#because I find it a bit generic.

[technovillain]

Out of curiosity how did you come up with the title Another Story? I'm guessing it has to do with the whole tower thing (stories=floors etc) but I was wondering what the exact thought behind it was

Initially I was just referring to it as "Ed n Cal Comics" back when it was intended to be purely silly comedy. Then I realized I should call it something else if it was going to be a bit more serious in tone. And I could not think of anything good... so like exactly as you said, I came up with something with roots in a common saying "That's another story for another day" and tried to tie it to be a double meaning with the stories = floors, plus at the time of naming it, it was going to be much more episodic than a serialized thing, so it was also like "every episode is a fun new story" too!

Fun little reveal for you since you asked ❤ to go along with the phrase I mentioned, the epilogue of what I called "season one" (the first big story arc) is called 'Another Day'.

I now actually have a title that makes more sense for the whole series as a title now that I actually know the whole lore/story across both big story arcs, and it's the subtitle of "season two"/the second story arc! But I'm already attached to Another Story as an overall title so it remains the comic's name!

[the-agent-of-blight]

also, i really find it interesting how people can genuinely go about saying "Well this group isn't attacked for their identity so they can't be queer " while then turning around and. attacking said group. for their identity. and exemplifying classic __-phobic tropes. It's really dumb. You are being the thing that you claim does not exist

[aroaceleovaldez]

yknow, I am amused that solangelo fanon was so tunnel-vision in like 2014 that in the midst of crawling through literally every time Will had popped up in the series prior, somehow the ONE singular instance of Will referencing something that the fandom did absolutely nothing with was the thing Rick then decided to draw out into being a major character trait for Will.

Like. Nico eats McDonalds once and it becomes a huge fanon thing, but Will references Star Trek and the fandom doesn't make a peep until Rick explicitly canonizes that he's a huge sci fi nerd. and Rick doesn't even keep it consistent! He changes it so Will is a Star Wars nerd instead of Star Trek. smh 😔 /lh

[whatudottu]

Introducing to you - made over the course of a few months - a visual guide to cybertronian pedipalps and proboscis!

The general gist and inspiration for such being of course the episode Thirst and the fact that, up until that point, dark energon did not have any mutagenic properties only (in the show) being utilitised to revive the dead. What if, instead of being a side effect of dark synth energon, dark energon just... reactivated dormant pedipalps (remnants of a more buggy pre-metamorphosis sparkling/protoform lifestage)?

A more comprehensive look is down below- and don't mind how it's exclusively 'Cons lmao :P

Starting off, I referenced CYLAS' canonical pedipalps to try and understand the shapes being used which resembles a lapping type mouth that bees have (so considering there is a tranformers character named Bumblebee it feels appropriate but he ISN'T HERE), let alone the flexible proboscis which I just made as a siphoning type from butterflies which; this is the wikipedia image I used to understand mouth parts :P

Breakdown himself wouldn't need to open his whole face in order to consume energon, given that he has an opening and closing jaw in addition to having the dexterity and power of limbs and a neck to not require lapping, but energon is still drunk through the proboscis like a straw.

Continuing onto characters that would NEED their pedipalps, vehicons and other faceless cold constructs (whether you have the belief every cold construct is faceless or they recently shifted to facelessness to save on costs) by technically did not metamorphose like forged mecha and thus their mouth parts have not gone dormant. Instead, their construction means they have not known anything other than pedipalps and proboscis, having no experience at all with facial expressions and thus not susceptible to phantom sensations.

Though their jaws do not have joints or at least do not have an opening to function like an enclosed mouth, vehicons still do have one on the basis of having a neck and a location to store their coiled proboscis when not in use.

Unlike other cybertronians - forged or constructed - empurata survivors have their heads and/or faces completely remolded and restructured where they do not have a functioning jaw. They have in it's stead a reconstruction of the original pedipalps formatted appropriately to the new head mould.

Monoptics like Shockwave do not have enough room in their helms to have a mouth-like structure at all, instead the neck is reconstructed to open with the pedipalps; the proboscis when fully extended appears longer in monoptics but that is due to the fact the opening is lower and closer to it's base. Nulloptics like Soundwave have their entire face replaced by their mouth, often covered up in seamless panels that give the appearance of a screen, up until the nulloptic actually replaces the panels to include the electronics necessary to protect and display visuals.

In average adult cybertronians however, the pedipalps remain dormant - at least in their use for eating - and are instead used to produce vocalisations alongside the proboscis (which still remains in use by function of the liquid energon diet), in addition to being used in expression in conjuction with the many servos operating within the faceplate. The reason why, despite the variety of things pedipalps can do now that they aren't being used to consume fuel, that empuratas and constructs cannot re/gain a face with the same ability and level of complexity of the average cybertronian is because of the hyperactive function of those very pedipalps.

Vehicons can - if they so choose - express visually through the exclusive use of their pedipalps, but factoring in a faceplate with all of it's own complicated servos intricately woven into each other, the faceplate lacks the ability to split along the seams of the pedipalps and would restrain their mobility and prevent the cold construct from refueling. Empurata have a similar issue with the addition of their lack of functioning jaws and their modified head structure preventing the synergy of a faceplate. Nulloptics' heads are functionally all mouth so the corresponding faceplate cannot have features for optics or ridges, and monoptics' pedipalp expression is on their neck and thus a faceplate that matches where the mouth in their case would be a very bizarre choker-

And that's all folks, hope you love my cybertronian pedipalps post :P

[hamandeggbun]

I hope this isn't weird but I've been reading this by @batmanisagatewaydrug and I had like the sudden, strongest urge to make art properly for the first time in ages, so uhhhh have some Jessie (or Jess? Can I call her Jess because I love her?) who is a terrible wet cat of a woman!

I wanted to get this done fast and human anatomy is not my forte so I traced a picture of Natalie in the City, who's a fashion blogger and has some cute fits, though no supervillain ones as far as I'm aware :3

[struggling-jpg]

Not to be that person but

The Wardance event really had Luka and Yanqing reflect each other. I feel like we got a speedrun of vaguely similar events that happen to Yanqing occur to Luka here. Like while being really good, he gets hit with obstacle after obstacle that shakes his confidence and willpower. Yet, when it comes down to it, Luka boxes because he loves it and it makes him feel happy and free.

"The most important thing is to always throw the next punch."

To work towards self-improvement, to love what you do, they both share that sentiment.

These two really felt like protagonists from different yet similar genres lol

This event was just so peak TvT

[sage-lights]

the phd in psych story is so cute because like courtney says, it's a reminder of why their work on smosh is so important sometimes. it's so cool that shayne just being himself helped a complete stranger. and even in much smaller ways (that don't involve a total career change), smosh makes an impact on people every damn day.

and like tommy joked about it in bit city ("smosh is for people with only one friend"), but smosh has provided me and psych op and so many others with a sense of community and just a general reprieve from how chaotic the world can get.

i love that smosh makes me laugh until i cry. and i also love the moments when smosh changes my perspective on things and challenges me to think more critically. so yeah. what a great last stories to end 2024 on.

[icewindandboringhorror]

A little costume with eyebrow whiskers again.. making their return lol..

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[collectorcookie]

If Nobody Will Talk About Shiawase No Uta Lyrics, I Will

Here are my fave parts:

1. Makoto and Mao giving it their all to catch up to Subaru and Hokke and to live up to Trickstars Name

2. Subaru and Hokuto being bound by a similar fate and holding onto eachother

3. Subaru suffering through darkness and then finding light within trickstar

[imerian]

✷ Pedroscar matching phone charms ✷

[just-an-enby-lemon]

Nothing will be more hilarious to me than the party's - specially Ben's - outrage about Alex's sneaky reference to William Shakespeare slowly fading as they remember that half of the NPCs are actually historical figures. Like they are genuinally going "what's this assassin's creed? You put Shakespeare in the gift Augusta Leight gave to our honorary party member Oscar Wilde while waiting for Ada Lovelace and Nikola Tesla to see if we can talk to the brain of Charles Babbage about the mission Albert Einstein teleported us to? Shakespeare a whole historical person? "

[whetstonefires]

#4 please !

Now see this could be tricky, because generally if I don't get some key elements written down very quickly the idea flows away again and the 'yet' disappears, even if I remember generally what it was about, but I have one this time! I am still just enough plagued by this vision that it's not out of the question I'll go for the capture, but so far nada.

Idea was basically a Jiang family character study by way of modern au. (So tw canonical abuse.) I started from the reflection, in a modern au very high chance the Jiangs are divorced, because being a divorcee wouldn't necessarily ruin Yu Ziyuan in the modern world, as long as she was allowed to control the narrative enough that she didn’t look at fault, so it might be on the table.

Especially because modern views on child abuse are such that while she'd hold back more than she already does in terms of physical chastisement, Jiang Fengmian would also be under less societal pressure to not interfere in her disciplinary system too much, and both these factors mean he’s more likely to put his foot down.

So, concept: Jiang Fengmian, when his son is eight and his daughter thirteen, forces the issue of taking in his best friends' abused orphan child whom he’s just managed to track down in a nightmarish group home, probably leveraging the fact that wherever their money comes from it's mostly his, something he usually doesn't do, but she has always known he could, and been fucked up about it (reasonable) and hated him a little (less so) and hates him so much more now (understandable but still fucked up).

They were obviously still both pressured into this marriage by their families, because I literally cannot imagine them choosing one another of their own free will, and if they did that would be an au in an even more dramatic way than being modern, and no longer work as a character or relationship study as far as I'm concerned. I mean or it’s a cql-based au, but that’s not the version of this toxic marriage I find compelling.

Situation subsequently deteriorates to the point that when the boys are around twelve some outside party observes and is repulsed or otherwise upset by Yu Ziyuan's treatment of Wei Wuxian specifically--she's emotionally abusive to everyone in the family, canonically, and it harms Jiang Cheng significantly more than Wei Wuxian, which I think is also pretty explicit on the page, but she's more openly antagonistic about going after wwx because he's basically a proxy for her husband, whom she doesn't consider to be someone she's capable of harming.

And ofc in a modern family scenario, being abusive to your foster kid is more plainly personal misconduct than being unfair in how you discipline one of your husband's many students, even if it is his favorite. Which means she's very unlikely to chase him around with a whip, but whatever she does do will sting that much more emotionally.

Anyway the outside judgement provokes a more explicit confrontation than the last four years of maneuver and attempting to balance all the competing needs according to two very different standards. And the upshot is that by the time wwx is 13, the Jiangs are divorced. To avoid making a humiliating spectacle of themselves they present a weirdly united front in court and have a very smooth uncontested proceding, although the closed meetings with their respective lawyers involved a lot of vitriol.

Yu Ziyuan, despite having a smallish trust fund and probably a job of some kind, though one that's more prestigious than profitable like uh. Olympic fencing coach. Idk what they make but it's probably not enormous. She and Cangse Sanren probably competed in the same events back in the day.

Anyway she gets a solid chunk of alimony, the house, and primary custody of both her children, although Jiang Yanli is almost 18 at this point so mostly she just gets Jiang Cheng. Everyone thinks Jiang Cheng wants it that way, including sort of Jiang Cheng; he has this idea that if he has his mom to himself they'll finally have a good relationship, even though he's also terrified of being left all alone with her. He's complicated. Families are complicated.

Also she would never have forgiven him if he hadn't concurred that he wanted to stay with his mother because she was the only one On His Side.

Jiang Yanli ofc does not move out right away when she comes of age, in part because her brother needs her, but she probably does go to college, so she's only around part-time.

Jiang Fengmian, meanwhile, keeps most of his financial assets and Wei Wuxian, and gets his kids on the weekends.

So that's all setup for how you have this situation where Wei Wuxian and Jiang Cheng are entering high school--probably the same school, together, but no longer sharing the commute except maybe Monday mornings--and Wei Wuxian's primary residence is Jiang Cheng's dad's apartment.

It’s really chill. They get a cleaning service in once a week and eat a lot of delivery food, but they do cook at least once a week. The canonical thing where they largely agree about what’s funny and what’s right-or-wrong, and so forth, on the one hand really pops when there’s mostly no external conflict disrupting it, but also probably gains more complexity now that it’s not a thread of positivity fighting for its life against a background of drama. They get to know each other better than they ever had a chance to in canon.

Some of that isn't all that positive, because now they have the space to discover the places where they do actually have the capacity for friction, but both of them are very good at dispersing tension (I do tend to suspect jfm's dad was abusive he sure acts like it), and on the whole it's a good thing.

Jiang Cheng is going to have such a mental health crisis, and Jiang Fengmian is going to handle it so badly. Because of course when his son starts replicating his ex-wife's toxic attitudes and behaviors more now that she has primary custody, he’s going to feel guilty and like it’s His Fault, but he’s going to feel like it’s his fault that Jiang Cheng is growing up to be a shitty abusive person.

And even if he’d never say that the subtext would come through, in the assumptions he made when framing communications and so forth, as in canon, so the thing where Jiang Cheng’s father loves Wei Wuxian more than him, or at any rate likes him better and thinks he’s a better person and prefers his company, would wind up feeding into a self-reinforcing loop.

(Jin Zixuan's nasty public remark about Jiang Fengmian treating Wei Wuxian better than his own children hits Jiang Cheng significantly harder in this scenario, where he's being Tormented by the feeling that all his peers know his dad walked out on him for another son. Wei Wuxian's punch is therefore even more clearly primarily for Jiang Cheng's sake, although Jiang Cheng is probably more inclined to see it as being for his dad's. Jin Zixuan is about halfway between the Jiang kids' ages here, so he's a senior saying this shit to a sophomore.)

So that cycle builds to the point where Jiang Cheng would eventually have one of those rare moments where he resorts to actual violence, because his poisoned feelings are choking him so bad his rationality deserts him.

He’s not going to be nearly as close to actually murdering Wei Wuxian as he was in canon the night the Jiang Sect was massacred, because it’s a less extreme situation, but he still goes for the neck. So Jiang Fengmian is in his home office one Saturday about a year and a half into this new normal, and realizes the boys are fighting. He hears through the wall the accusation you stole my dad. He says to himself, well that’s terrible but interjecting myself into this situation would definitely make it worse.

Then he hears sounds of violence, and then an ominous abrupt silence, and updates that analysis.

And when he opens the door to the boys’ room, Wei Wuxian is being strangled. He’s not really resisting, which is because he’s made the call that that’s way more likely to get Jiang Cheng to snap out of it, and thinks it might make Jiang Cheng feel better to get it out of his system (because he does sort of feel like what Jiang Cheng is going through is all his fault, or at any rate is much worse as a result of decisions made for his sake) and is severely underestimating the dangers of choking, but looks to a third party like he’s already passed out and Jiang Cheng is still at it. Which is to say, it looks like a serious murder attempt on the brink of success.

So that sure made that situation worse!

So yeah that's my idea that I probably won't write but it sure has its teeth in me.

[carlyraejepsans]

Huh, I just noticed something. The majority it seems, at least according to the characters mentioned in the notes and tags of that post, to be headcanoned to be trans (the gender they are in canon) are characters who are guys in canon being headcanoned as transmasc. And now come think of it, I dont remember the last time I saw a character that isn't a guy in canon be headcanoned as a trans guy. Meanwhile trans fem headcanons are a lot of the time appled to characters who are guys in canon (not always! Trans Noelle Holiday comes to mind), so that's a thought. Not sure what it means or if my observations are even correct, but it's something.

i think you made a good observation, it's just a matter of what angle you approach it with: characters with contested trans headcanons (male AND female) tend to be men in the source material because statistically those are the characters that get the most fandom attention

[skunkes]

[askblueandviolet]

Fave soap opera and fave true crime doc GO

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