#be well. do good. i'm rooting for you!!!
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happy spooky season!! here's the Halloween header as it's own post! I'm not much of an artist but I thought this idea was really fun 🧡
#erasermic#but as jack o lanterns lol#aizawa shouta#yamada hizashi#my blog is Very Orange now#liza draws#i have a phone note from almost-midnight that just says 'EMIC JACKOLANTERN TUMBLR HEADER' i wrote blearily one night in bed#i hope you all have a good & healthy fall#and that we keep in mind those who aren't or can't#be well. do good. i'm rooting for you!!!#scheduling this for late bc i'm the tiniest bit embarrassed about how clumsy it is#but not enough not to post it bc it does spark joy#it was me and my free bingo stylus against the world and you know what i had fun making it
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Happy Valentine's Day! (and this blog's first post anniversary!)
#poorly drawn mdzs#better drawn mdzs#mdzs#wei wuxian#lan wangji#Woah...it's been a whole *year* since I took the leap and uploaded my 'first attempt' art.#It's outdated now but it holds a special place in my heart for the fact it started all of this off.#Calling this 'poorly-drawn' was always about accepting that my art was going to be imperfect and messy - and doing it anyways!#There has been a staggering number of times I have drawn something I almost didn't upload because I didn't think it was 'good enough'#only for someone to say they liked it - or that it made them laugh. And it has helped me realize -#-The worst critic for my work has always been myself. If I listened to it all the time...well we would not be here now B'*)#And now that I have dabbled in other fandoms I can truly see how lucky was to start out with the MXTX fans.#The supportive messages and tags have truly been a guiding force toward my artistic and self improvement.#I really can't describe how grateful I am.#Thank you for seeing something worth rooting for when I was just figuring things out.#Thank you for being sweeter than the candy I have strategically hidden in the nooks and crannies of this house.#But watch out! If you forget to find them we will get ants.#I remembered to not hide chocolate in the bed this year. Yes I know it melted last time. Yes it did stain. I'm still sorry.#Thank you for loving me regardless <3 Even if it looked like I shit the bed real bad.
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I'm sorry but James Vowles criticising how Red Bull has treated their drivers in the past, only to go and then treat Logan far worse while pulling the exact same shit Red Bull did, ie the exact behaviour he criticised and called them out for, is so freaking infuriating like the sheer hypocrisy -

#f1#formula 1#formula one#james vowles#logan sargeant#best of luck to logan in the future & to franco#but james its on sight#rooting for franco because he's being thrown straight into the deep end#like Singapore of all races will be his third f1 race#and as i said when it was announced daniel was leaving mclaren & oscar was getting the seat#it's never the drivers at fault for a teams shitty behaviour towards a driver#the hypocrisy from james is just leaving a very bad taste in my mouth#edit: also infuriating that of the latest batch of rookies oscar & yuki are the last ones standing#zhou currently has no confirmed seat#they're the only rookies of the past 4 years left#mick has no seat#nicolas latifi has gone back to business school which good for you nicky i hope you're doing well#sorry but i went back to university in 2023 too so i feel a kinship with him lmao#less said about that nameless haas driver the better#nyck is the endurance championship now i think#i dont think I'm missing anybody
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i basically watched like 5 minutes of the match bc i was so sick for all of it but even i know aryna was insane and basically unplayable
#i don't know but i watched one of aryna's last service games and jas was 40-15 and aryna saved the break points like it was nothing#and i did hear the comm say she was unplayable today#i did also see an incredible point won by jas at some point when i was not dying as much#well sigh. i'm not like sad. i love aryna obviously she's my everything#i hope she REDACTED#and even if i was slightly rooting for jasmine more bc like. you guys know i love my italians#i honestly did not expect her to win#but i'm glad she got this far. losing in the semi to the n.1 is perfectly okay. obviously you always wanna win but if you've gotta lose#it's gotta be against the best yknow#and considering jasmine's disappointing results so far this year i'm happy and i hope this (not the loss. getting to the semi) gives her#some confidence. yeah it's true ons retired but jas beat naomi who is not an easy opponent ever. i didn't watch that match but yeah#and despite not looking her best still she was solid enough in the matches i watched and i saw some good signs#some not so good still but. hopefully it gets better from here#sorry for rambling#i need to drink 1l of water now. i'm doing better but i'm a bit dehydrated
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Ep 4 :)
#I LIKE Dostoyevsky. I like how mysterious and unreadable he is. What is his goal!!!! Why does he do what he does!!!!!!! He's very cool#I think knowing his ability now REALLY adds to his character. Him being so smart so manipulative so disruptive in the way he–#seemingly kills people on touch! Only added to this impression of him being “demon” and “inhuman”#But now that we know his ability you realize... That's all his doing; no ability.#His ability in a way does help humanize him by reaffirming that except for the moment he dies– he's got no superpower at all!!!#It's just him.#And yet at the same time also solves the exact opposite role of dehumanizing him because if it's not his ability that makes him like *that*#then he's even different than other ability users!!! Then‚ if not an ability user‚ if not a non ability user: what is //he//?#It's all SO compelling!!! Also makes for an extremely insightful narrative parallel with Dazai#Not an ability user not a non ability user. Not good not evil. (I feel like Dostoyevsky does exceed the definitions of good and evil as–#much as Dazai does. If he causes evil‚ yet does so with the intention of bringing salvation to humans– is he really *simply* evil?)#Both have these borderline superpowers that make them extraordinary beings (we can call it super intelligence‚ but it goes from controlling#their own heartbit to everything else) but are unrelated to their respective abilities! Once again making them neither this or that#I find Karma's words at the end to be extremely insightful.“Ace was evil for sure‚ but this man isn't even evil.#He's a being from the beyond. A being that exceeds human limits.” Like!!! That's all that there is to it!!!!!!#Back to this chapter / episode. There's some themes / worldvies once again I don't agree with but narrative wise I think it's extraordinary#I feel like after the Guild arc the writing really matured a lot and this is a kind of preview of what the doa arc is going to be like#(aka very very well written especially if compared to the previous arcs)#The plot twists of this episode are all so unpredictable and exciting!!! I think it's remarkably witty how it takes advantages of previous–#clichés - villains always revealing details about their own ability in a way that is quite baffling - to actually surprise the audience.#It's so effective. How skillfully unpredictable Dostoyevsky is to the point you can never guess what he will do next!!!#Him killing Karma is... Idk so so soooooooo interesting. I could talk about this forever but I'm being very dispersive in the rable and–#running out of tags. The whole episode you're sorta rooting for Dostoyevsky. He's very cool and comes out charming in the way he keeps–#surprising the audience. He looks bothered by Ace's disregard of other people's lives and that makes him sympathetic too.#But then he kills Karma out of nowhere and it's an “Ah! You fell for his lies too– remember he's nothing but evil. He cares just as little#about life as Ace does”. And then??? Karma in his last words is himself so generous in his words to Dostoyevsky. It's baffling.#And it almost feels like thenarrative is once again turning around and telling you you should root for Dostoyevsky.#It's endlessly fascinating.#I have more to say about the worldviews I don't share and the art style Dostoyevsky was portrayed with this episode (love it!!)#But alas ran out of tags
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Okay so Twinkle Kuuchuusen is AMAZING (as expected and I will try to gather my thoughts about it later), but THE SOLOS OH MY GOD THE SOLOS AND THE LYRICS I'M!!!
They both reference 2x2 a lot, and you can see their development so much from their previous solos! There's a big theme of acceptance and both and they're driving me crazy with it!
Hinata's '"street" being bathed in blue and how he accepts it as a part of himself before declaring he's going to light it up with colors because he'll love himself even more!!! The way he doesn't try to gloss over the negative but decides he'll stick to his positive worldview while taking everything in stride! How he knows now that no matter how far they drift their hearts will always reconnect!
And Yuta walking the line between two worlds confidently, not looking back into the shadow of days past and pushing ahead into the unknown! Going all out and no longer suppressing his feelings, engraving them into his heart and making bold decisions as himself! The way he connects their worldviews with their differing light, knowing someone will always be at his back no matter what!
If there was ever any doubt within me about the future of 2wink, I feel like these solos resolved it. They really have come to a temporary truce and peace with each other, they'll stay together while continuing to push and compete in their separate ways. These songs feel like letters to each other almost, about how they're able to move forward with their own worldviews without shame, but will always hold the other close. And even if they do come to that breaking point in the future, after the dust has settled, they'll still be there watching the night sky - in a much better place than where they started.
#i have so much i could say here on god#my breath literally caught when hinata sang “I'll love myself even more” like PLEASE DO YOU DESERVE SO MUCH I'M SO PROUD OF YOU#i am so pleased with the direction they took yutas in it captures his new personality and motivation with the way he still cares so well#2wink climax was amazing but it also scared and emotionally broke me so i am so happy that the solos are what i hoped#people debate !! era writing which is reasonable but god. !! era 2wink has NEVER missed honestly they did them so well#hinata and yuta being so underrated always baffles me bc my valkaloidp ass is always so ready to dissect and appreciate them#2-3rd fav unit they are so good i need the fandom to appreciate them more please#my ohshc manga hitachiin roots may be showing here but damn it a well-done codependency-breaking sibling arc will always get me#enstars#ensemble stars#ensemble stars music#enstars solos#2wink#hinata aoi#yuta aoi#yuuta aoi#raelyn rambles
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The absolute defeat of scraping my curls back in a tight bun because they refuse to stop defying gravity
#not in a fun voluminous way#but in a 'god i fucked up the post shower routine and now this entire wash cycle was a waste' kind of way#i would shave my head fr if i didn’t love my hair when it cooperated with me#🙄#and it was doing so well recently. perfect ringlets and curls up to the roots. wahh#sorry for vanity posting#if you have consistently good hair i'm so happy for you lol#nttalks
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See, I think the thing about deranged, toxic relationships in fiction, is that everyone involved has to actively choose to walk into or keep coming back to this relationship. That's the interesting part for me. What would make someone, against every single ounce of reason, decide that being in a relationship like that is genuinely worth it for them? Why would someone willingly put themselves in that situation? What has to be going on in their psyche? What do they get (or think they get) out of it?
If the toxicity is one-sided or one party is completely railroaded into the relationship at every turn until they finally cave, or there's some outside force trapping both of them in the relationship and they don't actually want to be there, that's not particular interesting to me, personally.
(Obviously, other people can disagree with this; people have a wide variety of opinions and ways they engage with fiction, which is good, actually. I'm simply talking about my own thoughts.)
#also. and I had a conversation about this a while ago with a friend: the versions of this I gravitate toward tend to be ones that...aren't#well-loved by fandom. there are some examples of Complex Toxic Dynamics that ARE praised and popular and end up as examples of#Love Stories Of All Time. but those are...even if it wasn't necessarily INTENTIONAL. those relationships become palatable in some way#to the wider audience. and. I think you all know by now: I am not interested in being palatable#(obviously there are some exceptions to this: like people really like The Fucked-Up Soulmates from one of the movies of all time di revenge#*do. I'm on mobile & I'm lazy I'm not retyping all that)#(and dr/master has a fair amount of love--even if I wouldn't say it's The™ ship of the fandom at large)#but I think...idk. there are some examples of this where it seems like the creators are trying SO hard to make the toxic romance somehow#palatable or relatable to the audience. or like...done in a way to try and make the audience actively root for it.#and again part of the appeal TO ME. is that the people are allowed to be deranged in ways that AREN'T accepted or (how many times can#I use this word) palatable. or 'likable'. the appeal is that they're on the fringes of society and usually that includes 'within#the fandom/audience of the media they're from'#(I think...also. I just see so many toxic '''conventionally attractive''' white men irl. I'm a lot more likely to enjoy a dynamic if it#involves at least one character who isn't that demographic)#okay I need to go to BED#GOOD NIGHT
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[Additional Image Description: On a grey background, there are five small black line art illustrations lined up across the center. The first is a sword with a hooked blade pointing upwards, the second is a hand with magic curling up out of it, the center is a castle with wavy lines extending from it into a dark sky, the third is a beaker with steam curling up from it, and the last is a shortsword pointing downwards. The sword has a few dark red shading lines. In the lower right corner of the fanmix cover is the title, "heart of my own," in dark red medieval calligraphy font. End Additional Image Description.]
HEART OF MY OWN - A FANMIX FOR CASSANDRA DE ROLO IN THE TIME OF THE BRIARWOODS
Overgrown - machineheart // Edge of the World - Within Temptation // Ashes and Rust - Wynnie Stone // Take Me Home - The Paper Kites, Nadia Reid // Nobody (Live) - The Crane Wives // The Tangled Tree - Josienne Clarke and Ben Walker // Heart Of My Own - Basia Bulat // Don't She Run - I Draw Slow // Murder City - Abigail Lapell // Until the Fire - Ladytron // Control - Halsey // Lament - Mount Moriah // Catch the Light - Haroula Rose
Fanmix on YouTube
Fanmix on Spotify
#cassandra de rolo#cr1#music#fanmix#id in alt text#described#remember how i was like i spent $8 or whatever it was on paint from cvs because i wanted to make the cass fanmix a painted cover?#l + ratio + i did not have time + my camera isn't working so i can't even do a minimalist painted version#so here's literal clipart (not actually clipart its free use images from pixabay but lets be real. stylistically. its clipart)#you can see what my Vision would have been (i wanted to paint the above in medieval manuscript illustration style on a black#background where instead of the (very nice) castle in the center it would have been the sun tree/tree from the de rolo crest#with curling branches and roots filling the whole paper above and below as well#honestly i think artistic vision clip art edition turned out good! captured the vibe. even found a sword that looks like craven edge.#this is another thing i never made a follow-up post about and i'm going to do that rn (pandemic talk incoming)#i'm stepping away from the fandom by the live show because i can't watch them do a live show in a pandemic#like friends are staying in the fandom and i don't judge/care!! i don't *want* to leave i just can't watch or do art and fic for a#work of fiction after it gets real life human beings killed#thats my uncrossable line#its an incredibly sad and fucked up situation#and this week i'm trying to finish up some fanworks (this and another mix and two fics) that i had done or over half done pre-announcement#so i can get that out of the way and focus on. i guess irl is not the word but keeping in touch with fandom bros and practical stuff for#what i think will be a shitty last couple of weeks before the live show itself
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ok. i read tom king's mister miracle run and tbh? i don't think i vibed with it. but it DOES read interestingly as a proto-strange adventures though.
#shitpost#very similar themes of fatherhood and legacy?#and. you know. the choice whether or not to give up your child to end a galactic scale war.#mister miracle makes the correct choice (which is. complicated by the question of the reality of it all) vs adam strange#who makes the VERY WRONG CHOICE that makes him honestly a full villain of the piece (and he already was. as well. the war crimes)#but yeah this is the first tom king i didn't like and I DO see what people are saying about the repetitiveness of his choices as well#i think his narrative WORKS in strange adventures and in human target (esp human target as a noire)#but i do not really think it quite works here. his writing for Barda also feels a bit weak#which is odd because he is trying to ground the cosmic-scale story in by rooting it with the couple on Earth#so it just doesn't quite click as well#to me. and I'm not sure how to work with the ending and the theme of escapism seems... off? IDK.#It was interesting but I was kinda skimming by halfway through it b/c tbh it just didn't feel good to read?#like his other stuff even int he dark tone has felt GOOD to read. dramatic and interesting#(adding riddler: year one to the context of what ive read by him but i have no specific comparisons to make to that book)#the 9 panel page does get exhausting too so i think that adds to it#but the other works have that style as well so like. idk.#anyways. I also read Barda#the recent one. and THAT was great#I need to remember/recall what my dad rec'd for Mister Miracle#i was just scrolling hte app and saw the tom king run and got curious because i DO like some of tom king's work.#shrug#read Barda though it was so so so so so good
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thinking about the two endings you can pick in Clair Obscure Exp 33
haunted by people missing the point of the story
#IT'S ABOUT GRIEF THERE IS NO “GOOD ENDING”#SOMEONE HAS TO BE FORCED TO FACE THE PAIN EITHER WAY#the choice is do you also choose to hide from the reality of it or do you face it head on#no matter how much everyone else is begging for the alternative#You the Player are part of that grief motherfucker!!!!#I personally think there is a kinder ending and let me tell you#it is not the one where you run and hide#I'm the youngest sibling of 3 and there is 10 and 9 years between me and my siblings#I understand the position of one character so keenly#even /imagining/ what happened has me almost succumbing to a panic attack#I've thought and thought and thought about that happening#it scares me so completely#but you can't ignore what everyone else wants- you can't force them to conform to your comfort like that#if my brother begged me like that I would have been a wretched mess but I wouldn't have made that choice#that was a choice between honoring their love or clawing yourself to shreds with your own#I cannot say were I truly in her place if I would have been able to make a different choice#but the agony it caused... I wouldn't be able to live with that either#this game really touched on a deep rooted fear for me! if it's not obvious#and it told Such a good story with it#so seeing people going “X was right” or “Y was the real monster” and applying such black and white analysis of the characters...#it honestly feels like they played a wholly different game and experienced a vastly different story lmao#maybe it's just because of my own personal experiences but God#anyways I just woke and am sniffling a little into my coffee at 6 in the morning over a video game#because I decided to watch the other ending I didn't pick because I couldn't figure out how one specific character factored into it#and well! the answer was bad!! they exist in a really bad state in that ending!!!#god Damn this game is a masterpiece
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hmmm once again seeing some opinions that really really baffle me
#''ohhh the character writing is sooooo good!! the characters! the little decisions! the humanity!''#meanwhile I genuinely thought I was going to finish it and got really really close but abandoned it#in large part because I found the writing very tell-don't-show#the characters' motivations were not well defined and therefore difficult to root for#character development takes place more through circular arguments with one another that go nowhere#rather than any kind of action or cooperation or formation of deep camaraderie or knowledge of each other#so even though these people are supposed to have known each other for years and have been ISOLATED WITH EACH OTHER#they still feel like cardboard cutouts flopping around their shared living space to argue and occasionally stab each other in the back#come on now#like it's fine for that to exist i guess. but the best ever character writing? a master class??? give me a BREAK#hmm. anyway#the main woman barely has anything to do#i don't know anything about what her goals are or what she loves or what she does on the weekends#the one guy has a sympathetic backstory and doggedly overcoming a physical torture situation going for him at least#the other guy is capital e Evil and has a sympathetic backstory but never gets the chance to do something genuinely untaintedly sympathetic#and then he dies. and the moral is ''well sometimes that happens to people and we don't get closure :|''#okay??? screw me for choosing fiction. a medium that allows you to give closure and narrative satisfaction i guess#I'll go watch some documentaries or read a biography or something instead. my bad#and then the last character whose writing gets praised a lot is like. fine on paper. it's a good concept#but it's been done better before imo and once again it's all telling all the time#we do get to see her struggle occasionally and that's nice. that's good. it helps#but so much of it is hearing her complain about the problems rather than seeing how the problems affect her#and it's a thin line! this character clearly hit for a lot of people so I'm willing to admit that maybe this one was a me thing but still#anyway if you know what I'm talking about no you don't I'm saltyblogging in my own tags for a reason#it's not a problem i just DO NOT UNDERSTAND what I'm missing here#also i saw people calling it a comedy and it's just not. sorry. the tone starts lighthearted but it's not funny#it's like nose-exhale-at-an-overwrought-reference at best#which again. fine. but if you're gonna try and sell me a comedy it had better be funny okay
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can we have a conversation about how much ktm is in shambles? cause i’m hearing they’re having so many problems financially and apparently even technically. it seems like they got stuck from the start of the season and they are just not progressing. i get that the last few circuits weren’t stop and go circuits that ktm prefers but the performances were really worrying. now, no offense to binder but he clearly has no backbone, but pedro already scolded them this weekend because they are not working the way they should, is there a chance they finally decide to take a risk and develop a project around him? because i feel like that’s what they need to do, a bit like yamaha or honda did for vale and marc. also i’ve thought about the fact that a lot of ktm engineers are leaving ktm for honda, if honda is actually working on a good project for 2027, is there a chance that perhaps a rider like pedro could get them out of the hole they got stuck into? cause i think that would be very interesting to see. of course only if he decides to leave ktm which i hope he doesn’t cause i’d like to see him become the first motogp wdc winner with a ktm. also i can’t really see where else he could go if one day he decides he’s unsatisfied with ktm
love asks that clearly come from the heart. I've been holding off on being too mean about ktm because in a way I do want to save it for after the NEXT race. we're in austria now!! ktm's home race! which they've actually been remarkably successful at, given they're the only non-ducati manufacturer to ever win in the modern iteration of this race in the premier class - first in that quirky last corner shoot-out courtesy of oliveira in 2020 and then in that bizarre slicks in the wet performance by binder in 2021. which, okay, unusual races and all that, but it's a track they should be doing well at!! binder got two second places here last year. if they flop here, then the alarm bells will really be ringing
I guess we can get into an argument about what 'flopping' would even look like. it's entirely plausible that, hm, the first 4-5 slots at minimum are locked out by ducati again - honestly, at the minute another ducati podium lock out feels like the expected scenario. I have heard there's a decent possibility of rain on sunday, but by this point of the year I've been promised rain quite a few times so I'll believe it when I see it. if it rains, sure, anything's possible. a positive result for ktm right now would probably be... a podium, right, which in itself is pretty damning - how are ktm still this bad at actually winning races? last year, binder got a podium at silverstone, which isn't a massively ktm-friendly track. this year, they didn't get even remotely close to that. the ktm defence argument goes 'well, look at what everyone else is doing'. silverstone is a very aprilia-friendly track and they had a pretty disastrous weekend themselves this year. the less said about the japanese manufacturers, the better. but... well, ktm was kinda supposed to take it to ducati this year. they finished last year on a very promising note, with what really should have been a 1-2 at valencia. (the fact that they didn't convert on that maybe should've gotten some alarm bells ringing about the ultimate potential of that rider line-up, but let's not get into that.) after binder's performance at qatar, ktm surely should have been determined to be in the title hunt. they are extremely not in the title hunt
the thing is, anon, ktm does know that pedro is their title winner. the idea of 'developing a project' around him is tricky - because to the extent that ktm is capable of that, they will do it!! they're not going to develop the bike in a direction that suits binder over him, for instance, or completely disregard his feedback or any of that. manufacturers can struggle with being reactive enough to rider concerns... my sense is that ktm likes to throw a lot of stuff at problems, it likes to flex its muscles and use a lot of data and come up with big update packages and all of that - and for all the progress they've made in their bike development, clearly all is not yet well on the in-season development front. (cf the whole chattering thing that ducati has gotten a handle on and ktm hasn't.) manufacturers do sometimes have a tendency to believe they know best and not listen enough to their riders, especially when there's a disconnect between the riders and 'the factory' that's actually designing the bikes. yamaha is an interesting example of that at the minute, where a lot of their current problems are so long-running that you can find their roots in stuff jorge and valentino were complaining about YEARS and years back. they've become a lot more reactive in recent years and did do a lot to tackle fabio's complaints about the bike's top speed... but by that point, they were in such a hole that just 'fixing the top speed' really wasn't enough to actually make a competitive bike. still, part of the reason why fabio's decided to stick with that project is he feels like yamaha is finally listening to him - and if they'd lost him, they'd really be fucked, so that has to count as at least a little bit of a W
in terms of the valentino and marc comparisons, they are just about different enough that it'll only take you so far. with valentino, the simple truth is that nobody today could do what he did for the yamaha project in 2004. he couldn't do that nowadays; it just isn't possible for a rider and his team to make that sort of instant impact anymore. motogp is so different now, with all the aero and devices and all the other stuff casey hates. the balance of power, if you will, has shifted pretty decisively from riders to engineers. also, valentino by that point was a fair bit more experienced and a lot of the credit has to go to his even more experienced team for what they were able to do with yamaha's carte blanche. a rookie, however gifted, just won't be able to provide quite the same level of direction. with marc... well, the honda was fantastic when he showed up! best bike on the grid! it's not exactly an analogous situation to pedro in that what honda needed to do was 'keep being good'. they did listen to marc's feedback and it did bag them enough titles to make it worth their while, but it also did not send their bike down a particularly happy development route for anyone else riding that thing - which ultimately as a manufacturer is not a situation you should want. honda was already losing the development arms race to ducati in the late 2010s, but giving marc a fast if capricious bike and relying on his natural talent to ride around the issues managed to disguise the problems for a while... or at least make them hurt less. all in all, I'm not really convinced 2010s honda is a model anyone should be particularly interested in copying
what ktm should do is listen to pedro, obviously. I assume they're already treating him as their championship contender elect, but if they're not then, yes, they'd be idiots. and given how long it took for them to actually confirm his place in motogp last year, I am open to the possibility that ktm are being idiots here. whether there's a workable system in place to actually make use of that feedback and continue to progress is more open for debate, and that's kinda what pedro went to the factory to check in on. pedro today was talking up a "big, big step" in the coming few races, in part due to the impact of their two test riders and the more ktm-friendly circuits to come, so it'll be interesting to see if it lives up to that. beyond that, who knows? ktm does have money and resources and a track record of success outside of motogp to give it faith, but of course this year has been a disappointment. (quick note: I have seen the stuff about ktm being in trouble financially and obviously that would massively change all of this, but at this stage it's quite hard to judge how seriously to take that - so the rest of this ask will assume that ktm will continue having a lot of money at its disposal. if they don't, my analysis is that they're probably fucked.) the first bit of the season made everyone doubt whether the bike was actually better than thought and the riders were simply not taking advantage of it - which a few signs last year like 'surely dani shouldn't be this competitive' and the whole valencia thing already pointed to. now, it's definitely less competitive than last year and even their superstar rookie can't do all that much with it, so that's not great. they do have a little time to play with here, but not that much. pedro's signed for 2025-26, but if ktm doesn't start next season more competitive, it won't take long for him to start looking around. and even though you can't do valentino 2004 things in quite the same way anymore, this is clearly going to be a project that needs an alien-level talent to actually get it over the line. they've kinda managed to fail upwards into a very strong set of riders next year and they should be able to extract a lot of them for bike development purposes, but also their rider management has traditionally been godawful so it remains to be seen how that'll work out
that being said, pedro will be fine! I mean, idk if he'll be ktm's first premier class world champion. if I had to put money on it, I'd say it's pretty likely, yeah? but the 'where would he go' thing isn't really a big concern. all the big names have kinda hunkered down (as have the teams who signed them) with two year contracts that take us very neatly to the next rule cycle kicking in, which everyone expects will majorly shake things up. while this whole japanese manufacturer situation is massively annoying, I would be shocked if at least one of them aren't regular race winners again in 2027, and hopefully will already be so before that. most manufacturers except maybe honda have at least one star rider they're intending to be a title contender in 2027, and ducati has two. they probably won't all stay in the same place (even if they all remain reasonably healthy in that time) and there's bound to be at least one manufacturer hunting for a big name. pecco will be in his late prime and possibly grey-haired, god knows what state marc will be in *taps wood*, we have no idea how the whole jorge aprilia situation will work out. maybe yamaha will be so competitive again that they actually decide they want TWO riders fighting it out for a championship and we get a proper throwback in blue to the good old garage cold war days - which is where my imagination sadly fails me because I can't picture fabio putting up a wall or yamaha not sucking. maybe, like you say, pedro is just what honda needs to... well, honestly I don't think he could get them out of this hole - but perhaps in a couple years time when honda is looking healthier again, he's the kind of rider that could make it a title winner again. it'll be a new world! if pedro is as good as we all think he is, then obviously any manufacturer would be thrilled to get their hands on him, not least to deprive the competition of having him. how old will he be in 2026? about nine years old, I think? if I had to guess, I do kinda see him being a title contender around 2026-ish, because I just can't quite picture ktm making the necessary leap by next year so 2026 feels like a good way of hedging my bets and trusting his sickening levels of natural talent to make up the bike difference. one of my big remaining doubts is... well, it's actually been quite a while since a new manufacturer has won a rider's title. the last time was ducati way back in 2007 when they nailed the new regulations cycle and also kinda lucked into signing the casey stoner, but ducati had already been regular race winners for quite a few years before that. capirossi was third in the championship in 2006. I suppose aprilia got vaguely close in 2022, but that was a chaos season we don't have much reason to expect to see a repeat of any time soon, and in the end they also didn't get that close. ktm really needs to be getting into race winning form soon if they want to be thinking about titles. it's ridiculous that it's been over three years since their last win in the dry, and nearly two since their last win full stop. if I were them, I would maybe consider winning some races, instead of continuing to lose them idk. let's see how they do on sunday, eh
#this has been languishing unanswered for a good week but crucially i can get in my hot take before friday practise#also the binder dig lol. honestly i've never really got what his deal is supposed to be but i don't think a backbone would really hELP him#binder becoming ktm's golden boy of all golden boys was always kinda a weird situation#i haven't understood a lot of what ktm's been up to these last few years really. never been a believer in this set up#my ktm takes have gone from being very contrarian to incredibly mainstream this year which has been a satisfying journey#//#brr brr#batsplat responds#i think i've mentioned this before but i do have to state in the interest of fairness that i'm broadly rooting for ktm to fail here#i just have such deep contempt for their whole deal and *especially* their incompetent rider management#that it'd just be deeply funny to me personally if they fucked THAT line up. like you convinced them all to trust you and now what#and i'm not really invested enough in any non-pedro bit of next year's line up to feel all too bad if things go south. he'll be fine!!#i've basically existed in a very casey-ish state of schadenfreude about the ktm project since the start of the year#both when pedro was doing well and now they're all flopping. because at each stage it was kinda proof ktm had been fucking about#but i'm aware that all good things come to an end and am broadly expecting ktm to get their act together and win a lot to piss me off#by contrast i have a lot of respect for the aprilia operation but am deeply pessimistic about that thing's future. so goes life#it's the money thing unfortunately. that's what it all comes back to. ktm will fail upwards because they'll never run out of the shit#or ktm goes bankrupt and then we're all free!!#whereas my poor scrappy underdogs over at aprilia are relying on hopes and a prayer on that front#the fact they're so much better than honda and yamaha is... god let's not even talk about them don't get me started#current tag
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BLUFF ✰ mark grayson & mohawk mark w/ childhood bsf! fem! reader cw. canon compliant themes (ex. distress)
SUMMARY. when mohawk mark doesn't find debbie at his childhood home, he goes after the next best thing: you. he thinks you're together in this world too, and when he realizes you're not... well, how could he possibly give up such a perfect opportunity? / wc. 6k oops
— i started this to train my writing skills but it got out of hand T-T anyways enjoy <3
You didn't even notice your phone ringing. It must've been the third time it buzzed on your kitchen counter but for the life of you, you could not look away from the news. Invincible was laying waste to all the major cities of the globe, seemingly unprovoked.
Your breath caught when the news broke to process new information, senses finally tuning into the whirring behind you. You swiped your phone, barely glancing at the caller ID before answering.
"Hel—"
"Y/N, thank goodness." Debbie gasped on the other end.
You stood rigid. You've known Debbie your whole life. You and Mark were inseparable growing up—it was a rare occurrence to hear her so unnerved. Her unease was contagious, zapping through the wireless connection and taking root in your conscience.
"Are—" You cleared your throat, clutching the phone tighter. You walked over to the window, dragging down the blinds with two fingers and peeking outside. "Are you okay? You sound—"
"Fine, I'm fine." A shaky exhale was what you were met with, along with the sounds of a car starting up. "Honey, have you seen the news? You need to stay safe." A pause followed, too long to be natural. "Do you have anywhere else to go?"
You scrunched your brows in confusion. "Um... no, I don't. But from what they're saying on the news, the Invincibles are only targeting big cities."
"Listen. If you stay there—" Debbie's line crackled as you assumed she was driving away, far away from the neighborhood and fast. “—‘ll come for you.”
“No, you don’t have to do that. I've got my car if something goes wrong.” You pulled away from your phone, glancing at the call screen when you got no response. "Hello?"
"In light of new footage, we have information that—"
The TV fizzled out next, the low drone of cable replacing rowdy chatter of the newsroom. A low-pixel message of NO SIGNAL floated around the screen, bouncing off the edges.
You stared at yourself in the black reflection, wishing it would flip on again so you weren't alone with your thoughts. The paranoia was setting in... you could hear your heartbeat in your ears.
“Mark is—”
beeeeeep.
"Hello?" You whispered over the phone, desperate for Debbie's familiar comfort. “...Debbie? Mark is what?”
A rhythmic beeeep beep met your ears instead. You glanced at your phone once again—CALL FAILED.
"Ohhhkay." You muttered under your breath. This is fine, you soothed yourself.
The electricity in your house died out, gently setting you into darkness. With the TV signal lost and your phone disconnected, the cell towers and power grid were probably down.
This is fine. As long as you stayed inside, you'd be fine.
You pulled down the blinds once more, letting a shred of the sunset glow into your home. Your gaze travelled to Mark's house; across the street, a couple houses down. So easily accessible yet so distant at the same time.
You and Mark were attached at the hip for seventeen years—your entire lives. Separation should have felt strange. But just two years since growing apart, his absence almost felt... normal.
Almost like he was never there to begin with.
You went off to university. You assumed he did, too, but got more reliable intel when you connected with William. He shared that they both got into Upstate, as well as his girlfriend, Amber.
Girlfriend?
You remember the pause you took to process that information—the moment you realized he was moving forward while you remained where he left you. Facing the reality that you were no longer a part of his life.
"Stop fidgeting," You whispered with a little chuckle. "It's high school, not the end of the world."
"High school is where things start to happen." Mark whined as he pulled down the hem of his sweater. "Grades matter, who you hang out with matters, girls matter."
"Uh-huh."
"You think I would make a good jock?"
"You've got the look for it."
"Dumb?"
"Yes."
Mark rolled his eyes, a smile playing on his lips as you both walked up the steps to the next phase of your life. "That's not very nice."
"You can be anything you want, Mark." You groaned, deciding to be encouraging. "Literally. You're good at everything. You'll fit in wherever you want to."
"Okay. Too nice." He huffed and bumped into your side. "But thanks. I just..."
Your brows furrowed in concern when his head dipped, distress sneaking its way through his cheerful disposition.
"Stuff's supposed to happen this year. Big stuff." He was mumbling, unfocused like he regretted taking the conversation this direction to begin with. "I don't want to mess this up."
You wanted to tell him high school wasn't that deep. There were complete losers that all turned out just fine. Something about his expression, though... it was heavy.
You weren't sure what he was talking about, but you knew what he needed. You always did. "Whatever stuff you're talking about... it's gonna work out. You'll take it one step at a time just like you always have, and you have your parents at your side.... William, me."
He offered you a little smile. "We'll do this together?" He held out his pinky finger.
You giggle and interlocked yours with his. "Together."
He broke that promise pretty quickly. Different classes were the first step apart. From there, it only got harder to see each other.
Family stuff was Mark's favorite excuse—vaguely explaining family stuff had become 90% of your conversations. You figured he didn't want to tell you whatever he was really going through, which was fine. It hurt, but it was fine.
Before you knew it, you stopped talking altogether. You didn't think much of it at first—you were approaching adulthood, obviously you were going to get busy. You just thought you'd get busy together. You didn't even know what he was up to these days.
You drew back from the blinds with a long sigh, hoping that Debbie and Mark were safe. Wherever they were.
You trudged down into the basement to turn the generator on. The wooden stairs of the unfinished space crrrrrreaked under your feet. You waved away the dust, pounding your chest to cough the particles that snuck their way into your airway.
It was cooler down here, much darker without the ambient lighting of the sunset above. With your trusty phone flashlight, you managed to maneuver your way through the storage buckets and old boxes to the backup generator.
You grunted trying to pull the lever down. "Shit..." you cursed in disgust, feeling the grime and dust underneath your palm. i want electricity i want electricity, you repeated over and over to block out the icky sensation.
"Need some help?"
"Ah—!" you shrieked, spinning around in a panic. Your flashlight illuminated the figure in front of you, shadowed by the soft light of open door upstairs. "What—" who—?!
"Damn. Relax."
Vaulting over your initial dread, you grabbed something—a wrench or a hammer, you didn’t know, you didn't care—and swung it with all your might.
They caught it in their fist. Your breath shriveled up in your throat at how stiff they were, intercepting your attack without even budging. Their fingers curled tight around the tool and yanked you close.
"tsk, tsk," Their low voice chuckled. "Thought you'd be happy to see me, pretty girl."
You shone your light into the intruder's face, the tension in your body dissipating when you recognized—
"...Mark?" You squinted in the darkness, the flashlight just barely illuminating his face in a ghastly glow. "Wha... what are you doing here?" You huffed.
Blood was pumping through your system, telling you to get ready to run. Your nerves wouldn't calm their tingle even though you realized it was just Mark. Cuz it was Mark, right?
"Checking on you."
"Where's your mom?"
"Smart enough to leave home."
"Oh, yeah. She called. I thought you'd be with her..." You trailed off, frowning when you heard him laughing. "What?"
"Nothing." He hummed. "You're just so..."
"What?"
"Nothing, nothing."
"Okay..." You gave him a weird look. Then your brain caught up to you: Pretty girl? "Aren't you dating Amber?"
He took a moment to think, tossing the wrench aside and grabbing your wrist in his hand instead. "Am I?"
You pursed your lips, eyes narrowing. "I'm... asking you?"
He shrugged. "I wouldn't know."
"What—" You exhaled, brows knitted in confusion. You tried to pull away but he held firm; for every step back, he followed. "Mark, wait—"
Your phone clattered to the ground, the ray of light spinning chaotically through the darkness before it fell on its back.
"I missed you." He murmured lowly, almost reverent in the way he boxed you against the cold generator. "Shhh..." He calmed your trembling frame with his strong arms (when'd he get so strong?) wrapped around your shoulders.
He burrowed his nose in your hair. "It's me, bunny. Why're you so scared?"
This isn't Mark. Your heart pounded at your chest, eyes frozen and piercing into the darkness over his shoulder—Wake up, dumbass. This isn't Mark.
When your tremors refused to quiet, he pulled back with what you hoped was concern. That's when you saw his hair...
"Is that..." You whispered. The soft light from the main floor was fading, but reflected off the shiny sides of Mark's head. "Are you bald?"
What was he doing in the two years since you saw each other?
"Aw..." He laughed heartily, leaning further towards you and flattening his palms over the top of the generator. "Not quite."
He leaned to your side, breath fanning over the shell of your ear as he continued to snicker to himself softly. He grabbed the lever of the generator and shoved it down.
Your body jostled into his firm chest as it sprung to life. It went clank-clank-clank-clank, pumping electricity back into your home. You heard the melodic trills from upstairs as devices booted up again.
The light in the basement flipped back on. It didn't reach you. Mark towered over you and kept you in shadow. But you could see him—rather, who he wasn't.
"What?" Mohawk Mark grinned down at you, sadistic and teasing. "Not who you were expecting?"
No, not who you were expecting. He looked like Mark, sounded like Mark, felt like Mark... But your Mark had a kind face.
"You're not..."
"Nope."
You felt the heat drain from your body as you simply stared up at him, wide-eyed. Run. Where? Why the fuck was he dressed like ... Invincible...
A connection snapped together in your head, synapses clicking together like legos. Oh. Invincible. Everything made sense now, and you felt a little stupid for not figuring it out sooner.
And now one of those murderous variants you saw on the news was in your home.
"You're really out of it, huh?" He frowned, waving a gloved hand in front of your face. He sighed and looked away, "I thought you'd—"
You had the itch to burst into a sprint. You snatched your phone off the floor and ducked under his arm, skipping stairs to the main floor. Car. Keys? Where the fuck did you put them?
A shuddered whimper tumbled off your lips. You felt helpless, mind racing with too many things at once to pick one task and get out of there. You snatched your purse from the sofa, rifling through it to make sure your keys were inside before going outside.
"Come on, come on," You whispered, out of breath.
"Don't run from me, Y/N," Mohawk Mark sang teasingly, drawing out the last syllable of your name. "Hey, I'm just playing with you."
You screamed anyway, the sound harsh and high-pitched. He pouted, hand firmly around your arm to prevent you from breaking away.
"C'mon, baby. You're hurting my feelings. We're just having fun, yeah? A little roleplay?"
First off, you wished he'd stop calling you things like that. It felt wrong, but... good. With every pet name, he let butterflies loose in your tummy. Your heart pulsed, sending heat to your cheeks. Your brain reminded you, this isn't Mark... this isn't Mark... this isn't the real Mark...
Second, what kinda freaky ass fuck did he turn into?
You rolled out of his grip, barely making it a step away before his arm circled around your stomach, pulling you back into his chest.
"Get the fuck off me—" You squirmed uselessly, your phone and bag tumbling onto the floor. You yelped when he threw you over his shoulder, patting the small of your back affectionately as if securing cargo. "Mark!"
He just laughed, taking off through the door at a abnormal speed. Your nose smushed into his back under the acceleration, stomach somersaulted twenty times over as you soared up into the clouds.
He stopped in the air. With a hoarse shriek you clung to him as if he was your lifeline. He was, in this moment, despite everything. Your legs immediately latched around his waist, and he supported you with hands under your thighs.
"Oh, come on, now." He chuckled with a shake of his head. He easily held you and brought a hand to wipe your cheeks. "I'm just playing around. If I'd known you were this sensitive, I would've taken it a little bit easier on you..."
You hadn't even realized you started crying.
He stared at you, eyes trailing over your face. He laughed softly to himself. "Who am I kidding. No, I wouldn't have. You know how cute you are when you cry?"
You glared at him but his grin only grew wider. "What? M'not gonna hurt you! Haven't I shown you that?"
You stared at him incredulously, finally finding your voice and blowing up at him. Your fists curled, pounding at his chest and jabbing a finger in his face. "You broke into my home and have me hanging 100ft in the air?!"
"So? I'm not dropping you, am I?" You felt his fingers tap against your thigh.
"That—" Your cheeks burned. but from being embarrassed or flustered, you couldn't quite place.
"This world's Mark is the biggest piece of shit for leaving girlfriend all alone."
You blinked, "Girlfriend?"
"Yeah, you're..." Mark's head tilted, sharp eyes acutely aware of your confusion. "Ohhh. Don't tell me that fucker didn't lock you down."
You didn't even know what to say. Things were being thrown at you left and right and you were still on the fact that Mark was Invincible. Your mind rifled through all the headlines that had his name... all that pain, death, and destruction... and how you weren't there for him.
He clicked his tongue in disappointment. "Well. I'm a better version, anyway."
[]
The sun finally set on day 2 the war with no hope in sight. Mark just admitted Eve into the hospital—she stubbornly decided to help him with two of his variants and paid the price. Her broken leg was under construction, and she was unconscious.
Mark sighed as he closed the door behind him, looking up to see Cecil waiting for him in the hallway.
"You can't be here, kid."
Mark scowled. "The other Invincibles know about this place. They could kill her to get at me. I... can't lose another friend. I won't."
After Amber, Mark wanted to be with Eve. It was the next logical step, right? Both superheroes, went through a lot together, understood each other... But he couldn't bring himself to do it. Not even under Future Eve's advice.
Not when he still held space for you in his heart.
He was an asshole for it, he knew that. He couldn't put a date to the last time you spoke and he selfishly held onto your memory. Were you pining for him like he was pining for you?
His time with Amber taught him a lot. He wasn't going to make you suffer like she did. He wasn't going to ruin the friendship he had with you just because he selfishly wanted your love.
"We're losing this, Mark." Cecil sighed, snapping Mark out of his thoughts. The bruise on his face throbbed with every word. "The world needs you."
"You got every superhero on the planet fighting for you right now." Mark shot back angrily, shutting his eyes only to see you behind his lids.
"Mark. Oliver's out there. Your mother's out there." Cecil pressed, pulling out his phone. "Which reminds me. She left a voicemail."
With his interest successfully piqued, Mark listened as his mother's panicked voice played over Cecil's device.
"I can't reach Mark—if you see him, tell him I'm at Paul's. Oliver insisted on going out there, and I let him on the condition he finds his big brother."
Mark's gaze dropped down to the floor guiltily, a war of emotions swirling inside him.
"I couldn't stop him if I tried. He was going to sneak out anyway, but..." A sharp inhale. "I'm worried. I know they're strong, I know that. But these other versions... they're nothing like Mark." Seconds of silence passed as she collected her thoughts. "Can you check on someone for me? If all these Marks grew up the same, there's a childhood friend on our street that he was never without. I tried to reach her but service went down. Please."
Cecil pulled back his phone. "I already sent agents to her home—"
Mark's head snapped up, gritting his teeth in annoyance. "What did I say about going near my family?"
"I wasn't aware she was family." Cecil raised an eyebrow, pocketing his device and pulling down his cuffs.
"They're my responsibility. She's my responsibility." Mark retorted, running a anxious hand through his hair.
"A thank you would be nice." Cecil mumbled, unperturbed by the boy's argument. "Seeing as you are currently shirking said responsibility."
"Don't—" Mark lurched forward, a threat on his tongue. Cecil flinched backwards, his hand firmly in his pocket finding his controller.
Mark pulled back, dropping his fist. "...Just shut the fuck up, Cecil." He blasted off through the halls.
Cecil watched him leave with bated breath, exhaling slowly when he got the intel that Mark was off the grounds. At least he was out there.
[]
"I killed the Guardians, yeah."
"All of them?"
"Yeah. No big deal."
You raised your eyes in surprise but the notion wasn't as gruesome as you thought it would be. Blinded by love, maybe? Or were you just happy to be talking to Mark again, regardless of the version?
Hours ago, you couldn't imagine sitting in your bedroom with the man who invaded your home. But, genuinely, what were you supposed to do? Pick a fight and lose? Worse, die? You weren't so stupid to waste the goodwill he held for you.
"What happened to me in your world?" You asked, your voice quieter now.
Mark tilted his head, exhaling through his nose. His jaw flexed, like the memory alone was an irritation.
"The resistance killed you to get at me," he muttered, his voice dark, laced with something sharp and unhinged. The crazed gleam in his eye flickered under the dim lighting, like a fire burning just beneath the surface. Then, with an almost amused sigh, he shifted his weight, offering you a small, self-satisfied smile. "Don't worry. I made them pay for it."
You didn’t bother asking how.
Mark’s arm stretched behind you, draping lazily across the back of the pillows, his fingers idly toying with the fabric of your sleeve. Every casual brush of his fingertips sent a ripple of goosebumps across your skin.
"We were a good thing, you know," he mused, voice lower now, softer. gentle. "You didn’t fight me. You didn’t run. You loved me." There was a teasing lilt in his voice that you recognized.
That’s not so different here, you swallowed the thought, masking it with a roll of your eyes. "Did you love me?"
That made him pause. His gaze flicked to yours, brows furrowing slightly, like the question had caught him off guard. Then a slow smirk tugged at his lips, amusement flashing in his expression before he let out a low chuckle.
He leaned in so close you could feel his breath ghost over your lips. "Let me show you," he murmured, voice dark and filled with intent.
The air between you tightened as his hand trailed from your sleeve, fingers dragging along the bare skin of your arm, slow and deliberate. His touch was light, teasing, like he was waiting for you to react—to pull away or lean in.
You offered him nothing but a careful stare and the slow rise and fall of your chest.
His eyes narrowed, delighting in the challenge. His nose brushed against yours, his lips lingering just shy of touching.
Pull away, your brain screamed at you, ringing every warning bell it had in the book. This isn't right.
But his other hand came up, grazing along your jaw... and his fingers slid beneath your chin, tilting your head up, forcing you to meet his eyes... all of it felt so familiar, like something out of a dream. And it'd been so long since you saw his brown wells, you couldn't tear your gaze away.
Your daze was broken when you heard him laugh again. He adored the way you frowned in confusion, the moonlight twinkling in the reflection of your eyes.
“Aww,” he cooed, lips curving into a knowing smirk. “look at you. So easy. This world’s Mark has left you all alone, hasn’t he?”
Your chest rose and fell with uneven breaths as he tilted his head, watching you squirm.
“S'like you’ve been waiting for this," he hummed. His hand gripped your chin, tilting your face up, forcing you to look at him. His eyes darkened at whatever he saw.
“I’ll take care of you,” he murmured, brushing his lips over yours—you could feel him smiling. “Since he won’t.”
Stop, stop, stop. You wanted Mark, wanted him desperately, but not like this. Not with him.
You released the breath you were holding when he paused his fixation on your lips, head turning minutely to the side as if he was hearing something.
"For fuck's sake..." Mark scoffed, a low chuckle passing through his lips. "Speak of the devil."
What?
Mohawk Mark heard the whistle of air before you did, only clueing in when it grew louder. It reached a peak when a projectile CRASHED through your window—
You scrambled backwards on your mattress as splinters flew everywhere. Mark caught you before you tumbled off the bed, shielding you from the broken glass and wood.
"What's—" You began to ask, but over Mark's shoulder you saw him—the real Mark.
You just stared at each other for a moment, though you couldn't see much past his tinted goggles. But the slow scowl growing on his lips communicated all you needed to know.
"What the fuck are you doing here?" Mark—the real one—growled. "Get off her."
Mohawk Mark laughed into your shoulder, turning to face him. "Why? She's not yours, is she?"
Mark's eyes twitched behind his goggles, abandoning his inhibitions and diving at him, grabbing his variant's hair and yanking him off of you—
"Mark..." you warned, fear bubbling in your gut.
—your caution fell on deaf ears; Mark threw him up and drove him through the floor.
"Mark!" you yelled behind him, feeling the air whip past your face, following him as he crashed into the living room below. "Shit—"
Squeaking as you fought against the slope of the cavity, your feet, only clad in socks, provided the worst possible grip and you began slipping down the gap. Your breath caught in your chest as you felt yourself plummeting—
"Hey." His voice was urgent yet comforting, his arms tightening around your body in seconds, pulling you back from the edge. "I got you."
Your hand instinctively gripped his shoulder, grounding yourself as you realized you were suspended in his embrace. As he gently descended to the floor, your eyes moved quickly, scanning the outline of his goggles.
"You... I guess you know now, then." His voice was low, heavier than usual, like a weight he’d been carrying finally released.
The moment your feet met the ground, you stepped back, your heart pounding. Across the room, Mohawk Mark was sprawled on the floor, blood leaking from his nose, unconscious for now. Your gaze flicked back to your Mark, heart still racing.
"Yeah, I know." You snapped, the anger rushing through you, the frustration and confusion bubbling up.
His expression faltered, something unreadable flashing across his face before he sighed, almost too quietly, as if he were disappointed in himself.
"You’re angry," he observed, his voice tinged with regret.
"No shit, I’m angry!" Your hand shot out, slapping against his chest before it balled into a fist at your side. Every inch of you was yelling at him, every question, every unspoken feeling, everything that had been left unsaid for the past two years. "The first time I've seen you in two years and it's—it's not even you?"
"I know, I know," Mark’s hands moved to his mask, tearing it off with an impatience that only grew when it caught on his nose. He grimaced as he yanked it free, tossing it to the side. The dim light of the room revealed the exhaustion etched into his face, but even through that, you could see him—the real him, just... different. Worn down, tired.
"I can explain."
"You better fuckin start."
"Be mad at me all you want, but look at this." His arms gestured wildly around your place. "I was right to not tell you! It could've been way worse, way sooner if you knew anything about what I was really up to. Why didn't you leave when Mom called you?!"
"The phone cut off, asshole, I didn't hear everything she said, and I certainly wasn't aware that you were the one behind Invincible—"
He shook his head, dismissing the topic. He stepped into your space and held onto your arms. "Did he touch you?"
"Get off me."
"Did he touch you?" He pressed, shaking you slightly as his grip tightened around your biceps.
You blinked at him, caught off guard by the urgent crack in his voice. "Yes, but I let him."
He pulled away from you as if burnt. A heavy silence hung in the air, nothing but the clattering of broken floorboards crashing down from above.
"...He's a murderer, Y/N." He whispered, eyes narrowed.
You knew that. You knew he was right. "I was... vulnerable."
"He killed people—"
"Shut up," You snapped, cutting him off. "Don't lecture me; this is a nonissue. What was I supposed to do? Hm? Want me to pick up my fists and come out swinging like you did—"
"I thought he was hurting you!"
"My hero." You rolled your eyes, the words dripping with bitter sarcasm. You knew you were being unfair, maybe a little cruel, but you couldn’t stop yourself. You were exhausted from the many near death experiences you've somehow survived in the last few hours. Strung so tight you felt like you might snap.
Every inch of you was begging to cry and let him hug you like you both so clearly wanted... but the fact that it took something this bad to get him to show up? That hurt more than anything.
Mark stared at you, his face an amalgamation of emotions, like he couldn’t decide on one.
Should he be angry at you for being difficult, for making him work for this moment when all he wanted was to explain? Should he feel pain, the sharp ache in his chest that another Mark got to hold you before he did? Or was it jealousy, searing heat into his face, that another version of himself had been the one to touch you, to be close to you before he had the chance? Maybe... maybe it was the bittersweet happiness, the relief that he was finally standing here in front of you.
He didn’t even care that you were glaring daggers at him—he missed staring into your eyes, albeit hardened and displeased, making his heart race; the way you’d furrow your brow when you were frustrated, the way your voice would call out to him.
Mark’s hand twitched at his side, wanting to reach out, but he held himself back. Would you even allow it? The distance between you was far more than physical. He had a thousand things to say but in that moment, words felt hollow.
“Don’t look at me like that,” he finally muttered, his voice quieter, more vulnerable than he intended.
Childish.
You scoffed lightly, rolling your eyes again. "All that time and that's all you have to—"
Before you could finish, your world spun. The floor tilted beneath you as Mohawk Mark launched himself into you, sweeping you off your feet and through the door.
[]
"Y/N!" Mark yelled after you, breathing heavy in a panic. "No, no, no, no—" He launched himself from your home, bursting through the roof after you.
You barely heard him over the rushing wind. You clawed at Mohawk Mark's back, the height siphoning the air from your lungs. "Stop..." You ordered weakly.
"Changed your mind already?" He laughed, cradling you in his arms. Your head lolled against his chest. "Don't tell me you buy his bullshit."
"Mm..." The sharp ascent from ground level to the clouds made your head spin, vision darkening as you grew dizzier.
"You're fucking dead!" Your Mark came out of nowhere, shooting up beside Mohawk Mark and bashing his nose in. With a pained groan, he dropped you. "Shit—"
"Look what you made me do, dipshit!" Mohawk Mark snarled, shoving Invincible away and bolting after you.
"Don't—" Mark growled in frustration, racing against time. He watched as your limp body dropped helplessly against gravity.
It never changed. Whether he told you or not, you would end up in these perilous situations regardless. He cursed under his breath, catching Mohawk Mark's ankle and catapulting him into the night sky before pushing forward.
He collected you in his arms before it was too late, wasting no time as he shifted his direction and carried you off to GDA's hospital.
[]
The steady beep... beep... beep of your heart monitor was the first thing you tuned into upon waking up.
"Oh, good."
Your eyes fluttered open, slowly drifting towards Mark. He was bent over your cot, his hand on your forehead while staring down at you with stars in his eyes.
"You just passed out. Nothing serious, but I wanted to make sure." He mumbled, pulling back.
Your eyes drifted back to the ceiling, unfocused and hollow. There was too much—too much to process, too much to feel, too much weighing down on your chest all at once. It pressed against your ribs, thick and suffocating, a tidal wave crashing over you before you could even take a breath. Every nerve in your body screamed with something—fear, exhaustion, embarrassment, confusion—but it all blended together into one overwhelming, crushing force. Your mind was shutting down for its own sake.
The sounds around you dulled into distant echoes, the weight of your own limbs barely registering. Your chest rose and fell, but it felt mechanical.
"Y/N?" Mark whispered, brows furrowing in concern. "Hey." he poked your shoulder.
You shook your head, turning away from him as tears pooled in your eyes. God, you felt so embarrassed.
Mark frowned when you shifted away from him, any comfort he planned to offer dying in his throat. "I'm... sorry." was all he could say.
Nothing.
His leg bounced nervously, chewing at his lip as he fought with his own emotions. "I want to kill him for putting hands on you."
Your brows tightened. Not what you wanted to hear either.
He sighed heavily, running his hands through his hair. "M'sorry for blowing up at you. It's not your fault—"
"It is." You sniffled. "I missed you... so much, that I pretended that he was you..." you choked on the words, turning your back to him and burying your face into the pillow. "How pathetic is that?"
Mark's heart squeezed, kicking off his shoes and climbing onto the bed next to you. "Stop. Not your fault." He reiterated.
You scoffed and shook your head, laughing wryly. He frowned, and pulled you to face him. He saw your tears and felt his own pile up behind his eyes.
"I'm sorry." He whispered. "I told my.... uh, last relationship that I was Invincible. It didn't end well for her, and I didn't want to put you in that same position. Always unsure, always in danger, always waiting..."
"I'm not her, Mark." You muttered.
"I know." He pursed his lips. "I was gone for months at a time—"
"I waited two years for you, didn't I?" You pushed away from him and sunk back into the cot. "You didn't even give me a chance."
Childish. That’s how you sounded. Because in the end, that’s all you two were—two kids who once grew up side by side finding each other once more, with all the petulant hurt coming through the surface.
A beat of silence passed between you, with nothing but your heart monitor to keep the time.
"You said he touched you." He started.
You sighed, pinching the bridge of your nose. "...don't bring that up."
"No, I want to know." He shifted his weight, hovering over you. His face was painted with something foreign, green-eyed and greedy. "Show me."
Heat blossomed on your face as you lay in his shadow. "Mark..." You laughed nervously. "It was barely anything."
"You missed me so much you had to settle for that." Mark didn't look away from you for a second. "I want to give you the real thing."
You screwed your face up. Again, the thought passed through your mind: you wanted Mark, but not like this. "I don't want this to be a pity thing."
"No," Mark shook his head firmly. "not pity. Everything I feel for you has been there since... since I can remember. And it fucking boils my blood that a different version of me got to you before I had the balls to do it myself. Please," he whispered. "I need this."
"Need what?"
"You." He answered, like the answer was obvious. To him, it was. "I'm done waiting around."
You blinked at him before a soft smile spread across your face. "Me too."
Mark's lips brushed against yours with a gentleness that made your heart ache. He cupped your face in his hands, and you melted into him, your arms wrapping around his neck.
You let out a soft sigh when his lips parted slightly, allowing you both to breathe. You pressed forward, kissing him harder, feeling the intensity of everything that had been building between you over the years—years of longing, of waiting, of wanting something more.
Mark responded with equal hunger, his hands sliding down your back, pulling you closer. His chest rose and fell with each breath, his heart pounding against yours.
Where had he touched you? Mark didn't care anymore. By the time he was done with you, you'd know his touch and his alone, and he'd know every inch of you like the back of his hand. He wasn't leaving this room without it. He was allowing himself to be selfish for once; for you, it was worth it.
He sat back on his haunches, tugging his gloves off by his teeth before diving back into you, sliding his bare fingers underneath your shirt, sighing into your mouth as he squeezed your skin in his palm.
"You'll never need anyone ever again," He nosed your cheek, trailing kisses down your jaw to your neck. "Promise."
This time, you believed him.
— wayyy too self indulgent lmk if it was boring at places :)
© invoncible
#invincible#invincible show#mark grayson#invincible x reader#mark grayson x reader#invincible season 3#mohawk mark#mohawk mark x reader#invincible variants#invincible war#invincible variants x reader#invincible x fem reader
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surprise — spencer reid
pairing: spencer reid x fem!reader ( no use of y/n ) summary: garcia and derek go into spencer's apartment, while you're sleeping in his bed. the problem? no one knows you and spencer are dating content warnings: secret relationship , reader also works in the bau a/n: hiii !!! i'm back to my secret relationship roots and i hope you like this <3 bc i had so much fun writing this ( i've been writing it for ages and i'm finally happy with it)
"No, no," Spencer shook his head frantically, his voice almost pleading as Derek maneuvered the car into the parking spot at his apartment complex.
"Why not?" Garcia's voice was full of curiosity as she looked back at Spencer from the passenger seat.
The trio had spent the whole afternoon shopping for your birthday, which was just around the corner. Garcia, as usual, had already gotten everything ready—gifts, decorations, the whole nine yards. She even had a closet near her office packed with presents for you, waiting for the big reveal at the surprise party she was planning to throw at the BAU.
The whole mission was meant to be a fun, collaborative effort, the three of them picking out something special for you to celebrate.
But now, as Derek parked the car and they were all about to get out, Garcia’s sudden idea was making Spencer break into a cold sweat.
"I mean, we can just hang out at your place for a bit, right?" Garcia asked, her tone more like a suggestion than a question. She had already unbuckled her seatbelt, clearly excited about the idea.
Spencer swallowed hard, his fingers gripping the seatbelt.
"I don’t know if that’s such a good idea," he said quickly, trying to sound casual, though the nerves were practically radiating off of him.
"I have… stuff to do." His words stumbled, but Derek caught on immediately.
"You've got a date or something?" Derek teased, raising an eyebrow. "Come on, Reid, live a little."
Spencer’s face turned a light shade of pink, but he quickly deflected with a nervous laugh. "No, no date," he replied, but the nervous energy in his tone was giving him away. "I just—uh—need to get inside."
Garcia didn't miss a beat. "Come on, Spencer," she insisted with that gleam of excitement in her eyes. "It’s been forever since we just hung out at your place. You know, a little downtime."
But Spencer’s mind was racing, heart pounding.
The last thing he needed was for Derek and Garcia to come upstairs and see you there.
He knew you were in his apartment right now, sound asleep in his bed, curled up in one of his sweaters. This morning, you had practically melted into him that morning, clinging to him as he reluctantly told you he had to go.
You had been so warm, your face tucked into the side of his neck, holding him like you didn’t want him to leave. He’d rubbed soothing circles on your back, whispering that he’d be back soon, but you hadn't been ready to let go. Eventually, he had managed to peel himself away, promising to return as quickly as possible.
Now, his heart pounded as he watched Derek and Garcia hop out of the car without hesitation.
"No, no, no—" Spencer muttered under his breath, scrambling to open his own door. He practically stumbled out, rushing after them, but they were already making their way toward his apartment building.
They didn’t even wait for him.
"Of course," he thought bitterly as he hurried behind them. He knew he was too late. There was no way he could stop them now. His only hope was that you were still asleep.
And there was a high chance that you were.
Spencer knew your sleep schedule well—knew exactly how you curled up beneath his sheets, how deep you slept when wrapped in one of his sweaters. If he could just get inside before them and shut his bedroom door, everything would be fine.
As they reached the top floor, Spencer’s fingers fumbled in his pocket for his keys. His hands were practically shaking as he yanked them out, quickly jamming the correct one into the lock.
Slowly, he pushed the door open just a crack, peeking inside, praying you weren’t—
"Dr. Reid. What are you doing?" Garcia’s voice was laced with amusement as she leaned against the doorframe, watching him with a smirk.
Before Spencer could stop her, she pushed the door open wider, stepping inside.
Panic surged through him. His breath caught in his throat.
But—
You were nowhere to be seen.
His eyes darted toward the bedroom door. It was closed.
No sign of you.
Spencer swallowed hard, trying to compose himself as Garcia and Derek strolled inside, completely oblivious to the absolute terror he had just experienced.
Spencer quickly shut the door behind them, tossing his jacket over the nearest chair—something he never did. Normally, he was meticulous about hanging it up properly, but right now, his priority was making sure nothing seemed off.
Slipping off his shoes, he warily watched as Garcia and Derek made a beeline for his kitchen.
As they rummaged through his cabinets, Spencer seized the opportunity.
He darted down the hallway toward the bedroom, his socked feet barely making a sound on the hardwood floor. He cracked the door open just enough to peek inside, and there you were, still fast asleep, curled up under the blankets with his sweater draped loosely over your shoulders.
The sight made his chest tighten with affection, and a small, involuntary smile tugged at his lips.
He closed the door gently, careful not to make a sound, and hurried back to the kitchen before they could notice his absence.
Crisis averted.
He stopped in his tracks, however, when he saw the disaster unfolding before him.
“What are you doing?” Spencer asked, exasperated, watching as Derek and Garcia rummaged through his cabinets like raccoons.
Garcia, mid-bite into a granola bar, waved a hand dismissively. “Relax, genius, we’re just looking for snacks. By the way—” she held up the granola bar with a raised brow, “—I thought you hated these?”
Spencer froze.
He did. He never ate those granola bars.
But you did.
You loved them, so he always kept some stocked just for you.
He scrambled for an excuse, clearing his throat. “Uh—I just wanted to give them another try,” he mumbled, avoiding Garcia’s sharp, suspicious gaze.
Derek, now chewing a piece of toast, barely looked up. “Yeah, okay,” he said, mouth full.
Spencer shot him an unamused glare. “Can the two of you stop eating my food?”
“No,” Derek replied, taking another bite, completely unbothered.
Spencer sighed, running a hand through his hair. “You know, most people ask before raiding someone’s kitchen,” he muttered, though there was no real bite to his words.
Garcia giggled, popping the last bite of granola bar into her mouth. “Oh, come on, Genius. You love us. Besides, you’re acting super weird today. What’s going on with you?”
Spencer’s eyes widened slightly, and he quickly looked away, busying himself with straightening a stack of papers on the counter.
“Nothing’s going on,” he said, his voice a little too high-pitched. “I’m just… tired. It’s been a long day.”
Garcia and Derek just exchanged a look.
Spencer sighed, pinching the bridge of his nose. He needed to get them out of here before they found something they weren’t supposed to.
Like, say… you.
“Do you think she’ll like my gift?” Garcia asked, peeking at the bag on the counter, her fingers fidgeting with the ribbon.
“Most definitely, babygirl,” Derek answered without hesitation, dusting the crumbs off his hands after finishing his toast. “She’s been talking about it for weeks.”
Spencer, still trying to recover from his near heart attack, nodded in agreement. “Yeah, she’ll love it,” he said, meeting Garcia’s eyes with a small, reassuring smile.
Garcia beamed, clearly pleased with herself. “Oh, she’ll love yours, boy genius,” she added, pointing at Spencer. “You know her so well.” Her voice carried a teasing lilt, her grin mischievous.
“Maybe too well,” Derek chimed in, eyebrows raised as he leaned casually against the counter, arms crossed. His grin was knowing, smug.
Spencer stiffened.
“When are you finally gonna ask her out?” Derek asked, his grin widening.
Spencer felt his face heat up instantly. He blushed, but not for the reason they thought.
He blushed because he remembered the day it happened.
The way his heart had pounded in his chest, his palms sweaty as he rehearsed the words in his head over and over. He’d been so nervous, he’d almost convinced himself to back out.
But then he’d seen you—your smile, the way your eyes lit up when you noticed him approaching—and all his doubts had melted away.
When he finally asked, his voice trembling slightly, your reaction had been everything he’d hoped for. Your face had lit up, and you’d nodded so quickly, it was almost comical.
“Yes!” you’d said, your voice filled with so much enthusiasm that it made him laugh. In that moment, all his anxiety had washed away, replaced by a giddy, almost overwhelming sense of relief and joy.
“Aww, how cute!” Garcia practically vibrated with excitement, bouncing on the balls of her feet as she pointed an accusatory finger at Spencer. “He’s blushing,” she sang, her grin stretching impossibly wide.
Spencer groaned, shaking his head in exasperation. “Did you two come into my apartment just to eat my food and make fun of me?” he asked, arms crossed.
“Pretty much,” Derek said, completely unfazed as he made his way back toward the fridge.
Spencer let out a sharp breath, trying to mask his anxiety. He knew you were still asleep, but that didn’t stop the lingering fear that their loud voices might wake you up.
But then, Derek stopped in front of the fridge.
His eyes locked onto the calendar hanging there, and a slow, amused smirk spread across his face.
“Look at this, sweetheart,” Derek said, turning toward Garcia, his voice thick with amusement.
Garcia leaned in, her eyes widening as she saw what Derek was pointing at. There, on the calendar, your birthday was circled in bold red marker, surrounded by a carefully drawn heart.
Garcia gasped, clapping her hands together in delight. “Oh. My. God,” she said, her voice rising with every word. “Spencer Reid, you are down bad!”
Spencer felt his face burn even hotter. He wished he could disappear into the floor—or maybe just teleport to another dimension entirely. Anything to escape this moment.
Because the truth was, he hadn’t been the one to draw that heart on the calendar. It had been you.
He remembered the moment perfectly.
The day he hung the calendar up, you had been standing right there beside him, watching with an amused little smile. Then, without hesitation, you had grabbed the nearest marker—a red one, of course—and went straight to your birthday month, drawing a huge heart around the date.
"So you don’t forget."
He had chuckled, shaking his head as he stepped behind you, wrapping his arms loosely around your waist. Then, he had pressed a soft kiss to your temple, murmuring against your skin—
"I don’t forget anything. Especially not something like that."
You had giggled.
And Spencer had loved making you giggle.
Now, standing in his kitchen, faced with his coworkers’ relentless teasing, he was struck with the embarrassing realization that Derek and Garcia thought he was some hopelessly lovesick teenager who had scribbled hearts around his crush’s name in a notebook.
(Which—if he was being completely honest—wasn’t that far from the truth.)
But what was he supposed to say?
Tell them the truth? Admit that the woman he’d been secretly dating for months—the same woman they were here shopping for—was currently asleep in his bed down the hall?
Absolutely not.
But then—
The choice was taken away from him anyway.
Suddenly, the sound of running water echoed from down the hallway, causing both Garcia and Derek to freeze mid-sentence. Their heads snapped toward the source of the noise, their eyes widening as they stared at Spencer.
Spencer stared back, equally wide-eyed, his mind racing. You were in the bathroom, happily brushing your teeth, completely unaware that two of your—and Spencer’s—coworkers were standing in the kitchen, mere feet away.
“Spencer Walter Reid,” Garcia gasped, her voice loud enough to carry through the apartment. She clutched Derek’s arm like she was about to faint. “Is there someone here?”
“No, no,” Spencer said quickly, shaking his head so vigorously that his curls bounced. “It’s probably just my washing machine turning on.”
As if on cue, the bathroom door creaked open, and then closed again. Spencer’s heart sank.
“Oh no,” he mumbled under his breath, his stomach twisting into knots.
And then, there you were.
You padded into the kitchen, blissfully unaware of the chaos you were about to unleash.
You were wearing Spencer’s boxers, which hung loosely around your hips, and one of his Star Wars shirts that was far too big for you, the hem brushing against your thighs. Your hair was slightly messy, and you were still rubbing sleep from your eyes.
Then you stopped.
Blinking, you finally seemed to register the two extra people in the room.
Garcia. Derek.
Standing there.
Staring.
At you.
In Spencer’s clothes.
Two pairs of eyes stared at you. And you stared back, your own eyes wide, your brain struggling to process the scene in front of you. Spencer, meanwhile, was staring at the ground like it might suddenly open up and swallow him whole.
Garcia broke the silence, her voice low and uncharacteristically quiet—something almost more shocking than if she’d screamed.
“Am I… dreaming?” she whispered, clutching Derek’s arm like a lifeline. She looked pale, her usual vibrant energy replaced by sheer disbelief as she took in your disheveled state.
Derek, for once, seemed just as stunned. “I… no, I don’t think so,” he said hesitantly, his usual confidence replaced by uncharacteristic uncertainty.
He blinked at you, then at Spencer, then back at you, as if trying to piece together what exactly was happening.
“Spencer,” you hissed, your voice low but urgent. “What the hell is happening?” You tugged self-consciously at the hem of his Star Wars shirt, trying to pull it down further.
Normally, you were the picture of professionalism at work, always impeccably dressed and composed.
But here you were, standing in Spencer’s kitchen in his boxers and an oversized shirt, your hair a mess and your face still flushed from sleep.
It was beyond awkward—it was mortifying.
Spencer finally looked up, his expression a mix of guilt and panic. “I, uh… this isn’t—” he started, but Garcia cut him off.
“Oh no, no, no,” Garcia said, her voice rising with every word, her hands flailing dramatically. “You do not get to ‘this isn’t’ us right now. This is happening. This is definitely happening.”
She pointed a finger at you, then at Spencer, her eyes wide.
“You two. Together. In his apartment. Wearing his clothes. Oh my gosh, this is the best day of my life.”
You froze, your cheeks burning as you tugged self-consciously at the hem of Spencer’s shirt. “Penelope, it’s not—” you started, but she cut you off with a wave of her hand.
“Nope, nope, nope,” she said, shaking her head so vigorously that her curls bounced. “No explanations, no excuses. This is happening. I have been waiting for this moment for years.”
Spencer groaned, running a hand through his already messy hair. “Garcia, please—”
“No,” she interrupted again, her voice rising an octave. “You don’t get to ‘Garcia, please’ me right now. This is huge. This is monumental. This is—”
“A disaster,” Spencer muttered under his breath, though the faintest hint of a smile tugged at the corners of his lips.
Derek, who had been quietly observing the scene with an amused grin, finally chimed in. “Man, Reid, I gotta hand it to you. I didn’t think you had it in you.”
You groaned, burying your face in your hands. “This is so embarrassing,” you muttered, though there was a hint of laughter in your voice.
Garcia, meanwhile, was practically bouncing on her toes, her excitement palpable. “Oh, this is going to be so much fun. I can’t wait to tell—”
“No!” Spencer and you said in unison, your voices sharp enough to make Garcia freeze mid-sentence.
“You are not telling anyone,” Spencer said, his tone leaving no room for argument.
Garcia pouted, but there was a mischievous glint in her eyes. “Fine, fine. But only because I’m feeling generous. For now.”
Derek chuckled, shaking his head. “Man, this is going to be the best office drama ever.”
You groaned again, burying your face in your hands. “I’m going back to bed,” you muttered, turning on your heel and heading back down the hallway.
As you disappeared into the bedroom, Garcia and Derek turned to Spencer, their expressions a mix of amusement and disbelief.
“You’ve got some explaining to do, Pretty Boy,” Derek said, his grin widening.
Spencer sighed, knowing there was no escaping this. “Yeah,” he said, his voice resigned. “I know.”
#criminal minds fanfic#criminal minds x reader#spencer reid x reader#criminal minds#spencer reid fluff#criminal minds fanfiction#spencer reid x you#criminal minds x you#spencer reid#spencer reid fanfiction#spencer reid fanfic#criminal minds fic
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Why The Arcane S2 Finale Fumbled, Part I
arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.
Let's start with Vi:


Vi and Vander:
Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She took responsibility for the vulnerable, like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters).

Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. A big reason why Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Heimerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

Vander also passes on his sense of responsibility to Vi. He tells a repeatedly vengeful Vi how her ambition to show up her oppressors can overshadow the more pressing priority of looking after those more vulnerable than her i.e. Powder. Like Silco, his advice to his daughter is steeped in his own trauma of getting so zealous he didn’t stop to think what it would cost.
Vi and Caitlyn:
Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover (and getting revenge on Silco).
The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has also never fit into Piltover (and that's also shown in Season 2 act 1-2). She makes no connections with Piltovians besides Cait and (an already disillusioned) Loris who we see for like two seconds.
Vi and Jinx:
This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for The Lanes, she just wants to take Silco's creation--Jinx--out of the equation so it can work. Her priority, like Vander’s, is to keep the vulnerable of The Lanes safe, and both were willing to co-operate with Piltover to protect the people they loved. She believes, like Vander did with Silco, that Jinx (and by extension Zaun) is her responsibility. That the reason bad things happened to Zaunites (Vi’s and Powder’s parents dead on the bridge, Jinx’s mania) is their fault.

Vi blames herself for creating Jinx as Vander does for creating Silco. The only reason Vi agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to kill Silco, while Cait wants to kill Jinx to get her city (mother) back. Vi is still explicitly concerned about Jinx, who she has come to see as a threat to other people she loves (e.g. Ekko, Cait, etc). Vi became an enforcer to protect The Lanes and the (appearance) of peace. Vi internalized Vander’s words and doesn’t want war, even if it means Zaun never becomes independent. But she is doing it as penance for what she feels she didn’t do that led Jinx to become what she is.

The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers is ALSO ignored a lot by fandom, especially because her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx and her enforcer-arc is still centred around Jinx. This gets shoved aside for romance with Cait. All the time we could spend post-breakup focusing on the sisters, quickly circles back to Cait.
Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child.

Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. But we barely explore that. It’s just off to chasing Vander/Warwick only for it to not matter anyways!
(ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).
Summary of Fumbles:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for some (ahem military propaganda) epic battle between humans and robots is very telling about the writers and showrunners.
-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes and robbing Cait’s actions of their appropriate weight.
-(above is an excerpt from Amanda Overton's interview with TheGamer) The culmination of love for Vi's character ends with Caitlyn and not Jinx. Vi's character, whose love is explicitly centred on Zaun and her family, reaches its peak in romance with a Piltovian. To quote Amanda further: "If Vi had no one left to protect, she would fall in love." As if Vi had no ambition outside of protecting her family. As if her dream since she was a kid wasn't tied so much into Zaun. As if the reason she wore an enforcer outfit wasn't because of Zaun. As if Zaunites aren't suffering right under her nose. As if she was the only kid in Stillwater Prison and struggled to survive the whole time she was there. I can't pretend to stomach it. (Again, it's not that Vi shouldn't be happy, it's that the ship had to shove this aspect of her character aside for it to work). If they wanted to really commit to the Vi-in-video game origin story, they should have set it up better and stuck to it.
-Vi herself takes a back seat in most of season 2, and becomes a passive, guilt-riddled yes-man to Cait
-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite (and then separate) the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored during this time)
-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). I’m thinking it was kept because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative.
Yeah, yeah, Vi was overwhelmed by the breadth of love and forgiveness Caitlyn had in letting Jinx go, but that's bare minimum shit. Vi "always choosing wrong" because she *checks notes* keeps trying to reconcile with her sister instead of letting her go since she isn't Powder anymore? So she resolves her guilt by choosing her own pleasure and putting herself first for once. Okay, I don't have a problem with that except that Vi and Jinx were supposed to succeed where Vander and Silco hadn't--by reconciling! And you still won't get me to like the fact that so much of Vi's character arc gets held up in a Piltovian who encouraged her to do the worst shit to her OWN PEOPLE and then fucking turned on her when she couldn't kill her sister. It is frankly amazing how we're supposed to celebrate Caitlyn literally coming between the sisters. I'd rather Vi forgiving Jinx than Caitlyn. And if the whole appeal of Vi's relationship with Caitlyn is that she was overwhelmed with love for how Caitlyn forgave Jinx after she killed her mother, I don't see how a relationship with Cait automatically makes Vi feel less guilty, since Cait also makes her feel guilty for choosing Jinx (remember her accusation "you will always choose her" like sorry I don't want to kill my orphaned, traumatized sister who I ripped into for making an honest mistake as a child and who has carried that since). Caitlyn (as others have pointed out) got a whole ceremony for her mother and instantly turned on Vi's people. The Vi I know would have been like, "You really are all the same," and FUCKING DIPPED. And there's a little acknowledgement of this in act 1 where Vi accuses Caitlyn of acting like Jinx.
Both Jinx and Caitlyn are emotional labour for Vi. Vi still wants to protect Caitlyn from Jinx. There's not that much of a difference, lol, except that Caitlyn is a privileged Piltovian and Jinx is a victim of the abysmal childhood she suffered at the hands of enforcers. Yet the show is more or less saying Vi pursuing reconciliation with Jinx was a bad choice for Vi and the reason the cycle of violence continued (for some reason). The sister reconciliation was what I was here for, personally. Cute ships aside. But noooo, Vi should forgive Cait (not Jinx) to stop the cycle.
And having jail sex is a liberating act for her because it's where they had their meet-cute. (And we're all good bc Caitlyn gave up the Kiramman seat, lmao, like sure okay).
It's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).
Let's Talk About Victor:

Viktor and Heimerdinger:
Heimerdinger and Viktor were the most polar of opposites. Heimerdinger was not only a privileged, ulta-wealthy Piltovian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.
Viktor and Singed:
Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution," which the show hinted at from Season 1 when Singed explained his experiments to Viktor. While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. This is because of Sky’s death (which is partly why it is her who is in the Arcane with him).
Sky’s death is what makes Viktor beg Jayce to destroy the hex core, since he couldn’t do it himself. He is willing to die if that means no more innocent people do. But here’s where I get a little touchy. VIKTOR didn’t KNOW she was there. Viktor was simply desperate to live. Sky’s death was not malicious (even if it’s true to his character that he’d feel guilty anyways). It is at this point that Viktor has Jayce promise him to destroy the hex core (and by god is this where a lot of my contention with the finale comes from). Also, it is important to note that Viktor’s self-loathing is depicted only in regard to Sky’s death (NOT HIS BAD LEG). Now Viktor feels guilty not just for Sky’s death, but also necessarily for trying to live (AND PLEASE KEEP THIS IN MIND). TRYING TO LIVE is subtly treated as an AMBITION that, for Viktor, interfered with his ethics. (And please note that in the end, Singed, who repeatedly embraces unethical practices for reviving his dying daughter gets what he wants).

Anyway, in S2, Jayce blasts Viktor in the chest and all that conviction goes out the window. All this despite Sky (his conscience and “humanity”) being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (apparently because Jayce did it or something). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Because the arcane is corrupting him? That’s convenient for a certain political narrative. Especially because anyone would hesitate pressing a button (in Viktor’s case smashing the hex core) that would guarantee their death. Viktor was being human, not corrupt.

Viktor and Jayce:
Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore.

Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them.

Children dying of disease and violence in The Lanes was by Piltovian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell!
Like I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment.

Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Why does wanting progress equal wanting perfection? You are changing the subject and that is cheating!!!!
Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.
The Glorious Fumblings (A Summary):

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her enforcers “hunt us down like animals"). Cait knew the humanity of Zaunites was real. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes. AND THAT’S JUST IT. Why the Zaunites do what they do isn’t simply because of love and hate, but because of the desperate circumstances they are forced into by their oppressors. Why the Piltovians do what they do, isn’t because of love or hate, but because they are bread in luxury and affluence. Pretending that’s not the case is an insult to the work put into Arcane’s first season (and anyone with a brain and basic empathy).
-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced. Like most of the finale.
-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. I DON’T CARE if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.
-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.
-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.
And Then There's Jinx:
Jinx and Isha:
Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% I DON’T CARE. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Now Jinx sees herself as even more of a poison to those she loves (because she can’t protect them like Vi can and frequently kills them while trying to do so). Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter (and Isha’s surrogate mother). To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together and get Jinx to embrace all she is (both the Jinx that Vi rejects and the Powder that Silco rejected), but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Or perhaps, Isha was a commentary on the cycle of violence. But that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?
Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others. Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life. And most definitely NOT romanticizing her pain.
Jinx and Ekko:

Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others).
Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. All that’s ever kept them going is the love of their families. Jinx just doesn't have the same faith in her ability to be their hero as Ekko does, but Ekko manages to convince her for a moment anyways.
Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. I know people have gripes with this Jinx being the hero of Zaun when she literally killed Silco, opening the market for other gangs, but her most famous act is the bombing of the Council, which pretty much all Zaunites were unaware was about to grant them independence. To the average citizen of Zaun and Piltover, Jinx was the symbol of a revolution (even if Jinx didn’t see herself that way and didn’t really want to be). Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX WHERE HE SAID SHE COULD BE USEFUL TO HIS WORK. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)
Jinx and Silco:

This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose (someone to love and be loved by and protect) and nurtured her talent (one that many others scorned). Silco accepted Jinx even though he weaponized her (which backfired for him). As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it.

Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING, INSPIRING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!
I Wonder Who Put All Those Holes In You (Fumbling Summary):

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltovians instead of herself, which needed to happen to complete her arc.
-Isha and Vander misery porn
-(above is an excerpt from Amanda Overton's TheGamer interview) to paraphrase: "SO OUR GRAND CONCLUSION TO VI AND JINX'S ARC WAS TO CONFIRM THAT YES, JINX WAS INDEED A JINX (AND NOT PILTOVER OR ANYTHING HAHA) AND THE SISTERS WOULD ONLY HAVE PEACE IF THEY NEVER RECONCILED - JUST LIKE THEIR FATHERS BECAUSE THAT WORKED OUT SO WELL THE FIRST TIME! :D THE REASON THEIR LIVES ARE IN SHAMBLES ARE PURELY BECAUSE OF THEIR OWN PERSONAL FAILINGS AND NOT AT ALL BECAUSE OF THE SITUATION PILTOVIANS HAVE PUT ZAUNITES IN! XD WE THINK THIS IS ALSO A FANTASTIC THING TO TELL MENTALLY ILL PEOPLE." :)
-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Zaun should have been the completion of her arc, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!
Conclusion
If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.
These are where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover. The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.
But what, instead, do the writers brandish as this solution to the cycle?
Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.
TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.
And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.
P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.
EDIT: I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!
EDIT AGAIN: Here's PART 2.
#zaun#arcane#arcane season 2#jayvik#timebomb#ekkojinx#caitlyn kiramman#vi#vander#silco#jinx#ekko#isha arcane#jinx and isha#caitvi
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