#because for whatever reason it's an important fact to me

[itaipava]

— little hints f1 boys would give that they have a crush on you.

˒ ⌕ LANDO NORRIS

he is interested in all your passions and hobbies: even if it is something he knows little about, he’ll ask you about your passions or things you like to do to have more to talk about with you and to get to know you even better. he also likes to research on the internet and send you videos that he finds about your favorite topics and, when you least expect it, he will start conversations about it, leaving you surprised but happy to know that he puts a lot of effort into connecting with your world.

˒ ⌕ GEORSE RUSSELL

he always includes you in his plans: whenever he travels, he talks as if you’re going too, without even inviting you directly. when you ask him about it, he usually says, “well, you’re going with me, aren’t you?” and when you can’t go because of work, he gets really frustrated, but he makes sure to keep you updated. he’s also always saying “we should check out that new place together… when are you free?” or “wouldn’t it be fun if you go with me for the next race?” he loves planting the idea of ​​future moments with you, and he loves it when they actually come true.

˒ ⌕ SEBASTIAN VETTEL

he loves teasing you: he always looks for a way to tease you, but always with a touch of flirting, which leaves you wondering if it's really just a joke or if he means something with it. he also hates it when someone else does this and he doesn’t hide his anger, and it’s at this moment that you also don't miss the opportunity to tease him; and the look in his eyes tells you that in fact, he doesn’t tease you just for fun.

˒ ⌕ CARLOS SAINZ

he always offers to help you with whatever you need: no matter what you need, he will do whatever it takes for you and to make your life easier. he will get you a coffee (and a sweet treat) in minutes when you say you want it. he will buy you something you said you needed but couldn't because you were too busy. he will come to your house to fix that broken drawer. he will always be there for you, even when you don't ask him directly, he will be there.

˒ ⌕ CHARLES LECLERC

he always remembers little details about you: sometimes he'll casually mention something small that you've said in the past, like your favorite snack or a specific memory. and sometimes you're delightfully surprised by how accurately he tells you these things because you could swear he'd forgotten or didn't really care, but he's always paying extra attention to you and everything you say is important to him.

˒ ⌕ LEWIS HAMILTON

he always compliments you a lot: but they’re not generic compliments that you always hear, he focuses on unique characteristics of yours that he really admires, like “you always have a way of making everything more fun and cool” or “you always seem to know the right things to say”, he’s always complimenting you, and he always means it.

˒ ⌕ OSCAR PIASTRI

he always looks for reasons to text you: he likes to send you news about your favorite singers, bands, authors or something he knows you’ll like. it’s things like “you popped into my head when i saw this, and i had to share” or “doesn’t this remind you of that joke you made?” and he always tries to keep the conversation going, no matter what.

˒ ⌕ LIAM LAWSON

he is always your biggest fan: whatever you do, he gives you all the support and help in the world. he is always the first one to show up when you need encouragement, whether it’s to wish you good luck at an event or send you a bouquet of flowers with a little note, or a brief message saying that he believes in you, and that he knows everything will turn out fine. he also loves talking about you to people like “did you see what y/n did? she’s amazing, right?” he is your biggest fan, and he doesn’t hide it from anyone.

˒ ⌕ MAX VERSTAPPEN

he looks at you a lot: when you two make eye contact, you have to look at something else first because he can’t get enough of you - and he loves it when you get embarrassed about it. he also loves to admire you when you’re distracted and don’t realize he’s looking at you; he loves looking at you and learning your mannerisms. to him, you’re the most beautiful person he’s ever seen, and even though sometimes you catch him staring at you and ask him with a smile what he’s looking at, he doesn’t stop or give you a serious answer, which creates a spark of curiosity in you.

[agoldenblackbird]

i'm gonna be a ranty bitch for a minute.

tbh i'm turned off even reading new buddie fic despite being a multishipper and have unfollowed a bunch of buddie accounts because i'm sick of the smug attitudes. one ask that i am otherwise not going to publish or respond to ended with 'sorry you don't understand media literacy bestie :)' fuck off. listen INFANT, i have been writing fanfic and original fic AND watching, reading and analyzing queer media since before you were born, i understand how character and story development works, and i know the difference between 'storyline i personally disliked' and 'bad writing.' this was BOTH, and it also was marketed to us as 'carefully crafted bi rep' and 'queer love story that is not about a bunch of pain and conflict FOR ONCE' so we have every right to be upset at the bait-and-switch.

the fact that i'm seeing the same exact posts - 'bt bones buddie CANON' that i saw three seasons ago after the bucktaylor breakup, or every time they thought buck and taylor MIGHT break up - says something. the fact that so many fans seem genuinely convinced (STILL!) that buddie is inevitable because there have been so many 'signs,' and then they rattle off a convoluted theory that would make the most hardcore taylor swift stan say 'wow, that's a bit of a reach,' honestly weirded me out a little when i first joined the 911 fandom. i have never been in a fandom where so many fans are insistent that their ship will be - not might be or could be, but WILL be - canon. i am skeptical both from past experience with other shows mishandling queer storylines or ship-baiting, and tim minnear's proven track record with this one of not really knowing what to do with buck's LI's. but i didn't want to yuck anybody's yum, so i let them have their theories and squee in peace, and unfollowed or blocked certain tags if i was seeing too much of it and getting annoyed. it's too out there for me, but i'm glad they're having fun!

yet they can't give us the same courtesy. they deride us as delusional for thinking that a canon pairing that was presented to us both in promo and the show itself as different and important (eg the bobby approval convo and 'buck getting off the hamster wheel') might last, and we're stupid to have ever liked tommy or lou or be disappointed at how the breakup was written, and if we point out the biphobia it's just sour grapes.

the bucktommy breakup is not the first time 911 has started out strong with an interesting storyline and fumbled it in the 4th quarter either because the writers got bored or in the name of needless drama/a 'gotcha' sudden twist. amir & bobby, eddie's fight club arc, the sperm donor SL, hen vs councilwoman ortiz, whatever the hell is going on with harry, the whole mess with shannon/kim, just to name a few. and especially the past couple of seasons, for me since 6b, the pacing has been off. they seem to have too much happening at once and many of the storylines don't have enough room to breathe to be narratively satisfying, or they get resolved in ways that feel lackluster.

if the toxic buddie stans who have been attacking lou on sm and sending death threats (wtf!) actually get what they want, which i admit is possible, but it's certainly not guaranteed….i don't know why they think the writers won't fumble that just as badly. it's not going to happen precisely the way they want it to because it is impossible to please everybody, that's what fanfic is for. but at this point i have zero faith that it would even be well done at all, and zero trust in the writers not to just sabotage or regress a character for funsies, and that's an excellent reason to stop watching the show. in most of my other fandoms i regard canon as a jumping-off point or a blurry outline at best, and i can have just as much fun in the 911 sandbox without any further input from canon at all, once i'm less angry.

[zekeyboy]

I love apprentice adam as much as the next guy. Probably more than the next guy to be honest considering i want him to be alive so badly. HOWEVER. Let’s be real. Apprentice adam is so unlikely to exist for many many reasons.

Adam is not like Lawrence ideology-wise. Lawrence is an upper class white guy who like. he views his life to be ruined by these scum. these people lesser than him (ex. adam, for stalking him & photographing him, tapp, for going off the edge, so on and so forth) and its expanded on when we see the deleted scene from saw 7 where kramer talks to gordon about how like the bottom rung of society will always pull the good men down with them or whatever. like the fact that there was one trap where kramer puts a homeless man in the glass coffin and he has to like. eat shards of glass that got cut. really hammers in how kramer really views people - and in turn, the ideologies he pushes onto Lawrence. Adam is a highschool drop-out who’s, presumably, very involved in punk culture. He was originally supposed to have a huge photo of a Cuban revolutionary on the wall of his apartment. He’s probably never had a real job. In the original script, he’s very open about hating cops. He is the complete opposite of “Important White Male” Lawrence Gordon - and the perfect counter to Lawrence’s game (because, let’s be real - it was always Lawrence centric. I will come back to this later.)

Adam has always been considered the lower level of society. A “bottom-feeder.” He’s a drop-out, his line of work is very illegal, and - judging from the Scott Tibbs documentary, he’s been in that kind of crowd for a while and has forced himself to adapt to it. Trying to keep my personal view of Adam out of this analysis, he’s definitely spent a lot of time around the kind of people that kramer views as scum. He’s also, unsurprisingly, very sweet at his core. Look at how he talks to Amanda in the deleted SAW III scene, how he jokes around with those ladies. He’s like. A nice guy. Scott Tibbs even says so. Lawrence, however, isn’t the kindest. He might put on a face of nice, good guy, but he’s.. What people might expect Adam to be at their core.

Lawrence had his life together, and was dragged down by a bad decision. Adam has a different view and perspective on the world than Lawrence does. he was never at the top and pulled down. he’s been at the bottom and he works with what he has and i really like. i dont think that surviving his trap would change his perspective. i don’t think he would suddenly realize why kramer does what he does. It really wouldn’t help him. However, even if he was going to change his view of the world…

John Kramer does NOT like that guy. Like it’s very clear how biased he is here. Adam’s tape doesn’t even have rules. He doesn’t have a goal. He’s simply told that he might die, that he’s pathetic, and that he needs to ‘do something about it.’ He isn’t given rules, he isn’t given a consequence, he’s given such vague instructions. Lawrence, however, gets clear rules. Kill Adam by 6, or you and your family die.

The kicker, to me, is the fact that Lawrence fails his test. He doesn’t kill Adam by 6. He fails his test. Adam, however, is still alive at 6 - which would imply that he won. Now, I understand that the key was in the tub and that’s how he was supposed to get out. But even without that aspect of it going down the drain and him being doomed from the start, Kramer has a clear biased perspective on the two of them.

Lawrence failed, and is going to die. Adam didn’t fail - it was a design flaw, if anything, and he’s paying for it. Why does John save Lawrence, but not Adam?

It’s not Adam’s test, is the reason. It’s very focused on Lawrence. Anybody could’ve been in Adam’s place - he just had the bad luck of being selected as the photographer by Tapp. Adam was only used as a tool to counteract Lawrence - similar to the janitor in Saw VI for Easton. Adam was never intended to survive, but more to be used as a tool to teach.

Kramer, also, isn’t very fond of impoverished people. Amanda is a special case - but she’s almost more of a trophy if anything. If I got into John and Amanda’s relationship it’d have to be a completely new post, but he’s the kind of person who thinks that you just have to pick yourself up by the bootstraps i think. The fact that he, as I mentioned before, has a deleted trap where he puts a homeless person in the original glass coffin…. Is enough for me to figure out how he really views people below him.

I could probably go on. I probably will go on in my head. I’m very bad at organizing my thoughts. I hope this was comprehensive. I did my best to not accidentally mix in my own personal Adam thoughts that aren’t canon to the films (i have a lot.)

[max1461]

To understand the history of Europe, to read the majority of the major works and sources in their original language, how many languages do you have to learn? How few can you get away with, while still maintaining reasonable coverage?

I think the answer must at least include Latin, German, and French. Maybe beyond that English and Ancient Greek, although these are less important.

How about Asia? Well, Asia is bigger, so how about East Asia? I think you need (Classical) Chinese, Sanskrit, and... Malay, maybe? And/or Japanese. Sanskrit isn't from East Asia but you need it to understand Buddhism and you need it to understand Hinduism which you need to understand South East Asia. Sanskrit is very important for South East Asia.

Japanese and Sanskrit are on my "already studying" list, Chinese is on my "high priority for study" list. So there's that. Malay, I've wanted to learn Malay since I was in high school. Have I mentioned I used to have the Indonesian national anthem memorized? Because I'm a national anthem head and also a little bit of an Indonesiaboo. Maybe I'll get around to studying Malay one day, if I'm lucky.

And part of all this, you know, part of all this is "getting it". It's not just about reading sources. It's like, ok, maybe you read a translation of something from a language you don't speak, but it's a good scholarly translation with footnotes. If a word is mentioned, can you pick out cognates of it in a language you do know? Do you have the cultural context to "dabble" in other languages of the region, not for deep fluency but just for like, the fact that even knowing a little bit of a language is useful. Like if you speak French and Latin already, well, it's not so hard to dabble in Italian and get useful reading fluency or whatever out of it. Hell, with my relatively poor Spanish + random knowledge of Latin roots, I can make reasonable sense of the average Italian Wikipedia article. You would be surprised at how far local contextual knowledge gets you.

Latin is on my priority for study list. French is not, I speak a little bit of French. German is nowhere I have no intention to study German, I don't like how it sounds, I don't like [ç] and lack of dental fricatives in a Germanic language feels like getting ripped off to me.

I could understand Europe and Asia, reasonably well, by the time I am dead. It's possible.

[sraksha]

Some anatomy practice doodles. Except i put some clothes on them for Tumblr's sake. Wouldn't want their nudes to be leaked now would we lol

[ratatatastic]

[tardis--dreams]

I actually realized i hate work. Won't be putting any effort into this anymore ♡

[fenharel-archived]

had the misfortune to read things in the solas tag again. 12 dead 27 injured

[lisbonsteresa]

they make me so

[jonny-b-meowborn]

It should be illegal for people to come to my house before noon. My aunt, her bf and daughter are in the other room visiting my grandma and that's cool and all but. They came here around 10-11. I woke up at a similar time because it's a Sunday and I wanna have some more sleep. And now I'm stuck in my room cause I don't feel comfortable being seen in my pajama by anyone outside of my household. And this fucks up my morning routine because I can't start doing anything, studying in today's case, before I eat breakfast and gave a coffee, I can't have breakfast before I change clothes, and I can't change clothes because of the guests. I also can't make my bed because I don't like being outside of bed in my pajama, I generally don't like being in my pajama if I'm not asleep. So I have to be in bed and that means the only thing I have to do is scroll social media. I wanna get up sooo bad I wanna eat something and just start existing but. There's guests. They've been here for about almost two hours. Hell on earth

[carnival-core]

Oh will say I've gotten through every bit of AA4 except like any of the last case (bc im watching my boyfriend stream it)

I think the fact the only thing I really dislike is entirely me being petty and not like a writing issue is pretty good on the game's part

[angeltism]

rot.ary di.al the aqua bpder song ever

[sizzlingsandwichperfection-blog]

john green quit tumblr because of the cock monologue

No, he didn’t.

This all happened a long time ago, and my memory is imperfect, but here’s my memory: The cock monologue certainly hurt my feelings! But when people are trying to force someone out of a virtual space, they sometimes resort to behavior that is similar to bullying except it’s not completely identical to bullying because the person they’re making fun of has a lot of power. (As someone who got bullied a lot in school, the feeling was similar in 2014 but it wasn’t identical--because I was aware of the fact that I was okay, that what was in danger was certain aspects of my identity/self-value that I treasured but not my entire personhood itself.)

Anyway, it hurt my feelings, and still hurts my feelings when I see it shared (it feels to me like a joke about my sexuality, although I understand other people don’t see it that way; but yeah, you don’t know much about my sexuality and I don’t really want you to but it feels like a joke about that to me, which just bums me out). 

But all of that stuff is a side effect of my job and having been successful at it, and I like my job. It is a great job. All jobs have aspects that suck. My job has fewer such aspects than other jobs I’ve had.

So yeah, I did not quit tumblr because of the cock monologue. (I also did not ask tumblr to make reblogs un-editable.) .

I quit tumblr because a few people started to make extremely specific threats. One might, for instance, send me an ask that featured a google streetview screenshot of my home alongside a plan for breaking into it.

I was super scared of these people (or possible person pretending to be a few people?) because they seemed to have a lot of knowledge about me and my family. We lived in a normal middle-class neighborhood in Indianapolis and I felt very exposed and nervous all the time in my real life, and eventually the freaked-out feeling just got too big and that’s why I quit tumblr.

(Edited to add: I am aware that prominent people sometimes use death threats against them to portray themselves as victims and protect themselves against justified criticism for their bigotry or abusive behavior or whatever. I don’t want to do that; it’s important to note that I have a lot of resources and power and so was able to, for instance, move to decrease the threat, which a lot of people can’t do. But I also feel like not talking about the experience honestly has not really helped me or anyone.)

I SHOULD’VE quit tumblr much earlier--I needed to realize that people weren’t comfortable with me in their virtual spaces and that to them I came across as cringey or even creepy, but at the time, I wasn’t nearly self-aware enough to leave for any of those reasons, and plus there was a lot of pressure from movie studios etc to stay on the social Internet so I could continue to promote my books and the stuff around them. So I didn’t quit when I should’ve, and as a result had and caused quite a few negative experiences for people. I’m sorry about the role I had in causing those negative experiences. I should’ve had a better understanding of not just how I experienced myself but also how other people might experience me. That’s something i’ve worked on over the years but still come up short on sometimes.

At any rate, I might delete this later because it makes me feel a bit like all my nerves are exposed to the air but I did just want to clarify that the, like, Tumblr Legend of this whole thing is at minimum a bit over simplified. 

[gay-dorito-dust]

Hello! Just wanted to say I absolutely love your writing! A bit of a request for the batboys (Jason, Tim, Dick, and Damian), just something silly.

I recently saw a video of a girl saying her boyfriend's entire name as if he was in trouble only for her to tell him she loved him. It was funny to me at the time, it was also late at night lol.

Soo... How would the boys react to reader suddenly saying their full name out of the blue as if they were in trouble as a prank? 👀👀🤭

Dick is thinking to death about what he might done to earn you saying his full name, so much so the poor man was sweating bullets which each step he took in your direction

Did he miss an anniversary?

Date night?

Hayley’s vet appointment?

He wanted to know badly so that he could think up a way to make it up to you however you wanted. Steal his clothes because they smell like him, he didn’t care, he just didn’t like you using his full name.

So as he looked you deep in the eyes, mentally preparing for whatever left your mouth, only for you to relax your face and kiss his cheek much to his surprise.

‘I love you.’ You told him sweetly as you smiled at him.

‘What?’ Dick said.

‘I love you.’ You repeated, still smiling.

‘That’s…that’s all you’ve called my full, legal government name for, to tell me you love me?’ Dick asked as though he was waiting for a joke that was never going to come.

‘Yep.’ You said.

‘No catch.’

‘None.’

‘Can you stop calling me Richard now and go back to calling me baby, cutie, dickie bird or -preferable- handsome now?’ Dick again asks as he felt a weight lift off of his shoulders and was finally able to breathe again now that his questions could finally be laid to sleep.

You chuckled as you kissed his lip. ‘Sure, whatever you say, handsome.’

Damian is unfazed.

He’s use to his full name being used and he doesn’t exactly feel anything but annoyance that he has to leave the piece he has spent the better half of a week working on, just to answer your call.

Damian loved you without a doubt but he’s not exactly fond of whenever you try to follow along these tasteless ‘trends.’ Though he knows himself well enough to know that he would never stay upset or mad at you for long, you were his weak spot, his treasure forever and always even if this is the things they kept you entertained.

‘I know you’re not saying my full name for any particular reason my treasure.’ He told you rather plainly.

‘And how would you know there isn’t a reason I called for you?’ You replied, crossing your arms over your chest. Damian copied.

‘Because I have a good memory and I haven’t missed any important date, that’s not until next week, that and the fact that I can see the muscles in your face struggling to keep the smile at bay.’ Damian said as he pointed out your biggest sign that you were lying about something.

You always involuntarily smiled when telling a lie the title made it far easier for Damian to know that what you were saying was far from the truth. It was your Achilles heel and Damian knew how to use it to his advantage.

‘I’m not.’ You said, struggling to stop the smile.

‘You are and you’re doing a bad job at it my sweet.’ He replied as he was now the one cockily smiling, knowing he’s got you where he wants you that you couldn’t do anything but crack under his stare.

‘Fine you loser, I only called you in here to say I love you, there happy?’ You asked as you pouted.

Damian walked over to you and pressed a kiss to your forehead. ‘All you had to do is say my treasure.’ Was all he said as he spent the rest of the day with you and Titus.

Jason is immediately in front of you within a heartbeat.

He, much like dick, didn’t like it when you use his full name.

You’re his partner! USE THE CUTE NICKNAMES YOU CHOSE FOR HIM INSTEAD! Who’s this Jason Todd? He only responds to Jaybird, jay jay, or baby with the occasional sweetheart from time to time.

‘Chipmunk, can you please tell me want I did wrong?’ Jason asked as he walked into the kitchen where you called him from.

You furrowed your brows. ‘Wrong? I only called you in here to tell you I love you.’ You replied as Jason started at you for a bit before he pinched your side, making you squeal.

‘You’re a little shit, you know that sweetheart.’ Jason asked as he kept pinching your sides, making you giggle and squeal in his hold. ‘Had me all worked up and everything.’ He adds as he starts biting your neck playfully.

‘I’m sorry! I’m sorry! Have mercy!’ You cried, trying to push yourself away from Jason but it was proven nearly impossible when your man was a literal wall of muscle.

‘’All I can hear as the squeaks of a cheeky little mouse.’ Is all Jason said as he continued to tickle, pinch at your sides. He hates it when you call him his full name, it reminded him of lesser then ideal times, sure it sounded far sweeter and loved when it was coming from you rather than theirs, but he’d much rather you call him anything it his full name.

Tim knows what you’re up to the very moment you use his full name.

His detective brain kicks into hyperdrive and goes into the logical explanation as to why the sudden change.

You’ve never used it before, so why now did you use it unless you had seen a cute trend or something that you thought was hilarious on TikTok, or on another social media platform and wanted to try it out for the sake of following whatever was the thing to do.

That or you were genuinely mad and he should at least go talk to you in hopes of de escalating the situation, should it come to it.

‘I love you.’ You said.

‘You’ve said my full name, lured me out of my room, just to say I love you?’ Tim asked with a raised brow as though his heart wasn’t going nuts once again with how much your words easily affected him.

You paused for a brief moment before smiling. ‘Yeah sounds about right.’

Tim sighs but he couldn’t help but feel a smile creep up on his lips. ‘You’re ridiculous sometimes I swear.’ He says under his breath, ‘you almost had me second guessing myself there but I’m glad this is what you called me out for instead.’ He finished as he pressed his forehead against your own, feeling relaxed and clear minded once more.

‘You may say I’m ridiculous but you love it when I keep you on your toes, it’s like a brain exercise in a way.’ You cheekily told him as you kissed his cheek.

‘You call that a brain exercise?’ Tim said. ‘That was barely a brain activity but more like a brain fart if anything.’ He said as you pouted and smacked his bicep, causing him to smile.

‘We can’t all be smart asses like you drake.’ You said and Tim shrugged as he tugged you close.

‘True but you certainly are a pain in the ass.’ Tim replied, which only made you slap his bicep again as he chuckled and you bury your head into his neck.

[psychronia]

I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.

We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.

What's important here, though, is Zuko's introduction to the Southern Water Tribe.

Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.

Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.

He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.

Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders. Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.

And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.

And then...

He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.

And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."

This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.

It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.

Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.

And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys". He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.