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#because in this space they are people that don't think too much about this
juney-blues · 1 day
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June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.
The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.
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The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.
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In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)
For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)
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All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.
If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.
And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."
You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.
But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)
you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.
It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.
If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....
Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"
*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.
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radishaur · 1 day
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༄ kind words ༄
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Warnings: mentions of unwelcome advances in Law's part Genre: fluff Characters: Luffy, Zoro, & Law Summary: How they realize they have feelings for you (words of affirmation edition) Author's Note: It's finally here! These keep getting longer and longer as I get more familiar with each character and the dynamic, especially Law's, but I don't think that's too much of an issue. I also kind of hate Luffy's but couldn't keep redoing it, so maybe I'll edit it later. Happy reading as I begin working on the next part!
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Luffy is great at giving compliments because he just says whatever he's thinking.
He gets complimented a lot as well. He's always running around and saving people, intentionally or not, so he's probably heard his fair share of compliments. I think hearing a compliment that's more deep and genuine, that comes from someone who knows him deeply, would be more meaningful than anything and would make him recognize his feelings.
~
Not every day on the Sunny was a fun adventure.
Setting out to sail across the whole world and strive for their individual goals there was bound to be hardship. Sometimes it came in the form of grueling battles with their latest enemy. Other times it was internal conflicts or disputes, simple disagreements or heated arguments.
This time, it was grief.
After so many months traveling together, the crew had learned how to tell when one of them was upset about something and needed space. Today, it had been Nami. For the past few days, her mood had been off. She'd been more quick to anger and had spent more time than was strictly necessary tending to her orange trees. Then today, she'd been even worse, snapping at Sanji's normal overbearing lovey behavior and brooding to herself under the shade of her grove.
It didn't take him long to realize what was bothering her.
Nami only ever got like this when she was thinking about Bellemere, which meant today must be the anniversary of when everything happened. The crew had spent most of the day giving her her space, allowing her to process what she was very clearly feeling. After a while, he took it upon himself to cheer her up. He made silly faces and played some of her favorite games on the deck, goading her into joining them by making bets he knew he would lose. He'd even secretly asked Sanji to incorporate oranges into their dinner. By the end of the night, Nami was laughing and she seemed a lot lighter, like whatever was weighing her down had lessened some.
Now, it was late at night, and the only sounds that could be heard on the Sunny were the lapping of waves against the ship and the snores of his crew as they slept. All except for him.
Sleep was avoiding him, so he decided that he would be much better off just joining whoever was on watch and maybe having some fun. He made his way up to the crow's nest and was happy to find you sitting on the bench, looking out across the sea.
"Oh, hi Luffy," you said, your voice quiet.
"Hi!" he said, sitting excitedly next to you on the bench as you looked out across the sea once more. "I couldn't sleep so I decided to come out and have some fun!"
You smiled, always amused by his antics.
"Well, unfortunately, there's no fun here. I'm on watch, remember?"
He pouted, knowing you were right but still disappointed anyways. You laughed at him as he whined and complained, but he didn't actually intend on distracting you, so after a while, he quieted down and let you focus.
"I hope Nami is feeling better," you said, resting your head on the arm you propped up on the window. You were frowning slightly, your eyes unfocused as your worry made itself visible on your face.
"She'll be ok, she's Nami! She's strong," he replied, no doubt in his mind that tomorrow she would be the same old Nami she had always been. "She might be sad now, but it's not forever. She has us to help her."
You hummed in agreement, a small smile on your face. He smiled himself, happy to see you smiling instead of with a frown on your face. He felt so lucky to have found a group who cared so deeply about each other.
"All that stuff you did today. It was to cheer her up, wasn't it."
You said it like a statement more than a question and he found himself smiling at how observant you were. "You figured it out. You're so smart!"
You laughed at him once again, his own laughter joining you as you said, "Of course I did. I know you wouldn't have made those bets under normal circumstances."
They had been stupidly dumb bets that left no chance for him to win and he found himself giggling as he remembered how Nami had perked up upon hearing him agree to them. He loved his crew more than anything, so what was a few beri down the drain? Your laughter subsided as you got lost in thought once more. You seemed like you were debating saying something and when you seemed to have made up your mind, he found himself sitting up straighter as you turned to look at him.
"You're a lot smarter than people give you credit for," you said, a small smile on your face and a playful admiration in your eyes.
He's not quite sure what to say to that. He's always been called stupid and to everyone's credit, he is. He doesn't think very often, preferring to act on instinct and figure out the rest of the plan later. He's been known to not read the room, to zone out during important world lessons, and to shout out the first thing that comes to mind. He doesn't think anyone has ever called him smart and for the first time in maybe his whole life, he's speechless.
"I guess that's probably not what you were expecting me to say, huh?" you teased, a light smile making its way onto your face.
He collects himself and asks, slightly incredulously, the question that's first in his mind. "Why do you think that?"
"Well, you just told me you did all that stuff to cheer Nami up, right? Someone stupid wouldn't be able to put together why she was upset and what would make her feel better. You pay attention when it counts and you're a lot more emotionally intelligent than people realize," you explain, relaxing slightly as you look out at the ocean once more. "Today it was Nami, but I've watched you help lots of people like that. Vivi, Robin, Sanji, even me. Maybe you don't say it out loud, but you pick up on people's emotions and what they need the most in that moment."
He listens as you talk and slowly realizes that you're right. He's always had a way of reading people and knowing what they really want or need, but he's never really connected it to intelligence. He always thought it was just his own special kind of stupid.
"I guess that makes me a genius!" he exclaimed, laughing heartily as your eyes widened in shock before laughing along with him.
"Maybe you are stupid after all," you say, but there's no malice in the words as you keep laughing at him.
Finally, your watch shift is over and the sun peeks up over the horizon. He'd stayed with you the entire time, just talking and goofing around until he realized how much time had passed and how tired he was. His dreams that night are filled with you and when he wakes up, your words are still floating around in his mind. Knowing that you think he's smart makes him feel funny and he thinks that maybe he should finally turn his ability to recognize people's feelings inward.
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Zoro doesn't throw out compliments or encouragement left and right, he only says something if he really means it.
I think he's received his fair share of compliments, although I doubt he puts much stock in them unless they come from someone he respects. If he doesn't think there's any stock in the compliment, or on that same token an insult, why bother giving it attention? For this reason, I think getting a compliment or reassurance from you would rattle him a little and cause him to have an aha moment.
~
The town that the Sunny docked in isn't too interesting to Zoro, aside from the bar he's nestled into for the past few hours. He has a few empty glasses in front of him and he's almost done with his current one when he sees the door open.
He's not surprised when he sees multiple of the crew walk in, quickly noticing him in the corner and making their way to him. You're among them, talking to Robin about something that elicits a small laugh out of her. Begrudgingly, he scoots over and makes room for everyone in his booth as they smoosh in.
"I knew we'd find you here!" you say, the last to slide in so you're right across from him. "Already deep into your drinks, as expected."
"Shut it, woman," he grumbles, his brows furrowing as he finishes his drink and sets the cup down on the table. You laugh, looking at Robin as Usopp reluctantly hands Nami some beri. He feels his eye twitch in irritation as he notices the exchange. "Are you betting on me?"
Usopp gulps at the glare he sends his way and Nami simply smiles, dollar signs practically lighting up in her eyes as she answers, "Yep! I bet that you were already 3 drinks deep and I was right."
"We've barely even arrived! I thought-" Usopp protests, attempting to explain himself.
"You both are insufferable!"
His exclamation elicits another laugh out of you as Robin simply lifts a hand to her mouth to hide the amusement that is no doubt there. He wants to be annoyed, and he is, but he's been traveling with the lot of you for long enough that he can't really be upset, at least that genuinely. He simply huffs, waving down a server to ask for another glass.
The rest leap over each other to order their own drinks, some alcoholic, some not, and fall into easy chatter with each other. Periodically, he catches your eyes and you send him a smile, but he doesn't insert himself in the conversations, much preferring to listen. Eventually, Nami gets tired of just sitting in the bar and decides to go shopping. Usopp and Robin decide to accompany her, but you decide to stay behind. You wave, watching them go as he takes his previous spot in the booth back.
"Not in the shopping mood?" he asks, glancing at you out of the corner of his eye.
"No, I'd much rather stay here with my favorite swordsman," you tease. He bristles, knowing that you're just poking him for fun, but he can't stop himself from blushing, taking a long sip from his glass to hide the blush he can feel on his cheeks.
"You're worse than that damn cook," he mumbles, his glass now sufficiently empty.
You laugh at that.
"Now that's just a lie."
He can't deny that, the corner of his lips twisting up into a smile. He's spent enough time traveling with you to know that you don't act like that with everyone, just him. The notion that you reserve this behavior for just him is both agitating and yet satisfying. He feels something possessive lick at his heart but ignores it, waving at the server for yet another drink.
He asks you about what you've been up to on the island since they docked and you happily tell him all about it. It hasn't been long so you don't have much to say and it isn't long before the two of you fall into a comfortable silence. After a while, you finally talk again and it's not what he's expecting.
"I know you'll become the greatest swordsman, Zoro."
He sputters, the sip he was taking spilling all over himself as he coughs, trying to catch his breath. He can feel his ears heating up with embarrassment and sputters, "Where the hell did that come from?"
When you look at him, your face is set in firm determination, but your eyes are soft, filled with a fondness he wishes you would direct at him more often.
"Those pirates we fought yesterday," you explain.
He thinks for a moment before he's reminded of what you're referring to. On their way to this island, they had run into a rival ship following the same course. While they hadn't intended to battle them, the ship fired at them as soon as they were in range, so they had no other choice. He remembers the fight being fairly easy, each member of the crew handling their fair share of pirates.
He also remembers one of their crew having some rather nasty words to say to him.
"You're delusional if you think you can become the greatest swordsman," he had spat, struggling to breathe. "You'll see it eventually. Even if you won this battle, you'll never achieve your dream."
He hadn't paid much attention to the words. He was confident in his own abilities and his opponent had been defeated easily, so there wasn't any point in taking his words to heart. He hadn't thought anyone was close enough to hear it and he certainly hadn't brought it up, quickly forgetting about it.
He smirked then, letting the full force of his pride show in the grin as he said, "That loser wouldn't know what it takes to be the greatest swordsman even if it smacked him in the face."
"That doesn't make any sense," you say, your face wrinkling as you giggle at his statement.
He takes another sip as your laughter dies out.
"I'm not worried about what a crap swordsman has to say about me and my dream," he says, his voice a lot more serious now as he thinks about the promise he made all those years ago. "I will become the world's greatest swordsman or die trying."
"You'll do it. I know you will."
You don't say anything after that, seemingly having said everything you intended to, but your words linger with him. The thought that you had heard the man's words and felt it was important enough to dispute them made his heart feel weird. He had never doubted himself, even when he maybe should have. He'd always been sure that his will, determination, and hard work would take him to exactly where he was supposed to be. Still, hearing your words of encouragement, hearing your genuine belief in his ability, it affected him in a way he wasn't expecting.
"You will too," he says, his voice barely above a murmur.
A few seconds go by where you don't say anything and he wonders if you'd even heard him, but one glance at you tells him that you had. You're not looking at him, your eyes averted as if you're embarrassed and your lips are curved into a small, satisfied smile. The sight makes his heart stop and he almost goes to clutch his chest before the feeling quickly passes.
Before the moment can linger, you're shooting back into conversation with him. Despite his best efforts to pay attention, he finds that his attention is drawn back again and again to your words. He knows that the crew believes in his dreams just as much as he believes in theirs. It's part of why he's so willing to protect their dreams just as fiercely as his own, but for some reason knowing that you believe in him so much really sticks with him.
He thinks about it for the rest of the day as well as late into the night when they're all back on the Sunny and setting off for the next island. He doesn't like being distracted, so he mulls over why your compliment holds so much weight for him. He values your opinion, but you're also not a swordsman, so theoretically there shouldn't be that much weight to your words. When he finally realizes, it feels like everything clicks into place and so many things start to make sense.
He acts like nothing has changed, wanting time to sit with the feelings before he decides what to do about them, but he finds it hard now that he understands the full weight of his regard for you.
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Law rarely ever gives out compliments, rather preferring to show how he feels with his actions.
I think he receives a few compliments here and there, but he's built an intimidating presence and image, so I think they're far and few between. However, I think if you took him off guard with a meaningful compliment, especially if its one that he hasn't heard before, it would make him start to think about his feelings towards you.
~
"Captain, we have a problem."
Law sighs, all of the worst-case scenarios running through his mind as he turns to face Sachi. They're docked at a port town so that they can restock the Polar Tang, preparing for another few weeks underwater. It's familiar and something that the crew should be familiar with by this point. They have a routine, a schedule that rarely changes, that details who goes with who to go get what. In theory, it should go perfectly smoothly.
It never does.
"What is it, Sachi?" he asks, his grip on Kikoku tightening slightly as Sachi walks up to him with the list of crewmates and jobs in hand.
"Well, you said that nobody is allowed to go alone into town right? For safety?" he asks, only resuming once Law has hummed in agreement. "Right, well uh, unfortunately, Penguin is sick today which means his partner doesn't have anyone to go with, which wouldn't be an issue since usually we have at least one group of three but, well, they're also sick so-"
Law grumbles under his breath about getting to the damn point, grabbing the sheet from Sachi's hands to just look at the issue himself. Sachi gulps, sensing his irritation, and nervously rubs the back of his neck. The problem becomes clear very easily. His beloved crew had partied a little too hard the last few nights and now two of them were sick, leaving no group of three to split up and someone unaccompanied. He looks for Penguin's name to see who's alone and feels his heart flutter slightly when he sees your name scrawled out next to it.
"Our only two options are to either make one group get two things, which would set us back at least an hour, or...," Sachi says, trailing off slightly. The unspoken second option is clear. Law always spend their restock days on the ship. The higher his bounty gets, the higher the chance that he gets recognized, so he always finds it easier and safer for him to stay behind.
"I'll go," he relents, watching as the tension in Sachi's shoulders dissipates.
"Great. Thanks, Captain!"
Sachi disappears before he can change his mind. He sighs, looking around the collection of his crew until he finally finds you in the mix. He makes his way over, watching as you converse with Bepo, catching the very end of your sentence.
"-seems like I'll be alone today. Sachi said he would look into it, but everyone already has their pairs so I don't know who could take his place."
"That would be me," he answers, watching as both Bepo and you finally notice his approach.
"Oh! Uh, are you sure? Don't you usually spend the day on the Tang doing research?" you ask.
He ignores your improper name for the Polar Tang as he explains the situation to you. You nod, smiling as you say, "I see. Well, I'm glad to have your company then, Captain!"
He's taken aback by your words but decides to just move forward instead of dwelling on them, so he turns around and shouts, "Let's go."
"Shouldn't you probably change?"
He stops, looking down at his attire as you add, "As much as it suits you, it doesn't really hide the fact that you're a pirate, let alone our Captain."
He can't really argue with that. The Heart Pirates logo is front and center on his shirt and Kikaku is certainly not doing him any favors either. He tells you to wait and then quickly shambles himself into his room to change. He has to dig really deep in his closet before he finds a shirt that doesn't have his symbol front and center, but once he does he leaves Kikaku leaning against his wall and shambles back up to you.
By the time he's changed and came back, most of his crew is gone. You're quicker to notice him this time as a result and the two of you finally head into town.
"What are we in charge of?" he asks, stuffing his hands into his pockets now that they're not holding his sword.
"We're in charge of the medicinal herbs, Captain," you answer.
"Just Law is fine," he says, his hand fidgeting slightly as he adds, "No use in me changing if you're just going to use my title."
He sees you smile softly out of the corner of his eyes. "Right. Law it is, then."
His ears burn slightly as you say his name so effortlessly, but he brushes it off quickly and continues into town. It's not hard to find the store you're looking for and he lets you take the lead as you begin listing off the various herbs you need. It's not long before the two of you are walking through town once more, heading towards the submarine.
"Oh, look! That art is gorgeous."
He stops walking as he turns to look at what you're pointing at. There's a small stall in the marketplace's square that's selling paintings of all different sizes and mediums. He sees your eyes light up as you look at them and isn't surprised when you say, "Wait here, I'm going to go buy one."
He huffs, leaning against the wall of a nearby building where he can see the stall. He'd like to pretend that today had purely been an inconvenience, but he can't find it in himself to be that upset. While it was inconvenient that he wasn't able to spend the time studying the most recent medical book he had been interested in, the day had been pleasant. You'd made pleasant conversation with him while walking in town and your bright demeanor always seems to calm him down.
He looks back over to the stall, curious about what painting had caught your eyes, but feels his heart jolt when he doesn't see any sign of you. He stands up to his full height, hoping to catch any glimpse of you, but he still doesn't see anything. He curses to himself for letting his guard down and allowing you to somehow slip away and starts searching for you with his observation haki.
He picks up your signature in an alleyway and feels his gut churning. Not wanting to draw attention to himself by using his devil fruit powers, he quickly makes his way to where you are. As he gets closer, he hears you pleading with someone.
"Look, I'm really not interested and I have someone waiting for me, so-"
"Surely I can show you a better time than them, hm?"
He doesn't recognize the second voice but he doesn't need to to know what's going on. He feels anger burn in him as he finally turns a corner and sees a guy caging your body against the wall with both of his arms.
"I already told you, I'm not looking for that. Please let me go," you say, your hands clutching the bag of herbs you'd bought earlier as well as what looks to be whatever painting you had bought at the stall. He also sees the man take a step closer and open his mouth to talk, so he takes the opportunity to interrupt.
"You heard them," he says, his voice like venom as he enunciates, "Let them go."
The man looks at him, sizing him up as he takes a step back and lets his arms drop. "What are you, a good samaritan? Buzz off," he scoffs, turning his head back to you, clearly intending to ignore him.
He doesn't know what comes over him as he finds himself stepping closer and punching the man square on the side of his face. The man, clearly caught off guard, stumbles slightly. He doesn't give him any time to recover as he steps forward, putting himself in between you and the man whose face was now swelling up.
"What the hell?" he shouts, cradling his face as he finally catches his balance.
He can see the punch coming but knows that you're standing right behind him, so he only shifts slightly so that the punch only hits him in the shoulder. A moment afterward, it dawns on him that he can just get rid of the man, so he does.
"You're lucky I don't have my sword, or you'd be getting much worse than this," he seethes, holding his hand out as he says his classic phrase and sends the man shambling into the ocean. In his place, a mossy stone drops to the ground, echoing in the now almost empty alleyway.
When he turns around, you're staring at him speechless. He frowns slightly as he gives you a once over, checking for any visible signs of harm.
"I'm ok," you finally say, your voice shaky before you cough slightly and repeat, voice calm, "I'm ok. Just unnerved."
He doesn't take his chances and calls another room, switching you both closer to the Polar Tang. His guilt at letting you out of his sight and allowing this guy to drag you off eats at him as the two of you approach the ship. Once inside, he shambles the two of you to his examination room, pointing to the table and saying, "Sit. I want to check for injuries with the proper equipment."
You don't fight him as you make your way towards the table. You're still holding the bag and the painting until he gently takes them from you, placing them next to you on the table.
"I'm really ok La- I mean Captain," you begin, correcting yourself back to his title now that it's just the two of you.
He finds himself missing his name from you but keeps the comment to himself. He's supposed to be checking you for injuries. He's supposed to be assessing your well-being, which is only in question because of his own negligence. He frowns to himself and continues to check you for injuries without answering.
You let him, still assuring him that you're fine, that he only grabbed your arm for a moment at the stall, but he doesn't stop until he's sure that there's nothing wrong.
He sighs, finally stepping back from the table. His guilt still eats at him regardless as he goes over everything he did wrong. "I'm sorry, I should have been watching more carefully. No, I should have just come with you."
You simply smile at him in response and say, "It's my fault. I was the one who stepped away."
He doesn't have anything to say to that. He knows it's true, you did step away despite it being an explicit rule not to, but he can't deny his part in it as well. He curls his fists as the silence continues.
"Why didn't you dodge his punch?" you ask, your voice quiet.
He's surprised by the question, but also by how quickly his cheeks warm up at his answer. He looks off to the side, hiding behind his hat as he says, "You were right behind me. If I moved, he would have just punched you."
You have the audacity to laugh, loud and full as if he had just told you the funniest joke you'd ever heard and he can't help but scowl.
"You know," you start, laughter still floating in your voice, "For someone with such a cold exterior, you sure are kind."
The compliment catches him off guard. His face whips towards you as his eyes open in shock, the faint blush now burning bright red across his whole face. He meets your eyes and he doesn't see any hint of a joke.
He's heard himself called a lot of things. Scary, cold, bitter, even downright malicious, but never kind. It sends shivers up his spine as the word settles somewhere under his skin. You think he's kind. Kind.
"You're my subordinate. I'm not being kind, I'm just doing my job as your Captain," he corrects, not wanting you to misunderstand his intentions.
Your laugh this time is softer, more full of fondness, but it rustles him all the same. "You really are kind though," you insist. He's not ready for you to continue, barely able to handle the few words you've said, but that's never stopped you before. "I think you care a lot more than you want us to think. You wouldn't worry so much otherwise. Besides, you're always going out of your way to protect us. I think that makes you kind."
He doesn't know what to say, so he tries to navigate back into familiar territory. He takes a deep breath and calms his nerves, grabbing the bag of medical herbs from your side and turning around to begin putting them away. "Well, since I've checked and you don't have any injuries, there's no reason for you to stay."
He hears you shuffling around as he begins unpacking the herbs from the bag and chances a glance over at you one more time. He regrets it immediately.
You're looking at him like you can see right through him. You have your painting tucked under your arm as you look over your shoulder at him in the doorway and you're still smiling at him as if he didn't just ignore your comment and dismiss you rather rudely. It makes his heart ache, wanting to prove you right. To prove that he is kind, that he's worthy of your opinion of him, that he's worthy of your praise.
"Thank you, Captain. I enjoyed your company today."
With that, you disappear down the hallway, presumably back to your shared room to hang up your new picture. He stares at the spot you left long after you've gone, your words echoing in his mind. They rattle around in his heart until they finally settle, leaving a warm comfort he didn't know he craved.
You think he's kind.
That thought plagues his mind for the rest of the day. His guilt is completely forgotten, his mind too consumed by your compliment to make any room for it. He finds himself unable to even focus on reading the medical book that night that he missed out on reading earlier. Your words and the simple fact that you truly believed them chip away at his resolve until he finally has to come to terms with why it affects him so much. He mumbles your name, his hand clutching his heart as it beats, solidifying what he'd been ignoring for a long, long time now.
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ღ radishaur — i do not own any of these characters. do not plagiarize. please enjoy and remember to be respectful! 
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fandomxo00 · 2 days
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Ok but imagine:
Your first autistic burnout with Logan
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It was days like today that got you. It didn't happen all at once you noticed that things begin to get harder. Self care was a necessity but sometimes you just didn't have energy for it. For you it felt like time was speeding up, like you thought it was Friday but it's really Monday. Like the world spinning but your stuck where you are. That your trying to process every day and everything that happens but it's already tomorrow.
But you don't stop pushing yourself, they tell you have to push through. That you have the break time you need so why would you need anymore? That you barely taught any classes anyway, barely a teacher there. You felt selfish most of the time because if you listened to yourself you'd try to put yourself first. But no one else understands you? Unless your autistic it's hard to understand what it feels like to be burnout.
You started having bad mood swings, unable to regulate your emotions, as you usually would be to. It was hard to get around, to do just about anything because your body was tired. Your mind was fatigued, and the wrong words come out of your mouth a lot easier. Because you weren't acting normal you usually started beating yourself up because you shouldn't feel this tired. You shouldn't feel like even breathing can be hard for you. Which in these moments because a problem because of your unrelentless anxiety about having to put your mind to anything, or having to be social situations that you didn't want to be in.
But you had to show up for your job or you were going to lose it. Charles could only be so patient with you right? Even with accommodations in place, there was a certain point where you felt like in other people's brains there was no coming back, you just didn't want to get better. That you decided one day that you were just coming to become depressed. For so long doctors who didn't know you assumed you were bipolar, though you didn't have manic epsiodes. You just really intense happiness that could last for a little while but it was usually because you were in a mood swing.
Logan was instantly drawn to the moment he met you. You had the same type of darkness he recognized in himself. When you looked at him you had the same pain in his eyes that were reflected in his. The two of you had gone through very different pain and trauma, but when he learned about yours it didn't think it was any easier. Not with the mental and emotional manipulation you grew up with. The hours you spent alone and isolated because the world was simply too much for you. That you rather stay in your little bubble and never leave.
You'd been doing good for so long, you could have a bad day or a bad week, but you always got back up. Logan had never seen you practically paralyzed. You could barely keep your eyes open, you could barely move without groaning or crying, it was like your limbs were almost lifeless.
The room was pitch black, something he knew you didn't like. You always had a night light on, and now you couldn't even open your eyes long enough. You'd even covered your ears when he tried talking to you, a faint 'shh' coming out of your mouth. He felt the pain shoot through him as he saw the pain all over your face, you almost looked lifeless. Logan spoke quietly as he checked on you, before reaching for his hand and grasping on tightly while you started to cry. "What's wrong?" He whispered.
"I-is just too much." You bawled. "H-hold me tight please." Logan's arms wrapped around you without hesitation, listening to you as you laid your head against his chest, his arms tight around your body.
Eventually you needed space, feeling almost suffocated, but you didn't want him to leave. You didn't know how to communicate this, your own anxiety of just having to talk practically making you mute. You just climbed away from him, before whispering, "Stay." Laying your head on the pillow, and he laid next to you. You moved forward eventually, wanting the comfort of his hand in yours. Logan traced your features with his hazel green eyes, trying to make sure he was prepared for whatever you were feeling. Trying to understand something that he knew you couldn't explain to him right now.
All he knew was that you needed him and he wasn't going anywhere.
note: cried while writing this, i'm sorry i'm not filling in requests rn feeling a lot executive dysfunction and just trying to remain positive.
tags: @ohtobemare @jessjessmarvelandhp @chronicallybubbly @delicateholland @bubblegumholland
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Note
on the topic of fandom racism.. wanted to ask an outside opinion on this.
so without much detail bc i don't wanna get this person harassed or something, i'm in a fandom where most of the characters are japanese and look pretty similar, so the diversity is Not Great. recently i saw an artist, who is white, draw a character with slightly darker skin than the rest of the cast as Black, where he was ambiguously brown before. my problem with this as an outsider is that i think that plays into a ton more stereotypes than if he was just tan or something. this character is regarded to be misogynistic, overly sexual, and especially to his #fffff white japanese (girl) friend.
i, as a white person, would like to approach this artist and ask if that's really the message they wanna send, but god forbid i do not want to sound like those people that believe in "black-washing" or just hate to see more diversity in an anime lineup. would it be white knighting to point this out, or approach that, hey, maybe your only person of color in this cast shouldn't be the one that acts Like That...
Hm. I see what you're saying. I'd suggest a few things, which is really my go-to for everyone white fighting fandom racism:
1) first, look out for the voices of Black fans in that space and see what they're saying. If they are perturbed by what they see, then I would amplify their voices and support them first. Let them know they're not crazy. They're the ones experiencing the harm, let their voices be the ones prioritized. If no one Black has said anything, that could be a sign that this entire fandom isn't safe for that kind of feedback (which... Often.)
2) look at that person's page to see how they treat this character. Do they actually offer them depth? Are they a fan? Have they shared anyone's good perspective of him? Do they actually care about him, and think his being Black serves a better narrative? Or is it really just this character is a douchebag and now he's "Black" because they wanted some diversity points without thinking about it. Hell, does the original media do right by this ambiguously brown character lol? Because that can often be the larger issue too.
3) does this person positively interact with Black people at all? Like people, opinions, topics, politics, anything at all? Or is this their Token Black Blorbo Barbie™? Because that's a red red flag lmao.
4) if you still feel strongly about it, send them a DM. I'd say make sure to be genuinely polite, not because you should be respected more because of it, but so that it's on record that you wanted to give them the space to amend ("Hello, I mean no harm, but I was worried that this may-") You're white too, so it'll be safer. DMs are really a kindness, a last chance for grace; sometimes people are just like "fuck it, that's a racist and imma treat them like it". And I don't begrudge them that, this shit is exhausting and enraging.
5) accept that you may very well approach with the best intentions, and this artist may very well act a complete asshole* about it. They may make excuses, the classic "I would never be racist", they may accuse you of all those things that you just said, try to cast you as the problem, and their friends may very well make you out to be the racist for pointing out the racism. Welcome to fighting antiblackness and racism in fandom 👍🏾 it's a minefield out here.
*keep in mind, even if they "respond sweetly", the whole "thanks 💕" schtick is still them being an asshole. Racism in sweet words is still racism.
6) if they do respond like an asshole, it is not a reflection of you, but of them. 👍🏾 They are now purposely choosing racism. Block them and move accordingly.
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papercorgiworld · 16 hours
Text
I don't need space, I need you
This is the requested Draco and Enzo version
Read the Mattheo and Theo version here.
I present you cuteness overload with needy Draco and Enzo and some sassy insults towards Matt and Theo, because I can't resist adding banter and jokes. To the person that requested this, thank you! ☺️ To the people that have sent in requests or casual small talk I'm slowly working through my inbox... I will get to it one day... just know that I love all you darlings and I'm very grateful for your messages. Now, time to get to some reading, I hope you enjoy it, sending you all lots of love! 💛
Draco
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“What’s the point of having a girlfriend if I can’t find her.” Draco complains, approaching his friends relaxing by the fireplace in the Slytherin common room. “Have any of you seen here?” Enzo looks up at the impatient blond. “I think she said something about studying with Granger.” Draco is about to start whining about you not being there and instead spending time with Hermione Granger of all people, when he’s interrupted by a snorting Mattheo. “Finally a moment of peace for my fallen brother. Sit and enjoy your freedom before miss clingy returns.” Theodore and Enzo chuckle and Draco feels forced to at least smile at Mattheo’s comment. “Yeeah-, finally peace.” Draco tries his best to sound convincing, but to him peace was cuddling with you, not hanging out with mister mommy and daddy issues, the Italian manwhore and Enzo. The latter picked up on Draco’s reluctance to sit down. “If you miss her so much, maybe you should go look for her?” Theo laughed at Enzo’s suggestion thinking it was a joke and Draco feels the need to make it absolutely clear that he doesn’t miss you at all. “No! If she gets any more cuddly and clingy I’m gonna need to hide from her. And she’s always so nosy, why does she always need to know how my day was? I'll tell her if she needs to know anything.” Mattheo chuckles and offers his friend a drink, but to Draco that did not make up for missing out on time with you.
Your excitement to tell Draco about your day was replaced by a wrecking sadness that made your tears well up. Clingy. Too cuddly. Nosy. As you turn on your heels to leave the common room before anyone notices you, you almost bump into someone because your eyes are getting blurry. Worried that you had been the most annoying girlfriend ever you decided to do better. Draco had been a wonderful boyfriend so far and you really didn’t want to screw this up by being overwhelming. 
***
“He’s a guy and it’s Draco. I’m just giving him some space.” You explained to Luna and Hermione, who both frowned as you joined them in the stands of the quidditch stadium without wishing your boyfriend luck as he left the barracks. Normally you would kiss him passionately in front of everyone and he would hug you tight before he hopped on his broom, but today you wished him luck at breakfast and that was it. You thought you were giving him space as you smiled at him from the stands, but instead you were giving your boyfriend a heart attack as he spotted you so far away. “Hey, Malfoy! The game is about to start. Get on your broom.” Theodore yelled annoyed. “But- but-” Draco’s eyes moved from you to Theo and back to you. The game could not possibly start without you wishing him luck. Confused Draco eventually got on his broom, but his head was nowhere near the game. 
***
Fred and George cheerfully ran up to you and George even picked you up for a moment, making you laugh. Gryffindor had won and the boys were convinced you aided in their victory. “Never wish Draco luck anymore!” Fred yelled and George put you back down as he noticed how confused you were. “I’ve known chickens who fly better than he flew today.” You frowned at the statement. “You think it was because I didn’t wish him any luck before the game?” Both nodded and then left as they were distracted by other people cheering. 
A little worried you slowly made your way in the direction of the changing room. Most of the slytherin team had already made their way to the common room, mainly to keep a pissed off Mattheo from throwing punches, but Draco wasn’t with them so you guessed he was sulking by himself.
You gently push the door open and it reveals a defeated, sweaty and shirtless Draco sitting in an empty room. He hadn’t even made it to the showers yet, his head resting against the wall behind him like it would fall off if it didn’t have any support. His eyelids slowly open and he ssees your worried figure standing at the door. Why is she not rushing to be by my side? Why is she being so distant? Is she going to break up with me? His head was spinning and his heart was aching. “Bad game, huh.” You eventually speak up and Draco just huffs in response. “If you’re going to break up with me just do it already. I’m having a bad day, but I can handle it.” Draco’s eyes look dull and his voice sounds soulless. He gets up and takes a few steps towards you, studying you as you look absolutely shocked. Once you process his words you immediately rush towards him, your eyes pained at the idea of breaking up with the man you so love. 
“I’m not breaking up with you!”. Your voice is surprisingly loud and there is a hint of fear in your words as you worry he was going to end things with you. Your hands rest on Draco’s arms and he shakes his head, not understanding why you were so distant earlier. “Then why didn’t you wish me luck?” You're baffled at the question, it was obvious to you why and you didn’t expect him to care for it. “You said I was too cuddly and too clingy. So I thought it best to give you some space and not overwhelm you before a game. I wished you luck this morning.” 
Draco looks at you like you had just said the dumbest thing ever. “Space? I don’t want space! I want you. I need you! I love you.” Your eyebrows knit together. “But I clearly heard you say-” Draco shakes his head. “When did I ever say you were too clingy… or cuddly. It’s why I love you so much.” You take a step back from your boyfriend. “Yesterday, in the common room, you were talking with Riddle, Berkshire and Nott.” Draco opens his mouth in realisation and then clenches his jaw as he curses himself. He takes a step and closes the distance you had created between you two. “Yeah… I said that… but I didn’t mean it. I said it because I felt that the truth was a bit embarrassing.” You look at your boyfriend with questioning eyes. “Not really cool to tell your mates that you’re looking for your girlfriend because you want to snuggle and watch the stars from the astronomy tower.” You give him a soft smack on the head and he looks at you with apologetic eyes. “I felt horrible after hearing you say those things.” Draco pulls you into his chest. “Shouldn’t have listened in.” He jokes, but you don’t think it’s funny at all and you try to push free from his arms. However you are unsuccessful but Draco apologises. “I shouldn’t have said those things, because I’m just one big softy for you. Nothing tough about me when it comes down to you.” Gently his lips search yours and you’re hesitant at first to kiss your idiotic boyfriend, but when he apologises again you let his lips meet yours for a sweet kiss. 
“So next game, kisses and hugs?” You ask and Draco nods. “Yes. And I don’t think a single slytherin is going to mock us for being too clingy since the only chance we have at winning the quidditch cup is with you by my side.” Nothing tough about Draco at all. Just a needy boyfriend. You think to yourself as you kiss him. 
Enzo
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“Pans!” Enzo squeals dramatically as he enters the slytherin common room. “Where is the future missus Berkshire? Can’t find her anywhere.” Before Pansy can answer Enzo’s question Mattheo puts his book down grinning at his friend. “Can’t be without her for even a second?” Enzo’s excitement drops as he notices everyone is looking up now, curious what Enzo’s answer will be. Enzo was always a bit different from his nonchalant and stoic friends. He knew the tough act didn’t suit him and he was confident enough to just be himself, but right now he was a bit worried. He felt himself get nervous and chuckled at Riddle’s question. “Told you, he’s absolutely whipped.” Draco says with an arrogant tone as he raises his eyebrows, challenging Enzo.
“She was at the Library with Luna, but I’m sure she’ll be here any minute.” Pansy finally answers, after rolling her eyes at Draco’s arrogance. “Good, that gives me a few more minutes free of her… because I am not whipped. She’s the one that always wants to be near me.” Mattheo leans back and nods along, pretending to believe Enzo. “Oh really, so why do you keep putting up with it?” Enzo sits down, lounging casually. “I like her so I put up with her clinginess, but honestly I don’t need her around all the time. The hugs and kisses… that’s all her… not me.” 
You had only taken three steps in the common room before stopping. You felt your legs get wobbly at your boyfriend’s words. You take quiet steps backwards and hurry out of the common room. Obviously you were not wanted there.
However, you missed out on Pansy’s loud snickering. “Oh please, Enzo! You liar!” Enzo is absolutely shocked at Pansy’s accusations, but no one else is as all his friends start laughing. “You couldn’t go a day with her.” Draco says, shaking his head at Enzo’ sad attempt at trying to act indifferent towards you. “Alright, alright. I can’t stand being without her! I love her. I need her.” Mattheo laughs, satisfied with Enzo’s confession. “There’s the real Berkshire I know.” Enzo lets his head fall back, bracing for days of mocking and jokes about his attachment to you. 
***
“Oh yeah! Sounds fun. I’ll be there.” Enzo overhears you agreeing to go to Hogsmeade with the golden trio and leans over his desk towards you. “Hey, hey! You can’t go to Hogsmeade with them on Saturday, we were going.” You turn in your seat towards your boyfriend and kiss him on the cheek. “You can go with your friends. We don’t have to do everything together.” Your answer hurts Enzo and his eyebrows knit together. Yes we do, what else is the purpose of a relationship. But before your boyfriend can protest out loud the professor enters the classroom.
***
“Look at her.” Enzo complains to an uncaring Theodore Nott. “The entire week she’s been distant, always better things to do than being with me and now this.” A frustrated Enzo gestures your way and Theo shrugs. “What am I supposed to do?” Enzo whines.
“Kidnap her and lock her up, then you have her all to yourself.” Mattheo suggests, making Theo frown and offer his own advice on the matter. “No, don’t listen to abandonment issues over here. Just get a new girlfriend.” Blaise just facepalms at the realisation he is the only sane one in his friend group. “Ignore both abandonment issues and attachment issues and just go talk to your girlfriend like a normal person.” Blaise emphasises the last words as he glares judgingly at Mattheo and Theo who both act offended. Enzo nods, realising that Blaise was right.
You notice your boyfriend strutting over to you and your friends from across the street and excuse yourself to meet him halfway. “Hey you.” You whisper and Enzo immediately smiles, feeling relieved that you're still your sweet self. “I miss you.” Your boyfriend blurs, even surprising himself with his honesty. “You wanna have dinner together tonight?” You offer, but Enzo shakes his head making you frown. “No. I mean yes, obviously I would like that, but it’s not just that I want to do just one thing with you. We’ve barely spent time together this week.” An uncomfortable laugh escapes you, but you repress it when you notice how sad Enzo’s eyes are. “We’ve spent plenty of time together, besides you’re a guy, you need your space. I don’t want to suffocate you with hugs and kisses all the time.” 
Enzo is baffled at your words. “I’m a guy so I need space. What’s that supposed to mean?” There was a slight tone of agitation in his voice that made you take a step back, but he was quick to close the distance by taking a step closer. “Who put all these crazy ideas in your head of needing to give me space and suffocating me with love?” Your face falls at his harsh tone, but you bite back. “It was you. You were the one that said you wanted to be free of me for a few minutes and that I was the needy one and you had to put up with my clinginess. It was you, Enzo Berkshire, you idiot. So you have no right to complain about me giving you space, since you asked for it.” Enzo’s jaw clenches at your accusation. “I did not!” You cross your arms and raise your eyebrows. “I heard you with Pansy, Matt and Draco.” 
Enzo frowns for a moment, but when he remembers his eyes widen and a laugh escapes his lips. “You believed that?” He asks and you just stare at him in confusion. “They didn’t believe any of it. I was trying to convince them I wasn’t some whipped guy that couldn’t be without his girlfriend for a second, but they saw right through me.” You unfold your arms and Enzo takes your hands in his. “I don’t need space, I need you. So please don’t force me to go days without your hugs and kisses. You don’t suffocate me, if anything I suffocate without you.” You kiss him tenderly and out of excitement Enzo picks you up, making you squeal softly. “Please spend the day with me?” You nod and kiss your boyfriend’s pouty lips. 
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city-tickles · 2 days
Text
Two Tickle Sessions In One Day!
Hi!
It's been a while but I hope you are doing well. I am still on break from posting clips or requests but I wanted to let you know about my recent sessions.
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A month ago I was in one of those bad tickle moods. One of those moods where it was all you could think about and the rush of getting tickled or tickling someone was intense. I don't get these moods often and usually when I do, I don't like it because the last couple of times that has happened, I've received bad news about someone I care about, so it also makes me a little anxious when I get that way. Thankfully, it did not happen this time.
I needed to get the mood out but there was no one in the area to session with. Since no one was available, I decided to check out two parties that I have not been to in years. One M/M party and one Female Foot Party.
When it comes to M/M, I am 100% lee and it is something that does not give me much if any arousal. It's just tickling, and I can appreciate it. I'm sure I'd appreciate it more if it could "get me there" but I've seen enough clips and done sessions, and it usually doesn't. I also rarely do M/M because I have to be in a mood for it. This time, I was in a big mood for it, so I decided to go.
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I've spoken about the M/M party in the past. Last time I went about 8 years ago, I just wasn't comfortable or ready to be there and it seemed like the owner took umbrage with that when I tried to leave. I figured a lot of time has passed and I have gained more experience, so hopefully things would be fine. I explain why I wanted to go to the party, and I was allowed to go.
I entered the party, and as a cis-identifying male, it's a little overwhelming at first. Action (Everyone is clothed) is everywhere right in front of you, but everyone is also very nice and doing their thing. I like to give people space, but there was no space to go, so I was just watching everything go down lol.
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While waiting, I was introduced to a guy, who had grey hair and , who was also into tickling and we began talking. At first, the convo was small talk, but then we realized we knew each other from a previous meeting, which made things easier. After some talking, he asked what I was here for and when it comes to males, I am strictly a lee, so I told him I wanted to be tickled. Luckily, a massage table opened up and was cleaned off and ready to be used. We asked the table owner, who was a tall, slender man with grey hair and facial hair, if we could use it. Lucky or not lucky for me, we were allowed but the table owner was also into tickling. They asked me if he could join in and I figured why not?
I laid on the table and decided not to be bound because sometimes I stay still anyway. And before I know it, I have two lers all over me, testing out my spots and trying to find where I am most ticklish. They would glide their fingers all over my sides, under my arms, my tummy, my thighs and of course, my feet while I laughed and didn't move around too much. It was extra sensitive because 1. With the massage chair, I'm mostly looking upwards and can only see the ceiling. And 2. I'm getting teasing from all angles! The two very skilled lers keep saying things like, "Oh, he's real ticklish!" "I think he likes it!" While others at the party are watching and saying things like, "I think he doesn't want it to stop" and "He's having a lot of fun now"
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With two lers on me, I never had time to have one spot make me off the wall ticklish because it was always changing. Sometimes it was their fingers lightly tickling my stomach that was the most intense. Other times, it was harder touches on my feet by one of the lers. Sometimes it was an attack under my arms. There were a lot of different moments during the 20-30 minutes of tickling that just kept making me laugh hysterically. I do know at one point, a hairbrush was used because I felt it and that always felt more surprising than ticklish. The other interesting part about having two lers on your feet were both styles were different. One was lighter and the other was harder, but both were effective!
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(I couldn't find a MM/M gif)
After my time was done, I thanked them for the session and decided to wrap up since the party was coming to an end anyway. It was time to go to the next party.
This party, which I also had low hopes for, runs all the time in NYC and it is pay-to-play. I was that down bad, that I was willing to do it this evening lol. I went in with very low expectations and the reminder that if the first few moments are bad, I can just leave.
When I got there, it took forever for them to let me in, which already set my expectations to low. Despite this, I walked in and heard laughter already. Someone was getting tickled under the sheets, so I knew I wasn't the only tickler in the area. The girls that I saw in there were nice and chill to talk to for the most part. Some were more personable, while others just wanted to make their money, which I am not upset about. They're not there to be my friend.
The first lee was a tiny girl with red hair, and was ticklish but not that reactionary. I don't think she was ticklish on her feet at all, but I would always ask if it's okay to tickle elsewhere. Thankfully it was, and her upperbody, especially her arms, were her weakspot. She did not seem into it in the slightest, so I tried not to overdo it.
The second lee was this tall, black girl, with long hair and very nice to talk to. She wasn't sure how ticklish she could be, so I would tested some of her spots. Her feet were tolerable, her knees were very sensitive, and under her arms, she was almost unable to do!
I brought some tools that I didn't bring out at the M/M party (my bag at that party was all the way on the other side I just didn't want to bother with it) I ran an ostrich feather up and down her soles and her legs, which felt more relaxing to her. Then, I brought out TicklingDuck's device vibrating device.
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As the device touched her soles, she would laugh hard, squirm around, cover her mouth, and was genuinely shocked at something being so ticklish on her. I asked if I could use the device on her knees and she went "Oh no!" and let me do it anyway, which I didn't do for long because she couldn't handle it.
The third lee was another redhead, who was also a nice person to talk to and wearing boots and long socks. I tickled her through the socks first, which made her giggle a bit, before taking them off and scribbling on her toes and soles so more. Her feet were also moderately ticklish, so I asked if I could tickle other parts of her body. Her weakspot was the ribcage and made any other spot look like a 1 compared to them! I spent most of my time on her feet since the ribcage was so intense, but we did play a few games. I would tell her if she could let me tickle there for 10 seconds, she would get a reward, which would be a foot massage or other foot worship. She agreed and barely opened up her arms until I scribbled in there and teased her further, saying "You gotta let me get in there or I'm gonna increase the time" She opened up her ribs and it was the longest 10 seconds of her life. Afterwards, I would congratulate her for making it through and doing such a good job.
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After we were finished, I was ready to go since I had an obligation to get to later in the evening, but another taller woman approached me and asked me if I like tickling. She mentioned that she liked tickling to and wanted to know if I wanted to session. I was skeptical at first, because it felt like a money-grab, but I figured I'm already here so why not?
Best decision I made at that party. I started by spider tickling all the way up from her feet to legs, to her sides, across her tummy, back to her ribs, and of course under her arms. This woman was genuinely ticklish everywhere and was a lot of fun to play with. I would caress her thighs and tease like I'm about to tickle there, only to sneak attack and tickle her tummy. I brought out the TicklingDuck device again and we played another counting game to see how long she could last without moving, and I made sure to count the longest 30 seconds I could, running my fingers all across her tummy and under hear arms while she laughed her head off underneath the covers. The last thing I did to her, was bring out the pair of stocks that just arrived. I was itching to try them on someone and she was so excited to see stocks. We locked her bare feet and the stocks and I ran my fingers all across her soles and under her toes, while she was unable to get away or pull them out. While these sessions lasted 10 minutes, this one was definitely longer and we both knew it. After she was done, she complimented my ler skills, saying most male lers are rough, but I was very gentle with her, but also devastating, which I took as a big compliment.
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Before I left, I had one request for her. I had a hard time locking the stocks on myself at my home, but when I did, they were not very comfortable. I asked if she could test the stocks out on me to see how good they were. She obliged and got my feet in the stocks. Once I was locked in, she began running her nails across my soles, which was one of the more intense tickles I got all night! I laughed hard and and was unable to do anything else, my feet were trapped and that definitely made the tickling worse! She would tease me and say things like "Aww! Is someone ticklish?" And "Now who's ticklish" until I had to stop her because I really had to get going. I thanked her for the fun time and planned to come back in the future.
Overall, it was a great day of tickles and satisfied my ler and lee moods!
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pilot-boi · 2 days
Note
White Knight Time Travel idea : People are suspecting..
Jaune and Weiss are at the Vytal Festival , each one with their respective teams , their mission has gone..well.. so far. Even without trying to change so much some things never change like Team CVFY and Prof.Port saving the city or Ruby meeting Penny...
But that doesn't matter compared to the titanic work they would have to do during this specific moment..it was now or never
~Weiss Side~
Ruby:WE DID IIIT!!!!....Anyone esle is starving?....
Weiss listened to Ruby and Blake's chat from the side , each time they have this small moments the more she thinks how everyone took Beacon's days from granted
Having to relieve the fight against Team ABRN made her notice how..unprepared they were ; even herself with her "Competent" perfomance wasn't still not enough to face that monster..
Weiss..
The Grimm entering Beacon..
Weiss..
The Witch's inner circle playing right under their noses..
WEISS..
Pyrrha and Penny along many other students being casualties of the..
WEISSS!
Weiss:W-W-What?!
Yang: Your scroll is ringing , shouldn't you answer it?
Weiss noticed her scroll , the contact named "FATHER"..
Right..her time at Beacon was almost up..
Weiss:I will call him later , thanks for making me know Yang..
The Blonde Brawler has noticed her friend weird..this last few day , she can't say why..but it's there , spacing out of chats most of the time or reacting to certain words like Destiny , Maiden or even mentioning locations like Haven Academy can get her all shaky
Right now Ice Queen is looking at her Sis talking with Emerald and her silent friend like she's trying way too hard to keep herself civil , her face may not show it but that tense posture and hands behind shouted something was wrong
And to say the last person she saw acting this way her Dad after..her Supermom left was all she needed to know , Ice Queen's hiding something and she will find out
~Jaune's side~
Jaune did miss Beacon , the academy.. , but coming right back wouldn't make it any better..quite the contrary it shows him how somethings must remain as memories..
The Vytal Festival just started and the mood seems festive enough for him to enjoy a little. Children playing around , teens being themselves truly a moment to breathe fresh air
Miss : Gather around as I tell the story of the Girl who fell through the World!
Jaune tenses hearing that , it's just a woman reading a story to a bunch of kids..nothing dangerous..
Yet..
He takes a look at his armour , clean not rusted..his face is still young and Crocea Mors is still complete..
Ren: Jaune?
Jaune:W-What?!
Nora: You have been standing there for a while , did the story peak your interest? Alyx's story is a classic! The Curious Cat is my favorite character! So mischevious!
If looks could kill , Nora's smile would have been erased a while ago..
Jaune:That Cat is nothing but troubles..
Nora:What? Don't tell me you are a fan of the Red Prince? Or the Rusted Knight?
Sensing hostility , Ren tried to change the topic..
Ren:Why don't we go with Pyrrha? She's saved us a nice spot in that Mistralian restaurant.
Both teammates agree , Nora leaves because she has won another petty argument..but Jaune seemed so personal about it..The Girl who fell through the World is just a Children's story..why is he so defensive about it?
Lie Ren is someone who can read the room quite well and to his knowledge..there's something wrong with Jaune..
He acts like..an adult sometimes , there's nothing wrong with that but it seems off..
Even their stategies , they are a group of Four , Team JNPR..but Jaune always acts like only Nora and him are part of the team
Ren even hears his silent sobs when he has nightmares , the words "Cinder" "Kill" "Penny" "Pyrrha" is all he has as evidence , trying to make sense of said word it would be something like
Cinder will kill Pyrrha and Penny
That sounded so..dumb , Cinder is a student along her team but he would ask Jaune later right now they have a fight to win
👀👀👀
So many of these WK Time travel asks are from their POV, I LOVE this look into their friends’ view
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farshootergotme · 18 hours
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Do you know if Dick has ever struggled with drinking in canon?? Besides when he was Ric maybe (bc he consistently hung out in a bar). Bc I've seen a few people say he has in the past but I haven't seen any comic panels/proof saying or implying he did. Just curious :3
I don't think I've ever heard of him having any trouble with an alcohol addiction before?
As far as I'm aware, he only drinks every once in a (long) while, most often when he's hanging out with friends, which is as often as the average person (legally) drinks.
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Nightwing 1996 #141
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Nightwing 2016 #15
(Tried to find more moments, but only found these two with Wally. It's possible there's more though, but as you can see, it isn't so common as to easily find anything about it)
And here's yet another moment with Wally in which they go out together to a bar but this time don't order any acholic drinks, which shows he isn't all that inclined to drink even if he has the chance to.
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Nightwing 2016 #21
(Or perhaps he only feels comfortable doing so in a safe space where danger is much less likely to be present? Since we can see both times he's seen with alcohol he's at his house)
One more example of this: Dick drinking water while Bruce is holding a glass of wine.
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Tales of the Teen Titans #50
(but it could be possible that in this occasion it's because Dick wasn't old enough to drink since I believe he's around 19-20 in this panel, and during the 80's the legal age was already raised to 21)
So, yeah, no struggles with drinking from Dick. I'd even say we've seen him more often drinking coffee or preferring tea without even considering alcohol.
From what I know, Roy is the only one who's dealt with an addiction in the main Titans team. And in the batfamily, Jason is the one I'd say has a liking for drinking, but not to the point of it becoming a struggle. Or perhaps Bruce you could also count as he often attends dinner parties in which is courtesy to drink something, but knowing him he'd probably avoid drinking too much since most nights he needs to go out patrolling and alcohol certainly wouldn't help with that.
If there's anything Dick's addicted to is work. He's the biggest workaholic you'll ever meet. To him relaxing means doing missions and capturing criminals, and when he should be resting because he's in no shape to do that, he's solving cases or working out because he can't stay still without doing anything useful with his time.
And well, can't really blame him when work is really one of the few things he's known since little. It wasn't what one would picture when someone says "job", but at the circus he was technically working with his parents by being part of the act.
But this isn't related to what you asked, so I'll stop myself there.
Hope this helps answering your question!
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not-goldy · 1 day
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Jimin has to be so tired of always trying to hold it down and be the older one who keeps things from getting all out whack. When he's sober & clear headed and in his head space, he will ignore everything Jk says to him that flirts past friendship lol. Jokingly calls his compliment lame. Downplays JK being romantic with snarky replies. Yet you put some alcohol in that man and all that weight is gone. Then we have him laying on the floor spilling his guts and the boyfriend pops right out. "Honey" "baby" "boyfriend pic" "My Jungkook". Okay, tell us more Jimin. He really has so much weight & pressure he carries on his shoulders & probably overthinks so much, including dealing with hate. Wondering how his relationship with JK will affect BTS, his dad's business, everyone but thinking about himself really. This is where JK comes in and is loud for the both of them. So it was so nice to see Jimin just let his guard down, so much so he let us see he was down cause the trips were coming to an end. I started crying too, cause you know when Jimin lets his guard down, its major. Jimin doing this for JK, when he saw that JK needed him and went to him to make it up to him and Letter, is probably two of the boldest things we ever seen him do, besides enlisting with Jk. He really let his guard down and let us see his vulnerability. I feel so honored esp knowing how private Jimin's become.
Awwwww I love this so much
I love you for this Anon. Marry me. I'll cook and clean and pay the bills.
Thank you thank you very much.
That's a perfect description of Jimin or at least how I see him in their dynamic. Just perfect. I got sick and tired of reading these bizarre takes and perspectives of him I couldn't resonate with from solos it turned me off. Waaayyy off. Like shut up I don't even want you to talk to me about Jimin no more just shut the hell up.
But this. Tell me more. It resonates hard my goodness.
He is the Hyung you know and I have a problem with people who try to undermine this aspect of him by constantly making him out to be some weakling and victim of the duo.
And I got tired of having to explain this over and over but dude does carry himself as Jungkook's hyung, HE IS HIS FILTER. THE VOICE OF REASON. THE MATURE ONE OF THE TWO THE ONE THE MEMBERS GO TO OR LOOK UP TO TO KEEP JUNGKOOK IN CHECK.
However it is a double edged sword and a Thorned crown because now he gotta overthink everything he gotta worry about everything
Imagine feeling he had to make sure they both could maintain their relationship without having it ruin the dynamics of the group. He had to make sure he wasn't keeping Kook all to himself always, or letting Kook have him all to himself lest it breads resentment among other members.
Imagine he had to agree with the members out of consideration because he would rather have Kook than not at all.
Imagine him having to forgive their fights, not talk to people about the problems they be having, trying to resolve all conflicts at home before coming on to set. I keep saying this, JIMIN IS THE REASON THEIR RELATIONSHIP HAS THRIVED WITHIN THE GROUP THIS LONG AND HE IS THR REASON THE BAND HASNT CRUMPLED BECAUSE OF THE RELATIONSHIP.
Left to some members and the management there would be a no dating among members policy because lime every one readily points out if they are indeed an item then its a huge risk to the band and company. I mean please look at where Suga is now. Now imagine if two members of BTS were actually found out to be queer and dating💀
It's a disservice to victimize Jimin. He is an intelligent resilient powerful negotiator and anyone who tries to put in their heads their relationship won't work or that they will fight and argue woukd be met with a resounding "DOESN'T APPLY TO US"
You making me want to lick Jimin's ass stop Anon stop
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astrangetorpedo · 2 days
Text
IN INTERVIEW
Julien Baker, the interview 6/8/2016
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At just 20 years old, Julien Baker gave us last year a first album of intense and rare emotional force, the superb Sprained Ankle reviewed here . A moving record that left a deep and lasting mark on me. It was therefore impossible to miss the young American's arrival in Paris and not to take advantage of the opportunity to try to get to know this outstanding artist a little better. A meeting was thus organized thanks to the invaluable help of Sean, her manager, in a café in the 12th arrondissement, two hours before the young lady's very first Parisian concert, on May 24. A one-on-one meeting that revealed to me an adorable and voluble young woman, incredibly touching and sincere, and above all determined to seize life with all her might! A moment of exchange and sharing that I am not ready to forget.
Hello Julien!
Julien Baker : Hello!
First of all, thank you very much for granting us this interview. I am a big fan of your music and it makes me really happy to meet you!
Oh, thank you! It's a great pleasure for me too, you know! I still can't believe that people like my music enough to want to meet me to talk about it. So thank you, from the bottom of my heart, really!
Perfect! Let’s start at the beginning of your story. I read that you’ve been making music for a while now. Could you summarize the journey that led you to where you are today?
Yeah, sure! I started listening to music in middle school. It was rock, I was really into it with painted nails, black eye makeup, all that stuff! [laughs] Then I started playing in bands, punk bands mostly. Then I joined Forrister which is the band I still play in today. We were playing shows in cities around our area. Then I went to college and a friend of mine who worked in a studio there offered me to record with him for free. Since my band couldn't be there, I did it solo, without any specific plans. I put the album out on Bandcamp for $2 or $3 a copy.
That's when Sean [Julien's manager] contacted me and suggested we release the album in a more official and professional way. I told him that I was actually in a band, Forrister, and that no one would be interested in me as a solo artist. He insisted and even though I didn't believe it at all, I agreed to give it a try. I'll always remember the day he called me to tell me that NPR [National Public Radio] was going to play my single. I hung up crying and immediately called my mom all excited to tell her the news! But then, as things seemed to start to take off for me, I started to doubt myself. I felt guilty towards the rest of the band, thinking that they would resent me for doing this project without them. So I called the drummer and asked him what they thought and he said they were just proud and super happy and not mad at me in any way. So I kept going and here I am! I never thought I would come to Europe and do all this, it's crazy, really!
During the band's time, did you already have this desire to write your own songs?
I don't think I had any real unfulfilled desire to do this.
But you were writing?
Yes, I wrote my own songs. But not because the band was holding me back or preventing me from doing it within the collective. It's just that sometimes you write songs but they don't fit the moment. So I put those lyrics aside, like that, without any specific goal. I've always written and played in different bands. There was enough space for all that, things didn't have to be done exclusively in one framework or another.
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Were your parents musicians?
Not really. Well my dad bought me a guitar and showed me how to play it. So I started playing by practicing at home on my own. I also took piano lessons but for a very short time. My teacher didn't really like me because I didn't work hard enough. I just played by ear without wanting to learn to read music and he didn't like that. So I taught myself. But my parents were big music fans. They played records all the time at home. When I was younger I wanted to go to a concert, my dad would come with me to make sure I was safe! He was the only adult in the middle of all these tattooed and pierced kids! [laughs] Oddly enough it never bothered me. When he made a surprise appearance at the Bowery Ballroom for my concert in New York, I was so proud! He and my mom have always been a great support!
This is really great!
Yes I know !
In addition to being an author and composer, you are also a student. Are you still going to university?
I just finished my semester. It's currently summer vacation. But I think I'm going to take a break in the fall. I completed the theoretical part of my literature course thanks to online courses. The last thing I need to fully validate my teaching diploma is the practical part, in school with students. I tried to do it last fall but it's complicated to carry out both projects at the same time: give lessons during the week then take a plane to California or New York on the weekend to play a concert, before returning to teach on Monday morning! So I'm going to take a break to devote all my time to music.
Do you want to teach one day?
I think I would really enjoy teaching. I love it. As a teenager I was a summer camp counselor, I love children. So yes it would be really cool to teach!
You studied literature. Did that influence your way of writing?
Yes, totally! I try to feed myself as much as I can from all these different ways of perceiving life and emotions that I find in books. It enriches me intellectually speaking. I have the feeling of learning new things about myself each time I discover a new author and this is then reflected in my writing I think, consciously or unconsciously.
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Are you familiar with French literature?
Voltaire! I often joke with my professor friends that I would really like to have a big Voltaire and Cervantes tattoo! I already have a Gabriel Garcia Marquez tattoo [Julien then shows me his 2-part tattoo on the inside of his 2 wrists]…
Is he your favorite writer?
One of my favorites, I can't choose just one! And so when my students would complain that Voltaire is an old man who's not cool, I could show them my Voltaire tattoo and prove to them that it's really cool! [laughs] Reading Candide really changed my life. It was incredible! I think the translation of the title is The Optimist , which is quite ironic. Cervantes wrote Don Quixote and we have this word in English, "quixotic" which means optimistic but optimistic to the extreme, to the point where even if everything is going wrong in your life and you know it, you continue to believe in it despite everything. There is a really romantic and admirable dimension to that attitude I find. Same for Candide where there is this quote that I always come back to when I feel really bad and which says: "I wanted to kill myself a hundred times, but I still loved life" . I think I cried when I first read that sentence. Anyway, I could talk about literature for hours, don't drag me down that dangerous path! [laughs]
Haha, ok. So back to the music! Listening to your album I couldn't help but think of two other artists I really like: Sharon Van Etten and TORRES…
I love TORRES!
Me too! I even did my very first interview with her!
Wow! She's amazing!
Do you agree with this comparison even if the artists in question do not come from the same scene as you?
I totally agree with this comparison! As a teenager I only listened to punk and thought that anything that wasn't punk was worthless. Then I grew up as a musician and learned to appreciate all styles. When you really love music, you love an artist as long as their music is honest and good, no matter what the style. It doesn't matter if it's hip hop or country or whatever!
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I totally agree!
And so I'm a big fan of TORRES! I loved her first album, the one before Sprinter . The song Honey is the very first one I heard from her.
The same !
And oh my god, what a song! I played with her in Chicago, I was added as the opening act at the very last minute, I felt so honored! On my way to the dressing room, I ran into her and as I was saying "Oh sorry, I don't want to bother you" she said "No, come on, this is a shared space, you have as much right to be here as I do" and she kindly invited me in. As for Sharon, it's funny because the first time I met her, she asked me to have lunch with her, can you imagine having lunch in New York with Sharon Van Etten! And she told me she was also going to invite her friend Mackenzie [Mackenzie Scott aka TORRES]. But our phones died and we couldn't get a hold of her. So in Chicago TORRES couldn't make the connection, I was just the little girl at the door!
Excellent! Are there any other musical influences that you would claim?
Do you know David Banzan?
Nope…
Ok. There's a band called Pedro The Lion and David Bazan is the lead singer. He influenced me quite a bit. And do you know Death Cab For Cutie?
Yes of course !
They were the first non-punk band I listened to. At the time I only listened to loud and fast music, but when I heard Transatlanticism for the first time it was a shock, everything changed. They really meant a lot to me.
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Your texts are very strong and very personal. When you wrote them, did you think about the impact they could have on those around you first and then on the general public?
Well, at first, I didn't imagine that this solo album would lead me anywhere, I was convinced that my music would only be made with my band Forrister. So when I released the album on Bandcamp, I really thought that only my friends would listen to it. So I wrote all these songs like that, just for me, without really thinking about the scope of the lyrics. And I'm ultimately happy that I didn't think about it because if I had known what was waiting for me, I think I would have most certainly changed things, I would have probably been more reserved in my words. But if it's difficult for me to show my vulnerability, I realize that it's totally worth it when young people come up to me after concerts to tell me that my music has helped them in difficult times in their lives. It's of course a little embarrassing for me to share such intimate things but if these things make others feel good, then I think it's worth it in the end.
But isn't it a little scary to expose yourself so completely naked and transparent? It's so brave, I don't know if I could do it myself!
Well, you see, it's exactly the same for me, I'm not sure I would have been able to do it if I had known everything in advance! But now that it has happened, I feel that from now on I have the right, the license to be brave. Perhaps it was the plans of destiny or God, something like that.
And isn't it too difficult for you to sing songs every day that inevitably bring you back to painful moments?
I think there are two options. Option one: I can sing these songs every night, let them take me back in time and feel sorry for myself. Option two: there is the quote from this poet that I love who says that all the horrible things in life just need to be seen from a different and courageous perspective. Things that seem bad can indeed turn out to be good in the end. So I have chosen to let the dark and sad aspects of my songs become pretexts to be positive and happy. Because yes, all these things have happened to me but if that had not been the case, I probably would never have written these lyrics and I would not be here today in Paris talking to you, Laurence! In the grand scheme of things, everything has a meaning and works for our good in the end.
That's very beautiful what you say! [laughs] To talk about lighter things, this is your first time in Europe, isn't it?
Yes !
How do you feel?
I love it! I have such a good time. Well I don't sleep much... [laughs]
Is it the time difference or the excitement?
Well now it's the excitement! But a week ago it was also the jet lag [laughs]. Imagine, we traveled for over 30 hours straight to get here! I first took a plane to Richmond and then a train to Washington DC. We then took a flight to Iceland where we took another flight to Copenhagen. Once there we took a train but due to a problem on the tracks we had to take a bus that took us to another train! When we arrived at the hotel, we were totally exhausted! [laughs] It was 11 o'clock in the evening but at that time of year the sun hadn't set because we were so far north and my body didn't understand anything at all! But hey after a good night's sleep everything was better! And now if I don't sleep it's just because I don't want to miss anything, not a single minute you know! I thought I would never be able to afford to travel and once again it seems that Destiny's plans are extraordinarily kind to me. I feel so grateful and lucky!
And that's just the beginning!
I hope so! But you know, even if everything had to stop, well in any case it would have been much, much more than I could have imagined! I am so grateful for everything that is happening to me!
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Are there any particular places you want to discover?
Sean has been here before and wants to show me places he liked. Today he took me to see the Sacré-Cœur which is beautiful. On my side, there are also places I would like to visit, especially in Barcelona, ​​because I am majoring in Spanish literature. I would like to go to the café where Picasso had his very first exhibition, long before he was famous. I would also like to see the Sagrada Familia, Gaudi's work, visit a museum, buy a Viva Cataluña t-shirt and eat paella. I am so excited to be able to do all these things!
That's great! But it's going to take you some time to do all of this!
We are staying there for the whole festival [Primavera Sound Festival]. So we should have some time. Of course we won't sleep much because in the evening I also want to attend the concerts!
You'll sleep when you get home!
Exactly! Since I am a big coffee drinker, one of my friends gave me a badge for my jacket that says "I will sleep when I am dead" ! [laughs] There are indeed so many things to experience in one life! [laughs]
And what are your plans for after the European tour?
We're actually going to be touring until the end of the year.
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Will you come back to Europe?
We're going to Australia in November I think. I can't wait! We're also going to tour the States so as for Europe I don't really know... And then I hope to have some free time early next year. I'm always writing new songs that I play live. I must have 30 demos on my computer and I'd really like to record them. So it would be great if I could get into the studio early next year!
Last question: do you have one or more musical recommendations to share with us?
Lucy Dacus!
Oh I love it!
We played together in Washington DC. I had never heard her songs before Washington and I remember hearing the lyrics to Map On A Wall which say "I hope good comes from good and good comes from bad anyway" and I started crying all by myself watching her play. Her music is so beautiful, so powerful! And we have so much in common: questions of spirituality, sexuality and faith, questions about gender too and the place of girls in rock music. We are really like two halves of the same person. We have the same booker and were approached by the same label. And when I saw her again in Richmond I knew we operated exactly the same way. So our biggest fear is that we will one day become jaded and arrogant. We want to remain grateful, sincere and enthusiastic. There are so many people who do this for a long time and end up jaded. It's really great to find someone who feels exactly the same way you do, and that's the case with Lucy. We're platonic soulmates! She's a very, very dear friend.
You must tell her at all costs to come and shoot in Europe and in Paris because there are people waiting for her here!
Promise! I'll send her a message as soon as I have wifi!
Lucy Dacus! A perfect choice! Thank you very much Julien!
Thank you! It was great!
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photos by jean-marc ferré 📸
interview by lolo from paris (who has great footage of that paris show on his youtube account) 📝
wayback link for the interview 🔗
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kittyit · 2 days
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One thing I don't like about trans critical spaces is how they are focused on trans women being unattractive and 'cringe.' this is just my personal experience, but I have been sexually victimized by multiple trans women, most of whom passed, many of whom were skinny and beautiful and most of which had high brow tastes and no interest in anime or other cringe topics. one of these TIMs was a serial sexual assailant and I think probably attracted to underage boys, and she was also beautiful and charismatic. Meanwhile, I also know multiple trans women who are good people and don't infringe on female spaces but who are conventionally "ugly", broad-shouldered, and have masculine interests. It also seems like the only thing TIMs criticize about each other publically is being "ugly", large, or fat.
my position has consistently been for about 15 years that mocking someone's appearance is not a feminist act. it simply isn't.
mocking appearance is essentially a cruel hobby, it's primate social aggression we're using our huge brains for. it's really fun, and that's why almost everyone does it. i sometimes do it too, in private, in intimate company, and it's enjoyable. i say this to clarify that despite my position, i don't set myself apart or above from women who do it. i do it too. and it's constant in basically every subculture online. julie bindel actually posted on her facebook recently troubled about this same thing. as you said, it's so common in queer/trans circles too, the long-forgotten 2013 values of tenderqueerism fallen to the wayside. stan culture, politics, just basically everything...i really can't stress enough that in my opinion, it is a hobby
mocking appearances is not feminist or activism. it quite often is anti-feminist. it's kindergarten stuff to not judge a book by its cover. it doesn't matter what a male person looks like - he is still male and all considerations that apply to male people apply to him. i don't need to think a male person has a hideous appearance to criticize him for any of the oppressive acts he's doing. focus on appearance (or other unrelated personal attacks) often takes the sting out of a criticism of someone's character, morals or actions and makes your argument easier to dismiss. and of course the now mocked & dismissed concept that when you rip into someone's appearance, you do friendly fire to anyone around who shares those features. but of course this doesn't matter to anyone because it's 1. so fun 2. we're so used to it 3. everyone is doing it 4. so who cares? (I do. However)
i also just can't really scrape up that much finger wagging anymore at women who do spend a huge amount of time blowing off steam mocking the insane parodies that trans women present as. it's basically evil imaginative play. it's just not activism and acting like it is, as you said, is really detrimental to radical feminism being understood as a feminist way of thought that deeply affects women's lives.
as for the rest of this, have you read pronouns are rohypnol? you do not have to call a serial rapist pedophile you knew she. there is no one here but us, he cannot hear you. i encourage you to free up processing power in your mind, especially if you've survived trans male violence. calling the men who harmed you he can be a turning point in reclaiming your own sense of reality, it was for me
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lavernius · 3 days
Text
Locus and Lopez vs. dehumanization and seeing your own humanity through someone else
AKA 1.5k words worth of me trying to justify a random pairing I've been trying to sell people on for 5 years. Feat. a lot of my own introspection on both characters, CW for mentions of abuse.
It's kind of easy to assume that Locpez as a ship only exists because Locus is one of the few people who understands Lopez and one of even fewer who has had an actual (off-screen) conversation with him with full mutual fluency, especially since they interact directly, like, twice in canon (Objects In Space and the "Holy shit he's bilingual" scene from The Federal Army of Chorus). To be honest, that was my initial reason for shoving them together whenever I got into RVB and there was literally no content for them because no one was really considering them together in any capacity but a brief, funny passing interaction.
I do think language is an inherent motivator in their relationship with each other. It's a catalyst. Spanish, of course, is perhaps the most obvious thing they share--Locus being a Latino man and Lopez being the same in a convoluted and meta-racist metaphor. Beggars, choosers: anyone who knows how I operate knows I lean into reclaiming their depictions for my own brown person machinations. For Lopez it's the beauty of meeting someone who not only understands him, but isn't going to belittle him for the language he speaks or imply it'd be easier if he learned English. Locus will just listen to him talk and respond without commenting on the language barrier; Lopez isn't exotic or abnormal or "broken" for it, he just speaks Spanish, big deal, Locus speaks it too.
For Locus, it leans more toward reminding him of who he used to be when he was a simpler and kinder person. His culture seems like a forgone part of himself in many ways, but even if only because he's so distant from his humanity that he doesn't remember HOW to embrace his culture, or what the point of cultural pride even is. Lopez is like, reverse culture shock for him, where Locus is very familiar with Spanish as a language--grew up with it, learned it young, whatever, he canonically understands it and given he's Latino it's easy to assume it could be his native language--but has divorced himself from it so much to be malleable to his abusers that hearing someone speak it so unabashedly feels new. It's the lack of it that makes it so foreign, but it's so ingrained into him that it's easy for him to just slip back into it.
And Lopez being so stubbornly proud of what he is plays into that language dynamic, yes--now that there's someone who will listen and not judge, he has room to be adamant and own his monolingualism, and having someone as aggressively, straightforwardly prideful as Lopez forces Locus to recognize the beauty in the language too--but it applies on a grander scale, which is what I suppose the point of this post is: Locus and Lopez don't just share Spanish, but also histories of abuse and dehumanization, of being overlooked as living, thinking things in favor of taking advantage of their skills. And the results of this abuse manifest differently in both of them, but they're alike in just enough ways that their differences stimulate each other into bettering themselves and reflecting on what makes them, dramatic pause, human.
Some of Lopez and Locus's defining personality traits to me are their shared low empathy (forcibly learned on both of their parts) and the way they feel so alien in any group they're a part of. They're people with a lot of potential who don't care how others see them (at their worst, especially in Locus's case), but are limited by someone who only sees them for their usefulness (Sarge, Felix) and doesn't truly see them as a person. Lopez may be a Red, but they don't really care about anything he says, so he's just a wrench to them. Locus has Felix, but he doesn't recognize that Felix has one-sided power over him and is keeping him on a short leash; he's a shield and a weapon. They're tools, they don't have feelings, and if they realize as much it's a fault in their programming, they can and have to be steered back into place.
They're reflective of each other in this way. However, they're not identical in disposition: Locus resigns very easily to what he's told to be. He had more hope once, made attempts to be humanitarian, but was swiftly taught that kindness is suicide and that the point is to survive, no matter the cost. It was easy for Felix to take advantage of him by saying they needed each other when Locus was at his worst, because having kindness ripped out of him gave Locus little else to rely on but his hands. Locus has no room for questions, because a rulebook is absolute. It takes a reminder of what he used to be to make him falter, but even when Santa is showing him one of the inciting incidents of his "soldier" mindset, Locus can't stop himself from resigning to the mindlessness that Felix and the UNSC have already taught him.
Lopez feels trapped and is hyper-aware of it. He'll listen, but only because there's nothing else in the world for him. He's subservient but not in the same way Locus is, because he's angry about his situation: he knows it's not fair, but what can he fucking do about it? He was made to be Red Team's mechanic, and every word he says falls on deaf ears. He carries this self-awareness like a shield, like a threat: he could do something, but there's no point because his nature as a robot defines him. All he has is a sharp tongue and his hands, and the Reds only need one of those things from him. He revels in being able to complain and reminds himself that he's meant for something greater, but he's so fatalistic that he won't take action.
The balance comes from this anger. They're so alike in how they see the world and how much life has mistreated them, but they don't fully understand each other despite it. Locus sees Lopez as privileged for having a team because Locus has never had people to belong with, but he doesn't understand that Red Team isn't a safe place for Lopez. Lopez thinks Locus is misguided for letting himself believe he could ever be reduced to a mindless weapon, because Lopez has only ever been an object and Locus can't comprehend what that's really like. They see each other for their imperfections first and foremost and it frustrates them mutually: "You could've fixed this sooner, you could've escaped the grief, why didn't you try?"
It's this back-and-forth that they both need in order to reflect on themselves. They're harsh people who don't want to be coddled and admonished, but they're not making forward motion on their own because they're both stubborn and tend to decathect before they even recognize they CAN feel. They refuse to see themselves as human, but they can only see the humanity in each other, and they're both so alike that it could make them hypocrites. For a robot, Lopez's anger is so potent that it's alive: Locus sees more feeling in him than he's ever felt in his own life. Locus wants to be a weapon so bad, but he doesn't realize an object doesn't have heart the way he does, doesn't mourn the years it spent under someone's thumb, doesn't want to fix itself.
They're both brutally honest and they both need brutal honesty. They get along WELL by nature of being as similar as they are, but they argue so much because they want to understand each other and don't realize they already do. They're mapping details of their reflections. It's great: Locus is so hurt that he can only see the damage he causes, Lopez is difficult to hurt and notoriously good at fixing things. Lopez wants true accountability and retribution and Locus has cultivated complicity and guilt to perfection.
After Felix, Locus needs room to command his own life and put others in place when they overstep his boundaries, but he's scared of becoming Felix, so he also needs an anchor to keep him grounded in reality and reasonable. Lopez has never had real control over his own life before and would kill to have the power to make small choices and do as he wants, but he's a very private person who also needs a lot of space to work. They balance each other out and know the other's limits so well that they can easily go "You're hurting yourself and I'm not going to let you get away with it."
It's about understanding yourself through someone else and vice versa. Realizing that you share so much that if they deserve good, you do too. Reclaiming pain, experiencing freedom, finding support. They will deconstruct each other to the metal and muscles and rebuild one another over and over again, and they'll never get it perfectly right, but they're both going to learn more and more as they go. Flawless navigation of a road you've driven a million times, forward and back, potholes and all.
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wehaveagathering · 1 day
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Just curious, what was the skate like irl? Who didn’t even finish/ who did better than the rest??
Oh, I love you for this question. Buckle up.
First of all, I think there are a bunch of misconceptions about what 👹Tort's Rope👹 actually is and how it works. I had not a clue how it worked until today, and literally a week ago I thought Torts was tying ropes to hockey players and having them drag each other around the ice... Not how it works.
So, John Tortorella's bag skate. First, the rope is marked in large sections and tied between two goals, placed a little closer together than usual. The players are split up into 4 groups of approximately 4 players each and sent to the four corners of the rink. When Torts blows his whistle, one player from each group completes 4 laps of the goals and returns to their corner; the next player up is sent off on his own laps, and so on and so forth. Once each player in each group has completed his first four laps, the two goals are widened to a new length marked on the rope and the first player is back up. It's not a test of time or speed; it's a test of endurance.
(Those numbers are rough estimates based off of what I saw today — it could be three laps, and I don't know how many reps they did. The actual schedule says 3x8 Lap which is the technical term for 👹Tort's Rope👹 but I thought I saw four laps. Eight reps sounds about right, too. Whatever! The actual numbers don't matter too much.)
What matters is that the player completes his laps and returns to his origination point, no matter how tired he is. His teammates can give him a pat on the back, or some tips and pointers, or they can stare into the blank void of space and consider a new career path. Whatever it is, he has to finish. So "not finishing" isn't really an option unless someone throws up or passes out or dies. And no one did that — so technically, everyone finished.
Some people certainly had an easier time than others. I noticed that Michkov and Bonk struggled quite a bit, and Jamie didn't look too thrilled either.
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Travis Ballinghoff.
Which kinda sucked, because I was really rooting for them. But holy shit, Michkov was struggling. Charlie O Connor actually said in the PHLY podcast today that he noticed Michkov kind of cut his final lap short at one point and that John Tortorella came over to him and was like yo. can't do that. And for the rest of the time he pulled through.
Egor Zamula kept getting yelled at. "Let's go, Z! Keep skating, Z!" He also kept getting lapped by Rasmus Ristolainen. Tyson Foerster had "kill me now" face (see Bonk above) but Foerster does tend to have a pretty expressive face. Sean Couturier kept getting help from TK, who skated right behind him for the most part and kept pushing him forward with his stick. He even admitted it.
It seemed to me that most of the guys from last year, the returning ones, were the ones that did the best. Farabee, Frost, Tippett, Hathaway, Poehling, Laughton — they all had a routine in between their laps that they used to help keep them going, whether it was motivatinal or physiological or psychological. Farabee and Hathaway skated up and down the rope, in the center of the lapping players. Tippett stretched on the boards. (He's flexible. 👀)
It was interesting to watch who was fast, though. Ronnie Attard looked like he was having the time of his fucking life, and he actually did very well! Carter Sotheran has resting happy face, but I can't imagine he was having any fun. Jett Luchanko was certainly winded, but pulled through with minimal painful expressions. (Erik Johnson went on the record to say Luchanko looked like he didn't even have to try.) Zayde Wisdom, Noah Cates and Cam York all paced themselves well. But everyone, no matter who it was, was slowing down by the second or third rep — very visibly. It looked awful.
And then — and then! — they had to do shuttles. This one was in groups of four — started at one end, raced to the other end, tight turn, back to the original spot. Then a group of four at the opposite end, who were waiting, would do the same, and the small groups would switch off. They must have done at least five reps. No one fared well on these. No one. They were all lagging by the second rep.
Anyway, to answer your question, it was loud, and it was cold, and hockey players are big. The tallest ones were like hovering a foot over me (looking at you, Matteo Mann, what the fuck are you so tall for??) and even Michkov at 5'11 looked fucking ginormous. And his group was right near me — him, Frost, Seeler, and Lycksell. Frost was tiring but I could see him grit his teeth and grind out his laps. I assume after the emotional pain of John Tortorella, Frosty can handle the physical pain too. After one of his laps was done he gave Michkov a lil side hug. It was really cute!
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Travis Ballinghoff.
Off topic, but stick "taps" — that's bad nomenclature, right there. A stick "tap" at the Vorhees TC sounds like a car backfiring.
At the end of every group's torture, they settled down for a circle stretch. TK went around the first one talking to guys and grinning and laughing. He looked like a leader. The second one Joel was going around making every guy give him a little fistbump. Then the third one was actually led by Spencer Gill, who I thought had done reasonably well, especially for having only just been drafted. He held his own.
Thank you for the ask!
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cdroloisms · 2 days
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a little ramble about dreblr, meta, and the ever evolving nature of this fandom, i guess?
i don't mean to soapbox, this is mostly just going to be vomiting some thoughts into a post. some recent stuff and a post or two have had me thinking about this fandom and how different it is from when dsmp was ongoing. it's,, pretty obvious that the fandom is quite a bit smaller and less active than that time, and there are generally a lot fewer people actively posting meta and such every day--which isn't necessarily a bad thing, and is natural obviously considering that the dsmp ended almost 2 years ago, but does mean that the culture around (?) meta and such has shifted, as well. it's one of those things too i think that is felt so much more obviously in dreblr, which is an even smaller group within this fandom that formed in response to uhhh being very much considered unwelcome by the greater fandom at the time.
that being said, as is the nature of all fandom, dreblr is still a community of people who are largely strangers who have gathered together because of one commonality: very strong feelings and often very strong opinions on the dream smp and c!dream. and i think when the fandom was more active, the entire fandom felt a lot more like a "pvp enabled" zone, lmao -- it was every other day when there'd be some new batshit meta about c!dream or some stream to react to and analyze and fight people about and whatever. since then, though, with the dsmp gone, the fandom has become quieter -- which i think has allowed some of the variation in opinions within dreblr become more and more obvious? and also become a sort of source of friction.
again, this is normal for any fandom. i'm certainly not here to agree with everyone about c!dream always, lmao. but the vagueing of takes is always more awkward on both sides when it's someone where you share more of the same circles. at the end of the day, it's up to each individual blogger's discretion to choose what they will or won't post on their own blog, but at the same time ... when it comes to the community, just speaking for myself, i don't want a super high barrier of entry when it comes to people feeling like they can't join this fandom unless they've got [xyz] experience or [xyz] takes.
when it comes to actual analysis of the source material, though, keeping meta a safe place for people to say "no, i don't agree with this take because of [xyz]" is important as well, which always raises the question of how said disagreements should be handled. and again, i'm no authority, i'm not here to tell people what to do. personally, when it comes to my own blog, i don't like to post very much directly about any one blogger, but I know I've definitely written posts inspired by specific takes before as well as screenshots of takes from the fandom's heyday, etc. i don't necessarily feel uncomfortable with this ...? but at the same time, i know that vagueposts can be a source of discomfort, especially if they're about your take in particular (speaking from experience) -- so it's you know. not the easiest line to draw, I guess, especially when we're talking about a community where different people are going to have different levels of comfort with what they post on their own blogs and what other blogs do in response to their takes. and whatever.
vagueposting, i think, has been common in the tumblr dsmp fandom for a long time, and especially in dreblr -- direct engagement in the past errr usually went badly, so a habit formed of keeping everything we did kind of within our own spaces (hence why many of us don't even tag c!dream or even dreblr on most of our posts; keeping everything untagged, or keeping the tagging system restricted to our own blogs, limited the possibility of trouble). that being said, vagueing within dreblr has become more common, i think, as disagreements within dreblr have become more and more obvious in the time since the dsmp ended. (just for the obvious example: i think it's a bit of an open secret that i, personally, strongly disagree with much of the common depictions of c!drunz in this fandom. i've written some meta about this before, as well as some responses to meta--which i enjoyed greatly, believe me--but i've also noticed (perhaps coincidence) an uptick in c!drunz positive meta every time i or someone else makes a post that maybe skews more negative. which is normal, don't get me wrong, but also a pattern i've noticed. i'm also very aware that someone the arguments i may bring up as counterarguments or structure my posts around arguing against are based on actual arguments i've seen while in this space, which i'm aware is an easy source of friction within dreblr.) and it's easy to say "don't take it personally when it's just metaanalysis," but that's easier said than done, lmao, especially depending on the tone of the vaguepost and a myriad of other factors.
i'm not saying that i have the answers. or, for that matter, a single answer. the boundaries i set aren't going to be the same as the boundaries other people set, for one, and i have no desire to police what other people do on their own blogs. i do miss, sometimes, the more collaborative and discussion-based meta experience of this fandom when it was more active--i might try to more actively reblog posts (including those i don't necessarily agree with) to discuss this server and these characters, bc at the end of the day that is kind of why we're here. personally, i've always drawn a pretty sharp distinction between fanwork and analysis -- i think it's pretty bad form to criticize people's AUs In General (not that i've not. been guilty of it in the past, but i try at least to keep it to criticizing more general patterns within fanwork; look, i'm not going to claim a moral high ground, i love bitching way too much and should probably get a handle on that but asj;lkfdsaf) but when we're talking meta about the source material, barring shit like. you know, harassment and otherwise abusive behavior, i do consider it more of a free-for-all. at the same time, i know that these standards can lead to newer fans feeling like they're going to be booed out the door for sharing their thoughts, which, i mean, isn't great 😭😭😭 fresh eyes can bring a lot of really cool new insights, and it'd suck pretty damn bad to miss that because they don't feel welcome, yknow?
anyway, this is a very inconclusive post, but i thought i'd just throw some of my thoughts out as someone who has been here for a decently long time. and if you want to discuss w/ me, inbox and dms are always open :)
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bekolxeram · 2 days
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"When the Boeing Gets Tough..."
Yes! I know! I can't believe they actually refer to Boeing by name. The show has to tread carefully. Airliners are designed to have multiple redundancies in case of a catastrophic system failure. Every single crucial flight system has a backup and a backup for the backup. It takes many different failures in a chain of events to bring down a modern airliner. The aviation world calls it the Swiss cheese model.
With the 8x03 title confirmed as Final Approach, it gives more weight to the S8 opening disaster being an emergency landing.
If the Airport 1975 theory is correct, as in a light aircraft crashing into a big airliner leaving the first officer dead and the captain blinded, leaving the unexperienced flight attendant/passenger attempting to land the aircraft with professional instructions, it would be pretty damaging to Boeing's reputation.
There is something called TCAS (Traffic collision avoidance system), required to be fitted to every airliner after the 80s. The air traffic controllers at major Californian airports also have a warning system at their disposal to separate potentially conflicting traffic. If the show just decides to ignore this crucial system for safety, I can't imagine Boeing being happy about it. It's been dealing with bad PR since the 2 MCAS crashes, then the door plug blowout and lately the Starliner stranding 2 astronauts in space for longer than expected.
People have been mocking Airport 1975 for being unrealistic, because the head-on collision with the light aircraft somehow only tore a small human size hole in the cockpit without damaging the rest of the 747 too much. I can think of something in the modern days that actually makes such a precise but catastrophic damage?
A drone, trying to get the best aerial shots for a hit TV show about firefighters.
TCAS scans the surrounding airspace for transponders, which every aircraft flying near the busy SoCal airspace has to be equipped with, but not drones.
It's a super wild guess, but I just think it would be interesting for Bobby's story, accidentally putting his wife in danger again through indirect action, but this time he gets to save her.
Also, as I mentioned before, this is an Airbus.
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I don't know why they're referencing Boeing here, but I did see this blurry shot of a Boeing aircraft in the background here, in one of the bts photos:
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So I don't know, does this emergency involve 2 different airplanes? Is the Airbus crashing into the Boeing? Is the Boeing trying to stop the Airbus or vice versa? I have zero ideas.
I can't wait to be wrong with all of you.
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utilitycaster · 2 days
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On the heels of your critique of C3's pacing and the sludginess of it all—something I have been contemplating lately is how the perceived need (certainly ICly and seemingly OOCly) for BH to move at a breakneck speed from event to event has had an effect on inter-party discussions and bonding that I find really pretty tragic. I can't help but wonder, would we be dealing with the indecision and rehashed circular debates we're seeing now if the party had been able to take the downtime they needed to really get to know themselves and each other, and to better define what's important to them? I often see people expressing frustration about how badly certain characters "need to TALK to each other!!!" but to date, I just don't know if the pace of the campaign has created many opportunities for that. And that's the thing I miss the most about the previous campaigns, just having more breathing room to let the characters and their relationships develop organically. I dunno. Increasingly I feel like these are interconnected issues.
I think I've talked about this before so I don't want to get too in the weeds but: yes. I think at this point Matt is like...making space deliberately for them to talk in-game, but at this point the party has spent so long not really talking and we're so late in the game that no one really takes him up on it or when they do it's the old Gods Debate again.
I really think the problem is once again what I've been saying for like, well over a year now. I don't think the cast was given as much direction as they were for campaign 2, nor was the campaign deliberately tailored to this party, so it has always been ill-fitting. Even some of the pre-planned elements have fallen flat (I have innumerable reservations about the Laudna book, but I do want to read it if only because I still could tell you basically nothing about her and Imogen's time together pre-campaign - it's one incident in Gelvaan, helping Zhudanna one time in Jrusar which wasn't even pre-planned but rather their "session zero", and apparently they saw someone with boob tassels one time). Things like Ashton and Imogen's relationships with the gods feel tacked on after Taliesin and Laura realized that having some sort of pre-existing opinion on the gods was in fact deeply relevant to this campaign; I do genuinely want an answer from both of them of whether "I had prayed to the gods and they never answered" existed in their backstories more than 5 minutes before it came up in game because I'd bet good money it was "no, I threw that in on the fly." So you have characters that are a little more broadly sketched, which would normally be fine (I mean, I don't think most of Vox Machina in the original birthday party one-shot had a terribly deep backstory to start), except for the fact that they never had to take watch, they had a patron giving them jobs and a generous stipend from the start of episode 2 until his demise in episode 38, and both Imogen and Laudna; and FCG and Ashton already had apartments in the city so no one needed to bunk up with anyone they didn't already know. The party did not need to take watches; they did not need to decide on a direction; and they didn't have to learn to resolve conflicts and make choices as a collective group. And yes, the pace has been pretty breakneck throughout, so there wasn't space early on for the cast to feel out their characters and what motivated them and how they'd act. I think the first time I saw a large number of people in the fandom going "MAKE A FUCKING DECISION ALREADY I DON'T CARE WHICH ONE" was with the party doing a similar endless handwringing about Dusk in episode 29, and I don't think they've really gotten better. Like, I do think episode 29 is already on the late side anyway, even for a long-running campaign with a lot of wiggle-room; for a long-running campaign with some very specific plot beats planned, this really needed to be done in character creation.
So now that there is more room to debrief and talk, because in-character they're still on a deadline and the world's been ending all campaign, and because that groundwork wasn't laid, they don't talk about anything except the task at hand. Like...I think a defense I've seen of this campaign is that it's about a group of people who really aren't suited for what has been laid before them, but the problem is that's kind of every D&D campaign that starts from a low level and this is a particularly weak example thereof. Vox Machina didn't show up ready to kill dragons nor Vecna, and the Mighty Nein are still Wildemount's best kept secret; both of them grew into their current hypercompetence. Bells Hells don't really belong to their story, nor does it to them, so yeah, hard to talk within that framework.
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