#because in tos his arc STARTS at the beginning of the show because of course it does

[cogentranting]

Look I know that Strange New Worlds is supposed to be the same continuity as TOS but also I categorically reject that.

This isn't the same Christine Chapel. Key members of the crew could not have been good friends with Khan's great great granddaughter. Spock and Christine were not ever together. The gorn didn't threaten war with the federation years before "Arena." Christopher Pike is not significantly older than Kirk. Sam Kirk was not old friends with Pike. This isn't even really the same Spock.

And I don't mean any of that as a negative. I LOVE what Strange New Worlds is doing. La'An is fantastic. Christine's a lot of fun and I like her and Spock together. The gorn make a great villain.

The differences don't make me mad-- I LIKE them and I want them to lean into them. Not because I dislike TOS's version, but because it's fun to see a different version of things and I want them to have the freedom to explore whatever relationships or character growth or world development they want. It's super fun.

So regardless of what the writers say, I'M going to treat it like a separate continuity akin to what the Kelvin timeline movies did. And if that approach ends up breaking my heart then so be it.

[calliecat93]

Star Trek 2009... so... very mixed.

Let’s do the good first. The cinematography is really good. It FEELS like a futuristic time period moreso than TOS, but tbf the films have the advantage of being closer to modern day and being able to match the evolved times. Still, it’s very much a movie that wanted to look good and did. The acting for most pf the cast was good and I don’t have an issue with any of the reboot cast. No Chris Pine isn’t Shatner (and that’s a good thing) nor is Zachary Quinto Leonard Nimoy. But they and the others did their jobs well and I’m glad they all did their own thing and not just copy their predecessors. Simon Pegg as Scotty I really enjoyed amd I like his new friend XD And while I’m... mixed about the direction taken if only because it makes me sad, Leonard Nimoy returning as the Spock we’ve known or so long was lovely, especially when he and Quinto!Spock meet.

Some moments were good. I actually almost teared up when Kirk’s dad died because the actors just put so much emotion into it. I can’t say that there was no effort put into this. They tried to add emotion and meaning and depth. They tried to give Kirk and Spock (and yes, Bones being even MORE of a third wheel than normal REALLY pisses me off) depth and connect the audiences to them and form that connection with each other that we’re so familiar with. I respect that. I respect the effort. I’ve seen reboots that don’t give a damn, but it didn’t feel that way to me here especially with Nimoy!Spock showing that this may be different, but the original very much still exists.

That being said... I have some big issues, especially with Kirk. This is NOT James Tibirius Kirk. This is the pop culture depiction of Kirk that the filmmakers decided was better to go with than the actual character. And no, this being an alternate timeline and him being younger than in canon is NOT a valid excuse. I got told that the death of Kirk’s dad changed the course of history... but I fail to understand how THAT caused Kirk to be an arrogant, cocky, reckless idiot. Might be because his parents NEVER came up in the show so how can any TOS fans get that point if the show never went into it? I know I joke about Kirk doing something dumb, but TOS!Kirk was a perfectly smart, optimistic, level-headed individual who yeah WOULD go against Starfleet at times, but usually did so with good reason. Hell didn’t TOS say that he was overly serious int he academy amd lightened up as he got older? How did the timeline changes change that? Anyways! It felt like they wanted this Kirk to just be a standard action hero and didn’t bother to check if it fit the characterization, or do anything to justify the change aside from ‘different reality’. Like woth the Kobayashi Maru, it’s to emphasize Kirk’s cockiness here...when in WoK it emphasized Kirk’s optimism and hope. How he NEVER believed that there was a true no-win scenario. There was LWAYS a way. Don’t get me wrong, Kirk isn’t horrible and has the ability to become more like his TOS self, but first impressions are everything, and they failed here. Chris Pine was good though, I could actually picture how he played Steve Trevor in Wonder Woman fitting a Reboot Kirk pretty well but alas. Also his captaincy wasn’t earned nor is he mature enough to hold the position. It got handed to him because canon says so, and that is bullshit.

Spock was... fine. Far as characterization goes I don’t really have any issues. He’s not TOS Spock but again he shouldn’t be. It’s hard for me to find the words on how he’s different aside from being younger and seeming a little more resentful about the half-human, half-Vulcan thing, but it still works well enough. He and Sarek also seem on better terms in this continuity, and that I do like since it’s different, but consideirng the circumstances he needs that kind of solace and it allows exploration of their relationship in a more supportive light. Didn’t like Spock marooning Kirk like he did, but it does connect to his arc showing how emotional repression is affecting him, so ah well. I DO have issues with some of the directions taken though. His relationship with Uhura has no establishment nor development and comes across as being there for the sake of having a romance in there without the work. And no I’m not just saying that as a Spones/Spirk/McSpirk shipper. It WOULD have been fine if they actually WORKED ON DEVELOPING IT ON-SCREEN. And how did the timeline changes cause that when Uhura and him flirted like... once in TOS and it was one-sided on Uhura’s part anyways?! It sucks especially since I really like Reboot Uhura. I also don’t like them destroying Vulcan cause that feels like overkill on the angst, but at least they have an explanation for it. I DO however despise them killing Amanda and ESPECIALLY how they did it. Amanda is relegated tot he standard ‘pure hearted mom who we have to kill to hurt this character’ and considering how she died via a crumbling cliff just as transport started, the ‘changed timeline’ explanation is bull. Again I appreciate them trying to add more character stuff, but I very much disagree with the choices. But as far as the character himself is concerned, I was good with Spock andI did genuinely care for and feel bad for him.

Bones... oh baby you deserved so, SO much better. Characterization wise,he was the most like his TOS self. He comes across as more gruff than cranky,but that’s mainly due to Karl Urban being younger than DeForest Kelley. Otherwise he was funny, endearing, loyal to Jim, and Urban did a lovely job making the character his own but honoring his predecessor. Will also give them credit as Bones has a damn good reason to dislike Spock after he marooned Jim like he did. The film didnt give a damn about McCoy tbh, but we’ll get to that in a bit. But to put it short, I really liked Bones, but he REALLY needed more screentime which from what I can tell, isn’t gonna happen until Beyond. But as far as the character goes, I felt like they got his best though the lack of focus reason may very well be why that is. Very least I got fanon to satisfy my needs.

Now we get to my biggest criticism: The Triumvirate is non-existent here, nor does it form within the film. Again, I blame pop culture depiction as I imagine they went ‘we need Kirk and Spock to be close together and Bones is that guy who is Jim’s other best friend who has witty lines but ain’t Kirk and Spock so who cares?’. Which especially baffles me sonce the arguments Kirk and Spock have regaridng emotion? That’s MCCOY’S role. They got the Kirk and Spock relationship completely and utterly wrong. Nor do I feel like the film dod enough to form the relationship between the two. It just feels like they became friends because the plot said so, not out of genuine understanding and care. Kirk was one of, if not the first to accept Spock for who he was and respect him. That’s what made the relationship special. But their edforts to establish it here just fall flat because they made Kirk Spock’s opposite, aka McCoy’s role. McCoy is the one who challenges Spock. The one who pushes him to consider the emotional. He can be harsh, but it is a dynamic that worked. Kirk os their balance. The one who keeps the two in check and they in turn represented the two sides (mind and heart) that he (the body/soul) needed to make the proper decisions. But because of the choices made with Kirk and Bones, the balance is theown off. Spock is more or less fine but Bones loses his importance while Kirk has his character skewed to make it work. General audiences may not be able to tell, but as someone who just watched all of TOS and those films two weeks ago? I could, and it hurt the film significantly imo. Also kind of wish they emphasized that Spock ALSO needs Bones and the rest of the crew, not just Jim because emphasis on just one relationship ALWAYS annoys me, especially since again, they didn’t do well to form it here to begin with. So yeah they missed the aspect that made me love TOS, so needless to say I am displeased. I plan to do a full film review in the future so I won’t say how I’d improve it, especially since hindsight is 20/20, but yeah not happy.

Otherwise, the film is fine. Uhura, Scotty, Sulu,and Chekov are fine, the former two I especially enjoyed. The plot is fone. Nero is a boring villain but for a start, it’s okay. I didn’t like Vulcan’s destruction at alla nd what that means for Spock, but we’ll see how the other two films continue this. I don’t know how I feel about Prime Spock because it just makes me... depressed that he has to accept never going home (even if Bones and the others are dead it just feels... wrong) but I DO appreciate that they included Nimoy and he was just as fantastic as he had been all those years ago. I have so many problems with characterization and plot points, but tbf that’s from someone who just went through TOS. As far as a general audience goes, they likely won’t have that filter and some may be more of the ‘timeline changed so this stuff changed’ explanation than I, a media consumer who has seen this happen over and over again to varying degrees of success’, may be. Otherwise the film was fine. If you like action and want a blockbuster, this one is for you. But I’m in it for characterization and story and while the latter worked well enough in the general sense,t he former was severely lacking. So while it was okay and it got me excited/to laugh a few tomes, overall I didn’t care for the film. Will Into Darkness be any better? Well... from what I can tell no. But I also need to make my own judgements, so onward we go.

[vannahfanfics]

If you want a Mirko prompt, how about her taking a trip to Okunoshima? That way we can have ALL THE BUNNIES!

Yes! All the bunnies! This was super fun to write, and I threw a smidgeon of MirHawks in there just because I wasn’t sure how to tie it up XD

Publicity Stunts

Rumi’s lips were slightly pursed as she peered out of the small window of the helicopter. Below the sleek black accents, the blue waves of Japan’s Inland Sea sloshed and splashed, throwing up bubbly white seafoam in impressive arcs. Her red eyes slowly rolled in her sockets to spy the small silhouette of the lone island nestled within the bay. The morning sun framed its lumpy shape in black; the only contrast lay in its white beaches, which ringed the landmark like a curling ribbon. The sound-canceling headphones secured over her fluffy ears protected Rumi’s sensitive eardrums from the helicopter’s persistent buffeting chops as it spirited her onward to Okunoshima- better known as “Rabbit Island.”

Rumi was traveling to the historical park-slash-island as a public relations campaign her agency dreamed up. “You’re the Rabbit Hero!” her manager had squawked optimistically. “The public would adore you socializing with all these bunnies!” The corner of Rumi’s mouth twitched from just recalling the mortifying proposal. Rumi didn’t hate her animal namesake, naturally, and knew that public relations campaigns were the lifeblood of sponsorships and popularity polls… but did she really have to gallivant off to a spit of land off the coast and cozy up to some feral rabbits for six hours? There are so many more useful things I could be doing, she moped.

The subtle shift in air pressure indicated to her that the helicopter was landing. She straightened up in her seat and compulsively combed her fingers through her long, alabaster hair. The public arrived at Okunoshima via ferry, but Rumi was a VIP if there ever was one, hence her arrival by air; however, the island was not equipped with any sort of landing pad. Instead, the helicopter descended upon a flat stretch of clearing. The grass blades whipped wildly about as they were battered by the relentless air currents sweeping down from the helicopter’s swirling blades. The small-bodied aircraft shuddered as it finally made contact with the earth. Rumi kept the noise-canceling headphones over her tall ears until the engine’s whine dwindled to a small, whimpering keen. As she was wrenching them off her head and tossing them onto the floor, the island caretaker trotted up to the aircraft.

“Did you have a pleasant flight, Miss Mirko?” He asked politely as the lithe, tanned hero climbed out of the helicopter and hopped down onto the grass. Tsking, she clawed the steel-toes of her hero suit into the dirt, digging up clumps of damp earth and dry grass.

“Indeed,” she remarked but only because courtesy was customary. “Although I would prefer to leave the flying to Hawks,” she added with a cheesy sneer. She was only teasing, but the man still tugged at his tie and sputtered something about changing arrangements. “It’s not necessary,” she shrugged with a wave of her gloved hand. “Let’s just get this thing started already.”

“But of course!” the nervous academic simpered and because barking at his numerous assistants and employees to finish the preparations for Rumi’s photoshoot. The hero scowled when her manager quipped at her to exercise proper decorum. All this red tape and two-faced bullshit. Blegh, she thought sourly. While the men and women busied themselves by setting up cameras and props, Rumi wandered to the edge of the clearing.

The helicopter’s droning chopping blades and whirring engine had doubtlessly frightened the island’s residents. Now that the machine sat silent upon the grass, curiosity was beginning to get the better of them. Rumi’s eyebrow crept up a few centimeters as a fat, furry golden rabbit hopped out of some brambles upon her coming. Its nose twitched, and its little jaws were chomping some grass blades into a paste. They live up to their tame reputation, she thought in amusement as she strolled right up to the bunny and patted its round haunches. Though she had gloves, she could tell that the creature’s fur was silky and smooth. The tourism kept the rabbits in excellent health, it seemed.

“Mirko, em, Miss Mir-”

“Just ‘Mirko’ is fine,” she informed the island director as he came trundling to the edge of the clearing. It had a slight decline, and he seemed to be having a rough time of maneuvering through the slick grass in his fancy dress shoes. He probably sits in an air-conditioned office all day. He looks so out of his element it’s not even funny, she thought in mild disdain and straightened up. The man yelped when the smooth soles of his dress shoes slipped over the grass, causing him to fall and slide down the small hill. Rumi couldn’t help but smile when he stumbled up, and his sophisticated beige dress pants sported a streak of fresh green down the left side. He nervously adjusted his tie and cleared his throat.

“Mis- I mean, Mirko, all the preparations are complete.”

Mirko hiked up the hill with ease, with the sweating academic huffing and puffing behind her. The clearing had been transformed from a blank, empty canvas in a matter of minutes. A camera crew was bustling between three different cameras, adjusting lenses and arranging white umbrella-like structures to reflect the flash in a way that would flatter Rumi most. A picnic table was situated amongst a patch of white dandelions growing not far from the helicopter. Several tin buckets of carrots were scattered here and there, likely bribing tools for the island’s furry natives. Rumi sauntered up to pluck one of the orange root vegetables out of the bucket and chomp down on it with powerful jaws. A meek young assistant girl gawked wide-eyed at her as she devoured the carrot in seconds but seemed to have more sense than to question the Number-Five Hero.

“All right,” Rumi hummed and clapped her hands together. The leather of her gloves made the smack even more resounding. “Photograph me with some of these wild rabbits so I can get back to work.” Her manager whined miserably and tipped back her head at Rumi’s show of disdain, but Rumi didn’t care. I’m a hero, not a model, she grumped. This entire photo operation will get one run in a magazine and be forgotten in two weeks.

Rumi glanced down at something brushed against her navy-blue tights. A chunky spotted rabbit was nosing her calf, seemingly demanding pets. Smirking slightly, Rumi leaned over to grab the fuzzy creature and nuzzle him against her bosom. Well, at least all my other models are super cute, she smiled and gave the bunny some well-deserved scratches behind his floppy ears. The photographer called for Rumi to approach, so she did, still holding the contented bunny rabbit.

“Quite remarkable how tame they are,” the photographer grinned under the brim of his baseball cap and patted the spotted rabbit’s flank. Several other bunnies were bounding through the grass-and-flower field toward her, obviously jealous. Chittering impatiently, they butted their furry heads against her solid calves and bounded circles around her steel-toed feet. “They rather like you.”

“Surprising,” she remarked smugly with a twitch of her furry white ears.

~~~~~~~~~~

The photographer situated her at the picnic table first. They piled several of the big rabbits on its wooden surface, with Rumi leaning her cheek in her hand and smiling while hand-feeding them carrots. It actually wasn’t that difficult a pose to maintain, as Rumi found treating the rabbits quite entertaining. Their little jaws worked tirelessly at the crunchy orange root and sprigs of green leaves while their long ears constantly swiveled, searching the airwaves for any signs of danger. Their beady black eyes glittered in the sunlight; beady indeed but glimmering with an individual intelligence and charm that made Rumi smile happily. She removed one of her white leather gloves to stroke the length of one’s back, admiring the impeccable softness of its fur. By the time the photographer announced that they would be moving on to the next phase of the photoshoot, she was rather enjoying herself.

They got a few candid shots of Rumi strolling about through the tall grasses with the curious bunnies hopping along behind her. After a few minutes, she elected to have a fair bit of fun and crouched down to begin jumping along with her powerful legs. The rabbits sprinted after her, then playfully ran circles around her squatting body when she paused. The smile on her face was beaming as she hopped around the clearing with the bunnies. Twenty of them had meandered onto the photoshoot set, nearly all of them dashing along with the laughing Rumi.

“Ahaha! You guys sure are a lot of fun!” she crowed as she rolled onto her back, holding one of the fluffy bunnies aloft. Two more of them clambered up onto her belly, thumping against the toned flesh with powerful paws, while another climbed up her inclined legs to perch on her knees. Another still nested in her voluminous white hair and began chewing on the thin strands, thinking it nourishment. “Hey, cut that out,” she snickered and shoved it in the rump. It twitched its cottony, ball-shaped tail but obediently spat out her long locks. She heard the shutter of the camera snapping frantically and sat up, the rabbits slouching off her like they were boneless sacks of meat.

“I am so relieved you are enjoying our island’s residents!” the director sighed. He was sweating less now, though his earlier fit was evidenced by the damp patches in the armpits of his blue dress shirt. The green grass stripe still glared starkly in his pressed pants, and his tie was crumpled from how relentlessly he had been fidgeting with it.

“Yes, indeed,” she smiled while holding up one of the fluffy denizens. “I was unsure about it at first, but these little guys are quite adorable.” The camera flashed a few more times as Rumi brought the rabbit to her face to nuzzle her cheeks against the top of its head.

“This article is going to make headlines!” her manager cooed with happiness beside the reporter, who was scribbling notes on his notepad. Honestly, Rumi could care less about the publicity or her ratings. She flopped back into the fresh green grasses, and the bunnies immediately congregated around her, nuzzling into every spare inch of space they could find. Their warm bodies insulated Rumi, spreading cozy head from the crown of her head to the tips of her toes; her eyes drifted shut at the contenting heat. She giggled as one of the bunnies nosed her face, and its whiskers tickled her soft skin.

There are more useful things I could be doing, she thought as her mind descended into the twilight of half-sleep, but I suppose a hero could use a break every once and a while. She supposed she could have netted herself a more annoying public relations campaign than falling asleep beneath the summer sun blanketed by cute little bunnies, after all.

She would have appreciated it if they hadn’t used that image as the front cover for Heroes Magazine, however.

Rumi glared thunderously at Hawks as he sat across from her at the café table. He was doubled over in the wrought-iron chair cackling so hysterically that the other patrons were glancing over in concern. Rumi’s tall white ears repeatedly twitched in annoyance at the high pitch of his snickers. After what seemed like an eternity, he slowly sat up, a hand over his mouth to smother the lingering giggles leaking out.

“Are you finished, Hawks?”

“I’m sorry,” the red-winged hero whimpered with another fervid glance at the damning photograph plastered on the cover of the magazine. “It’s just- It makes you look so innocent and sweet!” he howled and threw himself back in the chair. As he flung his bulk, the chair tipped backward on two legs. “Oh no!” he yelped and pinwheeled his arms to rebalance himself. The iron furniture seemed to hang in the air for a moment before falling backward, gaining momentum before striking the concrete with a resounding clang. Rumi smirked, fancying karma had struck the bird-brain quite justly. “I suppose I deserved that,” he huffed while pulling himself up using the edge of the glass-topped café table.

“I agree with you, actually,” she huffed and daintily sipped at her latte. “That photograph is horrible for my reputation. I can’t have all my young fans thinking I’m some delicate princess.” Hawks grinned at her as he righted his chair and plunked down, more cautiously this time. He laced his fingers and tucked him under his chin, and his shining eyes gleamed behind his golden visor.

“True, I suppose. Although- and don’t hit me for this- I think it’s also quite a flattering image of you.” Rumi’s cheeks flushed hot and red, and she thumped his shin under the table with the flat of her foot. He whined miserably and clutched at his assaulted leg. “I said, don’t hit me!”

“I didn’t. I kicked you.”

“That’s even worse! You could crush watermelons with your thighs, y’know, so I’m sure one of your kicks could crush bones!” he whined, rubbing tenderly at the likely bruised flesh. Rumi smirked, momentarily fantasizing what crushing a watermelon on live television would do for her image. Her red eyes fell back to the magazine, where she lay amongst the flowers and snoozing bunnies. Her white hair cascaded around her, running like rivers of milk between her tanned limbs and the bunnies’ multicolored fur. Her lips were slightly parted, and her head tilted to the side, making the golden sunlight spill over her dark skin and make it glow a rich bronze. Her eyes were slightly scrunched up. She really did look innocent and content… and dare she say, beautiful. Her cheeks hazed again, and she looked at Hawks to find him grinning seductively.

She kicked him in the other shin, and he wailed miserably. She stood from the table, draining the dregs of her latte as he pitifully peered up at her. “Mirko, whyyy?”

“Because you’re a hundred years too early to try and flirt with me, feathers,” she huffed. The ceramic mug clinked against the saucer as she set it down. Grinning, Rumi flashed him a wink. “But I might forgive you if you buy my coffee. Ciaoooo~!” Using her thick legs, she sprinted away, leaving Hawks cursing yet impressed in the dust. Her laughter floated back to him on the wind.

Needless to say, that photoshoot worked wonders for her popularity, in all sorts of ways…

Enjoy this oneshot? Feel free to peruse my Table of Contents!

Tag List: @deliathedork @simplybakugou @sadistiks

[theres-a-goldensky]

BL Show Review Series - My Engineer and 2gether

I am new to BL series, having only discovered them thanks to being stuck at home in quarantine. However, I’ve now watched enough of them that I feel like I have a lot to say and nowhere to say it. So I decided to write some reviews, talk about some issues that I had, and mainly get all of these feelings out of me. 

Disclaimer that these are my own opinions, and I don’t know where the BL community as a whole stands on these shows. If I disliked a show you loved or visa versa, no disrespect is intended! 

First up, then, are My Engineer and 2gether

MASTERLIST OF BL SHOW REVIEWS

MY ENGINEER 

Rating: 4/10 (Revised score: 6/10)

Main Pairing

The premise of this show is silly, but I was willing to let that pass if it was cute enough. It wasn’t. Not for me, anyway. The main pairing was very lackluster, and their courtship started off weird, with freshman Duen inexplicably feeling obligated to care for the older Bohn. Duen accidentally punches Bohn, but that interaction spirals into Duen letting Bohn bully him into buying Bohn flowers every day for a month as recompense. 

You get it from Bohn’s perspective. He clearly is interested in Duen from the beginning, and this is his inept way of flirting. But Duen going along with it at first, when he dislikes Bohn, is baffling. I thought there must have been something I missed. Was it because Bohn was his senior? 

The parts I found most charming about their story involved them interacting with their younger siblings. In particular, Duen’s love of his little sister was genuinely heartwarming. There’s a date scene late in the series that is the highlight of their story for me.

There is a ridiculous, drawn out arc about which one of them is going to top, which I was super done with before it even started. It ends with the message that, hey, anyone can be a top or a bottom and it doesn’t matter, but man did the story take its time getting there. It left a bad taste in my mouth.

Side Pairings

There are three additional side pairings happening here, which was at least one too many. However, the relationship between King and Ram quickly became the best thing about the show for me. The two of them together are charming, particularly the patient way that King enjoys Ram’s oddities and works to find a way to communicate with him anyway. 

Ram, despite being a side character, is the most developed person in the show. We see a lot about his family life and his interests. He’s fiercely loyal to his friends but also very shy. Over the course of the show, you see him feel hurt and scared and angry and in love, and all without him saying much of anything at all. 

The next side pairing is Mek and Boss. They are best friends and Boss calls himself Mek’s wifey. Mek is in love with Boss, to the point where he has a shrine of him hidden away in his room. It’s very sweet, even though you’re left kind of wondering, uh...why? What has Boss done to earn Mek’s undying devotion? It’s unclear.

Bafflingly, the actor who plays Mek was not speaking Thai in this. All of his lines were dubbed over -- very, very poorly -- and you can see that the words he’s speaking don’t match the words he’s supposed to be saying. I have no idea why they cast this person, though he did well given the circumstances. He has a very soulful stare that worked to demonstrate his pining. Watching him decide to help Boss get a girlfriend just because he wanted him to be happy was tough. 

If I were to recommend this series, it would be to follow these two side stories. You may enjoy the Bohn/Duen romance, but I had a hard time getting attached to them or believing their chemistry.

The final pairing was between Frong and Dr. Thara. I have nothing to say about them, honestly. It could have been completely taken out and nothing would have been lost. The actors did what they could with the roles. Both were charming, both were very, very attractive, but that couldn’t save this side story for me.

The acting was just so-so, though special mention should probably go to the actors who portrayed Mek and Boss, since they spent the majority of their scenes acting with someone who was speaking an entirely different language. 

There was very little tension and almost no stakes in this series, except between King and Ram.  

(Update: 9/27/20

Time sometimes changes feelings on a series, and in the months since I wrote this review, I’ve come to look more favorably on this drama. My love for Ram and King has only grown, and I’ve come to tolerate Bohn and Duen’s story more than I had before. Some of the early parts are even cute, though the back half still bugs me.)

***

2GETHER THE SERIES Rating: 5/10

Main Pairing

Win and Bright, the actors who portray the main characters of Tine and Sarawat, are both just...startingly good looking. They’re tall and broad and handsome. Tine has the sweetest smile and Sarawat can sexy brood with the best of them. I think the natural charisma of both leads did a lot to paper over the cracks of a thin story where the characters made nonsensical choices just to drive forward the plot. 

This is a fake dating story, which should be my JAM, ok? Straight boy freshman Tine wants to curb the attentions of Green, a gay man who is pursuing him. He decides to ask Sarawat, the campus dreamboat, to pretend date him so that Green will back off. It all makes sense so far, in terms of how these convoluted romantic comedy set-ups go. Sarawat refuses, and Tine starts up a charm offensive to get him to agree. Still makes sense. But then, once Sarawat commits to this plan, scene after scene goes like this: 

Tine: Sarawat, here comes Green! Pretend to be my boyfriend! Sarawat: [pretends to be his boyfriend] Tine: Oh no, what are you doing? People are going to think we’re dating!

Like, bro, he is doing what you have explicitly asked him to do! Often just moments before! What is HAPPENING? I get that this is supposed to be Tine feeling confused about his burgeoning feelings for Sarawat, but then show that by Tine being nervous or embarrassed. Having him lash out at Sarawat made no sense and got more frustrating as the series went on.

And look, I’m just going to say it: Win and Bright seem like they didn’t want to touch each other. They have major bro chemistry, but zero romantic chemistry. It got to the point, in the last few episodes, where I thought there was a translation error and I was misunderstanding the status of their relationship. By the tail-end of the series, former playboy Tine still looks a cross between confused and horrified whenever Sarawat tries to touch him. We never once see Tine happily kiss Sarawat. I don’t understand the choices that were made by the actor, director, and writers here. 

Every problem that occurs between Tine and Sarawat could be solved with a few clarifying words, but instead they get dragged on for the sake of drama. 

Furthermore, I know that BLs are fond of the “I’m not gay, I just like you” trope, but for the first 11 episodes of this show, Sarawat is coded as gay. Not bi. Not straight-except-for-you. Gay. He has a literal harem of women surrounding him at all times, showering him with gifts and attention, and doesn’t once appear interested. When his mother asks him when he’s going to get a girlfriend, the look that both he and his brother give her clearly reads, “Are you fucking kidding?” 

And yet, in episode 12, we are supposed to believe that his first and only other great love was a woman. It’s the way the book was written, I get it, but it rang false for me. 

Side Pairings

There were two side pairings. All four of the actors involved are BL vets who performed their duties well. 

Man and Type are interesting, but their story gets pushed to the side until the end of the series. However, while Tine and Sarawat’s story was floundering in the latter episodes, I was more than happy to watch this develop. Mike, who plays Man, has become one of my favorite supporting actors in these shows. He’s workman-like, bringing natural charm to his performances and always getting the job done. Seeing Man try to win Type over was fun even while it barely toed the line between sweet and creepy.

Mil and Phukong though? I was not here for any of it. Mil was a jerk and Phukong was a doormat. The way they ended the series was insulting to Phukong. I’d say he deserved better, but his insistence on going after Mil even though Mil was a genuine asshole to both him and his brother did his character no favors. The show wanted Mil to be redeemed by the end, but no thanks, I’ll pass. Phukong may not have deserved better, but Drake and Frank definitely did. I hated it.

Like I said, the actors are so likable and gorgeous, and the fake dating trope is such a classic, that I really wanted to like this one. The first few episodes were sweet and had potential, but the awkwardness between them that I assumed would go away by the end never did. 

MASTERLIST OF BL SHOW REVIEWS

(Send me an ask if you have a show you’d like me to review - with the understanding that I will be completely honest - or if there’s anything you think I forgot or got wrong in this review.)

[per-ineptia-ad-astra]

@trek-tracks

I'd read your rant! Also, you should see Beyond. I haven't seen ID, but I'm confident Beyond is WAY better than ST:2009 and, from what I've heard about ID (that it is a garbage fire), Beyond is not the one of the three to not see.

Yeah, I have heard that about Beyond, and I keep meaning to watch it. I’m not like actively avoiding it, it just sort of...hasn’t happened. I have a To Watch list about five miles long at this point that I just keep foregoing in favor of watching gaming videos on YouTube. It’s a sad life.

But here’s the rant (feel free to skip if you didn’t follow this blog to hear me complain about AOS):

My strong impression from the first two movies was that the writers misunderstood--or just, for whatever reason, chose to discard-- the dynamic that Kirk, Spock and Bones actually had in TOS.

In TOS there’s a very deliberate balance wherein Spock and Bones are on opposite ends of a spectrum of logic vs emotion/ lawful vs chaotic, and Kirk sits in the middle of that spectrum, getting the input from both ends and then turning that into balanced decision-making. (I know it’s deliberate because of that whole “I took one man and wrote him as three people” quote from Roddenberry.) It’s a great setup when it’s being used correctly because it gives you a built-in method of examining any situation that comes up in the show from multiple angles without sacrificing the drive of any of the characters.

Trying to write one single character covering the same total perspective as Spock, McCoy and Kirk can create combined would necessarily result in either a character who appears to be wildly indecisive at best and lacking in any consistent characterization at worst, or in paring down the range of that perspective to avoid the first thing happening. This is all especially important in a show with the set-up of Star Trek, where not only do you not have much time to deliberate because everything has to be solved in under 60 minutes and no we will NOT be revisiting any of it later, but your lead character is in a position of formal command, meaning you have very little room to allow him to be hesitant or indecisive in his decisions before he starts to look like he shouldn’t be in that job. Indeed, it’s made explicitly clear multiple times that any sign of hesitation on Kirk’s part will be taken by not just him but most of the crew and Starfleet as a sign that he’s losing ability to command. Because Spock and McCoy have different roles not just as characters but as crewmembers, they can give full attention to their respective angles in a way that Kirk alone could not without it looking like he was dithering, with the bonus that you can write it all as a natural (and entertaining) conversation rather than it coming off as forced exposition. You don’t need to have those kinds of discussions all the time--there are plenty of times when one or more of the trio is absent and things tick along just fine--but there are also times, IMO, when someone being missing or just poorly written makes things falter quite obviously, Where No Man Has Gone Before being the biggest example that comes to mind.

But instead of having Kirk be in the middle of this spectrum I may have just sort of made up, the AOS movies seem to take the tack of having Spock be at one end and Kirk at the other end. They’re portrayed as being complete opposites to such an extent that they’re at odds practically the minute they meet, and spend the entire first movie at each other’s throats because AOS!Kirk’s brash, reckless, emotion-driven, rules-ignoring personality clashes incompatibly with Spock being deliberate, logical, and law-abiding to the letter. There’s absolutely no indication in TOS that Kirk and Spock ever had that kind of relationship or that they had to get over any sense of rivalry before they became friends. Granted, TOS had such a lackadaisical approach to backstory that we don’t really know anything about how they did become friends, but we are told on more than one occasion (which, for TOS, is practically hammering the point in) that Kirk was himself was so serious and focused as a student (”positively grim”) that he attracted bullying for it. In other words, for as little solid backstory as we get, one thing TOS is clear on is that Kirk did not have an arc of being reckless and wild and having to learn some patience and sense--if anything he seems to have had an arc in the complete opposite direction, although not so much that he isn’t still a total workaholic.

So that of course very much impacts Kirk and Spock’s characterizations and dynamic, but it also impacts McCoy, because by sticking Kirk in McCoy’s usual role, McCoy himself is now left with very little to do but make snarky comments and stick hyposprays in people from time to time (which he does very well, but, still). Which is sort of both cause and effect, because the fact that the writers put Kirk in that position to begin with indicates to me that they didn’t understand and/or didn’t value the importance of McCoy, specifically, being in that spot in the first place. But it is important that McCoy is in that spot because I love him and he deserves it because McCoy as a character is in a much more natural position to serve that role than Kirk is.

This may seem like a tangent, but stick with me here: McCoy inherently has a different perspective towards Starfleet than Kirk. Than everyone in the main cast, really, but especially Kirk. Kirk’s character, his perspective, his role in life, his arc, his backstory, all are closely tied to his being in Starfleet. Kirk’s position in relation to Starfleet is so important that it’s part of if not the entirety of practically every bit of story or backstory he has. When we hear about Kirk’s history, we mostly hear about it in terms of where he was in Starfleet at the time: at the Academy, serving his first assignment as an ensign, being a lieutenant on the Farragut, etc. Kirk’s career is very much on his mind all the time and threats to it are the subject of conflict multiple times, not because he cares about climbing in rank for rank’s sake but because he needs that career, and that good relationship with Starfleet, to do the thing he is most meant to do in life: be a starship captain. It’s not a position he could have outside of Starfleet--maybe he could go command an independent ship of some kind, but it wouldn’t be the same thing, not really. Kirk’s not meant to be doing supply runs or carrying passengers or what have you; he wants to explore, he wants to be out there checking out the weirdest shit the universe has to offer, he wants to be doing something important. This is why it’s such a big deal that Kirk is willing to sacrifice his career to save Spock in the movies, because that career is his life.

Yes, Kirk doesn’t always agree with Starfleet, and he’s willing to break their rules if he really has to. But Kirk could never exist in the position he is in TOS, and he certainly couldn’t maintain that position, if he couldn’t agree with Starfleet on most things, and conduct himself in a way that they in turn found agreeable. You don’t get to be the captain of one of the most important ships in the fleet by fucking around. And he didn’t. He worked his ass off to get there! TOS Kirk might be a bit young to be a captain but not so much so that he didn’t have to climb up the ranks the old-fashioned way to get there. Meanwhile AOS had to have Kirk sneak onto a ship he wasn’t supposed to be on and then get rid of practically everyone else on said ship, right up to provoking the acting captain into a fistfight, to get Kirk into a position where it would be remotely plausible for him to be in command of the Enterprise. In AOS Kirk is characterized as being so at odds with Starfleet and the Starfleet way of doing things that it takes some very extreme circumstances to get him in a position to command the ship because there’s no way Starfleet would have actually chosen for him to do that.

The reason I’m putting all this emphasis on Starfleet is that in TOS, when it comes to questions of Following The Rules vs Doing What’s Right, Starfleet is the rules. If it’s a matter of Lawful vs Chaotic, Starfleet is going to be the law. Any time the characters are in a situation where they have to ask “Is it the right thing to do what the rules say we should be doing here? Could the rules be wrong?” the rules they’re debating are almost always going to be Starfleet rules. (When it comes to following non-Starfleet rules it’s usually not so much a moral matter as “okay following the rules might be the only way we’ll get this done but we’re not going to act like we like or agree with those rules.”)

So when it comes to putting a character in the position of being the one who’s emotional rather than logical, who’s the voice of Hang The Rules, I’m Doing The Right Thing, who’s there to say things that need to be said but aren’t really appropriate to just say in the societal rules we’re working under here--Kirk can do that to some degree, but it really doesn’t make sense for him to be the one on the far end of that spectrum. To have been in the Starfleet environment as long as he has, and to have been as successful in that environment as he has, he has to be someone who can thrive in that environment, who finds it more acceptable to work with than not, or at least can do a good job faking it.

But McCoy? McCoy’s coming at it from a completely different angle. McCoy didn’t join Starfleet out of any kind of lifelong pursuit, he basically did it on impulse because fuck it, he had nothing better to do with his life at the time. Being in Starfleet informs McCoy’s characterization far less than everyone else’s in the show; mostly it just informs his current physical location. His identity isn’t really wrapped up in being Starfleet personnel. His identity is wrapped up in being a doctor. He was a doctor long before he was Starfleet, and when being in Starfleet stops being a viable option he goes to be a doctor somewhere else (and to make regrettable fashion choices but that’s another topic entirely).

There’s a lot of little ways that McCoy shows that he doesn’t care a whole lot about the Starfleet way of doing things. He’s casually insubordinate to people who seriously outrank him. He inserts himself into situations and discussions that aren’t what his actual job calls for--there’s no real reason why the CMO would need to hang out on the bridge all the time but there he is. He complains about the dress uniforms. He usually forgoes referring to other crewmembers by their ranks if he can get away with using their first name instead. He doesn’t even sit right.

[ID: 1. McCoy sitting on the edge of Spock’s console on the bridge, 2. McCoy sitting on the edge of the briefing table with a cup of coffee, 3. McCoy sitting sideways in a shuttle chair while talking to Spock.]

And he has very little interest in his own rank, or in commanding anyone, or in generally behaving as if he’s a member of a military organization, something reflected in the fact that he in turn hardly ever gets referred to by his actual rank. McCoy is okay with ordering people around as a doctor--he’ll pull rank to get someone in for a physical, or make them sit down and rest when they’re injured, Jim, and since he has to he’ll run the rest of the medical department, whatever there is of it. But I think he sees that first and foremost as being a doctor, who just happens to have a few extra tools at his disposal to make his patients behave so hey, might as well use ‘em. But on the one occasion* when he’s called upon to actually act as a ranking officer in a completely non-doctoring-related matter, he gets so flustered about the whole thing that he has to ask the person he’s supposed to be ordering if he did it right. He’s not really interested in being in charge of anyone in any formal sense.

*The one occasion in the main show, at least, which doesn’t take into account Diane Duane’s extremely excellent novel Doctor’s Orders, in which McCoy winds up in charge of the Enterprise because Shenanigans, and spends the rest of the book having a massive extended anxiety attack about it. It’s so great.

So McCoy doesn’t look at things tactically in the same way that Kirk does. He doesn’t have to. It’s not his job. Not to say that McCoy never has to make any hard decisions, but as a character he functions much better than Kirk as the one who’s looking at the emotional aspect of things because most of the time, McCoy’s not the one who has to turn The Right Thing To Do into standing orders for 430 people that can actually be practically acted upon. He tends to have a more immediate, short-range focus, contrasting the way Spock tends to look at the biggest picture and Kirk, again, lands somewhere in the middle. McCoy thinks about individual people first and foremost. If the Enterprise is about to get into a skirmish with a Klingon ship, Kirk has to be thinking about what the outcome of that battle will mean for Federation-Klingon relations, about what he can do now that might save more lives down the road even if it puts some in danger right now, but McCoy will be thinking about the people who are about to be hurt, maybe killed, right now. Which is a great perspective for a doctor to have, and an important perspective for a captain to keep in mind, but it could never be the only perspective for a captain.

McCoy’s viewpoint is a very important one in the Watsonian sense that it’s useful for Kirk and in the Doylist sense that it contributes to the specific tone that TOS wanted to achieve. But it’s a viewpoint that has to be balanced for it to be effective both practically speaking and in story-telling terms. AOS missed that balance; by putting all their emphasis on Kirk and Spock being opposites they made McCoy more or less redundant. Which is a crying shame, because it’s an unforgivable waste of Karl Urban’s goddamn amazing performance. The thought of what he could have done if he’d had something more to work with is heartbreaking to me.

But McCoy goes unappreciated far too often in general. You know I once went looking for a TOS McCoy Funko Pop and they didn’t have one? They had a generic Andorian but they didn’t have McCoy. It’s an outrage! I had to make my own out of a Munny.

[captainpikeachu]

am i still emotionally compromised by the latest episode? yes, yes i am

but the next week promo analysis must go on, we must still be brave, be bold, and be courageous, just as our beloved Captain Pike was and still is

so onwards to the beginning of a two part finale of this amazing season 2!

the promo starts with a voiceover from Saru: “there is a battle coming...”

Sarek seems to have been meditating on the beach??? And then he opens his eyes as if he saw something? 

Or perhaps this field he’s in is the vision? Is he seeing something through Michael’s eyes?

Saru continues in his voiceover: “...the odds are not in our favor...”

Michael is looking out the window at a ship, I can only assume that this is Michael on The Enterprise looking out to The Discovery, maybe like a one last goodbye to this ship that has been her home for the last year or so, maybe this is right before they have to destroy the ship

look at this though!!!! Discovery and Enterprise together!! yessssss!!!!!!

yeah the Enterprise design is updated but it is still very recognizable

Michael’s voiceover starts here: “Captain Pike has always had faith that we’d play a part in some grand design...”

we see Pike walking through the halls as people are packing up and moving stuff, it’s clear that what Pike went through on Boreth still is weighing on him, there is a warmth that is missing that he usually always has even in tense situations

Nhan is also here, directing people on where to go, my guess is this is when everyone is moving from Discovery to Enterprise

Pike: “all of you will face your destinies with bravery and honor” - says the man who did indeed just face his own destiny with bravery and honor, again, there is an ever so subtle change in body language in Anson Mount’s acting, Pike moves with a tiredness that wasn’t there before

Pike is in his yellow uniform, so my assumption is that this is taking place on Enterprise’s bridge, not Discovery’s, though that could also be wrong

Spock in this scene I believe is still on the Discovery, right outside the window behind him is part of the Enterprise but I think this is part of that shot of Discovery and Enterprise side by side

Michael looks intense and concentrated, probably ready to kick some ass!

Georgiou is on the bridge and back in black leather, again, I can’t tell if this is Discovery’s bridge or Enterprise, but I assume this is the same scene we see of Pike talking about everyone’s destinies

I am curious to see what part Georgiou will play and if somehow her own destiny may come into play as it was hinted when she talked to Gabrielle Burnham that Gabrielle seemed sure that Georgiou would sacrifice and do good things

then we have Michael’s voiceover return: “...I wish I had his certainty...”

Michael and Tyler having more intense emotional hugging moments, I’m sure there will be all the feels, it’s always feels with these two, just killing me with the feels

Discovery and Enterprise together again!!!! god i just love how cool they look beside each other!!!!

Number One: “9 more enemy vessels have just dropped out of warp”

THERE ARE RED HANDRAILS

I HAVE NEVER BEEN SO HAPPY TO SEE HAND RAILS

especially after i have been screaming all season about why Discovery doesn’t have hand rails given how many times Pike has yeeted himself out of his chair

now of course these red handrails are more in line with Kirk’s Enterprise bridge a decade in the future during TOS time than they do of the black handrails that was seen in The Cage which is set 3 years before Disco season 2 events, but still, a change in coloring of the handrails is the least concerning thing, one can easily assume that they just had a paint change since they were out on repairs anyways

this design is obviously more modernized to fit in line with the visuals on Discovery, but it’s very recognizable again as the Enterprise bridge, it’s just slightly bigger - it’s a bigger screen, more space on the bridge for people to move, and the screens are more fancy - but this is all still very much Enterprise, just updated to fit with modern sensibilities 

Saru: “prepare for battle!”

here we see Saru in the captain’s chair, I assume this takes place on the Discovery, which means Pike is commanding Enterprise and Saru has taken command of Discovery as the two ships work together to deal with the battle against Control

we do also catch Nhan in the corner of this shot, which is interesting that an Enterprise crew member didn’t go back to her ship and is on the Discovery

Tilly is back!! and she looks very concerned, as she should be given all the drama that’s been happening, poor thing!

Michael looks like she’s hatching some plans! uh oh!

behind Michael is an Enterprise crew member in gold uniform, so she is on the Enterprise, also the red doors behind here we last saw when she was on the Enterprise to enter Spock’s room

Enterprise firing off their weapons at someone, I assume this takes place during the battle that Enterprise and Discovery will have with Control

damn she looks sooooooo good, look at this beauty of a ship!

Pike: “it’s time...”

he is saying this to Michael who is just a bit off screen, you can see a glimpse of her hair as we come into this scene in the promo, and everyone is still on the Discovery at the moment obviously since we see Detmer and Owo behind Pike in this scene still at their stations

i believe Pike is saying “it’s time” either because it’s time to fight Control, or it’s time for him to formally leave the Discovery to return to Enterprise to command them for this battle, this could be him officially handing command back to Saru?

now this next episode is suppose to the first of a two parter season finale, and the title is “Such Sweet Sorrow”, part of that parting is such sweet sorrow phrase, but I don’t think Pike is gonna exit at this moment before the last episode, I think the parting is about the crew saying goodbye to Discovery since the whole thing is about they have to leave the ship, so this moment in the promo can be a bit of a misdirect at play to make us think a certain way

again with the way these promos are cut and how they shift things around, it’s hard to pinpoint what moments go in what sequence

now the most interesting bit of this screenshot though, is the fact that behind Pike on the view screen, we see the name Xahea, you might remember that name from the Short Treks episode Runaway when Tilly encounters Po, who was a Xahean royal princess who ran off when she was suppose to be crowned Queen - it looks like here, something is happening to the planet? or perhaps a signal appears over Xahea and thus leading the Discovery there?

the inclusion of Xahea means that this is the second time that Discovery has directly referenced one of the four Short Treks episodes - we saw them link Saru’s Short Treks story to this season, and now Tilly’s Short Treks episode looks to be coming into play - add that onto the mountains of theories about how Discovery may get sent into the future and that somehow is linked to Calypso, the only Short Treks that we may not have a link to this season is the Harry Mudd one, unless you count time crystals as linking to Mudd since the first time we saw a time crystal in Discovery was because of Mudd last season

now, the writers and cast and crew have hyped it up that the ending of this story arc is suppose to be unexpected and game-changing and answer questions that people have always asked about Discovery’s place in canon, some of it could be your typical promotional hype machine, but given how this show has a tendency to sometimes throw curveballs and be unexpected, I can believe that the writers could throw out something totally unexpected and in a way, i really do want to be surprised, though that does make the analysis a little harder LOL

we’re at the beginning of the end of the line though, hard to believe that it’s just gone by so quickly already, it feels like we’ve barely begun to be honest!

well, we still gotta boldly go, so off we are to Episode 13 and yes, parting is Such Sweet Sorrow

[weerd1]

Star Trek DS9 Rewatch Log, Stardate 1908.06: Missions Reviewed, “Indiscretion,” “Rejoined,” “Starship Down,” and “Little Green Men.”

“Indiscretion” gives us Maj. Kira hearing from a skeezy old contact that a missing Cardassian prisoner transport that disappeared may have been found, and she immediately plans to investigate. However, in the interest of furthering Bajoran and Cardassian relations, the new Cardassian government insists on sending a representative: Gul Dukat. 

Meanwhile, Kassidy Yates is talking about moving permanently onto DS9, which catches Sisko a little off guard. His reaction puts her off, and he has to figure out how to make this right, and if indeed this is the next step he wants to take. Kira and Dukat track the ship, and Kira realizes Dukat has a personal interest: his Bajoran mistress was on board with a daughter…his daughter. Kira is at first sympathetic but realizes he intends to kill the girl in order to preserve his status on Cardassia. She needs him though as the survivors are being used as slave labor by the Breen, and Kira can’t rescue them alone. When they have Tora Ziyal safe, Kira is prepared to shoot Dukat to save the girl, but he relents, promising to take her back to Cardassia and face the consequences.  

Written during the “We’re going to make you like Dukat” era of DS9, the writers effectively tease us with the fact he is still insufferable but slowly coming around.  Some comic relief even shows up as Kira removes a splinter from his posterior. 

Introducing the character of Ziyal does put Dukat on an interesting arc…though redemption won’t be the destination.  The Sisko/Yates scenes are amusing as well and bode well for those two characters continued development.  The Breen are introduced, and to me they always seemed to have some tie to Boushh, Leia’s disguise in “Return of the Jedi.” They will of course come into play when the Dominion War takes off, but will remain mysterious.

In “Rejoined,” a Trill science team comes to the station with the plan of creating an artificial wormhole.  The lead scientist has a symbiont who in a previous host was married to one of Dax’s previous hosts. 

 “Reassociation” is a severe taboo in Trill society, and could result in being banished from the homeworld, which would mean the symbiont could not be passed on to another host, effectively ending its life. Jadzia and Lenara are initially awkward together, but work together easily, and the attraction between them begins to grow.  Eventually, when there is an accident in the experiment, Dax realizes she never wants to lose Lenara again, and asks her to stay on DS9, accept the exile, and rekindle their love. 

 Lenara considers, but cannot bring herself to give her work and life up, and leaves when the experiments are over, leaving a broken hearted Dax in her wake.

For an episode from the mid 1990s, this is a remarkable way of dealing with homosexuality.  What’s truly brilliant is the way the story makes the Taboo the Trill reassociation, NOT the gender of the hosts, so NO ONE in the episode questions the two of them being married because they are women.  Kira even gives an impassioned speech about choice and love, and at no point is gender mentioned.  Very ahead of its time, and very heartbreaking when it doesn’t work out. Susanna Thompson who plays Lenara will of course go on to play the Borg Queen in a few episodes of Voyager, and Moira Queen on “Arrow.”  Sci Fi Royalty all around!

The Defiant becomes a “Starship Down” in the Gamma Quadrant! While negotiating with a partner there the Defiant is attacked by two Jem’Hadar fighters. 

 The trade ship and the Defiant descend into the atmosphere of a gas giant to evade their attackers. Blinded in the atmosphere the cat and mouse continues after Sisko is hurt with Worf taking over the combat. He pushes too hard, and O’Brien gives him advice on how to better work with the other officers. Kira meanwhile is trying to keep Sisko alive while dealing with the fact that he is The Emissary.  She admits her discomfort and wonders if they have not bonded more because of the unspoken issues that he is kind of her Messiah. Worf manages to defeat the Dominion Forces, and back on DS9, Sisko invites Kira to a holosuite baseball game.

Something seems off on this episode.  I applaud the adaptation of the old submarine warfare tropes, though I don’t think they do it as well as “Balance of Terror” did on the Original Series. It’s weird seeing Worf have  to practice how to deal with human officers; it’s not like he’s fresh, he’s been working with humans on the Enterprise for years. The Kira/Sisko stuff is kind of interesting, and I am always a sucker for dealing with the Bajoran religion and its ramificaitons.  Fun to see James Cromwell (Zephram Cochrane in “First Contact”) here as well as the alien negotiator. Otherwise, everyone else just seems…off.

“Little Green Men” Lightens the mood however. With Nog preparing to head off to Starfleet Academy, Quark offers to take him on the new ship he just inherited from the often mentioned cousin Gayla. On the way there though, Rom realizes Quark is actually smuggling some contraband, and that Gayla has sabotaged the shuttle.  Using the elicit merch to counter the sabotage, they are thrown back in time to 1947, where they have crashed in Roswell, New Mexico. 

 In the custody of the US Army, they have to reactivate their universal translators to even talk to the primitive Hew-Mons, who do things like light tobacco and fire and breathe it, and irradiate their own planet with nuclear fission.  Quark begins to scheme to ‘bargain’ the whole planet under his control, but the Army starts playing hardball.

  Luckily, knowing he was smuggling, it turns out Odo was stowed away and knows where they can find their ship.  As luck would have it there’s about to be another nuclear test, and they can use that explosion to make another temporal distortion…if there’s enough of the contraband “kemosite” on board. Luckily there is, and they return to the right year and get Nog safely to Starfleet. Meanwhile Quark has to scrap the ship to get money for passage home. Odo wants to arrest him, but he points out there is no proof: all the kemosite was used in the time warp!

Definitely a fun ep but one that the expanded universe of the novels used to great effect talking about the Ferengi tech studies from Area 51 being used to design the Botany Bay that Khan would later leave Earth in during the Eugenics Wars. Also neat to see Charles Napier guest star here, since he was a space hippy in the TOS episode “The Way to Eden;” now he is a Herbert as the Army General in charge. The best part of the whole episode though is Nog studying an Earth history program and asking his father if he thinks some guy named Gabriel Bell from the 2020s looks just like Captain Sisko.

NEXT VOYAGE: It’s Klingonpalooza on DS9 as Kor joins Worf and Jadzia as they search for the legendary “Sword of Kahless”!  tlhIngan maH! taHjaj!

[goron-king-darunia]

Annon-Guy: How do you feel about the official pairings in Symphonia? LloydXColette, EmilXMarta, SheenaXZelos and AliceXDecus. P.S. While these are not official, what do you think of the GenisXPresea and RegalXRaine ships?

I didn’t realize SheenaXZelos was considered an official pairing by most, actually! As a concept, I think they could be cute, but as things are right now with the canon where it is and with the interactions they’ve had, I don’t think they’re a very healthy relationship. Zelos basically sexually harassed her and she had very little recourse other than to punch him. I think if they showed Zelos learned NOT to do that and to flirt in a way she’s actually RECEPTIVE of, then it would be a cute dynamic. Zelos being goofy with her and her being sort of dismissive would be FINE if his goofiness didn’t involve groping and other things she clearly doesn’t like. If she actually liked what Zelos was doing, it’d be a little sleazy but it’d be fine. (The sleazy thing is mostly because, like, as fictional characters they’re MADE to act that way and a fictional girl being receptive to groping sends a broader message that it’s okay to grope girls which it generally isn’t.) But if Zelos could improve a bit beyond what we see in the games (and he improved GREATLY in DotNW. He harasses Sheena less but it’s still there to a degree.) and they fleshed out the relationship a bit more for some tenderness, yeah, they’d be cute. AliceXDecus is a little toxic, just by virtue of them both being written as bad guys. In some alternate universe where Alice’s lust for power is directed more toward a protective impulse and Decus’s devotion to her isn’t fully out of her manipulating his feelings for her until she’s vulnerable and starts giving back (which she basically only seems to do at the very end of the game unless you do her sidequest and learn a bit more) then they’d be pretty cute. A terrifying power couple with the woman in charge and her man behind her 100% would be a rad thing to see.  LloydXColette is really cute, even though I think Lloyd is a terminal dumbass and Colette could do better. XD They really care about each other though and they have a really cute dynamic and the games fully flesh out their interactions so that even if you don’t read them as romantically interested, you can tell they have a very strong bond. ColetteXall the Dogs is a good ship too though. Let her adopt all puppers. EmilXMarta has potential, though I oppose it on the grounds that I prefer Emil and Richter together, but I think even at the end of the game, both ships would have toxic elements. Richter is clearly not fully over Aster’s death and is bad at articulating emotions and Marta is still working toward treating Emil as his own person and not as her knight. In each ship, Richter and Marta would need to work on themselves a lot more in order to actually address how their behavior impacts Emil. Emil has basically already completed his arc and has improved in the ways he needed to in order to be “someone deserving of their love.” Like, clearly Richter and Marta both love late game Emil basically exactly as he is. They both wanted him braver and he did that. He improved to the point that he’s able to tell them when he thinks their wrong which is healthier for him and for potential relationships. But Richter, even at the end of the game, fails at communicating with Emil at almost every turn. Communication breaks down when Emil tries to decipher vague statements Richter makes because Richter is still too afraid of being fully honest (though to be fair, during the late game he has committed to disengaging from attachments with Emil because he plans on one of them killing the other.) Richter’s growth from the sidequests basically disappears late game. During the first two quests, he opens up a lot, but once he realizes Emil is 99.999% probably Ratatosk, he abandons that growth because he can’t afford not to kill Emil if he wants all his effort to pay off. Marta, meanwhile, does make strides toward learning to tell Ratatosk and Emil apart, but it’s also very clear that she’s still not seeing them fully. When Ratatosk pretends to be Emil, she can tell that it’s Ratatosk. But when Emil pretends to be Ratatosk at the end, she’s completely fooled, even though Emil clearly refers to himself as Lord Ratatosk, which we NEVER hear Ratatosk do to refer to himself. Furthermore, she’s fooled by the idea that Ratatosk “can’t be controlled” and that’s why he’s breaking whatever Verius did. Marta sees Ratatosk as inherently violent and dangerous during the endgame which completely undoes all the growth she supposedly did during the middle of the game where she defends his actions to everyone because she “knows Ratatosk is a good person.” That, coupled with the fact that even while she dials things back, she never stops flirting even though it’s clear Emil wants to take it slow, shows that she definitely needs more time learning about Emil/Ratatosk so that she’s CAPABLE of treating Emil/Ratatosk like a PERSON and not as an idealized caricature of her “perfect man.” I think if you gave both Richter and Marta 2 years to just... no pressure date Emil, just hang out and do platonic things like board games and such, I think if they both did that? Just hung out with him in a calm environment and talked like normal people without being forced into battle constantly to cooperate, then I think both relationships could definitely blossom into something really nice. But overall, I think Richter has a better shot because he already treated Emil like a full person. He didn’t want Emil to be braver in order to fit some idea in his head of what Emil should be. He wanted Emil to be braver because he SAW EMIL STRUGGLING and wanted Emil to be able to defend himself. He didn’t demand Emil do anything like Marta had. He told Emil what he thought he should do and then asked Emil to TRY. 90% of Richter’s complaints to Emil were “don’t do this just because you think I want you to.” “Don’t try to like herbs just because you think I want you to. If you want to try to like herbs, do it because it’s something you want to do to broaden your horizons.” (I’m reading between the lines of course, but still.) Marta was definitely LEARNING to do that and that was REALLY nice to see. She eventually did start giving Emil advice because she wanted him to improve for his own sake, not to fit her definition of an ideal man. But Richter was doing that in the beginning. Which is why I think he’s a better match. All of Richters work to deserve Emil has to do with exclusively personal work. He needs to learn to feel his feelings. He already treated Emil right. Marta’s work needs to happen interpersonally. She needs to learn more about who Emil really is and work on treating him the way he wants to be treated. Richter and Marta are foils like that. She already feels her feelings and can communicate her own needs with Emil, but she hasn’t quite met the threshold of treating Emil as his own person. Richter has always seen Emil as his own person, even though he had EVERY REASON to project Aster onto him. What Richter needs to learn is to feel his feelings and communicate his desires. So yeah, long but this is my game of expertise since I played ToS a long time ago and I obsess over Richter and Emil, so... definitely a dearth of knowledge on the ToS part compared to all the hyperfocusing I do on DotNW. AS FOR NON-CANON SHIPS: GenisXPresea is really cute. The “age gap” is the only real issue, but when it comes to fictional characters, the age doesn’t matter as much as their role in the narrative and how they interact with each other. Genis and Presea both behave in similar ways, both have similar levels of power. Presea has been alive longer, sure, but their levels of experience in the world are roughly the same. Also, given how long elves and half-elves live, the age gap becomes less important as limiting the relations to only people in their own age range becomes difficult a gap of 100 years between half-elves is basically a gap of 10 years by our standards. So the number is less important than the dynamic and power level. Neither is inherently more privileged than the other, they have a good camaraderie, they share some interests and take an interest in each others’ hobbies, they seem to enjoy each other’s company, and the only one with any objection to it is Presea, who mostly objects on the principle that she wants to live life for herself for a while because she was trapped in her own body for years without any agency. RegalXRaine is an iffy one. They get along well, but there doesn’t seem to be much chemistry. They respect each other and get along well, but they have very different interests and Regal still loves Alicia very much and seems more committed to helping Presea reintegrate with society than getting back in the dating pool. I think they’d make a cute couple, sure, but a lot needs to happen before that stuff happens. 

[anotheruserwithnoname]

What's with all this hate aimed at Star Trek Discovery?

Not quite sure why this comment was aimed at me. Although I have written critically of Star Trek: Discovery, and I will not apologize for saying I like The Orville better when the two shows are compared side by side, that’s not the same as hate. At least not from me (I know there are many who do hate Discovery; I can’t speak for them).

What I did feel, at least with the start of Season 1, was disappointment. I was never a fan of the prequel concept to begin with. Did you know we haven’t had a “forward-looking” Trek story since Nemesis came out in 2002? Everything since has been either prequel (Enterprise, Discovery) or a reboot set in an alternate-timeline version of the TOS era (the Abramsverse films). That’s one reason why so many people are excited for the announced Picard series, which is reportedly going to take place in the Prime universe sometime after Spock went to the alternate timeline. We’re actually moving forward for once.

I had issues with the first five or so episodes of Discovery. The characters were totally uninteresting (except Saru, even though he was basically a variation of Odo at first) - I still can’t name most of the bridge officers - the Klingon side-plot was dull, and there was no story-justifiable reason for them to have a couple characters spout the F-word in the Harry Mudd episode. It was the equivalent of a 3-D movie coming up with an excuse for someone to point something towards the camera - just because the show has access to a TV-MA rating, doesn’t mean it HAS to be TV-MA. 

The F-word episode was the second-to-last straw for me. I said (I think here, certainly to people privately in emails) that I was giving Discovery one final chance, and I was prepared to call it a fail and move on to something else. But then the next episode came around (I think it was the one where Michael sends her consciousness back into Sarek’s past) and … it felt like the show had been given a personality transplant. It felt like Trek, the acting got better, the writing got better (maybe getting the F-bombs out of their system helped), and it got interesting. Then came the Mirror Universe arc which, even though it made a bit of hash of canon (TOS established that no one knew about the MU before the Mirror Mirror episode), was fun. Even the nuKlingons became interesting. And Harry Mudd’s inevitable return visit was much better handled than his first appearance. And of course then we had the cliffhanger with the original Enterprise, which was setting things up for Season 2.

The trailer for Season 2 looks good. Having a new Spock (played by Gregory Peck’s grandson!), a new Pike, Rebecca Romijn as Number One (inspired choice) - that’s good by itself - but the trailers seem to hint at a more light-hearted tone. I hope not TOO light-hearted; I did not fail to miss the Orville influences in the trailer released for Comic Con - Orville might be having an impact but I don’t want ST:D to become a comedy, either. 

But still, I am looking forward to Season 2. The first season, in my opinion, had the most profound mid-point turnaround of any post-TOS Trek series (every Trek series from TNG onwards has had weak first seasons, no exceptions, but Discovery felt almost like a brand-new series the way it changed around Episode 6). So yes, I am looking forward to Season 2. And I’m looking forward to seeing the rest of Season 2 of The Orville too. But I definitely wouldn’t call myself a Discovery hater by any means.

[emubop]

Adding on to my post from yesterday, I’m just gonna list all the issues I have with Disco (a separate list of the things I love soon to come!)

Under a cut for length and for spoilers. Seriously. Major spoilers ahead. And tw for discussions of character death, if that bothers you.

With that in mind, let’s get to it! (This is in no particular order, btw.)

Starting with the last two episodes, since they’re pretty fresh in my mind - they felt very rushed. I’ve seen some people say that the season should have ended right when they got back from the mirrorverse, and I completely agree. The final arc felt like it needed at least two more episodes to be fleshed out. I wanted to see more of the characters actually dealing with what happened in the mirrorverse, and having time for development; and while we got a little bit of that between Michael and Ash, it wasn’t very much. And like, I get why. When you’ve only got two episodes to get the plot where you need it to go, of course character development is going to be sacrificed for time. Which is why I think they should have either a) added more episodes to the end of season one, or b) ended the season with the mirror arc, so that they’d have more time to explore the Klingon war thing at the beginning of season 2. Disco has some very wonderful characters who are very deserving of development and growth, and it’s unfortunate that they didn’t get it.

Culber’s death... This is the main point where I’m like “yeah, I don’t blame you for not liking the show anymore,” because I came very close to that too. In the end, I do still think I like the rest of the show overall, but this part... I just about stopped watching. In short - the way the show treated Dr. Culber was absolutely shitty. Sure, I’m like 99% certain they’ll end up bringing him back in season 2, but in the meantime, he’s still very much dead. And NOT ONLY did they use the “bury your gays” trope, but out of only TWO gay characters, they buried the man of color. Like... that’s just... what the fuck.

I’m expanding this into multiple points, bc it’s the biggest point I have. Culber’s death is legitimately the worst thing Disco has done. Not only just the fact that they killed him, but how they did it. His death was violent, sudden, and meaningless. The main characters barely even get to react to it before moving on. His killer doesn’t face trial or repercussions. (Note - I personally see Voq as being entirely the murderer and not Tyler, since Tyler had no agency in the killing and was if anything just a tool, but either way, no justice is served.) And then we, the audience, have to see the brutal killing scene AGAIN in the “previously on” section of the next episode or two, which makes it seem like they’re using this horrific event as mere shock value. I literally felt sick to my stomach watching it. What happened was disgusting, and I can’t blame anyone for not wanting to watch the show anymore because of it.

I trust Wilson Cruz. I trust Anthony Rapp. I trust them when they say that there’s a plan, that Culber will come back, that this will work out at some point. Their reassurances do help me personally to make some measure of peace with the situation. I don’t want to think that two openly gay actors would sign onto the script if this is how it ends between their characters. But right now, Culber is still dead, for no good reason that I can see, and it still stings. This is justifiably upsetting. And until I see him come back with my own two eyes, yeah, I’m not gonna be happy about it.

Aaaaand speaking of death, let’s talk about Georgiou. I just... that’s not a good way to start your show off, ngl. You take a very strong and deep character, played by Michelle Yeoh no less, and then just kill her? It’s bad writing. They could have easily had Michael transferred off the Shenzhou and arrested and kept Captain Georgiou alive. They could have even kept the whole “tragic backstory” thing in play, with Michael and Philippa no longer on speaking terms, and Michael mourning the loss of what was once such a close relationship. (I do appreciate that they brought her back as her mirror counterpart - and boy howdy the Emperor is a good character - so that does take a little bit of the sting out, but still. Not the best way to open the show.)

And then Landry dies in both universes?? I can accept mirror!Landry dying because of the whole “Lorca’s second hand” thing, but like... god, this show has got to stop killing off poc. Especially woc. I can understand that they’re trying to do a “raceblind” thing, and I understand their reasoning - the whole “it’s a utopian future and everyone is treated the same!” thing - but it doesn’t really work like that irl for the audience. Unless someone is actually literally colorblind and sees everything in greyscale, no one has any business saying they “don’t see color.” And no one should be casting with that mindset. The situation could certainly be a lot worse - they’ve got Michael, at least, and she’s fucking amazing - but it could also be better.

And yeah, it’s a warzone, and people are going to die. I get that. But just... do some critical thinking about who you’re killing, why, and if it can be avoided. If for no other reason, it makes the story a lot stronger in the long run.

It’s the year of our lord twenty-gayteen, can we stop having the makeup on white people playing Kingons being so hmmm questionable maybe?

(With regards to several of the above points, I’m white, so please let me know if I’m overstepping my bounds here. And like the point about Culber - I wouldn’t blame anyone for disliking/not supporting the show because of these reasons, and I’m not ever going to try to convince anyone that these things are okay. Because they aren’t. Just because I like certain elements enough to give the show a second chance with season two, doesn’t mean that anyone else will or should do the same. Continuing.)

Why the fuck is this show so obsessed with eating people? Stop it. Get some help.

The only explicitly bisexual/pansexual person we see is the Emperor, who sleeps with both a man and a woman and seems very satisfied with both parties afterwards. Which, okay, cool, except she was also trying to get information out of them, so whether or not she was even attracted to either one is debatable. I personally think she was - thanks to Michelle Yeoh’s acting, which is a goddamn gift - but that still leaves us with the only representation of bi/pan people being a murderous emperor from the mirror universe. And the “relationship” is entirely sex-based, as well as being with multiple people at once, which only furthers the stereotype of bi/pan being promiscuous, being only bi for a threesome, being untrustworthy. And to be clear, there’s nothing wrong with one night stands or poly relationships! Those things are perfectly fine! But when that’s all that bi/pan people are shown as, it can play into really damaging stereotypes - and as a bi/pan person, I’m frankly getting a little fucking sick of it.

(I mean, it’s better than DS9′s “mirrorverse=gay/bi/pan” thing, I’ll give it that, but I’m not going to give any show brownie points for reinforcing harmful stereotypes. You’ve improved slightly, Trek, but not nearly as much as you should have.)

I’m just making another point here for Dr. Culber’s death because seriously. Fucking seriously. What the fuck.

I would’ve liked to have seen more one-off episodes, like “Magic to Make the Sanest Man Go Mad.” That was a fucking awesome episode. It’s fun! It’s got character development! I wanna see more of that!

The portrayal of Klingon culture is a bit inconsistent. And okay, to be entirely truthful, I’m really not that into Klingons in general? So having a plot centered around them wouldn’t be my first choice anyway. But if you’re going to do it, please do it right. It felt like the writers sometimes “forgot” important elements of Klingon culture for the sake of the plot, and just... come on. The Klingons are brutal warriors, yes. They’ve killed innocent civilians in the course of battle, sure. But they have a whole honor code, and going out of their way to murder thousands of helpless, defenseless people? Correct me if I’m wrong, but it just doesn’t quite seem to fit.

I really, really wanna see more of the bridge crew! I wanna get to know them! They seem so cool who are they please Disco I’m begging you

This is a very dumb, very tiny thing, but I was kinda hoping I’d see some Cardassian makeup in the crowd while we were in the Seedy Black Market on Qo’noS. Did appreciate the Trill lady tho!

I dunno, the ending almost felt... too neat? If that makes sense? I would have liked things more ambiguous, a few more loose ends. It felt like they threw in a happy ending out of nowhere; it didn’t really match the tone of the rest of the show.

Speaking of tone - it felt to me like Disco was trying to mix the upbeat, thoughtful, philosophical tone of classic Trek with the grittier, more critical, more heavy tone of DS9. I love both classic Trek and DS9, but they don’t exactly mix very well. Disco’s tone felt a bit confused and convoluted. And like, here’s the thing - classic Trek doesn’t preclude heavy subjects (”Conscience of the King” from TOS is a great example), and shows like DS9 don’t preclude fun and optimism (there’s episodes like “Explorers” that are uplifting, and “Take Me Out to the Holosuite” is a fucking delight). Star Trek at its best should always tackle difficult issues, should always have determination, should always have hope. DS9 had a more morally gray outlook, yes, and certainly questioned the idea that the Federation is utopian, but it was still underpinned by the main characters wanting to do good. Wanting to improve the world around them. It managed to do a very good job of adapting Trek’s message to its darker tone - whereas Disco feels like it’s flip-flopping between having a darker tone and trying to be like TOS. Like, buddy, just pick one. You just gotta pick one.

The more times Sarek shows up in Disco, the more he looks like a complete dick to Spock in TOS. This isn’t necessarily a complaint, because Sarek being a dick is certainly in character for him, but I’d like to see that disparity in how he treats his children addressed. By his wife. Specifically by his wife. Amanda is a national treasure and I need her to call her husband out.

idk I think there’s more but like, I’ve been working on this for hours - WAIT HANG ON

This has been bugging me since the beginning of the show, because while Michael’s mutiny was certainly a bad idea, she technically... didn’t really do much of anything before being taken to the brig? She almost has the ship fire on a Klingon vessel, but Georgiou shows up and stops her. Helm locked phasers on the vessel on Michael’s orders, yes, but earlier they locked phase cannons on the vessel for a short time, which Georgiou agreed to. Her actions during the mutiny didn’t really change their situation at all. So why does everyone blame her for starting the war?

“But she killed that Klingon during her spacewalk!” Yeah, she did, because he came charging at her with a bat’leth with the intention to kill. In that scenario, her actions were self-defense. She attempted to talk to him, he then proceeded to try to kill her, so she fought back to save her own life and ended up killing him in the process. And all this happened while she was investigating a foreign object in Federation territory. So while I can see why she was charged with mutiny and assaulting a fellow officer, I don’t think it’s fair to say that she started the war. The Klingons on the ship of the dead were planning to start shit before anyone even got there.

I can understand why Starfleet would have thought Michael started it, at least at first, because unlike the audience, they couldn’t see the Klingons planning beforehand. That’s fair. But then Ash Tyler shows up, and he’s revealed to be Voq - who was there! he knows what happened on that ship! - and eventually, he loses Voq’s consciousness but retains the guy’s memories. So Ash knows how the war started. Ash knows, or should know, that the Klingons on that ship were the instigators. Why wouldn’t he tell Starfleet before fucking off with L’Rell? He says he loves Michael, so why wouldn’t he want to set the record straight? And most importantly, why wasn’t Michael told any of this?! She’s been blaming herself for this whole war, she’s been suffering needlessly for it, let her fucking rest! Yeah, she was exonerated and accepted back into Starfleet, which is great, but it came across as “welp you basically cleaned up the mess of a war you started and saved Earth from annihilation, so I guess we’ll clear the slate for you.” It should have been more like “well given what we know now, we can say that you’re innocent of starting interstellar war; and as for the rest, stopping the destruction of Earth is a hell of a community service, so you know what? Welcome back.”

My point is, Michael Burnham has done nothing wrong, ever, in her life

Alright, at this point I think that about sums it up, and I’m tired of looking at this anyways because it’s been hours now, so uh, yeah. Thanks for coming to my ted talk

[emperorsfoot]

I have mixed feelings about Omniverse. There were some things I liked about the series and some things I really, really did not like. Overall, I have to say that my opinion of the series is split 30/70 with the 70% being negative. So, for the most part, I didn't like it. But first let me discuss the things I DID like.

We got a stable Plumbers Headquarters in Bellwood and more regular Plumbers characters.

The Plumbers always stuck me sort of as the Green Lantern Corps., and just like with the Lanterns, the Corps. Comics are way better than the Green Lantern comics. Why? Because its about the whole Corps. The whole organization, not just a circle jerk for Hal Jordan (or whoever the Lantern for sector 2814 happens to be at the time). And that was what was nice about expanding the cast of Plumbers. We got to see a whole Corps of Plumbers, not just third-tier 'Plumbers Helpers' or single-episode cameos to remind us that other Plumbers existed. We had regular characters with names and backstories -many of whom weren't even from Earth. It was a good attempt at world building, and in a show that is constantly claiming to be about “experiencing what its like to be another species” or “learning how differences make us strong”, that's something that's very important. Because, as we all know (should know) UNLIKE Green Lantern Corps. (Blackest Night story arc) the Earth isn't actually the center of the universe. (Neither is Ben for that matter, although you wouldn't know it from watching the series.)

Gwen goes to collage and she and Kevin get away from Ben for a while.

For pretty much all their lives, both Gwen and Kevin's lives have revolved around Ben Mother-Fucking Tennyson. Gwen because they were raised more like siblings than cousins, she was pulled into all his absurd alien adventures -literally- from the moment they started, Ben is incapable of doing anything without her and when she does get out, he pulls her back in again -remember, it was Ben that went to Gwen at the beginning of Alien Force. If he hand't asked her for help, she might not have been a main character in the second series. And Kevin became obsessed with Ben when he was only eleven years old. When he was still in his formative years. Over the course of Alien Force and Ultimate Alien that obsession and thirst for revenge morphed and shifted into an uncomfortably dependent friendship. Seriously. Ben is Kevin's ONLY male friend Kevin has that's an actual friend, not a 'business partner' or 'tech-buddy'. Its good that Gwen went to collage and Kevin followed her, so that they could both get some time away from Ben to grow as individuals. Sure, we the audience didn't get to see any of that individual growth and development because the series was too busy being a circle-jerk for Ben. But then, I've come to expect that from this franchise.

Prince Looma and Tetramand marital practices (“Many Happy Returns”)

Same as with the additional Plumbers characters, this was a good way to add some easy world building. They took an existing alien species that the viewers are very familiar with and gave us a glimpse of their culture. It was mostly played for laughs, but I think it was one of the better episodes (and not just because it was also a mostly Kevin-centric episode). In one episode alone, we learn how Tetramand ask for/arrange their matches, engagement ceremony, length and traditions, how engagements are broken off, and even a little bit about the marriage ceremony itself. To someone who knows how to pay attention it was like a cascade of culture building, world building, and general information that expanded the world of Ben 10.

Rook -Kevin and Gwen in one person.

When they took Gwen and Kevin away, they had to replace them somehow, because -as the franchise has consistently proven- while the whole thing might be one giant Ben-wank, Ben Tennyson is also utterly and completely incapable of doing anything on his own. He needs a sidekick -usually one who's smarter and more skilled (read: more useful) than Ben himself, and doesn't mind playing second fiddle to the spotlight hogging, ego-driven, narcissist Hero of the Universe. Rook does that wonderfully while also making sarcastic quips that go over Ben's (and his fans in fandom's heads). Also, adding another species -and more importantly, showing us his home planet, family, and how his people live- was more great world building.

Basically, what I liked about Omniverse was all the wold building they tried to do.

Now, the things I didn't like...

I'll start small and shallow:

The dramatic change in artwork.

Where do I begin? First and foremost its inconsistent with the rest of the franchise up to that point. Ben 10 TOS, Alien Force, and Ultimate Alien were all drawn/animated in the same style. Something similar to the Young Justice cartoon style, proportionate bodies with realistic facial features (realistic for a cartoon). That style worked for an adventure series. It was good. But then Omniverse rolls around and suddenly everyone's got giant eyes that take up half their faces, but they're not cute anime eyes, they're weird cat-like eyes. Their body proportions are all weird so that some characters are 60% legs, or their arms are so long their hands are at their knees. Max doesn't have facial expressions anymore, Ben looks like he's ten years old again, Kevin's chin is so long they have to give him a giraffe neck to compensate... All of the familiar characters look mutated and gross. I almost wanna say Omniverse was the worst artwork decision they could have made for the franchise, but then, I've seen the new reboot and that one's even worse.

The whole series is just one big Ben circle-jerk.

Remember all those new Plumbers characters I was so happy about? We can't have a single episode about them that doesn't involve Ben. Either Ben having to rescue then while Grandpa Max vomits a small novella of exposition, or Ben trying to investigate their past for X, Y, Z reason, or them driving around Bellwood while Ben has seemingly endless battles around them that inevitably block their path, or Ben tagging along while they visit their home planet. There is no way to develop a single new character in the show without Ben having to be involved in some way. Look. I get it. The franchise is called “Ben 10”, so obviously its about Ben. But ya know what? Avatar is also called “Avatar” and they manage to have multiple episodes about other characters that don't even involve the Avatar at all. Believe it or not, it is possible to make Wester cartoons with a wide cast of characters, AND develop said characters without the title character having to stick his nose in every time someone farts.

They somehow made Ben 10 a harem anime.

Now, I like a good harem as much as the next sexually repressed and asocial nerd. Goodness knows Martian Successor Nadeshico has a permanent spot on my list of Top Ten Anime I Recommend to Everyone. But is just seemed kinda weird... Ultimate Alien ended with Ben and Julie seeming really solid. Then at the beginning of Omniverse, they're not even together anymore. Now, Word of God is that Kenny's mother is Kai, so obviously Ben and Julie couldn't be together forever. At some point they had to break up and Ben had to get with Kai. But Omniverse did not handle the inevitable facts of canon well. There was no real mention of reasons why Ben and Julie were no longer together when they seemed so solid at the send of the previous series, then, all of a sudden, Ben had a million and one women wanting to bone him. Looma, Ester, Lucy, (even his cousin Sonny in one episode and that was creepy), and yes, still Julie and Kai. And, like most protagonists in harem anime, Ben does absolutely nothing to deserve all this adulation from the distaff gender. Its very frustrating.

Kai Green -I like the IDEA of Kai, but I actually hate the CHARACTER Kai.

I really like the idea of Kai. I really do. I like a strong, independent, female, well educated, Native American character. To often in fiction Native characters are portrayed as “magical” in some way. Either as sages or spiritual guides, shapeshifters, mediums, or healers. Its very rare to find a Native American characters who's just a normal, down-to-Earth person with hopes and dreams, anxieties and fears, plans and aspirations, etc. Kai is none of the cliché tropes that Native characters are pigeon-holed  into. This is best illustrated by an exchange of dialogue between her and Ben when he comments on her hand-to-hand combat skills and asks if its some “ancient Navajo” fighting technique, and she scoffs at him and says she took after school classes at the mall -like any normal teenager would! Kai is a real person, she's not just a conglomeration of stereotypes and tropes. I really like the idea of Kai. I really do. That being said... THE WRITERS SEEMED TO HAVE DONE EVERYTHING IN THIER POWER TO MAKE KAI UTTERLY AND COMPLETELY UNLIKABLE! (Yes, I did have to shout that in all caps.) I like the idea of Kai, but Kai herself is condescending, and an intellectual snob. I don't like Ben, but there's one episode where he's at a museum (seeing an exhibit that Kai put on) and he makes a comment along the lines of “I didn't know aliens had old stuff!” and Kai responds to him like he's the dumbest piece of shit to ever crawl out of the public school system -and she does this in front of a crowd of his peers and strangers. Lets step out of the cartoon for a moment and look at it with some perspective. How would you feel if you've part of a tour group and someone in the group (you may or may not know) asks a silly question. What would you think if the tour guide responded with something like “How far up your ass did you have to stick your head to find that question, dumbass?” You'd think they were a terrible tour guide and should be fired, right? That's what Kai did to Ben. And that wasn't even the first time she showed a clear disrespect for Ben either. In the original series, she says she only like Ben when he was Benwolf (later renamed Blitzwolfer in Omniverse) because she wanted a “pet dog” that she could “train”. That's kinda understandable and excusable because she was ten at the time and kids are amoral assholes who don't know any better. But Omniverse is six years later, Kai is sixteen and she hasn't improved with age, she's become more of a bitch. I really don't understand why the show insisted on shoving them together and insisting that they both love each other and are happy together in the future. When we see her in the future, she's always with Ben 10,000 but she's still making disparaging comments about him or his arch enemies and Ben just smiles and cuddles and kisses her.

Kevin. Everything Omniverse did to, and took away from Kevin.

This should be a post unto itself. Anyone who reads my fan fictions will know that Kevin is my favorite character. So, of course the thing I'm gonna feel most strongly about is going to have something to do with Kevin Ethan Levin. So, sit down prepare yourself for a wall-o-text.

Osmosian. Look, I get that in the original series the PLAN was for Kevin to be a mutant and NOT an alien. But then Alien Force and Ultimate Alien changed that. They established that Osmosians were aliens. They established this so solidly that Omnivers' attempts to ret-con Kevin back to being a mutant makes no sense. Take a moment to seriously think about just how large that conspiracy has to be in order for “Osmosian” the alien species to really be a mutated Earthling. Max, Kevin's, and Kevin's mother's memories were altered, Aggregor is an experiment to replicate Kevin's powers, Ragnarok was really a Rooters agent, the Osmos System is an uninhabited system that Servantis altered the records of in order to supply a “home planet” for his fake species. And all of this was done without the Magistrata or any other high-level Plumbers stumbling across the conspiracy or finding out. Its just so far fetched. Its to much of a stretch for it to be a legitimate explanation -and yet, its canon. What it is, is absurd. This is not good story telling.

It makes the world smaller. Remember way up at the top of this post when I was listing the things I liked about Omniverse and most of it was me just gushing over the world building? Well, the Rooters story arc and subsequent ret-cons are the exact opposite of that. Its not 'wolf building' its 'world shrinking'. By making Kevin a mutant Earthling instead of an alien-human hybrid, they robbed the Ben 10 universe of a planet, a species, and possibly a culture to explore. If they really wanted to make Kevin a villain again so much, they could have had a story arc ret-conning Devin instead. Make Devin an Osmosian double agent who was supposed to infiltrate the Plumbers because Osmosians could be aggressive and warlike aliens (seeing how Kevin's so naturally obsessed with revenge, and Aggregor was determined to attain the power of a god, I think that's a plausible assumption). But, Devin accidentally fell in love with an Earthling -Kevin's mother- and quit his mission. The story arch could have been Devin's old war-buddies coming to enlist Kevin to finish the mission his father couldn't. Kevin might go along with them as a way to get to know what kind of man his father really was. They could play it the same way they did in the Rooters story arc and have him just pretending to join the baddies in order infiltrate them and help Ben defeat them and save Earth. Or they could make him OD on energy and go crazy and become a legit villain again. Either way, keep Osmosians as aliens would have been a better story than making them mutant Earthlings AND it would have been another great opportunity for more world building.

Ret-conning Kevin's backstory was cruel. Kevin has almost no positive male role-models. Thing about it. Think about his life. When Kevin was young, his male role-model was his step-father, an average human with nothing special or noteworthy about him EXCEPT THAT HE WAS TERRFIED OF HIS STEP-SON. Think about that. Kevin's first male role-model was afraid of him. How positive an influence could Harvey have been if he was scared shitless of an eleven-year-old child? Then Kevin was trapped in the Null Void and sent to prison where he met Kwarrel. Now, Kwarrel was shown to be a fairly decent guy. But lets also keep in mind that he is in an maximum security prison within the Null Void, so he must have done something pretty bad to be sentenced there. Also, keep in mind that we only got to see a few short flashbacks of Kwarrel and they were all through Kevin's point of view -usually of Kwarrel mentoring him. But we also know that Kwarrel was “top dog” in the prison. The only way to stay that was in jail is to rule through strength and intimidation. We saw Kwarrel being all nobel and empathetic, but that doesn't mean he wasn't also sometimes aggressive, violent, or even cruel to the other inmates. Omniverse gave Kevin NOTHER super-shitty role-model in Proctor Servantis. Amoral, self-serving, uses children as experiments and puppets, fucks with people's minds, and devotes his entire life to destroying one single human boy. The only truly positive male role-models Kevin has in his life are Max Tennyson and the memory of Devin Levin -except Omniverse made it so that Devin never actually existed. That was just downright cruel.

So, that's what I think about Omniverse.

[anotheruserwithnoname]

Thoughts on Star Trek Discovery after 5 episodes

(Spoilers for Discovery S01E05 and Orville S01E06)

Episode 5 of Star Trek Discovery aired last night in Canada (up here the network Space airs it, so we don’t need to rely on streaming to view it). “Choose Your Pain” was its title and it’s ironic that it aired a few days after The Orville’s surprisingly hard-hitting “Krill” because it actually allows for something very close to an apples-to-apples comparison.

I’m going to go into spoilers, plus this will be a very long post (apologies; this is Exhibit A to show why I’m not on Twitter), so I’ll put a break here. The tl;dr is that, although I’m still willing to give it a chance, I’m still not “feeling” Discovery, which after 5 episodes is a concern; whereas, I find The Orville not only captures the classic spirit of Trek better, it managed in one single episode to make its Klingon analogue more interesting than the real Klingons in their current incarnation.

Before I begin, I wanted to set the scene to explain where I’m coming from. There is a lot of Discovery-bashing going on, and I don’t support that and this essay isn’t intended to be a bash. Although I am very critical of the show and not 100% certain that I’m going to stick with it much longer (though I’ll probably stick with it till its midseason break, at least), it’s not my intent to become a basher because then I’d be a hypocrite. I was a defender of Star Trek Enterprise throughout its entire run, and was upset to see it bashed mercilessly, to the point where I divorced myself from Star Trek and Star Trek fandom after it ended in 2005. Fortunately, Doctor Who had just come back on TV so I switched my allegiances to Who (which I’d been a fan of since the early 80s, but it became more intense). Fast-forward to 2017, and due to a mix of disappointment over what the series has delivered since Christmas 2015, combined with decisions regarding the show moving forward, I'm now divorcing from Doctor Who (as anyone who follows my blog knows). So with Star Trek back on TV the opportunity to move my allegiances back to Trek exists ... but Discovery isn’t doing it for me. Not yet. Instead, The Orville, Seth MacFarlane’s underrated (in more ways than one) homage is the show that is earning my affection. I know I’m not alone in that.

But here’s the thing, and why I don’t really see the need to “bash” Discovery: because The Orville is so much like “proper” Star Trek - the optimism, the crew-as-family dynamic, the introspective and “ripped from the headlines”-inspired stories, and general sense of fun - this actually allows Discovery to seek its own path (even if that means delivering “improper” Trek), allowing both shows to co-exist (which they could regardless - it’s not as if they’re in direct competition).

But Discovery has problems. Before I get into that, though, some positive thoughts.

This week’s episode introduced Rainn Wilson as Harry Mudd, a character immortalized by Roger C. Carmel in the original series. And I thought he did a good job. I don’t have the same issues with recasting characters as some others do (I liked the guy they had playing Sarek earlier, too). My only complaint is they made him darker than Carmel’s version, which felt a bit inconsistent. But then again this is 10 years before Kirk encountered him and people change (it could be argued that Carmel’s version is more insane than Wilson’s, and maybe we’re seeing why in Discovery). I loved the reference to Stella, his wife, which was a great call-forward to the TOS episode “I, Mudd”. Trivia: Carmel was supposed to reprise Mudd for an episode of TNG, but the actor died before it was filmed; I believe some aspects of what was planned for Mudd - including a scene where he was supposed to actually pay tribute to his frenemy, Captain Kirk - were later reused when they brought Scotty forward into the TNG era in “Relics”. So having Mudd appear in a modern-day Trek is an idea that’s been kicking around for 30 years.

Obviously, Mudd will be back and I’m looking forward to it. I’d rather he be the recurring baddie than the new Klingons. More on that in a moment.

I also liked the on-screen reference to Jonathan Archer, Christopher Pike and Robert April early in the episode. Robert April was established in the animated series as the very first captain of the Enterprise, predating Pike. Since TAS is not considered canon (or at least it wasn’t considered canon during the pre-2005 era; it might have changed since), this is the first “canonical” acknowledgement of April in live action. I appreciated that.

I also liked Capt. Lorca in this episode. After two weeks of being just “there”, Lorca came into his own with this episode. And his backstory is interesting.

But I have criticisms of this episode, and of the show itself as we hit week 5. Starting with a minor point, after four weeks of keeping a lid on language, the swearing in this episode was awkward and clearly put in there “because we can” - there was nothing charming or cool about the first use of the F-word (twice in the same scene, yet) in the Trek franchise. I’m not one to go “oooh, swearing, bad” (The Thick of It is one of my favourite TV shows, for god’s sake), but there’s a time and place, and it just didn’t work - it came across as vulgar and awkward. If they’re going to have people swear in Discovery, fine, but don’t make it feel like “hey, we can swear now!” Torchwood ran into this same issue - and the swearing during Series 1 felt unnatural as a result. If they want Lorca and his crew to turn the air blue, they should get Armando Iannucci in to show them how it’s done.

What will be the deal-breaker for me is if this show continues to be populated with characters I don’t give a damn about. I like Michael (who was for the first time not the focus of an episode) and Lorca has potential - all the characters have potential - but 5 weeks in they should be further along than they are in terms of establishing them, even taking into account the two-episode prologue and the fact a core character only debuted this week.

Five weeks in, and without cheating online, I still don't remember the names of most of the main characters because they’ve made so little impression on me. Michael is fine, Lorca is fine, and I know the new guy is named Tyler (mainly because I’m curious as to whether he’s related to Jose Tyler of Christopher Pike’s Enterprise in “The Cage”), but the rest - by now they should have made enough of an impression for me to at least remember their names, not just call them “Michael’s roommate”, “the jerk who runs the spore drive and who might or might not be the chief engineer but we can’t tell”, “Odo 2.0”, “the doctor who lives with the spore drive guy and who I thought was the ship’s doctor until he mentioned that he answers to a chief medical officer who we’ve yet to see”, “the incompetent who got herself killed by the spore monster last week in a scene Seth MacFarlane would have rejected as too silly”, “the roboty woman on the bridge who kinda looks like Nebula from Guardians of the Galaxy,” and “the woman whose head is half shaved”. In fact I think this was the first episode in which those last two individuals were actually identified by names on screen.

By comparison, I had not just the Orville character names but their functions nailed down by Episode 2 of that show. And I had much more invested in them as characters, even early on (and by “Krill” I find I want to know more about what’s happening with Borus and Klyden and their child, Alara’s love life, and whether Ed and Kelly are going to get back together or not). With Discovery it’s almost as if they’re all being set up to be redshirts. (As it is, I really don’t expect to Michael’s roommate - I looked it up; her name is Tilly - to survive the season. Too much telegraphing about her being naive and having dreams for the future.) Maybe they are if the show is taking the Game of Thrones “anyone can die” approach and if there is a reason why we’ve never heard of Spock having an adopted human sister before now.

When I started writing this very long (sorry!) blog entry, I mentioned an apples-to-apples comparison between Discovery and Orville. This week, “Choose Your Pain” and “Krill” both involved captains boarding enemy vessels and learning more about the bad guys. And it really drove home the fact that the new Klingons are rather boring. Never mind the different make-up and all that - I’m sure they’ll come up with a workaround to explain that the same way Enterprise did back in 2005 with the Augments story arc (and I didn’t miss the fact they name-dropped eugenics this week) - they just don’t have the spark of the Klingons of old, or even the Abramsverse versions. Not saying there aren‘t promising signs - I kind of like the fact the show is shipping cult leader Voq with the female officer L’Rell. Every episode so far has included focus on the Klingons. But in only one episode, The Orville managed to develop a very well-rounded picture of the Krill, making them relevant, interesting, sympathetic, and “villains” we want to see more of. The Klingons on Discovery? I want more Harry Mudd, fewer Klingons. Of course, a big difference between Orville and Discovery is the use of humour. Discovery pretty much has none, while Orville is a dramedy. Which was driven home during the climax of the Discovery episode when we were actually treated to an unexpected piece of Orville-like comedy when the female Klingon captain, who has the hots for Tyler. Encountering him trying to escape, she let off with something like “After all we mean to each other, you’re leaving?” (not an exact quote). It was a funny moment, but poorly timed. Seriously, we’re supposed to see her as a threat (and an ongoing one seeing as Lorca doesn’t finish her off as opposed to every other Klingon he encounters), and she spouts dialogue more appropriate for a spoof? Compare to The Orville, which usually knows when to be funny and when not to be. Having Ed Mercer and Gordon Molloy facing the possibility of having to kill a bunch of Krill children in order to save a human colony, and Mercer saying “If we kill those kids ... we have no souls” was a far more hard-hitting and dramatic moment than anything “Choose Your Pain” offered. And once things got serious, they got serious. The ending of “Krill” was chilling as Mercer realized that instead of saving a bunch of kids, he created a bunch of future enemies instead, instantly giving the series a long-term aspect as the potential is there for it to revisit this fact years from now, if it survives that long. The Avis rent-a-car jokes were funny, and the opening sequence where Bortus does his best Matter-Eater Lad impersonation (Google it) was cute, and I loved the gag where Ed starts talking before Alara can open a channel, but it was the serious moments that made “Krill” stand out. The next episode looks serious as well as it casts a long-overdue spotlight on Lt. LaMarr.So to sum up: I’m not ready yet to say “Discovery sucks” as some have. I don’t think it does, despite all I’ve written here. It has issues, yes, but every Trek series has issues and teething pains. I am concerned that the characters aren’t gelling for me and that’s what’s going to make me decide to keep watching in the long term. On the other hand, The Orville is proving to be a great show that also has had its rough patches and its teething pains, but it managed to hit the ground running a lot faster in terms of establishing characters and stories and tone. I am in the market for a sci-fi show to replace Doctor Who, and so far The Orville is winning the battle against Star Trek Discovery. But I’m not willing to write Discovery off ... yet.