#balearic music

[randomvarious]

808 State - "Pacific 707" 1989 Techno / House / Acid House / Ambient House / Balearic House

Feel like I need to post more videos...either music videos, interviews, documentaries, concerts, DJ sets, party footage, etc. And who better to start that journey with than the great 808 State?

[phonographica]

Rhode & Brown - Feels Like Forever (2022)

[useless-catalanfacts]

The rap singer Valtònyc (wearing dark green in the first photo) has returned from exile. It's the first time he steps in his homeland Mallorca in almost 6 years.

He was sentenced to 3.5 years of prison because when he was 18 years old he wrote a song where he criticized the Spanish monarchy and uploaded it to YouTube. He wasn't famous and his most listened song on YouTube had 8,000 views, but in Spain it's a crime to say "injuries against the crown", and the laws are often applied more harshly against national minorities (Valtònyc is from the Catalan Countries). His song was found and he had to go to trial over it, and was sentenced guilty of the crimes of injuries against the monarchy, praising terrorism, and threats.

Valtònyc refused to accept the so-called "justice" of the Spanish judicial system, so he decided to escape. He managed to sneak to France unnoticed by the police, and went to Belgium, where there was already a community of Catalan people on exile for their political involvement in the Catalan independence process. He has lived on exile in Belgium these last 5 years and a half.

Had he come back to any Spanish territory, Valtònyc (same as the other exiles) would have immediately been jailed. In fact, Spain issued an international order of extradition, demanding Belgium arrest him and send him to Spain to be imprisoned. But the Belgian courts found that these kind of cases should be allowed under freedom of speech and, instead of sending Valtònyc to Spain, Belgium got rid of their own law that punished "injuries against the crown" as a crime. With no Belgian law to punish him, he was allowed to stay in Belgium. This is a similar process that had happened with other Catalan exiles, who Spain has demanded be extradited multiple times but Belgian law has protected for human rights and freedom of speech reasons.

By the way, the song that got him sentenced to prison had been a commission from the Spanish politician Pablo Iglesias (leader of Podemos, the left Spanish party) for his TV show La Tuerka. Valtònyc has explained that Iglesias never called him, never showed any solidarity nor interest in his case. Iglesias was vice-president of Spain during Valtònyc's exile.

The crimes expired six months ago, meaning he can no longer be imprisoned for it. However, the Spanish courts did not notify him of it (as they should have done), so his lawyer and him just found out.

After saying goodbye to other Catalan people on exile in Belgium, who are not allowed to come back yet (in the photos, shared by Valtònyc on his Twitter, he is saying goodbye to the politicians Lluís Puig and Carles Puigdemont), he has come back home.

He was welcomed by 200 people in his hometown. He has thanked all the people who helped him and showed solidarity. He also reminded that Pablo Hasél (a rap singer from Catalonia) is still in prison for the lyrics of his songs and the contents of his Tweets, sentenced guilty of injuries against the crown and praising terrorism. You can read more about Pablo Hasél's arrest in this post, and an explanation of the tweets and lyrics that got him sentenced in this post.

As we celebrate Valtònyc's return, we cannot forget that Spain has repeatedly ranked number 1 in the whole world for country that sent the most musicians to jail for the content of their music, in 2018 and 2020. By the way all the 14 rap singers condemned to prison for their lyrics were Catalan (Pablo Hasél and the 12 members of the band La Insurgencia from Catalonia, and Valtònyc from the Balearic islands), not one of any other culture group or from any other area. Curious, 100% of the sentenced, when the population of the Catalan Countries is less than 29% of the population of Spain. Wonder why!

[zsorosebudphoto]

Chopin's piano, Cartoixa de Valldemosa, Valldemosa, Mallorca, 11-12-23

[theboymelancholy]

'Ondas Horizontales'

Been sitting on this for a while but now I can finally share. I was asked to produce the cover art for Tambores En Benirras' second album Ondas Horizontales.

This is a dream come true for me and I'm still finding it extremely surreal seeing my work on iTunes and Spotify.

Ever since little 14 year old me discovered The Used's In Love and Death album, whose gorgeous album art was done by the amazing Alex Pardee, have I wanted to make an album cover, a dream I thought I would never achieve yet here I am.

Give the album a listen. It's beautiful and chilled and will take you to places.

[dai-nakamura]

NUBACK (ヌバック）- Night Science ‘13年リリース NUBACK  「Night Science」　EP4曲をフルで YouTubeにアップしました。

[dozydawn]

Fly Away / Walking in the Sunshine by Laid Back, 1983.

Words and music by John Guldberg and Tim Stahl.

“ ... reached #1 in up to 22 countries and was a favourite spin for many Ibiza DJs.”

[disease]

RAMZi ft. PRIORI // FOGGI [HYPHEA, 2022]

[akira28es]

Mi última sesion DJ mix This is Ibiza 2024 enjoy!!! https://youtu.be/fycxCQ4HEzo?feature=shared

[seanmorroww]

Jona Jefferies - "Lost in Paradise"

Lost in Paradise [Apersonal, 2024]

[randomvarious]

Today's compilation:

Balearic Beats (The Album Vol 1) 1988 Balearic Beat / Disco / House / Industrial

Man, this is such a momentous fuckin' album that was compiled by legends Paul Oakenfold, Pete Tong, and Trevor Fung back in '88. Here they deliver the first compilation to *ever* attempt to encapsulate the sound of the wide-ranging 'Balearic beat,' a dance phenomenon whose home was in the party capital of the world, on the Spanish isle of Ibiza, where plenty of Europeans would visit and end up drawing inspiration from. And with this album, these three guys appear to have finally successfully broken through, able to bring this very quirky vibe into the UK to coat its own exploding dance music scene during the historic 'Second Summer of Love,' which saw the Chicago-born genre of acid house reach critical mass among the youth and spawn a first generation of ravers.

But Balearic beat is not something that one can easily describe, because its most defining trait is that it really only has one rule: so long as there is some sort of tangible beat that's danceable, it'll do. Essentially, Balearic beat represents an extremely expansive coterie of a whole bunch of different genres: pop, rock, house, disco—pretty much everything that ranges between James Brown funk records and industrial music, and with blends of psychedelia, Italo flavor, plenty of leftfield experimentalism, guitar rock, and chunks of world music too. It's probably the single-most unique dance music scene that this world's ever borne witness to, and it not only allowed, but actively encouraged DJs to take unprecedented levels of risk in their own selections, as a culture of decadence, hedonism, freedom, and acceptance was nurtured and fostered.

And Oakenfold and co. really tried to bring this vibe and approach into the UK's own dance consciousness a couple times between '87 and '88, after returning from summers spent on Ibiza and opening up a couple nightclubs. But things finally started taking hold with Oakey's own Monday club night called Spectrum at gay superclub Heaven in Westminster, London. And this comp, with liner notes provided by Boy's Own's Terry Farley, represents those Spectrum club nights, as well as stuff from Shoom, which is the club where the UK's acid house movement first originated. Shoom was founded by Oakenfold compatriot Danny Rampling, whose own first trip to Ibiza with Oakey and others is what inspired him to open up the club in the first place. And Rampling took ecstasy for the first time on that Ibiza trip too 💊😁🥹.

So, from a glance, by looking at this tracklist and not having any familiarity with what Balearic beat entails, you might see this list of songs and inevitably scratch your head: Italo-jazz saxophonist Enzo Avitabile?; pop starlet Mandy Smith, who's unfortunately best known for having an underage relationship with former Rolling Stone Bill Wyman and then marrying him 🤮?; San Francisco avantgardists The Residents taking the bassline from "Billie Jean" and fashioning a cover of a Hank Williams honky-tonk tune out of it?; EBM group Nitzer Ebb?; industrial act Fini Tribe on a weird, cocaine-fueled tribal disco tip with ringing and clanging bells??? What on earth is this?!?!?

But don't worry, now that you have a proper frame of reference, it'll all make a whole lot more sense when you actually put this album on 😎.

And we gotta make special mention of this release's opener too, "Jibaro" by Oakenfold and Steve Osborne's Balearic electronic project, Electra. Yesterday I posted about an Italo comp that was put out by this same Pete Tong-run FFRR label called The House Sound of Europe - Vol. V - 'Casa Latina', and I remarked that although the Electra track on there really had no business being included—because it was neither Italian-made nor really a house tune—it was still the best track that that comp had to offer, as it was the pure ultimate in 80s Ibiza silky-chillness. But this "Jibaro" track, a cover of a mid-70s Spanish psychedelic disco-funk tune, and whose own 12-inch art inspired the album art for this comp itself, represents a different branch of that girthy Balearic tree, because this one's a full-fledged house jam; slower than a typical house tune, but a house tune nonetheless; and with a richly patched-together sonic quilt of different sounds that *majorly* diverges from all the black, queer, and acid-jacking beauty that'd been emanating from Chicago.

So, ultimately, this was a very important album in the grand scheme of things. Balearic beat brought a very elastic dimension to the acid house movement writ large in the UK, and if you'll now all allow me to unveil my corkboard-and-yarn setup here to give you all a parting glimpse of just how intertwined all of this got within the UK's own vibrant, fluid, and interconnected music landscape, let's bring all of this full-circle by talking about legendary Manchester new wave band New Order.

New Order once took a two-week trip to Ibiza that had such a profound effect on them that it yielded their fifth studio LP, Technique, in 1989. And they also owned a very popular club in Manchester called The Haçienda. In '88, The Haçienda would launch its own Ibiza-themed club nights, which then played an integral role in the development of the city's own Madchester scene, a style of alternative dance music that saw indie bands mesh their sound with psychedelia and acid house beats. And one of Madchester's biggest landmarks ended up being 1990's Pills 'n' Thrills and Bellyaches, an album by a group called Happy Mondays that was co-produced by none other than the Electra boys themselves—Paul Oakenfold and Steve Osborne! 🤯

Highlights:

Electra - "Jibaro" Code 61 - "Drop the Deal" Beats Workin' - "Sure Beats Workin'" Enzo Avitabile - "Black Out" Mandy Smith - "Mandy's Theme (I Just Can't Wait) (Cool & Breezy Jazz Version)" The Residents - "Kaw-Liga (Prairie Mix)" The Woodentops - "Why Why Why (Live)" Fini Tribe - "De Testimony (Collapsing Edit)" The Thrashing Doves - "Jesus On the Payroll"

[phonographica]

Steve Hiett – Down On The Road By The Beach (1983)

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The traditional music and performance of El cant de la sibil·la (The Sibyl's Song) has gone further than the walls of the churches where it has been sang for centuries and has inspired many modern Mallorcan singers and musicians such as Maria del Mar Bonet or, more recently, Júlia Colom (in this video you can see a snipet of her performing the role of Sibyl in Valldemossa, Mallorca). Júlia is a singer-songwriter who makes both urban music and songs based on traditional Mallorcan music.

Video posted by Alex Sobron Jewellery, who made the golden fingertips.

Find out more about the Sibyl's Song in this post.

[zsorosebudphoto]

Chopin's hand, Cartoixa de Valldemosa, Valldemosa, Mallorca, 11-12-23

[norepetitivebeats]

Florence - A Touch Of Heaven (1991)