#because i originally created to be FOR ME

[wlwmedarda]

I'm honestly just looking to rant and this might be long depending on how fast I get irritated the more I type so if this isn't coherent or well written I apologize in advance. Since it looks like Ambessa will take on a more antagonistic role in arcane season two, I would like to unpack the fandom's antiblackness that you guys are either blind to or aware and too pussy to call it out as my gut is telling me it's gonna increase and if no one is gonna start the difficult conversation then I sure as hell will.

Sevika:

Mel:

Starting off strong with the definition of "you guys want complex female characters but can't even handle her". Mel Medarda is in quite the predicament seeing how she's morally grey, a black woman, AND "gets in the way" of a mlm ship so she was kinda screwed from the start. A cunning politician disowned for her pacifism who acts as a sort of bridge to Noxus' slow introduction, and is THE ONLY CHARACTER IN THE SEASON 1 MAIN CAST SPECIFICALLY CREATED FOR THE SHOW. She's treated like satan incarnate or a Jezebel (highly suggest looking into that if you don't know what that is), GOOD character analysis is rare, and when she is talked about positively, it's so often chalked up to appearances that I'd rather yall not talk about her at all. Oh you love Mel? Then can we talk about her relationship with her mother? Unpack her dynamic with Jayce? Maybe more fanworks centered around her? I've seen yall's fake asses dropping the shittiest fucking takes about her only to turn around and gush over how pretty she is, and yall think you're slick about it and you're not. I would say I prefer the ones who are loud and proud about their hatred but that'd be a lie, they're two cheeks on the same ass; annoying and couldn't give a decent break down of her character if a gun was pointed at they head even she's perfect to dissect. I could talk about her more but we'd be here all day and so many black women even from outside the fanbase have already talked about yall so there's no need for me to add on 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️.

Quick question, have you guys ever tried to talk about her in a non sexual way? Yes, Sevika is undeniably sexy and you could argue that true stans of hers talk about her outside of horny time, but a good half of the fandom is a different story. In a similar case to Mel's, deep dives into her character are rare to find which is crazy when she acts as Zaun's own "kingmaker". She's loyal to her city and the cause, never to a specific person and will not hesitate to betray you. She could be your right hand man one day, and the next she might find a better kingpin to follow and stab you in the back like it all meant nothing. "Were you tempted?" "Not for a worm like him". Simple and subtle and probably my favorite Sevika scene; she comes to realize Silco is no longer the best leader for Zaun, but he's as good as it gets for now and so she sticks by him. I remember a YouTube comment breaking down how she's essentially the quintessential Zaun: a brute warrior molded by her environment, who defied Vander's peaceful ways and embraced Silco's cruelty. Her mindset and goal is interesting and you'd think it'd result in some fascinating meta or exploration of her upbringing when we got a hint that she potentially has some daddy issues right? Obviously, but what do we get instead? White sapphics treating her like nothing more than a sexual object. How delightful!

Ekko:

This might partially be Riot's fault because — and I hate to sound like a league lore nerd — Ekko is quite underdeveloped compared to the richer origins of his former pre arcane self, but I'm gonna hold off on that till the season finale to see how they handle him. Anyways, at this point the fandom clearly sees him as Jinx's trophy husband. When you talk about him, she is brought into the convo 90% of the time. That's exactly why I prefer black timebomb shippers over the nonblack ones because I trust they actually love Ekko as a character on his own. Even though I have my complaints regarding how's been written so far, I still know he's too good to be reduced to Jinx's loverboy. He fights and cares for his city, the only character that you can confidently say is pure of heart, and is the revolutionary leader Zaun really needs. He's just as smart as Jinx too, he is literally going to create TIME TRAVEL. Why does no one wanna talk about that? Can we be excited for his character development and arc not just for the timebomb scenes you'll get out of it?

Ambessa:

Can't even deny this woman is awful but her presence on screen enthralled me after a couple of rewatches and I also love bad mothers in media so I've settled on a love/hate relationship. Yes, she's definitely gonna have some influence on Caitlyn, which makes sense since she has now lost her mother; she's vulnerable and as we have seen, naive. She's practically free real estate for Ambessa. My recent worry though has been how the fandom seems to be willing to put all of Caitlyn's actions on her as if Cait isn't a grown ass woman who can make her own decisions. Of course being grown doesn't mean you're immune to manipulation, but I've seen some Silco and Jinx comparisons and it is NOT the same. Mind you we haven't even seen the first three episodes; we don't know how far Ambessa's manipulation is going to go and we can't really tell what the dynamic is gonna be like based off of clips and trailers that are likely shown out of context on purpose to throw people off. I'll never defend her actions, hell I'll join in on the lashings, but my black ass is also not gonna sit here and let yall talk about her weirdly or pin all of this on her.

Some might say I'm overthinking this, but I've been here since November 2021 and have sat back and observed for 2 years. You don't have to write deep, philosophical conversations 24/7, I'm sure it's not all in bad faith and I won't act like I don't thirst over Sevika or marvel at Mel's beauty. I'm not saying you have to like these characters and that you're racist if you don't. My frustration comes from the lack of nuanced conversations and hypocritical opinions surrounding black characters in this show. When you try to say something about this, you're hit with excuses; it reminds me of how man obsessed fujoshis act when they're questioned for not giving two fucks about female characters. They're either reduced to one character trait, only admired for their looks, or only discussed when it's about the white character they're connected to. Do NOT under ANY circumstance be black and morally ambiguous, you WILL be held to higher moral standards than everyone's wittle blorbos who can do wrong and are defended from all sides when you dare to take the rose colored stan glasses off and criticize them. What's really ridiculous is you hear the "complex characters" bullshit every two to three business days and some of you have the nerve to boast about this series being diverse while simultaneously ignoring the complexities in the characters of color. This is the main reason I took a step back and with season two around the corner I thought "Hey, maybe it'll be better this time!" and it was a mistake. Good to know yall still have an underlying racism problem you don't wanna address but with some extra classism thrown in. "What will we do once Arcane ends?" hopefully get a job, touch some grass, and reflect. Lord knows yall need it. The faster yall sizzle out the better. I'm done that's all I have to say lol goodnight 👍🏽👍🏽👍🏽👍🏽.

[yanderes-galore]

Yandere rivals between Vaggie and Angel dust who both grown attached to overlord reader ? Platonic please and hcs if possible 

I was a bit unsure how to do this at first... but I think there's some interesting dynamics between characters to explore here.

Part of me wants to write something separate for the dynamic you, Angel, and Val have in this. That seems good enough on its own to explore. ALSO! So sorry it got complicated... I had too many thoughts I lost the plot half the time.

@okchijt helped me enrich the rivalry portion near the end.

Yandere! Platonic! Vaggie vs Platonic! Angel Dust with Overlord! Darling

(FT. Alastor + Valentino + Charlie)

Pairing: Platonic - Rivalry

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Stalking, Overprotective behavior, Trauma, Violence, Abuse (Angel and Val), Unhealthy coping mechanisms, Implied Manipulation, Dubious companionship(s).

At first it's a bit difficult to see where you can place another Overlord.

Vaggie would naturally struggle to trust another Overlord based on the ones she's seen/interacted with.

Same thing with Angel due to the fact his soul is owned by an Overlord.

So, both of these characters obsessing over an Overlord is... strange.

The only thing I can think of is you're an Overlord supporting the hotel.

One thing the two share in common is their care for Charlie, no matter how ridiculous her ideas are.

So maybe you're an Overlord who's investing in or just interested in the hotel and its inhabitants.

You'd often come to the hotel to speak with Charlie, not usually going out of your way to have soul deals with anyone there (as per an agreement with Charlie).

This could be a way to get you on good terms with the two.

HOWEVER, This ALSO creates unique relationships between you and Alastor/Valentino.

I imagine Overlords tend to have a territory.

They don't typically want free Overlords in their space or touching their property.

Which means, a new Overlord would catch the attention of Alastor and Val.

First of all, Alastor will notice you often around the hotel and Charlie.

While his role is being a defender of the hotel and yours is simply supplying it, Alastor may feel a bit threatened... or even interested when it comes to your presence.

There's a good chance you can actually get along with Alastor if you aren't a threat... maybe.

When it comes to Val, however?

None whatsoever.

Val would hate you interacting with Angel.

Especially when Angel gets attached.

So, I feel a rivalry like this might come off as complex.

Even more so with the fact you're an Overlord.

Vaggie becomes close to you because you both care for Charlie.

You're seen as an ally and she respects your abilities.

Plus, you're more respectable than most other Overlords here.

She's always found Alastor... shifty.

Vaggie comes off as an overprotective yandere, even if you're a strong Overlord.

Actually, that fact alone makes Vaggie want to protect you due to Alastor.

Alastor no doubt wants to make a deal with you due to your power.

Power is his end game and he isn't sure if Charlie would even need you to be an Overlord.

He can handle it, so why not make a deal with him to give over your power?

Vaggie is often the one trying to keep one (or two) Overlords off your back.

It's originally because she doesn't want Charlie to stress or worry.

But later it's because she genuinely cares about you, Overlord or not.

Angel is a bit more dependent when attached.

At first he pays you no mind.

Oh great, another Overlord to force their way into things.

As if Alastor and Val aren't enough.

He tries not to pay you any mind, often ignoring you.

However, maybe you comfort him after an argument with Val.

You notice him covered in marks and become oddly attentive.

He originally tries to push away, telling you off while he tries to isolate himself.

He finds the idea of an Overlord being caring odd.

Even Alastor does it to get his way.

Yet... You appear to be genuinely concerned...

He hates that he enjoys it.

What may solidify his attachment is you standing up to Val or something.

That or just defending Angel in general.

With you he feels less... guarded.

He knows being around you pisses Val off.

At times Angel gets concerned for your well-being because Val can be dangerous as a Vee.

Yet you try to reassure him you're alright with it.

Even though Angel tries to distance himself for your sake... He can never stay away for long.

Oof... Things just get messy when Angel's attached.

Mostly because Val is erratic and temperamental.

ALL OF THAT and I have yet to discuss Vaggie and Angel actually fighting.

See what I mean by this is more complicated than I thought it would be?

Vaggie and Angel can agree on one thing... you're helpful, sweet, and important to them.

The two also tend to keep you away from two other Overlords.

You're meddling where you shouldn't, even if you don't mean to, but these two act as good allies to you.

I don't imagine their rivalry gets too violent.

They wouldn't try to end one another, mostly it's just arguments on who cares for you better.

But it's not like you're all that vulnerable.

No, you're an Overlord, most of the time you're caring for them.

You help Vaggie be more confident in helping Charlie and even give helpful suggestions and supplies to Charlie herself.

With Angel you often try tending to his wounds, talking to him, and trying to help him cope in a less destructive way than vices (Alcohol, Drugs, Smoking.)

He doesn't listen all the time but he does somewhat appreciate the sentiment.

The two fighting is mostly due to you being occupied with the other or the Overlords upset with you.

Vaggie tends to blame Angel for Val's actions towards you.

It's often a heat of the moment kind of thing, she doesn't entirely mean it but it slips.

Meanwhile Angel thinks Vaggie only cares about you due to Charlie.

Angel may even say Vaggie couldn't defend you from Alastor or that you're being used in some way.

It's all mostly petty but it ruins the bond between them.

Much to Charlie's dismay.

Alastor may comment on their behavior with you.

He muses that they act like lost children in your presence.

He finds it all very amusing.

He also finds it strange you managed to get them to both like you... even more so to this point.

He may even ask if you have ulterior motives, which you don't share.

Motives or not, the two probably would still care for you if they bicker this much over your "care".

Val just seems to get aggressive with you.

He claims you're stealing Angel from him, to which you decline.

You're merely helping Angel, which makes Val more frustrated.

The Vees are never good with their temper.

It's so easy for you two to fight.

You may even come back to the hotel with wounds, leaving Vaggie concerned and Angel guilty.

You help the two in many ways.

Be it from actual care or benefiting yourself... it yields the same result.

Charlie congratulates you for befriending them and helping the hotel...

Yet she is concerned about them at times.

Charlie often has to prevent the two from fighting.

She'd also be concerned about you and Val's fighting.

Both yandere are mostly overprotective.

Angel may also be clingy when he's vulnerable but he tries not to be.

This rivalry, as petty or light as it is, comes with many moving parts.

You're less concerned with Vaggie and Angel... and more concerned about the other bonds they have and how you complicate them.

I don't know, I no doubt overcomplicated the request, but it's genuine thoughts and concerns I have when thinking of these two.

Overall, I feel their rivalry is more petty than anything.

They themselves wouldn't hurt you as you're an Overlord... but the two end up hating each other.

It's a bit difficult for me to see them fighting though... as due to how complicated these dynamics are, the two would probably just learn to share.

You help them both, they help you, they may not need to fight.

Even if they shared though... I can see arguments occurring due to Alastor and Val.

The two wouldn't be able to kidnap you or manipulate you too much.

Murdering people for you? Sure, I can see that.

They're both protective and capable... but would they need to?

Lesser demons don't come near you and they can't kill Overlords.

Oof... you having the Overlord title in general makes this complicated too....

Vaggie is protective and isolating, wanting you to focus on the hotel more than Angel to make Charlie happy.

She makes herself your personal assistant, ushering you to focus on her, Charlie, and the hotel. Not Angel or Alastor.

To her, this is how you two bond.

She doesn't mind sharing with Charlie... but she tries not to allow you any more time with the others.

Angel is not only protective and clingy, but possessive.

He loves it when you just come to see him because you're concerned.

It gives him an ego.

He likes the attention so much that he'll lie to make you stay longer.

He's never felt more comfortable... and he uses this time to mess with Vaggie.

He's a distraction and he enjoys it.

Vaggie thinks Angel is hogging all of your attention... You have other things to attend to.

Meanwhile Angel accuses Vaggie of boring you and not giving you a choice on what to do.

You have your work cut out for you at the hotel, especially with these two so close to you...

All I have to say is this... Good Luck.

[blueikeproductions]

So the other TFONE Prime cards came out, so what I’ll do is just cover the ones I don’t have much to say about here.

First up Solus Prime.

Solus has had the weirdest design philosophies. This design seems to be primarily based on the Prime Wars webseries look.

Which is the superior design vs her original look which has this weird HR Geiger Species vibe I’m not fond of.

Solus’ primary claim to fame is being the first female Transformer, and the only one among the Primes, making most of the famous weapons in the general lore, and pry most tragic: getting shot by The Fallen and dying. Her body serving as the basis for the Well of Allsparks, meaning she functionally given birth to all Transformers going forward. There’s a… lot to unpack there, not helped is shows like RiD15 and Cyberverse use her name as an exclamation/cuss in “Sweet Solus Prime!” Unlike the older lore, ONE Solus dies by Sentinel’s actions, absolving Megatronus of the matter, which honestly I kinda prefer. Whether Solus and Megs were romantically involved here is unknown. I think what I’m most surprised by is the movie resisted giving Elita Solus’ Cog, since I guarantee older stuff would’ve done that. Outside of both being girls tho’, Solus does fit Elita’s hard working personality more than Alchemist and Onyx.

Nexus Prime

Not gonna lie, I’m kinda disappointed about this one. His gimmick is he’s the first Combiner, which again contradicts Aligned’s claim Amalgamous is the first converting robot with the first Cog. The ONE design pushes it more into a G1 Blitzwing direction, with vestigial nods to the combiner idea in that he looks to combine from a jet and tank in particular, again mirroring Blitzwing.

Though it also could be a reference to Flywheels.

Nexus Prime’s original designs nevertheless make his Combiner gimmick expressed more clearly.

So it feels like a bit of a downgrade to me. His gun shield looks like it formed from a tank component to me, but that could be a stretch… Maybe he really IS a Duocon in this universe.

Liege Maximo

If there’s one thing Liege is known for, it’s not having a consistent design.

As we’ve gone from whatever this is supposed to be…

To Loki because the MCU was really popular back then.

The new design still uses Marvel Loki as the basis, but dials it back considerably, instead making him more of a generic knight. Notably the inclusion of a sword is interesting, as Aligned states his weapons are poisonous Legion Darts. Maximo’s initial concept painted HIM as the first Decepticon, of which Megatron and the others are descended from, an evil being created by Primus to counterbalance the first Prime via G2. Because Megatronus later inherited a lot of this, he instead was cast as more of a manipulative trickster, still evil, but not to the same extent as his G2 version was. Liege Maximo is also the Prime of false starts, as his G2 and IDW selves were set up as the next major villain but cancellation saw this unresolved. G2 Liege Maximo saw conclusion in what was unofficial fan fiction written by Furman, while IDW Liege Maximo was unceremoniously killed by Shockwave-Onyx in the main book. His only role that saw a proper conclusion was in RiD15, where he was the villain of the day in a chapter book causing problems for the Autobots because he was bored in the Prime Realm and wanted a cheap thrill. RiD is also the only place his Loki like characteristics were played around with. Because the Primes in ONE appear to all be benevolent, it’s not clear if Megatronus or Liege Maximo are still supposed to be the evil ones or not, but the more heroic looking Liege says no to me.

Amalgamous Prime

The mad lads finally made this horrifying thing work.

Pushing it into a four armed ED-209 direction is much better, and frankly going by his more “primitive” build, they can easily make future Shockwave toys into Amalgamamous. This guy’s claim to fame in the modern lore is being the first actual Transformer with the first Cog, which again is contradicted by Nexus and (possibly) Onyx also being able to Transform… Aligned lore says his Cog informed all future robots on Cybertron of the ability to Transform, but ONE streamlines it that ALL the Primes had Cogs and the ability to Transform, making Amalgamous somewhat redundant. Aligned also claims his direct descendants are “Shifters”, Transformers with omni transformation, rather than the standard robot to vehicle.

Aligned didn’t really do much with this concept because you can’t realistically make a toy of such a thing nor is it feasible to have them as reoccurring characters for both expenses and being OP, with TFP Makeshift and RID15 Pseudo being depicted as shadow creatures in their default mode. The Shifters haven’t returned post Aligned so I think it’s an abandoned concept. Future stuff I would assume would instead say Triple Changers and Six Changers are AP’s direct descendants since they’re much easier to work with in toy and fiction. His new Robot Mode makes me think he turns into a tank, but I’m also not sure if his head is his chest or not….

Vector Prime

Aside from his head and colors, the TFONE version is straight up the original Galaxy Force version.

Though his colors evoke one of Vector Prime’s influences, the Marvel G1 Last Autobot.

Vector Prime’s best known role is in Cybertron/Galaxy Force, where as the Primus appointed guardian of time, he joined the Autobots of the present day to find the Cyber Planet Keys to close the Black Hole that threatened the universe, as it was the end of time. Galaxy Force also showed Vector Prime can manipulate time, but it was a drain on his energy, and using it too much would kill him. Notably he used a brief display of this early on to save the kids and Mini-Cons from certain death, but I guess this version of Vector couldn’t do the same to defeat Sentinel & the Quints…

[mythosidhesdollhouse]

Shibajuku Girls: The Return?

Soooooooooo I've been debating whether to post about this at all because I doubt anyone will find it very interesting, but doll gossip is thin on the ground these days and I'm not quite ready to go to bed yet, so eff it let's go--

Alright so, those of you who follow these things may remember back during this year's Toy Fair it was announced that for some inexplicable reason the Shibajuku Girls doll line was planning a comeback. For reference: These 13" dolls from the Australian toy company Hunter Products originally turned up on shelves in the US back in the mid-2010's, to a fairly lackluster reception. Between their unusually high price point ($30-$35, a good deal above the average for fashion dolls at the time) and the fact that they are a rather blatant knock-off of Pullips, no one seemed to be that into them. In a way with their hair play gimmick (a lot of charms and hair clips) meant to interest children in Japanese street fashion I suppose one could see them as a precursor of the Decora Girlz, albeit with far lazier and less successful execution. I did end up buying one--Yoko--for the big head collection, and she's...fine, if forgettable. I like having her in the mix for variety, but I could never quite work up the enthusiasm to get another. The demise of ToysRUs around the time of their release probably didn't help matters any, as it was one of the few places that stocked them. These dolls lingered on the shelves of my local Target seemingly forever, before quietly disappearing to absolutely no fanfare.

But to bring it back to Toy Fair 2024--

For reasons that NO ONE I've heard speak on the subject can quite understand, seemingly out of nowhere Hunter Toys showed up at Toy Fair this year with a display of older dolls from the first two waves of Shibajuku, plus a wall of these mock-ups for a projected third series of anime-inspired characters. If you look closely at the 'prototype photos' in the boxes--not actual dolls--they appear to literally just be restyled Pullips. A lot of people (myself included) speculated that they may have put the money into creating a new head sculpt that more closely replicated the doll this line was always made to emulate, and the lack of actual dolls in boxes was a sign that this Shibajuku 2.0 head had yet to go into production in time for the event.

Turns out--no. That's not what they did at all. So--

A few days ago through a series of random browsing encounters I stumbled across listings for two of the five proposed 'Shibajuku Anime' dolls on Walmart's website. They are showing up as out of stock, but if you put them on your wishlist you can add them to your cart from there (though not check out), which is a pretty sure indication that they're expected in stock online and in stores soon.

So...what to say about these. First of all they quite obviously have the same old Shibajuku face. The fashions have considerably less detail than the prototype photos, which in itself I'd be willing to forgive for reasons I'll get to in a minute, but the main thing that overwhelmingly stands out to me here is that Kiki, one of the two characters shown with a darker complexion in the mock-ups, has gone from having tan skin and white hair to pale skin and black hair. Which, yeah no fuck that. No way of knowing if this was the brand's decision or a specific request from Walmart, but whichever way you slice it, it sucks. Lack of diversity was a huge issue with the first iteration of this line, and after the promise of a course correct it looks like we're back to more of the same. I will definitely be bending a critical eye on them to see if the other dark-skinned character, Sakura, receives a similar whitewashing :/

Now, with that rant out of my system, is there anything good to say? Well, the price, for one. These are set to retail for $19.98, which is significantly below what they sold for originally. No doubt the lower quality fashions and lack of accessories have a lot to do with it, but on the whole I'd say it's a plus. Also...as much as as I would have loved to see the ensuing drama if they had had the audacity to churn out a more blatant Pullip clone, for continuity's sake if nothing else I'm glad they stuck with the old face. She's a weird little bird and despite it all she deserves her place in the wider family of Big Head dolls, however derivative that might be (I mean, if anything Pullip needs MORE clones, Blythe has such a start on her in that arena....).

And finally (FINALLY) to wrap things up--will I be buying one? Perhaps surprisingly--yes! I plan to order Akira when she becomes available to ship. I think she's decently cute--you all know my bias for green hair--and I have a purely academic curiosity to compare her to my 'classic' Shibajuku. Plus, despite all my dismissive snark, I would actually like to see this relaunch be successful. I'm always in favor of diversity in the doll market, and this particular type of doll has been sadly under-represented of late. There is plenty room on the shelves for more big head girlies! MGA is daily signing that real estate away at an increasingly rapid pace XD My hope is that they do well enough to warrant the release of the other three dolls from the proposed new line-up, and that maybe--MAYBE--if the Dolly Gods are kind we will see Sakura with her original dark skin tone, as intended.

Wheeeeeeeeeeeeeee ok that's enough sleep-procrastinating for one night, I'm done. If anyone else cares about this at all I'm sincerely curious to hear your thoughts.

[andreal831]

I’m the same person who asked the question about Datherine and I wanted to ask similar one about Stelena: Do you think they could’ve worked out if l Damon weren’t in like, in the picture?

Hi! Welcome back <3

When I used to watch TVDU, I loved Stelena. As I've gotten older, I see how problematic the whole thing is. But they still kind of get me because of nostalgia.

I really do think they would have worked if not for Damon. Elena's attraction to Damon always felt forced to me. She was so caught up in the whirlwind romance of Stefan and then they settled into this very calm, happy place. Even with all of the chaos around them, they found peace in each other. Elena and Stefan were so happy in their relationship, the show had to force them apart physically to wedge Damon in there. They even had to use the sirebond to force Damon in the way more.

The only thing I felt was truly unhealthy in their relationship was the age gap. Even him originally wanting to get to know her to see if she was Katherine didn't totally bother me because of how he felt about Katherine. Damon seeing her and thinking she was Katherine made him think he was seeing his first love. Stefan hated Katherine when he saw Elena. He didn't pursue it out of some lost love. He fell for Elena as her own person.

Now granted, Elena was in high school and those relationships usually don't last, but this is a show about vampires and magical babies, so I think we can suspend reality on that.

I love Steroline, but feel like Caroline didn't necessarily want the same things as Stefan. They just kind of forced motherhood on her. She wanted a career and to travel. She would have loved to go off with Tyler and discover the world. Just like Damon didn't have similar wants to Elena. Wanting the same things in life is very important in a relationship. Compromising will only cause both of them to be unhappy no matter how much they love each other.

An important aspect I really liked about Stelena and felt would make them last is how much respect they had for each other. Stefan would always let Elena make her own choices, even if he didn't agree. And Elena was always there to fight for him. I know some people don't like how he handled the transition, but that's usually from people who just wanted Delena to happen. Elena never wanted to harm anyone and never wanted to be a vampire. Stefan understood that and tried to help her live with what she was. They both just wanted the best for each other.

Stefan helped Elena find joy in life again. Season 1 Stelena was so happy. They would have found this happiness again if Damon and Klaus stopped interfering. The visions they saw from the Travelers felt really organic to me. They both wanted the same things. They wanted family and humanity. Stefan taking the cure made more sense than Damon. Damon loved being a vampire and Stefan hated it, plus had trouble controlling it. I could very easily see them settling in Mystic Falls. Her being a doctor and Stefan going to school to discover what he wanted from his life. They would have had kids and would have created a loving home.

Thanks for the ask!

[corisanna]

Actually, I'm not done talking about things I love about ANAI! Your Sayaka is *chef's kiss*

The way you went from "writing Sayaka is hard and I'm having trouble figuring her out" to "Sayaka Miki Is Done With Your Bullshit" and her actively be aware of "I'm a support character at best. That is going to change if it's the last thing I do. Just have to wait for a scene change."

You made me care about Sayaka in a way the original show never quite accomplished. She's genuinely my second favorite character in ANAI after Hitsugaya. Depending on the scene and my mood she even steals his number one spot.

I wanted to include specific lines of hers that I go "*points* I liked that!" at, but soon noticed it would be almost her entire script. So.

Here's to your Sayaka whom I adore very much 😌

Thank you!

Interestingly, the more I worked on Sayaka, the more attached I got to her. I had already been soft for her from seeing her arc as an allegory for depression and social stress a teen generally doesn't have the life experience to mitigate careening into a tragic, self-destructive psychological breakdown, but nudging her actions in ANAI to continue at the angle of the more even-headed and positive mindset she started with at the beginning of the anime before getting sabotaged by the contract endeared her to me even more. The way I wrote her made her canon story feel even more tragic in contrast to "what could have been." The life details I reasoned backwards to get included some things that are personal, so I got even more into her head. I love to write her now. She's my favorite PMMM character.

Coincidentally, that "adding personal details to the canon doll that already resonates with me" process is a factor in why Toshiro is tied with her as a major favorite fictional character of mine, with Homura a more moderate degree of favorite. In general fandom, I mean; I try to not play too much to favorites in writing ANAI. I don't know how successful I am at that.

I've gotten a lot of similar comments about ANAI Sayaka over the years. Those and things I see in fandom in general always make me wonder why she gets so much negative commentary or even hate. I find her canon self to be a sympathetic portrayal of teen angst and existential crisis causing a painful spiral. She makes sense to me even when she lashes out and tries to create life stability through some rigid morality and defensive rejection of people and their help. I've seen people scorn that she acted more okay in the immediate aftermath of Mami's death; I read that as intense masking of her feelings. She feels real. Maybe it's because I had a depressive spiral as a teen that I tried hard to mask as being okay, had more and saw friends having them in adulthood, and saw myself in her even before I started playing with her for my story.

One of my subplot goals for ANAI is to develop Sayaka's character through her personal struggles that she masks with cheer and teasing to be more stable and in a better place mentally. I hope I can pull it off. I've wished for better things for her since I first saw the anime.

[creatingblackcharacters]

Would you ever do a lesson on raceswapping characters in fandom? I think prioritizing original and canon Black characters is more important of course, and tbh most of your lessons already apply when writing ANY Black character...I'm just tired of the constant influx of antiBlackness from the pro- and anti-raceswapping people. People who hate it are usually racists who don't want the sanctity of their whiteness challenged, but I've noticed in fandoms that embrace raceswapping more liberally (usually also by white people who think they're progressive for drawing a canon white character with a paint bucket tan and then claim they're a part of some unnamed diaspora in their headcanon) can get very racist very quickly. Ever notice how in some fandoms a white ship will race swap a character to be ambiguously brown and of ambiguous ethnicity, only to make them physically bigger, aggressive, flirty, dominant than they are even in canon? I've seen it happen to characters that are actively characterized as shy/quiet in canon, as soon as you slap on the digital blackface, the whole personality changes in fandom. And even then, people are allergic to specifically BLACK headcanons. So I debate with myself if raceswapping should even be entertained in fandom, especially by white people. At the same time, I've carved spaces for myself with my Black headcanons for characters I know are ambiguously white in canon/race not named but implicitly defaulted to white. This was in a time where there were less Black characters in general, but even now that we have a handful of great stories, they are still talked about so much less, with less content, and even shafted within the canon they come from. I think telling people to just find/create canon Black characters to love is only part of the solution and feels dismissive sometimes (this is not targeted at you), though I agree that it is important to do that also. Most important, even. Sorry for the length of the ask, just something been on my mind and wondered your opinion.

I got a little overwhelmed by the writing of this question, so I'm going to try to break it down to see if I'm understanding you:

What it sounds like you're saying is that when people headcanon a character as Black, they tend to still be racist about it? And this is specifically based on how they make the characters they've headcanoned stereotypical traits, such as aggressive and overly sexual?

And then, you're unsure if you even want characters to undergo this change, specifically by white fans, due to this racism?

I'm a little confused by the end, but it might help me by asking this: what is your solution to the rest of the problem? Like what do you think is the rest of the solution, since you said it's only part of it?

To be honest, I'm not going to take the pleasure of the melanin beam away from myself just because nonblack people can't not be racist. I don't think that's fair to me that I shouldn't experience something I like just bc they can't act right about my existence as a human being. That's a THEM problem! But that's me 🙌🏾 I can understand if there are people that don't do it.

As for what you've said here about the racism itself, you are right. It's part of how Black people are perceived, that they do this. Part of me feels like I already addressed some of these things in all three of the stereotype lessons, just bc people need to see what pre-existing biases- whether they mean them or not- they have in order to know why they're treating these characters this way. How no one can be normal about a Black character being normal lol.

However, I can understand how there could be a more overt, to the point illustration of how the change happens. So that change from their canon characteristics to "aggressive". I'm not sure if it would require an entire lesson on the topic, but I could make a mini lesson on what's occurring. I'd probably just use a visual like I did for the latest lesson (which also addressed the brown bucket character).

[rtfics]

Seeing BJ2 the 3rd time.

LONG & FILLED WITH SPOILERS

SO much to think about, and my memory is shit.

I rapidly scribbled notes during the film. But when I got home and tried to read them:

So here's an overview. I'll post other details if I ever translate my notes.

First, the casting was perfection. I'd never seen Jenny Ortega, Justin Theroux, and Monica Bellucci before, so for me they were the characters.

It was interesting that the film opens with the Warner Brothers Studio lot in black & white. Why B&W? It sort of sets the tone.

Donna Summer singing lines from "MacArthur's Park" was a foreshadowing. This film was made by a guy who was a teen in the 70s, and it's for others his age (he's only 2 years older than me). BJ2 is packed with 70s nostalgia that only those who were alive then would get.

This sequel was also made for die-hard fans of the original Beetlejuice. Burton took special care to give us the Winter River we love, but updated it to show the story and its characters aren't stuck in the past. The covered bridge is there, the church, cemetery, Miss Shannon's, and fire station are there, and so is the Maitland's building, but it's a coffee shop now.

Seeing Lydia as shell-shocked and pill-popping threw me, but the plot gave it sense (I'll go into detail in a separate post).

Rory, OMFG, I've known Rory. Anyone who's had anything to do with the entertainment/media biz, even peripherally, knows Rory. His "enabler" bullshit was so spot-on; faking that he's going to get Lydia off her dependency on drugs while keeping her hooked by making it seem that he's doing it because she's begging him. Classic user methodology. You just know he's the one who got her on "coping" pills in the first place; all the better to manipulate her. I loathed him immediately.

I adore what they did with Delia. It completely fucking made sense, and followed what's happened in the modern NYC Arts scene. I love how she and Lydia now get along, I mean, shit, Lydia's in her 50s and Delia's in her 70s, they're both middle-aged women, and, bless their hearts, the screenwriters and Burton made them act like grown women.

Astrid seemed older than 16 to me, but hey, I'm not around teenagers these days. I appreciated that she wasn't a brat. Her resentment and having her back up were appropriate for her family situation; a beloved father whose body was never found (I think); a mom always working or promoting because of Rory, doped on pills and famous for being a ghost-seeing nutjob, who can't see Astrid's father. That's a lot to deal with.

The way they handled Charles was perfect, especially his claymation demise. His afterlife body was comically gross, and an ingenious way of including Charles in the film without having to recast another actor, except for his voice. Charles being in the Netherworld provides a great thread to Delia's later death. His headstone being the shape of a shark's fin was a humorously grim touch.

The Sylvia Young Theatre School Choir sang at Charles' funeral, and their voices were beautiful.

Arthur Conti was fantastic as Jeremy (70s teens remember his grandfather, Scottish actor Tom Conti). His American accent was flawless. He was the perfect balance of cute and mature, and his niceness made his being evil all the worse; while Astrid says the incantation you can see him slightly out of focus behind her, smiling in a chilling way. I love that there isn't the slightest hint that he's a multiple murderer, and of his own parents! When he's about to get his passport stamped he shows absolutely no remorse toward Astrid, which makes his damnation all the sweeter.

Beetlejuice . . . . What can I say? Michael Keaton created Beetlejuice as we know him, and he fit right back in character as easily as drawing breath. His body language, his weird way of walking, his expressions, everything is just as you'd expect Beej to be. But then we get to see more! I can't express how happy I was to see Beej's origin story, which turned the throw-away line about having a pretty good time during the Black Death into something more substantial. Seeing Keaton as human Beej was a delight.

An important detail was that, even though Beej says his heart had long since withered, he fell for Delores. He says he was "bewitched." Perhaps not love, but lust certainly. It's quite clear that Delores was much higher in social station than Beetlejuice, so he must have thought he'd won the lottery with her choosing him. My god, his ego had no problem with his drunken ass being hauled to bed by his new wife, and his enthusiasm was huge. I love that they gave him the gut in his human form (Keaton doesn't have one).

Richard was the nice guy I hoped he would be. But it was telling that, when he says goodbye to Lydia at the ladder in the mausoleum, they don't hug. They don't even shake hands. It shows the truth of Lydia's previous statement to Astrid that she and Richard's relationship had ended long before his death.

Wolf is every 70s crime drama/movie distilled. Hammy, over the top, constantly spouting his Catch Phrase.

Why are there so many shrunken head guys? And why did Beej hire people who can't talk to answer his phones? It's loony and fits the Netherworld random login. They're Beej's Minions.

I've seen a lot of people on tumblr, as well as professional movie critics, say there were "too many villains" and that the plot was "too hard to follow."

For those who agree with this, I recommend you never attempt to read anything by Charles Dickens, Alexandre Dumas, Victor Hugo, Edgar Allan Poe's detective stories, or Agatha Christie. Because your brains would fry.

Look, there are two villains. Just two.

Delores poisoned Beetlejuice, he killed her with an axe in revenge, in the Afterlife she reassembles and hunts him down, killing others in her wake, which sets Wolf Jackson and the Ghoul Squad after her, until she's defeated with a sandworm.

Rory has been manipulating Lydia, keeping her doped, gas-lighting her, until under the Truth Serum injected by Beej he spills the beans and Lydia rejects him, until he's eaten at the same time as Delores by the sandworm.

As for "Delores and Rory weren't given enough story," what more do you want? How Delores joined a soul-sucking cult? How Rory became a user, seeking out vulnerable, grieving women to exploit? We learn as much as we need to. Anything more would have stuffed the film with unnecessary crap.

The only shit I didn't care for was the baby.

The whole Counseling scene was a big gross-out, and I'm sure Tim Burton intended it that way. The original couldn't have been more gross than it was or it would have earned an R Rating, keeping out everyone under the age of 18 (21 in some states; this was the 80s). But now, Burton could be a lot more graphic. I was stunned that he had Lydia go through the "pregnancy," but it obviously didn't hurt her. For me Babyjuice has no point. It doesn't advance the plot, and its reappearance only drives home the weirdness of the ending.

What the ever fuck was the ending??

Especially Astrid giving birth to the Beetlebaby. It would suggest Beetlejuice is its father, which means he and Astrid had sex. Which we can be pretty sure they didn't . . ? In the counseling scene Beej refers to the baby as his "inner child." So its not his literal child? Even so, why would Astrid give birth to it the same way her mother did?

I've read all the theories about the ending, and at this point one's as good as the other. Perhaps that's the point: To keep us all guessing. Because I'm sure, all along, there's been a plan for Beetlejuice 3, IF this movie was a hit. If it wasn't, if it bombed (since 2010 all of Burton's films have bombed), the ending would lead to speculation forever, to people writing fucking dissertations about its symbology and metaphors, etc.

But if it was a hit, which it is, the seeds are there for a third and final film. But so fucking murky no one can guess what it'll be like.

The only part of the ending I liked was Beej shaking awake and saying, as he glances at Lydia, "I just had the weirdest dream." And Lydia looking over. Not terrified. Not screaming or leaping out of bed. Not seeing the indentation in the pillow and yelling in protest. Just staring.

Do I want a third film?

I love Beetlejuice Beetlejuice. I love it more every time I watch it. I accept everything in it as canon, even the baby, resentfully.

But Burton might fuck up the last one. He might do things I never wanted to be canon. When a sequel is made of a hit film, the creators sometimes become self-conscious. BJ2 wasn't, because it'd been 36 years since the original. They had no idea whether this version would fly. Since it has, massively, I'm afraid the screenwriters and Burton may become too aware of the audience and try to cater to it. OR they'll go the opposite direction and try to come up with a plot they think fans would never imagine.

So I'm pretty much stuck in the same place I was before I saw Beetlejuice Beetlejuice.

[autumnslance]

FFXIV Write 2024: 25 Perpetuity

(Spoilers for the end of Endwalker's Myths of the Realm)

Aeryn stood in Omphalos and watched the engine work. Its motions were hypnotic as it circled around itself, drawing in hopes and prayers, and dispersing that energy back into the world to aid humanity. A device of akasha and aether, elegant and lovely.

A familiar step sounded on the stone behind her, accompanied by the equally familiar pitter-patter of smaller feet, making her smile and hold out a hand to let the tiny opo-opo leap up and scramble up her arm to give her a friendly nuzzle.

“No treats, no matter how the little fellow begs,” Deryk said lightly. “He’s coming off a bout of upset stomach.”

“Poor baby,” Aeryn cooed, leaning her head against the creature, who chirred against her neck.

The wanderer stopped next to her, also looking up at the instrument of blessing. The collaborative work of ages, she was never sure he was aware of the slight smile and melancholic light in his eyes when he gazed upon it.

“So,” he said. “We meet here yet again. And again I ask: come to a conclusion yet?”

“No,” Aeryn replied, as shaking her head would dislodge the opo-opo, who was now playing with her hair. “When you first brought us here, and revealed the Twelve and their heavens, I’d hoped to find some answer. But it seemed more of the same. Divinity is just a construct of man, formed in desperation and empowered by prayer.”

Deryk nodded. “I can say there is a world of difference between what I was, and who I am now.”

“That’s a matter of power scale, which can be overcome.”

“In part, certainly,” he agreed. “But it’s more than that.” He looked aside, his gaze falling on the gate to the Heaven of Wind. “Sometimes the memories seem more like dreams, and too much for my fragile mortal mind. The time is incomprehensible—and that’s even before taking into account the man whose soul inspired Oschon’s existence.” He turned to Aeryn again. “Am I still not real, merely a construct?”

“Of course you’re real. And so was Oschon. Just born of humanity, like anyone else.”

“Hydaelyn created the Twelve,” he reminded her.

“From the energies of Her comrades. To perform roles and duties for which mankind worshiped them for, and in so doing, altered irrevocably.” She sighed. “And my feelings on Hydaelyn—on Venat—are likewise still complicated.”

“I understand that,” Deryk agreed. “I did not feel so before, but now? It’s a strange thing indeed. I’m not the man who aided in Hydaelyn’s creation; he is long dead, his aether given to form Hers, a fragment of his remnant soul used to create that which men called Oschon. Me, with an omnipresent view and ability to stride across this world we so loved as either the concept of wind, or in this form.” He gestured to his body. “I sometimes wonder if we took on avatars because some part of us yet remembered and yearned to be mortal again.”

“I’m certain I met Nymeia and Althyk’s original selves in Elpis,” Aeryn said, scratching under the opo-opo’s chin. “I helped with creations they were evaluating, and described the rite of flowers for the departed when some creatures were lost in an accident with others. There was familiarity in their divine personas, but they didn’t remember. Not really.”

“Yet they never lost sight of who they were to one another,” Deryk said, that sad smile on his face again. “They never struggled with it, unlike Menphina and myself.”

Aeryn raised a questioning brow.

“Of course I loved her—who didn’t?” he laughed. “In our first life, she was a brilliant young woman, and it was no wonder her divine self became who she was, and set to the tasks Hydaelyn chose. And we cared for one another, as we Twelve were family in our way. But was any romance our own, or determined by the prayers of man?” he shrugged. “Divinity is malleable.”

“That’s one of the things I struggle with,” Aeryn said. “Should it be, or shouldn’t gods be set, in order to form and order the world, and guide their creations and humanity? Shouldn’t they be...something beyond man? Not just in power, but in origin as well?”

“The more we discuss this, what it feels like you most resent is the loss of unknowing,” Deryk replied. “That you feel faith must include the question of origin.”

Aeryn mulled that over for a moment. “That would be part of taking it on faith, wouldn’t it? Of deciding to give trust based on a hope there’s something more to guide the way.” She looked up at the instrument of blessing again. “But I know so much of the origins of our world, of the divinities, and how and why they came to be. I know what can be manifested with enough aether, but warped by those requests.” The opo-opo chirred as her shoulders slumped.

“And you know too well what has been lost—in most cases, by your own hand.”

She winced at that. “On request.”

“Who else could be trusted? Not just in power, but on...faith.”

She narrowed her eyes.

“It goes both ways, you know,” he said mildly. “Even if I know your origins—born of man, with dragon’s blood running in your veins, raised outside this land where we held the most sway, but rising in it to become the one who could learn the truth, see it clearly, and grant us our greatest desire.” He gestured to the engine swirling above them. “And now we have laid down our burdens, while ensuring our duty is secured forevermore. Because we believed in you—as She did.”

Aeryn frowned. “That’s not the same as faith in divinity.”

“Isn’t it?”

[shift-shaping]

I think this is a really important part of the article from yesterday that people are overlooking. I absolutely understand the frustration people feel about the lack of choices brought over from Inquisition, I'm also frustrated. However, they have said not just here but I believe during the dev Q and A a while back that some choices are consciously being saved for future games.

Rambling thoughts below cut, feel free to ignore

I get the sense that Veilguard is going to be a very focused game, and the focus is on Solas and the Veil.

Here is my suspicion.

I think that this game is going to set up Mythal to be a major force in the next game by decisively finishing the roles of Solas and the Inquisitor, and by tearing down or at least significantly altering the Veil. That game is when we'll see the Well of Sorrows and Kieran and the payoff for whoever we left in the Fade during Here Lies the Abyss.

Veilguard doesn't necessarily need to address any of those things if the writing is careful enough. Maybe we don't actually see Morrigan for very long, maybe the Well hasn't actually done anything yet, maybe we just don't get a chance to talk about who was left in the Fade.

This is not without precedent. DA2 carried very little over from DAO, and easily could have given us a much more stripped down list of choices than what we had. Did it matter if we sided with or against Zathrian in DA2? No. I don't think that one even got a one-liner. They easily could have asked us 3-5 questions about our choices in Origins and the game would have been functionally the same.

That all being said: what frustrates me personally is that while you can strip out many of these choices and have what is functionally the same game, the subtle continuity of your decisions from one game to the next has always been a big part of the appeal of the series for many fans.

For example, there's a minor quest early in DA2 that involves Renvil Harrowmont, the last member of House Harrowmont still alive if you chose Bhelen to lead Orzammar. This is a very small quest that, like most quests in DA2, kind of just results in you fighting more random bad boys in the streets.

But that's not the point, is it? The point of tiny cameos like this isn't the overall impact they have on the plot of any specific game, it's about the continuity they create for your world state. The little one-liners and brief cameos and bullshit quests actually do matter to fans because they reinforce that this is the same timeline they've been playing in, and give the impression that your choices are affecting people. Knowing that even these little things won't be present in Veilguard is frustrating and a bit sad.

[thewrothode-if]

Tell us about this marvel if 👀

Definitely don't get sued, but tell us about your dream marvel fangame, cringe is dead

Everyone, indulge me for a moment.

I’m debating whether I would want the MC to be inserted into the movies, where you would essentially read out the script and choose whatever your character says, or to create a completely original story where the Avengers battle bad guys, and so on.

And obviously the MC would be apart of the Avengers because they're the best movies in the franchise and I love them

One thing I’m certain of is that everyone in this deluded Marvel IF would be a romance option, and there would be millions upon millions of different backgrounds and powers to choose from.

But alas, it’s not real and probably will never be, but one can dream.

I remember the reason for my wanting to create a Marvel IF was because I was pissed off with all the fanfiction being so tailored to a specific group of women. So in rebellion, I thought of this idea, where every group would be attended to, but the amount of energy it takes to actually create that is astronomical.

[shehimin]

Edgaring time!

Tutorial on how to make your own responsive Edgar :D I will try to explain it in really basic terms, like you’ve never touched a puter (which if you’re making this… I’m sure you’ve touched plenty of computers amirite??? EL APLAUSO SEÑOOOREEES).

If you have some experience I tried to highlight the most important things so you won’t have to read everything, this is literally building a website but easier.

I will only show how to make him move like this:

Disclaimer: I’m a yapper.

Choosing an engine First of all you’ll need something that will allow you to display a responsive background, I used LivelyWallpaper since it’s free and open-source (we love open-source).

Choosing an IDE Next is having any IDE to make some silly code! (Unless you can rawdog code… Which would be honestly impressive and you need to slide in my DMs and we will make out) I use Visual Studio!!!

So now that we have those two things we just need to set up the structure we will use.

Project structure

We will now create our project, which I will call “Edgar”, we will include some things inside as follows:

Edgar

img (folder that will contain images) - thumbnail.png (I literally just have a png of his face :]) - [some svgs…]

face.js (script that will make him interactive)

index.html (script that structures his face!)

LivelyInfo,json (script that LivelyWallpaper uses to display your new wallpaper)

style.css (script we will use to paint him!)

All of those scripts are just literally like a “.txt” file but instead of “.txt” we use “.js”, “.html”, etc… You know? We just write stuff and tell the puter it’s in “.{language}”, nothing fancy.

index.html

Basically the way you build his silly little face! Here’s the code:

<!doctype html> <html>     <head>         <meta charset="utf-8">         <title>Face!</title>         <link rel = "stylesheet" type = "text/css" href = "style.css">     </head>     <body>         <div class="area">             <div class="face">                 <div class="eyes">                     <div class="eyeR"></div>                     <div class="eyeL"></div>                 </div>                 <div class="mouth"></div>             </div>         </div>         <script src="face.js"></script>     </body> </html>

Ok so now some of you will be thinking “Why would you use eyeR and eyeL? Just use eye!“ and you’d be right but I’m a dummy who couldn’t handle making two different instances of the same object and altering it… It’s scary but if you can do it, please please please teach me ;0;!!!

Area comes in handy to the caress function we will implement in the next module (script)! It encapsulates face.

Face just contains the elements inside, trust me it made sense but i can’t remember why…

Eyes contains each different eye, probably here because I wanted to reuse code and it did not work out and when I kept going I was too scared to restructure it.

EyeR/EyeL are the eyes! We will paint them in the “.css”.

Mouth, like the eyeR/eyeL, will be used in the “.css”.

face.js

Here I will only show how to make it so he feels you mouse on top of him! Too ashamed of how I coded the kisses… Believe me, it’s not pretty at all and so sooo repetitive…

// ######################### // ##      CONSTANTS      ## // ######################### const area = document.querySelector('.area'); const face = document.querySelector('.face'); const mouth = document.querySelector('.mouth'); const eyeL = document.querySelector('.eyeL'); const eyeR = document.querySelector('.eyeR'); // ######################### // ##     CARESS HIM      ## // ######################### // When the mouse enters the area the face will follow the mouse area.addEventListener('mousemove', (event) => {     const rect = area.getBoundingClientRect();     const x = event.clientX - rect.left;     const y = event.clientY - rect.top;     face.style.left = `${x}px`;     face.style.top = `${y}px`; }); // When the mouse leaves the area the face will return to the original position area.addEventListener('mouseout', () => {     face.style.left = '50%';     face.style.top = '50%'; });

God bless my past self for explaining it so well, but tbf it’s really simple,,

style.css

body {     padding: 0;     margin: 0;     background: #c9c368;     overflow: hidden; } .area {     width: 55vh;     height: 55vh;     position: absolute;     top: 50%;     left: 50%;     transform: translate(-50%,-50%);     background: transparent;     display: flex; } .face {     width: 55vh;     height: 55vh;     position: absolute;     top: 50%;     left: 50%;     transform: translate(-50%,-50%);     background: transparent;     display: flex;     justify-content: center;     align-items: center;     transition: 0.5s ease-out; } .mouth {     width: 75vh;     height: 70vh;     position: absolute;     bottom: 5vh;     background: transparent;     border-radius: 100%;     border: 1vh solid #000;     border-color: transparent transparent black transparent;     pointer-events: none;     animation: mouth-sad 3s 420s  forwards step-end; } .face:hover .mouth {     animation: mouth-happy 0.5s forwards; } .eyes {     position: relative;     bottom: 27%;     display: flex;   } .eyes .eyeR {     position: relative;     width: 13vh;     height: 13vh;     display: block;     background: black;     margin-right: 11vh;     border-radius: 50%;     transition: 1s ease } .face:hover .eyeR {     transform: translateY(10vh);      border-radius: 20px 100% 20px 100%; } .eyes .eyeL {     position: relative;     width: 13vh;     height: 13vh;     display: block;     background: black;     margin-left: 11vh;     border-radius: 50%;     transition: 1s ease; } .face:hover .eyeL {     transform: translateY(10vh);     border-radius: 100% 20px 100% 20px; } @keyframes mouth-happy {     0% {         background-color: transparent;         height: 70vh;         width: 75vh;     }     100% {         border-radius: 0 0 25% 25%;         transform: translateY(-10vh);     } } @keyframes mouth-sad {     12.5%{         height: 35vh;         width: 67vh;     }     25% {         height: 10vh;         width: 60vh;     }     37.5% {         width: 53vh;         border-radius: 0%;         border-bottom-color: black;     }     50% {         width: 60vh;         height: 10vh;         transform: translateY(11vh);         border-radius: 100%;         border-color: black transparent transparent transparent;     }     62.5% {         width: 64vh;         height: 20vh;         transform: translateY(21vh);     }     75% {         width: 69vh;         height: 40vh;         transform: translateY(41vh);     }     87.5% {         width: 75vh;         height: 70vh;         transform: translateY(71vh);     }     100% {         width: 77vh;         height: 90vh;         border-color: black transparent transparent transparent;         transform: translateY(91vh);     } }

I didn’t show it but this also makes it so if you don’t pay attention to him he will get sad (mouth-sad, tried to make it as accurate to the movie as possible, that’s why it’s choppy!)

The .hover is what makes him go like a creature when you hover over him, if you want to change it just… Change it! If you’d rather him always have the same expression, delete it!

Anyway, lots of easy stuff, lots of code that I didn’t reuse and I probably should’ve (the eyes!!! Can someone please tell me a way I can just… Mirror the other or something…? There must be a way!!!) So now this is when we do a thinking exercise in which you think about me as like someone who is kind of dumb and take some pity on me.

LivelyInfo.json

{   "AppVersion": "1.0.0.0",   "Title": "Edgar",   "Thumbnail": "img/thumbnail.png",   "Preview": "thumbnail.png",   "Desc": "It's me!.",   "Author": "Champagne?",   "License": "",   "Type": 1,   "FileName": "index.html" }

Easy stuff!!! 

Conclusion

This could've been a project on git but i'm not ready and we're already finished. I'm curious about how this will be seen on mobile and PC,,, i'm not one to post here.

Sorry if I rambled too much or if i didn't explain something good enough! If you have any doubts please don't hesitate to ask.

And if you add any functionality to my code or see improvements please please please tell me, or make your own post!

[genericpuff]

YEESSSSS IT FINALLY CAME IN

i stg i was so scared these wouldn't show up, last week stupid USPS listed my order as 'delivered' when it very obviously WASN'T so that resulted in me having to call the post offices around town and then finally the main offices to put in a support ticket to investigate what was going on BUT like 45 minutes later it showed up so I can assume they found it somewhere it wasn't supposed to be and got it to the correct location this time.

ANYWAYS! This is a really cool self-published tarot deck that I saw advertised around months ago when it was still in production, usually I'm a little sus when it comes to item advertisements online but when I checked out the seller, this seemed to be a pretty reputable Etsy creator who was simply creating a tarot deck themed around Majora's Mask!

Majora's Mask is still, to this day, one of my favorite games of all time, and this deck beautifully merges my love for the game with my love for tarot reading.

Like with the vast majority of tarot cards, the art is the focal point, both in design and thematic messaging. Some card decks fail to express their card meanings, others fail to look appealing or unique.

This deck passed both tests with all the flying colors of its presentation.

It's very simple in execution, with the art contained within black borders that designate its suite/title and number, but that leaves all the room for the art to be appreciated. The artist has done a wonderful job capturing the original style of the game, as well as the themes of the cards themselves. Every single card design is unique, and you can really tell the creator deeply understands both the art of tarot reading and the intrinsic themes of Majora's Mask.

I'd love to do a more thorough video breakdown of the cards in this deck in the future, but for now, take this brief 10/10 rating from me, this was absolutely worth the money and wait! And it turns out I was real lucky too, because it sold out FAST on the seller's Etsy, but I'm hoping that means it was successful enough that it'll be stocked again in the future for anyone who wants to get one for themselves! It's not only a beautiful display of craftsmanship and passion for Majora's Mask, but a very fun deck to read and use ( ´ ∀ `)ノ～ ♡

[catboybiologist]

You don't owe me a response, and you can just delete this if it's not the kind of thing you're in the mood for tonight. But, you're someone that I follow closely enough to trust your opinions on this, while distant enough that I don't think I'm outing myself by sending this. Anyways, keep reading if you wanna see my gender crisis, I guess?

Suppose for a moment that I'm a man. A cis man. Definitely not trans. Definitely an ally! Or, at least, trying hard to be one. But, like, never felt any dysphoria from masculinity, manhood, or he/him/his pronouns.

Now suppose, for the sake of curiosity, that someone used a different set of pronouns for me. And let's further suppose that that other set made me... really happy? for some reason?

Am I allowed to be more than one thing? Or was I never really the first thing to begin with? I don't get that euphoria from my original pronouns, but is that just because I'm used to them?

I've tried a few different sets, anonymously, and only two novel pronouns cause the spark of joy, and there are some that do cause a mild discomfort.

What am I?

You've probably heard the phrase "you can do anything you want forever" thrown around a lot, but think about what that really means.

As long as you're not hurting anyone else, your life, how you want to be referred to, your identity, and your body are your own.

Here's my advice to you, both directly addressing your question, and going beyond it:

-experimentation is the first step of discovery.

-you absolutely can be more than one thing, whatever those things may be! Whether that becomes permanent or not doesn't make it any less real. It could be that you never were something, or it could be that you're something new now. All of that is legitimate.

-This entire question is wrapped up in an identity question. If you want that answered, go for it. But based on the rest of it, it seems like you have a very clear idea of what you want, and you're being back from it by this question of what you "are". This is self defeating. Identities are dynamic. They are both found and created. In the process of living how you have to live, to be happy and to bring joy to the people around you, you will create, discover, and destroy countless little facets of your identity. Everyone does.

So if this question is stopping you from doing anything, forget about answering it.

Instead, ask yourself what actions you're going to take, including asking people to treat you a certain way.

You like a certain set of pronouns? Ask people to refer to you that way!!! That is a thing! You can do! No matter what you "really are"!

And someday, after a long time of doing that, you'll find that this question is a lot easier to answer.

[l-in-the-light]

The Red Line and the All Blue

I have been thinking about the All Blue lately. I really, really like the theory that to get to the All Blue we need to destroy the Red Line. But there's just one problem with this. It lacks story reason. It doesn't have the oomph the usual mysteries in One Piece deliver. It's like the fandom discovered this piece of puzzle and left it on display, instead of trying to connect it to other things to make bigger sense of One Piece's world.

Red Line is called, curiously enough, a line.

If we ignore the seabelts, it looks like it seperated the world into two parts, two halves, because that line goes all around the globe. Interestingly enough, it seems like the North-West part is the one that is scientifically more advanced in comparison to the East-South. We have the family of best doctors the Tragalgars and botanists Mont Blancs in the North. Germa Kingdom with it's advanced science also is located in the North. And there are also Ohara's scholars in the West.

Meanwhile, there's no notable locations like that in the South and East, and most places seem to look very primitive there (lots of villages and small towns, not counting Goa Kingdom itself). In South Blue it seems to be similar, though there's one exception: Torino Kingdom. It looks primitive but actually hides lots of advancement. This makes me think that (at least some places in the) East and South might be pretending to be more primitive that they actually are, hiding their inventions. Flevance or Ohara were pretty open about their achievements, knowledge and technology, like it was to be expected that they're advanced and proud of it.

Oda doesn't really expand much on West and South Blues, but we know quite a lot about East and North, so I will focus on them primarily as we move on.

Shakky makes it sound like calm belts are means of protection, not something posing danger, like we were led to believe so far. But now they're not so safe anymore because of scientific inventions. It makes it all seem like calm belts were placed there intentionally somehow and aren't a result of coincidence. Not even Marines could go to the calm belts before using Vegapunk's inventions.

Now the question we should ask is this: what are calm belts protecting? People like the Kuja tribe (personally I think Kuja are just benefitting from it, they weren't the original purpose)?

Or... perhaps to protect the Grand Line itself by seperating it from everything else? And by extension, also from the Marines. Grand Line is the place where all pirates go who seek the One Piece, it can't be a coincidence.

"This is the boundary between justice and evil!" said the Marines as they painted the line and told everyone to respect it. What we know from the Void Century so far is that it was a war between two different ideologies. What if the Red Line is the result of those two fractions seperating from each other, literally dividing the world into two parts? "Don't ever cross that line". Crossing the Red Line is definitely a difficult thing to do for normal people and if anyone crosses it it's either Marines or Pirates. It divided the seas for forever.

Vegapunk also said there are still scars left on the world from the Void Century's war. Not only the world sank by 200 meters, apparently there are literally traces from the war left behind, and normally you would expect to see some ruins. But 800 years passed already and so many nations are so fast at rebuilding their kingdoms, what possible "ruins" or "scars" could be left behind that are still visible? Unless... those scars are the Red Line and the calm belts. It would be indeed very challenging to get rid of those. Coincidentally we have no idea when the Red Line got created. All we know is that Lunarians used to live there at some point. Marco knows that from Whitebeard and I wonder who Whitebeard heard that from? Perhaps Roger, because Roger told him what the D. stands for, so why not that as well.

Unless it's somehow connected to the D.

Because in the "land of gods" this is what welcomes the visitors. Cloaked figures of warrior-guardians (my guess based on their looks alone), those on the left wieldings swords, those on the right spears. This must be a relic of older times, because it has literally nothing to do with Celestial Dragons. And it kinda fits the idea that current Government just stole the older structures for themselves. Impel Down (that bears poneglyph-like writings), Gates of Justice, Marie Geoise, they might have even had different functions long, long time ago. What all those locations have in common is their advancement and heritage that seems not to be used to it's full potential, more like recycled for a different purpose. Impel Down was probably never a prison to begin with. If you want more headbending mysteries, then I can't reccommend enough to play One Piece World Seeker. Just the map alone of the Jail Island raises so many questions. It's also a mining town and has an underwater prison as well...

This looks like there was once an entrance or a passage way, allowing the ships to go through between the North and East Blues. It has been sealed off or something else was done to it.

Curiously enough, doctors were the ones allowed to pass the line between "justice" and "evil". Because doctors save lives. We know Trafalgars were apparently a family of doctors for many generations. It is possible they didn't even originate in the North Blue, but moved there at some point. Because doctors are allowed to cross borders.

Many people speculate that the red figure of Luffy (or is it a statue of Joyboy?) symbolizes the Red Line in the logo of One Piece. The horizontal lines are the calm belts protecting the Grand Line. What's the anchor and skull&bones with the Strawhat then? In the very first chapter of One Piece Luffy wears this shirt:

Is the anchor Luffy, or rather, the East Blue where Luffy comes from? Is the skull and bones with a strawhat the North Blue then perhaps? So then, the idea behind destroying the Red Line would be to finally connect the East and the North Blues together again, seperated for centuries. That might be what the rope symbolizes: connect them together (coincidentally, the "full" name of One Piece treasure includes the word hitotsunagi which might have a second, double meaning: connect the people). The goal of destroying the Red Line is to bring the two seperated seas back together, and by doing that we discover the All Blue. Perhaps, long long time ago, in the ancient times there was only one sea.

Zou is on the back of Zunesha for over thousand of years. That's way before the Void Century even happened. Which means minks have the knowledge about the world that dates back a thousand years. And back then there was only one sea, the All Blue, and 5 islands in the whole world. It's likely the world was not divided yet into two parts with the Red Line either.

Why is the skull munching on the rope, I have no idea.

I have a hunch this is all part of the plan. Roger's plan and Joyboy's plan (yes, I believe Roger did something as well to help Joyboy's plan to succeed). They're waiting for the "right people" to show up, after all. They are stationed in certain places that can't be avoided on the voyage to Laugh Tale, like Twin Capes, Sabaody... all ships have to pass through these locations on the Grand Line.

Maybe they helped fate a little?

But clearly fate isn't all there is to the story.

Merging those symbols together get us a "sun" symbol we have seen in many places before (like Alabasta and Shandora and Kozuki's clan, they're all the guardians of the poneglyphs and had possible ties to Joyboy). Blackbeard has it too, he apparently likes to study history, so maybe he knows some secrets.

My current bet is those two fractions used to be one, then they divided into "crossbones" (later outcasted and villainized, perhaps?) and "crosses" (World Government, the "good" guys or in other words: the winners).

But I bet you anything there will be a twist, or even few twists, here. There's no way the final answer will be that simple ;) And I'm sure Joyboy's plan will be one crazy ride as well :D

[kingofbodyrolls]

For this rainbow, I finally picked up my professional camera again. The last images stored there tells me that the last time I used it was the 1st of December 2023. Wild. But I picked it up thanks to this pretty rainbow, which was actually a double rainbow. So pretty. This image is made up of three into a panorama shot, and Lightroom was a bit funky with putting them together, so please don't mind the badly processed house in the middle; no, we're not looking at that 😂

For people who want a wall of text status update, it's under the cut.

How are you all doing? I'm hanging in there. Not active much, but I still haven't gotten myself into deleting my tumblr app. So I still see and get all your notifs, even if I don't reply right away! I'm still taking time off, trying to figure out what I want to do with the blog for the future... I have not written a fanfic in some time now, but I have two finished stories that are ready to be published, but I'm not sure. I'm not sure about a lot of things these days... I've had dark days, written a lot of sad and dark poems (that will go on my sub blog some time in the future), and I've begun to write an original story. It's really fun; about magic, witches and mages; about good and evil and all the gray in between. It will probably bore you, but it's fun to write, even though I don't think anyone would read it except for a few friends (even though this thing might be the longest thing I'll write, turning into either two or three books lol).

Serotonin boost I get happy when I get notifs with comments and/or reblogs of my stories; it really touches my heart. To be honest, this is why I left/taking time off. I've always felt that interaction was low, and my stupid brain will not let me stop comparing myself to others, so it slowly killed my drive for writing and posting. If no one interacts, what's the point of posting? If no one interacts, what's the point of writing? But I love writing, and it's one of my creative outlets, so I couldn't let that go completely, hence I started writing original stories instead; no ones gonna read them anyway, but I can still play with characters, world building and storytelling. Those are the things I loved about fanfics---and I still do, don't get me wrong. But I feel so discouraged being on here. But I'm happy to know that a few people still care.

The Downfall This also made it quite hard for me to read; because I felt so unmotivated... I haven't read much this month at all. I tried to read a fanfic this Monday, didn't finish it and haven't picked it up since. Honestly, I've just been watching documentaries because I'm in a (tumblr) slump. I feel drained though; I feel like I've given so much, and I love it. I love making people happy, leaving lovely reviews, and it's as much for myself as it is for making another person happy---but to be honest, it has drained me. I know I shouldn't ask for anything in return, but I feel imbalanced. Like I'm not being filled with much love, if that makes sense? I don't really feel appreciated, but don't get me wrong, I don't feel hated (yeah, I'm so good at being black and white), sorry---I know I sound very pessimistic. But you guess have always been so kind to me, and I love you a lot, and I have a few super lovely mutuals and friends that are lovely internet friends that I adore, so I wanted to be real with all of you. You can hate me for it if you want to. Go ahead.

I don't think I'm going to make a recommend list this month. I haven't really read anything, so it'll be really small. And I don't like the pressure of it anymore... which is why for a long time I've thought about not doing them anymore. Maybe some day I will again in the future. But I'd still love to make rec list on the member's birthdays! And I think this will help me, take some pressure off myself (that I've created myself), so I'll still read and rec, it will just be slower---whenever I feel like it, and not because I have to read to make a monthly rec list. This isn't my job, I'm not getting paid doing all of this, and the amount of time I've been spending on both reading and writing is more than 37+ hours a week, sooo. I have to slow down.

A part of me thinks that I flew too fast, too high and too close to the sun, lol. I'm still gonna be here, you can still send in asks for rec list or whatever you want, all is welcome (except hate, because then I'll simply just delete my blog, my mental health can't take that).

To post, or not to post? Should I post the two stories that I have? Both of them are for the series Friendcation.

And for the unfinished mermaid stories I still have left, I hope I'll finish them in the future; when, I don't know. Maybe one day I'll feel love for them again, to finish them. I have them all planned out, but like I mentioned before, with low interaction, I'm really not motivated to finish them, even though part of me really want to for the like five people that are so sweet and invested, and always comments and reblogs (you guys know who you are, and I love you so fucking much 🥰).

To all the stories I'll probably never write...

I still have some other unfinished but planned stories, and I'm gonna list them here, just for the hell of it. Don't know if people would have found them interesting anyway, but here goes:

Words on a Page (a Namjoon x reader, idol!au where reader is a fanfiction writer and interviewer for a magazine and has to interview BTS). Author's comment: probably never gonna write it. It has been done before, and it was just a very very silly dream I had.

Songs of The Heart (a Jimin x reader, musician!au where Jimin is a single father and reader moves into the house next to his, hear his lonely songs etc, they meet, talk, very angsty, sad and nostalgic and 'Who' coded). Author's comment: this idea came to me after listening to 'who' and then thinking about Jimin being my next door neighbor, yeah, that's it. Don't know if this will ever get written.

IT Support (a Jimin x reader, office!au where Jimin is your nerdy coworker, but a freak in the sheets, lol). Author's comment: this has honestly been on my list for years, but I never written anything for it, and I probably never will, even though I've made the banner and all.

I do have a few more, but I've already scraped those, and then there's the four mermaid stories to add to the list. I'm probably mostly excited about the mermaid stories, and those would be my priority if I ever get back into writing fanfiction again.

I swear, I'm almost finished... Okay, this whole thing has gotten incredibly long. Sorry. Before I end this post, I just want to say how happy and grateful I am to each and everyone of you. I've met some incredible nice people on here, some really caring ones. I'll never forget that. And I'll never forget each wonderful and lovely comment, some people have really helped me, motivated me when I felt low, and when I wanted to stop writing a few months back. Thank you. I kept going, and I wish I could keep going for you, making something special, for the special people I met here. I actually really wanted to do requests for you guys in hopes that it would motivate me into writing, but I just don't know. I still want to give so much back to the people who have hyped me up, so I'm going to tag a few of you lovely people--- if you have a request for a story, you're welcome to message me or send me an ask. I don't know if or when I'll write it, but in case I get a bit of motivation, I have some things I could write from, so if you want to, you can send me a request (just keep in mind the story will probably be a one-shot from 10-20k max or maybe shorter, lol, you never know with me). You don't have to send me a request, I simply want to give back to some lovely people. I wish I could hug you.

@letjungcoook7 @honeybloomyyyy @babystarcandyjk97 @minpdrecs @bobathi @allie-is-a-panda @back2bluesidex @gimeow @antisocial-mochi267

These are but just a few of the people that have supported me on there, either by commenting, reblogging, ask, messaging--you name it. I could list many others, and one day I might make a post celebrating all mt lovely mutuals, that means a lot to me. Thank you for interacting; you've (as long with others) helped me when times were tough. Thank you.

I had actually planned to open a "recommend a fic" section/box, but I'm not sure about that. I still have so many fics on my to read list, and right now I don't want to pile more onto it. Might do it in the future, when I've finally made it through my own lists.

Okay, I have to end this post for real now.

I'm still on tumblr, I still have my app. I deleted my discord app on my phone, but I'm still part of the servers I was before, I'm just not active. It's better for me that way right now, because it all got to be too much. I was just reminded of how much of a failure I feel like (no, we're not getting into that not, store it away). But you can always contact me here. I'm lurking sometimes. I look forward to reading in a more leisurely pace and hopefully not feeling pressured to make the rec lists as I did before (even though just for the completionist in me I want to finish them for just this year, lol).

Okay. If you read this far---thank you, I adore you, I love you, you're nice, keep going 💜