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Basshat
🤜🤔🤛
Hey, whats'a knuckle sandwhich?
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Just because it is #HatDay , we are throwing an event for it. #BassHat . Bringing out the homie for an intimate showcase. 1/15/20 Be sure to catch @masohnmusic alongside @scootsmac and @reverdeep as they bring the HEADy vibes to @night_owl_bar . Tickets available online. Link in bio. #AmericanGrime #Masohn #Reverdeep #Scootsmac #nightowlbarandlounge #dubstep (at The Night Owl Bar and Lounge) https://www.instagram.com/p/B66EwxpAG0Y/?igshid=13pt5n4pk3fsz
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Little present for my sis @orahater <3 :*
#present#drawing#Illustration#doodles#cute#orahater#cutie#sketches#nightsketch#smoking#basshater#cartoon#portrait
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🔥Bass Camp Merch will be at the GTA show tonight at @cargoreno . New style snap-backs, bandanas, sweatshirts, tees, patches, sunglasses, and more! 🔥SPECIAL: Buy any hat and get a FREE pair of Bass Camp sunglasses. Also buy ANY merch, and get a Bass Camp In The Park Commemorative Tank Top for just $10 . . . #basscamp #basscampfest #merch #swag #snapback #hats #ravewear #ragewear #gta #reno #cargo #cargoreno #edmfam #edmfamily #edmlife #edmfun #edmwear #basshats #basscampswag (at Cargo Concert Hall)
#gta#edmfam#edmwear#snapback#basscampswag#edmfamily#merch#reno#cargoreno#edmfun#swag#ragewear#edmlife#ravewear#basshats#hats#basscamp#basscampfest#cargo
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200 Words: SULT + LASSE MARHAUG
(In 200 Words, we highlight a new record we like a lot, via a 200-word review by Marc Masters and 200 words (or so) from the artist about whatever they choose.)
SULT + LASSE MARHAUG - Harpoon LP (Pica Disk/Conrad Sound)
So much happens on Harpoon that calling it “busy” is like describing a three-dimensional object with two-dimensional adjectives. It also doesn’t get at exactly how the acoustic trio Sult (guitarist Håvard Skaset, percussionist Jacob Felix Heule, and contrabassist Guro Skumsnes Moe) can make such a racket while exuding so much patience and clarity. I can hear every nanosecond of activity happening on Harpoon and yet if I let my brain defocus the tiniest bit, suddenly I’m drowning in noise.
The simplest explanation for how this can be is the sculpting prowess of Lasse Marhaug, to whom Sult handed source material and freed to do whatever he felt like with it. Certainly Marhaug has done so well with this type of exchange in the past that huge credit for Harpoon’s unendingly-fascinating sound-storm has to go to him. But even that doesn’t get to the stunning alchemy of this record. It doesn’t feel like a collaboration in the back-and-forth sense, but more like a kind of musical block universe devoid of time’s beginning/middle/end arrow. Its existence seems oddly necessary - as if this sound had to exist, always existed, a part of the universe the group is discovering rather than inventing.
– Marc Masters
&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://sult.bandcamp.com/album/harpoon"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Harpoon by Sult + Lasse Marhaug&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;
LASSE MARHAUG on Harpoon
I’ve been a fan of Sult before they’d made a sound. I’ve known Jacob, Guro and Håvard for ten+ years, and everything they’ve done has been interesting – Basshaters, MoE, Art Directors, Bay Oslo Mirror Trio, Street Priest – they’re creative/forward thinking musicians that follow their obsessions – and that’s always worth my time. So when they told me they were starting an acoustic noise band I knew it was going to be special. And it was. I dug their first two albums and was seriously stoked when they asked me to be involved on their third record. They’d recorded hours of amazing material, and I got free rein to mold it into whatever I wanted. I went for big monolithic blocks of sound – because I happen to really (really) like big monolithic blocks of sound. Usually my music has electronic origins, but Harpoon is all acoustic, which gives the music a physical presence you don’t often get on noise records. And of course, this record owes a thing or two to the work of artists like David Jackman, Andrew Chalk, GX Jupitter-Larsen and David Tudor, but I feel Sult is worthy of that lineage. I’m just glad I got to come along.
GURO SKUMSNES MOE on Harpoon
Here are just some notes from me on tour, from playing concerts with Sult.
Crossing the border again of what it is being me. See-through as a bottle. No smile or words to hide behind. Or clothes or make up. It flows out of me. My own mass, what makes me me. I lift myself down so I cannot see. Sounds everywhere. Intuition. Spine. Trust. Surrender. It is singing inside my ear. Presence. Wanting to touch another humans mind. Roots grow. Swallowed by the presence. I am breathing loud breath. Beep sounds. Circles on the contrabass, shift to scream. Stretching, stretching moment. State of noise. Dark ocean seeking inwards. Outwards. Shadow, road, we are breathing. Continuing, falling, look up, eyes closed. Border not present. Seeking border, no border. A fierce march forward without knowing why. Endurance like a cactus.
Harpoon is out now. Buy it here or here.
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Hey check out this shitty YouTube channel https://m.youtube.com/channel/UCF5WLi3rG_l6dGdSUtJG8rQ
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Fashion Hands-free Outdoor Wireless Bluetooth 4.0 EDR Super Bass Earphone Cap #soundhat #menshat #basshat #fishhat http://buff.ly/2romrFr
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