#because i originally created to be FOR ME
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on hwang in-ho/front man, seong gi-hun and their dynamic.
first, idk why people are getting so upset at other people calling gi-hun dumb, we were told that in the first season. lol being bright is not his strongest trait but he has a good heart and we love that about him. however, he is still an idealistic gullible idiot with a gambling problem. except this time his gambling addiction is backed by a sense of justice and righteousness and he no longer gambles with money, he’s gambling with people’s lives. front man asked a good question at the end of the season, “did you have fun playing the hero?” can we even call gi-hun the hero of the story anymore? he gambled with people’s lives and front man showed him the consequences of his moral heroics.
front man only agreed to help gi-hun with his revolution when he mentioned about "small sacrifices for the greater good". i think he reveled in the fact that the “good guy” was willing to allow a few innocent people to die for the greater good to stop the games, which is exactly what the entire VIP theory is to rid the world of 'trash' to improve the world. notice how gi-hun's moral code and belief also changed, from being "nobody should die" into "yeah small sacrifice is okay as long it's for the greater good" at this point, he just proved that front man's belief is actually valid. AND he gets more of his own people killed in the pointless battle with the soldiers that they had no chance of winning. now he gets to feel responsible for all those deaths and the death of his friend and for whatever additional torture they cook up in the next games (as punishment for the escape attempt).
now on hwang in-ho, i believe he was once a good man and the story he told gi-hun was the truth. but in the end he lost a kidney, lost a wife, a baby, lost his money, got fucked over by the wrong people and got into serious debt and had to play this game to help his wife and probably it was too late to save her. he might have played the games like gi-hun but saw how ruthless and greedy people are and resolved that they don't deserve help
i don’t think in-ho wants/will kill gi-hun, but he wants him to understand things from his perspective and show him that his compassion for the people in the games is foolish. you can tell the frontmen (the old man and in-ho) are extremely fond of gi hun. not only did he protect their original front man when nobody else did, he then won the games and thus their respect as he is now as rich as them. he's no longer "trash", he’s an elite like them. i think they both actually kept tabs on him after he won (i wonder if they do that for all winners? inserting them with gps chips?) because they knew he had not used his reward money and in-ho wanted gi-hun to get on the plane and be happy with his daughter
there’s one interesting aspect of the games that makes front man such a complex character. the fact that they’re operating a organ transplant trafficking network. in a way, he’s creating some good to come from a really fucked up situation. but is it really for the good of others who desperately need it, people like his wife, like his brother? or is it just a money making scheme?
either way, i don’t think there is going to be a redemption arc for in-ho, he’s too far gone. we may get to see more of his human side if he manages to see jun-ho again. the only time we’ve seen genuine emotions from him was when he shot his brother like he seemed distraught
the real cliffhanger for me, is will gi-hun stay true to his belief that people can be good, or will he be forever changed into a villain and become the next front man…? after the events of this season i don’t see how his will doesn’t shatter. he’s witnessed how humanity consistently chose money over survival, he’s lost two close friends, his mother, abandoned his daughter. he has gained nothing from wanting to stop the games and this clearly feels like an origin story for the next front man. it’s clear the front man has won this round and i think squid game will either die with 001 or continue with gi-hun as game master
another thing i find funny that i don’t see many mention is how gi-hun is like the luckiest guy in the fucking world. but i don’t think him being alive this long is plot armor, it makes sense. the games exist for the entertainment of rich sadists who have so much money they don't know what to do with it (remember what old 001 said in s1 about life being no fun for both people with no money and people with too much money). and i’d imagine killing hundreds of poor debt-ridden fools year after year gets boring. especially when said fools are desperate enough to gamble with their lives because they think they can beat the system by playing better than everyone else and surviving and getting the money.
gihun is different because he got the money, got out, and still came back. not because he's unfeeling or because he wants more money, but because he's still convinced he can beat the system.
if you're a rich bored gazillionaire, would you rather watch some randos die or would you rather watch this exceptional idiot fail again and again until he learns that his ideals are meaningless and people are inherently greedy and equality is a myth and people at the bottom of the barrel don't get to question the system?
if you're an asshole gazillionaire, you don't want someone to challenge you and just get away with it. you want to hand them 45.6 billion won and make them go away quietly, traumatized, after breaking them psychologically by making them do horrible things until they understand they're just powerless "horses". if they insist on challenging you and your system and your beliefs (money = boundless power), you teach them a lesson and show them their place in the most manipulative and cruel way possible. if gihun dies right away, that's boring. so he can't die, he needs to suffer. he needs to concede defeat.
also, i find it funny how people are comparing hwang inho and gihun dynamic to hannibal and will graham. makes sense, their whole cat and mouse game, front man hiding his true nature from gi-hun the same way hannibal does, trying to corrupt the righteous protagonist, sowing chaos, testing him and observing his behavior like a lab rat, the crazy tension and staring contests, the gaslighting and manipulation. and with the fact that they think lee byung-hun looks like mads mikkelsen. i never put the two of them together but now i can’t unsee it lol
#this got long sorry#thanks for attending my ted talk#the message is still clear: eat the rich#kdrama#squid game 2#squid game#ginho#gihun x inho#frontman#hwang in ho#seong gi hun#lee byung hun#mads mikkelsen#hannibal#will graham#hannigram#lee jung jae#meta
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please do one where Thanos starts off as your unlikely ally in the games, protecting you from danger and helping you survive. Over time, his protectiveness becomes obsessive, and he begins eliminating anyone he sees as a threat to keeping you by his side even as you start to notice his unsettling behavior you can’t escape his grasp🙏
Thanos/Choi Su-Bong - yandere bf
Synopsis: In an attempt to escape from Thanos, you join a game promising money that will help you escape him. Unfortunately, he also seemed to have joined the game.
A/N: I may have combined this with two other requests bc they were all so similar so.. i hope thats okay !!
Warning: yandere thanos, choking
If you had told your younger self you’d be in a game of death with 45.6 billion won up for grabs, you wouldn’t believe it. And yet, it’s true. After the tragedy that was Red Light, Green Light where many people met a rather unfortunate fate, you realized it’d be in your best interest to find someone you can trust and form an alliance with them.
Unfortunately for you, your boyfriend, Thanos, happened to also be a part of the games and had been watching you from a distance since he spotted you in the first game. You had originally wanted to get away from him because he was nothing but toxic though now it seems Thanos was one step ahead of you. That, or you just had terrible luck and Thanos decided to come here on his own accord.
You didn't have time to think about it though because he suddenly got up and left his little group behind to make his way straight to you. He didn't seem happy at all. Perhaps it was because the last conversation you two had was an argument that was left off on a bad note.
“Where have you been? Were you avoiding me? That makes me really fucking mad, you know,” he says as he grabs your wrist so you can't just walk away from him. Not like there was anywhere to go now. You were stuck with him here.
“I was just taking some time for myself,” you respond defensively. You really just wanted to get away from him which is why you were here in the first place. Your original plan was to win some money and then disappear so you'd never have to deal with Thanos and his crazy behavior again. It was suffocating to be near him.
“Time for yourself? Don't fucking lie to me,” he says as he brings you closer to him. Nothing about him was gentle. Not his touches, or his kisses, or anything. “Well, you've had your time. You're not leaving my side now,” he continues as he looks down at you with a glare. He wasn't leaving any room for you to defy him. In his eyes, you belonged to him. You were his property and that meant you couldn't go rogue and do what you want.
“You don't get a say in that,” you say as you lean back slightly to try to create some distance between the two of you. He lets out a bitter laugh before grabbing the back of your head, entangling his fingers in your hair, and forcing you closer. “Yes, I do. In case you forgot, you're stuck in a death game with me. Do you really think anyone else will help you? Nobody else here gives a fuck about you. The moment they get the chance, they'll let a bullet go through your head,” he says as he looks down at you with a slightly crazed look.
You'd like to make a counter point but he’s not exactly wrong. A lot of the people here didn't seem to be trustworthy. Not like Thanos was any better but he probably wouldn't purposely kill you if you didn't piss him off, right? As much as you didn't want to, you realized you didn't have much choice. Unless you want to make an enemy right after the first game, Thanos was your only hope of surviving the rest of the games.
“That's better. Just keep your pretty lips shut and let me do the talking,” Thanos spoke with a slight smirk. You didn't respond to that knowing that you'd likely make some sarcastic quip that would piss him off if you did. You didn't have a choice this time. You couldn't run away to another country. You had to give in just this once.
You'd soon come to regret that decision.
Somehow, Thanos had only gotten worse. He was always right next to you, no matter what. Either his hand would be over your shoulder or he'd have a tight grip on your waist. When it was lights out, he'd force you to sleep in the same bed as him. He'd kiss you all the time too but it was always rough with teeth clashing against each other and his tongue shoved down your throat.
You didn't notice it got worse until it was far too late.
The moment of realization was during the third game. The game was called ‘mingle’ and it was simple enough. A number would be called out and you'd have 30 seconds to form a group of that number before getting inside one of the fifty rooms.
Everyone stood on a circular platform in the center of the room and, per usual, Thanos had his arm over your shoulder, keeping you close to him as he spoke to his other stupid friend. The platform began to spin slowly as a childish song played. When the platform came to a sudden stop and a number was called out you formed a group and ran into a room.
It was all going fine as you planned strategic moves and managed to keep on surviving. At least, it was going well. Until the last round when the number 2 was called.
Thanos had immediately taken your wrist and dragged you towards a room, leaving behind his idiot friend without a second thought. However, the room was quickly stolen by two other players. You thought Thanos would just go to the next room over but that was not what happened.
Instead he pushed open the door and immediately grabbed one of the guys by their hair. He didn't think twice before he forced him out of the room. The other guy made an attempt to help but Thanos slammed him against the wall, his hand going around his throat as he choked him. The look in his eyes was far more scary than you remember. You could hardly process what was happening before the guy was punched in the face and pushed out of the room.
Thanos pulled you in just before the door closed and locked. The sound of gunshots rang out soon after as Thanos huffed in annoyance. He looked guilt free despite the fact he was very much responsible for the death of two people. Actually, now that you really thought about it, he had killed other people in the previous games too.
Fuck. You were beginning to regret your choice of becoming his ally. You'd have much rather found someone else who could protect you from him because he was clearly fucking crazy. Crazier than he used to be. You thought he was just a manipulative, toxic bastard. You didn't think he'd be truly capable of murder.
“Fucking dickheads,” Thanos mumbles under his breath with annoyance before glancing at your face. The corner of his lips quirked up when he noticed your expression and he wandered in front of you. “What? Something wrong?” He spoke though he already knew exactly what you were thinking.
“You killed those people,” you said as you looked up at him with a combination of fear and disbelief. He laughed in response before reaching a hand up and grabbing your face. “For you, baby. I fucking killed them for you,” he said as he looked down at you with a smirk. He found your expression such a turn-on really. The idea you were afraid of him meant you'd submit to him and that's all he wanted.
“You're fucking crazy.. crazier than I thought,” you spoke as you tried to step back and create some distance between the two of you. In response, he slammed you against the wall and got very close to you.
“You're only just realizing this? You don't realize when I snapped the ankle of that bastard who looked at you so he'd lose? You didn't realize when our ‘friend’ and I returned but he had a bleeding nose?” He spoke as he got into your face with a dangerous grin. Well, when he said it like that, it became abundantly clear he had been killing and hurting people left and right since day one and all for you. You just had been too caught up in his behavior towards you that you didn't notice how he acted with others.
“Mm. Fuck, I love that look on your face. You're so afraid. Good. Because you're going to learn that you're mine forever, yeah?” He spoke as he brought a hand to your throat and squeezed it tightly. He let out a laugh as he choked you like it was the funniest thing in the world before slamming his lips to yours in a rough kiss.
It was then you realized that, no matter how hard you tried to escape, you were his now - you always have been - and you will never taste freedom on your tongue again.
#thanos squid game#squid game#squid game 2#squid game season 2#squid game x reader#thanos x reader#choi su bong smut#choi su bong
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UGHHH the way viktor was afraid of people forgetting his accomplishments and how his memory will be short lived only for it to ACTUALLY HAPPEN is SO FUCKING HEARTBREAKING
because he was never included in the hextech credits, his name isnt as publically known and ppl will only see him as That One Guy who started a cult and tried to take over the world or smth (IF that. like do most people even know thats viktor in there or is it just another Piltover’s nameless baddie of the week to them… sad)
and the FEW people who knew him and his contribution to hextech are either just dead or probably saw him as a villain as their last memory of him, was he even worth saving in their mind??
the ONLYYYY person who understood him and loved him for who he was (other than sky ofc, who also died lmao) was taken with him in death, so viktor’s story wont even live on in honor for how he truly was and what he really stood for, bc jayce is the only one who can accurately describe him post-mortem
and people will probably think jayce (THE GOLDEN BOY, MAN OF PROGRESS in the eyes of piltover) died trying to fight him bc no one knows what their conversation was about before they went out, or how jayce was willing to sacrifice himself too because he shares blame in it all, so theyll likely just villainize viktor for that as well, 'the one who killed jayce talis- creator of hextech'
and no one is alive to mourn him :( so fucking depressing
also i dont blame jayce for 'taking all the credit' like some people do lol ive seen ppl say he was egotistical and taking it all in for himself and pushing viktor aside, but he literally always says viktor is his partner and never implies that HE ALONE developed hextech or that hes the sole creator in it all
like its always been 'OUR inventions' and 'my PARTNER' and 'WE created this' whenever jayce talks about hextech. he literally corrects viktor from "your [jayce's] hextech dream" to "our hextech dream" the very first night they partner up bc, despite knowing this man for maybe 4 hours max, he already recognizes the importance of their partnership and that hes not the sole idea-man in this project anymore
i think that whole negative idea was probably developed from jayce signing every single page in his notes,, but itd make more sense to me that he'd do that- not out of arrogance- but he might share the same fear that viktor has: in being forgotten for his work... so he signs every page making sure no one can take a piece out of context and pass it as their own years down the line, or erase the possibility that forget the origin of the creator, especially in a world where a species like yordels are seemingly immortal, names hold a lot of weight as time withers tangible things away
and im assuming jayce recognizes that the fact that being from the undercity could have easily silenced viktor's ideas and contributions in the eyes of the public, and jayce doesnt want to diminish his work towards it. two very important lines jayce hears from viktor that night are "do you think i want to spend my whole life as an assistant" and "a poor kid from the undercity, no one believed in me, i was an outcast the moment i stepped foot in piltover" and he probably took those to heart (paraphrasing those quotes bc i have the memory of a goldfish or smth)
i feel like its moreso piltover to blame (? imo) lmao they set up jayce as the golden boy, and piltover is all about names and status and wealth. they very obviously discriminate against zaunites (and viktor himself states that too) like yeah we dont see the whole process of The Man of Progress being made,, BUT viktor expresses how he doesnt want to go out in front of people in Progress Day, so jayce is very much just respecting his wishes and boundaries to not drag him up there when hes clearly uncomfortable at the thought yk?
viktor might also recognize himself that piltover will use his knowledge as a celebrity idol for people to look at rather than as an actual scientist for people to acknowledge and appreciate. he wants to be known for what he did, not a soulless face for people to gawk at. makes sense tho, irl u usually dont remember celebrity actions unless theyre negative, but you do remember scientist's accomplishments rather than what they look like
ppl bring up the hexgate blueprints at the end and how it only has Jayce's name on it as another argument and idk i feel like it has multiple things to stem off that before getting to the 'jayce took credit for everything' idea?
maybe they were changed after the whole cult incident, like viktor's name taken off, which yeah thats obviously depressing in itself. i think its more likely bc piltover wont want their whole gimmick to be associated with that incident, rather than jayce purposefully leaving viktor's name out of it... thats probably the strongest explanation imo. we gotta remember viktor is quite literally jayce's best friend- do you really think jayce would take away his best friend's accomplishments like that? lets be real yall HAHA
my own guess is that jayce was actually the sole designer in the hexgate design, and while they can share custody, maybe viktor doesnt take credit for things that werent his ? like yeah they worked on the hextech ideas together but it could be more like jayce drew up the plans and viktor helped with the science of it idk, but thatd explain why only jayce's name would be on it (in a non depressing way that kind of makes sense), bc jayce designed the hexgates specifically
maybe viktor didnt want his name on it either bc reasons i said above, tho this is unlikely to me bc he probably wouldnt want his name taken off if he was scared about legacy erasure,, but these are just theories idk
anyway i think blaming jayce for viktor's erasure is kind of - uhm -stupid because jayce has always made it his goal to not just save viktor but to include viktor every time he brings up hextech in conversation, whether it calls for his mention or not. because jayce knows drilling viktor's name association as co-contributer to hextech into the heads of other people is important, considering viktor's background, and jayce's own current social status as the golden boy: the leverage he holds when he speaks. people will listen lol
#i know people have already said this so many times but GODDDDDD#kats movie rants#arcane#jayvik#viktor arcane#jayce talis#karcane
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you and me (let's make something great)
author's note: so i had an idea, and originally, it was gonna be a ficlet mainly focused on debauchery. BUT THEN my brain decided to turn it into something longer with plot, so here we are. it's very soft in the first bit but don't be fooled, it gets filthy as it progresses. please enjoy!
cw: gp!vi, afab!reader, pregnancy talk, breeding kink, dirty talk, nsfw 🔞 (primarily in the second part)
wc: 3.3k
dividers: @/cafekitsune
part i: let's talk about it
There’s always been talk of starting a family.
Kids with the white picket fence and a garden large enough for them to run around. Maybe a dog or two and a cat because you’ve always spoken about how much you want one. It’d be everything that’s so simple and expected of a family, something so ordinary that it’s almost laughable. But you and Vi never had the opportunity to experience what the ordinary family is.
She grew up an orphan with only her sister by her side, only able to survive due to Vander’s kindness.
You had your own set of problems; a family that didn’t listen or could listen but choose not to.
So to have a family where you can give your children the life you weren’t able to have, that means the whole world and more.
Vi toys around with the idea of asking you again, about the possibility of starting your family as soon as possible. You’ve been together for ten years and married for two, and life has never been as perfect as this.
You’re both doing well at work, bills are being paid on time and there’s even some savings in your joint account. Even savings to potentially look into starting something if that is what you want.
You’re swaying around the kitchen, speakers blasting your playlist as you cook up dinner for tonight. You’ve settled on a simple pasta dish, warm and spicy with delicious herbs. The sauce is bubbling away on the stove and your hips follow the stir of your wooden spoon. You bring the spoon up to your lips, blow gently before having a taste. A hum leaves your lips as your eyes flutter shut, pleased with what you’re creating.
Vi’s enchanted by you and one might call her silly, to be captivated by you merely making dinner. But it’s the mere act of it, the domesticity of it all and how you show your love through everything you do. Even if it’s cooking a dish that you’ve both eaten a hundred times before.
That’s what being in love is and Vi is greedy to share that with someone who’s both her and you.
“Taste this for me?” You ask, facing where she’s sat at the kitchen island. Vi’s quick to hop off her stool and make her way towards you. Her arms encircle you the moment she gets close and your smile brightens at the touch. You lift the spoon up to her lips and even though she knows it’s delicious, Vi goes in for a taste. She mimics your pleased hum from before, swaying you to the slow beat of the song that now plays.
“Babe, you crush it every time,” Vi reveres, causing you to roll your eyes fondly. “How do you do it? Were you a famous chef in your past life or what?”
“It’s pasta sauce,” you respond, voice deadpan but expression vibrant. “The same pasta sauce we’ve been making for five years and can make with our eyes closed.” You turn around in her arms so you can attend to the sauce, Vi taking this opportunity to latch onto your back. She nuzzles into the curve of your neck, pressing a kiss into the sensitive spot there just so she can feel you shiver. “It’s hardly Michelin star worthy.” You pause. “Wait, can dishes be given Michelin stars?”
“Fuck if I know,” Vi murmurs, hooking her chin over your shoulder and settling in. From here, she can see a pot full of water boiling for pasta and the sauce thickening nicely in its pan. “So I want to talk to you about something.”
“We can’t go to the water park next week,” you say, amused. “We’ve had this discussion like six times and as much as I would like to go and hit the wave pool, there’s no—”
The laughter that bursts out of Vi’s mouth is enough to hurt her chest. But it doesn’t stop her from cackling, burying her head into your shoulder in an attempt to muffle how loud she is. She can feel the shaking of your body and hear your lovely laughter as you join her, fully leaning into her chest for support.
“No, you idiot,” Vi manages to say through her chuckles. “Oh fuck you, this was supposed to be a serious thing.”
“Why do you think I said what I said?” You retort playfully and Vi falls even more in love with you, as if that’s even possible. “But tell me what’s on your mind, baby. What’s going on?”
Vi takes a deep breath, closing her eyes for a second to gather herself. When she opens them, you’re turning off the burner for the sauce and reaching for the fettuccine to the side. Just as you’re pouring the pasta into the bubbling water, Vi’s thoughts spill out.
“I want to have a family with you.”
You go still for a moment, your arms poised above the boiling water with the empty pasta box in your hands. Vi’s unable to see your face but she isn’t necessarily worried about your reaction. It’s a conversation that you’ve had multiple times over the span of your relationship, but today is where you start taking steps towards putting it in action.
“Well, yes,” you start, placing the pasta box back on the counter. Then you’re turning in her arms so you’re facing each other again, your eyes peering into hers. “We’ve spoken countless times about this.” You smooth your hands over the rounds of her shoulders, your face soft. “I’m still very much onboard with this because I want to have a family with you too. But I’m guessing you want to talk about a timeline.”
Vi nods, momentarily speechless because you always just get her, even without her having to say anything. She pulls you away from the stove to sit you on one of the kitchen island’s stools. She notes how you eye the pasta and makes a mental note to attend to the pot after five minutes.
“We always did say that we’d really start considering it once we’ve gotten our lives sorted,” Vi says, standing between your thighs. “And I’d say that our lives are pretty solid. We’re no longer in debt and we’ve got a decent amount saved away.” Her fingers play with your hair, causing you to lean into her touch. “So I thought that now would be a good time to try.” Vi then shakes her head. “Obviously, it’s your choice because it’s your body and I’d never want to pressure you into doing anything because of me and—”
Vi doesn’t notice she’s rambling until you’re pressing your finger against her lips, fond amusement colouring your features.
“I married a good woman,” you say, so tender that Vi feels her heart swell so much that it hurts. It presses against her ribs, pushes up on her lungs making her breathless. It makes her cling to you, hiding her head into the curve of your shoulder. Your hands come around to run soothingly down her back and she melts. “I know it's my choice, baby. You've never made me feel like it wasn't.”
Despite Vi knowing that, the relief that hits her is cool and instant. It's always nice to hear that she isn't pressuring you; that she's allowing you to make your own choices regardless of what she wants.
“I've always wanted to have children with you,” you continue, still running soothing patterns down her back. “That's something that has never changed and probably never will.” You then lean back and Vi's graced with the excitement in your beautiful eyes. “I imagine a little kid who's a mixture of me and you. Maybe my hair and your eyes or vice versa.”
“I hope they get your personality,” Vi says softly. “That they get your kindness and empathy. Your patience and wisdom.”
You laugh quietly, closing your eyes to hide from the blinding of Vi's earnest gaze. You're embarrassed, she can tell, and that makes this moment all the sweeter.
“Well, I hope they get your strength and conviction,” you reply, tilting your head up so the tip of your nose catches the softness of Vi's cheek. “That they get your loyalty and ambition. Your sympathy and empathy.”
Vi's cheeks burn at the compliments you dress her in. Compliments that you would call truths because that's how you see her. Even under all the mess and mistakes, you see the diamonds that rest beneath the dirt.
She'll never understand why someone as special as you forever wants to be with her.
“So…what are you thinking?” Vi asks, eager to see where your head’s at. She watches as you purse your lips with a hum, eyes rolling upwards to stare at the ceiling in thought. Then you’re looking back at her with a smile and that’s how Vi finds her answer.
“Really?” Vi has to double check, to be sure that you’re both on the same page; that this is what you want to do from this moment.
“I’ve been wanting to suggest it for a while but—Violet!” You exclaim out of surprise, laughter startled from you when Vi pulls you in for a tight hug. But your arms are wrapping around her instantly, holding on with a solid grip.
“Thank you,” Vi whispers into your neck, planting a delicate kiss over your pulse. “Thank you so much.”
“No need to thank me,” you say quietly, returning the kiss to the curve of her ear. “I want this too.”
Vi nods and gives you a firm squeeze before pulling away, but not too far so she can still keep you in her arms. She’s so overwhelmed; there’s so much she wants to say but all of it is tied at the back of her throat. The words aren’t coherent but they have meaning and Vi will try all she can to convey how precious that meaning is.
“Okay so,” you begin after you both sit in relaxed silence for a while. “I love you so much and you’re my everything but if that pasta’s mushy, I’ll never forgive you.”
“You lie,” Vi replies, nuzzling at your cheek. “You love me too much to hate me.”
“But I love pasta more,” you tease, your soft laughs muted by the gentle press of Vi’s lips against yours.
The pasta has gone soft but you don’t seem to mind, all too distracted by Vi's sweet kisses.
“So you’re officially trying for kids now?”” Jinx says one afternoon in the small cafe they often frequent. It's raining outside and there's a chill in the air that seeps into your bones and makes you want to stay in bed. That's where Vi wishes she was now, all curled up underneath the sheets with you.
“Yeah, we had a proper talk about it a few days ago,” Vi says. “Not that all the other talks weren't proper but our plans didn't have a start date.” She swirls the remaining dregs of coffee in her mug. “Now we're both ready and soon there's gonna be a kid in the picture.”
Jinx hums, taking a sip of whatever iced concoction she's gotten today. “I mean, it's a big thing,” she says around her straw. “Bringing a small human into the world. Plus babies are kinda gross with their uncontrollable bowel movements.” Her nose scrunches up. “Not to mention the crying and screaming and inability to talk for the first two years.”
Vi shrugs. “Yeah, but I don't give a shit about any of that.”
“Well, duh. Because you're with someone who's gonna make it worthwhile,” Jinx replies matter-of-factly. “It's kind of like being in love with the person of your dreams makes you more tolerable to things. Shocker.”
“You're already falling into your Cynical Aunt role.” Vi says, deadpan but smiles when Jinx chuckles.
“Don't get me wrong, I'm gonna love the shit out of that little goober,” Jinx says strongly. “Gonna be the best auntie in the world. Much better than Caitlyn or Mel, that's for sure.”
Vi makes a doubtful expression, an eyebrow raised, and raises her hands to placate when Jinx aims her butter knife at her.
“No, you'll be great,” Vi tells her and despite their jokes, she means it. She sees how Jinx is with kids; how she may not seem interested at first but then slowly opens up. Not to say that she connects with every child but when Jinx cares, she cares with her entire heart. So Vi knows that her children will be loved.
Jinx eyes her and takes another sip of her drink before saying, “There's something on your mind.”
Vi huffs. “How can you tell?”
“I'm your sister, we grew up together,” Jinx lists off. “I mean, ignore the fact that we didn't talk for seven years but I know you.” She finishes off her glass and pushes it to the side. “What's going on?”
“Do you really wanna know?”
“Surprisingly, yes.”
Vi chuckles, running a hand through her hair, before leaning back in her seat.
“I just…worry that I may not be a good parent.” She confesses after a moment.
“Why?” Jinx asks straight away, not giving Vi the time to wallow too deeply.
“Because…I mean, look what happened with us,” Vi says, gesturing between them. “I left you alone for seven years over a misunderstanding that took ages to fix. I was supposed to be there for you when our parents died. When Vander died and I…” Vi stops for a second, a heavy knot in her throat. “...I wasn't there and I'm just scared that I'm gonna fuck all of this up.”
Jinx stares at her for a bit, her expression unreadable, before she gives a big eye roll.
“You're so stupid,” she says loudly.
“Gee thanks.” Vi replies.
“You're so stupid because I don't think you realise how good of a big sister you were,” Jinx continues. “How good of a big sister you are. Life sucked for us for a long time, Vi. Especially after our parents and Vander died. Then the hits kept on coming and we had no say in how we survived for a long time. Yes, we got separated and yes, it made me so fucking mad at you, but you came back for me.” She takes a deep breath. “If we could redo the past, we would. But we can't. But things have been fixed and you've shown me time and time how capable you are.” She then laughs. “I mean, you've been in a committed relationship for twelve years, Vi. Most people don't last up to the five month mark.”
Vi tries to ignore the sting behind her eyes, the tears that slowly blur her vision.
“Plus you guys are totally in love,” Jinx says, a slight smile curving her lips. “It's absolutely nauseating but it's also kinda beautiful. You'll make a really good parent, Vi. You got the best of mom and our dads. And your partner kicks ass and is one of the best people I've ever met so…” Jinx shrugs. “Your children are gonna be so lucky to have you two as parents.”
There’s then a lull that falls between them and Vi's trying so hard not to cry. So she swallows back the knot in her throat, chasing it away with her last bit of coffee.
“Saying all of that must have driven you nuts,” Vi jokes weakly, reaching out to give Jinx's hand a grateful squeeze.
“Yeah, I feel gross and need to take a shower,” Jinx jokes in return, weak too and she squeezes Vi's hand just as tight. “Consider that your birthday and Christmas gift.”
Vi laughs loudly, eyes crinkling and mouth wide with the joy she feels.
“Fair enough.” She concedes, knowing damn well Jinx will surprise her with a homemade gift regardless.
“...So, gonna go home and blast your baby batter into—?”
“Jinx.”
A week or two pass after those conversations are held. Life maintains its norm, leaving you and Vi to continue your existence in its blissful way. It's comforting as it is confusing, because Vi knows that everything’s on the table now. Left wide open for the both of you to bask at.
Vi waits for your move, watches you with a keen eye as you drift throughout the days. She cooks the both of you dinner every other night, picks you up from work every day without fail and holds you close at night so you fall asleep. She does what she knows to do, does it because it has that essence of normalcy.
But that doesn't stop the urges from arising. It doesn't halt the need that bubbles in her stomach every time she sees you. It's overpowering, overwhelmingly so, and Vi fails to understand it until one late evening.
You're curled up beneath Vi’s arm as a movie plays on the television. It's a standard comedy, nothing utterly hilarious but enough to pull a few chuckles from both of you. Vi has hit optimal relaxation, all loose and soft due to you being so close. She can smell the scent of your body wash, drops her face into your hair so she can inhale what lies there. Your shampoo and something so uniquely you.
Her focus has since shifted from the movie, all of it on you as she notes how you’re barely paying attention to the screen. You’ve got this faraway look in your eyes, seemingly lost in thought and Vi wonders what's going through that pretty head of yours.
Then you do something unexpected; you shift a hand towards your stomach and…gently rub at it. The arc of your hand graceful as you follow the slope of your covered flesh. It looks soothing, similar to how you rub Vi's muscles on the days the flare-up of old injuries is too much. But it's also different and Vi's quick to notice it; she sees how your hand comes to lay at your lower stomach and—
Oh.
Vi's suddenly feeling a bit flustered.
A minute goes by, slowly ticking, and Vi tries not to give herself away. She tries not to reveal how the simple act of you rubbing your stomach has her heating up. How she's instantly imagining your stomach round with her child and the way your hand would look caressing the bump.
So tender, so gentle.
Something hot within Vi stirs, causing her to grow a bit restless. The movie captures her attention for a bit, but it hardly does much. Especially when you're pressed into her, still rubbing at your stomach and fuck, her sweatpants feel a little tight.
Because it isn't only about your stomach growing with life inside you. It's also about the transformation you'll grow through. How you'll get softer, how your scent will become a little milkier. How your breasts will swell in preparation and how you'd be a stunning image of how you belong to.
Vi.
Because it's Vi who'll do that to you; it's her who will fuck you full until you can't take anymore. It's Vi who will come and come and come in you until it takes and she sees the fruits of her labour.
It's her who'll…who'll breed you until you’re tongue's tied and your body's a wreck.
So beautiful and pilant and hers.
“...Vi?” Your voice calls her home, like a siren's song, and she's retrieved from her debauched thoughts. “Vi, sweetheart, the movie's done.”
Vi blinks at the television, the credits rolling down the dark screen. How long had she been spacing out for.
“Oh,” she says lamely and you chuckle, standing up from the couch. You tug at her arm, smiling tiredly, as you tilt your body towards the bedroom.
“I'm sleepy,” you say, giving one more tug before Vi’s standing on her feet. “Let's go to bed, we've got work in the morning.”
“Uh huh,” is all Vi can manage as she allows you to lead her to your bedroom.
Something new has clicked in her brain.
Something deep and primal at its core.
...She cannot talk to Jinx about this.
#vi x you#vi x reader#vi x y/n#arcane x reader#arcane x you#arcane#arcane league of legends#my writing
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Hell I'm game let's go:
Origins - Leliana; Not because she's bad or anything it's just she fades in the background at first. Like it took a bit for me to get her you know what I mean?
DA2 - Isabella; Love her to death but ain't gonna get over her selfishness. Like I like her but I don't and then she ditched me in my first playthrough and I'm still not over that hahah-
DAI - Varric or Solas; It's a toss up because I feel like Varric was beginning to overstay his welcome a bit and I didn't exactly know why he was here and Solas because he created SolasxLavellan fangirls and I'm still mad about that lol. (Like man couldn't even be Bi? Why they do that?)
DAV - Everyone/No one?; Hadn't played it but everyone's got a face that tells me if I'm locked in an elevator with them I'm hitting my face in with a shovel afterwards. Like not a one looks interesting or compelling and that's kind of bad.
favorite dragon age companion - BORING
tell me your LEAST FAVORITE dragon age companion
#dragon age#dragon age series#dragon age companions#i mean its weird i go from not minding the companions in origins and da2 to not liking them at all in dai and dav#dai ill be honest i dont like anyone but solas and varric bother me i think because of what they represent#they both represent something i dont like but i cant put my finger on it#sorry fangirls im still surprised your god boyfriend is straight
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“shifting doesn’t feel real”
i think that many of you have stumbled upon this sentence. maybe some of you had felt discouraged after reading it. many of people say that they are lying - i agree with it, a lot of them lie. but what if some people truly felt like this? and what if i told you that it’s that specific person’s fault that they felt this way?
looking at law of assumption - our assumptions create our reality. and trust me, when someone says you are limitless they MEAN IT. but, working on your beliefs is crucial to understanding your true power and gaining self-control.
well, if someone had always had this assumption/belief that shifting is in fact real but doesn’t feel as real as others claim (for example - they might believe that it feels dreamy or that you don’t have your five senses) then yes, they will experience that. because as i said earlier - YOU create your reality as well as experience. you decide whether it will feel real or not.
but, just in case i somehow don’t overcomplicate it for you: as we all know shifting is becoming aware of another reality, you simply shift your consciousness there. it is literally impossible for it to feel like a dream or something. BUT! if you truly will believe that it’s different for you and that “everyone is lying, it is impossible for it to feel like real life” then you will experience that. hope that it makes sense.
so now, considering all of those shifters who claimed that it doesn’t feel as real as your original reality, do you think that it’s true for everyone or only for them specifically? only for them - people who always had had this belief that it doesn’t feel real? just because someone claims that, it doesn’t make it true for everyone. YOU create your experience. YOU are limitless, you can even make your desired reality feel more real than this one - YOU make the rules.
so please, don’t be discouraged - work on your beliefs and trust your own assumptions. because, in the end, you always create your own reality.
#shiftinconsciousness#shifting consciousness#shifting motivation#shiftingrealities#loa blog#loa tumblr#loassumption#shifting community#law of assumption#desired reality#loablr#reality shifting#shiftblr#shifting blog#shifters#shifting antis dni
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Frost and Gricko's tattoos for the iasuw au! Moving on to the kinda complex designs that made me have a bit of a crisis (legit), these ones are just as fun to make but relatively challenging to the previous one in terms of "what do I even put?".
I'll be yapping on my thoughts/headcannons regarding these below, so feel free to dive in! A warning that it is quite lengthy because of said crises-induced reflecting session (a proud citizen of yap city indeed)
First off, we have to talk about the technicalities of Frost's tattoos. It actually put me in a crisis when making this because the first question that came to mind when finding inspo was was "how the hell do you put tattoos on a tiger?"
Aside from the issue of tattooing onto fur, there is the presence of stripes that make it difficult to create a design in the first place. So for this a.u's sake (and my well being) we can treat fur like skin where tattoos can easily be applied and expressed, but would have a shorter lifespan, aka fade quicker, as a con so retouching would be more often. It can also overlap the patterns of the natural fur if designed as such (as I did with Frost).
With this, characters who have fur (e.g. Jornir) could possibly be given tattoos designs in the future while side stepping the technical issues to avoid putting to much focus on it. This could apply to other characters who may have leathery or feathery skin types.
Now of to the designing part. Unlike Gideon and Torbek, the aesthetic/style of the tattoo was not apparent at first and took a bit of a backseat to the actual design elements for Frost. Originally, using a purely geometrical style did not feel satisfying. After revisiting his canon for some ideas, an illustrative style was added to contrast the geometry which then seemingly worked out.
"Frost's design is built mostly of geometry (circles, squares and triangles) to reflect the motion of balance between familiarity and change, logic and unpredictability, comfort and discovery. Strict in pattern and position, most are simple as to take into account the stripes of his fur.
"The only complicated design, a dragon circling a tower and followed by a koi fish, was inspired by the legend of a koi travelling an upstream waterfall to turn into a dragon, signifying strength and perseverance. It is also a sign, that behind a rigid demeanor is a fiery passion waiting to be unleashed." -> The connected yarn was to give the idea that Frost can weave this path of his, but a connection as well to my other hc that it is his main reminder of his home in Yulong.
Things also mostly come in eight (resembles infinity as well as signs for wealth and success)! It was quite fun determining how to add this in as well :D
For the actual main inspo, IVE's "HEYA" has been on the forefront. Combined with another inspired by the phrase "When tigers used to smoke…" (which is the literary equivalent of "once upon a time…" and what has "once upon a…" in their name?), I must say that culture took the reigns in directing Frost's design and imho I would say that, compared to others, his was more appropriate to have strong semblances of his home as a remembrance (e.g. yarn, temple) during his travels.
Also I used a green coloring scheme because literally all other colors did not look as good as i intended. Fate really wanted him to have a green-orange scheme.
youtube
Now we got Frost out of the way, its Gricko's turn! Despite being challenging as well, Gricko's design had assistance from punk/heavy metal aesthetics. Though the only idea that I really had mostly was the logo of different band names
I will gladly argue on why Gricko's college band name should be "Goblin Deez..." Imagine, you can say nuts if you are being funny or hands if you want a fight. Anything really, which is liberating at its finest.
From here though, the main idea really that bloomed after this was that most of his tattoos were going to be personal too him!
"Aside from the egregious tattoo of his band name, the tattoos all over him speak of his journey. A pinup of a lady troll and a crown from the hit tv series game of chairs, for his childhood dreams of being a king and bagging a hot troll. A scale and guitar for his college pol. sci days. Others speaking of his collected hobbies and knick- knacks throughout a particularly challenging adulthood. Yet on his chest is his most cherished, his center and everything, which is none other than Hootsie."
The covered half sleeve tattoos on his arm ? That's to cover up the name of his exes (Headcanon that Gricko was just as much a womanizer as Gideon, but mostly in his college to early adult life. He slowed down once Hootsie entered the picture). Also its just more badass looking with designs of the monsters his canon self uses lol.
ALSO ALSO PAINTED NAILS, I'LL ARGUE WITH THE WHOLE COURT ROOM THAT HE AND HOOTSIE PAINT EACH OTHERS NAILS AS A HC!!!!
End of yapping session. Meeting adjourned!
#legends of avantris#once upon a witchlight#ouaw#apolaskiart#morning frost#gricko grimgrin#It's always sunny upon a witchlight au#IASUW au#tattoo/flower shop au#ouaw frost#ouaw gricko#if you squint really hard then cover your right eye you can see grimmorning#last art for the year!!! :')))))#Will update my thought process on gideon and torbek if needed because I noticed they have a severe lack of me yapping in that post
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In addition to the above, there are things about this post that call it out as very intellectually lazy and poorly made
Number one, if you're going to complain about the IHRA definition of antisemitism maybe, idk, show it? The first two "sources" link to pages complaining about the IHRA definition, not the IHRA's own page with the definition itself (the third link is broken). (I also doubt the sources are included in the comments of the original post on Instagram as hyperlinks, meaning people would have to copy and paste them manually like I did. It's highly inconvenient and all but guarantees people won't actually read them.)
Here is the primary source which JVP seems to not want you to read.
Here is the definition in full:
“Antisemitism is a certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.”
It's important to note that the IHRA definition is not legally binding; it's merely a guideline directing lawmakers on how to recognize instances of antisemitism. It's already been adopted by 28 countries including most of the EU (the definition is actually based on one the EU came up with in 2005), and dozens of smaller organizations worldwide. It's been endorsed by the U.N. and is already adopted in certain forms in the U.S.
The primary complaint is that the definition comes with several examples of what the IHRA considers to be antisemitism under their definition. This includes "denying the Jewish people their right to self-determination, e.g., by claiming that the existence of a State of Israel is a racist endeavor." This doesn't mean you can't refer to Israeli policies or actions as racist, or talk about the racism of Israeli politicians or citizens. It means you can't call the idea of Jewish self-determination itself racist. Whether you agree with that or not it's important to discuss what's actually being said
Also, the IHRA makes a point to note that "criticism of Israel similar to that leveled against any other country cannot be regarded as antisemitic". As long as you're not singling Israel out (which many people do) you're in the clear.
My second issue may be more of a semantic nitpick but it's very confusing to call this supposed phenomenon "weaponized antisemitism." Not "weaponized accusations of antisemitism." Weaponized antisemitism. As if antisemitism itself is sensu lato blithe and harmless, and only becomes a problem when it's "weaponized." If you ask me, "weaponizing antisemitism" is the stuff of antisemites, people who take their preconceived notions about Jews and use them to justify harmful rhetoric and violent actions. Of course JVP as a project exists to give carte blanche to antisemites by insisting that not only is anti-Zionism not always antisemitic, but that is never is. By crying "anti-Zionism isn't antisemitism" every time anti-Zionism is criticized, they've built a shield around people who use anti-Zionism to be antisemitic. It's like telling someone "food isn't poisonous" every time they complain your food tastes funny. Eventually it will be, but you'll have wiped your hands clean because you're technically correct. I don't know about you, but creating rhetorical structures in which Jews can be easily proven to be liars and deceivers sounds like weaponized antisemitism to me
#if you don't believe me that JVP exists to keep people ignorant just look at the last slide#“learn more about the ADL” oh cool is it gonna link to the ADL's homepage? their Wikipedia page? quotes from their leaders?#no. it links to a website specifically about why the ADL sucks#that doesn't say “learn more about the ADL” that says “learn talking points for how to argue with your non-extremist family over dinner”#real activism requires you to actually know and understand what your opponents believe. usually by. y'know. listening to them#what this says to me is that JVP is terrified people might read about the ADL from the ADL's perspective and might gain sympathy for them#and yeah. People can look up the ADL on their own time. but c'mon. this is infographic activism. most people won't even open the links
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tagged by @iinryer to do a 2024 fic roundup but i'm adding my videos in too because. uh. its fun to look back! and i want to!
MARCH
american teenager (36s)
my first ever commission! for my best friend bia! to this day i hear do what you want (do more!) everytime i listen to this song.
APRIL
arms (1:02)
this was for seti. and it hurt.
good luck babe! (1:11)
literally never felt euphoria the same since the week of bi buck when i made this. changed the timeline. (although i was so euphoric and excited to post that i cropped in a rush and left a little white line in one of the shots and it pisses me off massively to this day. yes im a virgo thanks for asking)
to open up my arms and give it all to you (2.5k)
my little buck coming out to chris fic with hints of buddie <3 bi buck got me writing again after months of literal Nothing. god bless
one of your girls (3:09)
kirby's vision went OFF. so proud of this one like. its gotta be one of my favs and i feel like it became a bit of a butchdiaz classic which makes me so happy :D
MAY
kill her freak out (1:33)
this video is my little baby. ohhh samia. ouaagh eddie.
scared of my guitar (2:23)
shoutout to the way the dialogue syncs up in this one. rly satisfying to me hehehe. honestly didn't think i'd like this one as much as i do but she hits hard
promise (1:15)
love when people commission me to edit songs im already currently obsessing over yay!!!!!
JUNE
happy to be here (2:16)
julien baker. eddie diaz. aka abby had a mental breakdown making this one.
closed hands, full of friends (45s)
this was my first time editing a song i had Never heard beforehand! 3 cheers for finding new music!!
JULY
l'amour de ma vie (3:26)
ok not to toot my own horn but. this one is good. i feel like i really told a story u know. and about now is when i started to play around with fun/more intricate text ooh ooooh
a burning hill (1:01)
this prompt was designed in a lab to kill me specifically. i wanted to do the whole song originally but i like. could not go on.
my ego dies at the end (2:49)
i reallyyyy like this one. long edits my beloved! i love to build to something. i rewatch this one often tbh. jensen mcrae is everythinggg
AUGUST
north star (2:16)
again, had never heard this song b4 i got this prompt and it got me obsessed with this searows album. this edit makes me feel all soft. rly loved incorporating fleabag into it bc like. fleabag for life. shoutout summerofbuddie for the inspo
feels like (58s)
this song has been on my buddie playlist(s) forever so i was So excited to get this prompt. it was so fun to make something. not depressing and just like. fluffy. fun fact i hand drew all the hearts for this in ps and they were such a pain to work with but i really love how it turned out cause i'd never done anything like that before :')
pink balloon (2:29)
finally made a proper buck amv. after so many eddie ones it was actually nice to switch it up. felt re-inspired! also always so inspired by samia ugh. i am an eddiegirl literally to my bones tho so this was both v hard and v fun to make.
SEPTEMBER
"i want a divorce" / "it was a date" (2:19)
the buckshannon parallels ouuugughhh. this was one of those ones that haunted me so persistently i literally was forced to make it. saw hanna's post and then blacked out and i was posting this.
had a feeling i could be someone (3k)
+
leave tonight or live and die this way (1.1k)
dyke buddie!!!!!!!! these fics are sooooo near and dear to my heart. i love to make everyone wlw! i love to project my butchness onto my fav characters! wrote these so fast (for me) like writing has Never flown out of me like that. i was possessed by the spirit of lesbianism. and. GOD. the response to these fics also makes me want to cry daily. the beautiful art that was created?????? for me and my little fic?????????? i actually can't believe it i love you guys so much. lesbians forever and ever and ever.
did it to myself (1:11)
another one of my favs. i think it slaps so hard tbh. i tried a lot of new stuff and it was so FUN. orla's music is so much fun to edit to i need to do another one of her songs asap.
afraid of heights (2:46)
boygenius wrote this for my friend buck buckley. got entirely consumed by this one. thank u han for being my buckafraidofheights warrior for life <3
headlock (2:23)
i love buck but i remember coming back to making an eddie amv and breathing a sigh of relief. i just Get him. its so easy. this one's underrated i think oop it kinda slaps
OCTOBER
savior complex (3:16)
this one was a rly good challenge and idek why. super happy with how it turned out though i like watching it back
NOVEMBER
funeral bell (2:54)
the buck thesis statement. to me. and such a crazy unique process. loved working w kaitlin on this one and sending her 10 million drafts (she rly got a behind the scenes tour yall and it was not pretty). this was an absolute BEAST to make despite it not even being that complicated. i think i just cared so much about making it perfect for my dear friend who trusted me with her visions and inspiration and that made it all the more special!
you get your dreams for free (14.8k)
drunk cuddling!!!!!!!! my longest fic i've posted to date and i fully thought i was never gonna finish it. i abandoned this last YEAR but im SO glad i came back to it and most of the reason for that is because of the absolutely lovely responses to my earlier fics this year <3 literally hilarious to me that i originally wanted to post this on halloween 2023. abby. abby no.
surrender my heart! (1:30)
post-confessions euphoria + a carly rae jepsen prompt? i was literally in heaven. SURRENDER UR HEART EDDIEEEEEEEEE
DECEMBER
every place leads back to your place (2.1k)
music inspires me soooo much (looks up at this post. no way right.) so i absolutely loved writing based off a song! and a chappell song nonetheless!! so fun to twist a breakup song around to fit Them. i particularly love the kiss in this one <3
oldie's station (3:17)
phew we're almost there! this one is recent but lowkey it feels like another classic to me already. i really really like it. making it felt like cooking a three course meal and watching it kinda feels like eating one :D (thank god) (i spent so many hours in that kitchen)
letter to god (1974) (2:27)
+
letter to god (1983) (1:52)
putting these together bc they are sister songs and sister videos. first time in my life i've worked on two videos at once. it was fun because they kind of grew together and influenced each other very directly. not fun because i ran out of space and my laptop crashed. several times. these felt rly indulgent and raw. kind of shocking to me how perfect both songs feel for both of them. had a lot of fun messing with the voice/video filters to try and place these in their respective eras bc im obsessed with that aspect of the songs. halsey's artistry is crazy yall if u havent listened to her newest album GO. NOW.
the rush of slumber party kissing (3.2k)
posted this literally yesterday lol. also my first time writing smut. somehow. scary! but i did giggle all the way through writing this tbh. when buddie reveal their true nature as silly teenage girls >>>>>>>>>>
SPECIAL SHOUTOUT
fleabag au wip, who saw the light of day again this year. she could be finished in six months or six more years, but she Will be finished. im determined!
<3
ok if u read all that uh. wow congrats fhdhhdh im gonna get sappy for JUST A SEC now cause uh. im actually blown away by the support and love and appreciation this fandom has shown me this past year. you guys have given me so much confidence in my skills as both an editor and a writer and you also quite literally helped me pay my rent. by making videos about gay firefighters. its actually kind of mind blowing to me how lucky i am and i never want to take that for granted <3
to anyone who has commissioned me, or sent me a prompt, or left a comment on a fic, or a tag on a video, or sent me a kind ask, or subscribed to me, or followed me, or reblogged anything of mine this year: thank you.
im so grateful for this little community and all the friends and connections i have made through our collective insanity over a procedural drama on abc (neé fox). yall rock so hard.
<3
tagging @userbuddie @chronicowboy @confessionseddie @try-set-me-on-fire @userautumn @lovelettered @exhuastedpigeon @sibylsleaves @saryasy @team-118 @lemmeaskthedevil @eddiebabygirldiaz if u wanna do any sort of yearly roundup!
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Okay lovelies, now that the year is almost over and there are only a few hours left, I have to use this time to get something off my chest. It's just been on my mind for a while and I want to end the year with a few nice words.
When I found my way into the DCA fandom by coincidence last year, I never expected to find a digital place where I feel so comfortable - besides various communities in the horse art role play game, in which I have been more or less active for years. I never expected to start REALLY enjoying drawing again, but these two characters just made that happen. For years I've been drawing just thinking about how many points I can get out of leveling my horses, how much effort I have to put into an event picture to have a chance at one of the top three places and somewhere along the way I totally forgot to have fun with this hobby. Fun has turned into a compulsion to always aim for the best possible result. I started to overthink pictures for so long and wanted to create something so complex that I ended up not starting at all: Because I could never have realized it the way it looked in my head.
But since I stumbled into the DCA fandom myself - by pure coincidence, I'd like to say again - and started being active on Tumbr, I've found my way back to the 'origin' for myself: Having fun with what you do. This fandom has captivated me so much that I started reading English fanfiction about our two beloved robots - something I NEVER thought would happen. Simply because my concentration is totally limited and it's hard enough for me to read and understand texts in German. For me, it was never even conceivable that I would read something in a language that is not my mother tongue: And now here I am, doing it more often than I thought. Not only that, I've even started writing again myself, have an account on ao3 and upload stories there myself. I take the trouble to write, translate, proofread and upload things… and some people even think it's really great :3
And do you know why? Because behind the DCA fandom there is an incredibly large group of people like me: Who carry around a lot of problems themselves and seek refuge with two fictional characters in a fandom that is incredibly cozy, understanding, lovable and friendly. Of course, I could also create things in a fandom that isn't that… but for me it makes an incredible difference. I have an anxiety disorder around people. Even the monthly supermarket shop is a huge challenge for me. Every trip out the door is exhausting and I don't really have contact with anyone in RL. I have my mother and grandma. I go to the doctors, to Ergo therapy and I have BEWO people on hand to support and help me… but I don't have any friends. Not because I don't want to, but because friendships are incredibly stressful for me. I can't maintain them. I haven't said a word to the person I would most likely call a 'friend' in a year - because I simply don't have the strength. Talking, listening, reacting… it's all incredibly exhausting for me. But as soon as I open Tumblr and especially Discord, I see a bunch of great people. I can join in if I can and want to, but I don't have to. And to top it all off, I see so much self-insert stuff that makes me think, 'Man, you're not so alone after all' - and on top of that, even more people who also think it's good and can relate. I know that not everyone in the DCA fandom is so nice either, but the ones I've had the privilege of getting to know are just balm for my soul.
If someone had told me at the beginning of 2023 that I would find my way into a great fandom with even better people at the end of the same year, I would have declared them crazy. I don't have it in for people and since I've almost exclusively had really shitty experiences so far, they're welcome to stay far away from me. Most of them have expectations: Expectations that I can hardly, if at all, fulfill. But there are so many great people behind Sun and Moon who are simply supportive. Not toxic, not mean, not patronizing. No. They are people who are super wholesome. I don't need someone who pushes me, teaches me, corrects me or otherwise wants to educate me with phrases that they themselves don't live by. I don't want someone who puts even more pressure on me. I want people with whom I feel safe and comfortable. people with whom I can get what other people don't want to give me. When I think that I didn't like Sun or Moon in the game, I find it amazing that they are now my refuge and straighten me out mentally so many times a day. And thanks to them, I found you. Yep - YOU. Anyone who wants to may now feel addressed. Even if we've certainly never had any contact with each other: You are part of the community that I have come to love and that I am addressing here. There is so much hate, I love a Safespace that simply has love for everything and everyone. I've been here for a year now… and I hope for MANY more years with one of the greatest communities I've ever been a part of.
Hugs to ALL of you, lots of love goes out to everyone. Happy New Year, stay healthy and I wish you and your loved ones all the happiness in the world. Thank you for existing and just being amazing people. please keep that forever <3
#important#dca community#dca fandom#fnaf daycare attendant#fnaf security breach#five nights at freddys#fnaf sun#fnaf moon#sundrop#moondrop#I just had to say this#before the year 2024 end#be nice to others and be nice to yourself <3
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I've had these feelings about how the ancient elves really saw spirits for a while and I'm pretty sure, after finishing datv, that it wasn't too different to how most modern Thedosians see spirits i.e. not as people, but half-people or sub-people at best.
We know that the ancient elves were originally spirits, but even Mythal, 'the best of them', sees herself as being better than spirits. She herself says that she is the best of both worlds after building her body out of lyrium.
The thing that really sells it to me though is Solas's choice of the word 'creature' when he lambasts the Inquisitor for drinking from the Well of Sorrows. He says that they have given up a part of themselves. They are no longer fully the person they believe they are because a. they've given up some of their free will and b. they've given it to Mythal, who did this to him and others, so she could use them for her own ends--at the expense of their free will. They are her 'creature' because that is how Mythal will see them now. She will use them without even their knowledge. They are not a person, but a tool, a pet, an attack dog, a body to posess. He knows this because she did it to him and who knows how many others.
We know that Solas, regardless of the things he did later, fundamentally disagreed with this element of Elvhen society or at least the way the Evanuris saw spirits. Yes, they referred to spirits as their 'brethren of the sky' and had much more cordial relationships with them than modern Thedosians do, at least in the beginning. Yet it still seems like they lost this at some point (probably because they began to follow the Evanuris' example) and took slaves--of flesh, but also probably of spirit too. Felassan's line about them needing to be 'better than that' when Solas sacrifices the spirits is especially revealing of how the Elvhen had begun to see spirits at this point, as not much better than modern Thedosians do. Solas's willingness to sacrifice them represented the beginning his own descent to their level--towards his own corruption, the very thing he feared. In some ways, what the Elvhen did with spirits is worse because they actually know the truth of what spirits are.
The moment the Evanuris declared themselves gods, they were intentionally creating an unbalanced social hierarchy that flew in the face of all Solas believed in (which at this point can best be described as the elven equivalent of basic human rights for all intelligent and even semi-intelligent creatures). As Wisdom, he would've understood that as soon as you create that kind of imbalance, it is a slippery slope for all kinds of abuse. When he calls the Inquisitor Mythal's 'creature', he is referring to them in the way he knew Mythal and many of the Elvhen would've viewed them--no longer a person, but a tool that has been enslaved and bound to her will. Slavery, in the real world context (or at least the context of the legal framework that supports it), hinges on dehumanisation. There are a lot of books on monster theory etc that go into how this plays into various forms of oppression too. So in order for the Elvhen to take slaves of any kind, they would've had to fundamentally stop viewing them as people, as equals.
Cole's 'it's not abuse if I ask' and Solas's 'not always true' really becomes very poignant in this context. Just because the Inquisitor chose to drink from the Well, it doesn't make whatever Mythal does to them next non-abusive. The other problem is that, if you make a choice like that, you have to consider the context that it's made in. I'm reminded of Dorian's justification of slavery in DAI--that a poor person selling themselves into slavery is the preferable alternative to living in the streets. What he fails to realise at this point is that you can't justify a choice made in an impossible situation because if the choice is between your survival and living in bondage, it's not really a choice at all. It's become a necessity that shouldn't exist in a society that claims to be civilised.
There's this dialogue from King's Rising (Book Three of the Captive Prince trilogy by C.S. Pacat, that deals with sexual abuse/slavery in a historical fantasy context) that kind of explains this better than I do:
'‘When I argued the case for slavery in Arles you didn’t try to change my mind.’ ‘It is not a subject for an exchange of ideas. There is nothing to say.’ ‘There will be slaves in Akielos. We are a slave culture.’ ‘I know that.’ Damen said, 'Are pets and their contracts so different? Did Nicaise have a choice? 'He had the choice of the poor with no other way to survive, the choice of a child powerless to his elders, the choice of a man when his King gives him an order, which is no choice at all, yet still more than is afforded to a slave.'
For added context, 'pets' in Vere are slightly different to 'slaves' in that they serve pretty much exclusively as bed-slaves to specific nobles. It's described as being slightly better than general slavery because there are contracts involved, but in practice it's not much different because of the inherent power imbalance. Nicaise is also a child of about 14 or 15.
In other words, you always have to consider the context that this decision is made in. If the circumstances that led to someone making that choice are that desperate, it means that something else--the actions of others--are fostering it, and that is the root of the issue. The Evanuris forced countless spirits and elves into making these kind of impossible choices, because by Solas's own admission, Elvhenan was a deeply corrupt place, no better than Tevinter. This is why he rebelled, and in lambasting the Inquisitor for drinking from the Well, he is expressing his own frustration in seeing the same thing happen yet again. The Inquisitor drank because they faced an enemy who had just demonstrated an alarming level of power and willingness to commit evil and they were running out of options to defeat him. The entire world, not just them, was threatened. Thus, they lose their personhood, because in order to survive they must accept that survival in its most basic form--at the expense of a life truly lived as it should be, as their nature compels them to live it. Thus, in losing their personhood, the prerequisite for slavery has been met. This is when Mythal helps them--not before.
There's also some interesting discourse about how Solas's refusal to let go of his identity as a spirit and become more of a person possibly played a part in Mythal's (and the Evanuris') view of him. He's referred to as a lap dog, a dread wolf. An animal. Not a person. The way Mythal placates him is not simply that of a mother and child but of a master and their dog. So at some point, he decided that wasn't going to simply serve her as Wisdom anymore, because it was keeping him enslaved. He let go of the spirithood he loved and wanted to gain personhood, a choice he should never have had to make if it weren't for the actions of others. He chose to become a version of himself he hated because it was the only way he could stop the same thing happening to others.
Worse still, he wakes up after uthenera to see a world that has, in his mind, degraded even further from what it was--at his own hand. People are even further away from understanding what he wanted them to understand. Slavery still exists. Mages are confined to Circles while Templars hunt them down. Spirits are still mistreated. Personhood is still a matter of debate. His sacrifices and Mythal's death have had no positive long term effect. It was all for nothing. The world continues to be terrible, because nothing within it can stay fixed.
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The 'Dark'!Callum Inversion scenes Meta
Because it was Everything to me from a characterization standpoint, extremely interesting and satisfying, and I just have all the feelings, so let's talk about it!
First off, symbolism set up!
Before the scene in the forest begins, we're treated to reflection motif with Callum seeing a corrupted version of himself in the water of the Moonshadow assassin lotus pond, which was previously a place associated with shame, loss, and failure (3x03); as well as love and goodbyes (3x03, 6x09). The first batch is what Callum is feeling, with the second batch being what will influence his future choices in the coming episodes.
We also get Callum talking about how he (inadvertently) freed Aaravos, then dons his symbol of freedom (wings) in order to get away. Then Callum brings out a far more complicated symbol for himself: the cube.
A few things right off the bat:
The cube since S4 has explicitly represented Callum's inner turmoil and connection to Aaravos, and we see that come out further here in both areas.
Just as Karim looks to direction from the Sun ("What would you have me do? Where would you have me go?" in 5x04) and his sister ("And what would you have me do?" in 7x03), Callum quasi-looks to the cube for direction.
However, the runes being emphasized (upside down star for Aaravos, the Ocean rune) foreshadow that the choice of what do do next is already made, as the Ocean rune was also emphasized in his original dark magic dreams in 2x08, and foreshadowed his choice to do dark magic again in 5x08. We'll return to the rune emphasis again later.
I also want to talk about dark!Callum (DC)'s appearance as opposed to the form he takes in 2x08. The cloak is back, which in 2x08 was their main distinguishing feature. Now, 7x06's is joined with corruption around the eyes (which was present in Callum's 6x03 nightmare) and the white streak, which is new. 7x06 DC therefore seems both less menacing than full corruption leering grin DC (earlier in the pond; 2x08's true form) and simultaneously more honest. He's not covering up his appearance at all, is presenting more of a middle man of what Callum could become, and yet is still deeply loathed.
The rune emphasis continues even once we get DC shows up, with the Ocean rune continuing to be highlighted, as Callum unlocked the Ocean arcanum due to realizing/accepting his lack of control on "To love is simply to know this: the tides are true as the ocean is deep [...] The Ocean arcanum is accepting that there are depths you can't see, parts of yourself you can't understand..." It was inextricably linked due to him realizing he would go that far with dark magic again, even if he hated it.
Then we get into what is probably my second favourite line in the whole scene, which is, "You didn't create me with dark magic, Callum. I have always been a part of you." Although DC is demonstrated through dark magic indicators, it is not exclusive to dark magic use. This too is reflected in what Callum says about the ocean arcanum, explaining, "The ocean arcanum is about accepting there are depths you can't see, parts of yourself you can't understand, and things you can't control".
This aspect of everyone having both dark and light inside them (as Aaravos lays out in 7x04) is reflected in 7x06 "Inversion" as well through the metaphor of the half-moon. Not only is there dark and light within all the main cast that they have to confront this season (Ez and Rayla, for example, both accept and understand the circumstances under which they'd murder someone) but it also comes back to the half-moon as well: "Consider the half moon. Light only falls on half its face right now, but that doesn't mean the other half isn't there" (2x02).
So this dark side—this willingness to go this far and in this way—is a fundamental part of who Callum is and who he's always been ("But not everything [has changed]: I would do anything for you"). Again, we love it here.
Then, the scene starts stacking metaphor upon metaphor / symbol upon symbol. First, we had DC, evidenced through dark magic corruption and a darker doppelgänger self; then we had the Ocean rune to invoke the last time Callum did dark magic, and why; finally, we have DC bring the two together into one of the other main symbols of the series: fate vs freewill through the idea of writing your own story.
"So how's your book?"
Previously, Callum had though that choosing who he wanted to be was exclusive to being a dark mage. He could choose to exert and maintain his agency OR choose to give into a pre-written destiny ("your destiny is already written, all you have to do now is accept it"). This was only enhanced by his struggle in earlier arc 2 seasons, as the dichotomy between "you can be a dark mage or a powerless human" become reconciled to "you are a powerless human because you are a dark mage," manifested in Aaravos stripping him of his power through possession/control because of his dark magic use.
This is similar to Callum's more optimistic but simplified view in 5x08 that "so long as we protect each other, so long as we love each other, you can never control us." By the end of the episode he's realized that's not true, and by the end of season 7 he likewise realizes his previous view of dark magic and himself is also not true.
Like Viren, Callum is realizing that it's not so much a choice between agency or dark magic in his life, so much as it is taking responsibility and acknowledging that he's Choosing to do dark magic for something he thinks is worth it ("Every step forward is a choice" / "That's the destiny I choose"). A character just giving up dark magic is not enough to make them a 'good' person (hi Kpp'Ar) or truly change their path (6x04 Claudia) without recognizing that dark magic itself wasn't necessarily the problem, but what it brought out in them and how they coped with it (Viren blaming Soren for his own actions, etc). Simply put, there is no 'or'. There is only 'and'.
The true heart is a gift of childhood. For a few wonder-filled years, we each have innocent eyes to experience the world’s beauty in a simple way. Terrestrius, you were lucky and held that innocent wonder longer than most. I have seen generations of humans and elves accept the darkness that lurks in all of us beside the light. There is no black and white, only shades of gray. We must all carry complexity. But please believe me there is beauty in this burden. Your heart will be a little heavier, but now there will be no more half-truths, Terrestrius.
[Side note: if you're interested more in the idea of knowledge as a burden in TDP, please check out this meta.]
As indicated by Aaravos' speech, this process of reconciling dichotomies into singular dualities is part of growing up and accepting that things are complicated shades of grey, just as Ezran had to learn in his 4x03 speech: "To give them that, we have to hold pain and love in our hearts at the same time," with reconciling dualities permeating much of arc 2, particularly season four.
So what does this process look like for Callum emotionally, with this scene in the woods? Well, there's a few different stages.
The first involves ideas of trust, which TDP comes back to time and time again. Whereas before DC kept himself very separate from Callum in 2x08 outside of a couple of lines, here he refers to them more routinely as one entity / person, emphasizing:
which Callum reflects even before we get there, even if he backtracks:
Furthermore, we return to the concept of parts of ourselves, not only in terms of fragmentation and brokenness, but also in terms of reality. DC states that he has always been a part of Callum, and the Ocean arcanum's "parts of yourself you can't understand" furthers this as previously noted, but so does Lujanne's statement from 2x02:
Real trust is accepting the dark parts we will never know.
But more on 7x09 in a bit. For now, part of how DC attempts to get through to Callum is in line with him being a more honest presentation of Callum than his prior manifestation in 2x08, and that begins with acknowledging Callum's feelings, but also the facts:
I get it. You hate me. But we know the truth too. Only I can save them all.
Now there will be no more half-truths. Dark and light brought together in understanding and acceptance, even if it is painful and complicated. DC posits, then, that Callum is someone who can and will "sacrifice [his] sense of right and wrong" and do dark magic again. This would, in addition, mean sacrificing his own life and his life with Rayla, as the plan involves being killed so Aaravos cannot use him further. (It does not, noticeably, involve sacrificing Rayla herself; in fact, it's rather the opposite, but again, more on that in a bit.)
Callum's capacity and willingness to do so is called out openly by DC, who reminds Callum of another truth and of his own doubt:
Taking the coin feels especially noteworthy since, when Callum did so, everything was seemingly fine. He'd cleansed himself of dark magic use and therefore possession, and believed/'knew' that the prison pearl was safely at the Starscraper, hundreds of miles away from him or anyone who would ever seemingly get to it. Yet he took the coin anyway, because to quote one of my friends, "Callum will see something and go man that's fucked up and file it away for later," and boy, he sure will. This tendency to preventively 'take', particularly for objects of perceived/potential power, also goes back even earlier: he doesn't just chain Claudia, but also steals her primal stone (1x03, 2x02: "You stole her primal stone"); in 4x07, he is unable to let go of / attempt to destroy the cube ("if you're so sure, why did you save it?"); and rather than having the self-awareness I'd assumed off screen to burn all of Viren's dark magic books, he read all of them instead (5x08).
So Callum plans for contingencies, yet has reservations about the plan DC—himself—is making. Fair enough. It would cause him to do "sacrifice his own sense of right and wrong," i.e. something that he considers vile and dangerous, and morally reprehensible. It'd mean dying and sacrificing his life. Does he bring any of these up as to why he doesn't want to, or can't, follow through on the plan?
No, because the singular reason he gives is this:
I can't. Don't you get it? Rayla loves me. She believes in me. This version of myself.
"You hate me" versus "Rayla loves me."
He doesn't say that it's wrong (2x08; which seems to be something he's relinquished partially by 6x03 anyway) and he doesn't even say that it'd kill him. The sole objection he gives is that Rayla would stop loving him, and implicitly that he'd be letting her down. I don't think I have to say why this is a little bit crazy and codependent, but I do love it, and it tracks with what Callum has said in the past, ie. 4x07's "I'm not afraid that he'll hurt me. I'm afraid that he'll use me to do awful things or hurt people I care about." A big part of 5x08 and the Ocean arcanum was realizing if it's a choice between doing awful things or his loved ones being hurt, he'll choose to do the awful thing, and 7x06 here takes that one step further: is doing an awful thing worth it to save your loved one, even if they hate you for it? (The answer to him is yes, but again: we're getting there.)
At this time, Callum still has hope that there's another way through that lets him defeat Aaravos and still have Rayla's love — I mean, not die, stating, "There has to be another way. Another way without you."
The immediate episode starts poking holes in this through Aaravos' conversation with Ezran: "It is the nature of children to think that the world must be one way or another." Callum has created a binary of "use dark magic to defeat Aaravos but sacrifice myself / Rayla's love" OR "defeat Aaravos without dark magic and keep Rayla's love". One option, or another. He's going to find out that that binary isn't true, but again, not quite there yet. For now I want to detour briefly into 7x07, specifically:
AARAVOS: There is great affinity between your brother and I. Callum sees the world as I do, understands the need for compromise [corruption]. Very soon, your brother will embrace dark magic to save those he loves. EZRAN: Oh? I suppose you've seen that written in the stars. AARAVOS: No, no. I've seen it written in his eyes. EZRAN: You're lying. Callum would never do that. AARAVOS: I never lie, Ezran. In your heart, you know this already. Callum will walk down that dark road.
So Aaravos knows, episodes in advance, what Callum is capable of and what he's willing to do. So does Ezran. So does Callum. And so, eventually, does Rayla.
But why is he willing to do this? Unsurprisingly, it's time to talk about my favourite part of the scene, or what I'm going to call
The Narrowing
Now, there's no denying that part of Callum's motivation here is to save the world. This has always been true; Callum loves the world. He cares about the greater good, and he's been willing to sacrifice himself for it before (3x01). Him being willing to use dark magic to save everyone, including Rayla and Ezran, is not news; it's inordinately in character. We've yet to see one of their lives be pitted against the greater good, wherein I think his choices would change, but Callum being willing to sacrifice himself / a life together in order to keep Rayla alive? That was always my prediction going into S7 that he'd do dark magic again and do it no matter the personal cost (losing the relationship, losing his life, etc) so long as it kept her and/or Ezran alive. And here we are.
With that out of the way, I want to talk about the specific narrowing we see, as DC proposes the same plan and according rationale behind it three times in 7x06, but it gets more specific each time (+ specific rune placements to boot):
"Them all," to a greater emphasis on Ezran and Rayla, to just Rayla.
Now, part of this is to reflect Callum's objections, which as we've gone over were exclusively centred on not wanting to lose Rayla's love (which Callum probably associates having her love as synonymous with him being alive, but Ezran did it first with her being alive in 4x01, so. yeah). That's what he wants to maintain, that's what he cares about. But DC points out that Rayla loving him, and him wanting that, should be secondary to keeping her alive. It's not about his wants. It's not about him.
It's about her.
After seasons of Callum's "I would do anything for you," we finally verbally get the second piece:
VIREN: But if it's love, then nothing else matters. Do what you must. (6x06)
While other characters discuss Callum's motivations in other ways—Runaan says "He will do whatever it takes to protect this world" as the man who's prepared to take him out to do the same, and as fits within Runaan's worldview like a perfect puzzle piece—most of that is publicly around other characters who share that worldview. Callum says "I have to, or everyone will die" and Aaravos' "So the hero dies for the greater good" in the final battle, where everyone—Rayla included—can hear (remember, privately, with Ezran how Aaravos framed the matter instead). Callum and Aaravos have an incentive and need for Rayla to accept and understand this—Callum wants her to take him out, and knows this'd be more effective than "I'm doing it for you" or she'd flat out refuse (6x03, 6x05); she needs to be Callum's 'false' safety net for Callum to be willing to corrupt himself again, on Aaravos' end—nor does it make it untrue. That is what Callum is doing something vile and dangerous for, and it's worth sacrificing his life and Rayla's love for him if it means saving everyone, including her. If it doesn't, or didn't, well, that remains to be seen...
But we all know what I'm saying for future events. Where we leave off story wise now is a Callum who willingly re-corrupted himself to save her and the greater good, a Callum who fully knows and accepts that in many ways he has sacrificed his sense of right and wrong in order to do so, and is aware that now and in the future he will "do anything, however dangerous, however vile" to protect the people he loves. The nice thing is that he also knows that rather than the false dichotomy set up before, sacrificing Rayla's love for him in order to save her life, is not something he has to be concerned about any longer, because she still loves him, and always will.
He became the person he hated, the person he was terrified to be (he carried out the exact same plan DC posited for the exact same reasons as posited) but not in the manner he expected, because he's still a person that Rayla loves. That's why the white streak is different. He can trust himself in this way, and knows that she can too.
She loves, accepts, and trusts this part of him, all of him. The thing he was most worried to lose is what he didn't have to lose at all, and I think that's pretty beautiful.
In conclusion, the scene in the forest was everything, the white streak and bridge scene in the finale was everything, we love a little snake boi and his prime enabler, TDP is kissing me on the mouth characterization wise always, god bless; thank you for reading, and I hope you enjoyed.
#tdp callum#tdp meta#the dragon prince#tdp#analysis series#analysis#s7 spoilers#s7#callum#tdp spoilers#7x06#snake boi callum#and his prime enabler#predictions achieved#characterization#the key of aaravos#7x09#multi#arc 2
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iain: Lucky me!! I got to see @ maybehappyending in NY. I walked into this show blind, not knowing anything at all about it. It was such a delight to watch the show unfold that I really don’t want to say much here. One thing to note is that this show is rare in that it’s entirely original, created just for the theatre. The two leads are phenomenal and supported by a terrific company and orchestra. I first met @ darrencriss a decade ago (will look for a pic of that to put in stories) and we haven’t seen each other since, but our conversation picked up right where we left off. What a kind and generous person, on top of being so incredibly talented. My review is simple: see this show because it’s a delight. Darren, thanks for being amazing ❤️. Now I just need to wait for the cast recording to be released!
*2nd photo via his ig story
#darren criss#iain armitage#maybe happy ending#maybe happy ending bway#tonys 2015#instagram#dec 2024
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this calendar is a bit of a disaster, ngl. i wanna highlight a few issues (EU shop edition) that could have been prevented by just revising original files before sending them to the company that printed everything:
September has an uncoloured part in letter "r":
calendar boxes are not coloured properly in several months (February, July, August, November). basically, the net and the colouring aren't adjusted correctly, and there's a space between the net and the coloured box:
(some photos are with arrows, and some are not - it's done intentionally)
pictures and calendar templates are not aligned with the edges of the pages almost on every page. which is a manufacturer's problem, probably. also the names of the months are not in the middle of the empty spaces under the templates, which creates a lot of unused empty space under the month's name, and it looks strange (i saw people pointing out that the templates have small boxes overall, i'll come back to it separately when i have the 2024 calendar with me. but as a side note, yeah, they could make the templates bigger since they had a lot of spare space anyway):
there's a dot missing in the credits. each credit other that Linda Blacker's has a dot. in addition, IRL Merch Ltd isn't a thing. there's no such company, and a brand name can't be "limited". so it's either IRL Merch or IRL Digital Ltd. it's quite alarming that they don't know the difference and put a non-existent company on a printed material. idk where Neil and others were looking, tbh:
this thing isn't aligned either (orange line, 2025 and the phrase):
not to mention the problems that the US shop has with the printing of this calendar.
all things considered, the quality of this calendar is bad. the majority of these issues are easily preventable by just revising each page by zooming in and using rulers. it's a designer's job first, manager's job second, sorry. raises a question about professionalism and care for what IRL Merch puts out. it's just not a well-made product, and it's upsetting, because it could easily be an amazing calendar. and it's not the first time IRL Merch doesn't check what they do, they've been asked to be more careful, but i guess, they don't care.
in the same breath i wanna say that they fixed the colouring of empty boxes, and now they are different shade from the boxes with numbers. the 2024 calendar had the boxes coloured chaotically, which was definitely a mistake.
#overall the design is so inconsistent i don't get how someone with so much experience can make this and be happy with the outcome#it look messy and unfinished#photos where dnp are just with the empty background look horrendous. why is there so much SPACE? zoom in a little bit pls#don't you have eyes?#dan and phil#dnp merch#calendar 2025#irl merch
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goodness fucking gracious. rain. geninuely. what the fuck (affectionate). from start to fucking finish this is the biggest bang there ever was. the pacing is so magnetic. you've done such a good job with building the world, the subplot in the fic and tying it into the plot. there's hints of it in the very beginning and people don't understand how hard that is establish with such subtle inflection. i'm literally going to be thinking about this for years. i'm being so deadass. this is better than some novels i spend my money on these days. also, the way you have these character so well crafted from the first hitch. i seriously love the way there's already an established dynamic between all of them. it feels like we're just watching the world you created as it moves and shifts. the perspective is clear, the vision you have is excuted so wonderfully. i'm glad i was sat reading this or my entire limbs would have given out from this cunty fucking fic. truly, it's some of the best i've read if not the best. now let me be a little more specific ♡
Vi shrugs, “I mean, you seem to like dolling out unsolicited opinions so,” she pins you with a harsh look, “What’s another one to add to the collection, huh?”
fucking GAGGED. from the start. i know you told me the beginning is where all the enemies action was BUT STILL. i think there's still a ball gag in my mouth from that. CAUSE JWRIEJFIRJDRIVNGDIO. okay. i just keyboard smashed driving? okay. um. is there a ghost haunting my keyboard. okay. off topic. m'so sorry the more i reblog your work the more you'll see my severe adhd issue. the tensions is so thick and delicious. enemies to lovers is such a favorite of mine to read. maybe because of the arch. i love a rocky beginning meets two people who simply can't stay away from each other because of their budding feelings. but the beginning where they want to just annoy, irriate, and get under the other person's skin in the most aggressive way possible? you executed it so perfectly. i feel like an addict right now needing more or your words shot directly into my bloodstream. the individuality in your writing just jumps out so much. maybe because it's something new to me but i love it so much. it feels so refreshing to read something so original and new. you're writing is seriously inspiring. okay, getting too mushy. #moving on
“Oh, so sorry, didn’t know you guys could still see with the sustained brain damage you all must have from slamming into each other all the time.” “Fuck you.” You scoff, twisting back with a viperous smirk. “In your wildest dreams, six.” Vi’s eyebrows shoot up. “Oh… didn’t know you knew my number, princess.” “It’s written on your face — or have all your previous hookups been so stupid they can’t even read —”
THIS ENTIRE INTERACTION. YEP. NEEDED THAT SHIT. #HARD. but in all seriousness, the dynamic is so good, i feel that shit in my chest. there's gotta be like, drugs in your magical pen. i know i'm just in the very beginning of the fic but ngl i was just amazed the minute i started reading it. your writing style is so impeccable. the hatred is so there, but is it really hatred.....me thinks not.....but fr the sexual tension is off the charts. feels so magnetic too.
“It was an ass thing to say.” “As long as you know —” “But I feel like she took it way too seriously, y’know?” Jayce sighs, pinching the bridge of his nose as he slumps down into the booth in the dining commons, shoving half an entire banana into his mouth as he pins you with a look.
JAYCE. I FUCKING LOVE JAYCE. oh my god. you were so right. he is just perfect. the diva nose linch. i respect. god, THIS IS EATING SO HARD. IM GONNA RUN OUT OF WORDS TO EXPLAIN WHY I LOVE THIS SO BADLY. anyways, i love divas.
Caitlyn smirks, “See you haven’t.” Vi seems to deflate slightly at that, her arms coming loose, “Actually I —” You find yourself moving before you can stop yourself, pushing through the gathering crowd till you can throw your arms around Vi’s neck, bowling into her with a simpering squeal of — “Vi! There you are! I’ve been looking all over for you!” Vi’s expression morphs from one of shock to a momentary flash of suspicion as you meet her eyes and bat your lashes in what you hope is an inconspicuous way before turning towards Caitlyn and Maddie, a 100-watt smile hitched over your lips.
and then they were fake lovers....... or is it really fake......hehe. it's the seeing vi struggling and oc is like, yeah i'm gonna help that hot dyke out. that's romance. realistically it's a form of an apology for her actions but then it really does scream to the format, do it first then ask for forgiveness later. the "100-watt smile hitched over you lips" FUCK ME. that's so freaking good. i'm being so serious when the way you write has really opened up the way how i specifically write and now i need to devour your entire masterlist as quickly as possible. leaving mass reblogs one day at a time. but honestly, i love love love love. i thought i was ready for the caitlyn being caitlyn, but fr it stilled gagged me so much. but i'm very grateful in the snippets you sent me but seeing it with the entire pictures and where you placed it within the story makes me appreciate your craft even more. i'm in such fucking awe I CANT. need a box of deluxe tissues. i love this too much, gonna start SOBBING.
“Yes, yes — I’m kind of bitch. Point made,” you say, casting her a sidelong glance. She shrugs, “Then I guess I’ve got a type, so…”
okay lets roll this the fuck back. a flirty insult? OH, ITS LOVE. that's just me project but also, i am one-hundred percent correct. this is why enemies to lovers is always hit like the best fucking nut. friends to lovers can't give me the bitchy, snarky attitude with feeling starting to boil under the surface. what other trope is giving that???? yeah, that's what i thought.
“Oh… whoops,” Maddie says, letting out an embarrassed chuckle as she tries to turn away from the sight of Vi and you caught in the throes of what looks like an intense make out session, Vi’s fingers digging divots into the skin of your hips, your fingers curling in her hair.
quick side bar, but i can't tell if this maddie is genuinely sweet or if she's a traitor.....only time will tell. but damn. vi and oc are nasty as hell, getting right into it. i love them so much. horny lesbians for the wins, fucking always. they like each other sooooo much that they have to hate each other. my favs. have i said how much i love this? well, i'm saying it again. fucking masterpiece this is.
“I see this room’s taken,” she says, voice flat and dangerous. But Vi’s only response is to trail a hand up to your jaw, cupping it in her palm so she can slot her lips more comfortably against yours, letting out a satisfied hum at the way you soften into her as she sinks her teeth into you bottom lip.
THE LIP BITERJETJEJRDFMDF. IM. KELKF,RKLF,RF. YEAH. YEAH. AND YEAH. okay i'm turning into usher. this is so embarassing. but my god. you've cultivated one of the hottest makeout scenes i've ever read and i'm just happy to be alive the same times as rain, chat. this is scrumptious and everyone should be reading this. or i will haunt your entire bloodline for the rest of the forseeable
But the thought is quickly dashed by a deep groan thrumming from Vi’s chest to yours as you lean back into the kiss, running your thumb down along her neck, pressing into the fluttering pulse point just below her jaw.
oh. this got me so bad. the moaning into the kiss. chat. i'm actually dead.
“So… at that frat party… when me and Vi were… supposed to kiss? Yeah, well… we… kinda, sorta… didn’t.”
dun dun dunnnnnnnnnnnn. i’ll be here, on my knees, patiently waiting for more because this is so beautiful. so breathtaking. everything i wanted and you gave us even more. an extra rain special and i will take it gladly on this sunny day. sunshine overrated anyways. but fr this is so fucking good and everyone should be shouting from the rooftops about how amazing this is. thank you for making something so vivid, it makes my depressed little ass feel so alive. beautifully crafted. i will be reading this fifty more times tonight. exquisite. yes, it’s two am. but what’s a couple more hours????? ugh. never getting over this. your vi is canon. idc what anyone else says actually. where do i end this….hm…..you’re so talented. end of discussion. for now.
─── Ⅵ CHAPTER ONE: SHUT UP AND KISS ME
violet; 4,711 words; fluff, enemies to lovers, fake dating, hockey!vi, figure skater!reader, wlw, the gays can't communicate, college parties, toxic ex!cait, impulsive!reader, drama as all living fuck, no "y/n"
summary: in which you decide to go to yet another party vi's going to be at. consequences ensue.
a/n: i know its late but its still the 30th in cali!!! enjoy the ENEMIES part of enemies to lovers!!!! <3
< table of contents
─── Ⅵ IT TURNS OUT THAT Vi does, in fact, remember you. And, it also seems like she’s the type to hold a grudge.
Because three days later, when you’re running through a few off-ice warmups while the hockey team finishes up their morning practice, you distinctly hear her challenging one of her teammates to a race even as everyone else is clearing off the ice.
You groan, dropping back onto the bench and frowning as you start to lace up your skates.
“Great, now I’ve gotta skate on fucked up ice before the mid-day zamboni — really fucking great —”
“Got something you wanna say to my face, princess?”
Your eyes jerk up, and there’s Vi, standing not even a foot from you, her helmet tucked under one arm, her stick in the other, her hair a sweat-slicked mess that somehow still looks infuriatingly attractive. You narrow your eyes.
“Nope. Just… talking to myself.”
“I… don’t think so, sweetcheeks,” she says, taking a few steps forward even as you stand up. Like this, your eyes are barely level, your own skates giving you a solid few inches, but she still manages to look down at you as a smirk twists her lips.
You puff out a breath, feeling a wild thumping curling up your throat as you stare up at her, your fingertips going cold even as heat rushes into your cheeks.
“Fine,” you say, “you’re really that curious?”
Vi shrugs, “I mean, you seem to like dolling out unsolicited opinions so,” she pins you with a harsh look, “What’s another one to add to the collection, huh?”
You stiffen, and for a second, something breaks in Vi’s expression before it melds back into one of caustic curiosity. She looks like a beartrap sprung on a hair-pin trigger, her jaw clenched, her eyes hard.
“Huh, never thought you’d be such a glutton for punishment,” you say, the words dripping from you, slow as poison, and somewhere in the back of your mind, your fight or flight response is telling you that this is a bad, bad idea, but you can’t seem to stop yourself from taking half a step closer, even though Vi’s probably twice your size and can bench three times your body weight — “But then again, you did stay in a relationship with an emotionally manipulative bitch who swapped you out the second she could get her hands on someone better —”
“Shut the fuck up, you don’t know anything —!”
“Hey, hey!” A pair of large hands yanks Vi back just as she’s about to lunge towards you; another thinner pair of arms loops through yours, tugging you back a few steps.
“You stay the fuck out of this, Jayce!”
“Darling, what on earth is going on?” you turn to find Mel, her cheeks dusted in gold, her hands firm on your arms, as Jayce forcibly wrangles Vi back.
You swallow around the vitriol threatening your lips and shake your head, turning away from Vi.
“Nothing, just… I was annoyed that the hockey team always fucks up the ice after their practices —”
“Oh, you think we fuck up the ice?” Vi’s voice cracks like a gunshot in the vast rink, and several of the other girls from the hockey team have come jogging back, placing their hands on Vi’s shoulders to keep her from steamrollering into you. “You know how much precious practice time we’ve wasted filling up those massive holes you guys leave with your stupid little toe-pick jumps?”
You roll your eyes, anger flaring hot and high in the pit of your stomach.
“Oh, so sorry, didn’t know you guys could still see with the sustained brain damage you all must have from slamming into each other all the time.”
“Fuck you.”
You scoff, twisting back with a viperous smirk.
“In your wildest dreams, six.”
Vi’s eyebrows shoot up. “Oh… didn’t know you knew my number, princess.”
“It’s written on your face — or have all your previous hookups been so stupid they can’t even read —”
“And what kind of tomfoolery is this?”
Everyone freezes at the sound of Amara’s voice. You bite down on your lips and take a step back as the small, gray-haired woman strides through, her hands behind her back, her chin held high.
“Sorry, Amara — it’s nothing,” Jayce says, jerking Vi behind him as she tries to open her mouth to speak.
“It doesn’t sound like nothing to me,” Amara says, her words smooth as a river in spring thaw, and nearly just as frigid.
Guilt creeps up your spine as she scans over the hockey team with marked distaste.
“Perhaps I ought to let Vander know that his girls are once again causing a —”
“Don’t, Amara. It was — it was my fault.” You shake off Mel’s hands and slot yourself between Jayce and Amara, ignoring the the disbelieving snort from Vi.
Amara’s eyes land on you, and for a second, they soften. Still, she tilts her head, eyes sharp as a hawks as you twist your fingers behind your back.
“Your fault, darling?”
You nod, “Yeah, I — I was annoyed that they were carving up the ice, so I — I picked a fight —”
Amara sighs, “Yes… well, I can’t blame you, but you know it’s not good rink etiquette.”
“I know,” you say, hanging your head.
Amara tuts, “As long as you know,” she reaches up to pat your cheek before marching off towards the rink-side boxes to set up the music. Behind you, Jayce releases Vi’s arms with a sigh.
“Martyr,” Vi coughs as she shoulders passed you, flanked by a few of the hockey girls, casting dirty looks over their shoulders before disappearing into the locker rooms.
You close your eyes, take three deep breaths, and then step onto the ice.
“It was an ass thing to say.”
“As long as you know —”
“But I feel like she took it way too seriously, y’know?”
Jayce sighs, pinching the bridge of his nose as he slumps down into the booth in the dining commons, shoving half an entire banana into his mouth as he pins you with a look.
“Or maybe, you can just apologize —”
You crinkle your nose, prodding at your yogurt bowl, toying with a spoonful of blueberry flavored granola.
“Can’t you just… like tell her I’m sorry or something?” you ask, pushing out your bottom lip in a signature pout. Jayce only swallows the rest of the banana before digging into a truly dauntingly sized ham and cheese sandwich.
“’m not doing your dirty work for you,” he says, his expression lighting up as Mel slides gracefully into the booth next to you, pressing a napkin into her lap.
“And what’s this about dirty work?” she asks, a teasing grin on her lips.
You sigh, “I’m asking very nicely —”
Jayce holds up a hand, “No, you’re trying to get me to apologize to Vi for you — which basically defeats the whole point of an apology.”
“No! It’s because I know you guys are like… platonic gym soulmates or — whatever —” you wave your hands through the air even as Mel laughs into her salad.
Jayce huffs, “Or,” he catches Mel’s eye, and you feel a distinct spate of unease work it’s way down your spine at the way Mel’s lips split into a devious grin.
“Or?” you prompt, setting down your spoon and sitting back, looking between the pair of them with mounting apprehension.
Mel gently places a hand on your arm, “You could just apologize to her yourself —”
“At the party this Saturday —”
“No — no way —” you put up both hands, “the last time I went to a party with you guys —”
“You got to make out with the hottest girl on the entire hockey team,” Mel soothes.
You bite your lips, eyes cutting down to your lap. You hadn’t told her. You hadn’t told anyone. So far as she and Jayce knew, the only slight against Vi you’d made is calling her ex a ‘manipulative bitch’, which — well.
“Right, and now she hates me.”
Mel sniffs, “You can’t be that bad at kissing. I refuse to believe it.”
Jayce snickers; Mel shoots him a glare. He reaches for the bag of free chips and pops it open with one hand.
“C’mon, what’s the worst that could happen? You offer her another kiss to make up for your little tantrum the other day?” Mel asks, flicking a thin, gold-laced braid over her shoulder.
You groan, sinking into your seat as you fold your arms over your chest, weighing the options.
You did feel bad for what you’d said. But you also tried to shield her from what you’re sure would’ve been much worse than what she’d gotten given Amara’s track record of tattling to Vander.
And then, unbidden, comes the memory of Vi’s sultry grin as she’d pinned you against the frat house door, her mouth inches from yours, the solid muscles of her torso pushing against yours as she’d leaned in and —
“— at a sorority house, so the space’ll be much nicer,” Mel promises, turning towards you again, her eyes expectant.
You blink, your mind catching up to her words a second later as you sigh.
“I — sure, fine — but I can’t stay too long. I’ve got Skate America in two weeks —”
Jayce ruffles your hair, “Yeah, so do we.”
You shove his massive arm off you with a half-hearted glare, “Yeah, but I’m not made like you guys. I can’t just literally skate into a podium. I actually have to practice.”
“Oh don’t get all shy now, little miss triple axel.”
“I’ve only landed it twice in practice, and I’m pretty sure one of them was underrotated —”
Mel shakes her head, “And there she goes again —”
“Always so humble —” Jayce adds.
You groan and bury your face in your arms, “Will you leave me alone?”
Mel laughs, “We will if you come to the party on Saturday,” she sing-songs, nudging you with her elbow.
Jayce slings an arm around your shoulders, shaking you slightly.
“And Vi’s for sure going.”
You peak up at him, “How… do you know?”
Jayce smirks, “Cause. Her ex is gonna be there.
You blink.
“Oh.”
Mel pillows her cheek on her palm, tapping her perfectly manicured nails along the table, a Cheshire-grin spread across her lips like warm butter.
“With her new girlfriend.”
You whip around towards her.
“Oh.”
This was a terrible idea, you think, as you step into the sorority house, tugging on the edge of your dress, the hem of which barely skims your mid-thigh, the modest, high-necked front contrasted with the plunging back line that settles in a graceful slope of material just above the curve of your ass.
“Quit fidgeting,” Mel says, slapping at your hand as you try once again to readjust the bottom of the dress.
“I can’t — I feel like I’m gonna flash the world — and it’s a tossup if it’s the front of the back!” you hiss, jerking the hemline of the dress down as it slowly starts to ride up your thigh again.
Mel tuts, “Please, as if this is anywhere near as short as the performance outfits that we have to wear —”
“That’s different!” you insist, reaching out to grab two cups of something and shoving one at Mel, “We’ve got tights on under those!”
Mel rolls her eyes, sniffing at the drink before making a face and dropping it off on a random surface. You take an absent sip of your own drink, gagging immediately at the taste.
“Eugh, oh god what do they put in those?” you ask, dropping your own solo cup on a table as Mel drags you through the shifting crowd.
The party’s already going in full swing, but she’d been right, the space is nicer — wider and less cramped, the ceilings high and the music less abrasive.
“Where’re we going?” you ask, even as Mel guides you towards the heart of the party and somehow manages to conjure up two glasses of what looks like champagne, handing one to you, and taking a sip of the other one herself.
“Finding Vi,” she says, to which you balk, shaking your head.
“Mel!”
She turns with an exasperated sigh, “What?”
“C-can’t we just —” you motion towards the party, “try to have a good time? I mean — maybe she’s not here — maybe she wanted to have a quiet night in —”
“Speak of the devil —” Mel’s face breaks into a grin as she spots someone over your shoulder and you whip around to see —
Caitlyn Kiramman, the veritable goddess of track and field, all dark hair and endless long legs, standing there with her new girlfriend Maddie Nolen, a cute, if slightly awkward girl, with strawberry blond hair cropped in a truly abominable bob-cut.
The room seems to part for them, Caitlyn tugging Maddie forward with their fingers laced, looking not so unlike the Queen of England, followed by her loyal procession of ginger-backed corgis.
You take a few steps back, watching them with raised brows, wondering what on earth Caitlyn might’ve seen in Maddie, given that she’d had Vi seemingly wrapped around her pinky finger just months before.
But then, you see Vi — her expression caught somewhere between hurt and barely scraped together bravado, her fists at her sides as Caitlyn also spots her, approaching with Maddie half a step behind.
“Fancy seeing you here, Violet,” Caitlyn says, her voice carrying over the crowd even as everyone tries to avert their gaze or pretend like they aren’t listening in.
Vi puffs out her chest, “Sure, yeah. Super fancy. What, d’you think I’d be banned from the sorority house or something?”
Caitlyn shrugs, “Something like that.”
Vi narrows her eyes, her knuckles going white, “Sorry cupcake, ‘fraid not even you can keep me from havin’ a good time.”
“So I see,” Caitlyn says. Maddie peers around her shoulder with wide eyes and a shy smile.
“Name’s Maddie, it’s nice to meet —”
“See you’ve already replaced me,” Vi says, folding her arms over her chest, her biceps bulging, the vein in her jaw ticking dangerously as she looks Maddie over.
Caitlyn smirks, “See you haven’t.”
Vi seems to deflate slightly at that, her arms coming loose, “Actually I —”
You find yourself moving before you can stop yourself, pushing through the gathering crowd till you can throw your arms around Vi’s neck, bowling into her with a simpering squeal of —
“Vi! There you are! I’ve been looking all over for you!”
Vi’s expression morphs from one of shock to a momentary flash of suspicion as you meet her eyes and bat your lashes in what you hope is an inconspicuous way before turning towards Caitlyn and Maddie, a 100-watt smile hitched over your lips.
“Oh! And who’s this?”
Caitlyn narrows her eyes, looking you over with an imperialistic eye.
“Caitlyn — Kiramman… pleasure.”
“Oh wow! You’re the — the girl who’s really good at hurdles, right?” you say, even as Vi stifles a laugh at your side, her hand settling around your waist.
Caitlyn’s eyes harden as her lips thin into a pale line. Anyone who knows her would know that hurdles are her worst discipline, and that she’d dropped nearly every single one on her last major competition.
“And I’m Maddie… Nolen. So you must be —” Maddie reaches out, but not before Caitlyn takes your hand instead.
“The Ice Princess — our very own Olympic hopeful. Best of luck to you in the Grand Prix series this year. I heard you had something of a nasty fall early in your season last time… you oughtta be more careful this time around,” Caitlyn says, looking you up and down, even as you smile up at her, blissfully sweet and unbothered. Your cheeks are starting to hurt.
“Oh, don’t worry,” you flap your hand, crinkling your nose as you lean forward, using the motion to reach down and give Vi’s hand a soft squeeze, your eyes pinned on Caitlyn’s as you say —
“I never make the same mistake twice.”
And before she has the chance to respond, her jaw dropping open, you turn towards Vi with a bright grin, placing a palm against her chest, leaning right into her space.
“C’mon, let’s go get a drink, hm?”
“Y-yeah, princess — sure —”
You tug her away before the facade crumbles entirely, the pair of you dodging around curious eyes till you end up in the thankfully empty kitchen. Her hand pulls from yours the second you close the door behind you.
“What the hell —”
You hold up both your hands, falling back three steps to put some distance between you and her.
“Look, I’m sorry, okay? It — it just looked like…” you shrug, casting your eyes around the kitchen even as Vi huffs, folding her arms across her chest to lean back against the door, “It looked like you could use a hand, that’s all.”
“I didn’t need anyone to rescue me,” she snipes, her voice hardening around the edges.
You nod, “Yeah, I know. But…”
“But what?”
You swallow, turning your back to Vi as you pace around the large, marble-tiled kitchen, “I — I felt bad for — for what I said last time… so…”
You turn around just in time to catch Vi’s incredulous expression, seconds before she breaks into a sharp bark of laughter.
“Wow, my hero — my very own white-knight. Really, who needs Prince Charming when you’ve got —”
“Okay! I get it — you didn’t need saving — holy shit you don’t have to rub it in.”
You sigh, leaning up against the kitchen island, glaring down at a half-empty bottle of vodka sitting in the sink before reaching out to grab it and rummaging around for two empty shot glasses.
Vi watches you with an amused grin twitching at her lips.
Finally, you manage to find a few shot glasses tucked into the far corner of a cupboard. You stand on your tiptoes, but your fingers don’t quite reach. And a second later, a body presses solid and warm to your back as Vi’s hand reaches in to pull two of the glasses out, placing them squarely on the counter.
She shoots you a lopsided grin as you watch her expertly pull two shots from the vodka bottle and slide one towards you.
“Mazel,” she smirks, tossing it back and smacking her lips.
You eye your own shot for a second longer before squeezing your eyes shut and tossing it back as well, immediately coughing, fighting to keep your gag reflex from taking over, pressing the back of your hand to your lips.
Vi’s laughter is loud, but not unkind as she reaches out to tug the shot glass from you, setting everything back into the sink.
“So. You’re felt bad, did you?”
You groan, dropping your head into your arms.
“I mean — yeah — it was —” you take a deep breath, bracing your palms against the kitchen island, eyes fixed on where your fingertips are slowly going white, “It was a shitty thing to say.”
“Mm. Which one? Mentioning my breakup right before I was about to kiss you? Or calling my ex a manipulative bitch?”
You wince, chewing on the inside of your cheek, though when you look up, it’s to find Vi smiling.
“Either? Both? Ugh… alcohol makes me —” you gesture at your head, wiggling your fingers as Vi watches, her smile sliding from amused into indulgent, “misplace the brain-mouth barrier a bit.”
“Yeah? And uh… do you skate drunk a lot? Or was that little exposition special just for me?”
You swallow, feeling the heat of the vodka creeping back up your throat as your cheeks prickle.
“That was…” you trail off, crinkling your nose as you cast about for a plausible response, but coming up empty, you sag against the kitchen counter, throwing up your hands, “I just — I’m not the best with impulsivity, okay?”
Vi chuckles, nodding, “So… I can see — I mean, even without the shouting match at the rink, that stunt you pulled back there with Cait —” she lets out a low whistle, shaking her head, “Gotta say, princess, I’m impressed. Pretending to be my new girlfriend in front of her new girlfriend? That’s… that’s ballsy.”
You let out another groan, sliding down the side of the kitchen island to sit on the floor, pulling your knees into your chest and glaring half-heartedly at the bottom of the fridge. A second later, Vi flops down to join you, an arm propped on her knee, her eyes caught on the shape of you, your pouty lips and the slope of your nose.
“Seriously though, when you made that hurdles comment — I almost lost it —”
You break into a bright peal of laughter, head thumping back against the cupboards as Vi allows herself a chuckle.
“Yes, yes — I’m kind of bitch. Point made,” you say, casting her a sidelong glance.
She shrugs, “Then I guess I’ve got a type, so…”
You bite down on your bottom lip, mulling over her words.
“So?” you ask.
She sighs, “So. What’s next?”
You frown, “Next?”
She fixes you with an incredulous look, “Yeah. Like — what comes after you so gallantly rescuing me from my oh-so-wicked ex by announcing that we’re dating in front of half our graduating class?”
You open your mouth, gaping at her.
A second passes. Then another.
Vi stares. Then, she bangs her head so loudly against the cupboards behind you you almost jump out of your skin.
“Come on! Are you kidding?! You’re telling me you did all this without any kind of plan?” She pushes to her feet seconds before you scramble up onto yours, frowning defensively in her direction.
“I told you! I’m — I’ve got an impulse problem and impulsivity doesn’t exactly lend itself to perfect foreplaning —”
But the pair of you break off as the unmistakable sounds of voices echoes down the hallway leading towards the kitchen. And in particular one voice — low and pitched and accented.
“Fuck —” Vi swears, looking suddenly stunned, her eyes wide, her whole body going rigid, “We’ve — we’ve gotta hide or something —”
You blink at her for a brief second before huffing out a breath and reaching up to jerk her down towards you. She barely catches herself against the counter, her hands braced on either side of your hips as you hiss against her lips —
“Oh c’mon — don’t be stupid —”
“What the hell are you —”
“Just shut up and kiss me —”
The door swings open behind you and laughter pours in, though it abruptly cuts off as Caitlyn freezes in the doorway, Maddie nearly smashing into her, and Mel behind her as everyone else jostles to try and see what the hold up is.
“Oh… whoops,” Maddie says, letting out an embarrassed chuckle as she tries to turn away from the sight of Vi and you caught in the throes of what looks like an intense make out session, Vi’s fingers digging divots into the skin of your hips, your fingers curling in her hair.
You let out a tiny whimper as Vi hoists you up onto the kitchen island, slotting herself between your legs, even as Caitlyn makes an affronted noise behind you, folding her arms.
“I see this room’s taken,” she says, voice flat and dangerous.
But Vi’s only response is to trail a hand up to your jaw, cupping it in her palm so she can slot her lips more comfortably against yours, letting out a satisfied hum at the way you soften into her as she sinks her teeth into you bottom lip.
Caitlyn scoffs, rolling her eyes even as Maddie tugs her back down the hallway. Everyone else jostles back into the main room as well, giggling and gossiping about this exciting new development.
Mel, though, clears her throat as she and Jayce share a look before closing the kitchen door behind them.
“Right, that’s enough you two —” she says, to very little avail.
Because somewhere between one breath and the next, you’d lost yourself to the feeling of Vi’s lips on yours, the heady, pulsing friction of her body as she cradles you against her, the way you can still taste the remnants of that vodka shot on her tongue as she licks into your mouth.
Faintly, you wonder if this might’ve turned out differently if you’d just kept quiet on that first night and let her kiss you in that dirty frat room.
But the thought is quickly dashed by a deep groan thrumming from Vi’s chest to yours as you lean back into the kiss, running your thumb down along her neck, pressing into the fluttering pulse point just below her jaw.
A whine curls up your throat as Vi’s fingers work beneath the hem of your little black dress, teasing at the skin of your thigh.
“Hey! Earth to horny lesbians!”
You pull back with a gasp, and Vi resurfaces as well, the both of you panting, your lips separating with a sound not unlike a plunger being released from a recently blocked sink. You feel your head spin, the room pressing in around you before expanding back out, even as Vi drags the back of her hand across her mouth, stumbling back a few steps.
“W-what?”
Jayce lets out a disbelieving laugh.
“Really? That’s what got you?”
Mel sighs, rolling her eyes, “I think it’s time you explain yourselves.”
You lick your lips, hopping off the kitchen island even as Vi runs a hand over her face, her eyes strangely fractured, her cheeks dusted high with color.
“Well you were the one that said I should offer her another kiss to make up for — Vi? Where are you going?”
But Vi’s already making for the door, her shoulders hunched, her fists clenched at her sides. You take a few steps towards her but stop dead as she runs a hand through her hair.
“Sorry — I — I gotta go —” her voice is hoarse, and the look on her face when she glances over her shoulders at you — that more than anything convinces you to let her go.
You like to think that you’d seen experienced a good number of human emotions on the broad spectrum. Skating forces you to tap into a lot of them — anger, excitement, joy, sorrow, jealousy, vindication, passion.
But you’d never seen someone look so utterly broken.
“Wait, Vi —” Jayce tries to stop her but Mel places a hand on his arm, and Vi brushes passed them both, disappearing into the darkness of the hallway beyond without another word.
You sag against the kitchen island as both Mel and Jayce turn their eyes back onto you.
“Right.” Mel rounds on you even as you shrink back against the fridge, chewing on your lips.
Jayce groans, looking between you and Mel before marching over to the table and pulling up a few chairs.
“Everyone sit. If we’re gonna talk about this, we might as well be comfortable.”
You eye the chairs for a few seconds before sliding over and dropping into one of them.
Mel perches on the edge of another as Jayce leans himself against the dining table, arms folded loosely across his chest.
“So?” Mel prods.
You take a deep breath.
“So… at that frat party… when me and Vi were… supposed to kiss? Yeah, well… we… kinda, sorta… didn’t.”
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#i’m not well#BUT ALSO SO WELL#RAIN ENJSJDJDIMFREAKING OUT STILL#been hyperventilating from excitement since i typed this entire thing up#bar after bar after bar#i hope you know the gift you have because HOLY FUCK#this will be my new favorite series and i’ll read it a thousand times#thank you for being such an amazing writer and such an amazing person 💞💞💞💞#this is a shorter reblog of my longer reblogs#dw they’ll just get longer the more manic i get but AMAZING SHOWSTOPPING CUNTFUCKINGTASTIC#𖥔 ࣪ 𝐫𝐚𝐲𝐫𝐚𝐲’𝐬 𝐟𝐚𝐯𝐬 ⋆。˚
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unpopular opinion: scale figures of original characters are usually prettier than scales of characters from things, probably because theyre designed around being a figure
strongly agree | agree | neutral | disagree | strongly disagree
there's definitely a lot more room for complete creative freedom when creating characters from scratch! i also feel like some characters are kinda shackled down by their design, i hate when i love a character but dislike their default outfit so all their figures are kinda ruined.....
i do still personally gravitate more towards "normal" characters, since i prefer having emotional attachment to the character, but my favourite figure is ironically enough my one original character figure!
send me your unpopular figure opinions
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