#be sure to read the examples they list so you know the context

[croquettish]

hey! i read through your big post on medieval sexuality wrt hansry and i did notice that you did use the terms 'homosexuality' and 'heterosexuality' throughout when discussing medieval sexuality

I didn't see 'Heterosexuality as a Threat to Medieval Studies' by JA Schultz in your citations so thought I could get your thoughts on what Schultz said about reading 'heterosexuality' into the past

-- Z

So for starters I will say that Schultz' article is wild.

He is swinging a bat at so many hornet nests in that thing. There was one footnote of his that was so downright rude to someone I know is a brilliant scholar of medieval queerness, and that instance was far from unique. I will also say that his ideas are... uh, somewhat limiting? To say the least. He acknowledges that we need modern ideas to talk about the past, but at the same time insists that when we use those modern ideas we are doing damage to our analysis of it. That we are, in fact, doing violence by insisting on firm meanings and definitions. There were several instances where he suggested that other scholars were entirely committed to things they were conjecturing on actually being facts. Very strange.

Regarding the atemporality of our modern idea of sexuality as a marker of identity, Schultz's ideas (though they are perhaps more extreme than most) are hardly unique, and I think you'll find that that is a common theme that you'll see cropping up in most of the books and articles that I listed that mention sexuality or gender identity in context. This goes back to the social constructionist vs. essentialist debate and is something that I talk about at some length in the literature review of my dissertation. I hope you don't take this the wrong way, but while I believe such an addition to be entirely necessary in any academic work that delves into this topic, I don't believe that it has nearly as much of a place in a tumblr post on the topic. I'll be honest with you, it kind of feels like that would be pointless and preachy. We've all seen the "Sappho and her friend" jokes that are made about historians and their tendency to underplay queerness, like an example I gave quite recently involved the frequent bedsharing of Richard the Lionheart and Philip II where a historian insisted that bedsharing was something poor people did at the time, and this meant that it was extremely normie behavior on the part of these two reigning monarchs.

While I understand and (to a certain extent) respect that tendency in academic articles and books that seek to sidestep this issue and thus remove themselves from the threat of criticism and debate entirely, within the context of social media I would find that approach to be somewhat naive. If I go around regularly making sure to remind everyone that oh, by the way, don't forget! We can't project these sexualities back onto peoples of the past the way we view them today! At best it's going to have a few people nodding and fall on deaf ears otherwise, and at worst it's going to affect my credibility in this particular space. There's a reason I very deliberately went out of my way not to include certain sources in my list of recommended further reading, because I notably wished to avoid that misattribution the best I could while remaining nevertheless realistic in my approach.

In short: no, we can't project modern sexualities back onto the people of the past the way we might wish to. But people on tumblr.com are not going to really care about that, and that's fine! When I personally am looking at people of the past and I label one or other of them as any one sexuality, I am stating that with the belief that that there were medieval people who, if transplanted into the modern day and taught to understand our sexual and gender identities, would see themselves reflected in us.

If you are interested in reading more about this topic, I would recommend the following reading for your perusing pleasure:

Bennett, Judith M. “‘Lesbian-Like’ and the Social History of Lesbianisms.” Journal of the History of Sexuality, vol. 9, no. 1/2, 2000, pp. 1–24. JSTOR, http://www.jstor.org/stable/3704629.

Burgwinkle, Bill. “Queer Theory and the Middle Ages.” French Studies, vol. 60, no. 1, Jan. 2006, pp. 79–88, https://doi.org/10.1093/fs/kni311.

De Lauretis, Teresa. “Queer Theory: Lesbian and Gay Sexualities: An Introduction.” Differences, vol. 3, no. 2, 1 July 1991, pp. iii–xviii, https://doi.org/10.1215/10407391-3-2-iii.

Halwani, Raja. “Essentialism, social constructionism, and the history of homosexuality.” Journal of Homosexuality, vol. 35, no. 1, 12 Oct. 1998, pp. 25–51, https://doi.org/10.1300/j082v35n01_02.

---. “Prolegomena to Any Future Metaphysics of Sexual Identity: Recasting the Essentialism and Social Constructionism Debate.” Identity Politics Reconsidered, edited by Linda Alcoff. Palgrave Macmillan, New York, NY, 2006, pp. 209–227.

Kruger, Steven F. “Gay Internet Medievalism: Erotic Story Archives, the Middle Ages, and Contemporary Gay Identity.” American Literary History, vol. 22, no. 4, 29 Oct. 2010, pp. 913–944, https://doi.org/10.1093/alh/ajq064.

Mews, Constant J., and John N. Crossley. Communities of Learning: Networks and the Shaping of Intellectual Identity in Europe, 1100-1500. Brepols, 2011.

Shankland, Chloe L., "Complicating Courtly Love: Queering Sex and Gender in High Medieval Literature (1000-1250)." Summer Research, 2021. 410.

Shuve, Karl. The Song of Songs and the Refashioning of Identity in Early Latin Christianity. Oxford University Press, 2016.

[tuesziday]

Here's a useful resource from the IRS explaining what counts as political involvement/election interference—if your pastor is telling you to vote for a specific candidate while representing the church, that compromises their tax exempt status!

Gonna add this one too

And this

There seems to be a trend of US church leaders telling their young folks to get on social media and spread the church's message - which is invariably anti-LGBTQ, anti-choice, etc. That's not just astroturf; it could cost them their tax-exempt status. If you see them doing this, here's the link you need.

[yup-no-way]

Astro Observations pt. 2

Well hello there! I was not rlly active ever since my last post given I am now being absolutely obliterated by uni assignments and projects(save me).But, I’m back now and I am striving for a more consistent schedule with my posts. I hope everyone is doing well and taking care of themselves(kiss xoxo). I was kind of hoping to start doing some tarot here as well, I’ll see how that works out. I am leaning towards pick a pile general readings, or smth like that, just to practice my tarot skills. I am also thinking of doing a master-list once I have more content so people can navigate it easier.

Now let’s get into the blog!

These observations are based on my personal experiences so don’t take it as full facts. These placements can also be influenced by other things in someone’s chart like degrees, houses and aspects. Also if u have any suggestions for what content you’d like to see feel free to let me know. English is not my first language lads so don’t drag me for grammatical errors. xoxo

Leo sun/Sun 1h: genuinely determined people. It’s like these people knew from a very young age what exactly they wanted. They really move through life with a purpose and that shows through their work or personal relationships. Also depending on what other placements they have, they tend to be quite assertive when they genuinely know what they want. Also noticed that it’s important for them to have partners that push them to become better or overall partners that are determined. They can’t stand lack of purpose or laziness in people.

Taurus placements: so this applies mostly to Taurus stellium, Taurus in big 6, MC or NN Taurus. While it’s true that these placements strive for comfort, a lot of people dim down this to just money or assets. For every Taurus placement(mostly depending on the remaining of the chart or even the environment the grew around), the definition of comfort will be different. For some it’s as simple as a comfortable house but to others it can be a stable relationships that bring comfort. It’s not all about money and assets but you have to admit these people are also heavily motivated by money most of the time because it can bring a sense of stability in their lives. But again, for a lot of these people their idea of comfort is subjective and it’s not all ab food, clothes or money.

Virgo sun: so this placement is fairly disliked (at least that’s what I saw online), but I don’t think all the hate is deserved. I just think Virgo placements are just like an onion(stay with me now), the more you get to know them, the more you discover(good or bad). Very interesting people overall, just not all people have the patience to deal with them. One thing that I noticed is that this placement is not the biggest people person; like they will interact with you and all but it’s out of pure necessity. They are fine by themselves and don’t feel the need to always chat with people. Buuuut once they find someone they care about, it is very hard for them to let them go. They will be very protective of the ones they care about and depending on other placements(like maybe they have some water placements), they will even tend to be very receptive to people’s emotions. For example, if their partner is sad, they’ll feel it straight away. You feel a bit off, they’ll know and they’ll ask you ab it for sure. Overall, they r hard to get to know but they aren’t hard to understand(in the sense that they r clear with their communication). If they think you are worth their time, they wont hesitate to “invest” in you.

Mars/Venus in 2h: Now remember when I said that Taurus placements aren’t all about money. Well 2h placements are. These people love money and one of their biggest motivation is life is money. They will 100% be more inclined to date someone from a well off family just for the stability it has to offer. They are also kind of blessed in life in this context. Money does seem to gravitate towards them(but be aware Mars 2h cause u can obtain money fast but spend it just as fast, just mind your spendings or you won’t really be able to keep anything you earn). If you have any of these placements and you are into astrocartography, I would highly suggest u move to one of these lines(mind your aspects tho, make sure there is an easy flow of energy in your chart in that area). Love this placement overall, but be mindful of your relationship with money since I noticed for some people, they tend to let themselves be consumed by the greed for more and they end up with an unhealthy mindset where they could potentially sabotage their life for the sake of more abundance. But if you keep that in mind you should be grand.

Big 6 different elements: If you have multiple elements in your big 6, then I would genuinely say you’re blessed. It’s honestly quite refreshing to have all elements or more than 2 elements in your big 6 since it can really diversify your personality. It also makes you quite an adaptive person. Most people that I’ve met with these placements are good in multiple areas and seem to be overall really balanced people. But one thing I have to say, they at least once have gone through a moment in their life where they didn’t know who they were. And I’m not talking about what everyone goes through, like your average identity crises when you’re young and you want to discover yourself. I mean a full blown out identity issue, where they never feel like they quite fit anywhere and no one fully understands them. It’s hard sometimes cause having so many different elements they feel like they can get along with anyone really, but they don’t feel like others will ever truly understand them. These people also are good as mediators or they tend to be quite open minded. If un evolved can get two faced, if evolved, honestly one of the best people you’ll know. Lots of love to yous and I hope you guys figure out your stuff!

Ok so this was it for today! I hope you guys enjoyed this post! I tried something new with the layout and I think it looks quite cute. I’m going to experiment a lot with how I display my content but I hope you like this one so far! I am also thinking of doing an intro blog just to get to know me a little. But for now just refer to me as A.Please stay safe and take care of yourself! xoxo

[n7punk]

Tumblr Backup Options: None of them do everything

Cheeky but true. I'll go through what's good and bad about each option though so you can decide which balances out for you.

Covered: native export, WordPress (kinda), TumblThree, tumblr-utils (kinda)

Native Export

If you go to "https://www.tumblr.com/settings/blog/yourblogname", at the bottom of the page is an export option

Once you hit the button to start the request, it will start processing. Feel free to log off, this is going to to take a few hours. You don't need to keep it open. ~22k posts took roughly a day for me. If you have a small number of posts and get stuck, you're probably broken.

When it's done processing, you can hit that download backup button and then wait some more as you wait for the zip file to download. Mine failed the first time after like twenty minutes, and then I had to start over. I think it took 1-2 hour(s) and I'm almost certain that was on Tumblr and not my internet. And that was the zip file! So make sure your computer can be on for a while before getting this started.

So what do you get?

A media folder, conversations folder, and posts folder

Media folder: Every single photo, gif, and video that has ever been on your blog or in your DMs. There is no context data attached (except for dm images which do say which conversation they're from at least), but they seem to be in chronological order because they seem to be titled by the post's ID (the string of numbers in the address bar after "/post/"). They look like "100868498227", "100868498228_0", "100868498228_1"

When you see something end with "_0" and up that means the photos are in the same post, so _0 represents the first image in the post, _1 represents the second, etc (at least, I think).

Conversations folder: HTML export files of every DM history you have on your blog. These are actually pretty well formatted, see example here.

Posts folder: html subfolder and posts_index.html file

posts_index.html: File listing every single post on your blog by post ID on its own line with no other context. Example of a line: "Post: 780053389730037760". The ID number will link to the post in the html folder

html subfolder: contains a submissions subfolder and stripped html file versions of every post on your blog. See below first what the post looks like on Tumblr, and second what the post looks like in the html folder

The way you seem to be intended to use this is to open the file index, select a post ID, and be jumped to where that post is saved as an html file, but I don't know why you would bother when the index doesn't provide any information about the posts inside it. The posts all have extremely minimal formatting. See a reblog chain below.

Notice I said ALL posts on your blog. Photo posts without a caption will just have a broken image icon and then the date and tags. Theoretically, it might be that if you unzip the entire export folder that allows it to automatically link to the image saved in your media folder. I have no fucking idea, unzipping the folder was estimated to take two hours so I didn't do it. Let me know if you do though so I can update this post!

The submissions folder is such a rabbithole I made a post just on it but long story short it's asks you haven't replied to

What do I see as the main reasons to opt for this option? 1) you don't want to download any programs or files from the internet just to backup your blog, 2) your blog is relatively small, so digging through the ID files isn't a big deal, 3) you mostly just want to download either the images (which will be browsable via thumbnail previews in the media folder if you unzip it) or conversation history, which are fairly well formatted, 4) you don't need to update your export often/ever, because you'd have to request it from the start and download the entire thing all over again, 5) you want to be able to read your text posts clearly and don't care about preserving the full formatting, and/or 6) you don't plan to reupload this information elsewhere (say on... a WordPress blog)

WordPress Automatic Ex/Import

Move your post's from Matt's right hand to his left! WordPress (another product of Automattic) has a native Tumblr importer found under your WP Admin dashboard for your site under Tools > Import > Tumblr.

How does this work? No idea! I hit import 2 days ago and it has done nothing. Maybe I'm stuck, maybe it's permanently broken. It says to contact support if it's been over 24 hours but they don't make that easy. I disconnected from Tumblr (you can only port over a blog you have the login of) and reconnected and it still said it was importing. I don't think it's ever going to do anything.

Presumably it's supposed to 1:1 import every post on your blog onto the WordPress site, which will result in a whole lot of stolen art because there's no way to select just your original posts. Also, you'd need enough storage on your webhost to house all the posts (this honestly might be my problem, but I was planning to delete all the non-original posts once it imported.... anything and backfill what it didn't get to). The one thing I'll say about this option is that it's the only one I've seen so far that exports drafts and queues as well.

I mean, if it exported anything. If this ever does anything I'll update this post, but either my blog is too large or this tool isn't totally functional anymore.

TumblThree

(previously TumblTwo, etc)

TumblThree is an all-in-one program requiring no extra downloads beyond the main Zip, and was last updated fairly recently at the time of this post. In order to run it, unzip it into one folder and run the main .exe. It has a full UI interface with lots of very descriptive helper text to help you select the right options for you without looking at the wiki. I think it's user-friendly for non-tech people.

There are a lot of options in TumblThree to change what output it gives you, but I'm going to start with the largely universal parts first:

Everything from one blog will be exported to one folder, no subfolders or sorting. As a result, the output is very messy and difficult to wade through, but post metadata and the photos are named in the same way so you can scroll, see an image preview, and then click on the metadata txt for that post and read the caption.

Depending on your settings, you can export all photos, videos, text posts, etc as their own files or exclude them from the export entirely. For the different types of media posts, you can independently select if you what to download just the media, just the metadata for it (everything that surrounds the post when you see it on Tumblr, such as the caption, OP, tags, etc), or both.

Master txt file: For every type of media metadata you export, a correspondingly named txt file will be created (images.txt, answers.txt, etc) that contains the text/metadata of every post of that type in one txt file. This is also the default behavior for exporting text posts.

Note: for text posts (which includes asks/answers), it only creates a master txt file if you do not select "Save texts as individual files", in which case it will only save each text as an individual txt file and not make a master file.

The formatting on these files is so brutal I won't even give examples, but they're unreadable. Being a .txt file, there is no native formatting, so it exports in html formatting.

Example: instead of a post that says "I want to go swimming", it exports: "I want to go < b >swimming< / b >" (minus the spaces around the b) as the post body, which is a big part of what makes it unreadable, because there are a lot of hyperlinks in all the header information listed below.

Each post in the master txt exports with: Post ID, date, post URL, slug, reblog key (no idea what that is), reblog URL, reblog name, title, [the text/caption itself], and tags.

Theoretically this means you could ctrl+f "cybertrucks" in the master txt file and then browse all your posts making fun of Tesla owners by tabbing through the returns. This is not possible with any of the previous options, and only is possible because it's all in one file, as ridiculous as it is, which is why getting that master file is so important.

For the trick to get both the individual text posts and master text.txt & answers.txt file, as well as my recommended settings and details on how updating backups works, see the read more at the end of this post.

The images.txt includes all the information listed above, but with the following additions: photo url (NOTE: this is the url on Tumblr, not a link to where it is in your folder), photo set URLs, photo caption, and "downloaded files" (NOTE: this is the name of the file it has downloaded)

The video.txt is similar to the above

The use case for this would be similar to what I described for text posts above: search keywords from captions, tags, etc and when you find what you think is what you want, copy the name from "downloaded files" and search your folder to find the actual image

I really hated TumblThree's output the first time I looked at it and then I realized the single file is the only way to make browsing tags workable, because otherwise you would have to have a folder for every tag, and posts with multiple tags would have to be duplicated between them. I'm not pressed on finding a txt to HTML converter right now but it could be an option in the future if you wanted to make things more readable.

Okay, let's get into the non-universal stuff you can customize in settings, because it's like, everything:

File names: We've already established you can search with the downloaded file name for images, but what will that be? Whatever you fucking want. Post date, reblogger name, post ID, post title, original file name, you can make it any and all of these in any order you want! You can have actually useful file names! Personally I like %e_%p_%q_%i_%x which exports as DateTime_PostTitle_BlogOriginName_PostID_IteratingNumber (note: you need some kind of unique iterator to be valid so two files don't have the same name, such as multiple photos from one post). Look how much searchable information that gives me, in chronological order! It decreases your need for the master txt file.

Tip I wish I thought of before doing my massive export: make one of the unique headers from the master txt file part of the exported file name so it's easy to search for it after identifying it in the master file.

Files scanned: this is the only method I've found that lets you back everything up, remember what it backed up, and then lets you add any new posts since that date without having to download the whole thing again. That's a game changer, but see the read more below for limitations.

You also have the option to rescan the entire thing if you want.

Post type: T3 (I'm abbreviating it now) also lets you export just your original posts, just reblogs, etc - again, giving you the most control of any options. It also lets you export replies. I, uh, would not do this because if you have any popular post on your blog it might have hundreds, or thousands of replies but hey, you can do it!

You also have the option to only download posts with a certain tag.

Blog options: You can export literally any blog you have the URL of. In fact, if you copy a blog URL while it's open, it will automatically add that blog to its UI and create an empty folder for it. It makes it easy, no private key required. I do have mixed feelings about the concept of exporting someone else's blog... but I'm also planning to do it to some of Crew-ra's blogs so... my digital horde must grow.

You can also queue blogs up and leave it to run through a lot of them. It is a lot faster than Tumblr's native export, I started this import well after I started typing this post and it took a few hours, probably not all that much longer than just downloading Tumblr's export took (and that's while running it alongside other data copy operations because I'm backing up a lot of stuff right now).

I do recommend doing a test export with a sideblog, I was able to use wild-bitchofthenorthwoods as a test import since it only has one post and it has media, so it was super quick.

(I do want to note, I think the number of downloadable items starts out matching the number of posts on your blog without scanning them until you start the export - but if you choose to export everything as its own file, you're going to end up with way more than that because a post with three images would be multiple files)

Things T3 cannot export:

Since in its simplest form it's just accessing the public upload of your blog, it cannot export your drafts, queue, or conversations

It cannot export posts as HTML files, and thus cannot export them with readable formatting natively

What do I see as the main reasons to opt for this option? 1) you don't care about exporting your DMs/conversations, 2) you want the ability to export only certain kinds of posts (original, photos, using a tag, etc), 3) you want to control the titles of the exported files 4) you don't mind wading through massive folders, 5) you want the ability to search tags (using the txt files), 6) you want the ability to update your export without starting over from the beginning, 7) you either don't want to reupload this information somewhere else, or you want to upload it somewhere that supports automatic HTML conversion (for instance, you can switch a Tumblr post from a rich text format to HTML, same with AO3, so you can put it in as HTML and then hit post to see it turn into a rich format. This techically makes T3 the most versatile/useful export option if you're planning to do anything with it other than browse your own files).

tumblr-utils

Full disclosure: haven't tried this one. But others have! tumblr-utils is a no-UI, python-based backup software. This means in order to use it you have to type commands into the terminal. If you don't know what I just said, don't use this one.

If you do, you'll need to separately download python and youtube-dl just to get this one running. You'll also need to give it your personal Tumblr API key and feed it commands deciphered from the wiki page I linked. Here are two different guides people have written on how to use it. Output:

Obviously I'm guessing based on the documentation, but one thing that is nice is this tool allows you to save each post in its own folder. Presumably each post is multiple files like we saw with T3, so this would make it easy to group them, but it also means you'd have to look in every single folder to find anything.

It seems to break posts up into timestamp folders by month, again, helping with management to narrow down where you have to search

It allows you to save only certain kinds of posts at a time like T3

It allows you to backup posts only from a certain time period (so if you keep a little .txt note of the last time you backed up, you can easily add only the new posts into your backup without having to start over from the beginning)

It allows you to only save posts under a certain tag like T3

It allows you to save only original posts

It's the only one I've found that lets you back up your liked posts

What do I see as the main reasons to opt for this option? 1) you don't care about exporting your DMs/conversations, 2) you want the ability to export only certain kinds of posts (original, photos, using a tag, etc), (okay now we get to the points that aren't also covered by T3), 3) you want posts to export already broken into folders, whether by post or by month, 4) you want to back up your likes, 5) you don't care what file names look like, 6) you're comfortable with the command line/coding and don't need a UI.

Summary:

None of these options are ideal for reuploading your files anywhere (except WordPress), but I do think TumblThree is the best of the options because of the written HTML formatting in the txt files being useful for websites that support automatic conversion (or require HTML input).

For starting another blog, WordPress wins. If it works. I'm trying to be generous here.

For searchability, T3 wins again.

For versatility... yeah you know it's T3, but tumblr-utils has a lot of the same features, too!

For sentimentality (aka conversations), it has to be the native export. There literally is not any other option.

For queues and drafts, the only theoretical option is WordPress. If it works.

For likes, the only option is tumblr-utils.

Every option does something the others don't, so theoretically to cover everything, you have to do all four options. Actually I would say do the native export if you don't have a lot of posts and aren't a freak like me, check it out, and if it doesn't work (I know it's finnicky) or you don't like the export, go with TumblThree. This also means you'll at least have your conversations even if you don't end up using the native export any other way.

And I wish it could go without saying, but don't repost people's shit, y'all. I'm backing up everything for my records only and it will never be shared with anyone else, or even browsed as long as using Tumblr instead is an option.

TumblThree adding to old backup quirks, recommended settings, & master file backup solution:

Adding to backup quirks:

From my tests, when you scan a blog you've already backed up to just add new posts to it, it does not update the master file, so if you want to update it, you'll have to do the steps I list at the end of this post. It might be possible it does update if you force rescan, but I highly doubt it.

If you scan a blog you previously backed up under more restrictive settings - say you only backed up original text posts as one file before and now you've selected to back up absolutely everything - it will only download up until the time you last backed up that blog. It will not blow past where you last downloaded to download all the photos and videos it didn't get before just because they're selected now. This is great for doing after using the master file solution I'm showing below, but if you do need to download everything after doing a more restrictive scan, you can once again follow the first few steps below to do so.

Recommended settings:

This will obviously vary by what you're trying to do, but one or two things weren't immediately obvious to me and I did say I think this was the best solution for less technical users, so I want give my personal recommendations. Settings can obviously be found under the settings button at the bottom of the screen (you may need to use the scrollbar on the UI for, which is separate from the scrollbar on the blogs panel), but when you click on a blog, when you click "Details" in the right sidebar, you can also see your most important settings at a glance and adjust them to whatever you want them to be "per blog". I believe TumblThree remembers what you last used for the blog and applies the things in settings only to new/other blogs.

The thing that is going to vary the most is how many different types of posts you want to back up (text, video, reblogs included, etc), so I'll leave that up to you. If you're going to export a media type, though, I generally recommend exporting the metadata too.

I already gave my preferred file names above and again that's going to be something that varies a lot by people. Hover over the "Filename template" box and it will give you all the options in the legend you can combine via underscores.

Leave "Skip .gif files" off unless you're hurting for hard drive space. This removes all the gifs from your download, and the reason this is provided as a separate setting is because gifs have relatively massive files (at least compared to a text file)

I'll be honest I haven't seen a difference between turning on and off "Group photo sets". Because of the way file names work, most conventions will naturally lead to photos from the same post all being in a row.

"Save texts as individual files": if you only want texts to be saved as their master text.txt and answers.txt files, uncheck this. If you want the individual files I highly recommend you also download the master file for searching purposes, in which case my recommendation is this:

1) Select to export texts only, leaving off all media options, and uncheck the "Save texts as individual files" option. 2) Export the blog. This will only result in two files, answers.txt and texts.txt. 3) Move these files elsewhere on the computer to save them. 4) With T3 closed, delete the folder for the blog and the blog's Indexes (see instructions at the end of this post for finding these). 5) Reopen T3, which shouldn't remember it ever saw the blog and create a new folder for it. Turn on the "Save texts as individual files", as well as any other media posts you want to download. 6) Export the entire blog again. 7) Move the texts.txt and answers.txt file back into the blog's folder.

I leave all other options on the Details tab off, except for:

"Force rescan" scans past the point it last backed up and searches the whole blog again. If you have a big blog, this is going to burn time. This is needed for the number of downloaded items in the panel to be accurate but I don't know why you would care or turn this on unless it lets you skip steps 3-4 above, but my blog is too big to burn through testing that, so if you try it, let me know and I'll update this post!

Master file backup solution:

See my 7 steps from above to skip having to do this, but if you accidentally do things out of order and then realize you still need the master files for texts post after backing everything else up, here's how you get it with minimal pain:

T3 will make an "Index" folder in both the main folder for the program where the exe is located and the destination folder where you have your blogs backing up (note: these were two very different places for me, if you just have it back up to the automatic Blogs folder within T3's folder, it might not create a second Index folder).

To make T3 "forget" what it has backed up previously so it goes through to the beginning and makes a master file that includes everything, all you have to do is remove the Index file(s) for the blog while it's closed so it doesn't remember it anymore. I backed my index up in another folder.

Check off for it to only download text posts, and then uncheck the "Save texts in individual files" option. This will cause it to only create the master answers.txt and texts.txt file on the rescan.

The combination of only going for one post type and only downloading one file for it means this rescan is relatively fast. When you look at your Blogs folder, you'll find a new folder has been created for your blog name (in my case, there was "n7punk" and "n7punk_2) and your output is in the new folder. I just moved it over to the original folder.

At this point you can restore the indexes, though I've only gotten it to half recognize them. I can get it to recognize my original n7punk folder so everything can stay there, but the total downloaded items is stuck at what it was when I did just the text posts. I don't really care, it was mainly the folder thing I wanted to fix. If you have lag between your last full backup and your master-only backup, this might cause some issues? I don't know because I made sure there wasn't lag, so I recommend doing another backup to add any missing items before doing this method.

You can also use this technique if you want to download only your original posts and then download everything else to a second folder. Adjust the setting to only download original posts, download the whole blog, close T3 and delete the indexes, rename the folder to whatever you want ("n7punk_original", etc), and then reopen T3 and set it to download everything and run it again from the start.

[yintous]

꒰ 💌 ꒱ ─── 𝓗EY LOVER! ㆍ₊⊹

gn! reader ; batboys and the little things they do for you. however, are they really considered little things when they harbor such significant contributions to your relationship? [headcanons!]

notes. fluff, not proofread, &&. established relationship. more content under the cut. happy reading :D! [masterlist]

DICK GRAYSON

on everyone’s soul, dick grayson is the epitome of yearning!!! (we’re all LIVING)

this is so random but i feel like he’d be the type to know when your alarm blares so he’d be the one to snooze it at the right time to avoid the alarm from blaring into your eardrums in the morning; he’d be the one to wake you up instead

whenever he’s free, he sends you pictures of things that remind him of you with little to no context. for example, he could send a picture of your favorite drink before sending a text that just said “you”

makes a list of upcoming things he knows you’d enjoy (such as new movies coming up that coincidentally have your fav genre, a new album from your favorite artist, etc). he marks them on his calendar and never fails to set up a date with you involving those things

has a habit of stroking your hair or back whenever he holds you because he knows it’s easier for you to relax that way

JASON TODD

def never forgets to send you “goodnight” and “good morning” messages

i like to think that he’s actually really gentle when it comes to his significant other as well as really communicative. after arguments, when words aren’t enough, he gives you little acts of service as a way to apologize

for example, he makes sure your food is heated up just right before you decide to eat dinner— if not, he was probably too busy setting up a warm bath for you, along with your favorite bubble bath products already restocked

i also feel like he’d be subtly clingy?? like clingy to the point he’d recognize your little habits and because of his clinginess, he recognized more of what little acts of services he could do for you

for example, if you’re the type to constantly forget your keys, your umbrella, etc., he’ll place them on a surface you don’t often miss, like a little reminder

TIM DRAKE

one time you broke your earphones and you suddenly saw new ones sitting on your desk, with a letter that had nothing but a small heart messily drawn on it

tends to make two cups instead of just one whenever he makes coffee or whenever he buys energy drinks, he buys two of yours and two of his (both of you down them together)

whenever you mention any problems— especially with technology, he makes sure to help you as soon as he could. you spilled water on your laptop? it’s suddenly fixed the next day. your necklace is tangled? turns out he had a bit of free-time a few hours ago and you’re free to wear it untangled once again.

if you are the type of person to yap about similar interests like certain tv shows, books, etc. he’d hold off from consuming its media so you’d have the opportunity to ramble to him about them in your own little way

DUKE THOMAS

the type to know your preference on EVERYTHING, like if you prefer earphones over speakers and vice versa, if you prefer black coffee over brown, etc.

def greets you at 12 am whenever it’s your birthday. he made it into a little tradition and would fall deeper in love with you if you returned the gesture

lists down all the songs you’ve recommended to him and puts all of them into a spotify playlist; he listens to the playlist whenever he doesn’t have you around or on his free-time in general

helps you untangle your hair in the morning and you swear he has a talent for it. his touch is as gentle as a feather

if you have glasses, he carries a microfiber fabric around just in case you’d need it to wipe your lenses

© yintous do not copy, repost, plagiarize, or feed any of my work into ai.

[flaming-shapeshifter]

hello would u potentially feel like sharing some of the victorian sex slang you know im writing gay sex set in 1847 and im struggling :(

hello! I would be delighted to; there is no higher use for the truly excessive amount of victorian porn I've read than to aid in this endeavour

Two caveats before I get into it: one, the main source that I used when I was originally researching victorian porn is a series of publications from the late 1870s/80s (I'll link the wikisource version and talk about it more at the bottom) and as such may not reflect exact usage for the period you're writing. I don't *think* language usually changes that fast, but I'm not a linguist so thought it worth mentioning. Where possible I've tried to cross reference with the oxford english dictionary to determine first recorded english usage, but the censorship laws of the time and subsequent lack of digitisation can make it difficult sometimes to get an accurate picture of popular usage. Two, language has changed quite a bit since the 19th century--there's a good chance the average ao3 reader is going to be relying very very heavily on context for several of the more unfamiliar words below, while others have had their meanings change a fair bit since that time. Should you choose to use them regardless, I commend you for your dedication to accuracy.

anyway, without further ado, a whole bunch of victorian sex vocab:

Genitalia &c.

I'm not sure what parts are involved in your gay sex and I'm a completionist, so you're getting all of them

priapus: the penis. A more high-brow, classical reference to the greco-roman god of fertility. English usage has been a thing since at least the canterbury tales, but it's unclear exactly at what point the usage transitioned from referring solely to the god (as in the tales) to a physical penis between the 14th and mid-late 19th centuries. However a medical dictionary from 1842 lists the definition very matter-of-factly as "penis" as well, so you should be good to go, especially with more formally educated/wealthy characters

pego: the penis, again. This one's been around since at least the 17th century and does not appear to have any alternative meanings; it also hit its peak usage for the 19th century in 1850 (by appearances in published texts), so definitely a safe bet

cock: the penis. This one is possibly both the oldest and the most modern of the penis-related nouns here; we use it in our smut today and used in to pun about sex all the way back in 15th century middle english. If you want something both recognisable and period-appropriate, this is your word.

prick: the penis. Similarly to cock, though slightly less common as a neutral/eroticised noun nowadays in my experience, "prick" has been in use since at least the 16th century, and has the benefit of being recognisable to the modern reader, though the connotations may have shifted slightly

roger: the penis. Usage in reference to said organ has been occurring since at least the 17th century, but by the 19th, it seems to be mainly in comical contexts, i.e. bawdy poetry.

quim: the vulva/vagina. Dates back to at least the early 17th century; most examples cited in the oxford english dictionary come from verse before the mid 19th, after which point it's all casual or erotica-type references.

cunny: vulva/vagina. thought to be a variant on "coney," which can in British English refer either to the organ or to a rabbit; this term has been in use since the late 16th century.

pussy/pussey: the vulva/vagina. A relatively recent term when used with regards to genitalia, dating to the late 17th century and only really gaining popularity in the mid 19th century. Probably the least likely to be used (with the possible exception of verse), but one of the most recognisable to a modern reader

cunt: the vulva/vagina. You could write a period-appropriate-language black plague au with this one (as "cunte" per middle english spelling) and still have it be recognisable for the modern reader. 1847? fucking go for it

mons veneris: the mons pubis. Often capitalised as "Mons Veneris"; seems to get mentioned at least once in every pornographic story involving ciswomen, possibly due to the classical reference to Venus and its associations. Cismen also have this structure (though it's smaller due to the lower level of estrogen), but tragically it does not get the same veneration. Usage increased steadily from the mid 17th century and peaked in the late 1800s.

clitoris: the clitoris. Dates from at least the early 17th century and has grown in popularity ever since; "clit," in contrast, only appears in writing in the mid 20th century and would be rather anachronistic.

bubbies: the breasts, pretty much always a woman's. The spelling didn't transition to "booby"/"boobies" in reference to breasts until the early-mid 20th century (previously, as a noun, a "booby" was merely a fool); "bubbies" was the way to go from at least the 17th century up until that point

ballocks/bollox/bollocks: the testicles. Similarly to "pussey," I add this one mostly for the sake of spelling, which varied mostly between "ballocks" and "bollocks" but doesn't seem to be standardised in colloquial English spelling until the very late 20th century, if at all. In use since the 15th century.

British slang referring to the ass (bum, arse, &c.) generally translates pretty well to the point where I don't feel it necessary to give them their Victorian-specific entries.

Much like modern writing, the Victorians seemed to enjoy figurative language for their genitalia--horses are an unfortunately common point of comparison for penises, but "Cupid's dart" and "engine of love" are also common euphemisms. Cavern-related language and "gap of love" are their equals for the vagina, but overall, there's not many metaphors you could make up that would feel inappropriate to the era.

Actions

Presented in the infinitive form; normal English rules for verb conjugations/spelling generally apply.

gamahuche: to perform oral sex, most frequently on someone with a vagina. A borrowing from French as of the late 18th century that seems to have mostly died out in the modern day--I don't think I've ever heard someone say "gamahuche" out loud unless referencing Victorian pornography

frig: to finger someone/give a handjob, or (less frequently), stimulate them internally with a separate moving object. Worth noting that the meaning of this one does appear to refer more and more specifically to internal stimulation over the course of the late 19th and 20th centuries, but all uses should be appropriate for 1847.

fuck: to penetrate (or mimic penetration i.e. via intercrural sex) specifically with a penis. According to the Victorians, if there's not a penis involved, it doesn't realllly count as sex, which is part of why so much focus on homosexuality was specific to male/male homosexual activity (more on that later). This particular word has been in recognisable use since at least the 16th century, gets used frequently in the 19th in the appropriate situations, and is very recognisable to the modern reader; 10/10 would recommend. Also varies in usage by location such as in the case of "bum-fuck"

sodomy (n)/sodomise: to engage in any form of penetrative sex other than penile/vaginal, regardless of gender. Typically more legal terminology than colloquial, and pretty much always used in a negative sense of an "act against nature"; equals "cunt" and "cock" in antiquity as it dates back probably to the 14th century

bugger: to act as the penetrative party in anal sex with a phallic instrument (whether dildo or penis), regardless of gender. not quite as old a term as sodomy, being first found in legal writings in the 16th century, but definitely a more common-use term for the time.

pederasty: to engage in specifically male/male anal sex. As may be deduced from the word components, this carries the connotation of a large age gap between the persons involved, and may originate from the ancient greek practice of sexual apprenticeships (for lack of a better word) between a teenage-ish boy and an older man. Despite these connotations, it could be used to refer to any partnering of male/male sex, but tended to be a comparatively academic term. English written usage dates back to at least the early 17th century.

spend: to orgasm, particularly if fluids are involved (regardless of genitalia). In use since at least the 17th century and may carry connotations for the modern reader relating to the cultural emphasis on sex for the purpose of procreation alone

come: to orgasm. This one has been ol' reliable for smut writers since the earl 17th century at least and continues to be so today

Language tends to be more descriptive with regards to acts rather than using specific words--then again, one could consider that just another form of the "show, don't tell" maxim.

Items involved

French letter: a condom. This terminology would be very recent for '47, having only started appearing in English in the early 1840s--similarly, they would be made of treated linen or bladder/intestine (a "skin" condom) at the time, as rubber condoms were not produced until the 1850s

cundum/condom: a condom. An older term than the letter, though only by a century; the latter (modern) spelling dominates usage in the 19th century

godemiche: a dildo. Another loanword from french, this would also be fairly recent language, as it appears to have only entered written English usage in the early 1830s. Not a super common turn of phrase either way

dildoe/dildo: a dildo. In use in writing since the late 16th/early 17th century, the use of flexible materials such as leather or (in the latter half of the 19th century) vulcanised rubber allowed for the creation of ejaculating versions which could also be set in harnesses to be used as what we would now call a strap-on

On the subject of lube: "lube," unsurprisingly, is not a word in use at the time; nor, for that matter, is "lubricant" as we use it in reference to the wonderful additive for sexual intercourse today. In the works I've analysed, anal sex is mostly conducted using saliva or vaginal fluids as lubricant, if a lubricating substance is used at all; the one exception to this is a reference to "cold cream" used for male/male anal sex, which appears to be a perfumed spermaceti- and wax-based substance intended for skincare and has been in use since the early 19th century at least

Culture

identity: as you may be aware, "homosexuality" as a term didn't become a thing until the sexological period of the latter half of the 19th century; up until that era, anglophone culture didn't really have a conceptualisation of sexuality as an innate characteristic. Rather, sex acts were entirely something that you did, regardless of the genders involved, which is how we get period words like "tribade," which referred simply to women who had sex with women without concern for attraction.

legality: for britain specifically, male/male gay sex warranted a death sentence in regular courts up until 1861, after which the sentence changed to imprisonment--legal scholars at the time deemed this change likely to result in more successful prosecutions, as courts were previously hesitant to indict when doing so meant capital punishment. Female/female gay sex, in contrast, was completely ignored by the law, as said law was completely focused on penises. Similarly, american courts (which were based on british law) would later rule in the years surrounding the turn of the 20th century that oral sex performed on a penis was illegal regardless of gender due to being sodomitic in nature, but cunnilingus was perfectly fine.

social perception: similar to the law, male/male sex was regarded as taboo such that it was generally talked around rather than named up until sexology started gaining ground (sexological texts were then promptly blamed for teaching people how to do gay sex). Based on newspaper op-eds that I unfortunately don't have on hand right now, all-male settings such as sailing vessels (especially sailing vessels) were seen as particular bastions of such activity. female/female sex? generally disregarded as harmless, particularly in all-female settings such as schools.

Bonus

At least in the latter half of the century, impact play in the genital region (particular with a rod or "birch," but any flogging implement would seem to do) was treated in both pornographic and psycho-medical sexological texts as a commonly acknowledged method of attaining arousal, to the point that at least one author raised concerns about the continued use of flogging as punishment in boys' schools. Huzzah for Victorian kink friendliness, I guess?

Further Reading/References

Unless otherwise noted, all etymology, usage trends, and century of (written) origin is based on the Oxford English Dictionary.

"The Pearl: A Journal of Facetiæ and Voluptuous Reading." William Lazenby, London Society of Vice, 1879-1881. https://en.wikisource.org/wiki/The_Pearl.

This is the Victorian porn publication I mentioned earlier, notable for its portrayals of gay sex compared to Lazenby's later publications such as The Oyster. Should you choose to do your own reading, it's worth noting that stories tend to involve topics of major consent issues, incest, underage sex and pedophilia, and period-typical misogyny, and racism. An interesting note about this particular publication is that it was relatively expensive for its time--apparently, the upper class liked their illicit gay smut.

Robley Dunglison • Medical Lexicon. A New Dictionary of Medical Science, containing a concise account of the various subjects and terms, … and formulae for … preparations etc • 3rd edition, 1842

For the medical definition of "priapus" as it refers to the penis.

Hernández, Anna. “Mons Pubis: What Is It, Location, and More | Osmosis.” Osmosis, January 6, 2025. https://www.osmosis.org/answers/mons-pubis.

Aine Collier (2007). The Humble Little Condom: A History. Buffalo, N.Y: Prometheus Books.

Beyond the scope of this post, for the most part, but if you're interested in writing period-accurate safer sex practices, it may be worth a look.

Saunders, T., and Edward Cox. The Criminal Law Consolidation Acts, 1861: The Other New Criminal Statutes and Parts of Statutes of the Sessions 1861 and 1862; Together With A Digest of the Criminal Cases Decided by The Court of Criminal Appeal, The Superior Courts, the Central Criminal Court, and on the Circuits. From 1848 to 1862. 2nd ed. London: J. Crockford, 1862.

Includes contemporary legal analyses of the changes to British legal punishment of male homosexual activity, as mentioned in the Culture section.

Richard von Krafft-Ebing, Psychopathia Sexualis, with Especial Reference to Contrary Sexual Instinct: A Medico-Legal Study., trans. Charles Gilbert Chaddock, 7th ed. (Philadelphia; London: F.A. Davis Co., 1892).

Psycho-medical perspectives on homosexuality and other "abnormal" sexual tendencies in the late Victorian era; contains a whole bunch of autobiographical testimonies. The downside is that anything touching on homosexual activity (which for academics at the time also included gender non-conformity) has been censored by being translated to Latin; you'll need to look at the 1960s or later for a fully English translation.

B. R. Burg. Boys at Sea: Sodomy, Indecency, and Courts Martial in Nelson's Navy. New York: Palgrave Macmillan, 2007.

A look specifically at social attitudes in the purportedly all-male spaces of naval vessels; though slightly earlier (~1790-1820) than the 1847 time period, it stands to reason that characters familiar with that environment may continue to bear attitudes shaped by it. Unfortunately it may be difficult to access without being able to go through a university-level library system.

Lorraine Rumson, “Kink in the Time of Sexology: An Interdisciplinary Approach to ‘Abnormal Sexuality’ in Victorian Culture,” in Kink and Everyday Life: Interdisciplinary Reflections on Practice and Portrayal, 1st ed. (Bingley, UK: Emerald Publishing Limited, 2021).

An interesting analysis of social attitudes based on pornographic depictions, and contains further resources for Victorian pornography--unfortunately, I no longer have the book on hand to give specific names of texts, but they do exist ("Venus in Furs" is one that I do recall); alternatively, if you want older pornographic works, "Fanny Hill" and anything by the Marquis de Sade are worth looking into, albeit with the same content warnings as I mention for The Pearl.

Donald Hall. “Teaching Victorian Pornography: Hermeneutics and Sexuality.” Victorian Review 34, no. 2 (2008): 19–25. http://www.jstor.org/stable/27793665.

Another resource for identifying Victorian pornographic works, and this one's easily available on JSTOR if you have access or scihub if you don't.

[3liza]

this is absolutely not true.

1. look up what facial expressions mean. i mean if youre that far behind then sure checking a basic chart is going to help. but you can also just get this information from any movie or television show in your own language because people onscreen will announce how they feel and then the actor will make a face about it. you will see millions of these images in a row by watching television and movies with living humans in them. it's only an interim step because acting and expressing actual feeling are two different modes of human expression, however they are closely related.

2. human facial expressions VARY by culture but are partially involuntary and physiological, and can be broadly generalized across the species the same way cat, dog, horse, or any other animal has a generalized set of expressions that denote their emotional and physiological state. pain grimacing is on the list of emergency medicine symptoms for both humans and animals for a reason (because at a certain pain level you cannot stop yourself from making that face)

you dont need to interpret the lines and shapes of a human face as a "face" or as a member of your own species in order to read it. all you have to do is familiarize yourself with the symbol set, just like learning any other language. "this person's eyebrows are now closer to their eyes than they were 30 seconds go. according to my research this can indicate displeasure, concentration, or confusion. now i can try to use context clues to figure out which option is most likely". that's literally it. it's a logic puzzle. its like learning that red means stop and green means go. collections of angled lines form meaningful symbols, so do colors and shapes. there are humans on earth who are incapable of learning symbol meanings entirely, but none of them are posting on tumblr because posting on tumblr requires that at some point you learned a set of meanings for a set of symbols, probably the alphabet, or if you're Blind but hearing then phonemes and maybe braille versions of your written language. and knowing 26 different faces (for example, if you use the English alphabet) and what they generally indicate is a pretty good start

[disabilityawarenesspride]

How to Write an Image Description: A Fundamental Guide.

[Plain Text: How to Write an Image Description: A Fundamental Guide. End PT]

General Guidelines:

[PT: General Guidelines. End PT]

Object, Action, Context

[PT: Object, action, context. End PT]

This is what you want to prioritize. What are we looking at, what is going on, and what is the surrounding environment?

Keep it simple and get to the point

[PT: Keep it simple and get to the point.]

Try to use short, clear sentences and prioritize what the reader needs to know in the context of the post. We don't need to know that the tweet was posted at 2:08AM or what color rings someone is wearing. That doesn't really provide useful information. If you really want to provide some relevant details, be sure you get to the main point of the image first.

Context is Important

[PT: Context is Important. End PT]

Why is the image posted there? What information does it lend to the content around it? Make sure the viewer knows what they need to know to understand how the image relates to the text and content partnered with it.

For a meme or a tweet screenshot, we don't need to know all the details or what the background looks like, we just need to understand the joke. For something like art or photography, you may want to include more details.

Don't Assume

[PT: Don't Assume. End PT]

Don't assume gender, race, and pronouns of the subject(s) of the image. If you can find this context in the post, on op's blog, or somewhere else you can include it, but try not to make baseless assumptions.

Alt Text vs Image Descriptions

[PT: Alt Text vs Image Descriptions. End PT]

Alt text is great for people using screen readers, but it isn't always the most accessible option. Alt text can be glitchy, the font size cannot be changed for those who need large text, and it doesn't show up at all until the image either loads or completely fails to load.

For this reason, a longer description in plain text in the body of the post is a more accessible option.

I suggest a short summary in the alt text so people can get the overview of an image and a longer description in the body of the post. For example, compare the image description and the alt text for the following image:

[Image ID: A guide to writing alt text on images. At the top, it says "Writing Alt Text" in big white text. It then lists off five major steps to writing alt text. Identify who, expression, description, color, and interesting features. It then shows an image of a capybara, with a sample alt text that reads, "A capybara looking relaxed in a hot spa. Yellow yuzu fruits are floating in the water, and one is balanced on top of the capybara's head." with each block of text color-coordinated to show which of the five steps it corresponds to. At the bottom of the image is the word "Puzzle" stylized into a logo. End ID.]

The Alt text provides the bare minimum of what you need to know to contextualize the image, while the ID expands on details that help to understand it and provides more details.

Formatting:

[PT: Formatting. End PT]

Try your best to use correct spelling and grammar, but transcribe accurately. Use clear language and concise sentences where possible. However: Don't censor words or correct spelling when transcribing something from the image. You want the description to be as accurate to the image as possible.

[PT: use correct spelling and grammar, but transcribe accurately. End PT]

Always use plain text. Never use formatting like bold, italics, other fonts/font sizes/text colors, or text in all caps. If they appear in the original image, transcribe it in plain text like this:

[Bold, underlined] Always use plain text. [End bold and underlines.]

Begin an ID with square brackets [[these]], followed by "ID:" or "Image:". End the description with "End ID" and a closed square bracket ] to signify the end of the descriptions.

Screenreaders and visually impaired people sometimes struggle with symbols and emojis. Transcribe these instead when possible!

[PT: Transcribe these instead when possible. End PT]

The image description should be directly after the image, before any post caption or commentary.

Never use a readmore! If you delete the post or change your url the description is gone forever. It also makes the ID harder to reach in general, which is not accessible.

[PT: Never use a readmore! End PT]

Make your post accessible from the start if you can. Don't post something without an ID then reblog it with a description so that people have a chance to spread the inaccessible version of the post if they "prefer" the one without the "clutter" of an ID. That's ableist. If you post something without a description then end up describing it later, edit the ID into the original post.

[PT: Make your post accessible from the start. End PT]

Resources:

[PT: Resources. End PT]

The People's Accessibility Discord Server: I will always suggest this server! It's full of people that can help write descriptions, give feedback on IDs you've written, answer questions about accessibility, and more!

Online OCR: Image(/PDF) to text converter! This is really helpful, especially for transcribing text in tweet screenshots, article excerpts, etc. You will still have to do a bit of work formatting and correcting things sometimes, but it's a really helpful tool

CaseConverter: Good for converting lots of text in all caps for plain text transcriptions.

Meme Image Descriptions: This google doc has descriptions of many common meme images and templates!

Some simple Image Description formats: tailored largely for replies and screenshots from social media.

WebAim: A whole website for web accessability!

Online Accessibility Masterpost focusing on image descriptions from tumblr user @anistarrose. This has a ton of good resources, reading, and tips!

Reading & Guidelines:

[PT: Reading & Guidelines. End PT]

Cooper Hewitt guidelines for image description: This focuses on describing art, but it's a fantastic resource. It gives a good description on the distinction between alt text and long descriptions and gives guidelines for each. It's a pretty concise and easily comprehensible read with a lot of good tips towards the end.

Medium's How to Write an Image Description: Concise and helpful. The origin of "object, action, context".

Diagram Center Guidelines for Image Description: I really suggest reading through this. It gives a much more comprehensive understanding of what is important when writing a description and has different sections for help describing all sorts of things like photos, art, comics, diagrams, charts, math, chemistry, and more! A longer read, but it has a lot of specifics.

Perkins School for the Blind how to write alt text and image descriptions: Another great resource! Concise and helpful, shorter than Diagram Center's articles.

SiteImprove's Alt Text Best Practices: Focuses on Alt text not long image descriptions

Last Call Media- Accessible Comics: Great info for describing comics!

American Anthropological Association's Guide for creating image descriptions: an additional resource on IDs just because

Some tips from Tumblr user @keplercryptids! I reiterated a lot of these points here, but it's still a very helpful post!

General guideline from @can-i-make-image-descriptions and @accessibleaesthetics

Alt Text and Image Description Guide by @brownandtrans

Huge list of blogs that post accessible content!

And another google doc of accessible blogs!

If this post was too much information to read and absorb all at once, I suggest reading the first two links as well as some of the last few links that lead to Tumblr posts.

[PT: If this post was too much information to read and absorb all at once, I suggest reading the first two links as well as some of the last few links that lead to Tumblr posts. End PT]

Those probably have the most concise and easily digestible information, so choose one of those. If I've said anything incorrect in this post, please let me know so I can correct it ASAP! Thanks so much for reading and happy describing!

[oddygaul]

the REDLINE manifesto

In honor of my second DIY screening of Redline, here is, at long last, a prettied-up version of my most popular reddit post, an unabashed love letter to my favorite movie. Most of this is probably less groundbreaking than it was when I first posted it a decade(!) ago, but whatever, the internet needs more Redline content anyway.

REDLINE Trivia

–JP stands for Joshua Punkhead, and in the very first draft he had 26 children and raced to pay off his child support. Also, the catchy moniker ‘Sweet JP’? English-only… the original Japanese gets the mouthful ‘very sweet weaponless prince’.

–You'd be hard-pressed to tell without looking into the lore a bit, but Miki & Todoroki are damn near the only actual humans in the movie; everyone else is some species of alien. Some are obvious, like Shinkai (Oceanic/Chikulun hybrid) and Trava (Anista tribe), but even the most human-like characters are some other race. Sonoshee, for example, is listed as being half human, half Oceanic tribe (海洋族). 

The most curious case, though, is JP. While it'd be easy to assume he's human, there's a lot of details that don't add up: his unique elf ears, his super-lanky-even-for-a-Koike-character-design physique, the fact that his race is conspicuously redacted on his bail sheet… and his seeming immunity to death. Seriously, bro crashes every single thing he drives in the whole movie, then emerges unscathed with just a fiery flash of the eyes – that ain’t normal. If I had to wildly speculate, and I do, I’d put money that he’s somehow linked to Mikuru and the Giant species, as seen in Trava: Fist Planet. The physique matches, the Giants have displayed some preternatural healing abilities, and Trava lays the groundwork for a few other threads in Redline (namely, the existence of bioweapons and Shinkai & Trava’s past military experience), so there’s precedence. Maybe one day we’ll find out for sure…

–We all know and love Funky Boy thanks to the Roboworld president’s endless tirades. But the giant data-motivated crocodile monster Volton fuses with to engage Funky Boy in thrilling combat? She is a lady, and her name is Wire Girl.

–All of Redline’s vehicle and mechanical designs are nuts – they’re insanely complicated and filled with organic curves and details. Despite the immense difficulty of keeping such complex designs consistent, every mechanical shot is hand-drawn, without the aid of any CG. To help the animators stay on-target while drawing, the team made some sweet-ass production models for them to reference. What I wouldn’t give to own one of these…

–Before deciding on Redline being a film, writer Katsuhito Ishii and director Takeshi Koike considered making a TV series. Initial writers’ meetings saw the team fleshing out a comprehensive story bible about the setting: it included not only a wide-scope view of the universe and its history, but also detailed backstories for each racer. Even after deciding to make a feature film, Redline’s initial script gave each racer as much time and focus as the final cut gives to JP & Sonoshee; all of this was, unfortunately, cut for time. According to Ishii, though, much of this ancillary information made it into the novelization…

one day my Japanese will be good enough to read you ;_;

–Confused about why the movie ends with that sparkly, PowerPoint-ass ~LOVE~? Well, you shouldn’t be – Redline is ‘unabashedly dumb’, after all, per Ishii – but there is a little context. Over the course of the movie’s 7-year production, Koike and Yukiko (a producer on the film) fell in love, tying the knot in Switzerland just before Redline’s world premiere. If that doesn’t justify the ending for you, I don’t know what could.

–This isn't trivia but idk where else to put this stupid-ass Lynchman meme I made

Subtext you may have missed on first watch

–Machine Head is Sonoshee's estranged father?!

Crazy, I know, but hear me out. 

First of all, Redline unambiguously shows the viewer that Sonoshee and Machine Head have some sort of pre-existing relationship, the nature of which isn’t explicitly clarified. 

At the Oasis restaurant, Sonoshee tells JP she's waiting for someone; it may sound like she's simply brushing him off, but the moment Machine Head enters the scene, Sonoshee perks up and waves to him. When the Crab Sonoshee is flipped by missile fire during the Redline race, we get exactly two (2) Dramatic Anime Freezeframes: JP and Machine Head, implying those two, out of everyone, care the most about Sonoshee. During the final stretch of the race, as Machine Head prepares to pop his steamlight, he is not only aware that Sonoshee also has one, he taunts her about it:

“I see you still have your steamlight – got the guts to use it this time?”

JP even draws attention to the fact that Sonoshee’s looks identical to Tetsujin’s. Finally, though this is certainly ancillary, it is interesting to note that the exact moment Godwing loses its structural stability is right after JP declares he’s going to win because he, not Machine Head, has Sonoshee at his side.

So let’s line this up with what backstory we definitively know. As stated above, Sonoshee is a human / Oceanic hybrid; Machine Head, though his body has been modified beyond recognition, is referred to the same way. While talking to JP about the steamlight, Sonoshee says her father is the one that gave it to her, then describes him as a skilled racer who ran a junk joint. In that same conversation, when JP suggests she’s too focused on racing at the expense of personal relationships, she bristles and tries to end the conversation. During the flashback of young Sonoshee racing, her reaction to crashing is intense: she’s clearly holding herself to a higher standard, and is already dead set on racing in the Redline someday.

Now, there’s other plausible explanations for all this; maybe there’s just a romantic entanglement between Sonoshee and Machine Head, with JP barging in as the third vertex of a love triangle. But is that the most likely scenario for two people constantly characterized as putting racing before any personal matters?

No, I think Machine Head is Sonoshee’s father. 

Picture it: Machine Head raised Sonoshee at his junk joint, so she grew up around racing and car modification. After seeing success on the circuits, Machine Head stopped being content with mere victory, and started spending all his time and energy modifying his body, pushing himself farther and farther. Sonoshee, feeling neglected and cast aside, turned to racing, seeing it as the only way to get her father’s attention. This lead to her perfectionism complex; if she’s not the very best, why would the King of Kings ever look her way?

Anyway, while it’s not confirmed in the text, I think there’s so many hints it might as well be. It makes JP and Sonoshee’s romance a lot more interesting, too. Their arc isn’t just two people falling in love, it’s about Sonoshee moving past the trauma of her father’s emotional abandonment and opening up to someone new. After JP explains his match fixing history in the climax, Sonoshee isn’t placated because he told the truth, she’s fired up seeing the strength of JP and Frisbee’s friendship: she sees the folly of chasing approval from her absent father, and that she could instead be forming bonds with friends who support her unconditionally. She can race for herself.

Koike and Ishii said Redline is about adult friendships, after all!

pictured: the most romantic kiss in cinema history

–The Redline race is, in fact, underhanded political maneuvering

Now, this one is sorta just The Plot Of The Movie, but I feel like there’s so much going on in Redline people often don’t connect these dots. 

We all laugh at the Roboworld president’s hammy word salad:

“I wonder if this might be some kind of ploy by our enemies to infiltrate our borders. If that’s true, do you realize Roboworld’s military secrets could be at risk here? We’d be exposed!!”

…but he’s… kinda right, though?

At the time of the movie, the M3 Nebula has just emerged from two devastating interplanetary wars. The galaxy’s superpowers are under a tenuous peace agreement – one of the most important stipulations of which is a ban on the use and development of “bioweapons”, which in the Redline universe are less ‘weaponized bacterial strains’ and more ‘gargantuan synthetic monsters that can be deployed to wreak unthinkable destruction’. Despite this ban, the government of Roboworld has been continuing with bioweapon development unabated… and not only does Planet Supergrass seem to be aware of these violations, it really seems like they’re leveraging all their soft power to expose them.

Now, we know Supergrass is generally involved with the Redline final. As a member of the Redline Committee, they have a reason to be involved; they’re helping out with nuts & bolts logistical stuff, like transporting the racers to the course and prepping the finish line. But when you consider the significant, tangible political blows dealt to Roboworld by the race – Funky Boy and Wire Girl’s presumed destruction, Roboworld’s violation of the bioweapon treaty being broadly exposed to the public, the decimation of Roboworld’s military – the long string of coincidences that got us to that point start to seem a little suspicious.

Who pushed for the Redline final to be held on such a hostile planet? Who knew about Roboworld’s experimental orbital laser cannon – a project so tightly under wraps even their president only learns about it during the race – and hired contractors to sabotage it? Who organized a group of malcontents to attack both Roboworld’s power relay station and Funky Boy’s containment creche, right when such disruptions would be the most impactful? And who decided the race’s crucial middle stretch should go right over the restricted military zone housing said creche?

Supergrass has the motive and the means – plus, the race is already illegal, so what can Roboworld do, sue them about it? No sir, that Princess is on some subterfuge shit, and Secretary Titan, that shady fuck, is her inside man. And you can take that to the bank.

Craving more REDLINE?

Unfortunately, due to the movie’s commercial failure, there’s not much else in the franchise. The Redline production pilot is fucking sick, though, and there’s Trava: Fist Planet, an OVA by Koike & Ishii that predates Redline and focuses on Trava and Shinkai’s misadventures. While Trava never got the continuation it deserved, they did make a trailer for season 2... ahh, what could have been.

If you’re just after more of Takeshi Koike’s mind-blowing animation, there’s only a scant few projects in his trademark black-filled style. His most well-known work is probably the Samurai Champloo OP, or maybe World Record from The Animatrix (can’t find a link for that one, but y’know, do your thing). Koike also contributed animation to two other Ishii films: an extended intro for Party 7, and this aggressively horny dance sequence for Funky Forest. Back at Madhouse, it seems the studio liked to use Koike as a bait-and-switch, letting him direct lavish production pilots to secure adaptation rights then switching the staff up for the full production. Feels kind of scummy, but we got the immense Afro Samurai Pilot and Iron Man Pilot out of it. Finally, he made the series of Love shorts for SMAPxSMAP, the SMAP variety show, which are as dope as they are low-res.

I really wanna know if Koike was the one ballin out to CYNE and Gang Starr for this

—

And finally, as I threatened in my last post about Redline: let’s talk thematic depth.

~Thematic Depth~

In conversations online, Redline is often given this caveat of just being ‘eye candy’, or hit with the classic ‘style over substance’ cliche. Now, the phrase ‘style over substance’ has always bothered me, generally – it feels like it comes from folks who have never tried to make art before, who make light of the painstaking work and dedication that goes into creating anything – but it particularly frustrates me in animation. The process of animation is such an absurd, masochistic timesink that it’s a wonder anything ever gets finished at all; something this ambitious being finished, with this level of consistency and polish, is nothing short of a miracle, and to simply call that ‘style’ massively undervalues the whole endeavor. 

Because, make no mistake, Redline is ambitious as hell from a visual standpoint. The consistent focus on kinetic motion and speed, buoyed by Koike’s masterful use of exaggerated perspective, spatial distortion, and dynamic camera work; lots of moving, hand-drawn backgrounds instead of matte pans; lively crowd animation in most scenes; remarkably expressive, constant character animation that imbues personality to every character and never settles for industry standard lip flap dialogue… and all of this using incredibly complex character & mechanical designs, many of which feature distinct alien physiology, and a rendering style with bold, detailed shadows that would be more at home in illustration than animation. It is truly a singular work.

And the thing is, that wild ambition and unfailing dedication to the craft is the message.

The very first moments of Redline, before we see a single car or alien, are a brief series of title cards. I think most first-time viewers, and even many repeat viewers, immediately forget these words seconds after reading them due to the famously high-octane opening act. They read:

“In the far distant future, when cars are giving up their wheels in the changeover to air-cars, there still exist stubborn fools who carry on a vanishing spirit of racing…”

It’s easy to pass over this narration because, well, Redline simply isn’t about this conflict. We don’t see a single air-car racer, and there is no on-screen depiction of this purported old-school / new-school racing divide. So why is it here?

Because it’s the thesis of the whole damn project. Redline is about a group of old-school animation industry vets coming to terms with a changed industry that doesn’t support the type of art they want to create anymore, and their determination to pour their hearts into one last, stupid, beautiful swan song.

Madhouse was founded in 1972 by a group of ex-Mushi Pro staff, including Masao Maruyama and Yoshiaki Kawajiri. A response to Mushi Pro’s shoestring budgets and spartan timelines, the goal of studio Madhouse was to create production schedules where animators could flourish, rather than choosing the cheaper route; as Maruyama puts it, their mission statement was to ‘create animation other people aren’t interested in creating’. And, well, for decades, that’s what they did – Madhouse consistently gave a platform to idiosyncratic creators and produced incredible results. Their film canon includes pivotal productions like Kawajiri’s Ninja Scroll and Vampire Hunter D Bloodlust, Rintaro’s Metropolis, every single Satoshi Kon production from Perfect Blue to Paprika, and The Girl Who Leapt Through Time, the film that launched Mamoru Hosoda into stardom. While their TV output might be seen as more workmanlike, they were still dedicated to creating original stories. For example, despite his proven track record, Masaaki Yuasa was unable to secure funding and creative freedom anywhere else but Madhouse, with whom he produced Kemonozume, Kaiba, and The Tatami Galaxy prior to the establishment of Science Saru.

Takeshi Koike’s formative years as an animator were during this golden era of Madhouse. Poached directly out of high school by Yoshiaki Kawajiri himself, Koike was taken under his wing – his first job as a professional animator was inbetweening for Wicked City, and he’d moved up to key animation roles just one year later. I think Kawajiri’s intent was for Koike to be his protege; in this boom era of animation, with high-budget feature films and OVAs as the de facto standard, creative vision and a unique style is what you’d look for in an up-and-coming director, and Koike had both of these in spades. For a time, this pathway seemed almost assured; Koike’s big-league directing debut on The Animatrix produced one of its most well-received shorts, even amidst an anthology stacked with superstar creative talent.

Unfortunately, the turn of the millennium brought a lot of change for Madhouse and the industry at large. Budgets shrank, and production schedules started trending towards today’s unsustainable nightmare grind. CGI became ubiquitous not for the unique shots and compositions it allows for, but as a corner-cutting method for complicated actors like vehicles or mechas. A certain homogeneity and tendency toward ‘safe’, appealing designs and premises took hold; what good is your off-the-wall, creative worldbuilding idea when the anime industry revolves around merch sales, and generic moe waifus are outselling your original IP ten-to-one? All these industry vets could see the writing on the wall: animation would survive, but things were changing, and the ideals they’d founded their studio around were becoming untenable.

So I genuinely believe Redline is a parting shot from the old guard, a celebration of the era of the industry they cut their teeth on, one last lush, extravagant farewell before they passed the torch to the next generation. Maybe not from the start, sure, but after years of troubled development, progressing slowly due to the team’s meticulous vision, I think they rallied around the cause, dead set on making a masterwork, no matter what. Just look at the talent they attracted, the staff list reads like a best-of: Shinya Ohira, Hiroyuki Imaishi, Sushio, Yoshiaki Kawajiri, Sayo Yamamoto, Katsuya Yamada, Takafumi Hori. 

And that’s where we come back to that opening message, about those stubborn fools. Suddenly, that movie chock-full of characters putting everything on the line for their passions feels a lot more personal. Koike is JP, the traditional [animation / racing ] purist who’s become an anachronism and just wants to be able to do things his way; Kawajiri as the God of Racing, who JP’s looked up to since he was younger, giving him one last thumbs as he achieves his goals; and Maruyama as Frisbee, putting his livelihood in danger to buy his team the time and money they need for one last gig, who wants to see his friend finish the damn thing on his own terms, just this once. 

In a way, it makes it heartbreaking that Redline performed financially as poorly as it did; Japan’s frosty reception to the movie is at such odds with the fervor of its creators. But you know what? Redline exists, and it exists without compromises. They did what they set out to do. They made it across that finish line.

—

[gendercomsumer]

hiii ^^ I would like some headcanons for riddle, malleus, vil and rook with a fem mc that accidentally ends up making them laugh (because what she says or does is very random xd maybe an example would be like jennifer lawrence sjjs she is very funny ) well that's all, thanks and take care <3

Riddle, Malleus, Vil, and Rook with an S/O who can make them laugh with the most random things

A/N: Hello to you too Anon! I know this has been in my inbox for gods knows how long- But thank you still for sending this in! I hope this is to your liking! I actually did watch some Jennifer Lawrence videos for inspiration and I have to agree the comedic timing she has is perfect!! I also used some google translate in Rooks part so it may not be accurate ^^;

Characters: Riddle, Malleus, Vil, and Rook

Warnings: Cursing to a mild degree, playful mention of stalking in Rooks (I love him I swear!!!), lightly proof read

Fem!Reader

Riddle Rosehearts

Riddle is a bit difficult to get a good genuine laugh out of, at least in my opinion.

Like sure you have a small chuckle when he finds something amusing, but i feel like it'd be a bit of a challenge to get a good genuine laugh out of.

Then you came in, saying the strangest things at the most unrelated times!

And Ace and Deuce find this absolutely hilarious

You'll say the most out of pocket shit with the straightest face and somehow half the people around you start to laugh some others breaking out in giggles

Ace and Deuce have definitely talked about this 'talent' of yours, at least in their words.

You had said some of these strange comments around Riddle and he found them strange a bit endearing as well

I'd think the time you got a good laugh out of him was when you had come with him to take care of some of the hedgehogs

The two of you were sitting in the grass some of the hedgehogs were playing while a few had decided that climbing on the two of you was a good way to pass the time

One had wandered up onto your head and almost fell off but luckily you were able to save the little guy before he fully hit the ground

After Riddle worriedly checked the little guy over you while looking over his shoulder at the small animal said:

"Well at least we know this one has no self preservation"

Unwillingly, or maybe subconsciously, a small laugh makes it's way through Riddles chest to his lips.

Well, now maybe he saw what those two were blabbering on about

Your little comments were always appreciated with Riddle

Even if they didn't cause him to laugh they did brighten his mood at least somewhat

"Yes, this one does tend to be a bit of a handful. Reminds me of a certain rose I know"

He teased before you two fell back into the pattern of caring for the small animals

More chuckles and comments to come no doubt

Malleus Draconia

At first Malleus didn't understand why the rest of Diasomnia found your remarks so comical

Yes his child of man did tend to bring a certain warmth where ever she walked

But he didn't see this as an excuse for the amount of laughter you cause people around you

Most of the remarks you make will fly over his head

I'm sorry but he seems like the kind of guy to not get the joke until you explain it to him-

Now the Thorn Prince does share a few chuckles with those around him when he finds something amusing, similar to Riddle

But it's even more difficult to get a laugh out of him considering he doesn't get a lot of the play on words type of jokes

but something abrupt and slightly out of context?

I feel like that would get some sort of laugh out of him

One day you were talking with Malleus about some of the things you did in your old world

The topic of amusement parks came up and you started listing the rides you used to go on as a child

Roller coasters, bumper cars, lazy rides where you could relax, until you blanked on the name of a ride

It was frustrating considering it was probably something simple and you would remember it after their conversation, but you wanted to keep the ball rolling

Malleus mean while was partly enjoying seeing how frustrated you got over a simple word

You really were a strange thing weren't you Child of man?

"I'm sorry Mal- I know what I'm thinking of! It's on the tip of my tongue- It's like one of those horse tornado things!"

Horse.. tornado..?

Now that got Malleus attention

he understood the other rides you described, favoring the lazy rides

but what ever this horse tornado was... it sounded.. strange, yet curious at the same time

"CAROUSELS!! FUCKING CAROUSELS, THAT'S WHAT THEY'RE CALLED!"

Malleus let out a small puff of air before he started chuckling under his breath

You truly were a strange one weren't you child of man, just like the world you came from

Malleus pressed a kiss to your forehead letting out one more chuckle before speaking

"Truly fascinating, maybe one day you could bring me to one of these 'horse tornados' you have me interested"

Sure jokes your fly over his head, but he would tease you some what for your small skips in memory

Vil Schoenheit

Now Vil, having acted in a lot of movies, (If I'm correct) Would have probably had a few good laughs in that line of work

Weather that be on set or behind the cameras

But he doesn't often let out a good laugh in public, it's not really part of the proper image he'd want to put out there

As for behind closed doors or with close friends he's definitely willing to have a laugh

And who better to bring a smile to his face than his lovely sweet potato?

Though one good moment always stuck out to him that caused him to have one of the most genuine laughs in awhile

The two of you were getting ready to go out to a fancy restaurant, courtesy of Vil of course, hair, makeup, shoes things like that

While Vil was sitting at his vanity working on his eyes when you came out of the bathroom in a stunning dress hand picked by Vil

It brought out all your best features while still being enough coverage to where it wasn't uncomfortable to wear into a public area

The two of you made idle conversation as you sat on a near by chair to slip on a matching set of heels for the dress

As you stood up in the heels to work on your own makeup you lost your balance thanks to the new height the heels provided

Although Vil was quick to catch you making sure you came no where near the floor he still was concerned

"Oh sweet potato are you alright? What happened?"

Yes looking back on it the question seemed dumb but he was concerned

but you just let out a giggle while regaining your balance before saying:

"Well I'm not sure what happened, but I remember wanting to yell 'fuck' as my last words before I embarrassed myself"

Vil took a moment while looking at you

then a chuckle escaped his lips which soon turned into the two of you sharing a small laugh

Now Vil doesn't know why he laughs at your antics, in hindsight they're just normal phrases

But maybe it's the delivery?

Or the way you smile at him?

What ever it may be it always causes a smile to grace his lips or a chuckle to be drawn from him

Sure Vil maybe all about preserving beauty and making sure he looks flawless

But if he happens to get a few smile lines because of your antics, he will never hold it against you

"Well my darling, I'm glad to hear you're alright. It would be a shame if you or your lovely dress got roughed up before we left. Now come, you still want to do your makeup don't you? Allow me to help"

Rook Hunt

Now Rook has plenty of laughs in his life

Weather that be from stalking some poor soul or a genuine laugh among friends

Rook out of the four is probably the easiest to get a laugh from

He's a joyful guy wanting to see all nature and the world has to offer! Can you blame him?

Then enters you who some how can't help but leave Rook giggling when ever you do something!

You put your tie on wrong? Oh silly Trickster aren't you just the sweetest thing!

Then comes your words which to Rook is a whole new ball park

Rook tends to hold onto every word meant for him, weather that be written or spoken out loud

His darling Tricksters words are so elegant and so sweet how could he not treasure everyone!

What really gets him chuckling and laughing is the moments when your words aren't as sweet and graceful

Cut to one day when you and Rook were in the fields often used for flying class

Rook had a desire to teach you archery so he happened to drag you along with a quiver and bow to some targets set by his hand

After the first few moments of Rook teaching you how to properly hold and aim the bow and making sure your arm guard was secure (He wouldn't want his darling trickster to get rope burn!) He let you shoot

All was going well as you hit targets in an... acceptable way

But all that seemed to end when a large gust of wind sent your best shot yet off course and into the ground

And just as Rook was about to offer some encouragement to keep going and try once more

some colorful language came from you to say the least

"Wind!? Really!?! Could you not wait two fucking minuets!! Nooooo! You just had to thro my best shot off course you-!"

Now don't get Rook wrong he hold the sweet words you two share close to his heart

But there was just something about you yelling at the wind of all things that caused him to start laughing

As he laid on the grass of the field eyes closed as he laughed

Oh? It seems your colorful language is directed towards him now? Even better!

"Trickster- reine de mon coeur! Please I believe- I believe you have shared plenty enough words with the wind today!"

A/N: This is actually the first time I've taken a good look at the name of Malleus' dorm. Dia = Dragon. Somnia = Sleep

Diasomnia = Dragon of sleep

just a ting i found silly :)

[a-queenoffairys]

Code Lyoko Chronicles 2.0

The Code Lyoko Chronicles are a series of 4 sequel books originally released in Italian in around 2010. Set a short while after the season 4 finale, parts of book 1 recap a story similar to the TV series but with a number of small changes (there's no RTTP for example) while the gang uncover some new secrets in the Hermitage that set them on the path to finding Aelita's mother, Anthea. But XANA survived and is coming back for revenge, and the gang's investigation into the secret history of Franz Hopper, Project Carthage and the Supercomputer puts the men in black on their trail as well, not to mention the shady Green Phoenix organisation who funded Hopper's work.

The books were published in a number of languages, but not in English - so that's where the fans come in. As one of the first translation projects we did for CodeLyoko.fr, finishing in 2014, the original completed English release was pretty rough. 10 years later, armed with more translation sources, better resources and many years of translation experience, I decided to take another crack at it. And after many months of hard work and procrastination, I've produced a version 2.0 that I'm pretty happy with.

Links and notes on the various changes under the cut!

New translations!

My co-translator Kelsey and I didn't have a lot of serious translation experience when we picked up where Rhys Davies left off in his English translation project, and we were definitely prone to making mistakes. And it didn't help that for books 3 and 4, a few things got lost somewhere in the process of the text being translated from Italian > Spanish > French > English. I revised our original translation and this time I referenced multiple sources to try and make sure I got the interpretation right. It won't be perfect, but it's definitely better than our original attempt!

The second half of book 2 was based on the official French version, which I discovered was slightly condensed and abridged to lower the page count. The new English translation expands the text to restore the parts that were omitted. I also changed the title from The Nameless City to The City with No Name - there was never an official English translation, but I did find a marketing document with the titles listed in English, and that was the only one that differed.

Here's a page comparison with a few changes, mostly minor, but one big change to the context of Odd and Ulrich's conversation. With my apologies to Kiwi for the original mistranslation.

New formatting!

I got better at formatting Word docs and realised I should have the text alignment set to justify. The books look a lot neater now!

Accessibility!

I added alt text descriptions to all the images, and the PDFs all have a proper table of contents now so you don't have to scroll to the end of the book to find the navigation.

(Note I don't have a lot of experience with detailed image descriptions and I haven't done much testing with a screen reader - feedback is welcome from people who know more about it!)

New scans!

The centre of each book has several colour pages with images and text to supplement the story, and some of the original scans were quite small or had part of the image disappearing into the spine of the book. And the only way to fix it seemed to be to obtain physical copies of the books (probably in Spanish), pull the pages out and scan them flat. So I did. And I think they look great. (Black lines added to hide spoilers.)

My original intention was to upload these to CodeLyoko.fr, but I haven't been able to do that yet, so for now they'll just be available on Google Drive. This translation wouldn't have been possible if not for the other people on the fanslation team - not just my fellow translators, but also all the people who worked on scanning, formatting and editing. Special thanks also to Rhys Davies for kicking off the English translation. You can read more about the Chronicles and the fanslation project here on the website. (Yes I still need to revise the translation of those pages too. Someday.)

So yeah, it's taken a while, but I'm glad I can finally put out a better version of these books for people to discover. Enjoy!

Version 2.0 PDFs here! (Google Drive) ePub versions coming soon.

[machine-babydoll-reborn]

Happy Pride Month everyone!

During Pride Month, you're probably going to see this document posted quite a bit. Either the whole thing or small snapshots of it. Usually in posts about how exclusion is ahistorical, and about how modern exclusionists would freak out if they saw how queer people labeled themselves in the 90s.

Now, all of these are beautiful depictions of gender incongruence, beautiful ways of describing genders that cisnormativity erases. But people seem to ignore that a couple of these entries... well... they seem to also at times describe age incongruence.

Take entry 53.

This person describes themself as sometimes being an 8-year-old "depending what day of the week it is". Maybe they mean it in a kink context? In the context of CG/L dynamics? Since it is listed after other terms associated with that kink space. But you can't argue that this is a completely normal way to view one's age.

Oh. And here's entry 19.

This entry... if it was meant in a kink context... there's no such indication. It's just... said. As part of this person's identity. "40-going-on-11". You could argue they don't mean it in a transage way. Purely metaphorically. But that might be a tough argument.

"Okay, but this is just one document!"

Do you need more?

How about this?

This is an excerpt from The Eternal Child, a paper on "infantiles". I tried to read the entire thing, but the mixture of highly medicalized language and explicit discussion (yes, I know it was called the Institute of Sexology, what was I expecting, but I'm very apothisexual) meant I had to stop. From what I did read through, it looks like while, yes, some cases might be better described as ageplayers in the modern day, others are extremely relatable depictions of age dysphoria.

So yes. The same place that the first SRS was done also had transage patients.

"None of these examples count because they don't actually use the term transage."

I'll give you that.

But do you know who did? Who was the first person to actually call themself transage? Back in good old 2008?

Randy Wicker.

Yes, that Randy Wicker. The gay rights activist Randy Wicker. The "involved in so many aspects of the LGBTQ rights movement that I'm having a hard time picking and choosing what I should mention here" Randy Wicker.

I hope you see the point I'm making. That transid people have always been intertwined with LGBTQ history.

Yes, this post is very transage-centric. That's what I am, that's what I know the history of best. If any other transid individuals want to reblog this with their own history, feel free. I welcome my siblings in arms.

The point is this.

We can debate whether non-gender transids are inherently queer, and whether a pericishetallo transid person should be welcome to celebrate Pride. Honestly, I'm not sure where I stand on this myself.

We can comment on legitimate issues within the transid community. Which, as I'm well aware, isn't picture-perfect. There should be good-faith discussion about that.

We can call out bad actors who use our terms and try to twist them to defend immoral activity. Who treat our community like it's a shield for them.

But this Pride, I don't want to see anyone claiming that a transid individual isn't welcome to celebrate Pride purely for being transid. You hear me?

[ceoandslutler]

sebaciel nation: tips on how to write fics if you don't want to be ooc - mainly for first time writers

so i dropped the sequel to sws from last year and i thought, why not make a list of my best tips for writing the characters? clearly i did something right since people seem to think i write in character.

read the source material. i swear to god, it sounds simple but you can't know the canon intricacies of their relationship if you're anime-only. the anime doesn't show their relationship now (blue cult arc) and it doesn't show their development as smoothly. also reference their scenes in the manga in your fic. it will help, i promise. contextualise their actions by comparing it to their canon behaviours or at least make parallels. also read literature or even fanfics you like and try to see which writing style you want to write in- i don't read a lot of fanfic but i do read books (it helps).

research research research. the characters need to be in a lively world if they're going to be themselves. an underdeveloped world makes an underdeveloped character. even if you're writing canon divergence or an AU and want them to still be themselves, please go ham on research and incorporate the things you learn into your writing. if it's not possible to add it into the work smoothly, keep it in your mind and use it for a different fic. that way, you'll never run out of ideas. just make sure the world affects them. as character-driven kuro is, yana has been putting a lot more effort into the historical accuracy of kuro. doing the same will help.

this is the opposite of what everyone tells you but for kuro fic, get that thesaurus. learn as many new words as you can, use them in various contexts and figure out what sounds right. it can be difficult if english isn't your first language but practice makes perfect. the more flowery your language, the more you can layer and sophisticate your dialogue and symbolism. both ciel and sebastian are highly intelligent and in order to write their banter, you also need to have a healthy sense of wit.

follow this thought process: what is the action? who is doing the action (and if applicable, to whom)? where/when (in what context) is he doing the action? why is he doing the action? would/has he done this action in canon? if not, will it be acknowledged that he did something uncharacteristic? e.g. an example from my fic: dancing, sebastian dancing with ciel, in private before ciel's wedding, to teach him how to dance with elizabeth, yes he would do this in canon, no since it's not ooc. now imagine in the action was kissing or saying something romantic. neither of them would do this in canon; so your fic should acknowledge that it's something it an action they do not understand the reason for. you also have to keep this in mind for everyone who isn't sebaciel too if you want the fic to be cohesive.

it's ok to be ooc. sometimes you just wanna write characters the way you like. don't force them into canon if you're writing them how you like; that's just gonna make it awkward. if they're ooc half the time and their canon selves the other half, you're just gonna make the readers confused.

it's also ok to ignore all the advice i just gave you and do whatever you want. nobody should tell you what to write. i'm just giving these tips because i want everyone who wants to write but is scared of being ooc to have somewhere to start.

[sleeplesssmol]

I think Vertin might be a tactile person.

Here are examples taken from the voice lines and context clues.  This isn't an all conclusive list of touchy interactions, just what I could find. Someone stop her before she gets hurt. Update: I'm going to keep adding on as we find more interactions together because this is really fun.

Sotheby (hat and hair): Stop it! You can't just touch an adult's head! (She is 13. Vertin probably sees her as a baby and pat her head).

Bette (hands): Ha ha ... They might be a little rough. To tightly grab the eave does require abundant practice. (assuming Vertin is holding her hand. Don’t ask me how we got here.)

Rabies (clothing and torso): Straws ... be hugged. Rabies ... feels it. (she hugged him 🥹)

A Knight (hat and hair): One step further, and you will be in close contact with Someone's nose... As long as you can hit Someone's head. (how close is Vertin standing to the AK? Or maybe she was looking for an invisible head to pat.)

Mesmer Jr (Hands) :Compared to the incurable anxiety, these wounds are minor. Oh, watch your distance. (smh Vertin not everyone likes being touched.)

Melania (hat and hair): "Well done. Please keep on." ...Aren't you going to say that? (more headpats but Melania needs vocal praise too.)

Lilya

Clothing and torso:  Feel awesome? Now it's my turn to pet you. (...what is Vertin petting? This is clothing and torso but I'm lost.)

Hat and hair: You should be grateful that I am too lazy to move now. Or you should know that the first-class pilot’s got a first-glass head-butt, too. (Vertin taking advantage of the moment to give headpats. I'm telling you, its a THING)

Leilani (Hands): Shaka brah! Ooh! Do you want a handshake or a high-five, my friend? I'm fine with either! (She’s so wholesome)

Cristallo 

hat and hair: Are you patting my head? The doctor says, this is a reward for good children. Have I done something right? 

Hands and sleeves: Would you like to hold my hands? I could be with you anytime. (Cristallo is weak and frail. The nurses say she could be blown away by a gust of wind. Despite this she says she’ll be with Vertin anytime. To me it reads as Vertin being worried Cristallo will disappear too. Cristallo notices so she offers to hold hands and says she will always be here as a way to comfort her.)

Darley Clatter

Hat and Hair:  Oh ... I can't deny you are really good at patting.

Clothing and Torso: Take a look at my beautiful muscles! I don't need to explain how fabulous I am. Hey, watch out! Rub me in the direction my mane grows.

Bonus Intimacy : Adorable? Ahh? You don't even have a taste! (Vertin pets him and calls him adorable. Darley, don’t let the girlies know. They might end your noble bloodline.)

Pavia (Hat and Hair): Wanna know how many holes I've made on others' heads? No? Then stop it. (What possessed her to give Pavia headpats?)

Dikke (hat and hair): Thou art overstepping my boundaries, arcanist. (I’m guessing Vertin is at it again with the headpats. Dikke smiles when she says this so she isn’t offended. If anything, she seems amused. )

Eternity (hands and sleeves): Go on, try holding it, and feel its temperature rising in your hand… Easy, sweetheart… take it easy, heh heh… (more hand holding but Vertin wasn’t prepared this time)

An-an Lee (hands and sleeves): What? You want a palm reading? (Vertin, why are you like this? Are you randomly touching people's hands?)

Regulus (hands and sleeves): What do you want? I don't have any spare scratch. (I'm sure she knows you're broke since she's your boss. Vertin's just being Vertin at this point.)

Vertin leads Regulus by the hand into her Suitcase in the prologue

Blonney (hands): Interesting! It's been a while since I last met someone who would start with holding hands.

She also holds Blonney's hand as she calms her down during the green lake event.

I feel like I should have picked up on this sooner. Gift-giving, hand holding, and headpats. This is the Timekeeper way.

[hyperpotamianarch]

So, Jewish Fantasy! A very nebulous idea that tries to catch form in many different ways. I don't know much about how it works outside of Israel - I saved the recommendation list that circulated around here but didn't try anything from it yet (outside of Spinning Silver, which I read before I ever saw the list). So, if anything of what I say seems ludicrous to you because you've seen a book that does it well - don't hesitate to recommend it to me! Though I'm not sure how applicable it will be for what I'm about to say.

There are a couple of angles from which one can try to get at Jewish Fantasy: through using Jewish folklore and myth as a basis for your story, through using Jewish characters or by writing out of a Jewish cultural context. In certain stories, different angles tend to be more pronounced - Charashta is based on Midrashim and Jewish folklore, Spinning Silver has Jewish characters, and Agam HaTzlalim is written out of some degree of Jewish culture. Yeah, two of those are Israeli books that weren't translated, feel free to give alternative examples but those are the only one I can safely talk about since I've actually read them.

I could elaborate more on that, but what actually made me want to write a post on the topic was a post about how so much of Fantasy is Greek (in a way) and Sci-Fi is Roman. And that made me think, what about Jewish Fantasy? And while this is a topic I've thought of and been somewhat involved in conversations on for some time now, this is looking at it from a particular angle. An angle which could be examplified by the simple question: why is there no Jewish Disney Princess?

All right, all right, settle down. I know about the Vanollope von Schweetz thing. Quite frankly, considering the source for it is the word of the actress and that it has no effect on the story whatsoever, I think I'm fine with ignoring it. Feel free to shout at me in the comments, hopefully the rest of the post will explain this better.

You see, the problem is that Disney Princesses mostly come from stories about Medieval Europe, and in that particular time and place "Jewish" and "royalty" were inherently contradictory. A Jewish girl couldn't have been a princess, because Jewish communities were never a part of the ruling class. At least not in medieval Europe.

Now the reason what I'm saying is rubbish is because of other contradictory examples, like Mulan or Tiana, and maybe Pocahontas or Esmeralda. And based off of those examples I could probably whip up a couple of ideas on how to do an interesting Jewish Princess story - base it on the Book of Judith, for example, or offer a Jewish twist on some European folktales (which might be hard considering some of them actually have straight up Jewish characters playing as the villains), or... have a movie about Jews assimilating into European culture... Yeah, I can see why Pocahontas or the Hunchback of Notre-Dame might feel a little uncomfortable. But the point is: Fantasy is based on Medieval times, and Jews' role during that time wasn't one of royalty.

You can't really write a medieval Jewish kingdom, because there wasn't really any. And yes, many people try using the Khazarians for that. However, their kingdom was only Jewish for a century, maybe, before it was completely destroyed. Plus, we barely have any data on what it looked like, and its culture was likely very different from Jewish culture. So the medieval presentation of Jews would have to be of a persecuted minority. That, essentially, is what we see in Spinning Silver: a Jewish family in medieval times, a member of which serves as our protagonist. And Maryem is pretty much constantly angry about the antisemitism flourishing all around her. So I suppose that could be an example to follow - along with the stories about Maharal of Prague and the Golem, fighting blood libels.

So, you can portray Jews as an oppressed minority, constantly fighting their persecution. An alternative could probably be following the example of Ḥassidic stories, talking about the Rebbe, the Renter, the Trader and the Widow (regular character archetypes in such tales). You could have the antagonist be the local Pariz, nobleman, or perhaps the gentile that decided to be a robber, or occasionally a fellow Jew who out-leassed your protagonist from their home. All regular tropes in the day-to-day life of an... (checks notes) early modern Eastern Europen Jew? Huh. I suppose it's not exactly the same period.

Either way, if you want your story to be more fuly Jewish, to not always play against the backdrop of a non-Jewish kingdom, you have some interesting options. The first question would be: are you taking from the past or the present? If you choose present, well, you can choose between Diasporan or Israeli culture. In addition, this will more or less constrain you to some type of Urban Fantasy or other Hidden World stories, with not much of an option to delve into Epic Fantasy. If that's what you want to do - great! Go ahead and do that. Personally, I have some degree of a problem with how I've seen Israeli culture portrayed in stories so far, but that's a story unto itself.

If you choose past... well... Jewish history is nothing if not long. And if we're really trying to make a more Jewish backdrop, we'll probably need to pull from Jewish independant states or kingdoms. Of which there are a couple that can be used - Ancient Israel throughout the time of the Tanach, from the Judges through the first kings and the divided kingdoms of Judea and Israel; Yehud Medinta, which while it existed under the Persians had a Jewish governor for certain periods; the Hasmonean Dynasty, with all its ups and downs; the Kingdom of Adiabene, which converted to Judaism for a time; some short-lived Jewish independant states in defiance of the Romans; and of course, the infamous Kingdom of Khazar. There are also legendary kingdoms of the lost 10 tribes, which could possibly work as interesting additions. It is also important to note that in the Tanachic period I included a pretty vast array of periods, including the Judges (periodical local saviors and heroes), the House of Sha'ul (which isn't too easy to characterize), the Davidic Dynasty (Temple! Prophets! A bloodline promised to last! Evrything you might want from a kingdom), and the Kingdom of Israel (a couple of dynasties have their own characteristics, but most didn't survive for long).

Maybe I'll try my hand in suggesting what a kingdom based on the Hasmonean Dynasty could look like later. For now, let us start with: there is no medieval Jewish kingdom, so we'll take one from the Hellenistic period or from the Bronze Age to cover it up! Either that, or we'll try figuring out the structure of the early medieval kingdom that converted to Judaism that one time.

I'm not sure how much of a point I made, really. Thank you for reading, and have a good day!

[joelalorian]

Under False Pretenses - Chapter Seven

Stepdad!Dave York x f!reader | wc: 3715 | masterlist

Summary: A challenging mission, whirlwind marriage, and an unexpected yet captivating stepdaughter push Dave York to the brink as secrets, feelings, and loyalties collide.

Warnings: Explicit, 18+ mdni. Stepdad trope. Unspecified age gap. Soft, sexy, and intense Dave. Domestic Dave. Good Dad kink. We like thick thighs in this house and so does Dave. Nicknames and terms of endearment. Mummy is a whole lotta bitch. No use of y/n. Lots of cursing, talk of sex toys, and a bj.

a/n: This chapter features a prompt from @yxtkiwiyxt's Never Have I Ever challenge. The prompt was Never have I ever been to an adult store. I've added a little bit of context to the beginning of this chapter so it can conceivably be read as a standalone, but just makes more sense if reading the larger story. Hope you enjoy!

Series Masterlist

Chapter Seven

Now that Dave had a taste, he was quickly becoming addicted to you. He couldn’t stay away, sneaking down to the basement to spend time with you after Lisa went to bed, coming and going from his office more often than usual, using the private entrance from the garage to enter the house rather than the main entrance. Anything and everything he did was designed to set eyes – or hands – on you more frequently.

However, in front of your mom, he still played the role of faithful, if not loving spouse. It pained him more each day to do so, but he had to be to maintain appearances. There was still too much at stake.

He didn’t miss the pained look that crossed your face sometimes when you’d come up to the kitchen in the mornings to find him seated at the table with your mom and the girls like the perfect little family. Or when Lisa would put her hands on him, trying to snuggle into his side or putting her head on his shoulder while he sat on the couch. It never lasted long, that look on your face or the touches from Lisa since he always pulled away, but the effects lingered.

It hurt Dave for you to see those things, the look on your face, when you did, tore at his heart, knowing how you felt. It was a necessary evil, though, and he convinced himself it was okay because you never asked any questions about his marriage to your mom. You avoided the topic altogether, which suited Dave just fine. He couldn’t have told you the truth anyway. Not yet.

Christmas was particularly difficult, Lisa making a big fuss over him to the point he thought she was putting on a show to make you uncomfortable. All it did was make Dave really uncomfortable. He spoiled the girls, getting them everything on their wish lists and then some. His gifts to your mom were practical and simple, much to her disappointment. He knew you heard their raised voices later that day as she reamed him for the thoughtless gifts.

Dave didn’t give a shit. His mind was focused on you, on making sure the gifts he gave you were perfect. He had two sets – one consisting of candles to give in front of Lisa and the girls and the real, special one to give you in private. He gave you his heart on a string, basically – a necklace with a heart-shaped diamond, which you loved.

Still, he felt like it wasn’t enough, not for what you meant to him, for the ever-deepening feelings he had for you.

That’s why he doted on you whenever he could, playing any silly game you insisted on while sharing a bottle of wine or mimosas on the basement couch after your mom and the girls were asleep. Tonight, for example, the two of you sat facing each other on the cushy furniture, eyes glassy with laughter and a bit of a buzz from the delicious mimosas in your hands, as you declared the latest game.

“Let’s play Never Have I Ever!”

Dave groaned, but he couldn’t deny you, not with how cute and happy you looked, sitting cross-legged on the couch, torso leaning back against the armrest with a half-full glass in your hand. You were incandescent in that moment, smile brighter than the full moon outside, and Dave could do nothing but grin back at you.

“Fine,” he caved, mind whirring for the most salacious topic he could think of. He wanted to make you squirm, but he needed a moment to come up with something. “You first.”

One finger tapping against your pretty lips, you hummed in thought. Smile widening across your face, eyebrows raising excitedly, you settled on something. “Never have I ever… gone to an adult store.”

Dave’s brow shot upwards, surprised by that confession. He had, several times, and took a sip of the bubbling citrusy cocktail, his eyes never leaving yours. Despite his surprise, your question led him to one of his own, something he was certain you wouldn’t have done. Not if you’d never even visited an adult store.

Leaning forward eagerly, you watched his throat bob as he swallowed, pupils dilating prettily. Tempted as he was to kiss you right then, Dave eyed you smugly instead, awaiting your reaction to what he was about to say. “Never have I ever… used a vibrating cock ring.”

Your mouth dropped open comically as you stared wide-eyed at him, causing Dave to chuckle darkly. Fuck, how he’d like to try one out with you. He nearly choked when you gathered yourself and took a sip of your mimosa, sending a cheeky wink at him.

“Wait, what?” His brain could not compute.

Giggling at his reaction, you shrugged. “What? I may have never set foot in an adult store, but I’ve tried a toy or two before.”

“Fuck,” Dave breathed, a surge of unexpected jealousy sweeping through him at the thought of you trying out toys with any other man.

“Color me surprised you’ve never used one,” you teased. “A man of your experience?”

A crease formed between his eyes as he pouted at you. “Are you implying that I’m old?”

Again, you giggled, the sound warming his insides. He loved making you laugh. “No! I just thought with two marriages under your belt, you’d probably done a lot, tried all the toys, or whatever.”

Dave couldn’t help the frown that made its home on his face, torn between wanting to tell you everything and nothing at all about those marriages. You softened at the sight, reaching across the space between you to caress the line between his brows. “I’m not judging, promise. I’m just surprised. Your cock would look amazing with one wrapped around the base.”

He couldn’t speak with that visual in his head, the blood flowing south stole his ability to form words, and you added in a suddenly shy voice, “Maybe we could go to the store and pick one out to try together?”

Fuck, he loved that idea. Visions of the two of you choosing sex toys together, and then going home to try them out washed over him, taking over every thought in his head. His cock, already half hard from the pleasant buzz of champagne and his proximity to you, was fully hard now, pushing against the confines of his boxer briefs.

Your eyes, wide and full of salacious thoughts of your own, darted downwards to take in the bulge in his sweatpants becoming ever more visible. The tip of your pink tongue darted out, gliding against your bottom lip as you stared, and Dave felt his cock twitch in anticipation.

The electricity between you sparked, but he wasn’t quite ready to give into it yet – the build-up was as fun as the grand finale.

“What else have you never tried?” Dave asked, his voice deep and raspy, cutting the air like lightning.

Arousal was clear in your gaze as you bit your bottom lip in thought. “I’ve always wanted to wake up to someone balls deep inside me. Like, when I’m lying on my stomach, you know?”

“Holy fuck,” Dave muttered. The need, the want, became too much and he yanked you closer until you sat in his lap. Playful conversation turned to kissing and before either of you knew it, you slid to the floor and were on your knees for him.

You gave him the blow job of a lifetime that night. He never spurted that much cum before – so much it filled your mouth and dribbled over your chin. The sight of you with his cum on your beautiful face caused two more ropes to spill from his cock, painting your chest as you leaned back to swallow and catch your breath.

He fell harder in love with you as you stared up at him all blissful and doe-eyed while still on your knees for him.

“Honey?” your mom called as she walked through the front door. The way her voice simpered, you knew she was calling for Dave, not you. She’d been switching back and forth from ignoring your presence to nagging the hell out of you lately. You preferred the former, for obvious reasons.

He grimaced, glancing at you from his spot at the breakfast bar while you helped Alice and Molly with a puzzle on the dining table. With a sigh, he called back, “Yeah?”

Entering the room with a broad smile and a card in her hand, she sidled up to her husband. “Roger and Mary invited us to a last-minute New Year’s Eve party at their house tonight.” Her long, red nails scratched down his back, catching in the fabric of his shirt and you turned away with an uncomfortable shudder. “They invited all of us, though I suspect it will be only you and me by midnight. You wouldn’t want the girls staying out that late.”

She looked at you then, flashing a knowing smirk. “Since you’re obviously not doing anything tonight, you can keep an eye on the girls at the party and bring them home early so Dave and I can enjoy ourselves.”

“Lisa,” Dave sighed, pinching the bridge of his nose. “That’s not necess—"

You cut him off, your hackles up from your mom’s attitude. “Excuse me?”  She wasn’t wrong, but that wasn’t the point. Of course, you would watch them, for Dave’s sake, not your mother’s. But would it kill the bitch to ask instead of assuming?

Looking at you like you were an idiot, your mom spoke slowly, obnoxiously, as she approached the table. “The girls. Alice and Molly, do you remember them?” She gestured toward the wide-eyed little girls like you weren’t sitting right fucking next to them. “You’ll make sure they don’t get into trouble at the party while Dave and I are busy socializing.”

You wanted to slap her smug face but you swallowed the violent urge and settled on irritation instead. “Right, because I clearly have no life outside of this house.”

Lisa smirked again, patting your cheek like you were a fucking child. “Glad we’re on the same page.”

Sometimes you fucking hated that woman. The things you would say if the girls weren’t sitting right there watching everything unfold.

Dave’s eyes locked onto yours, his gaze soft as he jumped in to distract your mother so you could calm down from the rage building inside you. Your mom reached for new levels of bitchiness each day.

“I doubt I’ll make it to midnight myself,” he said. “I’ll probably go home when they do.”

Your mom pouted at that, and you tuned them out as it turned into a hushed argument. In fact, you avoided your mother altogether for the rest of the day, choosing to keep the girls entertained until it was time to get ready for the party. You helped them put on the cute dresses their maternal grandparents gave them for Christmas, curling their hair and sweeping the lightest dusting of powder on their sweet faces because they wanted to look pretty like you.

“See? Just a little glow and you both look like beautiful princesses going to the ball,” you said, smiling as they admired themselves in the mirror.

“This is so cool,” Alice said, turning her head from side to side.

Molly grinned. “We look just like you.”

Warmth bloomed in your chest, and you kissed the tops of their heads, careful not to mess up their hair. Goodness, you loved these girls.

You were quick with your own preparations, adding a little curl to your hair and understated makeup to your face. Opting for simplicity, you went with the trusted little black dress that had seen you through most major events in your adulthood. You were just digging out a pair of heels to wear with it when Dave appeared in your doorway, decked out in a slate gray suit with a dark blue tie, hair swept back off his forehead and a brightness shining in his eyes at the sight of you.

“You look beautiful,” he said in a low, soft voice as he stepped into the room. One large hand brushed down the fabric of your dress, following the curves of your body, and he leaned in to press his lips to your forehead.

“You look rather dashing yourself, Mister.” Your eyelids fluttered shut at the press of his lips against your skin. A little sigh slipped past your glossy lips as you breathed in the rich scent of his cologne.

Dave’s eyes searched yours as he stepped back. “I wanted to talk to you before we head to the party.”

“Ok,” you replied, a hint of worry in your voice as you sat on the edge of your bed. Dave followed, sitting next to you and slipping a hand into your lap to tangle his fingers with yours.

“It’s nothing bad, Firecracker,” he smiled. “It’s just…”

“It’s just the first time we’ll be in public together since things… changed between us.”

His eyes softened, his hand squeezing yours a little tighter. “Exactly. We’ll need to be careful, especially in front of Roger. He’s… not a man whose attention I want on you.”

“Why is that?” you asked, brows furrowed curiously. “Is he a criminal or something? Wait, are you investigating him?”

Dave shook his head, his smile faltering a bit. “I can’t tell you that. Just stay away from him, okay? Anna – the woman from that day in the café – stay clear of her, too. Please.”

You nodded, looking away and muttering, “Of course.” A tug on your hand drew your eyes back to his, and he leaned over to softly kiss your mouth. A hint of your lip gloss lingered on his lips when he pulled back with a grin. The sight broke the tension, and you chuckled, wiping away the evidence with your thumb.

“I wish I could walk into that party holding your hand, not hers,” Dave offered sincerely, lifting your hand to kiss each of your knuckles.

“Me, too.” After a beat, you added, “Maybe someday.”

Dave looked at you with such a soft, hopeful look before leaving the room, it left you with an aching, jealous heart.

This night was going to be torture, you thought.

And it was.

Roger’s house was alive with music and laughter, champagne flutes clinking as guests milled about in glittering attire. The girls ran ahead, already excited by the sight of a variety of desserts laid out in the dining room.

Your mom wasted no time draping herself around Dave, greeting Roger and his wife with an air of effortless charm. You kept to the sidelines, watching, observing with one eye always on the girls.

Seeing your mom and Dave together like this, smiling at each other as they worked the room, his arm around her small waist, the occasional kiss to his cheek from her garishly red lips. All of it fucking sucked to watch and you questioned why you even bothered to come to this party with them in the first place.

A huge part of you ached to bolt, take the girls, and leave the party without any explanation. Observing your mom tangle her fingers in that same shock of hair at the base of Dave’s neck that you liked to play with had you taking a step toward the door.

And then, you felt it.

Dave’s gaze.

It burned into you with a longing so strong your skin prickled with goosebumps. You decided to stay put just so he’d keep looking at you like that.

And he did.

Every time you turned, you caught him looking, his soulful eyes saying everything. He checked on the girls frequently, but his eyes always found you, no matter where you were in the room.

If not for those shared glances, the subtle winks at you, and the quirk of his lips when your gazes locked, you would be dying inside.

You were getting another glass of wine from the bartender the Grants hired for the evening when you spotted a vaguely familiar face approaching your mom and Dave.

It was Anna, the woman you saw in the café with Dave. The one he told you to stay away from.

Her eyes cataloged your mom and Dave with interest, a smirk playing at her lips. She joined the small group they were talking to, stepping too close to Dave for your comfort. Fingernails dancing up his suit jacket, she leaned closer to whisper in his ear.

He froze at whatever she said, and a frown marred your brow as your gut twisted.

Torture. This night was nothing but fucking torture.

Suddenly, a presence loomed too close beside you.

“Enjoying yourself?”

You turned to find Roger, his grin lazy, beady eyes scanning you in a way that made your skin crawl.

“It’s a lovely party,” you replied politely, stepping back to create distance between you. Roger quickly closed the space.

“You must be Lisa’s daughter. We haven’t had a chance to officially meet yet. You’re always so occupied… They keep you busy over there.”

You tensed, glancing across the room, but Dave was nowhere in sight.

Roger reached for a stray lock of your hair, twirling it between his fingers. “You know, I see now why Dave keeps you hidden away. If I had someone like you around…”

You jerked back, heart pounding. You did not like where that observation was heading, but a deep, stern voice interrupted the uncomfortable moment before you could react further.

“Roger.” Dave’s voice was ice.

Roger turned, all casual charm, but the flicker of unease in his eyes met Dave’s was unmistakable. He must know what Dave was capable of. “Relax, York. We’re just making conversation. You certainly have your hands full being surrounded by such beautiful women.”

Dave’s jaw tightened as he muttered, “Find someone else to make conversation with.”

For a long moment, Roger seemed like he might push back just to be an ass. But whatever he saw in Dave’s expression made him reconsider any further remarks. With a smirk, he raised his hands in mock surrender and disappeared back into the crowd of partygoers.

Dave turned to you, his breath heavy, his eyes burning with something unreadable. “Are you okay?”

You nodded, though your hands trembled slightly. That man gave you the creeps even without Dave’s earlier warning. “I—yeah. I just…”

He exhaled, scrubbing a hand over his face. “I told you to stay away from him.”

You bristled. “I didn’t exactly seek him out, David.”

He sighed, tension rippling through his body. He reached out, hesitated as if remembering where you two were, then let his hand drop. “Just… stay close to the girls and away from everyone else, okay?”

“So, I’m just supposed to babysit and not speak to anyone?” How un-fucking-fair was that?

“Pretty much,” he replied without remorse.

You wanted to push back, to demand that he stop treating you like a fucking child, but your mom appeared before you could respond. Slipping her arm around Dave’s waist, kissing his cheek before turning to you with a sickly sweet smile. His dark eyes remained on you the whole time. “I hope you’re not causing trouble.”

Forcing a tight smile, you snapped, “Wouldn’t dream of it,” before striding away. Both of them could just fuck right off. You were so fucking sick of this party.

He tried to keep his eyes off you knowing what was at stake. He couldn’t afford to let his guard down with this crowd, so he tried. He really fucking tried. And completely failed.

You were breathtaking in that dress. The way it hugged your curves, showcasing the best parts of your body, made his heart thump heavily in his chest. You were his dream woman. How was he supposed to pretend you didn’t exist?

So, he chanced glances more often than he should have. He winked and smiled at you, knowing how hard it was to see him with his arm around your mom. He longed to be by your side instead of hers.

And that smug bastard Roger noticed the looks. Dave knew it was entirely his fault the man approached you. He practically lit a beacon drawing the man’s attention to you with each look. So much for being subtle.

You had Dave York twisted up inside and made him forget the most basic rules of subterfuge.

He intervened when he saw Roger speaking to you and kept an eye on you and the girls until you said goodnight and took them home. When he took a breather out on the patio after you said goodnight, Anna cornered him.

“Roger told me about your sweet little stepdaughter. Tell me, is she your plaything? Is that why you keep turning me down? I know it damn well isn’t your wife, so she must be the reason.”

Dave’s expression darkened. He dealt with enough of Anna’s over-the-top sex kitten act for the job, he didn’t have the patience for it tonight. “I don’t know what you’re talking about.”

Anna smirked, twirling the glass of champagne in her hand before taking a long, drawn-out sip. “Oh, relax. I’m just saying… you must enjoy having something to grab onto. She’s a little… thick in places. Sizeable ass.”

“Anna,” Dave snapped, his voice full of warning as his hands curled into fists at his sides.

Anna merely chuckled. “Oh, don’t get your panties in a bunch, handsome. I’m just teasing.”

“Enough. Contact me when you have something business-related to talk about. Otherwise, leave me alone.” He had enough. Striding back into the house, he deposited his empty glass on a random table and left the party without saying goodbye to anyone, including Lisa. She was too busy paying court to a room full of admirers and he’d had enough of her shit tonight, too.

As Dave walked across the street and back to his home, his phone buzzed, and he hoped it was from you. When he pulled the phone from the inside pocket of his blazer, the message on the screen made his blood run cold.

Unknown Number: I know what you’re hiding.

tbc

Chapter Eight

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