#bartender Zero

[sgorevshipen]

Bartender Zero

[phosphoresccent]

lalna as a bartender at an arcade bar with a smitten xeph who was dragged there by honeydew who decided he really needed to get out more - lalna keeps showing xeph how to play the various games and xeph is loosing it because hes got a thing for competency

[tirsden]

Oh... that guy? Meh, he's kind of a jerk. Can I go now?

[ashburntcat]

"THIS IS A PINKIE PIE BAR FUCK YOU"

vr.

[leavingautumn13]

I absolutely love the way you draw Neogis. They’re a weird, niche, underutilized monster without any kind of exceptional lore, but their design is so unique. I appreciate the way you’ve… what’s the word? domesticated maybe? made them more approachable and like they’re just another weird creature in the planescape rather than just another unilaterally evil slaver empire.

Also your drawings of them give off weird dogs vibes. I love it.

okay, would you believe that i was literally working on designing neogi variants for my spelljammer campaign when i got this ask? i promise i was.

this ask made my day. thank you!! <3

anyway, i wholeheartedly agree with you--personally i don't feel they were often utilized in interesting ways, and i really hate that thing that early d&d does where they make a species that's entirely evil except for one guy who is, inexplicably, a bartender. i've rewritten most of that underwhelming lore for the campaign i'm running, and in the process hopefully allowed room for the neogi to be realistic people, like anybody else, instead of a particularly nasty monolith. "approachable" is a good way to put it!

i hope it's a change my players enjoy. i'm certainly having fun with it.

honestly, it's their design that i love. i love weird animal mashups (thank you, pokemon) and speculative biology. i honestly could not resist overhauling that design and doing my own thing with it for this campaign. i'm so glad other people enjoy it too! weird dog vibes indeed.

probably not safe to pet one without asking first, though.

[stabbingandorbeingstabbed]

walking around the target in the midwest getting very sad about how unglamorous my life is i really do need to get out of here ladies

[daydreaming-in-daisies]

i was this 👌🏾 close to riding that mechanical bull at the pride party today until the creepy old dude operating it kept insisting i go on and that he'll make it go "real slow" because "i'd look good on it" 🤢

[jonathanrook]

my covert superpower is that i can accurately measure a shot without a shot glass

[sgorevshipen]

Bartender Zero and waiter Axl are on a 15-minute break

И чуть поближе

[weaselle]

it was too much i had to make my own post

line cook here. ACCURATE

if you don't get the hate, here's what you don't understand.

it takes up to 2 hours to close down the kitchen.

The last 60-90 minutes before closing time you do almost no cooking because the restaurant doesn't have many people in it and you've already cooked most of their diners.

So if someone walks in during, like, the last hour, the cook is in the middle of an industrial deep clean of the kitchen.

(these numbers can vary quite a bit from place to place but i have worked several restaurants with these actual times and the concept remains the same)

Say the place closes at 10. If you wait til the restaurant is already closed to start all your cleaning duties, you'll be there until at least midnight.

More than that your boss knows that on an average night you can start your clean up as soon as the last rush ends and get out of there around 10:45, even 10:15 on a slow night if you get lucky. That means there are plenty of restaurants where if you do take until midnight the manager is going to come up to you at some point that week and ask you what went wrong that night, and you'd better have an answer.

So this example restaurant closes at 10 pm. The dinner rush ends around 8:30, and shortly after that the cook is going to start getting every single dish possible over to the dishwasher because the dishwasher always gets hit hard and late, and the machine runs for 2 full minutes and only holds so many dishes, so the way that works out is if you wait an extra 30 minutes to give the dishwasher all your stuff it can mean adding like 60 minutes to the end of his shift. And you're gonna KEEP finding shit to send to the dishpit right up until you leave probably.

all these little square and rectangle containers in this cold table have to be pulled out and changed over into new containers, replaced by new full ones, or in some cases filled from larger containers in the back, which can result in even more empty containers to send to the dishwasher.

while it's all pulled apart to do this, you have to clean up all the spilled food and sauce and juices and stuff from the joints and ledges and shelves and drip trays

Once you get your line changed over in this way, and fully stocked, anytime someone orders something that makes use of a bunch of that stuff, you have to restock and re-clean it some. It might already be covered in plastic. Some of it might already be stuck in the back to make room to take apart your cutting board counter to clean. To cook a dish isn't TOO much of a problem at this point, but you're really hoping for zero orders because you still have so much other cleaning to do.

Meanwhile the salad bar and appetizer section and server station and everybody are all doing the same thing. Even the bartenders are stocking olives and lemons and sending back whisks and stir spoons and shakers and empty 4quart storage containers that used to hold the back-up lemons and olives and things. Every section is dumping their must-be-cleaneds to the dishpit as fast as possible because early and fast is the only thing they can do to to help that dishpit not absolutely drown into overtime.

The poor dishwasher is always the last to clock out, soaking wet and exhausted.

Around this time you probably scrub the flat top, which has turned black from cooked on grease and is still about 500 degrees. Line cooks are divided in opinion on water-based or oil based cleaning methods for this, but they all involve scrubbing with (usually) a brick of pumice stone using every ounce of your strength while you try not to burn yourself

you scrub it from fully blackened to gleaming silver and now if somebody orders something that needs the flat top to cook, you can either fuck up your cleaning job or fake it in a couple frying pans and pass that tiny fuck you down to your dishwasher (who usually understands, especially if you help them take the garbage out or clean your own floor drain later)

If there's deep fried stuff on the menu then the fryers have to be cleaned out, which includes straining the oil out into enormous and super-heavy pots full of oil so hot that if you spill on yourself then it's probably a hospital visit and if you slip and fall face first into it it'll be the last thing you ever do.

Then you gotta scrub out the fryer. Like you gotta take the (hot) screen out and reach your arm down into the weird rounded pipes and curved areas (so hot, burn you if you brush against them hot) and scrub off whatever is down there

Depending on your kitchen you might have to do up to four of these. Then you'll have to pour the (dangerously hot) oil back in

oh, and if you didn't dry the pipes and get ALL the water out of the trap and tank?

water reacts with hot oil in a sort of mentos and coke way that can send a tidal wave of oil past the open flame of the pilot light ...HUGE dangerous mess and/or burn down the kitchen if the oil lights up.

Unless! If the oil has been used too hard and needs to be changed, it's time to carry those open topped super heavy pots full of will-kill-you-hot oil and dump them in the barrel outside by the dumpsters so you can put room temp fresh oil in the fryers. whew!

The clean up is not just some light wiping down that can be easily interrupted, is what i'm saying.

You might have to do some kind of walk-in duty (moving around 50lb cases of lettuce and 50lb bags of onions to get to the stacks of five gallon buckets full of salad dressings and sauces to move so you can reach the giant metal pots and bus tubs full of prep and get it all organized and make sure it's all labeled and i have to stop now i'm having flashbacks)

THE POINT IS

by 15 or however many minutes to close, the line cook is doing an intense deep clean and probably has the whole stove taken apart to detail.

For some industrial stoves this means lifting off large cast iron plates that weigh like 20 lbs each and are still quite hot. Whatever metal burners are on there, you gotta take off and clean, you can see here the lines that indicate the large thick cast iron rectangles that sit on top of the burners to allow heavy pots to rest on. Those five (each has one front burner hole and one back burner hole, see?) have to be lifted off and cleaned with soap and a wire brush usually, and then the underneath area also has to be cleaned because a lot of shit falls through the burner holes on a busy night.

if you didn't do it when you did the flat top you have to do the grease trap (which can be like a full five minutes and is always disgusting).. You gotta clean out all the little gas jets in each burner with a wire or something so the burners all flame evenly, and sometimes you have to remove some of the natural gas piping that connects the burners to access where you have to clean.

you gotta clean out the bottom of the oven and the wire racks, and, oh gods, you gotta take down the filter vents from the hood fans above the stove.

See all the lined parts along the top of the wall?

those are hood vents, and as they pull air up they also pull a lot of grease and they have to be taken down and cleaned, then you gotta climb up there and scrub where they go before you put them back...

And then there's the mopping and floor drains and...

Anyway, that's what the line cook is doing when you walk in fifteen minutes before closing and order something that needs to be cooked on that stove. They are doing an entire industrial cleaning of a professional kitchen.

In some restaurants maybe one or two of these jobs will be every other night or even only twice a week, but in many, possibly most kitchens, ALL of these things happen EVERY night. You don't want to leave any food mess that might attract insects or rodents for one thing, so a really good kitchen is as close to brand new as you can get it every night.

IF YOU ABSOLUTELY HAVE TO ORDER SOMETHING ANYWAY, HERE IS WHAT TO DO

open with an apology and ask the server to go ask what the cook would prefer you to order.

Any good server will already know what the cook is hoping for and what will make their line cook go into the walk in and scream. If it's significantly less than an hour to close and they say some variant of "oh anything is fine" they are either telling the lie their boss wants them to say, or they actually do not know what their line cook wants, and you can either use human connection and a conspiratorial just-between-us tone to get them to drop the customer-is-always-right act, or get them to actually go ask the cook.

It might be as specific as "the lasagna is easiest on the kitchen" or it might be a simple guideline like "nothing that requires the flat top" or "any of the sautés are easy" but a good line cook will probably have a system for if they have to make a couple of the most popular items after they start their close, so the answer is likely to include something most people like and you should be good to order that.

but for the love of all that's holy, please only do so at great need. Leave that last 30-60 minutes to the truly desperate and the crew's duties.

[largetaytertots]

Active/Semi-Active Career Mods: Download Links

Medical School Student Mod by Ellesimsworld

Recommended Mods: Custom Degrees by Zero's Sims 4 Mods, Unlimited Jobs by Turbodriver,  Nurse Scrubs Recolor by Icecreamsi, Travel To Hidden Venue Mod by TwelfthDoctor1, More Selectable Icons by Zerbu

Actor Overhaul Mod by Maplebell

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Active Daycare Career by ItsKatato

Stay-At-Home Parent Career by KiaraSims4Mods

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Recommended Add-on: Bartender Outfit

Firefighter Career by KiaraSims4Mods

Lots 

White Willow Hospital by Hyggetrait

'The Bay Vet Clinic' by Dvrthmol on the gallery

'San Sequoia Daycare' by SimCubeez on the gallery

'Tartosa Beach Club' by SimCubeez on the gallery

Kieroni's Pavilion (Bar/Restaurant) by Cowplantpies

'Modern Firestation' by Goofyguts on the gallery

Youtube / Tiktok / Twitch / Patreon / Gallery ID: LargeTayterTots

[pathologicalreid]

blowing smoke | s.r.

in which Spencer asks you out on a date, but you know better

[next]

who? spencer reid x fem!reader category: angst content warnings: maeve and that fucking book. mutual pining but with avoidant reader. this fic lowkey could've been titled waiting room because reader knows it's for the better. word count: 1.96k a/n: hey does this thing still work? hello?

The hand hovering over the small of your back didn’t go unnoticed. In fact, you were hyperaware of every movement that Spencer made. Every hitched breath, each time he shifted his weight, the way he guided you through the halls put you on edge. He herded you through your apartment complex as if it were a maze he’d scrawled on the back of his hand.

His apartment was in the opposite direction of yours, but he still offered to take the red line with you, citing a need to make sure you got home safely. “Did you have a good time tonight?” He asked, his voice breaching the painful silence that had coagulated between you, his hand remained above your back, skimming the fabric of your jean jacket as you stepped onto the elevator together, trapping you in a metal box together.

You nodded once, keeping your eyes focused on the muddled reflection of the two of you in the elevator door instead of looking back at him. “I can’t complain about good company,” you answered, curling your toes in your shoes, using the texture of your socks to stop yourself from abandoning your resolve.

Spencer hummed in response, “We should do it again sometime,” he told you, letting you get off of the elevator first before he trailed you to your front door.

“As long as Penelope’s around, I don’t think we’ll be in danger of losing team bonding nights.” Tonight had been dinner at a new restaurant in the district, a place that you’d never heard of but Garcia had found on social media. Of course, the restaurant served exclusively Italian cuisine, and Rossi—who you’d been sat next to—went around the table and explained what he’d change about everyone’s meals to make them more authentic.

He was quiet as you rummaged through your purse for your apartment key, zeroed in on the way you rifled through pens and chapsticks to find the right carabiner. “Oh,” he responded, following you into the apartment. “I meant maybe you and I could do something. Get dinner together sometime.”

You faltered, your hand resting on a hanger in your coat closet, “I think Penelope would take it personally if we started hanging out without her.”

“Bringing Penelope with us on a date might send people the wrong message,” Spencer countered, a soft chuckle carrying through his tone.

Closing the closet door, you waited until the latch clicked to turn around and face him, “Spencer,” you started, tilting your head to the side but refraining from moving any closer to him. “We can’t,” you stated plainly, shaking your head in disbelief—both at the fact that he was asking you out and at the fact that you were turning him down.

His golden-brown irises studied your face in abject disappointment; he searched your expression for the smallest sign that you were joking. Turning him down to mess with him only to quickly turn around and tell him you’d love to get dinner together. “Sure, we can, there’s no regulation that says two members of the BAU can’t be together. There won’t be as long as Rossi’s around.”

The corner of your mouth quirked up, “That’s not why.” You wracked your brain for a simple explanation. A little white lie would be easier than the messy truth, but every lie eventually circled back to the same thing—to the same person. You’d been so patient in waiting for this moment, living your life on the sidelines while you watched Spencer crush on coworkers and bartenders and waiting for the universe to put you on the same playing field.

Here he was, offering to pull you from the bench, but you weren’t interested. He shifted his weight from left to right, “Then why?”

Naming your issue would require bringing up a subject that had become taboo in the BAU. You found yourself wishing you still had your jean jacket on, the cold in your apartment brought on by freezing Spencer out, “Maeve.” Your one-word answer floated off of your tongue easily, a topic you had wanted to bring up since she died but had avoided for nearly a year now.

You found a spot on the floor and focused on it, desperately needing something to look at other than Spencer’s face as each stage of grief flashed across it. “I want to move on,” he assured you, “It’s time, don’t you think?”

A scoff escaped your throat before you had the chance to reel it in, “I don’t want to be a task to you. There’s no point in me being a checkbox on your therapist’s list.” It broke your heart to turn him down. It killed you to hurt him. It killed you to hurt the bright-eyed girl who fell in love with him on her first day on the job.

“You aren’t,” he insisted. “You wouldn’t be. I’m not doing this for anyone except for myself,” he took a determined step forward and you stumbled backward, and just like that, he had a final answer.

All of the words in the English language, and you couldn’t form a sentence that would concisely explain why you couldn’t go on a date with the love of your life. You shrugged helplessly, allowing yourself to look up at him, trying to unsee the haunted look in his eye that you’d grown accustomed to. It’d been there since the day she died, and you weren’t entirely sure he’d ever be rid of it. “You called her the most beautiful girl in the world,” you reminded him, unsure of why you chose this reason.

He frowned, the crease between his brows so endearing that you nearly forgot about the cracks forming around your heart. “What?”

Chewing on the inside of your lip, you considered your next words carefully, “That’s what you said to Blake, I heard you.”

Spencer looked pained, “She… I didn’t—”

“And you’d never seen her before,” you cut off his explanation. “You called her the most beautiful girl in the world without having any idea what she looked like,” you reminded him of the odd circumstances encircling his relationship with Maeve. Phone booth girl.

“She was my girlfriend,” he offered as if that was explanation enough. It wasn’t lost on you. People had a tendency to speak in hyperbole when they were in love, and despite his excessive rationality, Spencer was no exception.

Running your tongue over your molars, you hummed, “Look, all I know is that if you felt that way about someone you’d never laid eyes on, there’s no room for you to feel that way about me.” You weren’t trying to be brave or considerate, you were frantically trying to build a brick wall between you and Spencer that should’ve been erected years ago.

He shook his head, taking another step toward you, leaving you to back into the kitchen counter, “You don’t mean that.”

Tears started to line your eyes, silver wisps blurring the visage of everything you’ve ever wanted, “You have to understand, Spencer.” The determination in your voice slowly morphed into a plea. You found yourself begging him for mercy, “In my head, we’ve already dated, fallen in love, and broken up. I don’t need to relive that sequence of events.”

“You don’t think we even deserve a chance? Because of Maeve?” He continued to push, poking and prodding at you until you felt like you were going to break apart.

You couldn’t do it. You could no longer allow yourself the luxury of fantasizing about being with him while the skeleton in his closet was pushed up against the door, threatening to break it from its hinges. Your tears slipped down your cheeks, moving in a steady stream as your lips parted to respond, “Because you called her the most beautiful girl in the world, and I’ve been in front of you for eight years waiting for you to notice me.”

It wasn’t that you considered yourself a jealous person. At least, not in the sense that you were jealous of Maeve. You couldn’t be in a relationship where you were always cognizant of the fact that someone else always came first. In the past year, you’d seen the way her death followed Spencer’s every action firsthand, and you couldn’t let her haunt you too.

“Let’s say you mean this and want to be with me; I’ll never live up to her,” you explained yourself to him, hoping to fill the gaping wound in your chest with words that would never be able to repair the damage that was being done to you. “I will never be able to reach the standard that she set,” you told him.

Spencer held a hand up, trying to get you to stop speaking, “That’s not true.”

You waved it off, “Of course it is. Spencer, if not her, then someone else will always come first to you. I’d spend half of our relationship wondering if you’re being forthcoming in your feelings about me, and I refuse to use what’s left of my dignity to stand in front of you and beg for your love.”

“You won’t have to,” he insisted. “I have absolutely no intention of using you as some sort of placeholder.”

Spencer was always good with words. You’ve watched him bend truths and manipulate UnSubs into giving him exactly what he wants. That was what he was doing right now, as surely as you were holding a knife to your own throat, he was asking you to lay down your arms. He didn’t want to hear you out, everything you said to him went unprocessed by that beautiful brain of his, and a feeling of helplessness filled the void. “Do you still carry the book around with you?”

It was like you’d pressed a reset button, his demeanor completely changed when you brought up the book, “What?” He straightened up, pulling his shoulders back as he eyed you nervously.

“The Narrative of John Smith, is it in your bag right now?” You asked him. Spencer’s kinship with books was a trait that had previously fed your fantasy, but for the last year it had only ever been one book. You wanted to scream at him, to tell him off for having the audacity to ask you out while he had that book in his bag. As if the inscription didn’t imply that Spencer and Maeve were destined to be together.

Slowly, Spencer opened his bag, reaching in and pulling out the eerily familiar book. One-hundred and twenty pages of your precarious and unending heartbreak. There was a bookmark placed about halfway through, indicating he was in the middle of his umpteenth reread.

Something about it made you feel so pathetic that you weren’t sure if you wanted to laugh or cry. There was no escaping her, even now. You’d never be able to fully leave her in the past, there would always be the question of whether or not they’d be together had she not died.

Maybe he’d shelve the book someday. Maybe he’d read a book by your favorite author instead of clinging to Arthur Conan Doyle. Maybe he’d stop quoting E.E. Cummings on a daily basis. He just hadn’t reached that stage of grief yet, and part of you thought he’d remain in a permanent state of bargaining. You weren’t willing to be part of the bargain. You weren’t willing to be the one he defaults to just because you have a pulse.

Shaking your head, you walked around him and opened the front door, leaning against it and fidgeting with the deadbolt while you waited for him to get the message, “I can’t take being the last choice.”

"Love is our true destiny. We do not find the meaning of life by ourselves alone; we find it with another." - Thomas Merton

[blondebehindthebucket]

The Vera

[undiscovered-horizon]

[The one where Sanji is jealous of the attention you're getting and he takes advantage of the effect he has on you.]

Enjoying my work? You can leave me a tip on Ko-Fi | Have a request?

The banquet has been going on for a good few hours now. All of the Straw Hats were surprisingly infallible in playing their roles to infiltrate the creme de la creme of pirates: Usopp and Nami, dressed as waiters, could befriend anyone into telling them something interesting. Luffy is taken for much stupider and thus less dangerous than he really is and some looser lips aren't afraid to spill a secret or two around him. Zoro and you are just supposed to be in the in the background, watching and listening. So far so good.

Sanji's mission is to listen in to the gossip that drunk sailors often like to exchange with bartenders but he has found himself in a terrible situation. On one hand, he couldn't blow his cover and start a fight. On the other, he is beyond done with the unsavoury comments about you the men drinking by the bar are exchanging. The only thing that curbs his burning jealousy is the knowledge that he's the only one to know the answers to their questions and speculations about your prowess in several private matters. Despite his fury, he can't really blame them. His own thoughts are escaping his grasp whenever he glances at your seemingly disinterested exterior, made all the more enticing in a long, red dress that belongs more to opera houses than bars frequented by pirates.

He's been scrubbing this one glass for a good five minutes. If he tightens his grip even just a little, the dish is bound to break into a thousand little pieces. Finally, he sets the champagne flute down and makes his way to the chattering men.

"Hate to be the joykiller, gentlemen," he speaks up casually, never giving away even a hint of his anger, "but she is not interested in you."

The three men look him up and down. Either they are ignorant to the concept of hygiene and sunscreen or they really are old enough to be your father. One of them gives him a contemptuous grin, uncovering a row of gold teeth.

"And what do you know, bar boy?" the pirate asks in a hoarse voice.

Sanji leans against the bar counter on his arms. "That rum you're drinking, Cruzan 9?" he nods his head towards the glasses with unfinished drinks. "She's more of a Caroni girl. A couple more zeros on the price tag, longer in the barrel, a rich bouquet of oak, caramel and berries." A charming, almost not arrogant, smile enters his face as he looks at the pirates with a look of superiority in his blue eyes. "Sophisticated palate for a sophisticated woman."

"Is that so?" The pirate leans towards Sanji. He's about to say something else but one of his drinking buddies stops him by putting an arm on his shoulder in a meaningful manner.

"How can you tell?" the other man asks. His voice is bright, filled with genuine curiosity. He hopes to learn something interesting about the mysterious beauty in red.

But Sanji isn't willing to share his secrets. "Comes with experience," he says in an interested voice. Then, to the pirates' dismay, he winks at them and goes back to wiping down his workplace.

"Gentlemen."

A familiar voice makes Sanji immediately look up from the counter he's been cleaning. With grace that only befits someone confident, you politely nod at the three men by the bar and make your way to Sanji. The pirates' eyes linger on you like the perceptive eyes of predators.

His hands move quickly and swiftly as he makes you a drink, knowing exactly what you opt for in similar circumstances - fake "bougie" parties that are insufferable while sober.

"King's Jubilee for my one true queen," he announces while sliding the cocktail glass towards you.

Looking at the drink, you purse your lips having noticed something.

"It's missing the cherry," you point out.

With faux humility, he places a hand over his heart. The heavy rings on his fingers shine slightly in the twilight of the open-air bar. "My most sincere apologies. If I may redeem myself, madam." He bows his head.

"Madam?" you repeat in confusion. "I thought I was a queen?"

Sanji chuckles in a low voice. Your wit and humour are only making you more beautiful in his eyes, always keeping up with his suave words and innuendos.

"I am but a humble servant, Your Highness," he drones the title.

The men sitting by the bar watch the scene with jealousy and fascination. It's beyond them how a bartender could one-up the most notorious of pirates but at the same time, they can't just look away from your flirtatious grin and the clear desire shining in your eyes.

Sanji takes one maraschino cherry out of the jar behind the counter and, holding it by the stem, offers the sweet treat to you. Leaning over the bar, you grab the dessert fruit with your teeth and pluck it from the stem, all the while studying Sanji's dark expression. He's thinking about something obscene, that's for sure.

Taking advantage of the short distance between you, he leans in to whisper something into your ear. The envious voyeurs can't hear his words over the loud music and laughter but they do see your sudden bashfulness. Your eyes momentarily cast down. Whatever that bartending boy has said, it made even a woman of your poise flustered.

Your breath hitches in your throat when Sanji places a soft kiss right below your ear, letting his warm lips brush against your jaw. Then, with weak knees and fuzzy thoughts, you take the drink and go back to your corner to continue meticulous observation of the more interesting guests.

Sanji meets the angered eyes of the proud, envious pirates. He doesn't seem to mind their hurt egos and the doom that it foretells. With a self-assured grin on his face, he asks them:

"Another round, my good gentlemen?"

[iamred-iamyellow]

⋆ ˚｡⋆౨ৎ˚ Bad Blood

♥ masterlist | request rules | based on this request

♥ pairing: franco colapinto x fem!driver!reader

♥ synopsis: tensions started rising in the williams garage when bad strategies pitted you and your teammate, franco against each other. after spotting him in a bar the night of a race the two of you bonded over your shared bad result. 

♥ one-shot - wc: 1.6k

♥ as always none of the pictures are mine <3

♥ warnings: swearing, drinking, and vaguely suggestive !!!

♥ a/n: rivals to lovers + forced proximity, go nuts babe. btw there’s some salty team vibes so i just wanna say i love williams (except james) this is purely for the plot lol

“Plan B, Y/n. Plan B,” you engineer said on the radio of your car.

”Is Franco undercutting me?” you asked, shifting down into a corner.

“We think this is the best decision point-wise.”

“You’re joking.”

“Y/n stick to the strategy, you’ll get your time eventually.” they responded.

“No this is bullshit. What advantage are you giving him? He can’t chase down Kmag any better than I can—at least he doesn’t have the pace right now. I don’t see why you’re making him the priority.”

You reached the end of the main straight watching as your teammate exited the pit lane in front of you.

He was on hard tires, an extremely odd choice for the end of this race. You were trying to complete the last 20 laps on softs while your teammate tried to make up positions on the opposite compound. Wait why the fuck would they put him on those tires? If they were aiming for an undercut, they were certainly going to fail with this strategy. 

You dove down into the apex and collided with Franco, who was turning in front of you. You both spun out into the gravel, ending your race. 

It was always like this. Somehow you always found yourself competing against Franco no matter where you went. 

“Fuck,” you yelled on the radio as you threw your HANS device outside of the car. 

“Are you okay?” your engineer questioned.

“Yup, yeah I’m fine.” you responded. 

The Williams team could hear faint breathing from Franco. 

“Is she ok?” he asked. 

“Yes, are you?”

“Yeah, I am.”

-

You scrolled through your phone in your driver's room, coming across a couple of posts about the situation.

@fcswife “is she okay?” FRANCO THE MAN THAT YOU ARE 😭❤️

@charlesgf16 she really has zero respect for franco huh?

@francodefender1 how could anyone hate him? 😩

You rolled your eyes and clicked off the device, throwing it onto a different cushion on the couch. You were going to need a drink. 

-

Later that night you retreated to a bar you were unfamiliar with. A couple of F2 drivers in your circle mentioned it in passing and considering you couldn't fluently speak the language of the country you were visiting, you hoped to run into a few people you knew.

The room was dark, loud, and packed. You could hear music playing over the sound of dozens of drunk voices. You pushed your way through the crowd of people towards the front of the bar in order to get a drink.

You spotted a familiar face when you arrived. To your dismay it was the only person you wished not to talk to at that moment. His brown curls were immediately identifiable and if that wasn't enough, the fluorescent lighting illuminated his face, drawing your eyes towards the small mole on his cheek.

You looked around for a place to avoid him, but all the booths were taken and the only open bar stool was the one next to Franco.

Because of course it was.

You sighed and took the seat next to him, trying your hardest to avoid eye contact.

"A bottle of Dom Perignon please," you asked, causing Franco to snort.

“What?” you shifted your gaze towards him.

“Champagne is for winners,” he said, looking you straight in the eye.

It wasn’t like he was incorrect. Champagne was for the podium—but you had a long day and it was time to treat yourself. Regardless, you rolled your eyes at the man’s comment.

Franco waved over the bartender to get a glass and help himself to the bottle of alcohol.

“You can venmo me,” you said only half joking as he poured himself some champagne.

A small tv in the corner of the bar had a replay of the race and press.

”There were a lot of emotions definitely, uhm I think the decisions tire wise for the strategy weren’t great. It’s frustrating to see the prioritization of your teammate but I guess I have no input on whether that goes to me or Franco each race. We had a rough week overall as a team but I hope we can bounce back.”

“As much as I hate to agree with you… you were right. Both our strategies were fucked.” he said referencing your post race interview, “They screwed us both.”

The two of you never really got along, but at least neither blamed each other for the crash. It was just a racing incident and it didn’t have to prevent you from finally having a civil conversation with Franco.

“To screwing us both,” you smiled while raising your glass of champagne, eliciting a chuckle out of him.  

He clinked his cup to yours with a smirk and took a small sip. 

From that point on your distaste for him slowly started to die down and you began to have a mutual understanding.

-

The next race went over far smoother than the last. Franco ended up in P5 with you right behind him in P6; an incredible result for the two of you and the team.

You jumped out of your car and strolled your way over to his. The camera picked up on you patting his helmet and mumbling something.

Of course this was going to be all your media feed would show for the next few days.

-

That night you found yourself at a far more tame pub than the last.

“From the gentleman across the bar,” a server said, causing you to look up from your phone and towards the direction he was pointing. 

Franco was leaning against the counter with a grin. He raised his eyebrows quickly and waved.

You took a sip of the cold blue drink in front of you and waved back. His eyes stayed locked on you as you pulled out your phone and unblocked a number.

You 

is there red bull in this? 

+1800******

yea 

You got a text back immediately, prompting you to change the contact name. 

You

i think that’s a sin

Franco

oh?

You

yea if i can’t drive it i shouldn’t be drinking it  

Franco

i guess it’s too bad williams doesn’t make energy drinks

You

come sit with me

-

Tensions were still high on track between the two of you but the minute race weekend was over it was like someone flipped a switch.

A few weeks flew by and people started to notice your behavior towards Franco. By now there were probably dozens of pictures of you looking very cozy together at parties, but not getting along at the circuits or simply ignoring each other in the paddock.

Of course people were getting suspicious. Maybe this was a ruse to keep your relationship a secret? Maybe it was all staged for Netflix. Or maybe—you two didn’t really know what you were.

-

“Che,” a voice called out to you in spanish, instantly grabbing your attention.

You spotted Franco in a booth at the back of the club. It was far darker in that corner, but with the flashing lights and loud music you were glad he picked a more secluded area.

The building was full with the familiar faces of drivers and team members.

”Look at you,” he said, impressed.

You laughed and did a small spin, showing off your dress. You knew he’d liked it and by the memory you had earlier this evening, it seemed as though a lot of people would.

”Another date with Franco, huh?” Kika smirked while putting on some dangly earrings. “It’s not a date,” you protested. She spun her body around to face you. “This,” she gestured to your outfit. “Is for a date.”

You slid into the booth next to him, setting your black clutch purse beside you.

Franco’s hand firmly grabbed your thigh to steady himself as he shifted closer towards you. Your eyes darted down to the action but he didn’t seem to notice. His grip loosened as he settled and he started rubbing small circles with the pad of his thumb.

A small hum escaped your lips, barely audible over the music and voices, but there was no way in hell your soft noises wouldn’t catch his attention.

”¿Esto está bien?” (is this ok?) he asked in a whisper, causing you to only nod.

His face moved closer to yours, and you wasted no time cupping his cheeks in your hands, and connecting your lips.

You melted into the kiss knowing damn well you daydreamed about this an embarrassing amount.

His tongue swiped over your bottom lip, tasting the gloss you applied earlier. You opened your mouth to allow him entrance and he dragged his fingertips further up the inside of your thigh.

Franco moved down to your neck leaving soft, open-mouthed kisses. His index and middle fingers brushed the lace of your lingerie, causing him to smirk against you.

“Stand up,” he demanded. He slipped out of the booth and pulled you onto your feet. You grabbed your clutch as he guided you through the crowd, hand-in-hand.

He opened the chiming door and the two of you stepped onto the wet cobblestone. Your heels clicked on the ground as he guided you to his car in the rain.

He pulled open the passenger seat door for you.

“Wow, we weren’t even in there a couple of minutes,” you stated.

“I think we’ve had enough time to talk… quiero llevarte a casa…” (i want to take you home) he leaned down and mumbled to you.

“O en este caso mi hotel,” (or in this case my hotel) “unless you’d rather go back inside..” he trailed off.

You shook your head in protest to his last works and a light chuckle slipped through his lips.

”Alright then,” he smirked, getting into the drivers seat.

[space-blue]

Fixing Vander and Silco's story (a bit)

Using canon events! Sadly we can't actually fix it, but I hope this makes it a little better. I make my own edit proposal at the end that changes the bar scene to include Felicia without issues.

They meet in the mines, and meet Felicia and her partner there too. They end up together somehow (I think we can put the brotherly allegations to rest now, eh?) and one of them (or both) inherit/buy a bar.

Although Vander is the barman, there is no indication Silco doesn't own or co-own the place. After all he comes to take it eventually as his own, and he's still not bartending. That's just not his gig.

It's implied that Vander and Silco made it, as in, got away from the mines, while Felicia clearly didn't, as she comes home to both her daughters with mining gear and gloves.

So despite Vander and Silco building the Lanes together, the mines aren't closed, and the work "isn't done".

Felicia says they've done it, and Vander is happy to celebrate their success. Meanwhile, Silco has his "NoZ" Nation of Zaun book in which he's scribbling, still planning.

Vander's first memory that Viktor sees even has Silco holding that book.

Later, in season 1 episode 3, we see that Vander tells Silco that he had Vander's respect, the Lanes' respect, but it "was never enough".

There's also this fakeout moment in the memory at the bar, where Vander says they're done, and Silco replies with "You're gravely mistaken". And I thought he was going to go all zealous and say "We'll only be done when we have the Nation of Zaun", but no, he claims he's Bozo 1.

And imo, he is probably right. He calls out Vander in act 1 saying "I trusted you and you betrayed me", and Vander does not contest this. It makes the most in character sense as well that Silco is the brains of the operation while Vander is the brawn.

And we can conclude that Silco's goals were always "bigger" and that the Lanes were indeed not enough.

Years pass, during which we can only assume Silco keeps building his Nation of Zaun and Vander happily bartends and manages the Lanes with Silco. Felicia keeps working the mines and raises Vi, then Powder.

Vi is at least 11, if not more, by the time she's on the bridge. This is just consistent with her model, but also to make her 18+ by the time of act 2.

It's a long ass time for Vander and Silco to be running a bar and the Lanes together. Even assuming Vi is more 8 or 9yo, Vander and Silco spend all that time being together.

Sadly, their models aren't aged very well.

We are also forced here to make some unfortunate assumptions.

It's not a problem, IMO, for Silco to know Felicia and be close to her. It's a problem for him to not be close to Vi and Powder too. Close enough to recognise them at least.

It's easy to say, "Well, Felicia went back to the mines and raised her kids and wasn't super involved with Vander and Silco, who lived much higher up in their bar." Adult friendships and all that.

IT MAKES SENSE, but then it makes zero sense that Vander would murder his life's partner, a man he's been with 10 years at MINIMUM (fuck knows how long they were together while in the mines), over the death of a friend in a revolt they allegedly BOTH participated in.

The memories also imply that Silco is responsible somehow, for throwing a molotov. And yet the molotov doesn't kill the enforcer.

But Vander is shown in the opening of Act 1 season 1 pummeling one to death himself, long after the rest of the revolt has died down. That enforcer wasn't getting back up lol

So whatever we pick, because the writers made Felicia and Silco close, they create a plot hole either way.

Either Vander is whacko and murders his husband over a dead friend at a revolt he set up (since he repeatedly apologises for what he did, and claims he "lost his head after she died" and had that guilt on his hands too)

Or Silco and Vi and Powder spend ALL of season 1 acting like they don't know each other at all. Then Silco takes in Powder and somehow never comments on the fact he was friends with her mom.

Everything being triggered by Felicia's death also means that Vander's emotional thematic moment dropping the gauntlets after seeing what his violence led to is then followed up by a horrible attempted murder on the love of his life, which is... you know. Bad writing.

So I propose that they indeed drift apart. Silco knows of Felicia's kids, and they hangout a bit, but they aren't that close. She's busy mining and being a mom, and Silco is busy making the safe Zaun he promised to deliver.

The creation of that Zaun leads them to act out revolts and uprisings. Vander is happy to follow. He's angry, like he tells Vi. And this manifests in violence. Silco points his violence. It's how they create the Lanes and the moniker of Hound of the Underground. A hound usually has a master, after all.

Vander is Silco's hound, and I think, in Vander's mind this absolves him of some of the consequences of his actions.

So when his friend dies on the Bridge, even if they haven't been that close in a while, well, it's easy to put the blame on Silco.

Since we're following the new canon timeline... we'll have to have him go back with the girls, ready to turn a new leaf.

I think the best way here is to have him either dropping them at an orphanage, or back at their home (trusting Vi to look after Powder for a while) or with friends.

That way, Vi and Powder aren't immediately in Silco's legs back at the drop.

Then Vander and Silco take part in the "clean up" at the bridge. They go get bodies, and since they have no real estate in the fissures, they commit them to the sea (we have canon monsters in there, so I'm sure it all gets gobbled up).

That way, we explain why Vander is weirdly shaved, and why Silco and him are at in the Pilt: they just commited the bodies of the fallen to the waters.

There may have been many others, but Silco and Vander stay there, in the shallows, as they talk.

Vander is done. He doesn't want more of this. He thinks Silco went too far with pushing this one to the bridge. Piltover got defensive and they lost too many people.

Silco doesn't get it. Where he goes, so does Vander, but Vander is his own man, he decided to come too, and he killed enforcers too. Felicia's death is tragic, but as he later will tell Renni about the death of her son: at least she died fighting for the cause, and not some petty infighting, or worse, an accident at the shitty mines.

Vander, the Hound, is not only mad with grief, he refuses to carry the blame of his own actions. It's a character flaw and that's fine! The angry man channels that anger with violence, the only way he knows how.

Silco is probably shocked, and may not say the right things to calm Vander down.

Silco is under the assumption that Vander BELIEVES IN HIS DREAM. That he's a true believer of the Nation of Zaun, like Sevika turns out to be. A true believer would understand sacrifice. A true believer would understand too, that stopping now, after Felicia's death, would make THAT VERY DEATH POINTLESS.

So maybe he screams at Vander! What do you MEAN abandoning the fight? What do you mean, being content with the Lanes? How dare you? You'd make her sacrifice meaningless! You'd make Felicia die a pointless death!

And Vander would bellow that it's over. No more death. No more bloodshed. He rescued her kids from that bridge, and they don't deserve to die too, they don't deserve to see more death.

And Silco screams back that it's their job to create Zaun so these children won't have to see more death. Vander is just delaying the struggle.

And then, perhaps, Silco may even mock him. Say that Vander can't change like that. That he's not that sort of person, to just hang up his gauntlets and go peaceful. That Felicia's blood is on his hands too, and that the only way out is through more blood, more sacrifice.

It would be a horrible point to make, if then Vander truly loses it. Silco runs, and Vander's hound comes out, just grabbing Silco and trying to drown him.

It would be poetic, because then Vander goes home in shame. Gets his arm patched up, hides the scar under a brace, collects the kids and tries to pretend like HE CAN BE THAT MAN. Even though he surrendered his gauntlets and metaphorical violence, and tries to lean into the bartender chill persona, there's what he did to Silco.

And later he'll tell Vander "I'll show you what you really are". Because Silco knows that Vander's promises of being a peaceful good dad are flimsy at best.

Anyway, Vander goes home, and eventually the impact of what he's done really hits him. He's single now, and with kids, and the Lanes to run, and nobody knows where Silco is.

Vander slowly realises Silco was right about one thing. Just because Vander followed, doesn't mean he wasn't behind that event on the bridge. Becoming the solo leader of the Lanes has to have hammered that home for him. Suddenly so much responsibility thrust on him.

So Felicia's death was on him too, and his actions against Silco are the proof that he is indeed the sort of man Silco said he was. At any rate, surrendering violence as his first reaction to any trigger will take a lot of work.

He goes to their old hideout and leaves a letter for Silco.

In the happy AU, Silco finds it, and returns to Vander BEFORE ever meeting Singed. There is no glowing eye, no shimmer, and no cannery.

In our AU, Silco never finds the letter. He finds Singed instead. Starts helping him develop shimmer.

I've been thinking that since the goal of shimmer is a form of "keeping alive" and also "bringing back to life", then it's possible that Silco's glowing eye is a byproduct of shimmer experimentation.

And that the only way to keep it alive and function is more shimmer injections. It would otherwise be grey and dead like in the Nice AU.

So Singed is also a factor here. He gives our Silco a real way to deal scary violence to Piltover. And this changes our Silco. He's more radicalised, and more opposed to Vander, having discovered that Vander works with Grayson to keep Zaun under Piltover's boot (basically making sure the boot stays, but doesn't press down too hard).

Vander is, as always, the enforcer of the status quo.

And though this works for them timeline wise, it sadly doesn't change the fact that Silco should know who Vander's kids are.

Vi and Jinx can be excused for not recognising him, what with him being one of their mom's adult friends, and scarred. But Silco doesn't have that luxury. His great friend Felicia had two very distinctive kids, ONE OF WHICH VANDER FUCKING NAMED! And her death triggered his husband so badly he tried to kill Silco over it. If anything, Silco would be hyper-aware of Felicia's kids.

And no amount of alternate fix-its changes that. It's permanent damage to season 1's Silco.

I feel like we can fix Vander's side of things by inventing an entire scene at the Pilt as I did above, but we can't fix 10 years of knowing your friend's kids and then a lifetime of acting like you don't know them.

I think it also cheapens the found family aspect of both Vander and Silco's adoption. You're left to wonder if they took in the girls only because they were friends with the mom.

Silco's adoption of Jinx and co-dependence with her was great because it spoke of the similar shape of their traumas, and how unexpected their bond seemed.

But now it's redolent of friendly obligation. And lies.

How would I fix it by keeping Felicia in the picture?

I would fully remove Felicia's one-on-one with the boys. That night at the bar? It's a party. Young Sevika is here too!

Felicia and many others are there, all congratulating Vander and Silco over the creation of the Lanes. Eventually Silco tires of the social niceties and goes to write in his notebook at the bar. Or maybe there's a montage of the night as the crowds thin.

In the end, Silco is writing, and Vander is still socialising. He talks to 3 people--Felicia, her husband, and a random person. They thank him for all his work. They've done it! And the conditions in the mines are so much better now thanks to XYZ!

Vander is beaming, he's just so pleased. It's clear for him this is the end goal. Felicia asks him, pointing to Silco, if he's okay.

Vander laughs, says Silco is fine, but he's already got his head back in the clouds. You see, Silco doesn't just want the Lanes, he dreams of a free Nation of Zaun.

The other 2 laugh, but Felicia sobers up. She rubs her belly, thoughtful. Then she says "Sounds like a dream worth fighting for."

I don't think she even needs to say anything about being pregnant, but she could go on with something like "I'm expecting. A girl, I think. I know. And I would love if she could grow in a safe city. I'm so scared she'll have to live the way I did, growing up.'

And Vander smiles sadly and tells her, 'We've gotten this far, and we're not going back. We'll make Zaun safe for your kiddo, I promise you that.'

And that's it.

Vander knows OF Felicia. She is a community member. He knows her enough, maybe from Lanes meetings, that eventually he can recognise her children. But they're not friends, and SILCO definitely isn't friends.

And the disagreement after the bridge is fully about where to go from then on, and Vander deciding he wants to run the Lanes and keep them safe, that what they have now is good enough, while Silco wants "more".

That disagreement can turn nasty, and the fact Vander tried to drown Silco becomes a statement about how violent and temperamental he is as "The Hound of the Underground". Something he'll regret soon enough and spend the next few years working hard to try and change.

What do you think?