#because he loves(d) her!

[crumb-crumblet-s-crumbington]

tfone humanformers grahh...

[somnoir]

first time giving a prompt

deaged!Danny (may include Dani, Dan and/or Jazz too if you like) given to Themyscira to be raised by Kronos (Clockwork). They were given a vague reason (they either might end the world or save it. kinda like the PJO Great Prophecy "to preserve or raze")

cause a boy/s is/are involved. They get sent to be raised by Diana instead

i just really want mom!Diana to happen

god I love mom!Diana so much! I need this woman to just pop up to the watchtower with her own baby and tell the others to fuck off cause, BATMAN HAS HIS BABIES I HAVE MINE!

Percy Jackson themes? Let's go!

Children of Diana - part 1

Kronos was always a mysterious and frightening figure in their stories. The father that devoured their children upon a prophecy of a throne to be taken by his child. Five had fallen into his stomach, Hestia of the hearth fell first, whilst Hades was the last to be eaten. Only by Rhea's cunning did their youngest, Zeus, survive his father's hunger and grow to be king.

But Kronos never truly stayed dead.

He was time embodied, moving with every universe, even as he melted away from their world and into another.

Hippolyta told her stories of Kronos, along with how she wished for a child and how her love for one allowed her to make Diana out of clay and give her blessing of goddesses to be a mother to a blessed daughter. Diana heard stories from her mother of everlasting Kronos who's name shifted with worlds, with his domain of time. How the titan has moved past from his children and embedded himself into the stars.

Diana heard of his stories but never in her lifetime did she expect to be met with that same Titan.

Her first instinct was to bow, to greet this almighty titan with the proper etiquette. But Kronos only smiled at her, snapping his fingers.

One moment Diana was Louvre, then next she was beside her mother in Themyscira.

"Diana!" Hippolyta blinked, bewildered to see her daughter before the atmosphere turned tense, cold.

Once again, the Amazons were graces—perhaps even cursed—with the Master of Time's presence.

"Kronos." Hippolyta sucked in a deep breath, her stance going rigid as she prepared to greet and attack their guest. "My lord..."

"Progeny of mine," Kronos wore a purple rone that shadowed his face, with a body that floated from the ground. In his hand was a peculiar staff with a glowing blue clock. "I have no trust in my children but... You Amazons are more sensible and responsible than my brats."

"Except for Hestia. I would trust her but she is too close to them for my liking." He drawled, startling Diana.

Hestia was the eldest of the traitors, the first to be eaten. She was still referred to as a traitor and yet there is evident fondness in Kronos' voice.

"Nevermind that." Kronos waved it off, "Pandora has claimed that you are trustworthy—" THE FIRST WOMAN PANDORA?! "So I shall trust you with this prophecy. Especially, Diana... Wonder Woman. You will prove essential to the fulfillment of this prophecy."

Diana's body stiffened, unable to help but grab her mother's hand. Blessed as she was, Hippolyta squeezed her daughter's hand, comforting and reassuring before they nodded and waited for the prophecy...

Kronos was smiling.

"From the death of youth, a monarch shall rise,

To fall, and rise again with time's reprise.

Brother and sister by the throne will stand,

Balance to bring, or doom to command.

Should the path be dark, the stars will weep,

For the universe's fate, the king shall keep."

Diana's breath hitched. The prophecy was... It was scary. She couldn't fathom it. From the lines alone, there was a possibility of the universe's doom... But it involves a king of sorts.

What did that entail?

Kronos was laughing now. "Be wary, Diana of Themyscira... The High King of the infinite realms and his siblings will arrive soon..."

"The infinite realms?!" Hippolyta almost looked faint.

"Yes. The king, his royal siblings the prince and princess have entered a new cycle. Their oldest royal sister is currently regent and unable to raise them in the realms."

Diana cleared her throat, "My apologies, but why is the regent unable to raise her siblings?"

"Regent Queen Jasmine Phantom died long ago. She is a full ghost whilst her siblings are epitomes of balance, both living and dead. As they are still very much alive, being in the realms for too long during their years of development is unhealthy for their constitutions." He explained, glancing at his staff.

"It is time."

Again, Diana was startled and almost lunged forward for more answers before her mother squeezed her hand again. Her breath caught, glancing back at her mother who sent her a warning glare.

"I wish you the best of luck, Diana." Kronos smiled, almost softly, "You will do well to raise my children. I am in your debt."

All at once, Diana was suddenly the mother of three and someone the Master of Time owed a debt too.

Diana had not expected to find three children in her home. Yes, she expected to find three individuals, but she had at least expected infants. Not three children who's ages varied.

"Hello..." The middle of the three said, blue eyes, black hair, scrawny and small.

"Hello." She softly said, looking around her apartment before crouching in front of the children with the softest smile she could ever give. "I am Diana. Could you give me your names, little ones?"

"Dante." The eldest of the three, with blue eyes that flashed red, grunted.

"Daniel but I go by Danny." The middle smiled, then gestures to the toddler that clung to Dante. "This one is Danielle but she likes to be called Ellie."

The girl waved at her, rosy cheeks with blue eyes pile her brothers.

"Clockwork said we had to come to you because our sister couldn't keep us in the realms. We're sorry for the trouble." Danny grimaces, genuinely apologetic and clasping his hands together.

"I told that bastard that we didn't need to be deaged or anything. But no! He kept saying that we needed a vacation or whatever." Dante scoffed, rolling his eyes before adjusting little Elle in his arms.

Diana saw the discomfort on the eldest's expression as he tried to adjust his little sister in his arms. She offered her service to him, gesturing for Dante to give the toddler to her, bur she received a growl and a glare from crimson eyes.

One of the boys was the king of the infinite realms turned into a child. The prophecy had clearly stated that the king would be joined by his sister and brother, so the possibility of little Ellie being the king was void. So it was between the boys then.

"Don't be mean, Dan! Miss Diana is already trying her best right now. I'll tell Clockwork and Aunt Pandora that you're being mean to their favorite." Danny snapped, swatting his brother's shoulders.

"It is alright, your majesties."

"Oh!" Danny flushed red, "No need for that. You don't have to!" He insisted, "I'm not king at the moment since Jasmine demanded we were given a break... I just didn't think that a break meant going through a new human cycle."

Diana's eyes softened, so Daniel was king. "I see... I do not mind being your caretaker, little ones. I have friends who have children, and I have found myself rather envious of them. Truthfully, I never expected to beae children myself but... My mother lost the ability to have one herself, and yet she made me from clay."

Dante nodded, "We've heard of your story. It's quite beautiful how your mother loved you so much, even when you were nothing but a dream... But she managed to make you reality with that love. It's quite inspiring."

Danny soon explained, "Our mortal mother died many years ago. She and our father were ghosts, citizens of the infinite realms before my siblings and I encouraged them to follow through with reincarnation. We would have had our eldest sister do the same, but she is more stubborn than our parents." The fond smile on his lips was one tinged by melancholy and longing.

Diana realized that these children were ripped away from what they called home, forced by their own sister for their sakes. Immortal monarchs were thought to be all powerful, undying and never needing rest.

Diana herself saw it as such, with how Zeus refused to relinquish his throne, of how his siblings and children attempted to usurp him the same way he did with Kronos.

But the royals of the infinite realms seemed to be of a different breed. The dead who were once mortal, living, before time caught up to them and their existences were given to the realms. That humanity seemed to be what made the Ghostly royals to be so... Extraordinary. Because it was clear to Diana that the regent Jasmine loved her kingly brother and royal siblings with all her heart. Especially when she was willing to sit upon the throne, carry the burden of monarch, for a life time. All because she wanted them to be given a chance at happiness.

Diana has heard stories of the realms, of how the previous king, a tyran named Pariah Dark, was defeated. Phantom became king through conquest and it was rumoured he had still been a child, still alive and only half dead, when he was given the crown.

"Well then..." She cleared her throat, smiling softly. "I hope that you will be able to live comfortably with me, little ones. I will not force you to see me as a mother, but I will do everything I can to be a proper caretaker. I will love and cherish you the same way my mother and sister did."

That statement alone seemed to have affected the three, enough that Dante relaxed.

The second time Diana tried to take Ellie from his arms, Dante sis not resist. He carefully tucked his sister into her arms, showing her how she liked to be held.

Ellie giggled, reach up to her and nuzzling her cheek against Diana's chest.

"Adorable." She whispered, kissing the little girl's forehead before turning back to her brothers. "May I know how old you currently are?"

"Physically or chronologically?"

Diana chuckled, "Physically."

"I'm ten. Danny's eight and Ellie's two." Dante explained, pointing to them each whenever he spoke. "But chronologically, we're around... Actually, I don't know. Time in the realms and time here is different. It's also different from our earth. So..."

"Ah, no need to explain if it's too confusing. I understand that time flows differently for everyone. Let us just say that you've existed for a few centuries, yes? Keep it vague for everyone else." Diana grinned, already thinking of how Batman would be utterly perplexed by that.

"Well then, let us get you settled in, yes? Unfortunately, I only have one guest room." Diana frowned, cooing at little Elle that tried to wiggle our of her grasp, "I was planning on moving soon since this part of Paris is a little too loud for me."

A little white lie. She'd have to ask Bruce for help of finding a new space in a short time.

The three looked suspicious, skeptical, and already feeling guilty. Diana was quick to act, ushering them to their rooms, asking them if they've eaten and what they'd like for dinner if not.

Aside from a new place, she needed to acquire herself some parenting books. Yes. Lots and lots of parenting books, especially if her children were eldritch beings.

Maybe Bruce had more experience in that field.

No, Diana, do not think like that. You're a mother now.

Especially when she was the mother of three while Bruce was only parenting one child. Though said child was now a rather rebellious fifteen year old.

Masterpost

[piccoloswifers]

[mylittlecrow]

i will never shut up about jon promising to protect sansa in 6x09 and then the parallel of lyanna begging ned to promise to protect jon IN THE NEXT EPISODE. something something “if the day should ever come when your lord father was forced to chose between honor on the one hand and those he loves on the other what would he do?” and we KNOW ned picked love. ned loved his sister so much he lied to his king and bff to protect jon. ned loved his daughter so much he sacrificed his honor and duty to the realm and lied to protect sansa.

the writers intentionally put sansa at the center of jon and dany’s conflict. sansa’s not in king’s landing during the battle in 8x05 or 8x06 but she still haunts the narrative, her name is brought up by FOUR different characters. jon was ready to die if dany saw him as a threat to the throne. “i'm tired of fighting it’s all i've done since i left home.” and the only way to get through to him and to get him to fight again and to kill dany is to mention sansa and how she’ll never be safe with dany around. “if we don’t take back the north we’ll never be safe i want you to help me but i'll do it myself if i have to.”

and sansa is so used to being alone. she spent months waiting for robb to rescue her from king's landing, and it never happened. robb chose the north, his duty, over her. and she's beaten for the north's independence and then sold to two different families who stole the north from her. and then she finally finds help in theon and brienne and podrick but she doesn't feel completely safe again until she's in jon's arms. but even then she's still ready for more disappointment, to be separated from her family again because “life is not a song” and “there are no heroes.” but jon isn’t robb. “jon isn’t tormund. jon isn’t davos, or the red woman, or stannis for that matter. jon is jon.”

“where will you go? where will we go. i won’t ever let him touch you again. we need to trust each other. until i return the north is yours. touch my sister and i’ll kill you myself. what you did for her is the only reason i’m not killing you. i’m her family too. what about everyone else? what about the other people who think they know what’s good? i’ll protect you, i promise. no one can protect me, no one can protect anyone.” but jon proves her wrong, he can protect her. he will keep her safe. because when his day comes and he has to chose between love and duty, he chooses her. there still are heroes in her story and their story isn't over yet.

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[dollypopup]

"Penelope should have chosen Debling!"

My sister in Christ. . .he literally dumped her???

Like just before Colin Bridgerton was on his knees after outrunning her carriage to profess how he can't stop thinking about her in his love me, choose me, I'm yours speech, Debling did the Regency equivalent of calling her a floozy who would undoubtedly cheat on him when he abandoned her for several years to chase his passions (because she would never be one of said passions since she asked outright if he could ever come to care for her and he went 'hmmmm seems unlikely! good thing you have solitary hobbies to occupy you instead!') when he has been given 0 evidence of such other than realizing she liked to look out the window because she had a crush on the boy across the street. I was ready to challenge that man to a duel for Pen's honor

His feelings for her were middling at best, I mean Christ on a Pogostick, after he asked her mum for permission to propose he isn't even happy when he opens the door and Pen is there? She's looking like a snack- nay, a whole ass MEAL, and he can't even smile? He just nods at her and dips the fuck out? You don't think it would kill Penelope to know that both her sisters have husbands who absolutely adore them and she's out here with an absent dude who likely won't even write to her?

Portia's 'Love is make believe!' speech is so transparently full of shit when you realize that we've got Dankworth who is so obsessed with Prudence that he makes heart eyes at her every waking moment and considers her his little bonbon and Albion who loves Phillipa so much that he was waiting for her to consent to sex (not realizing she didn't know what it was) for two entire years because he would never pressure her and so he was content with finishing in his pants when he kissed her to make sure she was comfortable. And you want Penelope to settle for a life of loneliness? When Colin is so besotted with her that he dreams of her and breaks every societal expectation in the book as a notorious People Pleaser to run after her and cannot even wait for the morning after being intimate with her to introduce her as his wife to his family in the middle of the night? You want her to turn down Mr "When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible" Bridgerton? For LORD PENGUIN?

Be so serious right now

[seyaryminamoto]

My latest completed commission may have been a bit ambitious... because I went wild with it. But I certainly relished in doing so :') Combining my favorite ship with my favorite-ever Disney movie is, uh... a dangerous concoction :'D

The commissioner specifically requested for Azula as Mulan, Sokka as Shang, and Xin Long (my OC dragon from Gladiator) as Mushu. The rest of the cast was up to me to choose, and I pretty much went wild rewatching this movie and picking out some of my favorite moments to recreate them in my style, with these characters. I came up with a lot of correlating characters between both ATLA and 1998's Mulan, but I couldn't hope to draw EVERYTHING, unfortunately. Still, if you want my reasoning for the cast correlation... check out the Read More! Beyond that, feel free to reach out to me if you'd like to commission me, or if you want to join my Patreon!

The Herbalist as Mulan's grandmother might feel arbitrary but she honestly felt like the ATLA elderly lady with the most similar personality to Grandma Fa. Fickle, with a unique connection with a seemingly perfectly ordinary animal, old and sassy? Figured it fit! So for once, the Herbalist is Azula's grandma! xD strange notion, I know, Azulon/Herbalist is not a ship I ever thought I'd accidentally put out in the world but there have been wilder ships than that in this fandom...

Momo became Cri-Kee, I wasn't 100% sold on it but when I considered that Avatar features soooo many hybrid animals... I figured he could be a hybrid cricket-lemur. Weird, I know, but eh? Better than nothing xD

Aang as Chien-Po was a no-brainer. He's the only character I settled on instantly, never even considered anyone else for the role. Their personalities line up really well, and Chien-Po's tendency to be OP and resolve things that are outside of other people's reach sounded like he was prime Avatar material! So, while their dietary preferences are an obvious difference between them, I decided to go for it nonetheless considering all their other similarities!

Kino (another Gladiator OC) is Ling, and he actually did give me a ton of trouble to choose. I considered many characters for the role right up until I realized that Kino's personality actually lines up fairly well with Ling's, down to being a class clown type (who ABSOLUTELY would have cut gym class!) and breaking out in song about the hypothetical woman he'd like to fight for? Yeeeeah that's right up his alley xD but there's another reason why I picked Kino...

... And that is my likely unexpected choice for Yao:

ZUKO.

ZUKO IS YAO.

YES.

I'M NOT EVEN SORRY.

(For the uninitiated, Aang, Zuko and Kino are best friends in Gladiator, very often together, and they make a really good team, so that's the extra reason why Kino became the obvious choice for Ling aside from having really similar personalities, definitely closer personalities than, say, Jet, for instance.)

People have likened Zuko to Shang a LOT since ATLA aired. This is the main reason why I'm even making this huge note! I suspect it's primarily because of the aesthetic, let's be real here, and because he becomes Aang's teacher, but people have exaggerated Zuko's alleged similarities with Shang, or taken them out of proportion, in many ways. I actually remember an AMV ages ago with "Be a Man" and it was Zuko "training the Gaang"?? It... didn't feel right to me. Obviously, someone might rebuff with "well, how does Sokka make MORE sense than that, though?" And believe it or not, I have arguments for that... (when do I not...?)

Not only is this what the commissioner specifically requested (and it obviously lines up with the ship we love!), but let's examine the actual reasons why Sokka as Shang adds up:

Sokka actually had to train a bunch of toddlers who weren't paying any attention to him. You know. Kind of how Shang had to train the unruly soldiers who weren't getting anything right. Sokka has a positive relationship with his dad (Zuko, ofc, does not). Shang also has a positive relationship with his dad! And not only this, but there's a military component to both relationships, specifically with Shang wanting to follow on his father's footsteps and aid him in the war... so much like someone else I know, who jumped at every opportunity to rejoin his father in the war, even wishing to join him as a child until Hakoda tasked him with protecting their Tribe instead (kinda like Shang is tasked with training soldiers rather than joining a battlefield).

And the final cherry-on-top that I'd loooove to hear Zuko fans try to argue against... is sexism :') didn't Sokka get characterized as a sexist guy for four episodes, which made people decide that this was his main character trait even if it went away that quickly? Um, yes, that happened. Shang literally sings the memorable song that's a crazy ode to masculinity, including the rather sexist line of "did they send me daughters when I asked for sons". Shang outright abandons Mulan once they discover that she was a woman all along (while, admittedly, choosing to abandon her rather than KILL HER, which as we saw from Chi-Fu, he was NOT supposed to spare her!)...

So, is this REALLY what Zuko fans, who willfully believe their boy is a feminist king (... why? beats me...) are trying to compare their unproblematic blorbo to? :'D Me? I have no problem linking Sokka with Shang due to Sokka's beginnings and due to the fact that both Shang and Sokka have similar growth when it comes to accepting femininity is as valid as masculinity, and as they both learn to respect women as fighters and potential heroes! (I simply do not believe Sokka's ENTIRE tenure in ATLA was about that, though, and that's what I continue to clash with the fandom over...) So... all this is why I've reasoned that Sokka is a VERY solid choice for Shang, in fact, better than Zuko could hope to be.

... but this isn't all.

Maybe some might accept my arguments for Sokka-Shang. And then, they might ask:

WHY ZUKO AS YAO, THO??

... And the truth is it took me long to see it, myself, but HOLY SHIT, DOES IT FIT!

What is the primary thing we remember about Yao in Mulan? This guy is constantly itching for a fight, to prove himself, surely riddled with insecurities that he exteriorizes through overcompensation of masculinity. He's funny as fuck, but he's taking himself 100% seriously as a manly man all the time, and he's always ready for violence. But there's one more thing...

He treats Mulan as his RIVAL.

And more often than not? SHE SCREWS HIM OVER. Intentionally or not.

What does that sound like? Why, yes, it sounds a LOT like Azula and Zuko's sibling relationship!

The fact that Yao is a temperamental dude who lashes out easily at things (oh, something he has in common with Zuko!), that he specifically resents Mulan (in this case, Azula, just as Zuko does!) and is either constantly looking to defeat her and prove his superiority over her (... wait, just as Zuko with Azula??), that he has a black eye perpetually across the movie, and it's his LEFT EYE (just as Zuko's scar is on his left eye! :'D), that he's friends with a pacifist he has basically nothing in common with, personality-wise (just like Zuko and Aang!), and that he pretty much has a REDEMPTION ARC in which he goes from a bitter, asshole rival to Mulan to treating her as a friend and ally, to the point where he was disappointed to leave her behind and THEN joined her at once when she says she has a plan? :') I have always been critical of Zuko's redemption arc, goes without saying. But if ANY of these characters redeemed himself in any significant way, it certainly seems to be Yao to me, and with people gushing NON-STOP about Zuko's redemption? Why, he ought to be the character who goes from bitter rival to loyal friend, right?

So. I'm not even sorry. Zuko is Yao. And I'd dare say that he should be flattered by the comparison, even, because Yao ends up being cool as FUCK!

I don't really talk about this much nowadays, but Mulan was my favorite Disney movie growing up, it ABSOLUTELY had a formative influence on me as a little girl, and Mulan was my favorite female character for a looooong time. Thus, any excuse to rewatch this movie makes me happy as heck. With the wisdom of age I know, of course, that it's not perfect, it's not what China wants, it's not the most thoughtful depiction of Chinese culture or the most faithful adaptation of Mulan's poem (... but I'd also dare bring up that the 2009 Chinese adaptation ISN'T all that faithful either...), but it has a kind of magic in it, a solid storytelling flow, so many memorable moments one after the next, that I could hardly choose which scenes to depict... Disney has never again seen the storytelling heights it reached with Mulan in 1998. I don't even care if that's a controversial opinion in any way... this is their best animated feature for me, and nobody can change my mind.

So... depicting Azula, my beloved, in all these scenarios as this character I adored and idolized as a child, was so damn fulfilling for me. While some might think that, personality-wise, these two ladies don't have much in common, the fact that Mulan is sent to a matchmaker who basically tells her she looks good but is going to be the worst wife ever...? Our girl Azula, with all those insecurities about being unloveable and a monster, probably would relate big time to that.

Mulan is also an INTELLIGENT soldier rather than a brawny one, which is how she starts to make progress in the army, it's how she manages to overcome the huns with that avalanche... and Azula's primary difference with most other antagonists in ATLA is that she's smart as fuck. She is very strong, no doubt, but a LOT of that strength comes from her intelligence, from assessing situations in unique ways, from planning and strategizing. The way Mulan finds the most unexpected solutions that still pay off reminds me a lot of how Azula achieves unexpected feats through rather unorthodox means, capable of taking over a city with basically no bloodshed while her nation has spent 100 years trying and failing to do so through major army incursions and who knows how much senseless violence. Obviously, I'm not saying what Azula did is GOOD and it's kind of dumb that we always have to point that out... I'm merely comparing the magnitude of the feats, and the fact that they both come from ladies who use strategy and intelligence to achieve their goals rather than muscle and physical power.

And while anyone would rage at me for the comparison between Fa Zhou (her dad) and Ozai, the truth is the dynamic between them CAN be compared, if loosely: Mulan literally goes to war to keep her father safe. Azula goes to war under her father's orders. Hell, she makes herself BAIT in the Eclipse to make sure the Gaang won't get to her dad?? While it's very much possible to say that both characters have different personalities and attitudes in life... I'd also bring up that their contexts are evidently completely different. I wouldn't say for certain that Azula, had she been raised outside a Royal Family, would be EXACTLY like Mulan... but they might have more similar traits than one might expect. Ultimately, though... I love them both. And this opportunity to swap their places was pretty much a dream come true!

Alright, that was plenty of rambling xD ultimately, I had a blast doing this commission, as I'm sure is obvious by now. So! If anyone wants to commission me, feel free to check out my prices right here and hit me up if you're interested!

[sunnixsunshine]

A buncha (fankid) family portraits!!!!

Wanna give some context to Jasper: Yonji and Jasper dont have the greatest father-son relationship. Jasper has a better, closer, relationship to his aunt Reiju. Theres more to it but this is the jist of it. Ask me shit, I am soooooooo willing to ramble on and on about the kids and their relationships to their parents lol

[dootznbootz]

I think people sleep on this moment in the Odyssey...

If I'm wrong, not getting full context, or see something that isn't there, feel free to give evidence to explain why.

Here he crept under a pair of bushes, one an olive, the other a wild olive, which grew from the same stem with their branches so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.

(Book 5, Rieu)

I think this is about Penelope and him.

Obviously, their marriage bed is made from an Olive tree. If it's just about Athena then why are there two mentioned? Why did Homer mention two when he could've just said he took refuge under one? Or a completely different type of tree? Why mention them being intertwined?

One an olive: Penelope, who has been with society and "safe" in Ithaca ("Safe" because of the suitors)

One wild: Odysseus, who has dealt with literal monsters and immortals and has just escaped from Calypso. Literally naked and filthy, a "wild man".

"which grew from the same stem with their branches": Them both being together at first, before being separated.

"so closely intertwined that when the winds blew moist not a breath could get inside, nor could the rain soak right through to the earth.": Despite being separated, they are still "intertwined". Whether you want to think of it as them being likeminded or simply connected, even though they are apart, nothing could get in between them. 🥺

I don't know what else Homer could be referring to other than them.

[bobosbillionsknives]

Autism mom doesn't know she's also autistic .

I can't imagine Knives being the easiest kid to raise 😭. Thers no WAY anyone on that ship was qualified enough to properly care for two autistic alien children !!!

[bugwolfsstuff]

I will never like or forgive Luke mostly because he is the reason Castor is never gonna see their dad again

Like its assumed that Dionysus had a good relationship with his kids.

And yeah Castor will have Pollux in the future but they're never gonna see their dad again.

They're dead and Dionysus is deathless

They're dead and never gets to see the parent they loved because Luke hated his parent

[loudlittleecho]

Danny Phantom Prompt: Too Late to Save Them

Ok! There are similar concepts floating either around here or AO3 (or both), but I haven’t been able to find this particular angst path. (Though I’m sure it’s around)

So!

Canon Divergence After TUE (The Ultimate Enemy)

Danny fought his evil self, but was too late to save his family. Clockwork didn’t reverse time to save them— they were always meant to die. It was their “time.”

-------------

“NO!” 

Danny was flown backward from the explosion, his body hurtling along with the rubble. 

The rubble. 

When the dust settled he heard sirens in the distance. Saw. . . a torn red beret beside his foot.

Tucker. 

Sam. 

His. . . 

Family. 

Distraught, confused, exhausted, Danny notices a woman crouched down beside him. She’s speaking to him, but he can’t hear her; there’s a dull buzz all around him, and the world seems more. . . narrow. It’s hard for him to focus on what he’s seeing. 

And then she. . . freezes. 

The world freezes in time. 

The ghost, Clockwork, is floating behind her. He has his hand out, waiting for something. His expression unreadable, but Danny understands. 

His fingers lightly grasp the thermos holding his future self. As though in a trance, he lifts it up to Clockwork. Gives him the thermos. 

Clockwork accepts it, continues looking at him impassively. 

Resumes time. 

. . . 

The days go by. He is released from the hospital in the care of a caseworker. She is talking to him gently, but he doesn’t hear what she’s saying. 

He's had many people talk to him, so many people gazing at him with pity. He can't be bothered to care.

He is led to a car, someone buckles him in. The car begins driving, and soon is parked in front of Fenton Works.

His home. 

The caseworker is saying something. . . Something about his aunt Alicia. He ignores her, walking into the house. 

Into the lab. 

He hears her scurrying after him.

Ignoring her cries of alarm, he goes into the portal. 

… 

He floats in the ghost zone. A few ghosts attempt to banter with him, push him around; but noticing his non reaction, leave him be. 

He can’t go home. Can’t go to Vlad. He has to keep his humanity to prevent becoming a monster. 

But how can he keep what he can’t feel?

He’s lost them all.

But he can keep his promise. 

“Don't worry. I won't turn into that. Ever. I promise.”

He floats further and further into the ghost zone. 

[cluescorner]

I'm back on my bullshit

Optimus: I've loved you in every universe, even if you twist into someone I should hate.

Soundwave: I've loved you in every universe, even if it never ends well for me.

Rodimus: Every other universe can rot for all I care, I love you in this one.

[crowleyholmes]

The Fall

"I only ever asked questions..."

[oneluckydragon]

"Suddenly the world was gray and dull and my heart was so heavy I felt like I couldn’t move, let alone make it back to Treasure Town. But because of Echo’s last wish… I was able to keep living.”

--- --- --- --- ---

SORA : (Partner)

Abilities: Justified / Inner Focus

Nature: Gentle / Hardy

Moveset: Aura Sphere / Metal Claw / Poison Jab / Dragon Pulse

[red-moon-at-night]

I find it so SO interesting that as soon as Kazui's breaking their marriage vows and revealing his true feelings (literally tearing apart the dove), the wife is already falling off the balcony

Her hair is fluttering in the wind. The apple fucking splatters on the ground this whole sequence is so visceral I'm spinning it around in my mind. Kazui views his truth telling as a violent act, the killing blow.