#because it the case didn't *close* get it

[uhbasicallyjustmilex]

me facing off against the same paragraph for the third night in a row:

[mishkakagehishka]

I'm honestly fully ready to just call my bank and tell them to do a chargeback but i'm giving the college bureaucracy a chance first. But as i said. I don't care who does it and how i get it, those €80 are gonna be back in my bank account by the end of october or so help me

[idk-i-want-mcl-content]

poor roy

[minwilder]

show tempe gang crossover with the morris islanders would actually have been the best episode of bones ever. btw

[the-lark-ascending69]

> be a robin buckley fan

> be lesbian

> project on robin

> look up "internalized homophobia robin buckley" on tumblr because it's cathartic

> 3/4 of the posts are about st3ddie or just about steve

[mariocki]

Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)

"And they didn't make much mess?"

"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."

"Ah. Big mistake."

"What is?"

"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."

"I'll remember."

[lupizora]

Do you ever wonder if there is a time where Shinichi as Conan can take off his glasses?

Of course, he can't do that when he's outside; in case someone who might have seen him during his first childhood, recognizes him. Not to mention in front of the Mouris who had actively been a part of his life while he grew up and even have family photos together. His Clark Kent disguise is already flimsy enough for anyone that is willing to take a good look at him.

But have you noticed that he doesn't take off his glasses even when he's in Agasa's house with only the Professor and Haibara around? One could argue that this place is not safe either, with every member of the cast lurking around and dropping by at the first opportunity. Also, paranoia is a pretty fine motivator when the lives of people he loves and cares about are at stake.

It just makes me wonder, ya know. Is he expecting to see his 17 year old self every time he catches a glimpse of himself on a reflective surface? When was the last time he had the opportunity to study his face without the glasses? Does he ever notice any differences from when he was a kid for the first time? How long has it been since he last looked into the mirror and recognized his reflection as Kudou Shinichi instead of Edogawa Conan?

[moonchild-in-blue]

Can someone please either validate me or send me to the Corner of Shame? This is very silly but I'm wondering.

So. I was talking to my sister the other day about movies and such, and she told me of one she recently watched with this one actor. And I casually mentioned how much I hated him. Not in a "he's a bad actor" or "he's a bad person" way. Nothing to do with whether I find him attractive or not. Just in a "he looks the most punchable guy on earth and I have this irrational rage against him" way, to the point that I just can't watch movies with him without being annoyed.

My sister looked at me like I was crazy because, "what do you mean you hate the guy". And I told her yeah? That's normal? Don't you have at least one person you can't stand for no reason?

Sister was like 😬😬😬 No??? Which is wild to me, because I could easily name 50 (which I did - not 50 but we were getting close to 20 before i got too annoyed lmao).

Now she thinks I'm slightly insane (/j) (I made myself angry and may have referred to a few individuals as "stupid" and "obnoxious"), and I kinda don't believe I am the only person alive who feels this way. But also she's an incredibly empathetic extrovert, while I'm a very low empath socially anxious creechur so. There's that?? I guess ?? Idk.

Can anyone relate to this? Or am I the weird one?

Also wait. Little disclaimer: I am not generally a violent person AT ALL. Do i get annoyed and angry easily? Yeah. Do I feel like bitch slapping someone right across their stupid face? Yeah, sometimes, sure. Do I do something about it? Not really.

I can be real bitchy and extra sarcastic and petty SURE, but that's the most I'll do if I am legitimately angry. Mostly I just go to my room and cry 🥺 (crying when angry yes it me). So yeah. Before yall think I have unsolved anger issues.

[booasaur]

Seeing some frankly stupid ass takes on the debate and Biden and now I'm even more worried about the situation. What's it called when people don't have, like, politics literacy or even... life literacy?

[cowboyskeletons]

thinking about my au where after the trial the dads are actually just transported into another universe where jodie was transplanted and they replaced their alt-universe selves.

so there are small details that the kids notice (except for nicholas) that are kinda... off, but it's not big enough of a shift to notice until reminiscing about childhood memories and like it doesn't matter (it does matter but that's only half of the story)

point is that without them, their home universe kinda crumbles, as the narrative is about Them and why even exist if there's no purpose? so everyone kinda just fades away over a short span of time (thinking around a week) as the world loses its flavor.

....buuuut nick's still there.

because the dads are The Dads, right. it's their defining characteristic. they need to have children to be dads (if the child is dead it doesn't matter, just needs to exist in the universe). the children are... kind of like anchors.

so if their children stopped existing, what then? well, it was a simple solution-- they got linked to the new verse kids. done done. new anchor, continued existence, "forever" relevance, hoorah.

only problem is that glenn doesn't have a kid. and he's not a dad anymore. so like, what's the point of his being there? nicholas is technically completely unrelated to him. in the new verse, it's said that he's darryl's friend who's just. there. in-auniverse and in a more meta concept sense, he really shouldn't have been there.

(eventually, glenn won't need an anchor anymore because of the relationship he develops with nicky but for now he needs a weight to assert his existence in the narrative)

erasing him from existence kind of goes against the court ruling because then why all the shenanigans. so he still has an anchor, though the new universe is unaware of it

so nick is still there.

nick is... not fully what he used to be. he seems overall the same, but he's in a sort of... stasis? like the most obvious effect is not aging but there are mental effects too. his and glenn's relationship and place in the world can't really change, so he doesn't.

he's like an ice sculpture now metaphorically-- fading like the rest of the world, but his process is slower because he's connected to glenn and he's still important to the story. he has approximately until the s1 finale until he starts getting into the danger zone. the worlds aren't exactly synced up time-wise, but time shifts and flows and the universes drift so there's never a concrete ratio-- usually worlds sync by story beat but. yea

so he's just wandering the world as it breaks apart. he's the only reason that it's still there, actually-- it becomes weaker as he does, as it loses its purpose completely.

by some chance, nicholas manages to contact nick then Stuff Happens.

cue shenanigans, primarily with nicholas and nick but several other people come into play too like glenn and jodie and morgan

(yes nick still dies in the end but there is Closure with the family okay. can't spell closure without close. do you get it)

[dangoulains-devotion]

thinking just a bit too hard about how the added depth given to tifa and aerith's friendship only increases the weight threatening to crush tifa after the forgotten capital, she already had so much to carry on her weary shoulders, she's going to have to carry even more when mideel happens, and it doesn't even stop after meteorfall, ohg od oh i love her so much i

[blueskittlesart]

In defense of the original, while I do agree the episodic vibes were a bit much at times, and it was something I kinda had to work my way through slowly rather than binging all in one...

I do kinda prefer the more gradual approach to laying out the information; getting to know both the setting and who Vash is as a person and the different facets of both, before getting the context that lets it all click into place. Plus the main quartet having ample time to grow together so that later developments have stronger emotional weight.

I will agree that Knives definitely suffered in focus, and I am interested in how Stampede handles him, but admittedly he wasn't really what I watched Trigun for in the first place. ^^;

yeah my gripe is less with the way the setting and characters were handled and more with the way the. actual plot was handled. it honest to god felt to me like they realized about halfway through their run that they didnt have enough episodes left to get the backstory in in a cohesive way so they just shoved it all into one episode and pretended that that explanation didn't create more questions than it answered. you spend 20 episodes teasing your audience like "ooooh what is vash?? clearly hes not human!! clearly there's something going on!!! don't you want to know whats going on?? keep watching and you'll totally understand whats going on!!" and then your big reveal is that. He Is Not Human. which is something that any idiot who has watched the last 20 episodes has already figured out. the question the audience ACTUALLY has at that point in the runtime is what, EXACTLY, is vash, and what the context is behind the conflict he and knives are in. the backstory episode explains that Knives Is Here, and it gives context to the setting and everything, but it pissed me off that it STILL didn't answer the actual mysteries i cared about, i.e. vash's real identity and the thing with the gun and his fucking arm and knives's motivations and everything. maybe that gets answered in the last episode that i neglected to watch but personally I prefer a story where i UNDERSTAND WHAT'S GOING ON by the time the final confrontation hits. with trigun it got to a point where vash was going out for the final battle with knives and i STILL didn't know who vash was, who knives was, where they came from, or what the hell their motivations were. that just made that final confrontation seem so wholly uninteresting to me that i didn't even feel like watching it. it was like "hey look vash is fighting a cardboard cutout that he is Afraid Of. Why? lmao idk man. probably has something to do with that weird spaceship that shows up in one whole episode before this point. not going to tell you how tho." I think some writers have this tendency to think that mystery = good writing and that not revealing anything to your audience will consistently draw them in for more, but that only works for so long. after 20 episodes of virtually net 0 information it got to feel like I was being strung along and like my questions were never going to be answered, so I gave up on the show in the final hour. Again, i'm not saying it was BAD necessarily and i understand the context in terms of writing and production that led to the show being produced that way but i think it really noticeably suffers due to the fact that it refuses to give the audience ANYTHING but crumbs of information for about 80% of it's runtime. that being said. i did genuinely like a lot of it. it has its moments. im not trying to discourage anyone from watching it or anything lol i just think stampede is a little more successful in keeping the viewer engaged in the story throughout by constantly feeding you bits of information and actually answering your questions as they become plot-relevant.

[elainemorisi]

like, the only true whopper in lo these two seasons has been Armand's credit-claiming for the (onstage) lifesaving, right. which was allowed to persist for not even the duration of a full episode. I don't think I'm forgetting anything here, right?

anyway, would be nice if more theorizing noticed that lol

[lilyimmsim]

we can never quite fully realise the progress we have made. i blinked and suddenly it's been over a year with only one relapse. where has the time gone? i was pushing a boulder up a hill, and was so focused on the boulder i didn't notice how the mountain flattened out. look at you go. the things that once consumed my mind have faded into distant thoughts. i'm almost through winter - i'm almost through winter?? the bricks i so exhaustedly built for years have finally turned into a home, and i almost forgot to move in.

[five-wow]

in episode 6 of season 1 kono's former surfing mentor gets shot and the team tries to get her to take the day off, but steve starts that campaign (and has final say, obviously - later danny says to kono "what are you doing here? boss told you to take the day off" and i had to rewind to make sure that danny DID actually call steve the boss), and it's like, uh, hum, buddy? steve, my friend? did you forget that literally the only reason you're standing there in hawaii with this special team telling kono to skip a case that's personal is that FIVE EPISODES PREVIOUSLY (that's like, a quarter of a season at best) you did the most extreme ever version of NOT skipping a personal case?? this guy (steve) really just tries to tell kono that she shouldn't be investigating the murder of the man who was "like a second father" to her, when he's recently made a major life change just so he could investigate the murder of hIS OWN FATHER. sir, you're leading a team with special permission from the governor to Make Everything Personal And Never Step Back. you've cultivated a culture in which people would investigate their OWN murder if they could and still not see any emotional or ethical problems with running after suspects while holding an object that can shoot people dead and a badge that says they can do that if they want. and now you're trying to tell kono she can't be doing that? talk about mixed messages, man.

[officialromaniantranslatiuni]

why go out when you can binge watch disparuti fara urma on youtube?