#because I can only save people in a story
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ultra-pidge · 2 days ago
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Sorry for necroposting, but I love The Princess Bride with all my heart and had the world's biggest Inigo phase in middle school, so I need to share something.
Something a shamefully small number of people know: The Princess Bride was originally a book before Goldman (who also wrote the book!) adapted it for screen. The book has a lot more time to flesh out the characters, and it does so with Inigo and Fezzik excellently.
Inigo gets a long backstory, which lets us spend time with his father, as well as the surrogate father-figure who was the second greatest swordsman in the land, following only Domingo Montoya himself. This instantly endears him to us because we see everything that was taken from him as the six-fingered man struck down Domingo in a single blow, then left Inigo with a scar on either cheek to make sure he never forgot this moment.
But perhaps more interestingly, we get to see Inigo be messy. He spends a lifetime training in the art of the blade, becoming the best fighter he possibly can to eventually defeat the six-fingered man. Then he loses to the man in black.
Once that happens, his life falls into shambles. He assumes Fezzik to be dead (because he was unconscious and Vizzini actually was dead), so having lost his only friend as well as his employer, he had nothing. He falls down a rabbit hole of drinking, drinking, and more drinking. By the time Fezzik finds him, he's passing out regularly because of how neck-deep he is in brandy. Yet you wanna know something?
His brokenness is not because of his revenge plot.
This isn't the story of someone losing himself because of revenge, it's the story of someone losing himself because he's pretty sure his best friend is dead, he has no leads on his single-minded goal, and he's just about given up hope. But the power of friendship is genuinely what saves the day for him, as Fezzik lets him regain everything. Sorry for rambling, but what makes Inigo so special is that he has a powerful revenge arc, but he has help from his friends, and that's what actually allows him to make his mission happen.
You want to know why Inigo Montoya remains such an iconic and beloved character even 35 years after the Princess Bride came out?
It’s because he’s one of the few characters in fiction who has a story where he has dedicated his life to revenge, his whole motivation is about getting revenge….and he gets it! and then he isn’t empty or despairing! he doesn’t regret it! he’s totally satisfied!
because so many stories about revenge or rage are about characters “seeing the futility of their actions” or learning “their desire for revenge has only made them the monsters they hated” FUCK THAT.
Inigo Montoya kills the man who kills his father, is allowed to live in the narrative after and be happy about it and it is so satisfying. it’s fantastic. it’s iconic.
let more characters rage against the world, bring it down with bloodied hands, and let them be FUCKING RIGHT about it. Let them celebrate their success with sharp grins, and let them live happy, full lives where they always remain proud/fulfilled for what they’ve done
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nymphea0 · 3 days ago
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Kurkans Mate.
Kurkans Prisoner.
Yan! Ishakan x reader.
Part 3.
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Manhwa :약탈혼 / predatory marriage
/ 약탈혼 (완전판)
: Adult Manhwa (18+)
Author/Illustrations : Saha / Hera(Art)
Word Count : 3,77K Word
Hello.. Neva again here, I hope you are well and happy and have a nice days, Is beens so longs i dont post any story, anyways, hope you enjoy my story love ♡.
might have some bad grammars, correct me if there are any mistakes in the words in the story I wrote. Anyways i hope you all enjoys my story,love.- Neva🦋🦋
-Kurkans Mate Pt. 1
-Kurkans Mate Pt. 2
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The sound of snorting and wind can be felt and heard, your body feels like people riding horses in general, it's normal because it's a horse and the warmth of a hand hugging you.
Wait, what? Horse and hand?!.
Your eyes that were closed suddenly opened wide, the night sky full of stars was the first thing you saw.
Then you saw it, the strange man you had helped in the forest and with his ungratefulness made Esmera your savior faint, and here you are now, kidnapped by a strange man named Ishakan!?.
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Ishakan while holding the horse's reins, he looked at you who looked at him as if Ishakan was a barbarian, where he just chuckled softly.
"Did you sleep well, rabbit?" The deep voice and full of temptation seemed to mock you.
"You?! How dare you kidnap me!? Are you crazy?" Growling and staring fiercely at the man behind your body.
Instead of getting an answer, you got a laugh, a straightforward laugh full of deep voice.
"Calm down, rabbit, why are you so fierce? I told you, you're my mate"
Ishakan looked at you with an amused look, and a grin around his lips?! You wanted to slap him so bad!
Of course, you didn't run out of ideas, moving right and left, screaming at him, which in the end was in vain and ended up with your throat hurting from screaming.
Ishakan saw you trying to get out of his grip, just chuckled in annoyance at your actions.
Ohh, how this rabbit is so small, so fragile, and soft, so in need of protection.
.
.
Along the desert road at night, you spent your time contemplating, your family was all gone, your savior Esmera was knocked unconscious by the person you helped, and now you were being kidnapped by the person you helped ungratefully.
Meanwhile, Ishakan, he just grinned a little looking at you who had surrendered, Ishakan would never give you up to the world, you were the only Antrabeth who survived, his savior, his mate.
Ishakan had thought of many things he would do with you when he arrived at the palace, Bathing you, feeding you food and dates so that your body would be more fertile.
Marrying you and making you his queen, taking you here and there when he worked as a king.
Oh... how there were so many things he wanted to do with you.
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That night, a pair of two people on horses, passing through the desert accompanied by the night wind and the stars shining brightly in the beautiful sky there.
Without realizing it, Ishakan looked down, where he saw you, sleeping soundly, of course, you must be tired of screaming, struggling, even slapping him wanting to be released.
Chuckling a little, how full of energy this rabbit was. Ishakan's hands gently fix your sleeping position, close to the warmth of his body, wrapped in his soft and warm black robe.
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A soft pillow, the scent of roses all over the room, you increasingly bury your face in this soft pillow like a cloud.
Pillow...
Pillow....
Soft like a cloud...
Wait... what?! Pillow?!
Your eyes open wide, your body automatically sits up, your heart beats fast in panic!.
You were kidnapped! By the man you saved!. Looking around the large room, candles on special gold hangers, 2 gold sticks at the top have a shape like a cup that emits smoke, it must be the incense aroma you smell in this room!.
Luxurious carpets embroidered intricately, tall pillars covered in gold and intricate patterns, around the window silk fabrics move gently.
Around the bed you occupy, surrounded by colorful translucent fabrics such as yellow, red and dark colors.
This room is so luxurious, you swear even your family in heaven will not believe what you are experiencing right now!.
This room is even bigger than your family's wooden house in the Antra tribe!.
You accidentally look down at your hand, your previously white clothes that you wore before, have been replaced with intricate embroidery clothes, soft silk fabric, kurkans patterns.
Damn!, who changed your clothes?! You hope it's not the man who kidnapped you.
As fast as lightning, you stand up and run towards the window only to see that below the window is a lotus pond that you are sure is deep or not. It will be very clear if you jump your fate is determined.
Between dying or running out of breath from drowning! You are not even sure if there is a crocodile or a snake in there.
Turning back, only to be silent! There at a door. Standing a woman or... a man? Holding a tray of food?, You are not sure! Big body, face like a man, long and curly hair but wearing a dress?! Look at the biceps! You are sure you will die if you get hit by his/her fist.
You and the person at the door, both stared in silence. Only the sound of burning incense, the sound of the wind and the light blowing of the sound of the gold ornaments hanging on each window.
.
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The return of Ishakan after disappearing for more than 12 hours made the Kurkans palace experience an uproar because their king returned with a woman in his arms?!.
With blue hair like the sky, it clearly did not look like an illusion or a magic medicine to change hair color. So fragile and small! Very different from the people in the Kurkans tribe!.
Genin, Haban, Mura as Ishakan's close aides, could only stare doubtfully at Ishakan who walked past them casually!.
Mura looked at Haban and Genin, apparently he wasn't the only one who was confused!
"You two... did you know this would happen?"
Both Genin and Haban shook their heads.
"That blue hair as blue as the sky? Isn't the Antra tribe extinct?"
Genin asked Haban and Mura.
"Well they should have been extinct, I mean, 5 months ago their village was looted, mass murdered by the kingdom's knights and wizards"
Haban answered while grinning and getting a love punch by Mura.
"Judging from how His Highness held the woman... could it be that 3 months ago in the forest... was that the woman His Highness was talking about?"
Haban asked Genin, but the woman just stared doubtfully.
.
.
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That night Ishakan asked Mura and Genin and the Kurkans tribe to prepare for his wedding with his wild rabbit!.
The Kurkans tribe had never seen the woman Ishakan brought, they only thought that maybe it was Princess Leah de Estia. Because there were some of the Kurkans who were saved by Leah from slavery.
Genin was one of the people Ishakan asked to bring you date juice in the morning.
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.
.
Holding a tray and walking so upright like a skilled warrior, Genin opened the door.
That's where she saw the woman who was kidnapped by Ishakan, with blue hair like the sky, looking at her who was silent.
The woman's eyes ... In Genin's entire life she had never seen someone with eyes or hair like that!
Princess Leah de Estia had snow-white hair and purple eyes but that was not uncommon, there were also some nobles who had hair and eyes like her.
But blue and eyes like the galaxy ... that was another case, a rarity.
Genin swallowed for the first time, the woman in front of her was smaller than herself, she was afraid that if she spoke loudly she might destroy the woman in front of her.
Walking to close the door and turning around, holding the tray slowly and placing it on the table.
Genin stared at the blue-haired woman, Child of nature, Antrabeth tribe, Tribe of 1001 nights, a tribe that goes against the laws of nature.
.
.
Are you looking at a woman or a man ?! in front of you with a pounding heart!, the gender of the person in front of you is hard not to question!.
"Good morning Miss, I am Genin, His Highness Ishakan's aide, according to his orders, I will guard and guard you for 5 days before your wedding and His Highness Ishakan"
A woman's voice! The person in front of you is a woman!?.
Wait... what did she say just now? Married?!
"What?! Married!?!"
You stared at Genin in disbelief!.
"Sorry I refuse to marry!"
With a quick attitude, you refused.
"Unfortunately we Kurkans do not have the words no, refuse, or don't want"
Acting simply, Genin poured date milk juice into a glass and gave it to you.
You stared at the glass that Genin gave you in disbelief.
"This drink is not poisoned, it is made from milk and the taste of dates that His Highness Ishakan picked directly from the tree"
Genin realized your hesitation, said frankly.
You who do not feel good refusing other people's gifts, took the glass.
Genin herself can see, how small you are compared to her, your hands alone seem not half of her hands.
You drink the date juice slowly, the taste is unique, you have never drunk juice or milk like this. It is delicious, soft and sweet, but not too sweet.
"Dates are very good for fertility and sexual arousal, especially young dates, His Highness Ishakan chooses them carefully"
Genin said frankly.
You almost spat out the date milk juice that you drank!.
Fertility and arousal she said?!.
.
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The afternoon came, Genin, said that, while you were married to Kurkan, according to Kurkan tradition, both you and Ishakan were forbidden to meet each other, for 5 days Ishakan would welcome guests, this was the first day.
As for you, you were forbidden to meet guests, until the 6th day where the wedding ceremony began.
"After the wedding ceremony, Your Highness will spend 5 days and 5 nights with Your Highness, during that time, it coincides with the time of the full moon, the time of Kurkans heat"
You stared Genin in horror! No!! You don't want to marry the person who kidnapped you or even spent 5 days and 5 nights!!.
Feeling that you want to reject the marriage, genin for the second time in her life became melancholic.
Genin told that she had a human husband who she kidnapped, Genin was an aide to the king of the kurkans before Ishakan, the king was so cruel and very tyrannical, both Genin and Haban really didn't like how the king ruled.
Day and night Genin tried to find how to leave but unfortunately when she returned home, she didn't see his husband at home, but in the royal palace, the king tortured her husband, even when she begged the king still punished him.
You looked at Genin sadly. You didn't think that woman could be so strong.
.
.
.
That afternoon you spent going to the garden where Genin had made sure there were no guests or kurkans around.
A soft silk dress with a soft ivory white kurkans pattern. This garden is beautiful, flowers of various patterns there are dahlias, pheonies, roses, and so on.
You don't dare to pick the flowers, you just touch them admiring how soft and beautiful they are, seeing butterflies flying around the flowers, you didn't think that there was a garden as beautiful as this in the heat of this palace ecosystem.
While the genin from her point of view, seeing how you touch the flowers afraid of damaging and hurting them, surrounded by butterflies flying around you, as if they were dancing and protecting you.
This is the first time Genin has seen the Antrabeth tribe. even though I've gotten to know you and talked to you, it still feels unreal, a tribe famous for its myths, suddenly extinct, but look here.
Maybe you are the only one who survived.
Along the garden path, the genin's heart is getting more and more anxious, At the end of the garden, for some reason the genin's feelings are getting more and more anxious.
You walk straight towards a large tree, there you see a man sitting in a wheelchair. With a blanket around his feet, the man looked at Genin and you, then smiled softly as he looked at Genin.
You looked at Genin and the man alternately, confused.
"Lady, this is my husband that I talked about earlier with you"
It turned out that the feeling of anxiety felt by the genin was her husband, she didn't expect her husband to be in the park too.
You looked at the man, smiled softly and greeted him.
"Hello, nice to meet you"
Being formal but friendly, the man just smiled and nodded weakly at you.
A strong wind hit you, well this is the desert, a location where wind and weather cannot be predicted.
The man's blanket fell right in front of your feet, your eyes automatically saw the blanket, bent down and picked up the blanket and looked at Genin's husband, you were stunned.
That man... he has no legs..
You were silent digesting what happened, Genin quickly took the blanket and put it back on her husband, afraid that her husband would feel uncomfortable with your confused gaze.
Silence fell over the three of you.
.
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Finally you were able to get out of the silence, walking back with Genin to the room you had previously occupied.
You didn't know that around the palace building in the Kurkans kingdom, there were many Kurkans servants and guards who saw you walking.
They had never seen blue hair like that, it was a very, very unusual color.
The antrabeth people who were believed to be a myth but 3 months ago were considered extinct, but there you were, maybe as the only remaining antrabeth tribe.
So beautiful and pretty, so small and fragile, they were sure that if they spoke loudly, you might be destroyed.
.
.
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Tomorrow has arrived, you only have 3 days left before you are about to become part of the Kurkans, you want to run, go and return to Esmera.
But you don't know where the Esmera forest really is, you might die or end up being kidnapped in that barren desert.
During that day, you kept thinking about her husband Genin, seeing from how he smiled weakly, it was certain that he had no spirit of life.
Losing a leg, is a curse for humans who have previously experienced walking and running.
That night you reflected on yourself, in your hand was a small glass bottle complete with a lid.
You found it right on the dressing table of this bedroom, well even though initially there were contents in it, namely small round diamonds.
You thought back to the words of your father when you were 10 years old.
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• Antra Tribe, Northern Forest.
A dense and fertile shady forest. So warm when the sunlight shyly slipped through the gaps in the leaves and trees.
"But father why do we have to do that? What if the person we help ends up hurting us? instead?"
Your father, sitting in front of you, the two of you sitting on a woven rug made of wool, not much but good enough for a simple decoration.
"Do you know why our tribe is known as the tribe of nature's children?"
"Because we... are close to nature?"
Your young self tilted your head in confusion, your father just chuckled seeing how cute his daughter was.
"Not wrong, but not right either"
"Nature is the source of life for all living things in this world, nature gives rain to the land, the land gives grass to animals, produces delicious and nutritious meat and milk"
You listened to your father speak carefully.
"Forests, trees, leaves provide oxygen for living things, clean air, sunlight provides life resources for plants to grow."
"Nature is good, even though many humans or animals damage them, nature never reprimands them for what they do"
"We are known as nature's children because we are down to earth, we maintain our dignity as nature itself"
Your father saw you trying to understand him, chuckling softly your father continued he spoke.
"We follow nature, they give without receiving anything in return, nature gives to those in need, nature also doesn't care whether they receive it or not"
"Because that's nature, and we as the antra tribe, follow every aspect of nature, we will help those in need, and we don't need to be afraid if they torture or hurt us, nature is fair, they will repay the pain to creatures who love nature"
Chuckling at your confused expression, your father stroked the top of your head gently.
"Listen my sweet Apple bloom, one day you will find a situation where you see living creatures, who have shortcomings, suffering, restlessness, sadness, and loss of zest for life"
"I want, when that time comes, help them, as nature gives and loves, we the antra tribe also give and love"
Speaking softly and lovingly, your father stroked the top of your head.
"Because in truth, the blood that flows inside us, all aspects of our bodies, our tears, our hair are more than what people out there think, we are not a tribe that goes against the laws of nature, but a tribe that is like nature, our blood, hair or tears give and love just like nature, all aspects of ourselves will as we wish, 1 or more drops of our blood or strands of hair or tears, can change destiny, life, the imperfections of people who suffer."
"Understand my applebloom?"
You looked at your father increasingly confused, but could only nod your head.
Your father just laughed seeing you increasingly confused, patting your head affectionately.
Ahh ... how adorable his daughter is.
.
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1 drop of blood, then that's enough, at least the man's legs are back, but you're not sure, so you prick your index finger with a needle, making one by one the drops of blood fall into a small glass bottle.
3 drops should be enough.
Gently closing the glass bottle with the lid, you gently wiped your fingers so that the blood would not come out again.
You were not sure if this was the right decision, but you felt sad and sorry for Genin's husband, the man must have suffered a lot while he was alive.
Looking out the window, you stared at the beautiful shining stars in the sky.
Waiting for tomorrow, to give the bottle of your blood, to Genin for her husband.
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Tag list; @snowflakes666 @nerdygoateepeanut @blurryperrtymoonlight @luminethebest @scenicelixir @n4muqr @cannyyyyy @athena-roy @sirenetheblogger @thehopingfairy
©️Nymphea0 2024 ,OG story, Project Dark Manhwa Character Series.
Please dont steal my work, or use without my permissions, Always be good people Dear. Much love, Neva🦋🦋.
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thesecondhandwoman · 2 days ago
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HEXED HEART
Ambessa x f!reader
Summary: Recently, Piltover has fallen weak ever since the hexcore stopped working, and the scientists who may have been able to fix it (Heimerdinger, Jayce, Viktor) had disappeared, leaving Ambessa frustrated. However, when she heard news of you, an intelligent scientist, possibly having the skills to fix it, she immediately took action. Even if it meant using a hint of sweet manipulation.
The remnants of Piltover smoldered under the weight of its own hubris. The once-bustling City of Progress was a shadow of itself, its streets quieter, its golden spires tarnished. The Hexcore had faltered, leaving the city vulnerable, its famed defenses useless.
In her laboratory perched high above the city, you worked tirelessly. The other brilliant minds—Heimerdinger, Jayce, Viktor—had all disappeared, leaving you to hold the fort. You were the last hope of Piltover, though the burden had grown suffocating. Every attempt to stabilize the Hexcore had failed. You stared at the latest iteration of your work, frustration and exhaustion gnawing at your edges.
The heavy thud of boots startled you from your thoughts. You turned to see soldiers, clad in Noxian red and black, entering your lab. At their helm was her. Ambessa Medarda, the warlord who cast a shadow wherever she walked. She was as commanding as the stories claimed—tall, statuesque, and radiating an aura of power that seemed to fill every inch of your lab.
She appraised you with sharp, calculating eyes, a faint smirk tugging at her lips.
“I’ve been watching you,” she said, her voice as smooth as silk but edged with steel. “Piltover’s lone genius. Working herself into the ground to save this broken city.”
You squared your shoulders, attempting to summon the confidence that exhaustion had stripped away. “If you’ve come to ridicule me, I assure you, I don’t have the time.”
“Oh, I didn’t come to mock you,” she said, stepping closer. Her soldiers fanned out, blocking any potential escape routes. “I came because Piltover’s failures can serve Noxus. You can serve Noxus.”
Your blood chilled. “I don’t serve anyone.”
Ambessa chuckled, low and amused. “Not yet.” She closed the distance between you in a few strides, her imposing figure towering over yours. “But you will.”
Before you could retort, she reached out, her gloved hand brushing a stray strand of hair from your face. The touch was startlingly gentle, disarming. You stiffened, but Ambessa merely tilted her head, her gaze softening, her smile turning warmer.
“You’re exhausted,” she murmured, her tone shifting to something softer, almost tender. “This city doesn’t deserve you. They’ve wrung you dry, haven’t they? And still, no thanks. No progress.”
Her words hit a nerve, and she saw it in the flicker of your expression.
“I—” you began, but her fingers against your jaw silenced you.
“You deserve better,” she said, her voice a near whisper now. Her thumb traced the line of your jaw, her touch featherlight. “A mind like yours shouldn’t be wasted on people who only know how to take. I can offer you more, darling. Resources. Freedom. Respect.”
You swallowed hard, the weight of her gaze pinning you in place. It was intoxicating, the way she looked at you—not with disdain or pity, but with something that felt dangerously like admiration.
“You just want to use me,” you said, though the words came out weaker than intended.
Ambessa smiled, a sly curve of her lips. “Of course, I do. But I’ll give you what Piltover never could. I’ll make you feel like the treasure you are.”
Her hand slid from your jaw to your neck, her thumb brushing over your pulse. You were hyper-aware of her closeness, the warmth radiating from her as she leaned in. Her lips grazed the corner of your mouth, a ghost of a kiss, before trailing along your cheek to your ear.
“Do you feel it?” she murmured, her breath warm against your skin. “The power we could wield together?”
You shivered despite yourself, torn between resistance and the allure of her promises. She was weaving a net around you, each touch, each word drawing you tighter.
Her hand slid down to your shoulder, her fingers kneading gently, soothing the tension that had built from days—no, weeks—of relentless pressure. You hated how easily she read you, how her touch seemed to draw out the ache you’d buried beneath sheer determination.
“I don’t… I can’t just abandon Piltover,” you stammered, though the conviction in your voice wavered.
Ambessa chuckled, a rich, velvety sound that sent a shiver down your spine. She pulled back just enough to look into your eyes, her expression equal parts understanding and predatory.
“Who said anything about abandoning them?” she cooed, tracing her fingers along the edge of your collarbone. “Think of it as… redirecting your efforts. Piltover has taken everything from you. Why not take something back?”
Her lips ghosted over your temple, and you felt a strange, heady mix of indignation and desire. Every instinct screamed to resist, to fight back against her intoxicating manipulation. But her words had rooted themselves in your mind, growing like thorns around your resolve.
She pressed closer, her presence overwhelming as her other hand cupped your cheek. Her thumb brushed over your skin with a tenderness that contradicted the raw power she emanated.
“I see the brilliance in you,” she murmured. “The kind of brilliance that could reshape the world. But brilliance needs the right soil to grow, and Piltover has done nothing but starve you.”
Her lips found your jawline, a soft, lingering kiss that left your heart pounding. You hated how your breath hitched, how her words sank deeper, wrapping themselves around your doubts and frustrations like a vice.
“I could give you everything,” she whispered, her voice dripping with promise. “Imagine a lab equipped with anything you could dream of. Resources, soldiers to protect you, and the freedom to create without petty councils and politics dragging you down.”
You hesitated, your mind a whirlwind. “And what would you demand in return?”
Ambessa leaned back just enough to meet your gaze, her smirk sharp but her eyes still softened with that feigned tenderness. “Only your cooperation. Your brilliance, dedicated to something greater than this dying city.” Her hand slid down your arm, fingers curling gently around your wrist. “And, of course, you—with all your fire and passion. A partner. An ally.”
Her lips found your wrist, pressing a kiss to the delicate skin there. It was such an intimate gesture that it left you reeling.
“You’re lying,” you whispered, though your voice lacked conviction.
Ambessa smiled again, her confidence unshaken. “I never lie, darling. I may manipulate, I may seduce, but I always tell the truth.” She lifted your hand to her lips, brushing another kiss over your knuckles. “You’ll see. The only chains you’ll wear with me are the ones you choose.”
You trembled, torn between the iron will you’d cultivated in solitude and the dangerous allure of her promises. Her every touch, every word, was carefully calculated, but there was a kernel of sincerity in her eyes that was impossible to ignore.
And then, her tone shifted, low and husky, her lips brushing against your ear. “Or you can stay here,” she murmured, her voice laced with a mockery so subtle it felt like silk slipping over a blade. “Alone. Frustrated. Watching this city crumble around you while you waste away in obscurity.”
The weight of her words settled over you like a storm cloud. The enormity of your failure, the futility of your work, pressed down harder than ever.
Ambessa saw the flicker of doubt in your eyes and leaned in, her lips brushing over your cheek again, her hands sliding to your waist. “Don’t think of it as surrender,” she whispered. “Think of it as liberation.”
Her lips finally found yours, soft and coaxing, her hands firm yet tender as they held you in place. For a moment, the world around you faded, leaving only the intoxicating warmth of her touch, the relentless pull of her presence.
When she finally pulled back, her smirk returned, triumphant but still laced with that maddening, feigned care.
“Take your time,” she said, stepping away as if to give you the illusion of choice. “But know this—I won’t wait forever. And neither will Piltover.”
She turned, her soldiers falling into step behind her, and the door shut with an ominous finality, leaving you alone in the silence of your lab.
Your knees buckled as you leaned against the nearest table, your mind spinning. You hated her, hated how easily she unraveled you. But you couldn’t deny the truth in her words.
And deep down, you wondered if the world Ambessa promised might be worth the price of your pride.
— — — — — — — — — — — — — — — — — — —
The silence of your lab was suffocating in the wake of her departure. You stood there, still trembling, your hand resting against the edge of your desk as if it might hold you together. You could still feel her touch, lingering like a brand on your skin, a reminder of the impossible decision she had presented.
Stay… or go?
You hadn’t realized how much you had needed an escape, how desperately you had longed for someone to see you beyond your failures. Ambessa had touched that part of you with ruthless precision. She had peeled away your pride, exposed the vulnerability that you’d spent so long burying beneath equations and inventions.
And now, you stood at the precipice of something you had once sworn to avoid.
The thought of continuing alone in Piltover, watching everything you had worked for crumble—your research, your hopes—seemed unbearable. The weight of it all crashed down on you like a ton of stone. Ambessa’s words, laced with promises of power, resources, and recognition, were beginning to sound like the only way out.
You closed your eyes, feeling your resolve slip through your fingers like sand.
Her touch had been gentle. Too gentle, and that had terrified you. She was a master at breaking down walls, and the way she had looked at you, with a mixture of admiration and something darker, had set your pulse racing. You had wanted her to touch you.
No, you needed her to touch you.
No more endless days in solitude. No more futile attempts at saving a city that didn’t care.
With a shaky breath, you made your decision.
— — — — — — — — — — — — — — — — — — —
Later that night, you stood before the door to Ambessa’s private quarters, your hands clammy, heart hammering. You’d walked here with purpose, though the journey had felt like an eternity. Every step had only brought you closer to the inevitable—an alliance forged in the heat of desperation. You knocked once, and the door opened before you could even pull your hand back.
Ambessa stood there, her expression unreadable as her eyes traveled over you.
“You’ve come.” Her voice was steady, but there was a gleam in her eyes that hinted at the satisfaction of a predator about to claim its prize.
You swallowed hard, the weight of the moment pressing down on you, but you refused to let it show. “I’m here,” you said, your voice firmer than you felt, “because I don’t want to be alone anymore.”
Ambessa stepped aside, her lips curling into a smile. “I knew you would come around.”
As you entered, the lavish, dimly lit room seemed almost too luxurious for someone like you, but there was something intoxicating about it. The rich silks, the scent of something sweet and foreign in the air—everything spoke of power and control, the very things you had been so desperate to grasp.
Ambessa closed the door behind you with a soft click, and then she turned to face you, her eyes now intense with anticipation. “Tell me, darling… what is it you truly desire?” she asked, her voice low and coaxing.
You hesitated, but only for a second. Then the truth spilled from your lips. “I want to be… seen.”
Ambessa stepped toward you, a predatory smile playing on her lips. “Oh, I see you,” she purred. “I see you more clearly than anyone ever has.” She reached out, her fingers grazing your cheek with deliberate slowness, as though savoring the moment. “And now, I’ll make sure you’re never unseen again.”
She cupped your face gently, tilting your chin upward, and her gaze softened, as though she were savoring the power of the moment. “You were always meant for something greater than this city. But you needed a catalyst… someone to help you realize your true potential.”
Her touch was almost tender, but the undercurrent of control never left. She leaned in, her lips brushing your forehead with a softness that contrasted the fire in her eyes.
“I can give you everything,” she whispered, her voice filled with honeyed persuasion.
A heat bloomed in your chest, rising to your cheeks, but it wasn’t embarrassment—it was the burning spark of surrender. Every part of you that had been torn between resistance and the seductive pull of her power now bent toward the inevitable.
You nodded, the words tumbling out in a quiet confession, “I’ll help...”
Ambessa’s lips curled into a triumphant, almost possessive smile. “Good.” She leaned in, her mouth capturing yours in a kiss that was both commanding and consuming. It was gentle at first, a slow burn that deepened with every press of her lips, every brush of her tongue. She held you with an intensity that made your knees weak, her hands roaming with practiced care, tracing your sides, your back, pulling you closer until you could feel the heat of her body against yours.
When she pulled back, breathless but satisfied, her fingers trailed down your spine, sending shivers of anticipation through you. “You belong to me now,” she said softly, her voice wrapped in a possessive sweetness. “And I’ll make sure you never regret it.”
You trembled, feeling the weight of her words settle over you, and for the first time in a long while, you realized you didn’t mind. You were hers. Completely.
In her arms, under her gaze, you were no longer the scientist who had failed. You were a tool—her tool—ready to be shaped and molded into something greater, something powerful. You had agreed, out of weakness, yes—but in that weakness, you had found something that felt like freedom.
And as Ambessa’s lips met your skin once more, tracing the delicate curve of your jaw, you wondered if this, this was what it meant to truly be seen.
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neverenoughmarauders · 3 days ago
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Lily's meaningless sacrifice
One thing that irks me is when people suggest that in canon, Lily had any idea that Harry would survive (this is merely a canon post, nothing to do with fanfiction). It irks me, partly because it's just incorrect and that's the sort of person I am. More importantly, however, it irks me because Lily not stepping aside when she had nothing to gain from dying is fundamental to the story.
Let's start with JKR own words from an interview in 2005:
MA: Did she know anything about the possible effect of standing in front of Harry? JKR: No - because as I've tried to make clear in the series, it never happened before. No one ever survived before. And no one, therefore, knew that could happen.
Lily knew nothing about the possible effect of standing in front of Harry. Lily was faced with this choice:
Scenario 1: Steps aside, and Harry is killed.
Scenario 2: Be killed, and Harry is killed.
Scenario 1 is (on the surface) objectively better (unless you're a DE and thus want less muggle-borns around). To Voldemort, it's a simple choice: In both scenarios Harry will die, in one, Lily will survive. In fact, this is what makes a lot of people defend Severus' choice to only ask Voldemort to spare Lily. Severus could not save Harry (and apparently it's totally cool not trying to save others if they bullied you).
Lily could not save Harry.
Lily's choice, as far as she is aware, is not whether to save Harry or not, but whether to save herself. And yet, Lily cannot stand aside. As JKR points out earlier in the interview, what Lily did is not that surprising to us readers ("I don't think any mother would stand aside from their child"). Why? Love. Because, as Dumbledore reminds us on multiple occasions: there are worse things than death - most notably in DH:
"Do not pity the dead, Harry. Pity the living, and, above all, those who live without love."
Love, and life with and without love is an undercurrent in the story. Lily's sacrifice is meaningless when made, and yet it's the biggest and most understandable expression of love anyone can show someone else. Lily cannot, and does not want to, live in a world where she has witnessed her son being murdered - especially when her husband has been murdered too. A world without Harry and James is no world for Lily Potter.
It is also - bear with me - not that different from what it was like to be in the Order at that time:
[Y]ou weren’t in the Order then, you don’t understand, last time we were outnumbered twenty to one by the Death Eaters and they were picking us off one by one...
“He — he was taking over everywhere!” gasped Pettigrew. “Wh — what was there to be gained by refusing him?”
The Order operated against the odds and were being picked off one by one. As Peter asks - what was there to be gained by refusing him? What was there to be gained from standing (metaphorically or not) in front of Voldemort's victims? I've said this before and I'll say it again, Sirius' answer is powerful:
“What was there to be gained by fighting the most evil wizard who has ever existed?” said Black, with a terribly fury in his face. “Only innocent lives, Peter!” “You don’t understand!” whined Pettigrew. “He would have killed me, Sirius!” “THEN YOU SHOULD HAVE DIED!” roared Black.
Only innocent lives. They weren't fighting this war because they were winning. In fact they were very much losing. But they were fighting because it was right thing to do. Many Order members chose to die, rather than to step aside and let Voldemort take over. Only in their case it didn't make a difference - or at least, it didn't feel like it at the time. Members were murdered, and Voldemort was just getting stronger and stronger.
What was there to be gained by refusing Voldemort?
I firmly believe this is a theme that is repeated throughout the book: not just love and choice, but the obligation to choose what is right, no matter the odds (the irony that this was written by JKR will never be lost on me), and how love is a powerful motivator to do just that. Doing the right thing might seem hopeless in the moment - wasteful even - but that doesn't mean it's not worth doing, or that in the end, it won't add up.
Imagine what Harry felt like at the end of PS/SS when he risked his life to stop Voldemort, only to realise that Voldemort would keep trying to come back:
“Well, Voldemort’s going to try other ways of coming back, isn’t he? I mean, he hasn’t gone, has he?” “No, Harry, he has not. (...) Nevertheless, Harry, while you may only have delayed his return to power, it will merely take someone else who is prepared to fight what seems a losing battle next time — and if he is delayed again, and again, why, he may never return to power.”
Harry Potter isn't about doing the right thing because it will bring you rewards, but because it is the right thing.
“Remember Cedric. Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave, because he strayed across the path of Lord Voldemort. Remember Cedric Diggory.”
This speech doesn't sit well with a few people because it sounds like you're asked to remember what happened to someone who did do the right thing (spoiler: he died). But that's not the point, of course. Cedric wasn't killed for doing the right thing or making a hard choice - Dumbledore asks the students to remember Cedric because the enemy is willing to kill innocent people indiscriminately. Standing aside will not be good enough against people like Voldemort. There is, as Dumbledore put it, a need to keep fighting what seems a losing battle. Why? Only innocent lives.
Both James and Lily die that evening because they are unwilling to let Voldemort near their innocent son as long as there is breath in their bodies. James had no choice (this irks me because he did, he could have run away - he could have not fought Voldemort in the Order to being with. They all had a choice, but not the point). Lily had a choice. And she chose, like many had before her, to fight what seemed like a losing battle. She died, not knowing that she had saved her son. Her sacrifice was meaningless - like so many before her - and yet her sacrifice changed the world.
In the end, by choosing to do what was right, she was granted the wish she most desired: Her son lived.
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vidavalor · 6 hours ago
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<<I would also not accept Crowley hate. I just never see it.>>
Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.
<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>
If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.
The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.
<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>
Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.
I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.
<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>
Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.
The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.
I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?
But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.
So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.
The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.
Eric, Terry Prachett
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thenerdofthegroup · 2 days ago
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Just saw a post saying that Agatha had no reason to be angry and she is a terrible person for being angry at Rio…
Because…
Her child died.
Media literacy is dead. Jac’s work shouldn’t be talked about by people who make takes like ‘how dare Agatha be angry at Rio when her child died and Rio didn’t even go to Agatha to comfort her when she woke up! How dare she!!!!’ (This is a simplification. I shouldn’t have to put that because it’s obviously sarcasm and an oversimplification but… like I said… media literacy is dead and people can’t read context so-)
Note: before people AGAIN take what I said out of context: this is a complex situation. If you can’t see both sides then you shouldn’t be watching this show. The WHOLE point is that in their relationship they are both to blame and not to blame at all. Agatha was a grieving mother. She lost her child!!!! Literally the only thing that has loved her and been there constantly. Rio loves her more than anything but she isn’t. Always. There. That was shown. Agatha clearly wanted something to pour her love into all the time and not be alone
Rio shouldn’t have been pushed away and blamed for it. She was doing her job.
But to diminish Agatha pain completely to support Rio’s side is bollocks. I don’t have kids but I will say this: only people who don’t have kids will make that take. Because to lose a child must be the WORST pain a parent could ever experience. And she had the double barrel of guilt that her body failed her in growing him and not being able to save him due to her destructive magic. DOUBLE the pain.
And then a wonderful point my friend (a parent) brought up: Rio wasn’t there when Agatha woke up or when she buried him. It would be a VERY different story of Rio was there to support her and be with her. Yes Agatha would have been furious but she would have every right to be. But if Rio stayed and comforted we would have a very different story on our hands 🤷‍♀️ sorry but that’s the truth. Rio probably thought she was doing the right thing. Like what some friends do.
When I went through a terrible situation, my friends (who weren’t really friends but that’s not relevant) didn’t contact me or check up saying ‘well I thought you’d want to be left alone’.
No.
No one wants that.
Including the witch who has been left alone again and again. If Rio had stayed for when she woke up it would have been VERY different. (And I can’t think of a reason she didn’t. If anyone can apart from saying ‘doing her job elsewhere’ which to me is bollocks because she could have spared time. She had time to travel the road so that’s not gonna work on me when the love of her life lost their/her child)
So yeah… diminishing the main characters pain is… I’m not even gonna make a joke, fucking mental. Both can be wrong and both can be in pain. Rio lost Agatha. Agatha lost her child and Rio. Both are tragedies
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Jeez…
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rootspiral · 2 days ago
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Agatha All Along deep dive: episode 3 part 3
(Wandavision entries: [1][2][3])
(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3])
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lilia: falling through time, desperately trying to help alice
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agatha: bitch I'm trying to save myself!!!!! oh she's so awkward when she thinks lilia's going mad. she's a moment away from grabbing a broom and going there, there like in that 30 rock scene
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I know they had a relatively low budget for this show and it was such a blessing in disguise. they invested in great sets and instead of cgi they relied on classic cinema tricks that I find so satisfying?? Idk if it's just nostalgia talking. here they simply move the camera away for a moment, lower the lights and move the actor in position, and it makes for an amazing jumpscare.
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baby lilia asking 'vuoi vedere?' do you want to see? because it is a choice for lilia. for a long time she chose not to use her gift- she was simply too powerful, she saw too much, and the knowledge of the future scarred her and made her an outcast among others
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alice's smile at seeing a vision of her mom T-T
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why inconvenient? what was jen doing? she was an obstetrician and midwife. she was helping women out with herbs and pagan knowledge passed down from mother to daughter. Back in the day midwives were struggling to get their skills recognized in an increasingly male dominated field, they were advocating alternative treatments for women constantly humiliated by condescending modern doctors - from forced bed rest to insane asylums to lobotomy in worst case scenarios. think Charlotte Perkins Gilman's short story, The Yellow Wallpaper. think about everything that happened to Virginia Woolf.
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we know that alice was a teenager when lorna died in a fire. she wasn't well, alice says, and we see now that she had a drinking problem. it's equally possible that the demon got to her or that she set herself on fire out of desperation. and if lorna could feel her own mother dying, alice could too.
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daang great zombie makeup on the teacher lady
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lilia when her incredible abilities made her able to see Death: burdened by knowledge way beyond the scope of humanity she goes into exile
agatha when her incredible abilities made her able to see Death: you know what I'm gonna tap that
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I saw people saying that because the Road wasn't real nothing that happened in the show mattered, that they all died for nothing. I disagree completely, and not only because Billy's chaos magic is so astonishingly powerful that he can create a functional Road out of thin air. like, it wasn't a trick, he made it real. But more importantly, what happened to these women, their experiences, their growth on the Road is real. Even if Billy didn't do it on purpose, even if it's fucked up that a teenager can essentially go, you know what would be cool? if they all experienced their deepest trauma! but that's the point, that's the point, that's the whole damn point of the show. life is chaos and nonsense and heartbreak, it's up to you to find a meaning where there isn't any. look at lilia! the lesson is not that you're going to die, but what you choose to do with the cards that you're dealt, with the time that you're given.
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while Patti clearly has an american accent, she is speaking correct sicilian, tutti morti su' - they could have had her talk in italian and hardly anyone would have noticed, but they went above and beyond with the details. the latin in the show is also rather impressive, like they actually hired experts rather than relying on google translate
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agatha has gotten too used to run leaving a pile of bodies behind. not so easy to consider them just food when you have to live alongside them and witness their feelings, is it?? first wanda and now this!
@perpetualanon pointed out yesterday that agatha also had selfish reasons for wanting to save billy, i.e. she didn't want to risk him being poisoned because who knows what horrors a hallucinating billy could create. Yes! exactly that! it's always worth saying that when agatha has these fleeting moments of compassion and altruism it's in the context of a whole lotta selfishness. i think of her as that drawing of Stitch's badness level, her whole body is almost filled to the brim with awfulness and there's only a thin layer of goodness that she's constantly trying to smother. her actions on the Road are almost entirely selfish, but for the first time in centuries she's surrounded by people, like Lilia here and Jen and Alice and especially Billy, who are accidentally nurturing her almost atrophied good side. and lemme tell you she's pissed about it!
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of course these two don't know what a sous vide is, one is dirt poor and the other eats people.
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I'm gonna take a stand for zoomers here, he might have never learned what counterclockwise means, but millennials like me would also have hesitated and tried to picture it in our minds. because a lot of us lack spacial intelligence and are generally rather dumb
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the shock and terror on her face when she hears nicky crying
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another great special effect achieved only with lights and the cast shuffling out of frame
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they show the darkhold because they need to mislead viewers and can't give nicky's story away just yet, but doesn't it make sense that agatha would see it? all these centuries blaming rio, and deep down agatha is haunted not by Death, but by her own actions and choices. the way she kept Nicky isolated and unsafe. the way she insulted his memory by going on killing sprees instead of letting herself mourn. the way she used the darkhold to corrupt her soul more and more, because she was never brave enough to confront her guilt.
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kathryn hahn really said, do you want Emotional Devastation???? do you wanna see a woman SUFFER? do you want your heart put through a blender??? I can do that in TWO seconds
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agatha wants to NOT DIE so badly that she has to drop the clown act and give jen a proper pep talk. because she knows what makes people tick and she can uplift just as well as she can destroy, she can help jen because she knows her so well. there's always that potential there, all of agatha's talent and her intelligence and experience could shape her into a great mother and sister in a coven. a potential that evanora refused to see and that will likely never be fulfilled.
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and the irony, the irony of never wanting to hurt jen, to deliberately avoid going after her - because she's a midwife. because nicky was stillborn, because she had to give birth alone in the woods. agatha believes with all her heart that jen's work is fundamentally good and important. and yet she was the one who bound and tortured and violated her. she was so fucking focused on herself that she didn't even realize she was tramping and destroying everything in her path like a mad steamroller. she allied with the enemy, she went against her community's best interests. there's a lot to think about there, I really want to explore it more
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patti during that hot ones episode
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NOW YOU GUYS REMEMBER HER. and of course it's alice who does
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your internalized stereotypes are really testing lilia's patience, billy (and while they consider the oven sharon is writhing and dying on the table)
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how it started: jen pushing lilia out of the way
how it ended: "you are my sister in the craft" 🥲
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I love you patti lupone
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alice is strong! alice is noble! alice is pure of heart!
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gee i wonder why
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they had to add a goonies poster in billy's room because of this scene, but i guess disney didn't want to buy the copyright so the poster says "the goofballs"
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agatha shoving everyone and then kicking jen twice for good measure
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my guilty pleasure is watching reactors on youtube (don't judge) and everyone, everyone had my same reaction to sharon's death: she is not really dead. it was too unceremonious, too sudden. you cannot have debra jo rupp unconscious for half an episode and then get rid of her like that, she's too talented, too funny, how can they keep the humor up without her? if sharon is gone they don't want to watch anymore! no, they're gonna bring her back for sure, they're witches, they're going to find a way.
And then Alice dies, and it's unfair, it's too sad, she just had her big victory! that doesn't sit right with you, that the writers would do her so dirty. And then Lilia dies.
Wanda said it from the very beginning: we cannot reverse death, no matter how sad it makes us. Some things are forever. Sharon's death was horrible and uncomfortable and senseless on purpose, because these shows are about the exploration of grief. How can you make peace with the impossible? How can you reconcile yourself with a nice fun lady dying after losing her last shred of agency, scared and alone and forgotten? Didn't she deserve so much more than being just a casualty of witchfolk drama? And how can you reconcile yourself with someone as good and as wonderful as Alice dying in such a cruel way? What about the death of a parent? of a spouse? of a child? What about your own death, as inevitable and inescapable as your birth?
I'm posting this one early cos I didn't sleep last night and I wanna take a nap now 🥲 when I'm tired i ramble, I knew that already. sorry-y!
we get to episode four tomorrow, and y'all know what, or rather WHO, that means!
go to episode 4 part 1
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casino-lights · 1 day ago
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so. the thing about Illario and Lucanis.
I don't have the screenshots but somewhere in Lucanis' mind, you hear Illario's voice saying "If I was in charge, you wouldn't have to do this anymore." as far as I can tell, all the other lines in his memories are from the game, but this one is from The Wigmaker Job. the story that took place over a year (probably more) prior to the events of the game. it's referring to a scene where Lucanis comes back from their contract, injured, and Illario, worried about his cousin, says that Lucanis wouldn't have to do Caterina's bidding anymore if Illario was First Talon. so now we know Lucanis still thinks about that conversation, even though it happened so long ago.
two other things about The Wigmaker Job: 1) Illario is a lot different in it and in some ways he seems more competent than the Illario we get in veilguard; and 2) we see Zara Renata at the end, and she already has Lucanis in her sights. depending on how much time passed between that contract and Lucanis' kidnapping, she could've been setting this up for months to years.
in the concept art/storyboard frames that were recently released, Zara is hardcore giving siren in the first image and it almost looks like she's straight up controlling Illario via blood magic in the second (imo)
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now imagine if Zara was looking into Lucanis, started with the people closest to him, found Illario, and said all the right things. imagine she said he should be First Talon, Caterina never loved him, Lucanis doesn't believe in him and is secretly just tolerating him, he can save Antiva from the Antaam (or whoever else), he can lead the Crows to their long-awaited unification and make them even stronger, he's the smartest prettiest most super special boy in the whole wide world, etc. (if you give this man an ounce of praise and he actually believes it, he will crumble, I know it.)
now imagine Zara, having successfully sunk her claws into Illario - Lucanis Dellamorte's cousin, the only person closer to the Demon of Vyrantium than the First Talon herself - manages to convince him to let her kill Lucanis. he doesn't have to do it himself so there's less guilt. there's no way Caterina would make him First Talon if Lucanis was alive. and then Illario would be in a position to protect his beloved Antiva because if there's one thing the Antivan Crows are, it's patriots. I think Zara played Illario like a fucking fiddle and the game was just really bad at showing us that. I think when her spirit says "he fooled us both," she means he fooled her by being less of a coward than she thought and straight up killing her.
and maybe this is the Illario apologist in me, but I also think he realized the whole thing was a doomed plan after he was defeated. I mean, he shows up to the final battle to help, at risk of his own life. maybe he's trying to atone, maybe not, but still - he is there, and he sounds more like the Illario we see in The Wigmaker Job than whatever we got through the rest of the game. with his quippy little "was that suitably self-important?" line, he's closer to himself than he was this whole time, and that makes me wonder if maybe he wasn't fully Illario. maybe that was grief and guilt and a shaky sense of self and Zara's manipulation and the feeling of losing his grip on the power he never quite had to begin with, all bundled up into a new, bitter, resentful man. I think he was used like a pawn in Zara's chess game, and that doesn't take away from his agency in this situation or lessen the blow of his betrayal, but it does make it easier for me to swallow the fact that the Obvious Traitor Illario I was immediately skeptical of in-game is not the Illario I immediately loved after one scene in Tevinter Nights where he shaves a single hair because it was uneven with the rest of his five o clock shadow.
I think ultimately, Illario realized Lucanis would forgive him anyway. I think it's because he realized he would forgive Lucanis too.
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louve-garoue · 1 day ago
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Ok sorry everyone I was gonna put this in the tags but then tumblr then went end erased half of it, which I had to rewrite so now you get it to have here :D ! Here we go :DD !
You ! You get it !
Twilight Princess has such an interesting story around Power. You seek it out with the Fused Shadow despite seeing exactly what harm and unwanted changes it could cause. whetever it be to those fighting against it or to those that dares touch it (hi there Fyrus and Wolf Link). And to make it even clearer Lanaryu give you a very graphic yet metaphorical warning to be careful with it.
And yet you don't hesitate to seek it. Even though it the same kind of power that attacked your home. You see how powerful it is and fighting fire with fire is the only plan you have. You see how dangerous it can be for both the wielder and the people around them and yet it's your only option. The Light World was so clearly beaten what else is there but seeking Shadows or admitting defeat.
And you refuse to admit defeat. And once you get to the second part of the game to find the Mirror Shards, you're confronted to those thoughts all over again. You have to go find the Master Sword. You have to go seek power yet again.
But it’s the power of Light this time. The same power that nearly killed Midna a few days ago. But still you go for it, and you get the Curse Out. And then instead of destroying you decide to keep and use it for yourself. Because it was powerful and you got it with you now so why would you throw it away. And just like that you are reclaiming what was used to hurt you. You reclaim the curse but you also reclaim your wolf form and Midna now no longer have to be a shadow in the Light Realm. You saw that Power was dangerous but you refuse let your fear of it control you (or to fear it at all), refuse to let it stop you from using something that will help you saves those you love. And on the way of doing just that you discover the beauty of what your people would simply dismiss as harmful and evil.
But still Power is dangerous, even if it’s not Evil and nothing teach you that better that Matornia (Yeta in English) and Blizzarnia, the first boss you have to fight to get the Mirror Shards. Now the Twilight Mirror is meant to be a get. It’s not a weapon, it’s not meant to harm and it’s certainly not evil, but it is powerful. And Power corrupts, change people. And so in the hand of people who don’t know of their power they became dangerous. It makes Matornia ills, attracted monsters and yet Matornia herself is fond of it and is reluctant to give it away, up until Power overtake her. Still even if dangerous, it’s not evil. The Twilight Mirror just need extra care and caution when handling them. And now finding them is not just about you getting power, it’s also about stopping people who don’t know to be careful from getting hurt, from getting changed or corrupted. You have been warned, the rest of the world have not. And you and Midna know what you are doing, know how to make sure the Mirror won’t bring harm to anyone else. The Mirror isn’t evil, it’s just been Misplaced, just like the Twilight Realm has been in the first half of the game.
And when it’s finally time for you two to unleash the power you earned throughout your journey to defeat Xanto (Zant), Midna is horrified by how much she had, how easy it was to kill. Perhaps it’s why she never let power overtake her. Power by itself is neutral, not evil nor good, like you said it’s just a tool. A tool that can show all it’s possibilities used by capable hands.
Anyway all that to say that 1. This comic is awesome and 2. This may feel like it comes from nowhere, but this blog is a “Tp Link (or Midna) got the Triforce of Power after defeating Ganondorf” Supremacy household. First because he deserve it and also it’s literally how it works ! You defeat the dude with a piece of the Triforce and you get to take it for yourself ! Come on I don’t make the rules ! Join me !
Anyway thank you for coming to my long-ass rant and fuck you tumblr.
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tossawary · 2 days ago
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While I do think that Wangxian would still be obsessed with each other in a Human/Cybertronian pairing, whichever one of them is the robot, I keep leaning towards Wen Ning being the robot in a "Transformers" AU for MDZS. I think it really fits the "I rebuilt you into an abomination" angle for the Ningxian situationship.
Also, I keep making myself laugh by thinking about bitchy-faced Lan Wangji sitting awkwardly in Wen Ning's passenger seat, because Wen Ning passive-aggressively won't let LWJ sit in the driver's seat even if Wei Wuxian isn't in the car. 
Which led me to thinking about the worldbuilding and plotting of a MDZS TF AU in which only the Wens are Cybertronians. (For the Sunshot-Era characters, at least.) Young WWX and LWJ are roughly the equivalent of human characters like G1's Spike, Carly, and/or Chip. (Though it would also be fun to do a different AU where WWX and/or LWJ are transforming giant robots, of course.)
In my mind, this story would take place in a modern-ish sci-fi setting. Start close to a Bayverse-like setting (live-action TF movies), but quickly morph into a "Pacific Rim"-style mecha setting (humans building mechs to fight monsters, not necessarily with a "Drift" co-piloting setup) as the equivalent of the Sunshot Campaign war starts and continues, before ultimately the setting becomes more of a retro-futuristic space opera like the original 1986 TF movie and the third season of G1 (the original TF cartoon). 
So, Wei Wuxian is a teenage genius at some prestigious robotics university/college, which does important research on a handful of alien artifacts. Lan Wangji also goes to this school and teenage Wangxian have the usual interpersonal conflict between them. 
Alien robots have been visiting Earth with increasing frequency over the past few decades, usually flying in and out without doing much, sometimes causing some destruction, so they're somewhat known, but a lot of people still think it's an elaborate hoax of some kind. The recovered pieces of these alien robots have provided a technological boost to humanity, which has caused some serious problems all over the world, but mundane life goes on for many people even if mech programs are apparently a real thing now. 
(Wei Wuxian's parents (who were humans) had dealings with Cybertronians. He does not initially know this.) 
The Cloud Recesses school possesses some very important alien artifact that serves as our story's MacGuffin. I'm thinking that it's either the Allspark or the Matrix of Leadership. Whatever it is, it's been dormant and useless for a very long time... basically a rock... until Wei Wuxian manages to build technology that actually manages to interface with the MacGuffin. No one else has ever managed this before. He can make it do stuff. 
Unfortunately, in achieving this, he accidentally sends out the equivalent of a signal to all Cybertronians pretty much everywhere saying: "YO! Earth has got your stuff! The MacGuffin you've been searching for for a million years is over here! Come and get it!" 
So, the school gets attacked by a group of Cybertronians, probably led by Cybertronian Wen Chao. The school possesses enough technology for some of the more daring and reckless students (Wei Wuxian) to fight back a little, using a combination of smarts and highly volatile projects, until some mech pilots arrive to chase them off. Wei Wuxian manages to knock one of the transformers down, but he doesn't take the killing shot, because the transformer looks scared, and Wei Wuxian also saw this transformer trying to step carefully around the humans. The transformer retreats with the other Cybertronians. 
Insert some plot and character stuff here. Then, in the next action-y sequence when Wei Wuxian gets attacked by Cybertronians again, he's saved when a car pulls up in front of him (it looks like either LWJ or Jiang Cheng's fancy car) and flings open a door for him to jump inside. It's only as they're driving away that Wei Wuxian realizes that no one else is in the car. 
Wei Wuxian: "...You're a Cybertronian, right? Was this a bad idea? Did I fuck up?" 
Cybertronian Wen Ning (the transformer whom Wei Wuxian didn't kill earlier): "Yeah, kind of. I'm surprised that you just went along with that? I'm kidnapping you. Sorry." 
In this universe, the Wens are essentially the Decepticons, but if the Decepticons had basically already won the war. There are some remaining Autobots out there, Wen Ning actually has a few Autobot ties, but the Autobots are largely scattered. Wen Ning and Wen Qing are both Decepticons here to get the MacGuffin (Allspark or Matrix), so that Decepticon victory will be complete, and Earth will probably be destroyed or conquered in the process. 
Well, they were here to do that. Wen Ning isn't really feeling that plan so much. He feels bad for the humans. And he thinks Wei Wuxian is really cool! He's never seen anyone that small and squishy humiliate Wen Chao that badly! Wow. 
Wen Ning doesn't like Lan Wangji so much, however, which is mutual. Currently, I'm thinking about this with polyamory vibes. Wei Wuxian would love to have car sex with Lan Wangji in Wen Ning's back seat, but he's not looking directly at that thought because he's pretty sure that LWJ hates him, and he refuses to reflect at all on why he wants this fantasy to be happening inside Wen Ning specifically. WWX is too busy dealing with a robot war to face being gay, much less being gay(?) for a giant robot as well, he doesn't have the time to learn what polyamory is yet! 
Insert series of events here that ultimately lead to a Humans versus Decepticons war, where the humans have mechs and a growing force of New Autobot allies, but the struggle against these lethal transforming robot soldiers is still grueling. 
The great sects in this AU are all giant tech and/or weapons companies of various types. Which is, you know, morally not great, probably, but this is what these kids have grown up with. They're feeling additional pressure to "do their duty" to protect Earth. The Nie family are heavily involved in some mech program that's been running for a few generations now and has some disastrous health effects, but is not going to stop Nie Mingjue from piloting Baxia until it kills him. Jiang Yanli is already married to Jin Zixuan, son of the CEO of the Jin Corporation, which will play its usual role of "shadowy, greedy company" this time with cyberpunk-esque aesthetics. 
I'm not sure what the Jiangs do, but I'm learning towards something to do with space. Jiang Cheng could be in business school, or doing some form of military service, or participating in some astronaut program (still not good enough for his mother), in preparation to take over the family company someday. His life plan gets completely wrecked by giant robots. Specifically, when the giant robots destroy most of the company's buildings and factories, early on in the war, and then his parents also get killed. The insurance alone is a fucking nightmare to deal with. 
In this AU, the only person whom young man Jiang Cheng has ever experienced any kind of attraction towards is a 20ft+ robot "woman" (Wen Qing) who is allegedly a doctor and can turn her arms into buzzsaws (see Knockout from TFP). No, he doesn't want to talk about these feelings. You could physically force JC's ass into therapy and he'd still never talk. 
Anyway, everyone is having a really bad time in this war! Wei Wuxian grows out of his teenage years desperately pulling useful information out of the MacGuffin (Allspark or Matrix) and developing new technology to fight back. Work sucks. War sucks. The state of his family is a tragedy. His relationship status with now coworker Lan Wangji is a solid: "???" Every day, New Autobots like Wen Ning seem to get a little broken and Wei Wuxian can't fix it all. 
Eventually, Wei Wuxian develops something really dangerous that helps to kill off the leader of the Decepticons and win the war. I was thinking some kind of spacebridge technology, perhaps? Because I was thinking that a spacebridge accident should be what "kills" Wei Wuxian for 10+ years, before popping him back into his usual reality, back into a world that has seemingly moved on without him. 
After the Decepticons are first defeated, the situation is tense. Wei Wuxian is sitting on a goldmine of dangerous and powerful technology, capable of developing more. He somehow managed to bring Wen Ning back from the dead this one time and even the Cybertronians seemed weirded out by that. After the war, a lot of people aren't kindly inclined towards the New Autobots, and some people want to take them apart to see what makes them tick. 
Including Wen Yuan, a brand new Decepticon who was created during the war and then rescued by the New Autobots at the very end of it, taken under their wings before he could be forced to do anything to hurt anyone. Wei Wuxian is not this kid's dad. Wen Yuan isn't really a "kid". But he's still relatively small (only like 10ft-tall) because they don't have the parts to get him good upgrades yet and so inexperienced. I need you to picture a six-month-old robot very, VERY carefully picking up a human Wei Wuxian who is about half his size, who drank himself to sleep in the lab again, so that Wen Yuan can put him to bed. It is sad. 
The character who is probably the closest equivalent to an Optimus Prime figure here is Granny Wen. Optimus Prime if Optimus Prime sounded like someone's grandma. I think it would be fun to make her the leader of the New Autobots. Not sure yet whether or not she has or at one point had the Matrix. If she ever did, maybe it was ripped out of her chest at some point. 
I'm disinclined to kill off all the Wen remnants again in an AU, so I'm leaning towards Wei Wuxian helping them escape Earth through a spacebridge in the face of some "unofficial" mercenary attack. Wen Ning gets "killed" again (captured by the Jin Corporation, who are not identified at the time). Pretty much everyone else manages to get away. Except for Wei Wuxian, who gets caught in a spacebridge accident, and banished to the Shadowzone, assumed dead. 
Many years later, young scientist Mo Xuanyu uses Wei Wuxian's spacebridge research to bring him back from the Shadowzone. Wei Wuxian does not have a good sense of how much time has passed. He was wearing an exosuit, which kept him from dying outright, but being in stasis in between realities takes more than a minute for recovery. Damn. That was weird.
The situation more than a decade later is actually apparently less dire than he might have feared. The New Autobots managed to negotiate a treaty and a safe return to Earth, and have built a new base here, working cooperatively with allies such as Lan Wangji and Jiang Cheng, who have put much of Wei Wuxian's work to good, productive use helping Earth rebuild. How do Lan Wangji and Jiang Cheng work with the New Autobots when they can't stand speaking to each other and hate agreeing with each other ever? Well, that's what personal assistants are for. 
Lan Wangji apparently only got hotter as he got older and Wei Wuxian is having a hard time dealing with that! It seems unfair! (Wei Wuxian is going to cry when they find and rescue Wen Ning again. And someone will finally force him to talk about his desire to make out with Lan Wangji across the hood of his car who is also his friend who is also a giant robot.) 
I don't know what has happened to Jiang Yanli and Jin Zixuan here. They could be alive? Maybe not? In the AU, however, Jin Ling is the equivalent to Daniel Witwicky, who is son of Spike and Carly. Jin Ling in this AU is a cute human tweenager / teenager with the roundest, rosiest cheeks you've ever seen. 
And all the other "Juniors" are giant robots. 
Lan Wangji took Wen Yuan under his wing. Lan Sizhui has gotten his first few rounds of upgrades, so he's at least twice his previous size, in good repair now, and pretty much unrecognizable. I need you to imagine giant robot Lan Sizhui very carefully picking up "Dr. Lan" to demonstrate to the other junior New Autobots how such a thing is done with humans. Lan Sizhui is very roughly equivalent to the TF character of Springer at this point. 
Ouyang Zizhen is roughly equivalent to Arcee. Lan Jingyi is roughly equivalent to Hot Rod. They were brought to Earth because Cybertron is still partially under Decepticon control and the Earth base is safer for young Cybertronians. They are also roughly the same age as Lan Sizhui and Jin Ling.
As far as little human Jin Ling is concerned, he has just as much right to "leadership" of this friendship group as any of the others! They're alll the same age!!! 
And yes, one could also move Lan Sizhui into the "Hot Rod" position here, but Lan Sizhui has vibes that are closer to Ultra Magnus than Hot Rod in my opinion, and I like Hot Rod. And it is just funny to think about Lan Jingyi becoming a Rodimus Prime equivalent and having to deal with being the new bearer of the Matrix of Leadership. No one considered him a potential candidate, least of all himself. He did Not Ask. He does Not Want. 
There's a potential plot here regarding the Jin Corporation and Mech Pilot Nie Mingjue's murder and potentially some Unicron equivalent threat to the planet, but it's too heavily dependent on whatever has happened previously in this plot to create solid thoughts. And it's late! I would much rather amuse myself thinking about Lan Jingyi as Rodimus Prime. He would like to Get Off This Ride.
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katerinaaqu · 2 days ago
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Heyo!
I don't know how exactly to phrase this but I was wondering if you know anything about Odysseus trying/planing to kill Diomedes while they were stealing the Palladium. I have heard some people say that Odysseus did try to kill Diomedes while doing so but Diomedes noticed him so Odysseus stopped.
This feels so strange to me as Odysseus and Diomedes aren’t antagonistic in the Illiad and Diomedes is loved by Athena like Odysseus so betraying him, especially for hubris, seems like a good way to end up on Athena's bad side.
Also the translated summaries of Little Illiad I know don't mention it either but I know those translations can be missing out context. I suspect the Odysseus Betrayal is a "later adition" to the Epic Cycle but I am not that confident on that opinion.
Yes absolutely and I understand completely what you say. That is because the Palladium Heist betrayal story was peobably not part of the original epic cycle but rather a later adittion. More specifically through the work called Bibliotheca by Photius I, the ecumenical Patriarch of Constantinopole in 9th century seems to be mentioning in his work a Roman mythographer named Conon.
Conon lived and created during the times of Augustus. It seems that he is one of the oldest if not the oldest mythographer to ever mention this story. So the story quoted by Photius goes as such;
Basically after the revelation of Helen's Diomedes and Odysseus enter the city. Odysseus helps Diomedes on his shoulders so that he could climb but when he reaches out his hand Diomedes doesn't take him in and goes for the Palladium himself. When he comes back apparently Odysseus asks him on it and, according to Photius who quotes Conon, Diomedes "knows his cunning" and says that he didn't find it. That a spirit stole it and that he has another one. Odysseus realizes he is lying so he eventually draws his sword to kill Diomedes and take the Palladium to the Greeks himself. Apparently as he goes to stab Diomedes in the back, his sword casts a shadow by the moonlight or the glint of the weapon, Diomedes sees it and deflects him. He draws his own sword and threatens Odysseus with it wishing to "punish him for his cowardice" but eventually he decides otherwise (arguably knowing that the war needs him) and thus he drives him back to the camp while hitting him on his back with the flat of his sword. And according to Photius this is what gave the famous phrase to Greek language διομήδεια ανάγκη (Diomedes Need) which basically means "do something unpleasant out of necessity for the greater good"
So as you see the story does seem pretty bizarre. First it implies mutual distrust and rivalry between the homeric heroes for Diomedes doesn't take Odysseus in the temple, Odysseus asks him on the Palladium obviously with intention to steal it and Diomedes lying to him and of course the actual act. For starters Odysseus ready to kill Diomedes for the sakes of fame (while he literally saves his life in the Iliad) and not only that, be greedy and stupid enough to hold a sword to the moonlight. So it holds many contradictions to the entirety of Epic Cycle even Iliou Persis which also shows a more unpleasant side of Odysseus.
My guess is that the story is mostly linked to traditions of later years especially Roman sources and is not directly linked to the Epic Cycle. Even art of later years doesn't depict the Palladium Heist as a negative aura between the two heroes. If anything they seem to be cooperating just fine. And as I said this myth as told by Conon shows BOTH Diomedes and Odysseus as rivals and equally antagonizing and deceiving each other which doesn't usually appear to the Epic Cycle. Although of course we cannot be 100% sure given how the Epic Cycle is lost, it seems to me more like a roman legend that usually depict Greek heroes of Troy in general and Odysseus in particular, in the most negative light possible given how Odysseus is known for taking Troy, the mythical city of origin to the Romans (given how Aeneas who barely escapes with his life from Troy is the ancestor of the founders of Rome)
I hope this answers your question; to summarize it seems to me that this story of the Palladium Heist has as much connection to the Epic Cycle as Ovid has to Medusa legend; seems more like a version either created or told by Conon based on traditions of his time and the general anti-Odysseus climate.
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will80sbyers · 1 day ago
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Can't kill Joyce or El because Hopper just talked about himself being the curse and was proven wrong, killing them would make that whole storyline complete nonsense, can't kill Hopper for the same reason plus he already fake died, can't kill Will because he already died and the whole show would not be watchable anymore since the whole point of season 1 and 2 was to save him specifically, can't kill Mike because no other happy ending of the mains would be credible if Mike died, he's the heart so if he dies they all do, can't kill El because she has been fighting for her freedom and to find her family as a character since season 1 so she deserves the happy ending and pay off after all she suffered, killing Lucas would be simply nonsensical and him and Max have to have their date pay off, can't kill Max because of the same reason and also because she already died and killing the girl with explicit suicidal thoughts would be extremely fucked up in this kind of story that's supposed to be about love and hope and family, they can kill Dustin but it would also be extremely cruel especially after making him depressed about Eddie and in general I just don't see a good enough reason to kill any of the kids, killing Steve is just plain boring and repetitive... I guess they could do that but I feel like they are better writers than that, if they kill Robin I kill them because she's the only lesbian character - but in general they wouldn't have introduced Vickie if they wanted her or Vickie to die in the finale or at least I don't think so... and for the rest people already know how I feel lol
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dearmyloveleys · 15 hours ago
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;-; i just wanted to say ty for all your posts in the fof tag. now i'm thinking about ying lei and his yeye ying zhao... and now there is no one left to guard the mountain, but ying lei died in the same way as ying zhao, saving people he cares about
Don’t mention it! I blorb too much about things I really like it embarrasses me at times. I’m just glad you like my takes!! Anyway:
😭😭😭😭 this drama exists to hurt us,, I think more than dying for people he cares about (because nearly everyone who died did that), Ying Lei's characterisation and death provides a unique but tragic pov within the main cast
Ying Lei my poor Ying Lei. We don’t really talk too much about him don’t we. So let’s just talk all about him. CHARACTER ANALYSIS TIME YAY
Ying Lei is unadulterated sunshine and has a good heart. Morally, he is on the same page as the rest of the team. Yet, it absolutely breaks my heart that his fate is to be an outsider within the thematic concern of choice in FoF and resultingly, in the narrative.
His place in the overarching thematic concerns of FoF is unclear when we first meet him - he is simply a wandering half mountain god half demon with a bright disposition. But as with many characters in FoF, their appearances aren't just for naught. Ying Lei's representative theme - the freedom of choice and the ability to choose one's identity - finally shows itself in one of the most beautifully written (am biased) episodes of the series, Episode 17, which is all about choice.
In this episode, Ying Lei vents his displeasure of the Wilderness towards grandpa Ying Zhao
"I hate this place. I hate the Wilderness. It's so bleak and desolate. (…) If I have to stay here forever, I'd rather die. (…) I like the mortal world. I like everything that is vibrant and lively."
To which grandpa Ying Zhao gives him his blessing to head to the Mortal Realm,
"…as your grandfather, I respect your decision. You can be a Mountain God or an ordinary person."
His next sentence cements the plight of many demons (and humans) we encounter in the story,
"For many demons in the Wilderness, their lifelong dream is just three simple words… Have a choice."
These three words all the more juxtaposes Ying Lei's freedom to choose his identity, against every other character who faces this fate of not having a choice.
The Lie Demon, unable to say her true feelings until her moment of death, and Fei, who shares similar sentiments as Ying Lei about the mortal world,
"I'm a beast of calamity, I don't deserve to live in the mortal world. But I really like the bright lights, the liveliness and happiness, and the prosperity here." (Ep 13)
And Zhao Yuanzhou, where even in the same Episode 17, echoes Ying Lei's words,
"If this world gave me life to be manipulated by malicious energy, then I'd rather die."
Same words, but a different way out. Or there isn't one at all.
Ying Lei is the only one whose fate hasn't been carved out in stone for him. Even after Ying Zhao's death, he is still able to leave Kunlun Mountain and rejoin the team because he has the support of other Mountain Gods watching over the temple. He is by no means a pampered and spoiled person but he swims in a wealth of freedom. His bubbly, charming and affectionate personality is a physical manifestation of his unburdened self, unbeholden to any ending, except for the one that he wants.
And yet, he chooses a life with the group of people who never have had the option to choose what and who they want to be. Wen Xiao, the Baize Goddess; Zhao Yuanzhao, the vessel of malicious energy; Bai Jiu, determined to bring his mother back; Pei Sijing, the forced breadwinner of her family's martial heritage. To show his determination to be with this group, he never again dons the mature get-up (full sleeved robes and long hair) - his representation of maturing and accepting his responsibility as a Mountain God - after returning back to the Mortal Realm. Rather, he dons the get-up he first roamed the Mortal Realm with (or similar), metaphorically putting aside all that celestial burden in exchange for the friends that he desires. Just who in the group can as easily shed their very roots and history? His precious freedom to choose ironically makes him the outsider in a group whose only wishes are to be able to choose.
He gets along with the team, but no matter how many times he ties the knot of fate around them, these people were never his fate to begin with. Fate found the rest of them and demanded they be bound. Ying Lei wrestles that rope of fate, trying to get in, albeit with rejection. The narrative demonstrates this:
The team was initially formed without him, and he joined later them of his own accord - his own choice - while the others literally were forced to sign a death contract to be together. In the later episodes, his affection for Bai Jiu is often overshadowed by Bai Jiu's respect for Zhuo Yichen. He also continually tries to get both Bai Jiu and Zhuo Yichen's approval - head pats, anyone? Zhao Yuanzhou doesn't trust him to look after the dragon scale. In their conversation with Bing Yi, their team count is five, instead of six. His closest companions within the team are each other's confidants.
Even at his very end, the narrative still denies him a fate with them. He dies for Bai Jiu who is the only person he loves wholly, and fades away before Bai Jiu wakes from his coma. Neither gets to say goodbye. Bai Jiu who genuinely mourns his death, dies for Yichen. In a story where the cyclical nature of fate runs deep, there is no thread of fate that leads back to him. There is no resolution or reciprocation for Ying Lei's soul and sacrifice. Every thread is cut and never retied, no matter how he tries. Siheng has Sijing left to remember him. Yichen keeps Baijiu close to his heart. Wen Xiao and Yichen wait for Zhao Yuanzhou to return. But no one truly reminisces Ying Lei. The only people to do that are dead.
Ying Lei's tragedy lies in his freedom to choose. In a world where most fate is predetermined and choice is a scarcity, his death is all the more painful as every act is a conscious choice toward an unknown end. He carries a burden after all - the burden of writing his own story. And he braved each step with that brilliant smile of his.
我爱这个世界更多 又如何 So what if I love this world even more? 越平凡越长久 The more ordinary it is, the longer it lasts 月亮跟着我点头 The moon nods along with me 简简单单入梦的人最温柔 Those who step into dreams simply are the gentlest 分不清眼泪和酒 真让人挠头 This inability to distinguish between tears and wine, really makes one scratch their head 月亮和小狗默默跟我走 The moon and a puppy walk with me in silence 岁月从不停留 Time never stops once 少年也不回头 This youth also never turns back 他把故乡和爱留在身后 He leaves behind both his hometown and love
- 英雄不磊落 (Heroes Are Not Upright) | Ying Lei's Theme
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dailyravi · 1 day ago
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this is gonna be a different kind of daily post, but i feel like it needs to be said.
i feel like 911 lone star is doing it better than og 911.
because if you remember when we first started out it was about the calls and not really about the characters. and as 911 grew it moved from less about the calls and more about the people. and as much as i love these characters, i’m getting sick of it ONLY ever being about the characters. i’m of 911 we get like 1 call and it’s only to further the character arc for the season or ep.
but if we look over at lone star, they have a perfect mix of call to character ratio. we get stupid calls like a lady w a harmonica stuck in her mouth that both progresses the episode story AND the characters.
and i also feel like lone star doesn’t give any 1 character more screen time or story than others. and ofc owen will always have a little more than a character like mateo or nancy. but that’s because owen is basically the main character. buck is not. buck has way more than a character like hen or chim. but buck is not the main character. og 911 doesn’t have a main character, yet buck gets treated like one.
i’m sorry i’m getting sick of the guy. buck does not need 47 new arcs in one season. and honestly i’m getting sick of the same thing over and over. hen does not need all her problems based around her kids. Maddie doesn’t need to cry for the 100th time. eddie has been like this since season 2. and how many more time can Athena and bobby save the day together.
lone star is giving us new and fresh things every season, mabye not that much with owen but at the same time i didn’t expect to be a horse girl this season. i wasn’t expecting the twist with campbell. i wasn’t expecting carlos’s dad to die last season. i get actually shocked by some of the reveals. but with regular 911 i can call it. i can tell what the hell is going to happen. recently the only thing to shock me, is the eddie story line from the end of last season.
and ik this post is long but i need to say it. 911, even if they don’t mean to, prioritizes white characters. like kenneth chois acting is phenomenal, yet oliver stark is prioritized. and i’m not saying that oliver stark is a bad actor, he is the furthest thing from bad. but kenneths acting in there goes the groom and aisha’s acting in hero complex (where they get kidnapped) is better than what i’ve seen from stark.
ik this isn’t ravi related but i don’t really care, i wanted to say it.
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olderthannetfic · 7 hours ago
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The question of deleting fics is an interesting one. Ive definitely felt the impulse before, i have LOTS of ficlets and unfinished multi chapter fics that i absolutely despise bc they dont meet my current standards/employ tropes + characterizations that would now be pretty dated or even offensive -- but my parents were the type to tell me to save everything i made, because art was the only thing i was ever passionate about, so i could never muster the will power too.
Nowadays ive decided to lean into the fact that i have so many abandoned accounts -- even if a few have dissapeared for good by now (rip Quotev - that site was So formative in my writing life lmao), i like to imagine that there might be a handful of copies hanging out in a few scattered hard drives around the world, by anyone who did happen to enjoy them. Whether its materially true or not, the notion sits very well with me -- and serves as another reminder of how much of a wonderful thing internet anonymity can be. The chance that my stories, however silly, could be datamined off what will be considered old devices in the future, and will only be connected to some silly username like 'nyanslenderman' or 'tordkin'-- i think its almost heartwarming. Makes those stories stop feeling so cringey in hindsight, just as like.. another teeny tiny part of human history, which ill be a part of whether i want to be or not.
While i try not to /demand/ that people never delete fics or art, i wish people would consider that angle a little more... there's nothing wrong with something you wrote while inexperienced, or in a bad time of your life, being a part of your mark on the world -- especially if its hidden by a username instead of your real name. Its always a treat to see preserved children's schoolwork or passion projects, or an artist's earliest works + practice pieces, from decades to centuries ago -- so why would stuff from our generations be recieved any differently by our own descendants? Why not let it stay, for the chance of being remembered that way?
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arcane-ish · 1 day ago
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I think that is a really interesting speculation and it doesn't seem to me that unlikely, especially since Amanda loves Caitlyn and I presume she was heavily involved in the culmination of their relationship. I can easily picture her making time for that.
It would also make a lot of sense with the themes of the show, especially for those of us who see some visual parallels between Caitlyn and Silco this season and Silco was a character heavily shaped by trauma.
That said, irregardless of what happened between Jinx and Caitlyn, I doubt it will change the critique of people who critique her from the "systemic" POV. Who approach it as "everybody has trauma, but because Caitlyn is in such an exalted and oppressor position, she just has completely different levers to pull, ways to make other people suffer for it than Jinx or Vi have". Because Caitlyn can just terrorize an entire city without even having to put in much personal effort. (and just because the show might not be about political issues doesn't change that certain people will insist that it should be understood that way, regardless of whether the characters or the writers understand it like that. ie just because maybe the writers didn't mean a save the damsel or fridge the girlfriend story to be sexist doesn't mean that people will see it as being part of a larger sexist narrative)
I feel like in the end, the people who already sympathize with her will sympathize even more deeply with her and the ones who don't likely won't be impressed just because Caitlyn's trauma was slightly worse than just losing her mother.
(which in the end is maybe another parallel to Silco, having had genuine trauma in his past and genuinely loving Jinx doesn't magically make him not a bad person anymore, so why would it be different for Caitlyn if she had genuine trauma and genuinely loves Vi)
The more interesting aspect is probably the character level. If Vi hears about it and she loves Cait and she sympathizes, does that mean that Vi will never forgive Jinx or never feel comfortable around her again?
From a shippy point of view I just don't think that it can work for Caitlyn to tell her story and for Vi and stand up and make excuses for Jinx. So the only thing that could work would be if Caitlyn got to a point where she learned to sympathize with Jinx (ie no longer blame Jinx because she sees it as Jinx having a mental illness).
I just have a hard time picturing that on a show as violent as this they can really do much to "impress" people. I just think that there's a low chance that they would go for something like rape. I guess Caitlyn could reveal that she has scars on her body that are underneath her clothes (which certainly would be a good setup for CaitVi in my ways), though I personally that doesn't seem like Jinx's typical modus operandi? I guess there could have been something related to drowning (to parallel Silco) or gas (as this is something that has been done by several characters on the show by now). But just Jinx saying cruel things to her and dragging her around is not going to impress the Cait-dislikers.
Even if it's still going to be a powerful moment for Caitlyn and Vi, less for how what Jinx did was particularly awful, but for how Caitlyn kept it bottled up (with the timeskip at least a couple of weeks, maybe months) and is finally opening up about it to Vi. (could maybe fit nicely into Cait having issues being emotional with Vi/always pulling back, back in s2Act1)
Basically, I assume the emotional performance will be excellent and it's going to be serve as a great and satisfying explanation for Caitlyn x Vi shippers as to why Caitlyn broke up with Vi in Act 1 (and pacifiy the people whose main anger against Cait was that she hurt Vi). But it might not move the needle for people who think Caitlyn sucks for using The Grey on Zaunites.
In this interview Amanda said something that caught my attention. Do you think that in ep 8 Caitlyn will talk about what Jinx did to her when she kidnapped her? Bc Amanda said that in ep8 there's a Caitlyn line that will make us say "Oh so that's why"
Amanda means this line that Cait is going to say will let us know why she was so mad at Jinx in ep 3 and how Caitlyn went completely blind when she saw Jinx in her target and bc of her anger and also her fear and terror of Jinx, Cait has completely lost control of herself in this moment. (there is someone who made a post on this topic @loycos and talked about what happened to Cait in ep3 and how Cait didn't see Vi or Isha in front of her bc of her anger and her deeply terrified of Jinx) I mean look at her eyes and the expression on her face, yes she looks angry but she is also terrified.
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This is a natural reaction. I mean for example, imagine that you see something that scares you so much. There are two reactions, either flight or fight, and these reactions always come without a person thinking. At this moment the person is only thinking about getting rid of the thing that scares him, and he does not focus on what is around him bc these strong feelings control him.
Anyway, what makes me sure that this scene might happen in ep 8 (Caitlyn talking about what happened to her when Jinx kidnapped her) is Reed Shannon (Ekko VA) comment when he saw the drawing and said "I thought this was a leak" Reed might be joking as usually, but why this particular drawing and why he chose this word "leak".
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But honestly if this scene actually happened and we knew what happened to Caitlyn, it would make us understand more why she was so angry and scared of Jinx when she saw her in front of her and it would also explain why she literally went blind and didn't see anything around her at that moment, neither the child nor Vi, all Cait saw was Jinx, she just wants to bring down Jinx. I mean look at these pictures she is so terrified of her
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Again Caitlyn's insistence on killing Jinx in the scene in ep 3 was not only motivated by revenge on Jinx, but also out of fear and terror of her.
And not like those idiots who say that Caitlyn wanted to kill the child on purpose to get to Jinx or even say that she wanted to kill Vi too, or bc she's a cop and the cops kill children and blah blah... That's really ridiculous and annoying!! Bc if we focus a little bit on the period that Caitlyn went through we will see that Cait didn't have time to process all these things that happened to her, from the torture that happened to her when Jinx kidnapped her, then the killing of her mother, then the attack on the memorial ceremony. (I know that Jinx is not the reason, but from Caitlyn's perspective she thinks that Jinx and the Silco followers are the reason)
And in the end I hope that no one comes who doesn't like the post bc I am defending Caitlyn's character. If you don't like this character I don't care, there is no need for you to write a stupid comments. Please don't tire your little fingers if you don't like my post block me this is better for you and me. I will not waste my time responding to you, I will delete your comment and block you immediately.
I am a student at the Faculty of Psychology, and when I talk about trauma and the interpretation of human behavior and reactions, I know well what I am talking about. Bc most of the characters' reactions in this show are very realistic and need to explanation, writers do not want to explain everything in the show, they want viewers to occupy their mind and explain the events themselves (And I still repeat the point that the show focuses on the development and complexity of the characters more than anything else, and does not focus on solving political issues, the show is not about politics, okay)
And btw some people ask me about my opinion of Jinx's character, I have no problem with her character at all, I like her and I understand her condition, when I criticize her actions, it doesn't mean I hate her.
One day I may do a post about her character development and her condition, but I see that there are many posts about her and her actions, and I feel like I won't say anything new about her. Unlike the rest of the characters like Vi and Caitlyn, there are not many people talking about them. And maybe I will make a Viktor post bc I really like the development of his character. When the show ends, maybe I will.
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