#ballets

[scooby-doo-exploration]

[stingrayextraordinaire]

Ballet Moodboards // Le Spectre de la Rose

Our feet are planted in the real world, but we dance with angels and ghosts.

[mintaikk]

The Rite of Spring is one of my favorite ballets. Are there any more like it?

[sleebyconfy]

what is everyone's favorite ballet? 🩰

[the-anxious-acrobat]

coppelia 🩰

[fracturedporcelaindoll]

Beautiful~

ballets or musicals? art or literature? reader or writer? cafe or library? poetry or prose? art galleries or history museums? silk or velvet? regency or victorian? piano or violin? hardcover or paperback?

[stsebastiens]

finding out there's a frankenstein ballet and that it was in october of last year…DEVASTATING

look at this. look at these. im foaming at the mouth

[starkidlabs]

Dracula and Jonathan’s Tango - from The Polish National Opera production of ‘Dracula’.

With Choreography by Krzysztof Pastor and Music by Wojciech Kilar.

[rileylastname]

I know this is a few years old but this is still one of my favourite ballets that I’ve ever seen. iirc they also do the “wizard of oz” thing where the red queen is danced by the same ballerina as alice’s mother, the king is her father, etc

The Australian Ballet is doing Alice in Wonderland again and on one hand I’ve seen it before, and on the other, their Queen of Hearts has my favourite costume in anything every

[scooby-doo-exploration]

makethishumanlaugh

TAG themes on ‘Archive’: https://scooby-doo-exploration.tumblr.com/archive

[wyrmsfornerves]

Titania & Oberon

[cinnamongirlsdiary]

it’s so awkward :|

[kimludcom]

View this post on Instagram

A post shared by Ivan Tretiakov (@tretiakov_in_athens)

[turnipoddity]

I’m never gonna dance again,

the way I danced with you 💃✨🕺✨🥀

[kecobe]

Modern Grace, or, The Operatical Finale to the Ballet of Alonzo e Caro James Gillray (British; 1756–1815) Hand-colored etching on wove paper, 1796 Yale University Library, The Lewis Walpole Library, Farmington, Connecticut

Publisher: Hannah Humphrey, New Bond Street, London

“Didelot dances on the stage between two women, both very lightly clad in quasi-classical costume, and wearing ‘cothurnes.’ He wears a feathered hat, tunic, and cloak, and looks towards Mme Parisot (right); she strikes an attitude with right leg raised and arms extended, and looks alluringly towards him, her right breast bare. Mme Rose (left), his wife, dances with more restraint, her sharp-featured profile turned austerely towards her husband. All wave their arms above their heads, and their attitudes are in fact graceful (though caricatured). Two plump ‘danseuses’ (left and right) whirl on one toe in the background. Behind Didelot is an irradiated sun, with features looking down disapprovingly at the dancer.” — British Museum online catalogue