#based on a prose book

[nevinslibrary]

Comic Book Saturday

This is actually a graphic novel adaptation of the prose novel of the same name. It’s about Meela. She’s from the Eriana Kwai, an island that is battling the mermaids that live in the waters around it. For years the island sent their sons to battle the mermaids, but none of them have ever come back alive. So, the island sends its daughters. A last hope. Meela is eighteen years old, and she has a secret, she actually had a friend as a child who was a mermaid, Lysi. And, Lysi seemed nothing like the mermaids that Meela was taught to hate. Then, Meela and Lysi meet again, in battle. And, suddenly, Meela has to choose, her people or her old friend who may also be more.

It was a really fun adaptation of the prose book, and the art especially was just totally amazing. And, there is another graphic novel adaptation out there too (and hopefully a third at some point, fingers crossed). An awesome read.

Ice Massacre: Volume 1 by Tiana Warner

[aroaessidhe]

2024 reads / storygraph

Don’t Let The Forest In

YA horror

an anxious Australian boy whose only friends are his twin sister & best friend/roommate returns to boarding school in the US - but his sister is ignoring him, and his friend is acting strange, with rumors of having something to do with his parents’ murder

he follows him into the nearby forest one night - and finds him fighting eldritch monsters from the dark fairytales & art they create together, desperate to stop them from hurting anyone else

ace MC, m/m

[bonesandpoemsandflowers]

Pakal-Ná in Chiapas in Mexico is a poem, a bloodletting, a roadside memorial, a wish. Laughter echoing from inside a dark place. Blinding heat. Clothes wet with jungle. Railroad ties shiny and smooth from a million frantic footsteps. It is the sun reflected off sharpened metal. A rooster screaming. A man screaming.

–jason de león, Soldiers and Kings: Survival and Hope in the World of Human Smuggling (x)

[britneyshakespeare]

I can't believe the Younger Brother (1689) by Aphra Behn has the only one bed trope

[christine-daee]

justice for Wilhelmina Murray in Lucy Undying because wtf

[miabrown007]

why does it matter so much what language are you reading a story in, it should be the same story!! but it does, oh it does.

[paleode-ology]

I love words I love words I love them so much words words words rahashhahthahahrhdhhdjsjahdgahrhsh

[adriles]

do you perhaps know a good English translation of the iliad that isn't written in verse?

ima think about being memorialized as a legendary warrior so i can distract myself from the horrors of war and make myself feel better for five minutes then go back to being filled with grief and rage

[gamajun]

it's almost annoying how much the quality of prose seems to be affecting my enjoyment of any book i'm reading at the moment

[venusinmyrrh]

9, 10, 11, 12, 14, 15, 19, 25, 28, and 30 for the book asks!

ok here we go!

9. if you were stuck on an island and could only have three books with you what would they be?

D.V. (Diana Vreeland), A Natural History of the Senses (Diane Ackerman), and Book of Longing (Leonard Cohen). all books that richly reward rereading.

10. the worst book you have ever read?

Artemis Fowl and the Lost Colony (Eoin Colfer). I believe the term is "jumping the shark".

11. the best book you have ever read?

probably still The Handmaid's Tale (Margaret Atwood). I read it senior year of high school and it's never really left me. "I feel like the word shatter."

12. a book/book series you wish you could read for the first time ever again?

Heir Apparent (Vivian Vande Velde), which I read when I was eleven or twelve, and apparently nobody on the planet but me has ever heard of it. it's like you don't even care what would happen if Tron took place in a medieval fantasy universe except instead of evil capitalists the real enemy was evangelicals, and also wizards. jeez.

14. an overrated book?

The Seven Husbands of Evelyn Hugo and Daisy Jones and the Six (both by Taylor Jenkins Reid). the framing devices of both books necessarily require telling instead of showing, her toothless plots and bloodless characterizations do not have the courage of their convictions, and she writes about beautiful women like they are exotic aliens from another planet.

15. an underrated book?

Seventy-Eight Degrees of Wisdom (Rachel Pollack), which I hardly ever see on tarot book rec lists but I think everyone who's interested in tarot simply must read.

19. a book you came across randomly but ended up loving it?

I came across Dress Code: Unlocking Fashion from the New Look to Millennial Pink (Véronique Hyland) because I was actually looking for Dress Codes: How the Laws of Fashion Made History (Richard Thompson Ford), and I'm so glad I went for it! I started reading a digital copy from the library and actually stopped and went out the next day to buy a physical copy to annotate.

25. a book that had you bawling your eyes out?

I never, ever cry at books... unless it's Joan Didion's essay "Letter from Paradise, 21° 19' N., 157° 52' W" from Slouching Towards Bethlehem. the description of nineteen-year-old soldiers' graves at Pearl Harbor got me.

28. the last book you read? did you like it?

My Body (Emily Ratajkowski). incredible. blisteringly intelligent. feels like it took my half-formed thoughts right out of my head and put them into words. existing as a woman in modern culture means being full of contradictions, and I appreciate the way she articulates them without trying to resolve them.

30. give any 3 book recs to your followers!

the feminist trifecta of 90s Bitch (Allison Yarrow), We Were Feminists Once (Andi Zeisler) and Female Chauvinist Pigs (Ariel Levy). all of them sharp, snappy reads, well reasoned and well researched. all of them will make you so very, very incensed about the state of feminism from the 90s to today.

[queer-ragnelle]

Beginner’s Guide to Medieval Arthuriana

Just starting out at a loss for where to begin?

Here’s a guide for introductory Medieval texts and informational resources ordered from most newbie friendly to complex. Guidebooks and encyclopedias are listed last.

All PDFs link to my Google drive and can be found on my blog. This post will be updated as needed.

Pre-Existing Resources

Hi-Lo Arthuriana

♡ Loathly Lady Master Post ♡

Medieval Literature by Language

Retellings by Date

Films by Date

TV Shows by Date

Documentaries by Date

Arthurian Preservation Project

The Camelot Project

If this guide was helpful for you, please consider supporting me on Ko-Fi!

Medieval Literature

Page (No Knowledge Required)

The Vulgate Cycle | Navigation Guide | Vulgate Reader

The Wedding of Sir Gawain and Dame Ragnelle

The Marriage of Sir Gawain

Sir Gawain and The Green Knight

The Welsh Triads

Le Morte d'Arthur by Sir Thomas Malory

Squire (Base Knowledge Recommended)

The Mabinogion

Four Arthurian Romances by Chrétien de Troyes

Owain (Welsh) | Yvain (French) | Iwein (German)

Geraint (Welsh) | Erec (French)| Erec (German)

King Artus

Morien

Knight (Extensive Knowledge Recommended)

The History of The King's of Britain by Geoffrey of Monmouth

Alliterative Morte Arthure

Here Be Dragons (Weird or Arthurian Adjacent)

The Crop-Eared Dog

Perceforest | A Perceforest Reader | PDF courtesy of @sickfreaksirkay

The Fair Unknown (French) | Wigalois (German) | Vidvilt (Yiddish)

Guingamor, Lanval, Tyolet, & Bisclarevet by Marie of France

The Canterbury Tales by Geoffrey Chaucer

Grail Quest

Peredur (Welsh) | Perceval + Continuations (French) | Parzival (German)

The Crown by Heinrich von dem Türlin (Diu Crône)

The High Book of The Grail (Perlesvaus)

The History of The Holy Grail (Vulgate)

The Quest for The Holy Grail Part I (Post-Vulgate)

The Quest for The Holy Grail Part II (Post-Vulgate)

Merlin and The Grail by Robert de Boron

The Legend of The Grail | PDF courtesy of @sickfreaksirkay

Lancelot Texts

Knight of The Cart by Chretien de Troyes

Lanzelet by Ulrich von Zatzikhoven

Spanish Lancelot Ballads

Gawain Texts

Sir Gawain and The Green Knight

The Wedding of Sir Gawain and Dame Ragnelle

The Marriage of Sir Gawain

Sir Gawain and The Lady of Lys

The Knight of The Two Swords

The Turk and Sir Gawain

Perilous Graveyard | scan by @jewishlancelot

Tristan/Isolde Texts

Béroul & Les Folies

Prose Tristan (The Camelot Project)

Tristan and The Round Table (La Tavola Ritonda) | Italian Name Guide

The Romance of Tristan

Tristan and Iseult by Gottfried von Strassburg

Byelorussian Tristan

Educational/Informational Resources

Encyclopedias & Handbooks

Warriors of Arthur by John Matthews, Bob Stewart, & Richard Hook

The Arthurian Companion by Phyllis Ann Karr

The New Arthurian Encyclopedia by Norris J. Lacy

The Arthurian Handbook by Norris J. Lacy & Geoffrey Ashe

The Arthurian Name Dictionary by Christopher W. Bruce

Essays & Guides

A Companion to Chrétien de Troyes edited by Joan Tasker & Norris J. Lacy

A Companion to Malory edited by Elizabeth Archibald

A Companion to The Lancelot-Grail Cycle edited by Carol Dover

Arthur in Welsh Medieval Literature by O. J. Padel

Diu Crône and The Medieval Arthurian Cycle by Neil Thomas

Wirnt von Gravenberg's Wigalois: Intertextuality & Interpretation by Neil Thomas

The Legend of Sir Lancelot du Lac by Jessie Weston

The Legend of Sir Gawain by Jessie Weston

[metanarrates]

Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

[shiftythrifting]

friends of the library book sale, collectors corner. ithaca, ny. (it had nursery rhymes and short prose based on animals.)

[hayatheauthor]

Blog Posts Masterlist

Here are all the blogs I've written sorted according to six categories and a lot of sub categories.

Post Writing (Publishing):

Querying/Getting Published

How To Get Published As A Minor—A Step-By-Step Guide

How To Get Out Of The Slush Pile And Make Your Agent Say Yes

How To Answer Some Common Literary Agent Questions

The Rejection Checklist: Manuscript Pitfalls to Avoid

Editing

Everything You Need To Know Before Editing Your Manuscript

How To Eliminate Passive Voice From Your Manuscript

Pre Writing:

WIP building

Ten Dos And Don'ts Of Worldbuilding

How To Name Your Characters

A Step-by-Step Guide to Crafting a Compelling Storyline

How to Pick The Perfect Weapon For Your Characters

Writing tools

How To Hook Your Readers With Your Chapter's Starting And Ending

How To Write And Create A Sub Plot

How To Immerse Your Readers With Indirect Characterisation

First or Third Person? How To Choose The Right POV for Your Story

Genre-Based Advice:

Fantasy

How To Build A Realistic Magic System

Things To Consider When Writing With Mythologies

Tips To Consider When Writing A Fantasy Religious Story

Horror/Thriller

How To Get Away With Murder...As An Author

How To Get Away With Murder Part Two: Writing Murder Mysteries

How To Build Tension And Make Your Readers Feel Scared

Romance

Crafting Asexual Romance: Navigating Emotional Intimacy in Fiction

Character-Based Advice:

How To Write An Antagonist

How To Create Realistic Book Characters

How To Write A Compelling Character Arc

How To Create A Morally Grey Character

How To Write A Plot Device Character

How To Develop A Memorable Antagonist

Writing Believable Teenage Characters: Dos and Don'ts

Crafting Character Voices And Distinct Dialogue

Crafting Authentic Child Characters: From Toddlers to Tweens

How To Create And Execute Unreliable Narrators

How To Write Immortal Characters in Fiction

Creatures/Monsters

How To Write Mythical Creatures Without Sounding Redundant

How To Write Vampires With An Original Twist

'Sensitive' character topics:

How To Write POC Characters Without Seeming Racist

How To Write A Disabled Character: Ten Dos And Don'ts

How To Write And Research Mental Illnesses

Resources And Advice For Writing Abusive Parents

Scene-Based Advice:

How To Build Tension And Make Your Readers Feel Scared

Four Tips On How To Make Your Plot Twist Work

How To Set The Scene Without Info Dumping

Writing A Creepy Setting: Tips And Examples

The Dos and Don'ts of Writing Flashbacks in Fiction

Crafting Realistic Car Accidents in Fiction: A Writer's Guide

Writing Rage: How To Make Your Characters Seem Angry

Crafting Sad Scenes: Writing Tears and Emotional Depth

Fights, poison, pain

How To Accurately Describe Pain In Writing

How To Create A Well-Written Fight Scene

The Ultimate Guide To Writing Persuasive Arguments

Forgining Epic Battles: Techniques For Writing Gripping War Scenes

The Writer's Guide to Authentic Wounds and Fatalities

Ink And Venom: A Writer’s Guide To Poisonous Prose

Everything You Need To Know About Writing Stab Wounds

Everything You Need to Know About Writing Burns

Everything You Need To Know About Writing Gunshot Wounds

Everything You Need To Know About Writing Bruises

Recommendations:

Websites And Writing Apps Every Author Needs in 2023

Seven Blogs You Need To Read As An Author

Ten Websites Every Author Should Know In 2024

Series

Writing Wounds

Writing Mythical Creatures With A Unique Twist

Writing Emotions

[valtsv]

Do you have any tips to get better at writing? Your word usage is so amazing. the way u describe things are so utterly unique, it’s so mesmerizing. You motivated me to write more but I want to reach your level of skill

i'll be honest, i personally find my writing to be rather subpar and lacking in the necessary technical skill to justify its overly stylised prose and excessive wordiness, so i wouldn't necessarily recommend taking inspiration from me. that being said, i'm my own worst critic and i am very flattered that my writing resonates so strongly with you. i'm not a professional writer, so i can't offer much in the way of advice beyond what has, through trial and error and years of practice, worked for me.

something that people often point out to me when complimenting my writing is that i have a rather lyrical style, which i can see. i try to pay attention to the way that words flow together - which words best complement one another - and choose how to structure and order sentences based on that. i do have a fairly extensive vocabulary thanks to reading a lot from a young age, but i also frequently make use of the thesaurus (my most dearly beloved). obviously, trying to beef up your writing by simply using more obscure words that you found in a book will come across as clumsy, and detract from your writing rather than enhancing it, but if you learn how to stitch words together in a way that has a pleasing ear or mouthfeel, you can mitigate that somewhat, and even make it part of your repertoire of skills.

speaking of vocabulary, the more expansive it becomes, the more doors it opens to you in terms of what you can write and how you can write it. this is pretty straightforward common sense stuff, but you'd be surprised by how effective is if you actually start paying attention to it. likewise with grammar. not everything you write needs to sound like it was written for a sophisticated publication in a well-respected 19th century newsletter, but if you read widely and often, you'll find that your understanding of just how many ways the scaffolding of phrasing and punctuation can be used to support incredible linguistic architecture there are grows immensely, and start seeing opportunities to make all these little adjustments and additions and substitutions that enhance your work's overall presentation.

with regard to the above, i'd also recommend considering how you want your audience to feel. you can alter a reader's entire undercurrent of sensational experience simply by changing a few words, according to whatever emotional (or even more primal) response you intend to provoke. you can also mix your palettes, and flirt with crossing the wires (horror tinged with eroticism and vice versa, fantasy with a dose of down-to-earth pragmatism, tragicomedy, and so on). the more you experiment, the more your confidence will grow, and your skills begin to take shape, from crude instruments to refined, specialised tools.

one word of caution i'd offer you, based on my own shortcomings, is that my style of writing does very much neglect realistic-sounding dialogue. the way that i write and the way human beings talk to one another clashes without much grace or redemptive quality (at least in my opinion), and i have yet to find a satisfactory solution to this. i'll let you know if i ever figure it out.

[heavywithourbabies]

First off, I'm a guy. So there's that.....

Ok, making one of those little intro pieces so you can get to know a little about me. This tumblr page is nothing more than the ravings of an obsessed lunatic hiding away from the world. My only real kinks are Breeding, Lactation, and the biggest pregnancy fetish you can imagine. (Please take note, I am not sexually into Birth. I am all for fucking so hard your water breaks, sucking on your nipples, rubbing the belly and giving gentle head during contractions, etc. As soon as the baby is in the birth canal, I'm going full on daddy mode. Horny time is over. Anyone else feel the same?)

I am a 40 year old man and I am very attracted to women. In particular, I am aroused by thick, extra curvy, big ass having women. I am feral for HEAVILY pregnant women. I have tons of reasons why but at it's core, I believe it is the ultimate form of femininity. There's nothing more womanly than having a gravid belly heavy with child. Even the phrase "heavy with child" weirdly turns me on.

I'm also very very much turned on by all the side effects of pregnancy including big dark engorged nipples, stretch marks everywhere, not just the belly, the little treasure trail some women get, the bigger hips, your face getting chubby, and a very swollen vagina. That all said, I'm not into Morning Sickness. wakka wakka.

I fully support the LGTBTQ community. I just can't keep track of all the new names and terms. I blame my shitty memoir on wasting my twenties drinking. But I totally support it. be who you want to be and love who you want to love. This life is rough enough without people being shitty to you for your basic human needs.

I am utter devotee to horror movies, and I live for the month of October. Halloween is the greatest day of the year. If you don't like Halloween...... honestly, who are you? Who the fuck hates Halloween? I love the art form of sequential art (comic books) and my favorite Character is Venom from Marvel Comics. I would literally kill to get a chance to write for Venom. Marvel will NOT return my phone calls.

I still write stuff (a lot of half started scripts and abandoned graphic novel ideas mostly) and I will and often shamelessly promote myself and the written erotic stuff I create on here. Enjoy my sexually frustrated ramblings and badly edited prose. Remember kids, it's free.

I am a lonely werewolf hopelessly howling at the moon.

I say love who you gotta love. Do what you need to do. Try to have fun and just don't hurt other people.

I was born in Canada and raised in the States. Toronto is the old country and Denver was home base. Currently in the windy city.

NO MINORS. Seriously, get the hell out of my joint! THIS BLOG IN NO WAY ENDORSES, PROMOTES, OR ENCOURAGES ANY HEINOUS USE OF MINORS. I honestly struggle talking to people under the age of twenty five. I hope I don't have to repeat any of that.

Any Trump supporters who follow my page, I would also ask you to leave. There's nothing here for you at this establishment.

Need to know anything else? Feel free to ask.

-The ghost host with the most, the ghoul that'll make your lady parts drool, and every other terrible joke I can think of.