#because i am filled with just so much love for the concepts the team and the community

[bengiyo]

Ben's Big BL Blurb 3: Blue Canvas of Youthful Days Blew It, But I Still Recommend It

I finished Blue Canvas of Youthful Days today, and I don’t like where we left off with this show. Let’s get into that, and then check in on some of the other shows I’m watching.

Blue Canvas of Youthful Days Didn’t Give the Audience Catharsis

I don’t begrudge the show going for a happy ending, given how so many other BLs from their home country end with sudden traumatic turns. However, I don’t feel like we got catharsis from the ending at all. I struggle to full articulate my frustration here, but I think I just really wanted an ending akin to Weekend (2011) or Gameboys 2 (2022).

I think these two were in a position where they were unable to be together now, and I think they should have ended on a separation. When Cairo and Gav had to separate at the end of Gameboys, it was the correct choice. They were still building their lives, and Gav wasn’t doing well on his on. Similarly, Blue Canvas established a scenario whereby Qi Lu did not have the power to stop his father from harming Qin Xiao. Likewise, Qin Xiao couldn’t keep the local gang from beating Qi Lu.

I would have preferred they have the boys confront that they were hiding things from each other, and how they both failed to protect each other from the horrors. I am disappointed that we didn’t get a poignant goodbye from them as they accept that they can’t be together right now. I wouldn’t have minded so much a blurb at the end of the show with the pitch for a season 2 that they didn’t get to film (though @thisonelikesaliens commentary makes even what they wrote dour). We didn’t confront the issue with the dad at all, and we didn’t deal with Qin Xiao losing all he’d worked for.

Genuinely, I would have been okay with them getting a tag at the end of the show with them seeing each other on the street again and sharing a meaningful look. However, we never saw them face the music of their double noble idiocy, and that sucks. It especially sucks because we had Let Free The Curse of Taekwondo this year, and so we saw the consequences of this. We could have had these two railing against the world and promising to see each other again. The tag at the end of the reuse of the fantasy sequence feels tacked on and unearned. That kinda sucks more.

Final Verdict: 8, Recommended With Reservations. I really liked most of this show, and I think they wrote some phenomenal characters until the finale here. Like @lurkingshan I ended up not pleased with this ending. I am disappointed in the lack of resolution about the withholding, and I think they needed to face the separation and goodbye. However, I really liked the cast, and I respect the team that worked so hard to get this to us.

On to the rest of the show, presented in no particular order…starting with the worst. I’ll put in parentheses what episode number I’m on as of this post.

Haunted Hearts is Boring (5/7)

Magic, mah friend! Your show is boring. I do not know why these boys won’t kiss, and at this point I feel like I don’t care anymore. They’re introducing yet another ghost next week and I just am so disinvested. I try so hard every time to support Oxin Films and Regal Entertainment, but they make it so fucking hard. Holy shit. There’s only so far the boys being cute can carry a thin concept like this.

City of Stars is Better Than I Expected (2/12)

I am catching up on this show. The acting isn’t great, but I’m really enjoying a lot of what’s happening here. I will report back when I finish.

See Your Love is Fun But Kinda Weird (7/13)

The visuals are great in this show, and the leads are filling in the aesthetic gap left behind by Jimmy and Tommy in a way that really works for me. There’s been way too many pratfalls in the last two episodes. We are at 1.5 pratfalls per episode at this point. The side couple is absolutely ridiculous. I’m having fun.

Caged Again is Becoming a Favorite (4/10)

Junior is the best protagonist of the year. I’m obsessed with this penguin boy. I love the way this show uses its supernatural elements to drive its storytelling forward, even if I think the plot got a little silly in episode 4. The friend group dynamics are so fun, and I haven’t enjoyed a group of Thai boys this much since Knock Knock, Boys! (no surprise, two of them are in this show, too).

Your Sky is a Weekly Delight (3/12)

The 2gether rewrite show is great, and I will be reading no commentary to the contrary. These boys are so great, and they are one of the best couples of the year. This show is doing fake dating in a way that’s just so excellent, because it’s real dating! The boys are genuinely trying to get know each other so they can pretend to be a better fake couple. This is so close to being excellent meta commentary about dating in the digital age, and how so much of dating for the current generation is about how others perceive the validity of your relationship. It’s actually so fun to watch a show where the characters are doing all the things you’re supposed to do when you’re trying to build something with someone, but one of them doesn’t fully understand what they’ve gotten into. This show is great, and I love it.

Love in the Air: Koi no Yokan is so Slick (5/10)

If there’s one thing a Japanese drama is going to get right it’s trauma! This show delivered on Kai’s horrors in a way that was so visceral that I needed to pause and catch a breath. I remain obsessed with the casting of Nagatsuma Reo as Kai, because he’s taller than Suzuki Asahi sometimes. I really love that they didn’t give us the BL height difference trope, and I like that they didn’t style Kai in a way to make him look more feminine. There’s a egalitarian physical balance between Fuma and Kai that I find extremely refreshing, considering the massive class, wealth, and suffering gap between the two characters. It’s no surprise that we’ve had a dearth of gifs of their sex scene, considering it doesn’t play to the kind of asymmetric aesthetics that folks seem enjoy in their pairings.

As always, the Rei and Kai friendship remains one of the best parts of this story, and I like the way this version of Sky talks to this version of Rain about the queer stuff. He feels like he’s being careful with his friend, and not just ghosting him on important conversations about his friend’s sexual awakening (one of my major gripes with the original Thai adaptation).

Our Youth is Taking Over My Brain (4/11)

I have not moved on from the “Infect me” line, and I am still obsessed with the plausible deniability of the “no homo” that Hirukawa relies upon as he continues to pursue Minase. Now that Minase has reached his breaking point, I’m so looking forward to seeing where we go next. We’re due for a major separation, and I’m ready for a Japanese BL to not fuck up a second chance romance attempt this time. Perhaps adapting Korean work could the solution?

Spare Me Your Mercy is a Welcome Return to the Sammon Feeling I Enjoy (1/10)

I just really love when Sammon shows feel like the mystery matters more than the romance, and this feels like it’s in the correct space. I loved the initial setup, and the potential for there to be multiple murderers. I really hope that they start killing younger people in this show, because they said there were only 40 palliative care patients, and we downed three of them in the first episode. I’m so happy to see JJ again, and Tor looks great. I am looking forward to the weekly watch and theorizing with this show. Most importantly, I’m looking forward to the complex meditation on euthanasia, which this story feels like it’s taking seriously.

Love is Like a Poison Finally has Given Us a BL Battle Couple Again (11/12)

We haven’t had a BL battle couple in what feels like forever. I love that this show continues to reward us for believing in Haruto and Shiba. Haruto’s dad is the absolute worst, and I really want him to lose. I love Shiba, and I love that the show continues to give him some of the visual tropes of a legal drama (like the pan up near the end). I’m in love with this show, and it’s going to be one of my favorites of the year, I’m sure.

Fragrance You Inherit Hurts Me Because Everyone is Doing The Right Thing (4/8)

This show is actually so painful sometimes, because no one is doing anything wrong. Everyone is being as emotionally honest as they can be with everyone they speak to about all of the things that are going on. There’s absolutely nothing wrong with Sakura choosing to let go of her lingering crush on Mone now that they’re both moms and their kids are dating. Besides, we presume that Mone is still married! The conversation with On-chan makes me think that Mone misunderstood the relationship Sakura had with him in college (My man is ace but not aro! We love to see it).

I just really love that everyone is trying to do right by everyone around them, and I think all of the things that remain unspoken in this show have been withheld for completely valid reasons. There are no villains in this story, and that makes it even harder to watch really kind people treat each other politely in every scene. I’m just feeling a quiet scream in me the entire time I watch a good son by a thoughtful gift for his loving mother with the help of his supportive and lovely girlfriend, as he prepares a surprise from the old friend who clearly still cares about her friend and the unrequited/unexpressed feelings between them. This show is incredible. Go watch it right now. Thank you again to @isaksbestpillow.

Conclusion

That’s more shows than I’ve been watching in a while. It’s nice to have some Thai shows back in my rotation that I’m actually enjoying. I really want the Chinese to now fuck up their endings, but it seems like 2024 will not be that year. I’ll try to check in with the end of Love is Like a Poison when the Netflix release schedule completes so folks can binge it then. In the mean time, let me know what you’re enjoying, and what else I should consider picking up.

[nyoomfruits]

osctober day five

prompt: teacher pairing: charles/oscar word count: 900

“Seriously, Ames?” Oscar says, when he rounds the corner and finds her sitting on a chair just outside the classroom.

“It was for love, dad!” Amelia exclaims, jumping up when she sees him. “I can’t just not do it if it is for love.”

Oscar has conflicting opinions on that. It is, sweet, of course. He’s glad Amelia still believes in the concept of love at all, seeing as her own father is so completely shit at it. But like. He really wishes she would stop hosting flashmobs. Or serenades. Or that time she and that boy from her Spanish class that was really good at programming tried to make a matchmaking app.

“Right, yeah,” Oscar says, ruffling her hair. She’s too old for that now, and he knows he only gets away with it because she knows she’s in trouble. “Just. Maybe find a more quiet avenue next time, yeah? How about a good old fashioned love note?”

Amelia’s eyes light up in a way that the unexperienced eye would find adorable, but that fills the person who has been raising her for the past fifteen years mostly with dread. “Yes,” she breathes out, and then grabs for her bag, probably to retrieve a notepad.

“Okay, well, I guess while you go plan your next ‘disruption of a calm learning environment’ I will go speak with Mr. Leclerc yeah?” He says, hand on the doorknob. She barely glances at him and he sighs as he pushes open the door.

“Ah, Mr. Piastri,” Mr. Leclerc says, looking up from his desk with a wide smile. “You made it.”

Oscar thinks, generally, that he would have a much better time coming to the school to talk about his daughter’s behavior if her teacher wasn’t so goddamn pretty. With bright, sparkling eyes, and a lazy smile, and the kind of artfully tousled hair Oscar couldn’t even achieve if he tried.

The horribly baggy pants and oversized button up combo don’t even ruin the look. Somehow it makes him look cool. Oscar hasn’t looked cool since, well. Possibly ever.

“Yeah, I’m sorry,” Oscar says, sitting down in the chair Mr. Leclerc gestures at. “Again. I don’t know who he has it from.”

“Not you, I presume?” Mr. Leclerc says, eyes twinkling. He doesn’t seem mad, so that’s. Good. Amelia’s previous teacher consistently got their panties in a bunch about the well. Singing. And dancing. And everything.

“No, god no,” he hasn’t tried in a while, but he doesn’t think he could dance. Or sing.

“Her mother, perhaps?” Mr. Leclerc asks, flipping through some folders on his desk.

“Maybe,” Oscar says. “She hasn’t been around for a long time, so. Yeah. I think she mostly gets it from Lando? I mean not the singing and the dancing but this. Need to perform? He’s a DJ, so.”

“Ah, your partner?” Charles asks, looking up at Oscar now, curiously.

“Oh Christ no,” Oscar says, trying not to pull a face, remembers he’s talking to his daughter’s teacher, and schools himself into a more neutral expression. “No, uh. Lando’s just a friend. Of the family. He’s not. He has a boyfriend.”

“Ah,” Charles says. “Alright. Well, I mostly summoned you here because-“

“Because my daughter upheaved your class by performing a perfectly choreographed flashmob to Bruno Mars’s ‘Just The Way You Are’? Yeah, I uh. I heard. And I apologize, again. I’ve been trying to talk to her about it, but it’s-“ he pulls a face. “It’s just me and she’s just uh. Very different and sometimes I just. I don’t really know how to get through to her?”

It’s the most honest he’s been in a while. He doesn’t know why he’s suddenly blurting all of this out to Mr. Leclerc of all people. He’s blaming the big sparkly eyes. Stupid eyelashes, too.

“Hm, I can imagine. All parents kind of feel like that when they reach this age, though, don’t worry. No, I was actually wondering if you were aware of our after school theatre program? I think she would do wonderfully in there. If it’s more the dancing she’s into, or the singing, there’s also a dance team and a choir.”

Oscar blinks. Process. He’s so used to hearing Amelia’s teacher admonish her behavior he wasn’t really expecting anyone to. Well. Encourage her.

“Oh,” he says.

“They’re free, school funded programs, if that’s a concern,” Mr. Leclerc continues. “But I do think it might be a nice outlet for her.”

“Yeah,” he says. He knew, vaguely, that there were clubs. But Amelia had never expressed an interest, and he’d been too busy juggling his demanding job and raising a teenager to ever properly look into them and. Yeah. He takes the folder Mr. Leclerc hands him.

“Thak you, Mr. Leclerc,” he says. Mr. Leclerc stands, and so does he.

“No problem. That was all, really. I do some of the musical accompaniments for the theatre and choir programs so if you have any questions feel free to ask.” By the door, Mr. Leclerc takes his hand. Oscar shakes it a little dazedly. “And please. Call me Charles.”

“Oscar,” Oscar says. Charles hands are soft, and his smile is gentle, and his eyes are still so incredibly stupidly sparkly and fuck. Fuck.

“How did it go?” Amelia asks, when he steps back out the door.

‘I think I might be in love with your teacher’, he thinks. “We’re enrolling you into the school’s theatre program,” he says.

[miraculouslbcnreactions]

“Also because I want [Nino] to be more narratively important but that is a rant for another day.” And will that day be someday soon? Wink wink nudge nudge :3c

I am happy to give Nino some love, but before we do, we need to talk about how badly canon has failed him. The reason we need to have that talk is that the love I'm going to give is far more headcanon-y than I usually go in these analysis posts. For most characters, I can give a strong canon-based argument for a core characterization. For Nino? Well, I am pulling this stuff from canon, but I wouldn't exactly label it a "strong" argument. There are even elements of my take on Nino that you could label "grasping at straws".

And I'm happy to own that! I delight in giving Nino all the love he deserves even if it doesn't perfectly match canon, but that means that my Nino is less me leaning into the best parts of canon and more me shifting through canon, grabbing a few shinny bits, and weaving them into something that you may not agree with because my vision for Nino is to elevate him to match Alya in terms of narrative importance because I want the team show season two promised me even if I have to make it myself!

And if you don't want that? Then that's fine! I'm not arguing that everyone should adopt this take. My version of Nino is about as close to an OC as I get when writing fanfic. So let's get into it and talk about why I had to do that. (Also note that I have nothing against OCs. It's just that, when it comes to my own writing, I try to reserve them for original fiction or for very minor roles that no canon character could fill. Totally a matter of personal preference and not some sort of judgement.)

The Many Ways that Canon has Done Nino Dirty

If we look at what is arguably the main group of friends - Alya, Marinette, Adrien, and Nino - then we can see a clear base concept for the first three. Alya is the plucky reporter. Marinette is the headstrong leader. Adrien is the sweet goofball. Nino is... Alya's boyfriend? Adrien's best friend? Chris' older brother?

This is the problem that I was referring to above. Alya, Adrien, and Marinette have clear roles that you could pick out by just watching Origins. Nino doesn't. He doesn't even speak in part one and part two gives him all of six lines. These lines establish him as a nice guy since they're all about him being kind to Adrien, but that's about it. Here's one of them as an example:

Miss Bustier: Agreste, Adrien? Nino: (quietly to Adrien) You say "present". Adrien: (jumps up with his hand raised) Uh, present!

This is a cute moment for sure, but when I look at it, I can't tell you who Nino is supposed to be other than a nice guy, which isn't much to go on. Nice guys can fit a lot of roles.

This isn't necessarily a flaw. Some characters have roles that are immediately obvious and some characters don't. This second class of character usually just has a more complex role that will be discovered and defined based on their actions as the story goes on. However, because Miraculous' writing is all over the place, Nino gets screwed. Instead of his actions defining his nebulous role, his actions make his role impossible to pin down! Here are a few examples:

Nino the Protector:

Season two was big on the idea that miraculous had to be suited to their holders. That's why Chloe kept getting the bee as we saw in Malediktator:

Marinette: I must choose someone who's not impressed by people in power. Who can help me trap Malediktator. Huh?! Of course! That's it. (reaches for the Miraculous of the Bee)

And why did Nino get the turtle in Anansi?

Marinette: I need a protective Miraculous. (gasps, and points at the Turtle Miraculous Master Fu is wearing) That's the one I need, Master! (Master Fu gasps) Uh, if it's okay with you. Master Fu: (smiles at Wayzz, who nods to him) Do you have someone in mind, Marinette?  Marinette: Actually, I think I found just the right person.

Okay, cool, we finally have a strong defining trait for Nino! He's a protector! Or, at least, he was here. Other episodes go directly against this role such as this nonsense from Illusion:

Nino: What's up is Ladybug and Cat Noir don't have us to help them anymore. Alya: (nervously) Um, um— uh— what do you mean, "us"? Nino: Well, us, you Rena Rouge, me Carapace! (Alya kicks his leg underneath the table) Ouch! What's the big deal? We can tell Marinette and Adrien we used to be superheroes.

This first issue with this episode is that we see Nino out his and Alya's secret identities without her permission even though the resistance did NOT require an identity reveal to be a thing. In other words, our supposed protector is taking a big risk for no reason. Then he goes and does this:

Nino: Hence my plan. We're gonna film an akumatization. Alya: And how are you, Comrade Ketchup, gonna be in the know when and where this akumatization takes place? Nino: Easy, Comrade Beurre Maître d'Hôtel. I'm gonna make it happen.

Which leads to the four friends antagonizing Gabriel even though Nino knows how complex Adrien and Gabriel's relationship is. A move that makes no sense for a supposed protector because Gabriel was far from their only option. Nino could have picked anyone, but he went with the riskiest candidate possible, exposing his best friend to a potentially massive backlash.

Nino also doesn't even try to contact Ladybug and Chat Noir prior to this insane plan, thereby putting the whole city at unnecessary risk! What kind of protector purposely causes an akuma without also coming up with mitigation strategies to minimize the resulting damage?

Everything Nino does in this episode should disqualify him from ever holding the turtle again or, at the very least, he should have to redeem himself before holding the turtle again. This is especially true since he never apologizes for anything he did in Illusion and this is just one example of the issue. It's actually kind of hard to find moments where Nino acts as a protector even though he holds the miraculous of Protection. So is he supposed to be a protector? Who knows!

Nino, The Empath:

That first example was long, so we'll pick two quicker ones to flesh this out. The first one is how Nino and Adrien's relationship is defined. In Origins and the New York Special Nino is written as a kind and sensitive guy who is acting as Adrien's guide to dating and other elements of the real world:

Nino: Yup. I love Adrien, but he's like a baby chick that's just started cracking out of his egg. He has a hard time understanding the signals people send him. Alya: What signals? Marinette isn't exactly sending them clearly. I mean, look! What is she doing with her arms? Telling him what to do in case of an emergency landing or something? Nino:(sighs) If only this trip could help Adrien finally come out of his shell.

But then you have episodes like Animan where Adrien is Nino's guide to dating:

Nino: Shhh! You know I'm no good with the ladies, especially this one all of a sudden. I mean, dude, do I go up to her and crack her a joke? Shoot her a compliment? Invite her to the zoo? Play it serious? Adrien: Nino, you're way over-thinking this. "Invite her to the zoo", you serious? Nino: Well, they have this really cool new exhibit there. Adrien: Listen, just be yourself, man.

And episodes like Illusion (discussed above) and Psycomedian (see below) where Adrien is deeply uncomfortable and Nino doesn't notice:

Nino: See, dude? I told you! Hilarious, right? Adrien: Uh... (laughs nervously) Right! Really funny, Nino. Nino: I gotta show you his other sketches. It's insane that you don't know Harry Clown! (laughs)

Which might work if these episodes were about Nino learning a lesson, but they're not. Nino learns nothing, so is he generally in tune with others or is he kind of oblivious to other peoples' feelings? And why did Nino ever think that Adrien was a good source of romantic advice if he also thinks that Adrien is "a baby chick"? Pick a lane people!

Nino's Hobbies

Our final source of confusion is trying to define what Nino even enjoys doing. Horrificator and Queen Banana have him playing around as an amature film maker, but we also see him acting as an amature DJ with the wiki even claiming that he's the head of the school's radio station. So which of these things is his passion? Movies or music?

To be clear, I think it's fine to have multiple passions, but this is a story. You want to keep your characters' non-story-relevant hobbies kind of simple, especially when the character in question is a relatively minor side character who rarely gets much screen time. It's why Alix is only really into roller skating and why Nathaniel is only really into art. You don't want them to be more complex than that.

Even the main characters get this "keep it simple" treatment with Marinette only really being into fashion and Alya only really being into her blog. The girls don't need two demanding passions that would eat up all of their free time, but that's what Nino gets! Film and music are both incredibly demanding passions and it's hard to balance a character who is into both who is also an active superhero. That's a lot for one dude to do well!

I've actually seen fics that cast Nino as wanting to be a director and fics that make him want to be a professional DJ because canon really isn't clear about this pretty basic aspect of his character, but you do need to pick a lane when writing anything that gives Nino a career and so people seem to pick a passion at random.

My Version of Nino

By now, we're hopefully in agreement that canon has made a mess of Nino's character to the point where it's near impossible to say "this is who Nino is supposed to be." However, if you want to write Nino, then you do kind of have to pick a characterization to go with, so here's what I've come up with. Feel free to embrace it or reject it, but know that you will pry my version of Nino out of my cold dead hands because I utterly adore him.

Since Nino is Carapace, I base everything about him around the concept of "protect and defend" because he needs to feel like he deserves his heroic alter ego. I do not want to make canon's mistake of giving him a miraculous that massively contradicts his writing. Especially when that writing makes him feel interchangeable with other characters. At this point, no one from canon screams "turtle miraculous" unless you want to give it to Adrien since he's Ladybug's defender.

I also designed Nino around Alya and Adrien as those will arguably be his most important relationships. He should feel like a perfect fit for boyfriend and best friend respectively. I also took Marinette into consideration because he's going to be part of her team/friend group, so he should work with her, too.

What all that means is that I basically said "okay, this is where Nino is supposed to fit in the story and this is the dumpster fire that canon gave us, how do I pull pieces from the fire and paste them together to make a character that fits who Nino should have been?"

To really get into my version of Nino, I'd almost have to give you a fic to read, but that's way too much for a Tumblr post, so let's keep this high-level and just look at some of my notes on Nino from my lore Bible:

Nino is a major audiophile. He loves listening to music and watching movies/TV shows to study how they play with sound. He wants to be an audio engineer when he's older, but he also has a general passion for all things music and film. He’ll listen to any genre and watch almost any movie or show. He loves to take charge of the music at events so that the music really fits the crowd (and so it sounds good). It isn’t unheard of for him to go see an unknown band or an odd indie film on his own. This will become a major bonding point for Nino and Adrien because of the influence of Adrien's mother. Nino has seen all of Emilie's films and loves them. It will also bond him and Alya as his knowledge of film making will allow him to help her learn the art of filming now that she's doing complex things like actions shots and editing together multiple recordings.

Nino is generally pretty laid back and likes to hear people out. His reaction to confrontation is to try to calm everyone down so that they can get to the heart of the issue. He wants everyone to get along, but he's also not going to let someone take the blame when they shouldn't. Nino protects the innocent.

Nino is incredibly protective of the people he loves. If someone he cares about is in danger, his peaceful nature goes straight out the window. He’s the kind of person who would happily take a bullet for his friends and family. This will lead to him following Alya around once the hero stuff starts because he wants to keep her safe. Never let Alya go out alone if Nino is around or even just aware that a fight is happening. Alya thinks "scoop" and Nino thinks "my Alya sense is tingling." He's NOT there to stop her from doing what she loves, he's just there to be her spotter who lets her focus on filming while he watches for danger, though that will initially be a struggle for him. Treat this as his audition/training for Carapace where he learns to balance protective instincts with getting the job done so that he's ready to perfectly take on his miraculous.

When Nino’s folks split up, his mother insisted that the kids should go to therapy to help process things. They had individual and family counseling. Nino was actually pretty cool with the divorce as he’d seen it coming, but his brother was really affected by it, so Nino spent his time working on ways to help Chris (and being told that he was a brother, not a parent, but he still wanted to help). He learned a lot from going through it and it’s why he’s so good at dealing with emotional issues. He’s also good at not taking those burdens on himself. He wants to help, but knows that it's your battle. Marinette often looks to Nino for guidance on emotional issues because she knows that she's terrible at navigating them. She has given him full permission to stop her when she's too focused on solutions over support. All of the friends will help Adrien figure out social situations, but Nino will be the main guide as he's the one with the strongest skills in that area. Plus Adrien makes Nino's protective big brother instincts go crazy.

Nino’s a bit of a loner by choice. He has "weird" hobbies that easily lend themselves to being done alone and he doesn't have any interest in "forcing" his hobbies on someone who doesn't actually enjoy them, so he spends a lot of time by himself and rarely invites others to share in his interests. He only does that when he thinks that they'll actually enjoy what he's sharing. He doesn’t mind this, but he’s also a very welcoming individual who doesn’t like to see people left out, so he’ll come out of his shell when he sees someone who needs a friend. This usually leads to him making friends who soon become closer with others, but still view him as a casual friend. He’s cool with that. He's just happy that they found their people. Adrien will be the first friend who really stays Nino’s due to an understanding of Nino’s “weird” hobbies. After all, Adrien’s the son of an actress. He’s used to weird indie films and discussions of cinematography. I'd even say that he revels in it and realizes that he has missed it desperately since his mom got too sick to do that kind of thing. Basically, Nino will fill a spot in Adrien's heart that Adrien didn't even know was empty. Adrien can listen to Nino talk about cinematography for hours and never get bored. Before Adrien, no one knew that Nino was this talkative!

If anyone wants more insights into this topic, feel free to send an ask, but I think we'll call this post done now because it's SUPER long.

[absolutebl]

This Week in BL - Dog Days of BL but July is Incoming

June 2023 Wk 4

Being a highly subjective assessment of one tiny corner of the interwebs. Organized by which ones (in each category) I’m enjoying most.

Ongoing Series - Thai

Step By Step (Tues WeTV & Gaga) ep 10 of 12 - I’m finding the time frames confusing. Still, a lovely crying kiss + a very high drama-lllama gay confession. Kitchen counter make out, my fav! The actor who plays Jeng kisses at MaxTul levels, which is to say = like a man who has actually done it before with genuine desire and is capable of portraying that on screen. (What makes MaxTul kings is that they BOTH do this.) Pat caught up, thank goodness. Also P’Jeng!!!! P’JENG!!! I love how intimate phi is when it’s been all khun prior. This is the Thai version of hyung slinging. Errotic linguistics, my fav. And ALL the work drama and homophobia fall out when you sleep with the boss. I really enjoy that the angst concerning their relationship has to do with the fact that this is an office romance. Lastly? I love Chot so much. Everyone needs a gay auntie. Also Bruce is SO DAMN GOOD. (I mean we knew he would be from Lovely Writer, but this... chef’s kiss.) 

La Pluie (Sat iQIYI) ep 10 of 12 - There are enough meta-analysis on this one for me not to have to weigh in. Suffice it to say that I like what it’s trying to do, and I certainly appreciate the levels of consent and so forth but I’m not sure I actually like it as much now that we are swimming in high concept. Too much lying. I’m not sure I want my BL to make me think this hard. Also poly, boys = final answer. (Anyone else getting Color Rush flashbacks?) 

Be My Favorite (Fri YouTube) ep 6 of 12 - I love Max now and forever, and I made some very bad puns in the Trash watch here. Otherwise I’m not super invested. 

Dinosaur Love (Thai Sun iQIYI) ep 1 of 10 eps - from Ultimate Troop (The Yearbook people) so I shouldn’t watch this as it airs, after Remember Me? I swore never again. But there’s so little on right now, I’m falling on the pulp sword...  My initial thoughts? It’s an En of Love installment? What is going on? Why all this opening with the sides in a bar? Are we framing? Just move on to the 2 boys kissing! Don’t try to be clever, for fucks sake. Okay, good, the pulp has begun. I like soft wet-blanket Rak and his sad love life. I’m not wild about how aggressive Dino is plus insta-SINGING but I DO LIKE THAT HE’S OUT and knows what he wants which is refreshing. It’s trope filled nonsense (crash into me, instalove, sing feelings, floppy drunk, he’s in engineering, fast and bi-curious) also Dino used ter at first (how forward!) then he went to gu/mueng after rejection, while Rak uses khun & phi/pom. Love this for them. Despite my justified reservations with this production team imma stay watching. I need something on Sundays. * 

Luminous Solution (Sat Gaga) ep 6fin - That’s it? Bullsheiit. No seriously. That’s my review. 3/10 I DON'T KNOW WHAT I JUST WATCHED AND NEITHER DOES IT AND I’M MAD ABOUT IT.

* I got to say, you have only yourselves to blame for Dinosaur Love’s ranking. Once upon a time, I lived happily in ignorance of the Thai film industry. And then you all kept asking me extremely intelligent questions about it. And because I am a nosy little shit, I had to figure out what was going on. And now a BL like this, which ordinarily I would just love unconditionally, is a really scary place for me, because I know too much about the production house. The evils of too much information are all true. Remain happily in ignorance, I advise you, especially where BL is concerned. 

Ongoing Series - Not Thai

Love Tractor (Korea Weds iQIYI) eps 7-8fin - Yechan is such a frank character it confuses all who meet him, also a truly terrible flirt. This is such a puppy/cat relationship. It was cute but it went too far into cringe for a KBL (for me). I don’t think Kdramas are good at farce (sorry), better if they stick with more subtle humor. It was a sweet ending tho, not too cheesy. Nice kiss for KBL but pretty rather than sexy. Full review below.

Tokyo in April is... AKA Shigatsu no Tokyo wa (Japan Thurs Gaga) ep 3 of 8 - Oh, it’s GREAT. Damn it. There is a lot of subtext and things not being said. This is going to be one of those shows where it’s endlessly frustrating that they don’t just talk to each other. The crying first time was gut-wrenching. Ren is complicated & scarred & closed off. Kazuma is earnest & empathetic & thinks he’s unworthy - so will take whatever crumbs are handed to him. They are both giving parts of themselves away in a desperate attempt to shape themselves to the expectations they have of each other. These 2 are gonna fuck each other up while they fuck and fuck with our hearts. Japan is giving us the Bed Friends that Thailand can never even imagine. There is absolutely no guarantee this will end happily (it’s from the Eternal Yesterday people) but it is guaranteed to be painful and beautiful along the way. Oh Japan, must you? I guess you must. 

Stupid Genius (Vietnam Fri YouTube) ep 4 of 6 - I’m mostly confused by the catfishing & tarot side plots. But the mains sure act like bfs. To the point of our tiny jock idiot getting gay panicked by how much bfs they are. Surprise kiss! For everyone, it turns out. Yes I laughed. What? It was pat but also… FUNNY.

Tie The Knot (Pinoy YouTube) ep 3 of 8 - The main couple is adorable, but I’m not wild about the gay bashing blackmail side story. Still, it’s the best we’ve had from the Philippines in a while so I am keeping my fingers crossed. 

Vian the series (Vietnam YouTube ) ep 9 of 12 - Seriously? Bah Vinh = chemistry with EVERYONE. 

Naked Dinner AKA Zenra Meshi (Japan Fri Gaga) ep 12fin - So Souta just disappears off to Singapore and doesn’t say anything to his boyfriend about it? And then comes back with the perfect plan and life for both of them? Oh Japan, must you? Review below. 

It’s airing but ...

House of Stars (Thai Mon iQIYI) 12 eps - I bounced at ep 3. Will binge if told it is worth it at end.

Stay (Pinoy YouTube) 7 eps - It’s mostly English & set in LA (shudder) so I’m not bothering.

Ever After (Pinoy YouTube) 12 eps - Spies reported that it's a real mess and not a hot one.

Stay With Me ... NO I WILL NOT! And you can’t make me. 

In case you missed it

BL Express reviewed The Egoest. Oh boy am I never going to watch that. 

One in a Hundred - Gaga dropped all 12 episodes (c.10 min ea) at once. This is a 2020 Chinese show. It’s not BL. And it has a laugh track. I watched the first & final eps and won’t bother with the rest. DNF

I finally watched the 2022 thing I should have. 

To Sir, With Love - REVIEW

This is a true lakorn with scenery chewing performances from an ensemble cast focused on family obligation and past sins, especially from the mother characters. It is a Thai tellenovella + Gone With the Wind but gay. That said? I loved it: A glorious central brother relationship (the best, made me cry), het romances, class divide + gay *gasp* main romance, the camp of it all! It’s like it was invented by drag queens. Arranged marriage, rebellion, cut sleeves, dramatic death with curses and regrets, beautiful if inaccurate costumes, secrets unraveling, cover ups, sparkle murder, sex herbs, coils within coils including snakes and death by glitter (is anything gayer on this earth?). It’s a WILD ride. It’s not BL. It’s not a romance, it’s a family drama Thorn Birds style but it does end happy for our gay boys. Like Manner of Death I’m struggling to rate something on a BL scale when it patently isn’t a BL. I think I have to give it exactly what I gave that show, 7/10 

I loved it, but not as a BL. 

RECOMMENDED WITH RESERVATIONS (over its BLness) 

Zenra Meshi - REVIEW

AKA Naked Dinner 

I have to be honest, I didn’t really like much about this show. The central premise was too odd and the main character too clumsy & slow on the uptake. I like the food, but there have been food-set BLs before that failed to meet expectations. Too many of them. This one joined that throng. Good ending tho. 7/10 

RECOMMENDED WITH RESERVATIONS

Love Tractor - REVIEW

Most of this country-set BL had me feral for the beautiful broken city boy and his hot young farmer. Hyung romance, puppy/cat pairing, open frankness meets jaded reserve, language play, water hose frolicking, only one bed, all my favorite tropes. This show was basically a light-weight Restart After Come Back Home and I’m not even slightly mad about that. 

But (and you knew there was a “but” coming) something about the cringe of the final 2 eps and the impermanence of the ending (both of which highlight the fact that ultimately these 2 are I’ll-suited: too different & too far apart) left me with the feeling that they probably won’t last as a couple. However, in this case, rare for me, I forgive it this finale for my love of the rest. 

I did dither a lot though, it’s not an 8 but not a 9 either. Better than Love Mate (8/10) not as good as The New Employee (9/10) but in the end I’m value adding up for the premise and the cast, giving it a 9/10. 

RECOMMENDED 

(Gotta say, because this is rare for me, that this had a great OST. Not the credit music but the refrain, Rainbow.) 

Next Week Looks Like This:

July 2023 Supposedly... 

7/3 Be Mine SuperStar (Thai Mon Viki) 12 eps - JaFirst whipping boy/spoiled prince, obsession, celebrity/mundane. Third-year film student Punn (Ja) gets an internship on the set of a drama. He’s come to learn, but "what lights his passion even more than the work" is leading man Achi, Thailand's sweetheart. Adapted from the novel “The Superstar and the Puppy on Set” (พี่พระเอกกับเด็กหมาในกอง) by Orpheus, cast includes Benjamin Brasier (2moons2), Bosston Suphadach (UWMA), Jo Kavinpat (War of Y), Kokliang (TharnType). Directed by David Bigander (Bite Me) which makes me nervous. Maybe he'll do better with an adaptation?

7/6 Minato's Laundromat Season 2 AKA Minato Shouji Coin Laundry Season 2 (Japan Thu ????) 12 eps - The story is a continuation of Minato & Shin's love story, and it picks up 10 years after the events of season 1 but the characters don't seemed to have grown at all. Very Japan of you, Japan.

7/7 Stay By My Side (Taiwan Fri Gaga) 10 eps -  Gu Bu-Xia has the ability to hear ghosts, except when he is around his new roommate Jiang Chi. So he starts to find ways to approach Jiang Chi. But is it  the ghosts or Jiang Chi’s charm?

7/8 Low Frequency (Thai Sat YouTube?) 8 eps - ghost boyfriend, celebrity/mundane - Mon's life as a spirit-seeing interior decorator is full of headaches. On good days, he helps settle problems for his relative, who is a star manager. But then he gets involved with the spirit of Thames, a famous young actor who is in a coma.

7/9 Hidden Agenda (Thai Sun GMMTV YouTube) 12 eps - JoonDunk are back. Zo, a college freshman whose never been in love, decides to change it by making the college’s star Nita as his gf. He approaches Joke, Nita’s ex, for dating advice. What he fails to realize is that Joke has had his eyes on him for a long time and uses this opportunity to approach Zo. TMS 2.0.

7/15 Laws of Attraction (Thai Sat ????)  Stars the pair from To Sir With Love and with the same production team, cryptic description, but it seems to be Manner of Death esk.

7/19 Wedding Plan (Thai Wed YouTube & iQIYI)  - It's Mame and she's coming for our GL. She's such a misogynist IMAGINE what we will get with a GL? It's going to be absolute carnage. To crane your neck as you drive by the car wreck or not... that is the question. Me? I'm wallowing in the guts.

7/20 Jun & Jun (Korea Thu Viki) - From 2022 (TutorYim rumored to cameo) this office romance features 2, yes 2! Bls. Seme looks aggressive, we in classic yaoi territory. There is an idol involved. Past failed flirts. I am very excited about this one.

2023 forthcoming BL master post (see comments, some are inaccurate, NOT KEPT UPDATED)

THIS WEEK’S BEST MOMENTS

To Sir With Love

Best execution of the piggyback trope ever? I think so. 

Fucking GENIUS piece of acting. Bruce we LOVE you! 

All Step By Step 

It was stupid funny, okay? (Stupid Genius) 

Ridiculous man, you don’t have to eye fuck THAT hard. But we all appreciate it. (Vian) 

Dangerous thing to say in a show about identity in relationships. 

Brave boy.

I said this show was deep, not that I was. Although Patts seems to be going there. 

I’ll stop now.

All La Pluie. 

(Last week.)

[ilikekidsshows]

Am I jumping to far if I call Marinette a psychopath? I mean she uses people as she please for her own benefit, she seems to has no remorse, no conscience, egocentric, impulsive and well, she could be charming I suppose, especially to Cat Noir. Idk what else to call the combi of those trait if not psychopathy🤷‍♀️

---

I don’t think we should be pathologizing selfish behavior. Marinette is selfish and spoiled, and she is being written with the awareness that she’s a wish-fulfillment protagonist. Marinette is a bad example of one, but it’s not exactly comparable with an actual neuropsychological condition, for all the writers tried to use: “she’s traumatized!” as an excuse for some of her actions. This writing direction affects the rest of the cast too, and not just Marinette. The sympathetic characters validate Marinette's behavior almost constantly and any actual criticism Marinette faces in universe is nothing more than friendly ribbing with no expectation to act better attached.

I’d say Marinette is Kirito For Girls, but, like, even Kirito isn’t as selfish as her. Marinette has more in common with the current ilk of the wish-fulfillment isekai protagonists, like Naofumi from The Rising of the Shield Hero, or any other isekai series with similar trappings. The thing about this kind of protagonist is that their actions are basically justified by the protagonist being in another world, where they obviously need to do whatever it takes to survive. Usually these worlds will be made hostile in some way, the nominal hero humiliated and brought low by those in power before he can rise in power and get revenge on them all and win all the girls’ eternal devotion.

We’re meant to cheer for whatever nonsense these characters get up to, because they’re the only real/good humans in these fantasy settings, with everyone else being an NPC in a video game, or every other character in any position of power is the most over the top, ridiculous example of human garbage. The thing is that, as paper thin as these justifications end up being, they’re still something that gives the audience an excuse to root for the hero and enjoy the power fantasy. Even when the protagonist isn’t too sympathetic, the people around them are so much worse that the hero comes across as the better person.

But here’s the reason why Marinette can’t even manage the bare bones of rootability that modern isekai protagonists have; Marinette lacks their justifications. Marinette lives in the real world, she is the most popular girl in school, she has loving parents and caring friends and she’s the “greatest Ladybug ever” and all her “bullies” are ineffectual losers who never really bring her down outside of the almost never shown backstory. Marinette doesn’t get treated badly to justify her rise to power to stop herself from being hurt again (for all ‘Derision’ tries to prove otherwise), her world isn’t filled with awful or stupid people who can’t be trusted with power so Marinette has to take all the power for her own. We’re supposed to root for Marinette just because she’s the protagonist or we're supposed to not root for other characters, not because they've done anything wrong, but because they are not Marinette.

Basically, Marinette is the way she is because the writers view only her as a proper character instead of merely a prop and they write the series with this approach in mind. Marinette exists in a world where everyone else is a puppet dancing to her benefit, either to praise her or to make her look good when she defeats them. With this core concept in mind, of course she isn't going to feel empathy towards what basically amounts to toys. However, this creates the conundrum of: ensemble cast shows tend to have audiences with different favorite characters, Miraculous itself got a lot of praise for the five hero team we saw at the end of season two, yet post-retool Miraculous is telling us we should only care about Marinette, meaning they’ve trashed one of the draws for this show. The attitude of the writers seems to be the exact thing I brought up when discussing how even some of the toy lines are now ignoring that the rest of the cast even exists: “If you like any hero other than Marinette, fuck you, you stupid kids!”

The Marinette problem is so all-encompassing that it affects other characters and even merchandise, so it's very hard to explain with any in-universe explanation.

[curio-queries]

FACE, LETTER, & CLOSER THAN THIS

Disclaimer: The following post is full of my own opinions and interpretations. I do not share this with the intent to convince anyone else that this meaning upholds for all. My interpretations are also limited to English and that is an important distinction to make when accessing art from another language and culture. There are absolutely intentions and meanings that won't translate. Art is beautifully subjective, and I hope you all find your own reasons to love Jimin's music.

This is quite a lengthy post. Thank you to anyone who reads. I'd love to hear your thoughts as well, so don't feel shy to share! 💜

So FACE has been out for nearly a year, why am I making this post now? Honestly, it's all because of Closer Than This and the few nuggets we can glean from the music video. The very first clip of the mv is of Jimin's team discussing the lyrics and then Jimin's recording session. Honestly, I was quite surprised CTT was written at the same time as all of the FACE songs.

So the question then rises: Why wasn't CTT included in FACE? The answer I've arrived at is because CTT is not part of the journey Jimin was describing with FACE. More on CTT below but first, we need to revisit FACE:

TIMELINE

(US dates - I have to do too much timezone manipulation in my job, I'm not spending the time here):

30 DEC 2018 : Promise Release on SoundCloud

21 FEB 2023 : FACE announcement

16 MAR 2023 : Set Me Free pt.2 Release

23 MAR 2023 : FACE Release

22 DEC 2023 : Closer Than This Release

And here's the FACE schedule:

MOTTO-THEME-GUIDE

These phrases are ALL OVER the FACE project! They're in the digital media that was released, on pretty much every side of the physical albums, on the back of the photocards and postcards... They're pretty much on everything official connected to FACE. They're not just fluff included to fill up space; these words have MEANING in this project. I've been using these phrases as guide posts to help me interpret some of the meanings behind FACE recently, and I would encourage anyone interested in Jimin's deeper message to do the same. I've highlighted my references below.

Circles of Resonance Reflection of vulnerable minds and unexposed wounds. An echo, tremor and small movement to reach you. Face of facing the deepest part of inner-self. Face, the reflection of myself in an unfamiliar appearance. Waves originated from the deepest invisible inner world, pass through the face on the surface and reach others to resonate while transmitting the inner voice. Waves spread beautifully, finding its own flow despite wounds and distortions from a smallest scratch. The face of unwavering effort despite repeated falls and pain.

When asked what the album was about, Jimin freely shares that it relates to the events during the pandemic...and then the conversation usually moves on without any deeper discussion. This interview is probably the most verbose Jimin was any time he described the meaning behind FACE. If you haven't watched it recently, I highly recommend it.

We know that Jimin rarely shares the problems he's having whilst he's going through them (with us at least). He always waits until after he's moved on so that he can tell us not to worry, that it's in the past. (This concept comes up again in this post so keep it in mind.)

The distinction that I think is important to make is that, yes, FACE is about the pandemic, but it's not a straightforward diary of events. It's about how those events affected him. How the waves caused by the pandemic RESONATE, ECHO, and TREMOR through him - effecting the UNEXPOSED WOUNDS. Jimin found something in himself through this experience and had no choice but to FACE it. There were no distractions anymore, no pushing it to the side to deal with later. And he was able to share that journey with us in such a tragically beautiful way.

THE TRACKS

I made the below gifs for each track but I think they look best as a set without the tags so you can get the full effect of the differing ripples. Check out this post to see what I mean. ☺️

FACE-OFF

I know everyone likes to meme about Face-Off and trying to find who hurt Jimin to make them pay...but I really don't associate Face-Off with an external person. You can betray yourself in much worse ways than anyone else can because you know exactly all of your own weaknesses. You know exactly what pretty lies to tell yourself. And honestly, the source of the event doesn't really matter in the context of FACE. I view Face-Off as the initial incident. The SMALLEST SCRATCH that pushes the waves to spread.

There's also a lovely bit of foreshadowing with the lyric "Like crazy, everyone shout out, yeah yeah". CIRCLES OF RESONANCE. Not singular, multiple; we are in for a bumpy ride.

INTERLUDE : DIVE

I admit, I only listen to this track when I'm doing a full album listen. I love instrumental tracks but this isn't instrumental to me, it's sound effects. And I just personally have a sensory issue that comes out to play here BUT it's important to include in our discussion so don't skip it when you're trying to delve into the meanings!

The message I glean here is just how pervasive the issue is becoming. Jimin can be going about his life, trying to disregard it but the UNEXPOSED WOUNDS are there lurking underneath it all.

The pretty music overlaying the track may sound like glitz and glam, but this is just the beginning of the WAVES SPREADING BEAUTIFULLY, FINDING ITS OWN FLOW DESPITE WOUNDS AND DISTORTIONS...

LIKE CRAZY

I've been promising a post on Like Crazy for ages and this may be the closest I get to it. Let me know if any of you are interested in a more in-depth discussion on how the movie and the song work together. My short summary for both is this: there are moments when you willfully take actions that you KNOW are against your best interest. Not in a fleeting eats-too-many-cookies way. In a I-know-putting-my-hand-on-the-stove-and-turning-it-on-will-burn-me way.

I hope none of you experience this to such a damning extent. I have. Despite being the kind of person who I thought would never venture down such a path. It's not something I wish upon anyone. This is the WAVES ORIGINATED FROM THE DEEPEST INVISIBLE INNER WORLD, PASS THROUGH THE FACE ON THE SURFACE...

ALONE

Have you ever repeated a word enough that it starts to sound bizzare? What if you got the point where you thought the weird sound was reality? And then you were confronted with the truth. This song is that point. Where you are left with the sober understanding of yourself. FACE, THE REFLECTION OF MYSELF IN AN UNFAMILIAR APPEARANCE.

SET ME FREE pt.2

The rise! Jimin was able to find a way to push himself beyond the betrayal of himself. It absolutely wasn't easy and there were setbacks, but this is a clear call to any who find themselves in similar circumstances: you CAN overcome. THE FACE OF UNWAVERING EFFORT DESPITE REPEATED FALLS AND PAIN.

Remember when I said earlier that Jimin only tells us about his struggle once it's over? I honestly believe that's why SMF was the pre-release track. He needed us to know that there was a happy ending before he would tell us about the pain he went through.

LIKE CRAZY (English Version)

As I mentioned my sensory issue above, I cannot talk about Like Crazy without mentioning the whispered English at the beginning/end. I HATE it sooooo much! It just twigs my brain in all the wrong ways. It's a huge part of why it took me a long time to appreciate LC. As much as I hate it though, it's absolutely necessary for the interpretation of LC. It firmly gives us a landmark into where and how the song relates to the movie. It also creates a bookend structure that gives the original and the English versions their own rightful places to exist.

LETTER

My very first post on this blog was a simple comparison of the lyrics in Like Crazy from the translation on the original music video to the english version. There is absolutely a difference here and I think it's a very important distinction that there are two versions of Like Crazy in the album. One is AN ECHO, TREMOR AND SMALL MOVEMENT TO REACH YOU. This phrase is for us, the audience. None of the other phrases use "you". Even though Jimin has set himself free, there are still CIRCLES RESONATING.

If you have seen any of my posts prior to this, you likely know how obsessed with Letter I am. I have the hardest time naming anything as a favorite (even favorite colour, there's just sooo many good uses of different colors) so I hope you understand how revolutionary it is for me to unequivocally state that Letter is my favorite song. Like ever. For all of my (cough*decades*cough) of music-listening, opinion-having life. Letter is THE ONE. Letter is it. I probably have stronger feelings about Letter than any relationship I've been in (but I'm aspec so take that with a grain of salt...)

I listen to Letter A LOT (sometimes on literal repeat - there's a video on YouTube that loops it for over an hour and I've definitely contributed several of those listens) and while working on this post, I would still get emotional hearing it at the end of FACE. This song is the absolute definition of the beauty that can only truly be understood after utter tragedy.

To me, Letter is about how this experience has effected Jimin to the point where there's a noticeable difference in the way he interacts with and appreciates those he loves, in all interpretations of the word love. WAVES...REACH OTHERS TO RESONATE WHILE TRANSMITTING THE INNER VOICE.

I am not using this post to debate the merits of exactly who Letter is for: a significant other, ARMY, or Jimin himself. Frankly, I don't think it matters to the meaning of the song. Use whatever flavour most appeals to you. That's the real genius and gift of Jimin's music imo. He creates it in such a way that we can fold it around our own personal stories and needs.

WHAT WAS THIS POST ABOUT AGAIN?

Right, so rewind to the release of Closer Than This. I'd had very little sleep as I traveled for the holidays and was absolutely feeling the timezone difference. But I stayed up to hear Jimin's new song. I listened to it first in Spotify and thought it sounded like a beautiful, happy, well-produced gift of a song - perfect for the end of the year and to comfort us with his departure for military service. Then I watched the mv to read the subtitles... Y'all, I absolutely was NOT expecting to see clips from the time covered in Jimin's Production Diary! I wouldn't have been surprised if it was the same team that Jimin worked with before but at a later time - he trusts them artisically after all. BUT these clips were the same angles and same conversations we saw from the development of FACE.

So I started my due diligence. Is it possible CTT was supposed to be part of FACE but they held it specifically to release when it did? I listened to FACE multiple times trying to insert CTT into the narrative. And it just doesn't fit this journey...at all. Like not in the slightest. I thought maybe immediately after Letter or even replacing Letter but no. I even tried inserting Promise as a bridge and it just doesn't work in the context of FACE.

CTT has a pretty literal storytelling narrative. It describes the journey WE have been on with Jimin. It lists his promises to US going forward. The music video being an album of memories, supports the nostalgic and loving viewpoint of the song. It has absolutely nothing to do with how Jimin was affected by the events of the pandemic or anything he found inside himself because of it.

Both songs have been described by Jimin as a 'fan song' and as I described in this post, there are many reasons that support both of them falling into this categorization. To me, Letter is more about Jimin having a deep intimate conversation with us because he trusts us. While CTT is literally about the relationship between ARMY and Jimin.

Anyway, I think that's all I've got to say about it for now. What are your thoughts? Should Closer Than This have been included in FACE? Was it just a marketing ploy to keep generating our interest after Jimin left?

(BTW I'm really happy with those FACE gifs and how the ripples look when they're together. They took some time to figure out. I just wish I had some better software to turn them into gifs so the colours display better, but alas, beggars can't be choosers. They look really great in the ppt that I made them in but I guess that's just for me to enjoy!)

[typosandtea]

Got tagged by @irradiatedpiratebooty (Thankyou!) to post some wips…. 😅

No pressure tags for: @sirmanmister @acorncoffeeformysweetheart @charliesvarietyhour @fuzzydreamin @bokatan :]

I’ve got so many abandoned sketches / concepts and very few wips that make it past that because usually by the time I’ve hashed out the sketch I’ve figured out if I like it and if i have the ability to pull off what I am picturing yet ahahah and the ones past sketch are often abandoned for ‘I cant figure out why I don’t like this’ rip

(I’ve also tacked a half written danse fic on the bottom!)

Some active wips✨ (Danse like its 2015, silly comic based on this post, sketch of Murphy and Nathan)

Some I’ll hopefully come back too??????????? (Tacky mug, Danse and Frankie in Far harbor (based on Night Letter by @/watchyourdigits, I paused for falloutober and never picked up again sorry :/ ), Sweetbrew fallout 76)

Proper abandoned rip (Danse as a dnd paladin (a request that I didn’t finish since the vibes are bad, sorry @/never-gonna-danse-again :/), and a silly comic based on this screenshot of mine)

And some writing since I’m trying to figure out how to do that yay ⤵️

(Untitled, unfinished) Danse, 2nd person, Danse is kinda oblivious, ‘How does Danse deal with loving and being truly loved by a railroad sole, even after the events of rr fallout 4.. (poorly)’

Dawes, Worwick, Brach and now Keane. All good soldiers dead too soon, too young, under your command. With a heavy heart you know now that soon you'll watch as you lose Haylen and Rhys too, before succumbing yourself to the ever growing tide of ferals that has been ebbing closer over the course of the battle, it feels like an eternity has passed since you saw Keane fall to the abominations, time seemed to have broken, though you know that its only been half an hour at most. If you survive the onslaught you'll have to organise a proper memorial.. if..

Reload. Aim. Fire. Assess the situation, update tactics. Breathe. Reload. Aim. Fire. Godless heathens! Rhys is injured! Breathe. Reload. BREATHE. Aim. Fi- Fire rains down on the ferals from outside the compound. Reload. Update tactics with Haylen, while more gunfire and another molotov begins to part the irradiated sea of scum. Aim. You catch a glimpse of them. Fire. The remaining abominations are dealt with swiftly, and while thankful for the well timed assist you can't help but to be cautious of them after all of the opposition your team has faced in the commonwealth. You ask them about themselves and they ask about you in return, thinking back you never got a straight answer out of them but no time to think about that now. Leading the way, you fill the silence with a debrief of Gladius' disastrous mission here, after all they had seemed interested in the Brotherhood, even if the sunglasses clad man with them had frowned. Arcjet brings more surprises, in both the unwelcome form of gen 1 synths, and the strangers' apparent combat effectiveness and familiarity with facing them. Between both of your combat prowess, the dilapidated laboratory is soon devoid of any synthetic 'life'.

Choosing to debrief outside you stumble through attempting to compliment their outstanding combat abilities, for a civilian. You part ways after gifting them Righteous authority and an accepted invitation to join the brotherhood, much to the dismay of their companion it seems. On the walk back to the station you realise that you feel lighter than you have in months, if just a little bit crispier too.

Months pass and things have been going well for the soldier, their already good combat skills have been steadily improving, Maxon has promoted them already! They are turning into a model knight, albeit with some unorthodox choices sometimes, but you want them to succeed you know they can!

After a particularly gruelling day of clearing out yet another super mutant nest you mutually decide to camp out in a suitably defensible old house, "you're quite the soldier" you say for not the first time, casual conversation comes easily with them, easier than it has for you in years you realise with a pang. And so you tell them about Kreig and how you are pushing them the same way he pushed you, to grow into the potential you see in them, and then you apologise. For being like Kreig, pushing too hard without explanation or reward. The soldier is silent for a while, before replying, but you see a new glimmer in their eyes, of understanding. They take first watch, and you drift off to sleep easily for the first time in recent memory.

Much progress has been made in the brotherhood's hunt for the institute, with the both or you being assigned more missions near constantly it seems someone has noticed your effectiveness as a team. You've heard whispers of rumours and caught the occasional stares drifting around the prydwen, but you pay them no mind, speculative gossip has never been of any interest to you, especially not something so obviously false as those rumours, that would be inappropriate after all. Your thoughts drift to the soldier, and realise just how much they have come to mean to you and how little you've told them anything about you, how could you have been so selfish after they have bared so much of their soul with you? Their life prewar, the death of their spouse at the hands of the cruel institute mercenary, the hunt for a way into the institute and their overwhelming fear at what they will find there. How much pressure they feel from everyone to be the perfect soldier, you sigh internally thinking about that, you owe them an apology it seems. With your mind made up now you just wait for them to return and for a suitably private moment to present itself. The opportunity arises later that day, they have just returned to the prydwen after a week away, and much to your surprise beeline straight for you with a smile before even turning in their documents or missions. They seem to be oblivious to the stares and raised eyebrows of the mess's other patrons, and a round of suitably authoritative glares ensures they will remain so. Brandis just smiles, damn him.

You warmly accept their request to join them on a routine acquisition for Haylen, but you know by now that no mission will ever be ‘routine’ with them, not that you mind the challenge. En-route to the target zone you cant stop thinking about what you are going to discuss with them, how will you open such a sensitive topic with them? Its been a substantial period of time since you’ve spoken to anyone about back then, not that you could ever forget him, after all how could you when he haunts your sleep like some sort of sorrowful spectre of loss, guilt and pain.

Lost in your ruminations as you are you nearly walk right into the Soldier as they signal ‘hold’ and ‘danger’. Snapping back to reality while cursing yourself for your inattentiveness internally, you spot the obvious threat almost immediately: a roving band of super-mutant scum and worse yet, a suicider. Outstanding. Your friend signals for stealth and for a flanking manoeuvre, you never did understand their insistence on such quiet methods when you both have access to power armour, but you’ve seen enough of their handwork enough to trust their tactics, even with their continual overestimation of your lacking stealth capabilities. As quietly and you can in full power armour you move into position on the opposite side of the pack to them, shoulder your rifle and wait for their signal. You can feel your heart rate quicken in time with the warming thrum from your charging laser rifle as the anticipation and adrenaline flips the switch to combat mode. They don’t keep you waiting long as a well placed laser volley from them sets off the unsuspecting suicider right in the middle of the pack. As the stragglers stupidly turn in the direction of the apparent danger you fire on their backs with deadly accuracy. With the element of surprise now used to its fullest, you charge into optimal combat range as one of the remaining brutes correctly picks you as the bigger threat, Good. Its better if you are the target. A few more well places shots from the both of you and its over as quickly as it started, “Outstanding!” you complement their marksmanship and tactics as they walk over. You notice of the charred abominations still writhing nearby and you put it out of its disgusting misery with a well placed stomp.

The Soldier shows you the location Haylen specified on their pip-boy, its just on the other side of this small commercial district, if the mission goes smoothly you could be back on the prydwen by nightfall, sharing a whisky to chase away the taste of messes’ latest attempt at dinner. You both freeze as you hear the distinctive sound of laser fire nearby, one look and you both move towards the commotion weapons hot. At the first sign of creepy plastic and blue lasers you charge with an “AD VICTORIAM!” but you barely get a round in before mini-gun fire tears through the remaining machines. After ensuring that they were in the clear you join the soldier as they approach the heavily armed newcomer. You meet the strangers glare with a level one of your own, before they can say anything your friend asks what they are doing here, “kicking ass, though it looks like HQ messed up scheduling again” the stranger answers. Ah this must be one of their minutemen acquaintances, you had heard they were getting more active lately, and poor organisation is expected from the civilian militia. The strangely dressed silver haired minuteman explains that the subway has been overrun with gen 1 synths, your friend offers to help, “it would be an Honor to assist in exterminating these abominations” you agree, though this earns you a strange look from the minuteman. No matter. Unbeknownst to you the Soldier and the minuteman share a significant look behind your back. No pathetic synths stand a chance against the three of you as heavily armoured as you all are, you briefly considered extending the minuteman an invitation to join the brotherhood, though you reconsider when they lament the ‘deaths’ of the machines, such a naive outlook would never be allowed to continue in the brotherhood, don't they know how dangerous synths are? With the battle dust settled, “damn!, you’re one ass-kicking angel of death” the stranger compliments your friend as you all backtrack to leave the dingy subway, “agreed, outstanding work as always” you contribute, they are positively beaming at the combined praise. The minutemen leaves with more crude but positive words, its good to see that the minutemen have at least some capable fighters on their side, it is a noble cause.

The target artifact is soon acquired with minor resistance from some more mutants, but the hour is too late to return to the prydwen now. They suggest that a settlement nearby will be a safe place to camp for the night, you agree, and privately hope that the arrangements will be secluded enough for the difficult conversation you have planned. A short walk in the dark later and you both arrive at the small nursery and are immediately accosted by a group of hysterical settlers. Eventually the soldier calms them down enough to learn the location of the kidnapped one, an older man. The mutants are just across the road as it turns out, why on earth they have tolerated living a stones throw from these monstrosities for so long is a mystery, but at least the proximity makes for a brutally quick rescue, you both use the night to you advantage and the monsters are dead before they can even take up arms. The man is injured so you carry him, trusting your friend to have your backs on the way back to the settlement. You mentally resolve to make significant note of how much mutant and synth activity there is in this region in the next mission report. With the settler returned, sustenance and a semi-secure place to set up camp for the night acquired (to be continued oops, 1/4 affinity talks written, the 4th being romance dialog)

[praline-elegy]

Praline! I am here for your Scott Langtree/Thomas Leventis thoughts 🤺

Kwoc! Hello! Oh my goodness I am so flattered by your interest 😳💓

This is going to be a very long post so hold onto your épée 😆🤺✨

I guess I’ll start off with the most obvious question, why ship them?

Canon is my dollhouse and I’m making my favorite characters kiss. That’s the beautiful thing about fanfiction, canon is merely a suggestion, and I’m playing with dolls! :)

So why do I like these characters? Why Thomas and Scott?

I’ve noticed that a lot of the time, when there’s a grumpy twin/sunshine twin dynamic, it’s usually the grumpy twin that ends up finding love or pursuing a relationship, so I wanted to explore a romance for Thomas because I think the sunshine twin deserves love too.

I’m not really sure how I landed on Scott for Thomas as opposed to anyone else from the other teams, but his character has really grown on me in the short time that we’ve met his character, and also… your Scott from better this way lowkey shaped the way that I view him too. Not by any insane amount, but the brief instance of Nicholas telling Scott to chill kind of broke the ice for me and made me realize… he’s just a high school guy too. He’s a nerd that likes Lord of the Rings. An absolute dork by my standards (and Thomas’ delight :)

“Of course, you’ve missed the start of this academic year, but honestly, Nicholas, for somebody with your talent, we could p–”

“Dude –” Nicholas said, cutting in. “Sorry – Scott. I was warned about this. I’m not changing schools.”

Scott looked shocked for a moment. “But I j–” (better this way, chapter 14)

You know that meme? He’s just a little guy? Yeah that’s Scott. He’s just another guy. I mean, he is the captain of Halverton, but he’s not some untouchable being. He’s friendly. He doesn’t like raisins. He has a passion for fencing. He gets exasperated when having to deal with unruly underclassmen. I had this notion that he was going to be shrewd and stoic (like when we see him trying to poach Seiji), but he really is a friendly guy, which we can see when Nicholas gapes at Seiji talking to Marcel and Thomas when they arrive, and Scott filling him in on how they know each other. I actually really enjoyed the part where he points out that all the members of Exton are there for a reason and respects their drive.

“No. You can’t underestimate them… Each one is utterly hardworking and dedicated.” (Scott, Volume 6)

There’s just something about that that gets me. I don’t think humble is the right word for it, but his respect and awareness earns brownie points in my book. I thought he’d make an interesting match for Thomas. Plus there’s an unintentional but intriguing captain x reserve dynamic that I haven’t explored yet.

Going back to Thomas, everything that I have ever written or headcanoned about him is entirely my own interpretation. It helps that Johanna’s art of him helps paint a picture of what his personality would be like. In this and this art right here, you can clearly differentiate who’s Aster and who’s Thomas. Their expressions and body language tell so much in the first art. Tell me that isn’t the face of a cinnamon roll. I dare you. He looks so sweet it makes my heart melt.

When writing Thomas, I wanted to subvert the popular concept of a sunshine twin/character. For me, that means a person that is outgoing and bright. Someone that people naturally gravitate towards like the sun. But I want to challenge that idea by creating a character that is still kind and bright, but sort of meek and shy. An introvert, but very sweet and likable all the same. I like the idea of a character that seems upbeat and positive on the outside, but is actually anxious and perhaps pessimistic on the inside (Now that I think about it, am I just rebranding sunshine as cinnamon roll? 🤔💭).

What are some Scott/Thomas thoughts that I have?

I’ve decided to expand upon Scott’s tastes for Lord of the Rings and think he would definitely be the type to enjoy Dungeons & Dragons, ren faires, and knitting. Specifically knitting over crochet because that’s what I prefer lol. Scott sort of keeps his knitting hobby on the down low, because he’s not a fan of when acquaintances push for him to make them something. He does however, knit Thomas a birthday and Christmas present—which if you’re a knitter, says a lot about how Scott feels about Thomas 🤭💝 (The Christmas present being after they started dating 🥰🎁) I have a scene plotted out further into their relationship (pre-slash but mutually pining) where Scott invites Thomas to play D&D with him and his friends for his birthday as well 🥳🎲✨ Plus, a ren faire sounds like a wonderful date (or appointment 😌) idea!

For Thomas, I’ve decided that he enjoys baking as a hobby, so in the first fic I have drafted, Thomas would be planning to bake something for Valentine’s Day, but do things go to plan? 👀✨ I also plan to write other instances of him baking, for example he goes to a triathlon at the beginning of summer break with some experimental cookies (special ingredient: cereal cornflakes) that he brought with him because Aster is friends with Sungchul (who’s the one competing) and Scott is there to support him too 🤭🍪✨ I also plan to have them hang out and make pizza together. Beyond baking, I think that Thomas would enjoy reading and doing puzzles. I do plan to write him and Scott having a chess match sometime, although I haven’t decided if it’ll be a glazed over sort of thing (e.g. “Thomas played a round of chess with Scott while they waited for their friends to show up”), or an actual match with dialogue spliced through it in a way that could be playfully competitive or perhaps even flirty.

- Usually a sports captain would be a senior, but to make my universe work, I decided to make Scott a junior (there were no fencing seniors left at Halverton or he was simply the most suitable choice), and captain again his senior year. Thomas and Aster will be a year under him (sophomores then juniors). I think I might even write them versing each other at a summer tournament, but that isn’t concrete yet.

- I headcanon Scott as somebody from old money, while Thomas and Aster are from new money. The twins are no stranger to wealth and the more extravagant things in live, but neither of them are quite prepared for the place that Scott calls his home. I could go on about my headcanons for their families if you’re interested 🤗✨

- Scott is a naturally a cuddler in his sleep and Thomas loves it.

- When the two are on more friendly terms, Thomas texts Scott asking him what order to read the Lord of the Rings, which grants him a wonderful spiel (haven’t decided if it’ll be all via text or Scott calling him which gives Thomas a very lovely heart attack) about what the series is about and which book he should start with (he recommends beginning with The Hobbit).

What am I currently working on for Scott/Thomas?

I mentioned this in a previous ask, that I’m drafting a slowburn series focusing on their blossoming relationship, as well as a college au, a soulmate au, and a fae au. And I just remembered having a mermaid au and an omegaverse one that I had awhile ago 👀✨

I have so many scenes already jotted down for the series, but I can’t post anything yet because I want the series to be in chronological order 😓 The first fic takes place in February, with Scott and Thomas not getting together until the following school year. The bulk of their relationship actually grows and progresses during the summer. I’ve actually already decided on how they get together as boyfriends! And I do plan on writing nsfw for them eventually… if I can finish writing the preceding storyline first 😅

For the college au, I might combine it with a Seiji/Nicholas au that I have, but I haven’t quite decided yet, as this would be set during Thomas’ freshmen year of college and Scott’s sophomore year, so neither Seiji or Nicholas would be in college yet (but I might give Nicholas a surprise appearance or two in this fic).

The soulmate au is a bodyswap universe where sometime after the younger of the two soulmates reaches their 16th birthday, there will be a day where they swap bodies. It’s the day of Exton and Halverton’s practice match when the pair wake up in unfamiliar beds 👀✨

Do I have anything posted on ao3?

Sadly no… I’m a slow writer 🥹 but I have three drabbles posted here, here, and here on tumblr (two seiji/nicholas and one jesse/eugene). I honestly wanted to have something posted by my birthday this coming week but realistically I don’t have the time, though I would definitely be happy to answer more questions if you have any!

Thank you for the ask, kwoc! 🤺✨

[its-all-papaya]

excuse me for coming into your askbox and yelling but FIRST!! how GOODDAMN GOOD was the prompt fill for my ask for 13 (desperately)!??!?!?!? i wasn't expecting that AT ALL like the way you have with words!?!??! i LOVED the words in different languages that you so smoothly fit in there, how you wrote them and the way it came together was just so beautiful 🥹 i was legit crying happy tears at the end!! but SECOND now WHAT THE FUCK was that prompt fill for 48?? you BROKE ME, i don't even really understand what exactly happend in that one (pls explain in short if you'd like) but the desperation seeped through my screen and my EMOTIONS are ALL OVER THE PLACE now and i am truly moved by the piece. THANK YOU but also WHY WOULD YOU DO THIS TO ME

okay there are layers here so first:

YAY SO GLAD YOU LIKED 13!! I'm so proud of desperately, I was so scared to write lestappen bc (again) I was simply not around F1 for the majority of their development, so it feels much scarier with less to pull from in my brain. But!! I loved the way it came together, and I'm glad you enjoyed <3

okay... 48... because the world is ending. I am... SO GLAD you asked bc I've actually been dying to talk about this since I wrote it. It feels like I'm unveiling some of the mystery I purposely put into it but also I am shaking crying begging to discuss this piece so uh... under the break xoxo

The thing about that prompt is I started writing it FULLY intending for it to be about the actual end of the world. My vision was like... Charles hears the world is ending and realizes that the one thing he wants to do is confess to Max blah blah etc etc. But I started typing and I wrote that first paragraph like half out of the shower bc I was afraid I was going to forget it while I finished, then I started the second paragraph and it was truly just going to be like... scene setting ahead of Charles learning the news. I got to the part about the television always being on bc I wanted him to background overhear and passively learn the news on accident. But "There’s a trophy case next to it, dusty with neglect. The top shelf is empty. It always has been." appeared out of actual literal thin air?? and from THERE I was like. No. I have something better. SO.

48 is still about the actual end of the world if you want to read it that way. BUT. 48 is also about Charles retiring from Formula 1 without ever winning a WDC. If you would like to read it that way. If you take road number one, the news comes that the world is ending and they've got days until it does, and Max calls Charles and invites him to his place and Charles goes.

IF YOU TAKE ROAD NUMBER TWO. Loosely, Charles has a contract in hand and is making his decision but taking too long so Ferrari gives him an ultimatum or whatever. In this case, the phone call could be from team principal or whoever you please. And Charles decides on his own to go see Max about it. In both options, my working concept is Max retired out of nowhere a-la Nico Rosberg after winning his eighth WDC or whatever. And he disappeared and Charles hasn't seen him since the final race of that season ("his face looks the same as it had that day in December, glowing in the reflection of another trophy"). Also they used to fuck ("He knows Max’s voice...through the thick of a pillow, around his own wrist, shoved between his teeth"). So Charles goes to Max because he needs to decide what to do except he's kind of already decided and just like. Needs Max there while he admits it to himself. And then they have their weird little standoff and makeout and have emotional sex bc Charles is letting go of the dream he's always had and he's doing it alongside (via?) his lifelong rival, who achieved everything Charles wanted. And then left Charles alone with his desperation.

I actually don't know how lestappen reaches this itchy part of my brain, but 48 is one of my favorite things I've ever written and it came together in literally an hour and a half. "'What did it feel like?' 'Which one?'" made me cry literal physical tears writing it because Charles is just desperately grieving the dream he's had his whole life and begging Max to give him anything to know whether it's worth it to keep fighting, and Max is not flippant but so... literal? about it? Which is so Max to me. I love the way it came out SO MUCH. so much.

ANYWAY that was not short, that was long, but I'm so so glad you asked, thank you genuinely for the compliment and for giving me this opening to rant about this little bby piece that I adore so deeply.

Feel free to visit my ask box again any time, anon 🫶

[fangirleaconmigo]

A big part of taking care of someone who is sick is just keeping them company because it is so isolating.

So I have sped through a lot of media this past few months while sitting with my sister. And I’ve read while waiting in the hospital and doctors offices.

Here’s the new stuff I’ve just watched and read: (if you wanna talk more about any of them hmu in the ask box. It may take me awhile to answer but I want the asks even so!)

Watched

Barbie. I loved how weird this was. We need more weird blockbusters. I loved seeing a creative team with so many women win so big.

The Bear. This show was a little too real but so well done. I would die for Syd. My sister and I have incorporated “Heard, chef” and “Yes, Chef” into our daily lexicon.

Good Omens S2. When I tell you I was SCREAMIN at the finale. Season three is not a want, it is a need. Right up there with oxygen. Bless Tennant, bless Sheen, bless Gaiman, Netflix hear our prayers.

Breaking Bad rewatch. My thoughts could fill a novel. If anyone wants more, drop an ask. But for these purposes, my only thought is that I will never comprehend people who watched this for Walter White and not for Jessie Pinkman.

Justified Primeval: Deeply enjoyed watching Raylan Givens tussle with a child just like him 😂. Also his chemistry with Carolyn was fuckn fire, I loved the ‘grown an sexy’ vibe. And YESSSS to that epilogue.

What We Do in the Shadows (tho not the finale yet) I will be completely honest I watch this for Guillermo de la Cruz. No thots head empty just Guillermo.

The Witcher S3: My sister actually actively dislikes the show 😂😂😭 so I wasn’t gonna watch it to the sound of her unsolicited critique. So, I went to my friends house to watch it. But turned out my friend’s Husband Joined Us. He is nice but he talked over it SO MUCH. (Like did you know that some of the buildings don’t have windows in the wide shots but then in internal shots, windows galore??) Bless his heart. Point being, I need to watch again.

Ladies First. I’m a big fan of women in hip hop so this documentary series was a MUST. It was great but it left me wanting more. I want a series for every year of women in hip hop. Incredible. Also I found some new artists to listen to.

Pacific Rim rewatch. The movie is just as much fun ten years later. The concept of drift compatibility is top fucking shelf my friends. Top. Fuckn. Shelf. Also, is this the only GDT movie where the monsters are actually the bad guys? 😂 I think it is.

Heartstopper. I watched this mostly because I wanted to spend time (virtually, alas) with my fandom wife and she is obsessed with this show. Glad queer teens have this. The main actors have amazing chemistry, and are super lovable and talented.

One Piece live action. I needed something lighter after being gutted by Breaking Bad so I turned to this show. Am now obsessed with Roronoa Zoro.

I Read:

Pageboy, Elliot Page

Under the Whispering Door, TJ Klune.

Velvet is the Night, Silvia Moreno Garcia

I am Spock, Leonard Nimoy

The Entire Murderbot Diaries series re-read for like the seventh time. This is like my therapy. By Martha Wells.

[livelymutterings-blog]

Thoughts on Izna and their MAMA 2024 performance that slayed

I recently decided to watch I-Land 2, since I knew Izna have been gearing up for their debut and it's always more fun to experience a debut when you know more about a group.

I had watched the original I-Land season that created Enhypen, and while I didn't keep up with the show after the first part, I payed attention to their debut (I was so surpised that Heesung wasn't the leader!!!! I still am!!!).

I am pretty happy with Izna's lineup, especially after their MAMA 2024 performance, I can see that they work well together. I still am quite sad about Fuko not making it, especially since she ranked so well throughout the season. When her and Jungeun started ranking a bit lower in part 2, I didn't have much concern since I thought they were both locked in.

I did peek a bit at the lineup right before part 2, and I was excited to see Sarang, who I saw as an underdog as she didn't stand out too much in the show as somebody who was for sure going to get in the lineup. This gave me hope for the other participants I thought were similar to Sarang in terms of their position on the show, and I became really hopeful for Yuju and Yeeun, two people who I thought would go well with the participants who I expected to make it.

The bottom line for me is that Izna did super well in MAMA 2024 and their self-titled song Izna fits them very well and I'm excited for them to debut!

-----------

Since I always have more thoughts and I'm going to use this tumblr blog to document them, why limit myself? Here is what I think of the members, and Fuko-

Jungeun- Is this the first time a participant of a competition show started and ended at rank 1? I know sitting in the rank 1 chair in the Produce shows is not the best thing to do during the beginning of the show. She's a very consistent person with her vocal and her dancing. Also she reminds me of Karina.

Jeemin- Slay. She showed up and showed off and I think we're all glad she's in Izna and not Illit. I think she would make a great leader! She low key reminds me a bit of Sullyoon. They have some facial similarities that I cannot put my finger on.

Jiyoon- In the first couple episodes, I had some pretty strong, negative feelings towards her. We all saw her not get her way, sulk, and drag down her team with her. I was surprised she was on the older end of the participants because I saw her reactionary behavior as quite immature. Boy I am glad I continued to watch the show because she ended up being one of my favorite participants! She really proved herself with her abilities and it was heartwarming to see her push to keep up when she was slow to take in the choreography for Drip. I think she's gorgeous with a gorgeous voice and I loved her look for the MAMA performance! The dress for the Vocal Unit Battle (ep 4-5) was hideous and absolutely did not fit her.

Koko- She was always within the top 7 ranks but for some reason I never saw her as a for sure part of the lineup until the 1st save vote. In part 2 I could tell with her editing that she was going to debut, and while she wasn't one of my favs, there is no doubting that she fills an important spot in Izna's talent pool with her powerful dancing and her voice really suits the rap parts in their songs. Side note about her styling in the MAMA performance; I did not like it. You would think this far into the industry that stylists would take into consideration each person's proportions, and not exaggerate them if it's not the concept, but honestly Koko's styling here and Illit's Yunah's styling in general leaves much to be desired. I am not saying that certain body types are less flattering and should be styled to minimize their differences, I just think these stylings stand out just as much as when one member wearing white while all the other members wearing black, and the whole point of a group is to show some individuality while still remaining a cohesive whole.

Sarang- She's nice and undoubtably earned her spot but honestly, I can't get over how short she is! One thing companies definitely consider when creating groups is how the group looks next to each other, and that often means you don't have extreme variations in height. Think Mamamoo, Itzy, and to a lesser extent, Blackpink and Aespa. In my opinion, competition show groups end up with a pretty large range in height. Some great examples are IZ*ONE, I.O.I., and Twice. What is interesting is that I've noticed secondary competition groups seem to also have this height range, like Weki Meki and IVE. What I thought was interesting was that Katseye totally is the exception to the rule here. They are all such similar height. I think this is because the company had a larger part in the final lineup, because it seems that Ezrela (quite shorter than the current members) would have made the final lineup if the results were more based on viewer voting. I thought Sarang's MAMA styling was great and I loved her bangs!

Mai- I was quite surprised that she ended up ranking in the debut line up. Especially when you compare her rankings with Fuko's she really dipped in part 2, whereas Fuko was out of the top 7 only 2 (once when she went to the Ground, and then at the very end when she ended with rank 8). I didn't really see the reason why Mai got so many votes, especially since in part 2 she didn't seem like a strong contender the way they were making out Koko, Jeemin, and Saebi to be.

Saebi- Saebi, another giant maknae! Through the show we got to see her sweet personality. She isn't the most talented member and definitely stood out because of her looks, but she is absolutely not a hole in Izna's talent pool, which should never be taken for granted.

🩷 Fuko- Girlypie I feel so bad for her. She has the talent and skills, but somewhere towards the end that didn't get her enough votes. When Jiyoon and Jungeun made up I started really looking forward to seeing the trio of her, Jungeun, and Jiyoon in a group. I saw somebody comment somewhere that she is basically all trained up and any company she ends up in could debut her almost immediately, so I'm holding out hope! Unfortunately, the kpop industry has really shifted towards debuting young groups, which means Fuko, who I'm older than by 12 days, is somehow an 'old' trainee. If you use the definition of minor from korea (int. age 19), there truly aren't that many groups who have debuted with all adults. Babymonster, IVE, New Jeans, and Enhypen all would be missing a large chunk of members if minors could not debut.

-----------

My thoughts on Izna's music and concept:

Oh my god! I loved the song Izna!!!!! It was fresh but also on the more girl crush side of things but still classy. Classy crush! The song did a wonderful job at expressing Izna's concept and I really hope their creative direction doesn't showcase to a cute concept until they're an established group. I thought the song wasn't just satisfactory, I thought it was an actual quality song with unique musical elements. The choreography hit, especially for the beginning of the song. Teddy's songs are notorious for having empty choruses, but with the vocalizations during the chorus, I thought he got away with it. I LOVED the unexpected ending to the prechorus part that Koko and Jiyoon both did. I also loved how Jiyoon's iteration was unique with the variation in the high note. It gave me a glimpse into a more ethereal/girl crush concept, which I loved!

I cannot wait for more Izna performances from Izna! I might make a post when the song comes out and move all this song review stuff to that but we shall see! Thanks for reading if you made it this far, I am pretty damn impressed if you read the whole thing so if you have anything to respond to, I'd love to hear it!

[adobe-outdesign]

What are your thoughts on the Finizen line? I like the concept and the gimmick (Palafin gets a second form that only comes out during battle to relate to superheroes and secret identities), but Palafin’s “civilian” mode just looks too similar to Finizen. I mean, I still love them because they’re adorable, but Gamefreak couldn’t have made a few more changes to Palafin’s “civilian” mode?

It's hard to believe it took us this long to get a dolphin Pokemon. It was never something I was personally all that excited for, but I actually have a major soft spot for this line thanks to the silly superhero gimmick.

Finizen itself is incredibly cute (I once heard someone describe it as a "littlest pet shop character" and have never been unable to unsee that since). I'm not much of an IRL dolphin person, but even I'll admit that I find it adorable.

nothing spectacular but nice looking, and a good "safe" design that won't disappoint those who wanted a traditional dolphin. Little details like the wave patterns alone the side and dorsal fine, the ring on the tail, the pink in the eyes and blowhole, and the counter shading going up over the eye add a bit of flavor to an otherwise plain design.

My only tiny visual nitpick is that the countershading on the eye creates this weird little tension point right at the beak where it flares out instead of just seamlessly merging with the underbelly. It's obviously very minor, but it's just a weird enough choice to bug me.

GameFreak I don't think you tried at all with this artwork

I actually think Palafin's zero-form design works. If this was the evolution and there was nothing else to it, that would be incredibly lazy and underwhelming; but we have an entirely different form to accompany it that looks drastically different, so it's more like the "evolution" is hidden behind its ability.

More importantly, it plays into the superhero theme; it secretly gains powers, with this form being its secret identity. You even have to recall it in battle in order for it to switch to its other form, with the pokeball acting as a metaphorical phone booth. The red spot even kind of resembles the Superman logo.

I do wish they went into the lore of this a bit more though; like, why does it refuse to transform in front of people? It's not like it literally has a secret identity or family it needs to protect or something. Saying something like "Transforming leaves it open to attack, so it doesn't like to change its appearance in front of others" would add a lot to the concept.

Speaking of the alternate form, I have... mixed feelings on it. On the one hand, I love fun gimmick Pokemon, and Palafin is no exception—I like it enough that I actually use a Palafin on my main team in SV. But the other hand, the design is a bit... questionable.

Don't get me wrong; theme-wise, it's great. A superhero motif is maybe a little questionable to be put on a dolphin (given that they're basically Ocean Fratboys), but it probably references how they sometimes save people from drowning. Regardless, we haven't really had a proper classic superhero Pokemon before, so it's very much a niche that's nice to fill.

However, in terms of design, I will never forget how leaks were coming out before the release on Reddit at like 3 AM, and the topmost upvoted comment when Palafin dropped was just "am I still awake?", which I think pretty accurately sums it up.

First, the design is weirdly humanoid in a bad way. It's mildly distressing that it sports human fingers and pectoral muscles for no reason; was it that hard to make a top-heavy dolphin with normal flippers for arms?

I also feel like the water (mucus?) accents on the body are a bit too much, and feel pretty forced compared to everything else. The gloves, for example, could've just been white wave-like markings over the lower flipper, similar to Finizen's dorsal fin. I don't think it needed to be this literal to work. I also find the eyes particularly weird; I though initially they were just big ol' bushy eyebrows with squinty eyes, but instead they're these weird goggle things that end up looking somewhat uncanny.

I also think that it has a weird lack of visual connection to its zero-form design; to the point where I'm pretty sure they were designed by two completely separate people. The only visual similarities are the rings on the tail, the chest marking, and the dorsal fin marking (both of which have changed shape). Everything else, from body shape to markings to colors, are completely different. Ideally, you would be able to look at it and see the connection between the two, but when you send Palafin out to battle in its hero form, it feels like you just sent out a completely different Pokemon entirely.

Overall, as a whole, I do really like this line, and it might be one of my personal favorites from Paldea; Finizen is cute and Palafin has a fun gimmick and unique theme. I just wish the hero design was a bit less uncanny and a bit more in-line with the zero form. (I also wish that you didn't need multi-player to evolve it—but that's beside the point.)

[queenofmalkier]

@shounenwifey "Whatever the hell was going on with Lan and Moiraine's bond being "masked" vs being "severed" in s2"

I LOVE THIS ONE. Honestly, I've been very annoyed with the word usage being thrown around in the show, in articles about the show, and in interviews. I don't watch/read much of the latter two, but others do and it impacts fandom perspective on the concept of a warder bond and how it functions.

Initially, I was in love with the visual aspect of what occurred (Okay, still am.). I felt like it was a good way to show them mending their relationship in more ways than one. I felt like they had a decent conversation (for them) that wasn't filled with hurt, derision, or scorn which hadn't happened all season.

And they did it without their bond doing the heavy lifting.

That's key for me because I think their arc in Season 2 very much was them learning how to function without a magical bond acting as a bridge. (I honestly feel like Lan not being a supercharged bro in Season 2 had nothing to do with the bond. He 'failed' as a warder because he was grieving.)

Lan even said the quiet part out loud: without the bond, they don't know how to actually talk, let alone work together.

But they did it. They got through a tough conversation and mended fences. That's going to make them so much better as a team going forward.

Approaching this just from watching the show - I'm a big believer in show, not tell, and if I have to read an interview to find out what happened in a scene or have book knowledge it's a Bad Thing - what I understood is that the bond was not broken between them. (Although it's been a month since my last watch and my brain is swiss cheese so I might be forgetting something.)

In the beginning it's hazy because of the fact that assumptions have been made and they're all wrong... but Verin and Adeleas don't even say Lan is unbonded despite believing that Moiraine was stilled. Moiraine also doesn't seem to think so, or else she'd have told a lie when she handed him over to Alanna.

Overall, nobody says they are unbonded, or the word severed, though I can understand why there's confusion. It's the drawback to playing with shielding instead.

When we see the two of them on the beach, I understood it as Moiraine unmasking the bond... but I saw a lot of people think that it was a reforging of the bond, or recreating it like the bond had been severed in some way.

I think where the show stumbled in depicting what they meant (unmasking vs rebonding) is that they never showed what it looks like when the bond is masked in the first place. There's no callback to the weave. We don't see the weave or how it works before then. This could have been done in season 1, or very easily demonstrated by Alanna given what Maksim says about her masking his bond.

That said, we are going to be getting bonding scenes in the series without question, and I think it will be categorically different in terms of how we see the bond taking shape. Enough to make what happens in Season 2 more clear in hindsight. Not ideal, but I genuinely think they just didn't realize that it wasn't clear enough.

I mentioned above that a lot of misconceptions are happening because, well, people writing articles be using that thesaurus yo!

In this article, the writer says "severed bond" to describe them.

NOW. In any other media you can say severed bond and read that as "Oh no, their relationship is broken!!!" But the words severed and bond are loaded terms in Wheel of Time.

Looking at the actual quote from Rafe what he SAYS is: "That loss of connection between the two of them is something that really is going to play a big role in Season 2 because they no longer have that currency of communication with each other" making it clear that it's their relationship, not their magical little bond, that's going through the ringer. He also clearly says later on in the same interview the bond is masked.

See how easily things get confused?

Looking at the wiki page on bonding, what it says about masking is interesting, based on the confusion as to how the "masking" would stay in place if Moiraine couldn't channel. "The ability is somehow related to the ability to channel, as non-channelers are completely unable to avoid feeling what the other person feels." To me, I understand that to mean masking would stay in place even if Moiraine was shielded because she can still channel, just not in the moment.

While I was there I also read about the effects of stilling on a bond because why not? "When Siuan Sanche's warder Alric was killed, she was stilled shortly after so she was saved from the pain an Aes Sedai would feel after losing a Warder. This indicates that stilling terminates the Warder bond. Once Siuan was Healed, she felt all the pain again, which indicates, Healing restores the Warder bond to that level, even after the death of a Warder."

This reinforces to me that Moiraine could still feel the bond, even if it was masked. But she was so afraid to hope, knowing she couldn't afford it - she needed to focus on Rand, on saving the world, she couldn't mourn - that she shoved it away somewhere in the back of her mind. Like she does.

OKAY almost done I swear.

So I did rewatch the beach scene because I wanted to refresh my memory on the exact language they used.

Lan "The bond, are we going to talk about it?"

Moiraine says "Do you really want it back? After everything I've done to you?"

Honestly, that's a lot more clear and direct than I remembered it being. To me, that's saying that it's still there and Moiraine is continuing to mask it for... Moiraine reasons. (He's her best friend. I don't think she can stomach feeling how hurt he is. How much she HURT him.) If it was gone I think he'd be using different words - "rebond me, you need a warder, etc."

Lan "I never asked for my bond to be released, nor will I."

Again, he's not saying it's gone. He's using present tense. He's not asking for his bond to be released ie the bond didn't break.

(The conversation they have really is so fucking raw and powerful here, because they're talking without any of their bullshit. Just two people giving themselves one moment to be human and forget the great task of their lives just long enough to reconnect. To remind one another why they're walking this path together. Why they chose eachother. Now I'm sad again.)

Lan "Let me back in"

Again, the language is clear. I kind of want to take back some of my harsher thoughts earlier now that I'm watching this with fresh eyes. To be any clearer he'd have to literally say Unmask the bond lol.

In conclusion, I think that the fault lies in the show not demonstrating a masking weave when it had ample chance to do so BEFORE the beach scene. Even if it was quick. I know CGI is expensive but I think it would have cleared up the confusion very easily. I also think the word choice of writers in regards to articles has inadvertently impacted fans understanding of the scene, muddying the waters when it should have been more clear.

[journalsouppe]

Link's Awakening HD!!! I love the art style of this game a lot and I hope the developers continue to make more HD remakes of the older games! As someone who played the oracle games before this one, this game improved a lot on playability and design so it was really nice breath of fresh air to not struggle against some of the rough aspects of those games (hardhat beetles). I wish I could've loved this game more, but as much as I enjoyed this game I still had issues with it (same with every Zelda game honestly :/).

The stickers are from the Homemade in Hyrule zine and were designed by Mirarasol

Writing typed below! (plus extra commentary in my summary)

Rating: 8.3 Played: Spr. 2023 Port: Switch

Comments:

GORGEOUS OPENING ANIMATION

omg Kaepora Gaebora

this is insanely cute

incredible sfx and animation

please that's a tanuki not a racoon T-T

the apples change color...??

omg it has the platforming

wtf the skeletons hanging??

Her name is SYRUP not WITCH

omg the classic moldorm

DAMPE

VIRE!!!

I really hate how racist Nintendo is

I like Marin and Tarin!!!

The drowning noise

the pegasus boots are so cute

color 3 up 4 right 5 up 2 left 1 down

Tarin why did you poke the nest with the stick T-T

animal village animal crossing?

oh marin and the others have round ears

FUCK SLIME EYE

i like the color dungeon but don't like choosing between offense and defense (other games let you have a reduced mix of both I usually choose)

passage ways of the egg left up left left up right up up

I like L-4

love the chess piece puzzle

omg spectacle rock

love the turtle rock head fight

nintendo PLEASE STOP WITH THE RACIST BOSSES

KIRBY!

ghastly?

love the ocarina songs

love the figurines

I really love the nightmare combo final boss

love the orchestra music

seagull marin?

love the whole dream concept

love the wind fish design

Summary:

What an incredible remake. The opening and ending animations, the smooth gameplay, the amazing new remodels, wow. This was so charming. I am angry about the racist bosses and that did affect my score and I am just not excited to see them again when I play DX. (I know this is an issue throughout the whole Zelda franchise and even in my favorite games like OOT it frustrates me, esp since later games made some of these problems worse. But the 2D games were a lot better about their designs so it was just upsetting to see this in Link's Awakening, especially since this is a remake from 2019 and no one on the developers team thought it was a good idea to change the racist designs). Although I haven't played the original LA, I can say from my experience with the oracle games that this is an incredible improvement. Some enemies are absolutely the worst to fight in the pixel games and everything was just smoothed over and so much more enjoyable. I really hope they do remake the oracle games like this one because they're so fun and silly that I know my ratings of the game would increase with a contemporary redesign. Also what a cool story. Link, half dead, experiencing a dream world filled with early Nintendo figures. It's so unique and silly, I really enjoyed exploring the whole world. Nintendo should remake more old games and cut their shit out with these damn racist designs.

[jessjustplay]

I replayed Star Ocean First Departure R and it was amazing!

November 11, 2023

Game: Star Ocean First Departure R First Time/Replaying: Replaying Game Time: 24 hours Console: PS4 Started: October 30, 2023 Finished: November 11, 2023

I first played this game last year (funnily enough, also in November) and I loved it. I decided to replay it and I had even MORE fun this second time around! I knew it was a great game, but I didn't really know how replayable it was until I started it anew. The fact that you can recruit a different party each time makes things super interesting because the dialogue between the characters will (obviously) be different. I am already excited to replay it a third time! (Next year, maybe.)

In my both my first and second playthrough, I admit I didn't know much about the character recruitment stuff. I just got who I could, but I managed to fill in all 8 spots this time around. I did look up how to get Phia because she was someone I really wanted. Apparently recruiting 7 characters makes her impossible to get, but somehow I got lucky and was able to get rid of one of my 7 characters. This allowed me to find Phia and get her in my party. I was so happy, I think Phia is great!

My 8-team party ended up being: Roddick, Millie, Ilia, Ronyx, Cyuss, Ioshua, Mavelle then Phia, and Pericci. (I thought Cyuss was funny, but in this playthrough I learned he is very rude. I am not recruiting him next time!)

As far as battles, I did much better this time around. I actually understood battle concepts and I leveled up each character's skills properly. Roddick was appraising and cooking left and right. I definitely need to learn how to do the other stuff next time.

Here are my final endgame stats!

(Note to self: wait for the PS screen capture sign to disappear before taking more screenshots... 🙃)

[seren-dibble]

A Filmmaker's Blog

The Creative Process and Risk Taking

Creativity is something deep and meaningful and can be expressed in thousands of ways, but putting your work on display for everyone to judge and criticise can be extremely vulnerable.

Early in my second semester of university we were given a lecture on creativity and failure. As students I think we’re desperate to be the best that we can be but forget we’re still students. There is so much we don’t already know, and part of the process is try, fail, and try again. Within this lecture we looked at Erik Kessels, particularly his book, ‘Failed It!’ (2016) where he talks about how perfection isn’t a good starting point. If you have nothing to improve, then what’s the point in creating? Nothing will instantly be perfect, and it's human nature to fail. To quote Kessels, “Avoiding mistakes and playing it safe results in shining swirling works of meh.”

In Austin Kleon’s book (2012), ‘Steal Like an Artist’ he compares ideas to genetics. Rather than coming up with something totally original, you draw ideas from your inspiration, evolving the ideas into something more personal. This is because everything has already been made, and a lot of creatives feel this pressure to be completely original, including myself, when it’s almost impossible. Instead of trying to put this unattainable goal in our way, we should be ‘shaped and fashioned by the things we love.’ (Goethe) It allows us to create new, equally inspiring pieces that also serve as love letters to those who inspire you. There is a reason these ideas inspire you, if there is a connection, pursue it.

Around 2012, the Jim Henson Company wanted to create a project based on ‘The Dark Crystal.’ There were many stages of trial and error that lead to the final product. Initially the idea for the show was to create a blend of practical and CGI effects, the Skeksis being puppets, and the Gelfling CGI. The team created a test to see whether this concept would work, and sure enough it didn’t quite have the right look. Instead of cutting the CGI effects altogether, they went all in, creating an entire series filled with nothing but puppetry, but also utilising CGI to add more lifelike movements to their faces, allowing the characters to fully express themselves beyond what puppetry could. Without these tests and failures, the show wouldn’t have worked nearly as well. A product inspired by the creativity of many artists and filmmakers and their creative risks.

Learning as a creative can be vulnerable, but regular feedback, a willingness to improve with inspiration and influence is crucial to your development. It’s important to keep creating, no matter how small or imaginative the projects are, as long as you’re learning with each creation and listening to those who are willing to help, you will gain the confidence within your skills and ideas. Testing ideas and adapting from what works and what doesn’t is what makes you creative.

Working With Actors

Actors are such a crucial element of films. Without actors, there would be a limit on the stories we could tell and how they’re told. I have found that it is essential to build your relationship with actors to develop your best work.

During a workshop held with a couple of actors, we were able to walk through the process of auditions and how they work. As a child actor myself, I am no stranger to the process of auditions and just how intimidating they are. It can be vulnerable having your performance scrutinised in front of an audience. Helping us to understand the anxiety of actors during auditions, we put ourselves in their shoes. We walked through a simulated audition with a ‘Director’ and ‘Camera Assistant’ who would judge us based on our skill. Despite having acting experience, I still found it difficult and felt nervous during the exercise, especially when it came to receiving feedback. What did help, however, was the attitude of the ‘Director’.  

Sally Porter (2014) emphasizes the importance of the relationship between actors and directors, helping your actors feel as comfortable as possible throughout the process. During an audition, actors' nerves are at their highest. Porter suggests turning an audition into something more engaging rather than a brief performance, creating an environment where you converse with your actor, creating a small exercise that opens them up. It allows you to see more than just the performance, but rather the person and their potential beyond the nerves. After an audition, its courteous to thank them, and always get back to them. They’re still people, and even if they weren't the fit for this job, they may be perfect for another.

Director Greta Gerwig has gained a lot of recent attention, and when looking at how she works with her actors it’s no surprise as to why. Gerwig’s work on Ladybird, as seen in the film’s DVD special features (Lorem 2023), Greta holds a close relationship with each actor. Instead of taking full control of each decision they make, she offers them resources that she believes helps add  depth to the characters, and lets them decide whether they want to take that on board. I also love how she encourages actors to incorporate parts of themselves into their work by drawing elements of their personalities and adding it to their characters. I find this helps to immerse an actor and work together to create an authentic performance.

Take the time to get to know your actors. It can be just as, if not more nervous for them when presenting their work, especially if their performance is emotional or challenging, so making sure they’re comfortable is incredibly important. Actors are your colleagues, and the industry runs on collaboration, so work together to create the project all of you are passionate about. There is a difference between constructive criticism and being rude and unhelpful, and we should always be mindful of this.

Group Dynamics

Working in any industry requires a high standard of communication and teamwork, especially in TV and Film. This is due to how collaborative everyone should be, merging all their skills and creativity to make a film that flows and achieves the vision of the director. All departments must work together and communicate clearly for the final product to work, not without great challenges, of course.

During a workshop, we were given an example of how much a lack of communication can cause a production to deteriorate. We were separated into groups and given different roles, each with our own motivations, complaints, and how we need our individual issues to be resolved. Our issues ranged from disagreements with colleagues, wanting to do our jobs to the best of our abilities, budgeting concerns, and even the consideration of firing people within our group. As a result, our film wasn’t in the best shape. Thus began our diplomatic conversations to resolve our problems for the sake of the film. I worked as a sound designer who was dissatisfied with the conditions on set, as there were too many extras, meaning the sound came across as echoey and too loud. I wanted to get the producer fired for hiring too many people. I discussed my thoughts with the director as well as my producer on my feelings and how these issues had been affecting my work, and each of us tried to work around the conditions of the task.

In the end we ran out of time before we could come to an agreement, however it was such a beneficial exercise, and put into perspective how communication is the backbone of any project or working environment. A lot of the issues we were given in the scenario were almost entirely a result of our ‘characters’ poor communication, resulting in petty disputes between departments, leading to major incidents that affected the quality of work. Honthaner (2013) says that ‘efforts made to collaborate on shared common objectives, enhanced by a mutual respect for one another, will inspire the cooperation and loyalty of the cast and crew, will be helpful in promoting a pleasant working environment and will favorably influence your schedule and budget.’

Film is an art form, as well as a business. It’s impossible to expect production to run smoothly without communication. Similarly to how film production works, Digital Theatre+ (2023) explains how an audience sees the final product, the result of work made by a team of collaborators. It takes the work of many departments to provide all the elements needed, such as costumes, lighting, makeup, cameras, set design, props, sound, acting, and so on. Working with a team is a way to create something you could not create on your own (Digital Theatre+, 2023). It’s vital to listen to what everyone has to say and engage with ideas that arise instead of dismissing them. There is no role that is expendable.

Bibliography:

Blog 1

Kessels, E. (2016) Failed it! : how to turn mistakes into ideas and other advice for successfully screwing up. London: Phaidon Press.

Kleon, A. (2012) Steal like an artist : 10 things nobody told you about being creative. New York: Workman Publishing Company.

The Crystal Calls- Making the Dark Crystal: Age of Resistance (2019) Directed by Randall Lobb [Feature film]. United Kingdom: Netflix.

Blog 2

Lorem (2023) Lady Bird (2017) - DVD Special Features (Greta Gerwig) Available at : https://youtu.be/7d42LCnIIvo?si=JVWAUleXZtEV0i7J (Accessed May 12 2024)

Potter, S. (2014) Naked cinema : working with actors. London: Faber & Faber.

Blog 3

Digital Theatre+ (2023) Unlocking Community: Teamwork and Collaboration. [Place of publication not identified]: Digital Theatre+. Available at: https://edu-digitaltheatreplus-com.glos.idm.oclc.org/content/workshops/unlocking-community-teamwork-and-collaboration

Honthaner, E.L. (2013) The Complete Film Production Handbook. 4 ed. Hoboken: Taylor and Francis. Available at: http://site.ebrary.com/id/10382849 (Accessed: May 10, 2024).