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bitchwhoreofastorm · 1 year ago

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Jurgen was enjoying a peaceful morning of deep contemplation in his chambers when the sound of a fierce argument arose just outside of his door. Long experience with his compatriots gave him the wisdom to arise and begin to drag his desk in obstruction of the entrance, but alas, he was too slow; the wooden door was thrown open with a violent clatter, and the incarnate of fury roiled into the room.

"I've had enough of her!" bellowed Hoag. The dark, diminutive man was practically frothing at the mouth, frenziedly waving about something Jurgen couldn't quite see. "Enough of her, Wind-Caller, she ought to be stopped! She ought to-- she ought to be put down like a dog!"

"You're over-reacting!" Barfok shouted from further down the passageway.

Jurgen briefly contemplated whether he could push Hoag back down the stairs, but in that moment of hesitation, Hoag had already forced his way past the desk that had meant to keep him out, penetrating Jurgen's previously-serene sanctum. "Deal with her, Wind-Caller!" Hoag spat, "Deal with her or I'll-- I'll--"

"My King," Jurgen interrupted him, pinching his own nose. "Let's all calm down for a moment. What has she done now?"

"I'll tell you what she's done!" Hoag shouted. "She's gone and anthropomorphized my lunch!" And he thrust his hands towards Jurgen.

The object in Hoag's hands was a haunch of roast ox, but it held itself with a dignity that surpassed its humble origin. In the light glinting from its marinated surface it surveyed the room with calm acceptance, observing its crude surroundings with the plain-hearted absence of judgement that set all of Skyrim's peasants apart from their supposed betters. It remained steady as Hoag waved it at Jurgen, unperturbed, as if thinking: 'And you are the so-called leaders of this Empire? You are the men I should call Lord?'

"He's over-reacting!" Barfok had finally appeared in the doorway, panting from the long climb, her pale hair disheveled and falling out of its braids. "It's a joke," she protested to Jurgen, "A silly joke, a prank, that's all!"

"A joke!" roared Hoag, pivoting around. "You bitch, it's a guilt-evoking metaphor for the lowest of my subjects! How am I supposed to eat it now!"

"If you get queasy when your lunch alludes to the petty-folk you send out to die into battle, well, that says more about you than it does about my pranks, doesn't it!"

The ox haunch regarded this argument with bemusement. As did Jurgen.

"She's been at this all day," said Hoag through gritted teeth, returning his attention to Jurgen. "She went and messed with Chemua's soup--"

"Oh that was funny," Barfok guffawed.

"-- Turned it into a complex metaphor for shame. Put him in the foulest mood. And now she goes and ruins my lunch! You've got to make her quit it, Jurgen. Morale's bad enough out there without her turning things into allusions and euphemisms and such!"

Jurgen exhaled through his nose. "Barfok," he said patiently, "Stop turning people's food into literary devices."

"Hey!" Now it was Barfok's turn to push her way into the room, crossing her arms defensively in front of her chest. "Don't you take his side because he's a wimp! It's a joke, Jurgen, a silly little goof-about to make the men laugh. He's the only one who's got a problem with it!"

"Yes, well, he's louder and more irritating. We don't stop a baby bawling because the baby's in the right."

"I'm no babe!" Hoag interjected. "I'm your King even now, Wind-Caller!"

Does this man deserve fealty? the roast ox seemed to say, when Jurgen's gaze fell upon it. He closed his eyes briefly.

"Barfok," said Jurgen, "Please, just-- stop."

A shadow fell over Barfok's usually-jolly face. She narrowed her eyes and lifted her chin at Jurgen, staring at him coolly from over her round cheeks. "Why should I?" she said slowly.

"I'm begging you, Sister in Kyne! Do me a favour and keep the peace?"

"Aye, you hear him? Keep the peace!" Hoag directed his wrath once more at Barfok. "You're toeing the treason line, sabotaging us like that! We're getting our arses beat by the elves and you think it cheers anyone up when their saltrice is a biting allusion to the evils of occupation? Get a grip, woman!"

"Stop yelling at me!" Barfok snapped. "I don't take orders from either of you! Nay, not even you, Wind-Passer! And I ent standing here while a couple old nannies squeal at me to mind my manners! Look, Hoaga, even your ox thinks you're pathetic!"

The ox haunch did, indeed, seem to have taken on a scornful air. It had borne witness to the discourse of Nirn's most powerful men, and it had come away disenchanted with both the airs of power and those that bore it. Its scathing observation was enough to bring them to shame.

"Hoag," Jurgen said tersely, "She has a point. I can't control her. Why not go to Ysmir about her?"

The hue of Hoag's face had deepened to a striking crimson. "Because he agrees with her," he said through gritted teeth.

"Ysmir has a sense of humour," Barfok said with pride.

"He encourages her tomfoolery!"

"I framed his chambers with subtle imagery of a forsaken homeland, and you know what? He liked it."

"Traitors and soul-sick fools, both of you!"

"Well," announced Jurgen, as calm as a man being judged by a haunch of meat could possibly be, "That settles it. You just have to let her do as she pleases."

Hoag's face flushed, somehow, even redder. "Let her!" he roared indignantly. "Let her lose this war with japes!"

"And what can you do about it?" Barfok asked smugly. "I'm the stronger Tongue."

"We can't command her, Hoaga," said Jurgen. "So. You'll just have to live with it."

"Damn you! You're meant to be the peace-making one! Can't you negotiate with her?"

"Oh, keep whinging, Hoaga, I'll turn your trousers paradoxical next!"

"The matter is settled," said Jurgen firmly. "Now, both of you, get out of my chambers."

"To Apocrypha with you, Wind-Caller! You know what?" Hoag turned his attention to Barfok, waving his accusing haunch in Jurgen's direction. "Why don't you mess with him this time? Hey? Why don't you, I don't know, fill his desk with symbolism or something!"

"Why, Hoaga, you know I'd do anything you ask!" Barfok said cheerfully.

Jurgen blinked. "Wait--"

He had barely begun to inhale for a counter-thu'um before Barfok sung out three crisp dovahzul words. Nothing happened, but everything was subtly, slightly different, as if they had just slipped from one dream to another-- disconcerting non-transition.

Jurgen blinked again. "Barfok," he said slowly, "What did you just--"

"Oh, would you look at the time, Hoaga!" Barfok butted in. "I'm late for my lunch! Good talk, Jurgen, dremyollock, make sure to shut your windows!" And before Jurgen could intercept her she had lurched out of the door and was rushing down the stairs, leaving behind only the receding sound of triumphant cackling.

Hoag looked from the doorway, to Jurgen, and then, finally, to the large window that dominated one side of the room. He drew in a breath. "Now that's just grim," he muttered, before taking a morose bite of his ox haunch. And, without further explanation or farewell, he turned and followed Barfok out of the room, leaving Jurgen in much-desired solitude.

For several seconds Jurgen stood facing the doorway. He pressed his fingertips to his temples. He contemplated whether he had the courage to turn around.

Finally, he turned to face the window.

The curtains hung limp against the pane, like the sails of a ship bereft of air, betraying a stagnation, a stranding, a loss of all will to go on. Though the window was open, no breeze stirred them, as if Kyne herself had abandoned the sorry scraps of fabric. Against the backdrop of the clear sky outside, the faded blue of them was outright depressing...

#barfok with the powers of event denouement etc #fic

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bitchwhoreofastorm · 11 months ago

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gratuitous nord demon backstory. following the battle of kastav, 1E392. tw: imprisonment/kidnapping

They hadn't bound her hands. Thank Kyne, thank Tsun, thank Mara, thank dead Shor in the ground, they hadn't bound her hands. Even with the gag forced into her mouth, with her hands free Barfok is not without a voice: she can sign, she can make herself known, even if her protestations are witnessed only by the walls of the dungeon and the back of the half-dead boy they threw down here with her, but oh, by Kyne, by Tsun, by Mara, by dead Shor in the ground, doesn't it make everything better? She flips off her captor when he throws her in and it is utter bliss.

So, hours into being in this dungeon, she sits against the wall, practising her signs the way she used to when Ysmir first taught her how to sign it. Ahg. Aak. Ah. Bah. Bah, ah, rah, fu'u, og, kah. Yo, su, mah, ikh, rah. She finds herself keeping tempo with the dripping water coming from one corner. There's a bucket under the drip, and she realises, slowly, that's the Whiterun men's idea of water for a guest.

Yo, su. It's a slow drip, or she'd go bathe.

She hears a soft groan. Kah, eg, mah, ah.

She's not alone in this prison. Her companion, the boy, proves himself to be a little less than half-dead. He's lying on the ground with his back turned to her, not his fault, just how he landed when they tossed him in. Barfok watches with mild curiosity as he slowly rolls himself onto his back, cranes his neck up, gasping for air. He, too, is gagged. His eyes are closed, his hair is long and only red-ish and plastered to his face with sweat. His breathing comes very shallowly.

He'd lost the battle for them. His first battle, sorry luck, that. He'd been wielding the thu'um and cantering through a Whiterun wheat-field alongside her when they'd speared his horse and he'd gone flying and landed hard on his chest in a way that Barfok was surprised hadn't killed him. No wonder he now gasps like a fish. Su, tah, ug, hag, nah. The wheezy little breath he's making is profoundly annoying.

The dungeon is cold. The floor is hard beneath the sad clumps of rotten hay that line it. Barfok's hands are growing clumsy, so she tucks them into her armpits for warmth.

She settles back against the wall, listening to her fellow Tongue die. It is going to be a long night.

Her fellow Tongue does not die. His lungs learn a way to work despite whatever wreckage lays inside him, and his breathing steadies, and his throat stops its wheezing. After the first night (there's no window, but it feels like a night) he stops moaning in pain. He lies very still in a certain position after that, reluctant to move, but he is breathing deeply, and not moaning in pain.

Their captors realise that as two Tongues of Morrowind they might be worth keeping alive. In the morning they're brought bowls of cold gloopy porridge and glasses of milk. The gag is narrow enough that, with some effort, the porridge and milk can be crammed around it, so Barfok eats inelegantly, smashing porridge through the fabric with lusty grunts of undignified gusto. She's used to being starved, thank Ysmir for his diligent tutorship, and the breaking of a fast never loses its thrill.

The boy half-dead watches her. He's finally opened his eyes and tilted his head to the side to look at her; he has very blue eyes, pretty in his fine features, even bloodshot and puffy-red as they are. Just for fun, Barfok locks eyes with him as she crams fully half of her porridge-coated hand into her mouth around the gag. His eyes narrow, and he looks away from her again, the expression of disgust unmistakeable-- prudish nobility!

Still, she doesn't touch his food. And some time in the supposed afternoon he rises unsteadily, shuffles the cell door, and eats with his hands, just as absent of dignity as she was.

There's an old fire-pit in their cell. In the fire-pit, there is charcoal. Some of the charcoal is in sticks. The sticks are long enough to write with.

Barfok thinks the other Tongue broke his ribs. It's in the way he keeps one arm folded over his chest, his shoulder stiff and raised. He favours one side in movement, holding the left, the one he fell on, very rigid. When he accidentally folds his abdomen he hisses and whimpers and then his breathing gets shallow again. Barfok signs to him, and he clearly understands her, but he never replies. He refuses to move his arm from his side. He lets the pain drive him from conversation.

Drawing, however, he can do. When Barfok sits next to him and writes: 'I am Barfok' on the cell floor in Dovahzul, he leans over awkwardly and writes, beneath it, unsteadily, 'Kema.'

So they talk like that. They just write to each other. There's nothing else to do down here, and he can manage it well enough with one hand. They switch to a wall when they run out of accessible floor. They sit close together so that passing the charcoal is easier.

They write to each other about the battle. They write about Morrowind and Monahven. They talk about Ysmir. They talk about his horse-riding. They talk about her home in Whiterun. They talk about their families, and her massacred hometown, and his assassinated mother. They ponder to each other if they'll be ransomed. They ponder to each other if they'll die.

She makes him laugh, by accident. The way he groans she worries it will kill him again.

There's no window in the cell. After long intervals a guard comes down to give them food-- porridge and milk, or bread soaked in milk. Mushy food that can be eaten around a gag. Not enough to sustain them but enough to prevent immediate death. Despite the cold, Barfok starts to sleep a lot, out of boredom as much as exhaustion. She does the trick she learned on Vvardenfell, where she curls up with her knees squishing her stomach to make it smaller, to make herself feel less hungry. It helps. She doens't have a choice but for it to help.

When she's awake, Kema draws for her.

(That's not his name, she recalls Ysmir using one with more vowels, when planning for that stupid, stupid battle. But she likes the simplicity of Kema. Kah, eg, mah, ah. She's so glad he's in too much pain to write out the extraneous letters.)

Kema is a good artist. He draws her pictures of his childhood home in the elf-land, a marvelous palace with a strange shape. He draws the Queen of that palace, who Barfok finds very beautiful. He draws Monahven, and Barfok stares at it, squints at it, pretends she's looking out of the window in her own childhood home.

Barfok cannot draw. Nonetheless, she tries: she copes his drawings of Monahven, and then adds her own of a stone circle and of a baby goat she once owned. She draws Red Mountain and an implausibly rotund Ysmir with a scraggly beard before it. She draws a bunch of leeks, because it's the only thing she can think of that she knows how it looks.

The drawing of the goat is so bad it makes him laugh again, and then their fun ends, because he goes back to lying very still with his arm bent up.

Later, once he runs out of chapters of his short life, he starts drawing horses. Barfok adds horns to them. Unicorns. A stick-figure Hircine with a spear in the background. He draws guars for her, round fat shapes sharing a banquet of hay. She adds another stick-Hircine, scratching his head in confusion. Did Hircine ever go to Morrowind? He spends a long time drawing a dragon, and Barfok, lying on her belly beside him, adds in a veritable feast for it: homesteads, fleeing figures, hawks, bears, squids, a whole army succumbing to its flames. Lying flat, her stretched-out stomach growls.

A few hours after their fifth meal-- or is it a few days, or a few minutes? Is it weeks? Is it years?-- after their fifth meal, as Barfok is trying to doze, the door is slammed open.

Barfok scrambles to her feet, raising her balled-up fists. A string of drool slips out of the corner of her gag.

There is no meal for her.

Here, instead, is Jarl Olaf in the flesh.

She might have lunged. She balls her fists, she prepares for it. But he, unlike they, has no gag in his mouth. The fus he breathes is not enough to send her flying, not enough to even send her stumbling, but it is a warning nonetheless.

Olaf stands in the doorway and surveys his spoils of war. His gaze on Barfok is so loathsome that she worries she might vomit around her gag. She cannot stop shaking, not with fear but with an animal desire to fling herself upon him, to tear, to rip, to maim, to hurt--

And then he is no longer looking at her. "Kul-se-Chimarvir," breathes Olaf towards his other prisoner. "Son of Chimarvir of Mournhold. No?"

When Barfok turns she sees that Kema is folded up against the back wall of the cell. He is sitting. He has not moved. He glares resignedly at Olaf.

"Perhaps not," drawls Olaf. "Mournhold has refused to ransom you."

Then Olaf turns to Barfok, and he says, "And you. None from Monahven know of you. Who do you belong to?"

Barfok's hands refuse to be unclenched from their fists. She takes several short sharp breaths, as if this will make her bloodlust less. She cannot even think for her own rage.

"How feeble Kjoric has become," drawls Olaf. "The Tongues he sends against me, unwanted children and nobodies. Tell me, at least," he addresses Barfok, "Give me the name of someone who will cough up a few coins for your safe return, won't you?"

Thank Kyne, thank Tsun, thank Mara, thank dead Shor in the ground they've left Barfok's hands unbound.

Barfok flips him off.

Olaf must think she's of some value to somebody out there, because the beating the guards give her is comparatively light. She ends up with a bloodied nose and a swollen lip and a swollen-shut eye and a few big boot-shaped bruises around her stomach, but her bones are pleasantly intact, and she's not coughing up blood, so she feels a smug sense of satisfaction, like she's gotten away with something.

Nonetheless, the aching starts up a while later, and it sets her in a foul mood. So, after she's washed her face the best she can with her filthy sleeves, she lies down in her corner, grumbling under her breath at every little ache. For not the first time she realises how unpleasant the gag is getting in her mouth, crusty and stinking pungently of curdled milk and her own rancid breath. Her clothing is scratchy for the sweat and dust caked into it. Her joints hurt from lying on the hard floor for so long and the beating hasn't distracted from that. At that dark moment, she feels very sorry for herself.

Kema, too, has been lying very still in his corner ever since Olaf's visit. He hadn't even stirred during her beating-- not that she can blame him for that, really. But lying there in the dark she hears him breathing in a weird way. She hears him shuffle around, then gasp in pain, and then he sucks in some hoarse breath, and moves against the ground again. This goes on for quite some time.

He's trying to puncture his own lung. Barfok realises this with a dim disinterest. This thought comes moments before she falls asleep.

Herma-Mora appears to her. She's sitting very still against the wall when the blackness before her blossoms into a thousand emerald eyes. A staring fractal descends upon her, infinity's watchfulness coalescing on a prisoner.

She thinks that he'll have the usual offer: he helps her and her soul wears away a little bit more. But he doesn't say anything. She can't say anything, either.

So she hangs there in a miasma of swamp black and forest green, being blinked at.

After a million years, or three hours, or a minute, or a second-- was she asleep?-- she blinks and he's gone again. The torches have been lit in the hallway again. She wonders if Herma-Mora would pay a ransom for her.

One day, the jailor throws in a blanket, so now Barfok and Kema sleep side by side, Barfok pressed against his back so as not to harm his broken-up front. They don't really talk any more, they've run out of charcoal and he still won't move his arm. Barfok paces around the cell sometimes, and washes daily from the water-bucket, and signs poetry to herself, but Kema seems to have given up. Most of the time he just lies there. He seems to like staring at the old drawings they did together, of the horses and the dragon with its feast. When they wrote to each other, Barfok had offered condolences about his dead horse, and he'd said that he was sad about it, too. Krosis. Geh, Krosis. Men love their horses.

One day Barfok tries looking for more charcoal-- she wants to tell him about the Herma-Mora vision, she wants to confess to someone before she's dragged into Apocrypha the moment they die down here-- but they've used it all up. There's no word for Herma-Mora in Nordic Sign so she's forced to keep the secret.

On a different day, Barfok offers in sign to bathe him. He doesn't agree but he doesn't refuse either, and he doesn't fight when she unbuttons his now-crusty tunic and pulls it aside.

Below the fabric his chest is a tapestry of blue and purple and yellow and black. When he breathes the movement is asynchronous, the two sides of him rise at different times. His eyes are closed and he is breathing very shallowly, as if he's trying not to breathe at all, as if he's willing himself to be elsewhere.

Barfok uses a corner of his the blanket to clean the dirt away from his chin and his neck. It must have been trapped there since the battle, since he fell from his horse. There's even still strands of straw in his hair. He blighted all the wheat in the field. She'd never seen a thu'um like that; she found it-- finds it-- so horrifying it doesn't bear thinking of. But her own stomach remains empty, and she cannot help but feel just the tiniest bit gleeful, at the thought everyone up there will be going as sad and hungry as she is.

Barfok is not the caring sort. After a half-hearted attempt to clean him up, she braids his hair for him instead. He has very long, very pretty hair, and now that it hasn't been washed for a very long time, the colour has gone from flirting-with-blond to a definitive rusty red. Like an old wagon's axle, like the half-eaten blade of the sword her little brother found in the forest once. She puts it in very bad braids and then she leaves him to his sulking, overcome with her own misery.

He looks so dumb in those awful braids. They don't suit him at all. But he falls asleep with a peaceful comforted expression, unaware of the violence she just wrought upon him.

They are sitting on opposite walls and Barfok signs a question to him:

"When we get out, do you want to keep being friends?"

He's holding his arm rigid by his chest, the way he always does. She's surprised he's even sitting up. He's been growing more and more quiet over the past few-- what unit of time are they in, is it the next era already?-- and she thinks he's looking paler, that he's not breathing very well.

She is more surprised when he uncoils both arms and signs back to her:

"If."

The door is thrown open. Barfok had been asleep, and she's barely realised she's conscious again when the jailor barks: "Up."

For some stupid reason Barfok obeys; she's on her feet before she's even fully awake. Flustered with surprise, she flails both hands at the jailor, the universal Nordic sign for "What?"

"You've been ransomed," the jailor tells them. "I'm to take you to Dunmeth pass. Get up, come on, it's a long trip."

There's a drumming in Barfok's ears that she only belatedly realises is her own heart. She signs, "Who?" And then she raps out a series of letters: Yo, su, mah, ikh, rah? And then she signs the symbol for dragons. The symbol for king. She's babbling with her hands before she realises the jailor doesn't read sign.

"On your feet, now," the jailor barks again, and Barfok hears her friend also struggling to his feet. She does not go to help him but she doesn't hear him fall.

Then the jailor is leading them out, and they're walking through the hallway, walking together, walking… out of the cell, up the stairs, out of Oblivion, back into the world of mortals. They're crossing from one plane to another, treading over a billion stars.

Every step hurts. Her muscles feel very weak, the bruises from her beating are groaning with protest. She can hear Kema breathing through his nose in a way that suggests he's fighting back sobs. But the jailor walks before them, leading them boldly out, and he pays no notice to their agonies.

In fact, he's self-absorbed-- he's complaining to himself, though saying it as if he's addressing him. "Primitive heathens," he's spitting, "Imagine leaving your child to languish in an enemy dungeon for a week. A whole week!…"

They make it to Dunmeth pass, though Barfok does not recall the trip. Ysmir is there with the ransom, and the elven Queen is also there, and she is much prettier than she was in the charcoal drawing. And then, like wheels of cheese at a farmer's market, two young prisoners of war are passed off to their loved ones, and they're free, and they're safe, and they're home.

… There's a healer from Kogoruhn who sees to them. There's a special knife to pull away the gags, and there's Barfok, yelling, screaming at the top of her lungs just to get it all out. It's a gleeful sort of screaming, the delighted raucous of a goat kid learning to use its lungs for the first time-- incoherent hollering until Ysmir gives her a gentle slap about the head to shut her up. Then there's food, food, food! There's a cup of very strong flin with some sort of medicine in it, there's a clean tunic to get changed into, there's Ysmir, steady as a rock beside her, beside her, here, here. Barfok babbles through her mouthfuls of food, gleeful to be speaking aloud even more than she is for the nourishment and the rescue. She swears to Kyne, Tsun, Mara, Shor, all she wanted to do was talk. All she wants to do is talk and talk and talk. She's never loved the sound of her own voice so much.

They get on the road as soon as they can. There's a whole caravan that's come for them, carts and soldiers, a small army Ysmir's brought, he doesn't trust the Alessians. There's a second army that Barfok is told belongs to Mournhold. Reveling in her regained voice, Barfok hangs off of Ysmir's arm and chatters to every soldier that comes her way. Ysmir pretends not to approve of this display, but he lets her hold onto his arm, and he's never done that before, so she knows he must be pleased to hear her voice again. Ysmir's arm is terrifically warm.

And finally, after she's talked at Ysmir until her throat sounds like a frog croaking, after her lungs are burning and her head is swimming with flin, Barfok wanders off to find her newfound dungeon friend.

She finds him in a cart in the Mournhold half of the caravan. They've made a bed for him, he's lying in a nest of soft wool blankets and silk sheets. His filthy clothes have been changed for some soft-looking elven robes, and the Queen of Mournhold is sitting near his head, studiously untangling his hair from the horrid braids Barfok had put it in. A healer sits at the other side of him, preparing some pungent mixture to slather on his deformed purple-black chest.

In the light of day he looks closer to death than he had in the dungeon. Barfok even thinks he might be asleep, resting so peacefully in this decadent cart-back bedding. But when the Queen stops her work at Barfok's approach, he opens a single eye. He tilts his head very slightly and stares down at Barfok, half-lidded, his bloodless lips drawn into a thin line.

Barfok is half-drunk from medicated brandy, Barfok has an eye swollen shut from being beaten and is wearing an old ill-fitting tunic from Ysmir. She is not fit for an audience with nobility. She greets them nonetheless.

"Wow." Barfok says. And then, "You look like shit."

Now he opens both eyes, and he raises his head from his pillows to stare down at her.

"I'm Barfok," Barfok follows up, her voice unsteady. "And you're, eh, you're Kema, right?" She feels herself sway a little. "Kema of Mournhold. Yeah. Of Chimarvir."

He blinks very slowly. The Queen who sits behind him looks vaguely unimpressed.

"It's pronounced Chemua," he says, hoarsely. "And you are the most annoying woman I've ever met."

#i'm on a temporary hiatus from the TES fandom while in the throes of a much dumber hyperfixation #but here. drivel from my second dumbest hyperfixation: my awful ocs #this was originally posted on my other acc i'm just putting it here because somehow i still like it

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