traditional western ideals of what he thinks a man should look like and hipless pants that let half your ass hang out along with earrings, nail polish, lipstick, mascara, and what Freebird falsely believes to be fake eyelashes does not fit those ideals. It's needless to say that Freebird thought Bitterbat was girl at first until he heard him speak.

And even then, that man struggled with figuring out if Bitterbat actually had boobs or pecs upon first glance during a live news recording of him battling Sweetheart.

I'd say hearing Bitterbat speak pissed him off even further because of the sass dripping off every sentence he delivers. It just finalized that Bitterbat was the antithesis of all Freebird's ideals of a guy.

So that man was at a complete loss when he saw Bitterbat flirt with Sweetheart and even manage to kiss her along with declaring his love and vow to steal her heart and make her his queen.

Bitterbat basically speedran becoming Freebird's #1 enemy and that bird was a squawking mess of fury after the battle. He tried everything he could to request that bat to be out on his official list of villains he could deal with because he was under the belief that Bitterbat was a weakling.

An idea that was soon stomped out after witnessing some of the leftovers Bitterbat liked to leave behind from previous confrontations with other cocky heroes and villains.

The first chance Freebird got, he flew to Decking City and did his best to talk some sense into Sweetheart, claiming that Bitterbat was too much for her to handle. She obviously rejected the notion stating she was more than capable of dealing with Bitterbat and she was the only one who could.

And when Freebird dared to bring up Bitterbat's more physical romantic advances on her, Sweetheart cut him off before he could tarnish Bitterbat's name by stating how bold it was for him to assume that Bitterbat's actions were unwelcome. She had even gone so far as to say they were far more desirable than his own.

There are no words suffice enough to describe how much Freebird's world and future shattered in just one week. And his world just continues to get shaken up again and again every time Bitterbat rears his bat-winged head.

The most merciful thing Bitterbat does to Freebird is keep his true relationship with Sweetheart a secret, playing into the act it's all one sided and he is merely a villain with the hots for his hero.

[monsterblogging]

So with Legendary's new Pacific Rim projects, I think one thing that will affect their overall quality is whether they're trying to milk some kind of nostalgia. We've seen Disney try to do this with Star Wars, and it's just not working. (Hell, I personally don't even like the prequel trilogy, because the shallow nostalgia-milking was blazingly obvious to me even as far back as The Force Awakens.)

Meanwhile, there is a network trying to do their own big franchise type thing right now, and so far - so far, at least - they're killing it. That network is AMC, and the franchise is the Immortal Universe, based on the works of Anne Rice.

What's very notable right now is that AMC is not trying to milk people's nostalgia. Their version of Interview With The Vampire is wildly different from either the book or the 1993 movie, and that's the whole point. The creators of this show clearly have a very deep understanding of Anne Rice's work, and they use this understanding to create a new experience that captures the original spirit while also keeping old fans on their toes. Instead of trying to appeal to your nostalgia, AMC's Interview With The Vampire appeals to your curiosity and wonder. And it delivers with incredible storytelling and acting.

New Pacific Rim installments could be good, if Legendary was willing to put this kind of effort in. But the question is, are they?

I strongly doubt it.

They seem to be following in Disney's footsteps by trying to milk people's nostalgia. They've decided that Raleigh is out wherever, and somebody has to go and bring him back into the Jaeger program. This is literally how the first movie starts. Even if you like the character of Raleigh, you have to recognize that bringing him back this way is a big red flag that we're in for some low-quality storytelling. It's not that bringing him back is inherently a bad thing (its not); it's the clear lack of imagination and vision.

Now, while I think that Final Breach is pretty much guaranteed to be a Dumpster fire, I do actually hope that I'm wrong about the prequel cartoon, and they won't try to do this nostalgia-milking bullshit while ignoring the real spirit of the original Pacific Rim. If they actually put in the same kind of effort that went into Interview With The Vampire, it could actually be good. However, AMC shows are very much the exception, rather than the rule.

The one thing that gives me a very, very small amount of hope, is the fact that they're releasing a lorebook that we can already see includes lore developed during the PR1 development days. By doing that, they are a certain degree limiting themselves in terms of how much they can get away with mangling the lore without someone calling BS. They won't be able to pull a lot of the bullshit that went on in The Black, for example.

However, acknowledging the facts of the lore is a very, very different matter from acknowledging the spirit in which they were written. And with any possibility of a second Trump term ahead, do we really think there's a high chance that Legendary (who already gave us the bootlicking bullshit that was Uprising) is to put money into something that's going to take some kind of serious progressive stance?

So yeah, new Pacific Rim installments could be good if they tried to follow AMC's lead rather than Disney's, and work to capture the spirit of the original Pacific Rim rather than trying to appeal to nostalgia, but so far, all signs suggest that they're going to follow Disney on this.