#bangladeshi film

[celluloidrainbow]

কমন জেন্ডার | COMMON GENDER (2012) dir. Noman Robin After being shunned by her middle-class family and sent to live in the slums as a child for being a hijra, Sushmita is raised in a community of others like her. As an adult, she and her new family make a living by performing at various wedding ceremonies. One day while at work, a Hindu boy named Sanjay takes a liking to her. The two begin seeing each other, and soon all the other hijras know of their relationship. But can Sanjay's family accept Sushmita for who she is? (link in title)

[binnte-dil]

Doob / No Bed Of Roses (Mostofa Sarwar Farooki, 2017)

[nadiawazed]

I'm sheikhen to the core after making this one.

[jinkushiroll]

the racism towards indians and other south asians is so fucking normalized in online spaces. most people just think it's offensive humour. no one bats an eye at how dehumanising and vile it is. i want to jump off the nearest cliff.

[unbanglatv]

Juyar Jonno Bou Bondhok | জুয়ার জন্য বউ বন্ধক | Short film Part 1

[americangirlstar]

You know what I'll give even a smidge of it to them because they have another white character with a black best friend because the last I can recall the only other character that had a black friend was Marie-grace. Other than that yeah it's just Isabelle with glasses but yay another character with glasses since Z.

One of Grace's two best friends was Black, Joss's cheer friend was Black, as was Isabel's tennis friend. If you wanna expand it just to POC– Isabelle's best friend was latine, Lea's best friend was indigenous Brazilian iirc, Tenney's best friend was Bangladeshi, Joss's "surf sister" was Japanese. If you were here in 2021 you remember the whole hullaballoo about Alexis's ethnic ambiguity and the dolls they used to represent her.

Is this a bad thing in general? Uh, no, definitely not, kids should be friends regardless of race, and having diversity in stories even with white protagonists is welcome. The problem comes when AG has been releasing a slew of white dolls as the main characters, shafting tf out of the main characters of color they DO have, and THEN trying to claim diversity points by giving the white girls best friends of color. The message that sends isn't "we value diversity"– cause if they did, they wouldn't shaft Claudie or Kavi or the WBU dolls. What it ends up sending is "girls of color aren't important enough to be the popular main characters, they're only here to support their white friends." I don't think AG is sending this message iNTENTIONALLY, but in their hopes of pandering to the white 1% while also claiming to be diverse, they're really just shooting themselves in the foot and showing their ass to everyone

tl;dr,

[frankyoungestein]

Bangladeshi rajongótábor

A magyar film újabb sikere!

A S.E.R.E.G. c, filmnek komoly bangladeshi rajongótábora van:

[jikangairodo]

𝗚𝗘𝗧 𝗧𝗢 𝗞𝗡𝗢𝗪 𝗠𝗘 𝗕𝗘𝗧𝗧𝗘𝗥.

ALIAS / NAME: i'm Nero everywhere. Jay if you wanna get rly up close and personal. i may scream and skitter off like a cat tho, fair warning

BIRTHDAY: October 9th

ZODIAC SIGN: a quintessential libra tbh, complete with the indecisiveness and empty brain

HEIGHT: 5"2-3 if i stand very straight. I'm holding onto that 1 inch like my life depends on it

HOBBIES: doomscrolling, video games, drawing, writing, plants

FAVORITE COLOR: green and believe it or not, beige

CURRENT BOOK: i'm in the process of reading all the fics put out by the last exchange event i participated in. there's at least 3 30k fics included and 23 smaller ones. i'm counting them all as 1 giant book idc

LAST SONG: does it count as a song if it's a 1 hour long mashup of 80's bollywood tracks? im a little filmi

LAST FILM / SHOW: movie- Dunki (do not recommend) last show- Severance (so good)

INSPIRATION: anything I watch/ read/ see, as in art. real life experiences

BEHIND URL: Nanami says it one time is2g. It was like my 7th choice. ratioed was taken =/

FUN FACT ABOUT ME: i have 200+ plants. mostly hoya but i have a good few philos in there. I picked up urdu while growing up and watching bollywood movies??? my muslim, bangladeshi parents, raising me in posh, central london really thought, why not add some more cultural confusion into the mix??? what could possibly go wrong??? i had an identity crisis, mum

TAGGED BY: @antishaman my beloved

TAGGING: i think most people i would've tagged have been tagged already? if not, consider this my tag <3

[lesbianboyfriend]

go here!!!!!!! moshari (2022)—bangladeshi horror short film about vampires dir. nuhash humayun—only about 20 minutes and literally so scary and incredibly well done

[captain-jacks-coat]

ALRIGHT I SEE SOME OF MY QUOTEV BITCHES SO WE'RE ALLOWING MY QUOTEV SELF TO MIGRATE FULLY TO TUMBLR

About Me

Hi, I'm Theo, or Aristotle to close friends

I'm fifteen years old

They/them

Genderfluid non binary

Abrosexual abroromantic

Demiromantic greysexual aegosexual

Polyamorous

I have autism, ADHD, SPD, OCD, anxiety, depression, and possibly PTSD

I am biracial (half English, half Bangladeshi)(No I do not speak Bangla)

I have been raised as muslim, but I myself am an atheist

My fandoms are:

Percy Jackson (+sequels)

Red White and Royal Blue

Good Omens (though I don't support Gaiman)

Doctor Who

BBC Sherlock

MARVEL

Lord of the Rings

Our Flag Means Death

Star Wars

Inheritance Cycle

Dead Boy Detectives

All The Young Dudes

Simon VS The Homo-sapiens Agenda (+sequels)

Heartstopper

Solitaire

Carry On (+ sequels)

Hunger Games

Kid Normal

How To Train Your Dragon (both films and books)

Wizards of Once

Magic Misfits

Stranger Things

Song of Achilles

The Sandman

BBC Ghosts

Oh and I'm also completely and utterly platonically in love with my best friend, so you have to deal with that :)

[masalafilmsrevival]

Hello! I'm writing a final Essay about Indian parallel cinema or new Indian cinema and I kinda got lost, there are so many movies and themes to explore! since the deadline is pushing me, I don't have much time to explore it deeply, i've watched Charulata and Apu's trilogy but couldn't move forward from there. (all of them mind-blowingly amazing btw) Could you please please please give me some direction on which way should i keep looking/researching or any of your favorite themes that are recurring in 50's-70's Indian "new wave" films ? anything would be really helpful. Thank you in advance, hope you have an amazing day!!

oh my god, i did not see this until now as i typically only see notifications for this blog when i'm on desktop, i'm so sorry!! i really hope this isnt too late to respond. okay so i'm no expert but just some thoughts:

so obviously its a film movement that originated in bengal, a lot of parallel cinema is bengali indian OR bangladeshi, i'm not sure if theres a specific reason you're focusing on indian parallel cinema for your essay but thats something to keep into consideration especially because it spans past the 70s well into the 80s and somewhat 90s so after the independence of bangladesh. and that does impact and put context to the narrative of many films

the themes that are recurring tend to be class consciousness and disillusionment, religious and racial discrimination, casteism, more frank portrayals of the topic of sex, marxist thought, the burden of patriarchal society and expectation, to some extent borderline nihilism in my opinion, essentially the polar opposite of bollywoods pristine glamorized and polished portrayal of life and society that borders on science fiction from how removed from reality it is. in spite of it often.

if you want an outline of some filmmakers, actors, and films that can give you a decent idea of the movement, off the top of my head:

films i can think of that will give you a decent understanding of the tone and themes of the movement at least:

mirch masala

a river called titas and cloud capped star

donkey in a brahmin village

the apu trilogy and charulata as you said as well as devi and shatranj ke khilari. (the coward is also one of my personal favorites but not a necessary watch)

mammo, mandi, and bhumika

dont cry for salim the lame, the strange fate of arvind desai

arth

rat trap

maya darpan

duvidha, nazar, uski roti

quintessential filmmakers to at least get a decently rounded understanding (in my opinion):

saeed akhtar mirza

mani kaul

satyajit ray

ritwik ghatak

shyam benegal

mrinal sen

actors whose work or work during the period of early parallel cinema to look to:

smita patil (!) (probably the most important to look into if youre interested in this movement)

shabana azmi (early work)

madhabi mukherjee

soumitra chatterjee

 naseeruddin shah (early work)

om puri (early work)

all of this is really just what came to mind immediately, i had planned on writing up a comprehensive summary of parallel cinema and what i considered essential viewing and themes and i will do that eventually, but i wanted to answer this as quickly as possible so i could easily be leaving out an insane amount of things. also i primarily used the english translations for these films unless i couldnt remember them. if youre in the usa (and maybe outside of it as well im not sure) MANY of these works or works made by these directors are on youtube or archive.org. i hope this is of some help and eventually i will post more comprehensive detail + scans of books i have about this. hope this helps someone and you have a good day!

[seogoogle1]

Netflix Subscription BD: A New Era for Streaming in Bangladesh

In recent years, the global entertainment landscape has undergone a significant transformation, largely driven by the rise of streaming services. Among the various platforms that have captured the world's attention, Netflix stands out as a leader. This article delves into the specifics of Netflix Subscription BD, examining its impact on the Bangladeshi market and highlighting the role of local facilitators like Amader Cart in enhancing the streaming experience.

The Rise of Netflix in Bangladesh

Netflix's global expansion strategy has been remarkably successful, and Bangladesh is no exception. With a growing middle class, increasing internet penetration, and a youthful population keen on digital entertainment, Bangladesh presents a fertile ground for streaming services. Since its launch in Bangladesh, Netflix has attracted a substantial number of subscribers, drawn by its vast library of content, including movies, TV shows, documentaries, and original productions.

Factors Driving Netflix's Popularity in Bangladesh

Content Variety: One of Netflix's biggest draws is its diverse content library. From Hollywood blockbusters and critically acclaimed TV series to niche documentaries and local films, Netflix offers something for everyone. This variety appeals to Bangladeshi audiences with varied tastes and preferences.

Original Productions: Netflix Originals, such as "Stranger Things," "The Crown," and "Money Heist," have garnered a global following. These high-quality productions attract Bangladeshi viewers looking for exclusive content that is not available on other platforms.

User-Friendly Interface: Netflix's intuitive interface, personalized recommendations, and multi-device compatibility make it a preferred choice for users seeking a seamless viewing experience.

Affordable Pricing Plans: Recognizing the price sensitivity of the Bangladeshi market, Netflix offers a range of subscription plans to cater to different budgets. This flexibility makes it easier for a broader audience to access the platform.

Challenges and Solutions in the Bangladeshi Market

Despite its popularity, Netflix faces certain challenges in Bangladesh. These include payment method limitations, competition from local streaming services, and internet connectivity issues. However, innovative solutions have emerged to address these challenges.

Payment Solutions: The Role of Amader Cart

One of the primary obstacles for Bangladeshi consumers has been the limited availability of international payment methods. Many potential subscribers do not possess credit or debit cards that are accepted for Netflix subscriptions. This is where Amader Cart comes into play.

Amader Cart is a local service provider that facilitates the purchase of Netflix subscriptions using local payment methods. By allowing payments through bKash, Rocket, and other popular mobile financial services in Bangladesh, Amader Cart has made it significantly easier for consumers to subscribe to Netflix. This convenience has been a game-changer, expanding access to Netflix for a wider audience.

Amader Cart: Bridging the Gap

Amader Cart has positioned itself as a crucial intermediary, helping to bridge the gap between Netflix and Bangladeshi consumers. By offering a hassle-free payment solution, Amader Cart ensures that users can enjoy uninterrupted streaming without worrying about payment issues. Their service is not limited to Netflix alone; they also facilitate subscriptions to other global streaming services, thereby enriching the digital entertainment ecosystem in Bangladesh.

How Amader Cart Works

Easy Subscription Process: Users visit the Amader Cart website or app, select the desired Netflix subscription plan, and choose their preferred local payment method.

Payment Confirmation: Once the payment is made, Amader Cart processes the transaction and activates the Netflix account.

Customer Support: Amader Cart provides customer support to assist with any issues related to subscriptions, ensuring a smooth user experience.

The Future of Streaming in Bangladesh

As internet infrastructure continues to improve and more people gain access to affordable smartphones and data plans, the demand for streaming services in Bangladesh is expected to grow. Netflix, with its strong brand presence and extensive content library, is well-positioned to capitalize on this growth. However, local competitors and emerging platforms will keep the market dynamic and competitive.

Impact on Local Content Production

The popularity of Netflix in Bangladesh also has implications for the local entertainment industry. The platform’s success has encouraged local filmmakers and producers to create high-quality content that can appeal to both domestic and international audiences. Netflix's interest in acquiring and producing local content can provide a significant boost to the Bangladeshi film and TV industry, fostering creativity and innovation.

Conclusion

Netflix Subscription BD represents more than just access to a streaming service; it signifies a shift in how Bangladeshis consume entertainment. The collaboration between Netflix and local facilitators like Amader Cart has democratized access to high-quality content, making it easier for people across the country to enjoy global and local productions. As the market evolves, Netflix's ability to adapt to local needs and preferences will be crucial in maintaining its leadership position. With the continued support of services like Amader Cart, the future of streaming in Bangladesh looks promising, offering endless possibilities for viewers and content creators alike.

Exploring the Netflix Subscription BD Ecosystem

To understand the full impact of Netflix Subscription BD, it’s essential to explore the broader ecosystem that supports this service in Bangladesh. This includes the role of telecommunications companies, internet service providers (ISPs), and government initiatives aimed at boosting digital infrastructure.

Telecommunications and ISPs

Telecommunications companies and ISPs play a vital role in ensuring that Netflix can reach its audience in Bangladesh. With the advent of 4G and the anticipated rollout of 5G technology, streaming high-definition content is becoming more feasible. Major ISPs in Bangladesh, such as Grameenphone, Robi, and Banglalink, are continuously upgrading their networks to provide faster and more reliable internet services, which are crucial for an optimal streaming experience.

Government Initiatives

The Bangladeshi government has been proactive in enhancing the country’s digital landscape through various initiatives. The "Digital Bangladesh" vision aims to transform Bangladesh into a technologically advanced nation by promoting digital literacy and expanding internet access. These efforts are instrumental in creating an environment where streaming services like Netflix can thrive.

Content Localization and Cultural Relevance

For Netflix to maintain its growth trajectory in Bangladesh, content localization and cultural relevance are key. Understanding the preferences of Bangladeshi viewers and curating content that resonates with them is crucial. This includes not only dubbing and subtitling international content in Bengali but also investing in original local productions.

Netflix Originals in Bangladesh

Netflix has already started exploring the potential of local content in various countries, and Bangladesh is on its radar. By partnering with local filmmakers and producers, Netflix can create original content that reflects the unique cultural and social dynamics of Bangladesh. Such initiatives not only cater to local tastes but also provide a platform for Bangladeshi stories to reach a global audience.

The Competitive Landscape

While Netflix is a dominant player in the global streaming market, it faces competition from both international and local platforms in Bangladesh. Competitors like Amazon Prime Video, Disney+, and local services such as Hoichoi and Bioscope offer alternative streaming options.

Hoichoi and Bioscope

Hoichoi, for example, focuses on Bengali content, making it a popular choice among viewers looking for regional entertainment. Bioscope, another local platform, offers a mix of live TV, movies, and original web series, catering to diverse tastes. These platforms often emphasize local content, providing strong competition to Netflix.

The Role of Social Media and Influencers

Social media platforms and influencers have a significant impact on the popularity of streaming services. In Bangladesh, influencers play a crucial role in shaping consumer preferences and driving subscription growth. By leveraging social media marketing and collaborations with local influencers, Netflix can enhance its visibility and appeal to a broader audience.

Effective Social Media Strategies

Engaging Content: Creating engaging content that resonates with local audiences is essential. This includes sharing trailers, behind-the-scenes footage, and interviews with actors and creators.

Influencer Partnerships: Collaborating with popular Bangladeshi influencers and celebrities can help Netflix reach potential subscribers more effectively. Influencers can create buzz around new releases and share personal recommendations, making the service more relatable.

Interactive Campaigns: Running interactive campaigns, such as online contests and live Q&A sessions, can boost engagement and foster a sense of community among subscribers.

Conclusion: A Bright Future for Netflix in Bangladesh

Netflix Subscription BD has opened up a world of entertainment possibilities for Bangladeshi viewers. The combination of diverse content, affordable pricing, and local payment solutions provided by Amader Cart has made Netflix an accessible and attractive option for many. As the streaming landscape continues to evolve, Netflix's ability to adapt to local preferences and collaborate with key players in the ecosystem will be critical to its success.

The future of streaming in Bangladesh looks bright, with Netflix poised to play a central role in shaping the country's digital entertainment landscape. By continuing to innovate and invest in local content, Netflix can not only maintain its leadership position but also contribute to the growth and development of the Bangladeshi entertainment industry. With the support of local facilitators like Amader Cart and the ongoing improvement of digital infrastructure, the journey of Netflix in Bangladesh is set to be an exciting one, promising endless entertainment for viewers across the country.

Website: https://www.amadercart.com.bd/

https://seogoogle99.blogspot.com/2024/05/netflix-subscription-bd.html

[beheworthy]

The Aching Cowardice of Tyler Rake

The biggest accomplishment of Extraction 2 (2023) is that it’s better than the first film and the first film was great. Especially considering that it was conceived entirely post Extraction’s success when there were no plans for a sequel.

The story and screenplay of Extraction (2020) were too simple, and its dialogue in particular was not good. But Chris Hemsworth’s performance as Tyler Rake, Sam Hargrave’s direction, and the film’s sincere commitment to the action elevated it in its genre. Moreover, the film had a poignant take on masculinity and specifically father-son relationships. E2 takes everything from E1 forward. It betters the story, screenplay, and dialogue, along with the emotion, of course. And it ups the action 10-fold. 

Tho I’m mostly in it for the emotional stuff. There is something about the villain of E1 taking that misguided Bangladeshi teenager under his wing when he himself is such a corrupt soul. And the uncle of the villain of E2 constantly advising him to not lose himself in revenge after living his whole life like that. A boy watches Tyler kill his father in E1, he’s no hero to this kid. And the boy he saves in E2 outright says he’s no hero when he saved him from his abusive father. So much to uncover.

This is why the biggest highlight of this series for me is Chris as Tyler. He is so ruthless as the mercenary that you just can’t take your eyes off him breaking bones and ripping people’s hands in half. So it stands out even more that his bravado and badassery in combat are contrasted with him being an absolute coward with his emotions. No joke, he would literally rather jump off a bridge than face anything. He says so himself. And I absolutely love it.

Like, what a wonderful human flaw to give to your badass protagonist who can clear a room full of enemies without breaking a sweat. But just can’t put in words why he needs to protect this druglord’s son at all costs.

Keep reading

[elizmanderson]

2023 wrap-up, part 2

click here for part 1 | click here for part 3 | click here for part 4

let's talk about some of the reading I did this year! I don't read as much as I used to, and I'm constantly torn in like five different directions, because. on one hand. I am a chronic rereader. I just want to reread my favorites over and over and over and over and over and

but on the other hand, I'm a writer. and I should be reading new releases to ~keep up with the market~ (or support friends with new publications, or just because new releases look cool).

but on the OTHER other hand, my tbr is five miles long, so I really feel like I should be reading all those books that were new releases 5-10 years ago that I never got around to reading

so let's talk about one of each that I read this year

a reread

thanks to finding out about an upcoming film adaptation of Scott Westerfeld's Uglies, I reread Uglies and Pretties this year for the first time since high school! I reread the series several times back then and loved it but hadn't read it since. pleased to announce that I enjoyed it a lot despite the 15 years that had passed since my previous reading

now I gotta procure a copy of Specials, and then I guess I'll be reading Extras actually for the first time ever, because I never read that one back in the day

link to Uglies on BookShop

a new release

partly as a result of being in a group of debut authors and having a lot of friends to support, I read many new releases this year! but a top new release was definitely Priyanka Taslim's The Love Match, an Austen-esque Bangladeshi YA romcom with a FANTASTIC love triangle (and I say that as someone who isn't particularly into love triangles). she really kept me guessing until the end of the book!

link to The Love Match on BookShop

an older release

this was the year in which I finally read Madeline Miller's The Song of Achilles. it made all my friends cry, even the ones who don't normally cry at books. it did not make me cry. I found it deeply satisfying despite being so soft that I once sent @victoriacbooks in ahead of me to make sure a book did not end sadly before I read it. not sure what that's about, but the point is, I enjoyed this book even though I did not cry lmao

link to The Song of Achilles on BookShop

upcoming books I'm looking forward to

(book titles link to the books' preorder pages)

Kamilah Cole's So Let Them Burn (YA fantasy)

Mo Netz's The Lumbering Giants of Windy Pines (MG fantasy)

Gabriella Buba's Saints of Storm & Sorrow (adult fantasy)

Trinity Nguyen's A Banh Mi for Two (YA romance)

[brw]

20, 23 for the movie asks

20. A movie you think looks beautiful

There r plenty of movies I think look really beautiful but but I'm gonna go with Tasher Desh / Land of Cards directed by Qaushiq Mukherjee, it's a Bangladeshi film and it's so beautiful and so so odd I really loved watching it. The costume design and cinematography and storytelling is all so strange and on the edge I really think if you're into films you should watch it. It's on Netflix :3

23. An animated movie you like

The Spielberg Tintin movie has a big special place in my heart <3

Movie asks