#balaka

[drytechengi]

Exporter of Flash Dryer in Malawi

Drytech Engineering Systems is a leading Exporter of Flash Dryer in Malawi. We are located in Ahmedabad, Gujarat, India. Drytech Engineering Systems is a Manufacturer, Supplier and Exporter of Spray Dryers, Flash Dryers, Spin Flash Dryers, and Multi Effect Evaporators. Flash dryer is a highly efficient drying system designed to rapidly remove moisture from materials by utilizing hot air or gas. This method is particularly effective for drying powders, granules, and other bulk materials in various industries, ensuring minimal thermal degradation and consistent product quality. Features: Rapid Drying: Dries materials quickly, reducing processing time and enhancing productivity. Energy Efficiency: Designed to minimize energy consumption while maintaining high performance. Adjustable Parameters: Allows for control over temperature, airflow, and drying time to suit specific material requirements. Compact Design: Space-saving structure that can be easily integrated into existing production lines. Robust Construction: Built with durable materials to withstand harsh industrial environments. Automated Control Systems: Offers advanced monitoring and control options for optimal operation. Applications: Food Processing Pharmaceuticals Chemical Industry Plastics and Polymers Minerals and Aggregates Drytech Engineering Systems is an Exporter of Flash Dryer in Malawi and including locations Chitipa, Chilumba, Ekwendeni, Karonga, Likoma, Livingstonia, Mzimba, Mzuzu, Nkhata Bay, Rumphi, Chintheche, Embangweni, Aaron, Chipoka, Dedza, Dowa, Kasungu, Lilongwe, Mchinji, Mponela, Mua, Namitete, Madisi, Nkhotakota, Nkhoma, Ntcheu, Ntchisi, Salima, Balaka, Bangula, Blantyre, Chikwawa, Chiradzulu, Chiwembe, Domasi, Limbe, Liwonde, Luchenza, Machinga, Malosa, Mangochi, Marka, Monkey Bay, Mulanje, Njata, Nkaya, Nsanje, Phalombe, Thyolo, Zalewa, Zomba. For more information about our spray dryers or to discuss your specific needs, please reach out to us. View Product: Click Here Read the full article

[rmechmachines]

Exporter of Screw Conveyors in Malawi

R Mech Machines LLP established itself in Ahmedabad, Gujarat, India, in 2008. We have emerged as a global leader in exporting, supplying, and manufacturing Screw Conveyors in Malawi and various products.R Mech Machines LLP is a company that specializes in the manufacture of screw conveyors. Industries use screw conveyors to transport materials such as powders, granules, and flakes in a variety of industries. They consist of a helical screw blade that rotates within a tube, moving the material along the length of the conveyor. R Mech Machines designs screw conveyors to be reliable and efficient, with low maintenance requirements. We can customize them to meet the specific needs of each application, offering a range of materials and configurations. Screw conveyors, a common means of transporting bulk materials like powders, granules, and flakes, fall under the category of mechanical conveyors. They consist of a helical screw blade that rotates within a tube, moving the material along the length of the conveyor.The screw is driven by a motor, which can be positioned at either end of the conveyor or at its center.ApplicationAgriculture Food Processing Mining Wastewater Treatment Chemical Processing Construction Pharmaceuticals RecyclingR Mech Machines takes pride in serving as an Exporter of Screw Conveyors in Malawi and various locations, including Lilongwe, Blantyre, Mzuzu, Zomba, Kasungu, Mangochi, Karonga, Salima, Nkhotakota, Liwonde, Balaka, Nsanje, Rumphi, Mchinji, Dedza, Mulanje, Nkhata Bay, Monkey Bay, Chiradzulu, Thyolo. If you are interested in our high-quality products, kindly reach out to us for further information. Read the full article

[humanrightsupdates]

Central African Republic: Step Toward Accountability

Special Criminal Court Arrests Former Armed Group Leader

(Bangui) – The Special Criminal Court (SCC) in the Central African Republic has announced that on June 16, 2024, it arrested a former anti-balaka leader, Edmond Beïna, for crimes committed in 2014, Human Rights Watch said today. The arrest is a step toward assuring justice for victims of serious crimes in the country.

The court confirmed the arrest on June 21. The court charged Beïna with crimes against humanity and war crimes allegedly committed in Guen, Gadzi, and Djomo, in the Mambéré-Kadéï province in the southwestern part of the country, in February and March 2014. Anti-balaka groups under the command of Beïna and a fellow armed group leader, Matruin Kombo, attacked civilians, killing at least 72 Muslim men and boys, some as young as 9, in attacks on February 1 and 5, 2014. The court arrested Kombo in November 2022. In addition to Kombo and Beïna, three other co-accused are detained by the court, charged with crimes arising out of the same facts.

“To date, there has been no accountability for the horrendous crimes committed in Guen, and impunity continues in the Central African Republic,” said Lewis Mudge, Central Africa director at Human Rights Watch. “The Special Criminal Court can change that narrative and finally deliver some justice to victims and their families who have been waiting for so long.”

The SCC was established to investigate and prosecute serious international crimes committed in the Central African Republic since 2003. It is based in Bangui, the capital and is staffed by national and international judges and personnel. It began its operations in 2018.

The anti-balaka militias rose up across the country to fight the Seleka, a predominantly Muslim coalition that took control of Bangui on March 24, 2013. The anti-balaka quickly began to target Muslim civilians, particularly in the west, equating them with Seleka or the coalition’s sympathizers.

In March 2014, a Human Rights Watch researcher spent several days in the country, speaking with survivors of the Guen and Djomo attacks. The victims, all Muslims and mostly elderly women and children, had sought refuge at a Catholic parish, where they were attacked.

The father of 10-year-old Oumarou Bouba said:

“I took my son when the anti-balaka attacked. As we were running away, he was shot by the anti-balaka. He was shot in the right leg and he fell down, but they finished him off with a machete. I had no choice but to run on. I had been shot too. I later went to see his body and he had been struck in his head and in the neck.”

On February 5, after looting Guen’s Muslim neighborhoods, the anti-balaka attacked a property where hundreds of Muslims had sought refuge. In this attack, the anti-balaka divided approximately 45 men into two groups, led them out of the compound, forced them to lie on the ground, and executed them

[secular-jew]

There's a long list genocidal situations ongoing throughout the world, so why are accusations leveled only against Israel on Holocaust Remembrance Day?

Assad's Syrian Army bombed a city full of civilians because they don't recognize the regime as legitimate but no condemnation came out of the UN.

Why isn't the UN condemning true genocides taking place, largely (but not exclusively) at the hands of jihadi armies?

The "Early Warning Project" identified 10 ongoing episodes of nonstate led mass killing as of the end of 2020. The affected countries, with the perpetrator group and date of onset in parentheses, are the following:

Afghanistan (Taliban, Haqqani network, and associated armed groups, 2001)

Central African Republic (various armed groups, including anti-Balaka, 2013)

Democratic Republic of the Congo (various militias in the northeast, 1998)

India (Maoist rebels, 2004)

Iraq (ISIS, Islamic State, 2003)

Nigeria (Boko Haram, 2010, Fulani Muslim Militias 2023, 2024)

Pakistan (Taliban Movement of Pakistan and associated militias, 2001)

Somalia (Al Shabaab and associated militias, 2007)

South Sudan (Machar supporters, SPLM in Opposition, Nuerthnic militias, and others, 2013)

Syria (Islamic State and associated militias, 2012)

Ref: Holocaust remembrance website

[gogandmagog]

Guys! Yesterday I had a book-shaped piece of mail, and inside of it was my copy of Children and Childhoods in L.M. Montgomery: Continuing Conversations being returned, from another very dear user here! I bring this up only because some-months-ago I promised to copy out a particular article from this book, for yet another user here, who was interested! Interested because it’s on the the subject of a Fan Favourite thing... fan fiction. And better still because some of our (basically famous) mutuals here are mentioned by name! If you’ve ever wondered if the Montgomery scholarship is reading your fan fiction... the answer is yes, they are! They totally are. More than that, they also have some thoughts to share… as well as recommendations of their faves too! This article even covers the F/F and M/M fan fiction presented by fans in LMM’s universe, and I’m personally super excited to be able to begin reading these works, as soon as I can find them all. I’ve done my best to link what I could immediately find, but some of the mentioned stories were unavailable... potentially due to changes in usernames? (That said... if anyone knows of the works indicated here, that I haven’t provided a link for, please do share!)   This article, by the way, was written recently... in 2020! It’s very current, and it covers a few stories that were still being actively updated during the pandemic. The focus of this article is less so on canon (or really just the Anne/Gilbert pairing), though, and seems to prefer demonstrating the versatility of mixing relationships (Anne and Emily, for one!) and the wider more general universe-building aspects (the entanglements of future generations/Anne’s grandchildren) that fans have been expounding on for nothing less than decades. 

Okay, here we go! xx

Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu

Fanfiction – the recreational (re)writing of texts – is a literary genre of rapidly growing significance. Abigail Derecho in her brief history of fanfiction identifies it as “a genre that has a long history of appealing to women and minorities, minorities, individuals on the cultural margins who used archontic writing as a means to express not only their narrative creativity, but their criticisms of social and political inequities as well.”

Insightfully defined by Francesca Coppa and Mary Ellen Curtin as “speculative fiction about character,” fanfiction can be even more precisely understood as fantasies about the diegetic positioning of characters in the context of various settings, communities, relationships both textual and paratextual, and eventually all manner of cultural mythologies.

Kristina Busse and Karen Hellekson describe the production of fanfiction as “part collaboration and part response to not only the source text, but also the cultural context within and outside the fannish community in which it is produced.”

They point out that the shift in the method of dissemination of fanfiction from newsletters and zines to internet archives means that “ever-younger fans who previously would not have had access to the fannish culture except through their parents can now enter the fan space effortlessly; financial resources have become less of a concern because access to a computer is the only prerequisite; and national boundaries and time zones have ceased to limit fannish interaction.”

The nature of fanfiction allows participants to cross-generational and socio-economic boundaries in an ongoing exchange of responses to a source text with which they share a fascination, developing new texts that in turn elicit their own responses. While the creation of fanfiction is evidence of an affective, loving, communal relationship with the source text, this genre of writing is still dismissed in many quarters as overly emotional, purely erotic, and even perverse, a type of amateur and immature engagement with popular texts that produces writing necessarily divorced from literary significance. Produced in staggeringly vast quantities by subcultures with complex vocabularies and traditions that can intimidate the casual reader, fanfiction is perceived by many to be more of a cultural practice than a literary genre, variously denigrated for its pornographic potential and its lack of originality. However, close examination reveals that fan writers are able to create a critical dialogue with the originating author in acts of communal storytelling that incorporate allusions and reference points to which other dedicated fan readers and writers may respond.

In this chapter, after examining how L.M. Montgomery and her writer heroine Emily themselves engage in practices now associated with fanfiction, I survey four forms of fanfiction that remove Montgomery’s novels from her seemingly idyllic and timeless island settings, contextualizing her characters and plots within history and other genres: the sequel set during the Second World War, the modern AU (alternate universe), the gap-filler, and the slash fic, all of which allow the young readers who grow up with her novels to engage in dialogue with the stories they love, a type of literary conversation that Montgomery herself models within her texts. Emily’s reading, which is active rather than passive, resembles twenty-first-century fans’ ownership of the texts they love, provoking creative responses. For instance, after reading works by Lord Tennyson, Elizabeth Barrett Browning, and Matthew Arnold, Emily writes, “Teddy lent me 3 books of poetry. One of them was Tennyson and I have learned The Bugle Song off by heart so I will always have it. One was Mrs. Browning. She is lovely. I would like to meet her. I suppose I will when I die but that may be a long time away. The other was just one poem called Sohrab and Rustum. After I went to bed I cried over it. Aunt Elizabeth said ‘what are you sniffling about?’ I wasn’t sniffling – I was weeping sore … I couldn’t go to sleep until I had thought out a different end for it – a happy one.”

The reactions Emily catalogues are those of the fan; they are viscerally felt in the body and attempt to dissolve the boundary between author and reader, producer and consumer. She inscribes Tennyson within her heart in order to possess the poem she loves; she creates a relationship between Barrett Browning and herself; and, most significantly, she interjects her own desired happy ending into Arnold’s tragic narrative, a corrective desire that is at the core of many works of fanfiction. Emily’s diaries and her story reflect Montgomery’s own experiences from childhood to adulthood as reader, writer, and reader-turned-writer discussed in the introduction to this volume. Depicting Emily as a voracious reader and a life-writer like herself, Montgomery places the child Emily’s voice in conversation with that of the narrator through Emily’s letters to her dead father in Emily of New Moon and through her diary entries in Emily Climbs and Emily’s Quest, creating a form of joint authorship that is referenced explicitly in “Salad Days,” the second chapter of Emily Climbs: “book is not going to be wholly, or even mainly, made up of extracts from Emily’s diary; but, by way of linking up matters unimportant enough for a chapter in themselves, and yet necessary for a proper understanding of her personality and environment, I am going to include some more of them. Besides, when one has material ready to hand, why not use it?”

The narrator’s willingness to use the “material” that is “ready to hand” reflects Montgomery’s and Emily’s practices, and also validates other writers’ use of the material Montgomery places at their disposal. As with many fans, Emily’s reading frequently makes itself felt within her writing.

Like Montgomery, Emily learns her trade through mimicry, from her first poem in blank verse inspired by James Thomson’s Seasons to her unwitting imitation of Kipling that is pointed out by her teacher, Mr Carpenter, in his review of her work. Like Sara Stanley of The Story Girl, whose compelling and fascinating stories are rarely if ever original, Emily is a fan of the oral traditions of her community, incorporating and building upon them in her own writing, transforming and recreating, for instance, the story of “The Woman Who Spanked the King” in Emily Climbs.

The retelling and versioning that Emily practises signal her immense admiration for the source texts she adapts, just as the creation of fanfiction does for Montgomery’s readership and fans. The possibilities inherent in versioning and adaptation are illustrated in Emily’s Quest. When Montgomery depicts Emily undertaking the reworking of someone else’s narrative, she is adapting an episode from her own experience while working for The Echo in Halifax, which she records in her journal. Montgomery, like Emily, was asked to create an ending for a serialized story, “A Royal Betrothal,” after compositors had misplaced the original text.

Like Emily, she claims that her “knowledge of royal love affairs [was] limited,” and that she was unaccustomed “to write with flippant levity of kings and queens.” Nevertheless, Montgomery manages to create a conclusion that passes muster, since “as yet nobody has guessed where the ‘seam’ comes in.” She is, however, curious about the original author’s reaction to her unauthorized adaptation, and while she never discovers this in real life, she does imagine it in her fiction when she introduces Mark Greaves, who is horrified by Emily’s new ending for the story but enchanted by its author. Neither Montgomery nor Emily engages in this sort of writing from a place of fandom; they have no previous attachment to “A Royal Betrothal,” and both are writing professionally. Nevertheless, the ability to solve the puzzle of the story and the weaving of their work into an already extant text are the very project of fanfiction: ludic narrative composition that recalls the way children play make-believe with the narratives they love, reworking and extending them. It is telling that Montgomery uses the metaphor of the “seam” to describe this particular craft. Jane Dawkins, writing about her fanfiction, which is inspired by Jane Austen, describes her fan novel Letters from Pemberley as “an old-fashioned patchwork quilt, where in place of the scraps of fabric reminding one of the favorite frocks or shirts whence they came, there is a line or a phrase or a sentence from one of [the original] books or letters stitched alongside the lesser scraps of my own manufacture.”

Montgomery’s final book, framed by the two world wars, is just such a patchwork sequel, albeit providing only brief glimpses of the characters that readers met as children and who have now grown older. When a version of the book was published in 1974 as The Road to Yesterday, these glimpses, lacking the interstitial materials, became even briefer, mirroring the more forced insertion of beloved characters that the two earlier collections, Chronicles of Avonlea and Further Chronicles of Avonlea, display. Only two of Anne’s grandchildren – Gilbert Ford and Walter Blythe – are obliquely referred to, in the story “A Commonplace Woman,” where an unpleasant young doctor reflects on both of them as potential rivals for the affection of a beautiful girl he himself hopes to pursue.

However, the full novel, The Blythes Are Quoted, published in 2009 and comprised of short stories about the people in Glen St Mary and over the harbour, is interspersed with poetry by both a young Walter and an adult Anne. The poems are cut with tiny slices of dialogue that suggest the continuing lives of fans’ favourite characters and how they might have developed. In “‘Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables,” Carole Gerson notes the mixture of feelings from pleasure to frustration that Montgomery records in her journals as she prepares to write her first sequel.

While Montgomery wrote the first installments of her various series out of inspiration, she was certainly aware of what her market desired from subsequent installments. She often regretted the necessity of marrying off her characters, but was aware that her fans demanded this conventional outcome for the characters they had come to love; these traditionally romantic endings, when not offered by Montgomery herself at the instigation of her publishers, are regularly deployed by contemporary fanfiction authors building on the source texts.

Indeed, long before the original structure of The Blythes Are Quoted was revealed to readers in Benjamin Lefebvre’s afterword, fanfiction writers were spinning off lengthy narratives that included a third generation of young Blythes, Fords, and Merediths dealing with the onslaught of the Second World War. While earlier installments in the Anne series – such as Anne of Green Gables and Anne’s House of Dreams – depict the deaths of Matthew, Anne and Gilbert’s first daughter (Joyce), and Captain Jim, Walter’s death in Rilla of Ingleside is somehow more striking. Unlike Matthew and Captain Jim, he has not yet had time to grow old; unlike Joyce, readers have had opportunities to get to know him as a child in Rainbow Valley and as he grows into young adulthood in Rilla of Ingleside. His death is unnatural and, therefore, all the more horrifying. These two aspects of Rilla of Ingleside – the evocation of history by a nostalgic fictional world that is still tied to real time and the use of high drama, tragedy, and romance – provide fanfiction authors with a model they can use to appeal to the emotions of those readers who are immersed in the next generation of Montgomery characters.

The Second World War, then, provides an entry point into the series for fanfiction authors, who can deploy real history coupled with beloved characters to create a tale that feels absolutely authentic. One example of this is a short story, “The Pen and the Sword,” written in 2007 by MarnaNightingale. Here, mimicking the style of Dorothy L. Sayers’s The Wimsey Papers (a series of Spectator articles published between 1939 and 1940, which interestingly also continue the story of First World War–era characters during the Second World War), MarnaNightingale employs epistolary excerpts and newspaper articles to tell the story of a family going through the horrors of war for a second time. Grounding her fragmented story – like The Blythes Are Quoted, a mixture of genres – in the accounts of novelist Mollie Panter-Downes (1939) and war correspondents Ernie Pyle (1940) and Ross Munro of the Canadian Press (1941), whose articles are attributed to Kenneth Ford, she offers a story that, like Rilla of Ingleside, is anchored to the historical moment, while also nostalgically focusing on the character development that comes from Gilbert Ford’s death, Rilla’s and Faith’s reactions to the war, and the lives of their children. Here war also serves as an opportunity for new experiences, particularly for women and children: Rilla takes a factory job as a machinist, liking it better than working in Carter Flagg’s store; one of Anne’s grandchildren, Susan, plans to be a doctor; and Faith, who worked as a Voluntary Aid Detachment nurse in the First World War, mentions how she can sympathize. As well, the daily tidbits that flavour the pages of Rilla of Ingleside are there: one article, attributed to Anne, includes the recipe for Susan Baker’s war bread, reminding readers of the problems of wartime rationing, even in the Americas. Real life events – like the Canadian forces trying (and failing) to make a beachhead at Dieppe – arouse the passions of the reader. Unlike Austen – who also famously wrote of three or four families in a country town, but kept the Napoleonic wars firmly in the shadows – Montgomery brings the passions and high drama of the world stage into the sleepy villages of Prince Edward Island, which inspire fanfiction spinoffs.

The long novel Cecilia of Red Apple Farm, by a fan author who posts under the pseudonym ruby gillis, also directly reworks passages and scenes from the whole range of Anne books, set in the late-nineteenth century, to The Blythes Are Quoted, set in the early years of the Second World War, to highlight the similarity between her new generation of characters and their ancestors. Cecilia is the daughter of Una Meredith and Shirley Blythe (characters often married off in fanfiction). Like MarnaNightingale, ruby gillis provides period flavouring in the styles of dresses and behaviour and in references to 1940s popular films and songs. Simultaneously, this setting offers new opportunities to her female character: Cecilia wants to be a doctor, and rather than staying in Canada, she joins up to be a nurse in England. She has a series of romances – one with Sid Gardiner (before he marries May Binnie), and one with her cousin Blythe Meredith, who is this generation’s poet – before finally ending up with Marshall Douglas (the son of Mary Vance). Just as Anne initially refuses Gilbert Blythe in favour of Roy Gardner’s resemblance to her ideal man in Anne of the Island, ruby gillis’s Cecilia is fooled by the allure of Sid and Blythe as Roy Gardner–like romantic heroes into believing that she does not truly love her fun, practical, “Gilbert-esque” friend. Published in 2004, Cecilia of Red Apple Farm further illustrates the opportunities presented by reusing and reworking a body of texts through its incorporation of Montgomery’s poem “I Wish You” as the work of Blythe Meredith. Montgomery includes this poem and attributes it to Anne in The Blythes Are Quoted, although ruby gillis could not have known this when writing. The repetition of names and circumstances might seem derivative, but for readers who have read and reread the original books so many times, the extension of the story world is prized, even if – perhaps even because of – its callbacks to the original text. Due to the tendency of fans to fixate on “the good bits” in a reread, these parts can be taken for the whole.

Austen fanfiction demonstrates this aptly. Indeed, Helen Fielding’s second Bridget Jones novel, Bridget Jones and the Edge of Reason (1999), illustrates just such a reading of Pride and Prejudice: she shows Bridget, a fan, watching the scene from the 1995 mini-series in which Darcy, dripping in a wet see-through shirt, exits the lake, and then rewinding and rewatching the scene multiple times. How many times might a similar fan reread Walter’s letter from Courcelette? This repeated reviewing of selected portions can replace the amplitude of the original novel. With this delimited focus, narrative is no longer seen as a progression, but as a single moment of pleasure, sustained as long as possible. Reading the Second World War as a repetitive sequel to the First World War further highlights this possibility.

Even Montgomery seems to do so, as demonstrated in The Blythes Are Quoted, with its new generation of characters confusingly named after the old: Walter, Jem, Rilla, Di, Anne, and Gilbert. A variation on Marah Gubar’s kinship model, this kind of continuation highlights the blurred boundaries between child and adult characters who are literally related to one another and whose adventures mimic one another.

In a third example of fanfiction set during the Second World War, Weeping May Tarry, a long novel by ElouiseBates, Meggie, the heroine, is Shirley’s daughter (and also, surprisingly, Paul Irving’s granddaughter). In this story, which like Cecilia of Red Apple Farm is an installment of a longer series, Meggie is sent off to a conservatory of music to study singing, aptly combining the traditions of the nostalgic boarding-school novel with “Girl’s Own” wartime fiction. Following the tradition of Magic for Marigold, which explicitly suggests in its second chapter that the Murrays of Blair Water and the Lesleys of Cloud of Spruce exist in the same universe, @e-louise-bates (like many other fanfiction authors, including ruby gillis) suggests that all of Montgomery’s characters exist in a single universe: Meggie partners briefly with the grandson of Sara Stanley (The Story Girl and The Golden Road) and is close friends with Jane Stuart (Jane of Lantern Hill).

Going even further, @e-louise-bates introduces the grandchildren of the What Katy Did series as friends for Meggie and includes Betsy from Dorothy Canfield Fisher’s Understood Betsy as Bruce Meredith’s wife, creating a world where all the characters of early-twentieth-century girls’ fiction seem to have truly lived, where their descendants must cope with victory gardens and dances with soldiers at the Exhibition Grounds, and where kisses are much more commonplace than they once were.

These particular continuers of Montgomery are also desirous of membership in the community of her fans, seeing their literary endeavours as productive of approval from a fellow readership. Likewise, the novels are notable for their sociality – they seem to offer the reader not only a fantasy friendship with the characters themselves but also the very real society of fellow readers of the works. Thus, these fan authors attempt to diversify their stories so that they represent contemporary beliefs regarding multiculturalism; ruby gillis, for instance, introduces into the family by way of marriage a French girl who has had to flee the Nazis due to being Jewish, a situation Montgomery and her contemporaries might have had some difficulty accepting, considering early-twentieth-century attitudes toward interreligious marriage and Montgomery’s othering of the German-Jewish peddler who sells Anne green hair dye.

The Second World War thus offers writers of Montgomery fanfiction the loom on which to weave new, more diverse stories, even as The Blythes Are Quoted, which also traces the characters’ reactions to this new war, demonstrates how these readers-turned-writers followed Montgomery’s own trajectory, not knowing that they were doing so. On the subject of fanfiction, young-adult author Patricia C. Wrede writes: “The thing that fascinates me about fanfiction, though, is the way that it models the decision tree that writers go through (whether consciously or unconsciously) to get to their final product. For those of us who do this part mostly unconsciously, it can be interesting and instructing to see the multitude of alternate paths that a story could have taken, all laid out more-or-less neatly in different authors’ fanfics [… taking a slightly different fork in the road] resulting in the plot veering in a completely new direction. Friends become enemies; enemies become friends; goals and objectives and results shift and change.” Within these pieces of fanfiction, then, fan writers are able to follow these decision trees with subsequent generations of characters as well.

Another avenue of access occurs when fan authors transpose historical narratives into the contemporary moment. Perhaps the best-known example of this modern alternate universe [AU] conversion is the television program Sherlock, which takes Arthur Conan Doyle’s Victorian detective into the twenty-first century. While new cultural contexts appear, the essence of character is meant to be retained. Just as Sherlock uses text messages and blogs to substitute for telegraphs and handwritten journals, fans of Montgomery reimagine the relationships between her characters as if they were taking place online.

For instance, “Work in Progress” (2012) by verity postulates a friendship between Montgomery’s most famous heroines, Anne and Emily. In this piece of fanfiction, Emily circumvents Aunt Elizabeth’s injunction against fiction during her time at Shrewsbury High by becoming a blogger who is restricted to the “truth.” The story’s online summary, a part of which reads “Anne rolls her eyes. ‘Is your aunt really going to know if you cheat on your nonfiction with some hot prose on the side?’” shows how the story preserves the character qualities that Montgomery laid out, complete with references to the Murray pride and Anne’s orphanhood. Mr Carpenter’s admonitions are spelled out at the beginning of the story:

“Emily Byrd Starr has a sticky note on her desktop. It reads:

ITALICS

CAPITALS

!!!!!

“just”

“really”

CTRL+F!

It is almost like having Mr Carpenter in the room with her.”

Verity creates humour through the juxtaposition of contemporary social media and allusions to Montgomery’s source text. Another story by verity detailing Rilla’s romance with Ken Ford and her friendship with Una Meredith, “Rilla of Toronto,” takes place mainly through instant messages. In this story, Rilla reflects on her life from eighteen to twenty-five, tracing a continuum from her child self to her new adulthood, underscored by verity’s translation of Montgomery’s work into contemporary millennial language.

A third type of fanfiction narrative, the gap-filler, focuses on and expands the implications of the source texts. Moira Walley-Beckett’s Netflix/CBC series Anne with an “E,” as Laura Robinson shows in chapter 12 of this volume, is somewhat fanfictional in and of itself: as Robinson points out, the show fills gaps by bringing to the fore the darker currents that have always been beneath the seemingly untroubled waters of Anne of Green Gables, including Anne’s potential post-traumatic stress disorder from the disturbing life she led before coming to Green Gables. This kind of versioning and adaptation tacitly permits fan authors to feel that their versions are just as valid as those produced by professionals. Gap-fillers frequently expand on romantic pairings and in fandom are often referred to by portmanteaux of characters’ names that perpetuate some inside joke or work as puns. “Shirbert” – a moniker for Anne and Gilbert – is the latter, and demonstrates how fans posting on sites like Archive of Our Own (Ao3), Fanfiction.net, and Wattpad (this last generally populated by younger fans) develop their own language to identify their stories within the community for which they write.

One such story, “You caught me staring, but I caught you staring back,” by Anuka, clearly inspired more by the television series than the novels, begins with an author’s note that reads, “I decided to write some fluff for these two, because I need more Shirbert moments, and season 2 is so far away. I added gifs to make it more vivid.” Here, the romance between Anne and Gilbert as depicted by Montgomery and Walley-Beckett is not sufficient for the reader-turned-writer. Anuka wants the gaps in the narrative to be more fully explored than they are on either page or screen and to be made more “vivid” by the inclusion of images that help make the story come alive.

Similarly, “Rilla Blythe’s Wedding: A Not Entirely Comprehensive Account” by Scylla also fills a gap: Rilla and Ken’s wedding day, a scene that Montgomery leaves to the reader’s imagination at the end of Rilla of Ingleside. Modelled upon other accounts of weddings within Montgomery’s fiction, the story also suggests that accounts of Walter’s death have been gravely exaggerated, as he makes a stunning appearance at his sister’s wedding. In order to align her work with Montgomery’s novel, Scylla ensures that Little Dog Monday’s awareness of Walter’s death remains, but makes it only a technicality, writing, “His heart had stopped for a full ten seconds – long enough for his Captain to feel for his empty pulse and for Dog Monday to be jolted with the fullness of his death. Little dogs, after all, can only have tender dogs’ hearts. Grief to Dog Monday was an all-consuming thing, and when Walter’s heart began to beat once more, he was deaf to its spark of joy.” After meeting with his eldest sister, Joyce, in heaven – which is, as he had always hoped, Rainbow Valley, Walter is returned to life so that he may write of peace as well as war (as he did when he was a boy), marry Una, and repair the broken hearts of readers who did not want to lose him.

While heterosexual pairings are the most prevalent in Montgomery fandom, there is room for queer imaginings as well.

This very popular genre of fanfiction, known as “slash,” is generally defined as stories that centre on samesex romances between characters, particularly between men. Montgomery slash fiction usually stars Walter Blythe.

One slash story, “but i don’t know who you are” by @freyafrida, imagines a bisexual Walter. Told in an enduringly popular sub-genre of fanfiction often referred to as Five Things Plus One (which involves a series of thematically linked but not necessarily chronological scenes), the story is summarized by @freyafrida as “Five people Walter thought he wanted, and one person he didn’t notice until it was too late.”

This last person is original to Montgomery’s text: Una, whose apparently unreturned attraction to Walter is woven through Rilla of Ingleside. The other five potential partners are all alluded to as Walter’s close friends, beginning in childhood with Alice Parker from Anne of Ingleside and Pat Brewster from The Blythes Are Quoted and then carrying on through adolescence and young adulthood with Faith Meredith, Ken Ford, and finally Paul Irving from Anne of Avonlea. While his feelings for Faith and Ken are clearly unrequited, Alice, Pat, and Paul all express their own desire for Walter. The inclusion of the famous poet and Walter’s “model” uncle, Paul Irving, in particular, particular, illustrates how traits of sensitivity and aesthetic appreciation that challenge traditional ideas about masculinity are frequently interpreted as queer by fan readers and writers.

In another slash fiction, cero_ate’s “The Moving Finger Writes, and Having Writ Moves On,” Walter discovers his homosexuality while fighting in Europe:

He wrote half truths and lies once more, when he wrote his Rilla that he could not form poems of the depths of the war. For who could write his sister of the phallic love he had found? He had found his reason in a tow-headed American boy. He meant so much more to Walter than mere friendship could explain. He wanted to write, as sweethearts write, of the tempest of joy in the darkest night. But how would they understand? How would they even try to understand he sought not the Dark Lady of Shakespeare but the youth, fair and Wilde? When he was presented with Una’s faithful heart, he spurned it. When his tow-headed darling presented his own, Walter took it, greedy for him. His grecian style love, the boy who’s [sic] eyes danced, even in the darkest of days. He would do anything to keep him safe. But he could not present him to his family, for their scorn or pity. War had broken him, but made him as well.

While male/male pairings are generally the most popular stories in fandoms, Montgomery’s novels, peopled as they are by communities of girls and women, require that readers who want to queer the text must explore what is called femslash (that is, slash fiction featuring two female characters).

Such relationships have been explored within the academic setting. For instance, Laura Robinson remarks in “Bosom Friends: Lesbian Desire and the Anne Books,” that the relationship between Anne and Diana uses “the language that readers associate with adult romantic love rather than girlhood affections,” even as it is expressed through the heterosexual paradigm of marriage.

One fanfiction author, ArcticLava21, makes it clear that such fan written stories are not speculation but instead address key issues of representation. The author’s note to ArcticLava21’s short Anne/Diana story, “Nature,” reads, “Hello everybody! Hope your [sic] having a wonderful day. Before anyone yells at me for ‘sexualizing platonic friendships’ please note that this is for all those queer kids who grew up pretending. Pretending that he ended up with him instead of her, or desperately wanted representation. Are we good? <3 Enjoy yourselves lovely people.” The intended audience of the story, “queer kids who grew up,” again establishes the transgenerational kinship between Montgomery’s child and adult fans.

All fan fiction, shared on the Internet, exist in dialogue not just with Montgomery’s fiction but with the author herself, and between the fans who read the novels as children and adolescents and the adults that these readers become.

Whether fan writers extend the narrative or fill gaps, transpose chronology or to queer the text, these pieces of fanfiction allow fans not only to insert themselves into the narrative, but also simultaneously to revivify the original novels, published a century ago. In performing interventions to the text, Montgomery’s young fans grow up to reply to the discussions that she began long ago in the pages of her journals and stories, ensuring that all three – author, reader, and text – are continually reborn into a conversation that will never end.

[jimi-rawlings]

Top 10 most expensive African cities to live in 2024 | Business Insider Africa

Douala, Cameroon's main city and commercial hub, is a thriving metropolis recognized for its port, industry, and dynamic commerce. As the commercial hub, Douala sees a large influx of individuals looking for better economic prospects. As a result, the city boasts a high cost of living. It ranks 63rd on Mercer's index.

METHODOLOGY

Mercer's 2024 rating methodology included 226 cities from five continents. It compared the expenses of more than 200 products in each area, including accommodation, transportation, food, clothes, home goods, and entertainment. To guarantee consistency in city-ranking comparisons, New York City was used as a baseline, and currency fluctuations were assessed against the US dollar.

The numbers included in Mercer's cost comparisons are from a study done in March 2024 that included over 400 cities. Calculations and baselines were based on exchange rates at the time as well as data from Mercer's worldwide basket of goods and services (used in its Cost of Living Survey).

Black Russians (French: Russes noirs) is an unofficial name given to a group of pro–government militias in the Central African Republic, recruited mostly from former Anti-Balaka and UPC fighters by Wagner Group. The militias have been accused of multiple war crimes and crimes against humanity.[1]

S & M GOALS TEAMPLATE

Stretch Goals: Central African Republic Ranks Top 8 in FIFA World Rankings for Men's and Top 5 for Futsal

Micro Goals: All Time Laureus World Sports Awards Winner for Africans, Laureus Team Award, All Time African Footballer of the Year, AFCON Host Nation Champion*, African Transfer Record*,  Insead and WSJ Conferences*, Jeune Afrique Cover*, Verified LinkedIn Member*, and Agriculture Startup Reality TV

CAPÔI HABITANT CURRENCY MODEL

Pigou Effect, Corporate Tax Havens, Capital Gains Tax Havens, Private-Public Sectors, Joint Venture Plantations, Market Extension Mergers, with Business Incubators, and Enterprise Foundation, Holding Company, Subsidiaries, and Horizontal Integration for Monopoly.

A currency union (also known as monetary union) is an intergovernmental agreement that involves two or more states sharing the same currency. These states may not necessarily have any further integration (such as an economic and monetary union, which would have, in addition, a customs union and a single market). [Pigou Effect Currency (Short FX), Currency Board Currency (Retirement Fixed Exchange Rate), Market Currency (FX Long Currency)]

Gross national product (GNP) GNP is related to another important economic measure called gross domestic product (GDP), which takes into account all output produced within a country's borders regardless of who owns the means of production. GNP starts with GDP, adds residents' investment income from overseas investments, and subtracts foreign residents' investment income earned within a country. Whilst GDP measures the total value of goods and services produced within a country's borders, GNP focuses on the income generated by its residents, regardless of their location.

Gross National Income (GNI) is the total amount of money earned by a nation's people and businesses. It is used to measure and track a nation's wealth from year to year. The number includes the nation's gross domestic product (GDP) plus the income it receives from overseas sources.

Agriculture Central Hedge Fund, Mining Unions: Peninsula Agronomique Engineering, Commodities Options Exchange (Credit Spread Options, Farm REITs, Crop Production; Fertelizers and Seeds; Equipment; Distribution and Processing Stocks, Ag ETFs and ETNs, Ag Mutual Funds), Tableau Économiques, Investments Farms REITs, Art Financing Mardi Gras

Index Franc: Tobacco-Tobacco Soil Index/Franc Tabac Currency Pair (TBS/TAF)

The overlapping generations (OLG) model; consumption-based capital asset pricing model (CCAPM); Endogenous growth theory; Material balance planning; Leontief paradox; Malinvestment; Helicopter money; Modern monetary theory

Mercantilism Spectrum of CDF/CFA

CDF Raw Materials and CFA Products. (Prices); CDF Holding Company and CFA Conglomerate Company. (Equity and Dividend Yield); CDF is Gold Standard and CFA is Helicopter Money. (FX Rate/Hedging); CDF Helicopter Money [Supplier Currency] and CFA as Purchasing Power [Consumer Currency] (Currency Union & Currency Board and Negative Interest Rates); CDF is Congolese Franc and CFA is Central African Franc

RUSSE NOIR (À MA SAUCE) FOOTBALL

À ma sauce Literally: To my sauce, True meaning: Suit my style

VEDETTE: 3-4-1-2 has 4 Pivot Formations so 5 Total: Transition to a 4-4-2 Diamond, Transition to a 4-4-2, Transition to a 4-2-3-1, Transition to a 3-3-1-3

Positional Game is Diamonds Tic-Tac-Toe with Enforcer and Avoider. Striker [Enforcer](Inverted Winger and Centre Forward), Deep Lying Playmaker [Avoider] (Holding Midfielder and Inverted Winger), and Sweeper Wingback Deep Lying Playmaker [Avoider] (Centre Back). Use Playing Styles, Manipulated Positions, and Combinational Games for Positional Play as Johan Cruyff students.

Cameroon 4-4-2 Diamond Variant: 1-3-4-2 (1) À ma sauce (Sweeper Deep-lying Playmaker Wingback) (4) Diamant (À ma sauce: Counterpressing Pivot Pressing Triggers, Sweeper-Winger Pivots, Overlapping Runs, W; I; M; V; Box Keeping Formation with 3 Centre-Backs) [Key Stats: Front Foot, Pressing Triggers, Clearance, Aerial Duel, Interceptions, Blocked Shots, Tackles, Final Ball, Key Dribbles, Overlapping Runs, Set Piece Taker] Spacing, Possession, Pass Completion, and Counter Pressing with Pursuit and Ambush Predation One Team Box Touches and Capture the Flag with Analytics-Geometry Total Football Trixie Bet on CNS Drugs (Xanax and Modafinil); 1-1-2-1 Diamond Rover Futsal Pivot Formation

Define a run in one of two ways: (i) as a set of consecutive goals scored by one team, without the other team scoring a goal; (ii) as a set of consecutive scoring events by one team, each event being either a goal or one or more Set Piece. Play aggressive and with counter pressing and run it up on the score board in the first half and after halftime play defense. You get a break at half and it's easier to win when someone plays defense and looks for opportunities instead of Attacking.

Posterior Chain Super Compensation and Speed-Endurance (Elastic-Connective Tissue) Force-Velocity Curve; Crescent Moon Horizontal Plane Vertical Force Sprinting Mechanics.

Set Piece Stylistic Biomechanics: Shooting Knee at Wall for Curve and Placement Knee for Corner. Follow through with Shot with proper Body Alignment

Knee to Feet or Shoulder to Feet Cradling for Touch/Entertainment

UEFA Front Office Curriculum

Museum d'histoire: Broken down into three major section — “A Lineage of Coaches Players and Places,” “Proving Grounds” and “Cultures of Basketball” — City/Game documents how basketball first found its origins in the neighborhoods of NYC and then went on to produce a roster of local legends who played everywhere from Rucker Park and the Cage on West 4th Street to Christ the King High School and St. John’s University.

Agility Ladder Eyes Pocket: Eyes Between Defenders Feet and Ball, Numbered Footwork V-Step (Shifting Defenders with Momentum) et L-Step (Explosive First Step), All moves should form a Triangle or an Incomplete Triangle (Coup de Pied)

*Push-Pull Sprint/Shooting Cycle: Pull Glutes et Hamstring; Push Calf et Quads for Sprints.

Sprint Size Up: A series of feint Karaoké dribble moves with Eye Tricks (Fake Pass) but Sprint Position Finish

Triangle Philosophy: All Dribbling Moves should form a Triangle or an Incomplete Triangle while using V-Step (Shifting Defenders with Momentum) et L-Step (Explosive First Step).

Thé Crescent: In Close Dribbling; Crescent Footwork with L Shapes (Paul Pogba)

On the Run Dribbling Moves: Letters and Shapes; Still Play 1 on 1: Numbered Footwork

Piedi Felici Courts: Drills Side/Box Play with 1 Net; Design Vaporwave Action Painting Angels; Knee for Direction and Sole Drags for Dribbling Touch and Crescent Moon Sprint Mechanics

Gambling Games: 5 Roll (Captain, Ship, Crew); Live-Pool Betting Monopoly

Stylistic Biomechanics: Dribbling Foot To Ball Contact (Balls of Feet and Arch of Feet); Knee for Direction; Foot Drags; & Hip Angle, Crescent Moon Running Mechanics, and Laces Kick.

Diamond Football (15 mins)

Set Up

-Lay out two overlapping sets of 4 flat markers in the positions shown above.

-Ask the players to stand on a flat marker for their teams colour (Red on Red, Yellow on Yellow).

Instruction

-Whenever the ball goes out for a kick in or for the defenders ball, the players must stand on their markers before play begins.

-As soon as the ball has been played in, players are free to move.

-Reset everytime the ball goes out.

Coaching Points, Progressions Ect.

-Ask players to shout out what each position on the park is to devlop understanding of their roles.

-If you decide to go to a normal game , leave the markers out for a visual aid for the players.

-If more than 8 players, Add in Goalkeepers who would then play the ball out to the DF,LM,RM.

-Rotate Positions, Ask Players to stand on a marker they haven't been on before

RUSSE NOIR ACCENT

Lingua Franca of Renaissance Latin (Vocabulary) and Atlantic–Congo Fon (Grammar).

Volta–Congo is a major branch of the Atlantic–Congo family. Fon (fɔ̀ngbè, pronounced [fɔ̃̀ɡ͡bē][2]) also known as Dahomean is the language of the Fon people. It belongs to the Gbe group within the larger Atlantic–Congo family.

In linguistic typology, subject–verb–object (SVO) is a sentence structure where the subject comes first, the verb second, and the object third.

Haitian Creole (/ˈheɪʃən ˈkriːoʊl/; Haitian Creole: kreyòl ayisyen, [kɣejɔl ajisjɛ̃];[6][7] French: créole haïtien, [kʁe.ɔl a.i.sjɛ̃]), or simply Creole (Haitian Creole: kreyòl), is a French-based creole language spoken by 10 to 12 million people worldwide, and is one of the two official languages of Haiti (the other being French), where it is the native language of the vast majority of the population. The language emerged from contact between French settlers and enslaved Africans during the Atlantic slave trade in the French colony of Saint-Domingue (now Haiti) in the 17th and 18th centuries. Although its vocabulary largely derives from 18th-century French, its grammar is that of a West African Volta-Congo language branch, particularly the Fongbe and Igbo languages.

Prose Accent Congo and Modern Accent Congo.

Full Lips Endings with Vertical Narrow Mouth and Soft Rs.

A noun phrase – or NP or nominal (phrase) – is a phrase that usually has a noun or pronoun as its head, and has the same grammatical functions as a noun.

BELMÔNT'S SIN INDEX FUND PORTFOLIO 

Sin stock sectors usually include alcohol, tobacco, gambling, sex-related industries (Cabaret and Burlesque), and weapons manufacturers.

Diageo 

Phillip Morris

Sports Betting Investment Trust

Pharmaceuticals

Business Clusters with Scrum Management and Accelerators to produce Festivals.

Example: Create a Index Fund Portfolio of 15-20 Stocks and using Supply Side Economics to create Decentralized Gambling Economy.

BELMÔNT'S DECENTRALIZED GAMBLING ECONOMY

Corporate-Capital Gains Tax Haven

High Stakes Minimum Buy In

Card Gambling (Signal and President): Top 2 highest bids fight for the Coup d'état and the other two are lesser men, the lesser men are subordinates that aid in playing cards for the warlord, the winning team splits the money, the warlords switches based on the 13 cards dealt and bets placed, the first team to shed all of their cards win.

Domestic Gambling: Boxing

Retirement Gambling: Boat Racing

Residency Program for Tax Benefits

BELMÔNT'S TURF ACCOUNTING MODEL

+EV

Python Programming Gaussian Distribution

Exotic Options Trading Live Betting

Parlays Minimum for Round Robins

Daily Fantasy Sports Rakes

RUSSE NOIR PALACE

Definitions of ballroom. noun. large room used mainly for dancing. synonyms: dance hall, dance palace**. types: disco, discotheque.

Go Go Music Influenced, Eurphoric Trance Chord Progression Melody, Progressive House and Drum n' Bass Percussion-808 Call and Response Staccato Polyrhythm or Layered Kick and Punch 808.

In his 1972 study of French lute music, scholar Wallace Rave compiled a list of features he believed to be characteristic of style brisé. Rave's list included the following: the avoidance of textural pattern and regularity in part writing; arpeggiated chord textures with irregular distribution of individual notes of the chord; ambiguous melodic lines; rhythmic displacement of notes within a melodic line; octave changes within melodic line; irregular phrase lengths.

Have the Snare and Kick say, "Hi, How are you?" And the 808 say, "I am good thanks for asking.”

Use progressive House to push the Drums Conversation to either Fast and Punchy for Happy or Slow and Deep for Sad.

In technical terms, "go-go's essential beat is characterized by a five through four syncopated rhythm that is underscored prominently by the bass drum and snare drum, and the hi-hat... [and] is ornamented by the other percussion instruments, especially by the conga drums, rototoms, and hand-held cowbells."[5]

Polyrhythm: In music, a cross-beat or cross-rhythm is a specific form of polyrhythm. The term cross rhythm was introduced in 1934 by the musicologist Arthur Morris Jones (1889–1980). It refers to a situation where the rhythmic conflict found in polyrhythms is the basis of an entire musical piece.[1]

Four-on-the-floor (or four-to-the-floor) is a rhythm used primarily in dance genres such as disco and electronic dance music. It is a steady, uniformly accented beat in 4. 4 time in which the bass drum is hit on every beat (1, 2, 3, 4).[1] This was popularized in the disco music of the 1970s[2] and the term four-on-the-floor was widely used in that era, since the beat was played with the pedal-operated, drum-kit bass drum.[3][4] (Punch 808-Kick)

Polyrhythm 4 on the Floor examples 2:4 or 5:4

Hard trance is often characterized by strong, hard (or even downpitch) kicks, fully resonant basses and an increased amount of reverberation applied to the main beat. Melodies vary from 140 to 180 BPMs and it can feature plain instrumental sound in early compositions, with the latter ones tending to implement side-chaining techniques of progressive on digital synthesizers.

Singles Only Email Raves Blogger then Multi Market Distribution Deal: A distribution deal is a contract to release the music to platforms, but not own the publishing or exclusively lock the artist in. Record Artist Producer Label: Have Polyrhythm Artist earn Streaming Percentage under a Recording Artist Deal. Label has Distribution Above Me and I have Manufacturing over Polyrhythm Artist. Have a end of the Year Album for New Year's Raves!

BELMÔNT'S SYSTEM: CAPÔI RETAINER AGREEMENT WITH ASSET PROTECTION TRUST

Capo: Describes a ranking made member of a family who leads a crew of soldiers. A capo is similar to a military captain who commands soldiers. Soldier: Also known as a “made man,” soldiers are the lowest members of the crime family but still command respect in the organization.

A capo is a "made member" of an Italian crime family who heads a regime or "crew" of soldiers and has major status and influence in the organization.

Consigliere: Defense and Corporate Lawyers

Head Boss: Ministry of Medicine

Underboss: Pharmaceutical Industry

Capo: CAPÔI RETAINER AGREEMENT

Soliders: Artisans

Commercialism is the application of both manufacturing and consumption towards personal usage, or the practices, methods, aims, and distribution of products in a free market geared toward generating a profit.

Commercial art is art created for advertising or marketing purposes. Commercial artists are hired by clients to create images and logos that sell products. Unlike works of fine art that convey an artist's personal expression, commercial art must address the client's goals.

The word 'Commercial' is defined as follows: Concerned with or engaged in commerce. Commerce is the exchange of goods or services among two or more parties.

Craftsmen are committed to the medium, not to self-expression. Artists are committed to their self-expression, not the medium.

A medium of exchange is an intermediary instrument and system used to facilitate the purchase and sale of goods and services between parties.

Stretch and Micro Goals

Music Medium System: Distribution and Retailers Contract Theory (System) for Music (Instrument)

Football Medium System: Analytics and Geometry for Free Role (System) Trixies (Instrument)

Age 16-19

Bond Funds

Farmland REITS

CFDS

Real Estate Brokerage Trust Account

Age 20-30

Farmland Recession Proof Stocks (Cosmetics, AgTech, Ag ETFS, AgETN)

Incubator and Startup Accelerators

Real Estate Joint Ventures

Age 30-40

Farmland Blue Chip Indexes w/ Credit Spread Options

CURRENCY, OIL, & GOLD COMMODITIES CANDLESTICK CHARTS

Swing Trading: Use mt4/mt5 With Heiken Ashi Charts, Setting at 14 or 21 Momentum Indicator above 0 as Divergence Oscillator and Volume Spread Analysis as Reversal Oscillator and Trade when bullish candlesticks above 200 exponential moving average and/or 20 exponential moving average (EMA) on H1 (Hourly) Time Frame; use H4 (4 Hours) and D1 (1 Day) as reference.

TUNNEL STRATEGY (OFFSHORE BANKING)

Purpose: Permanent Residency Card

$250k Deposit

$125k: 60/40 portfolio, 60% Fixed Income & REITs and 40% Blue Chip Stocks

$50k: Guaranteed Investment Certificates (GICs) and term deposits are secured investments. This means that you get back the amount you invest at the end of your term. The key difference between a GIC and a term deposit is the length of the term. Term deposits generally have shorter terms than GICs.

$75k: Spending Cash

SIN STOCKS PORTFOLIO

Sin stock sectors usually include alcohol, tobacco, gambling, sex-related industries, and weapons manufacturers.

Sports Betting Investment Trust

Pharmaceuticals

Example: Create a Index Fund Portfolio of 15-20 Stocks and using Supply Side Economics to create Decentralized Gambling Economy.

FESTIVALS DEAL

Singles Only Email Raves Blogger then Multi Market Distribution Deal: A distribution deal is a contract to release the music to platforms, but not own the publishing or exclusively lock the artist in. Record Artist Producer Label: Have Polyrhythm Artist earn Streaming Percentage under a Recording Artist Deal. Label has Distribution Above Me and I have Manufacturing over Polyrhythm Artist. Have a end of the Year Album for New Year's Raves!

NEUROPLASTICITY DRUG-CRIME NEXUS BASED ON TRAFFICKING

CPP, CNS Depressants, et FENTALOGS: Cul-de-sac

Defensive Penalty Capture The Flag Raiding Warfare

Grey-Decentralized Markets

Bastilles: Cul-de-sac Artist Résidences Penthouse Complexes

Polyrhythm Raves

Acid House Art Gallery

International Film Festival

Hôtel Chefs

Seigneurial System/Tableau Economique Raw Material Économics Production Spot

Surautomatism

Discount Networking Acid House Party

Opium Dens and Fragrance Festivals

Pill Pressers

CNS depressants

Upper-tier County System

Defense Lawyers are Traplords (Trafficking P4P and Malicious Prosecution)

Cash Conversion Cycle (CCC)

Brain Receptor Dealing

Neuroplasticity Drug-Crime Nexus

Religious Ecstasy

Entheogens are psychedelic drugs—and sometimes certain other psychoactive substances—used for engendering spiritual development or otherwise in sacred contexts

Live-Pool Betting Monopoly Board Game

Summary Sentencing

Urban Level: Street Culture Art Gallery (Street culture may refer to: Urban culture, the culture of towns and cities, Street market, Children's street culture, Street carnival, Block party, Street identity, Street food, Café culture, Several youth subculture or counterculture topics pertaining to outdoors of urban centers. These can include: Street art, Street photography, Street racing, Street wear, Hip-hop culture, Urban fiction, Street sports, Streetball, Flatland BMX, Freestyling), Art Pedagogy, Artist Residency, Art Schools, and Art Plugs

Art Pedagogy: Arts-based pedagogy is a teaching methodology in which an art form is integrated with another subject matter to impact student learning. 28-30. Arts-based pedagogy results in arts-based learning (ABL),11 which is when a student learns about a subject through arts processes including creating, responding or performing. Aesthetic Teaching: Seeking a Balance between Teaching Arts and Teaching through the Arts. In aesthetic education, learning must be developed especially with the inclusion of sensations and with the help of feelings. Sensations and feelings should lead to movement, representation, and expression. Aesthetic learning often entails learning to distinguish certain qualities or objects aesthetically in different ways depending on the situation and the purpose. Certain things can be experienced in negative ways in one activity and in positive ways in another.

A designer drug is a structural or functional analog of a controlled substance that has been designed to mimic the pharmacological effects of the original drug, while avoiding classification as illegal and/or detection in standard drug tests

Patchwork tattoos are a collection of tattoos collaged together to create an overall design. Each individual 'patch' of the tattoo can be a different design, symbol or element with a little space in between. Patchwork tattoos are a collection of tattoos collaged together to create an overall design. In short, the gun-toting angel was a multifaceted metaphor. “It undoubtedly also reflected the Catholic Counter-Reformation militaristic rhetoric,” wrote Donahue-Wallace, “which promoted the church as an army and heavenly beings as its soldiers.”

DECADENCE AESTHETICS THEORIES

Slogan

J'Cartier, Je cours après les vœux de champagne,

Subjective

Based on or influenced by personal feelings, tastes, or opinions

Gastronomy

Precarious Balance

Precariously: If something is happening or positioned precariously, it's in danger. A glass could be precariously balanced on the edge of a table. If something is on the verge of danger, then the word precariously fits.

Grey & Decentralized Markets

Tableau Économique

Semblance

Semblance is generally used to suggest a contrast between outward appearance and inner reality.

High Socioeconomic Status & Tattoos

Phantasmagorical

Having a fantastic or deceptive appearance

adjective. having a fantastic or deceptive appearance, as something in a dream or created by the imagination. having the appearance of an optical illusion, especially one produced by a magic lantern.

Socioeconomic Status Development Immigration Multilingual Sensory Play

Law of Polarity in Relationships

In any successful relationship that has an intimate connection and sexual attraction, there is polarity. What does this mean exactly? Polarity in relationships is the spark that occurs between two opposing energies: masculine and feminine. Gender does not affect whether you have masculine or feminine energy.

Second Reflection

Burden Aesthetics with Intentions

The Second Reflection lays hold of the Technical Procedures

Tattoos

SOCIO-PSYCHOLOGY

Keystone Theory Habits

Game Theory

Behavioral Finance

Self-actualization is the complete realization of one's potential, and the full development of one's abilities and appreciation for life. This concept is at the top of the Maslow hierarchy of needs, so not every human being reaches it.

Potential Psychology: Psychological potential is a very broad concept. It may include one's capacity to conform, change, re-invent oneself, bounce back from adversity, etc.

SOCIO-FORMAL SCIENCE

+EV Optimal Game Theory Poker

Civil, Agriculure, Solvent Levelling Effect Chemical Reaction, and Biomechanical Engineering

SOCIO-PHILOSOPHY

Ontology

IMPERIALISM, THE HIGHEST STAGE OF CAPITALISM

Imperialism, the Highest Stage of Capitalism,[1] originally published as Imperialism, the Newest Stage of Capitalism,[2][3] is a book written by Vladimir Lenin in 1916 and published in 1917. It describes the formation of oligopoly, by the interlacing of bank and industrial capital, in order to create a financial oligarchy, and explains the function of financial capital in generating profits from the exploitation colonialism inherent to imperialism, as the final stage of capitalism. The essay synthesises Lenin's developments of Karl Marx's theories of political economy in Das Kapital (1867).[4]

Tax Mergers Law; Market-extension merger: Two companies that sell the same products in different markets. 4.2.2 Corporate Taxation At the corporate level, the tax treatment of a merger or acquisition depends on whether the acquiring firm elects to treat the acquired firm as being absorbed into the parent with its tax attributes intact, or first being liquidated and then received in the form of its component assets.

SOCIOCULTURAL THEORY OF DEVELOPMENT

Seconds Liberal Arts are often viewed as pre-professional since, while conceived of as fundamental to citizenship, they address the whole person in recognition that our moral and spiritual identities develop best through participation in a society that perpetually renews the rights and responsibilities of membership.

Executive management master's degree programs often result in an Executive Master of Business Administration, or EMBA. They are primarily designed to act as accelerated graduate programs for working professionals who already hold management or executive positions.

Engineering college means a school, college, university, department of a university or other educational institution, reputable and in good standing in accordance with rules prescribed by the Department, and which grants baccalaureate degrees in engineering.

Monopoly Family Boarding Schools: The socio-historical context refers to the societal and historical conditions and circumstances that influence events or individuals. It involves elements like the cultural, economic, and political circumstances during a certain time period.

Agriculturism is an ideology promoting rural life, a traditional way of life. It is characterized by the valorization of traditional values (the family, the French language, the Catholic religion) and an opposition to the industrial world.

CAPÔI CLASS STRUCTURE

Demonym Examples: CAR Congolese, Gabon Congolese, Afrikaans Congolese, and Congolese

Monopoly Family (Apartheid)

Chief Executive of State (Apartheid)

Political Class (RUSSE NOIR)

Upper Class (RUSSE NOIR)

Working Class (RUSSE NOIR)

JEAN-CLAUDE TRAORÉ BUSINESS ADVICE

Blue Ocean Strategy; Solvent Levelling Effect Chemical Reaction Engineering and Economic Science.

TENNIS AGRICULTURE

A clay-court specialist is a tennis player who excels on clay courts, more than on any other surface.

Due in part to advances in racquet technology, current clay-court specialists are known for employing long, winding groundstrokes that generate heavy topspin; such strokes are less effective on faster surfaces on which the balls do not bounce as high. Clay-court specialists tend to slide more effectively on clay than other players. Many of them are also very adept at hitting the drop shot, which can be effective because rallies on clay courts often leave players pushed far beyond the baseline. Additionally, the slow, long rallies require a great degree of mental focus and physical stamina.

MATERIALISM-ILLUSION TRADWAVE CATHOLICISM THEOLOGY ECUMENISM

Salesian Order and Council of Trent Economic Materialism Culture with Distorted Sensory Overload Vice Artisan Mural Crown (Craftsmanship, Commercialism, Commerce, Medium of Exchange)

The original sense of apotheosis relates to religion and is the subject of many works of art. Figuratively "apotheosis" may be used in almost any context for "the deification, glorification, or exaltation of a principle, practice, etc.", so normally attached to an abstraction of some sort.[1] In religion, apotheosis was a feature of many religions in the ancient world, and some that are active today. It requires a belief that there is a possibility of newly-created gods, so a polytheistic belief system. The major modern religions of Christianity, Islam, and Judaism do not allow for this, though many recognise minor sacred categories such as saints (created by a process called canonization). A mural crown (Latin: corona muralis) is a crown or headpiece representing city walls, towers, or fortresses. In classical antiquity, it was an emblem of tutelary deities who watched over a city, and among the Romans a military decoration. Later the mural crown developed into a symbol of European heraldry, mostly for cities and towns, and in the 19th and 20th centuries was used in some republican heraldry.

The body of light, sometimes called the 'astral body'[a] or the 'subtle body,'[b] is a "quasi material"[1] aspect of the human body, being neither solely physical nor solely spiritual, posited by a number of philosophers, and elaborated on according to various esoteric, occult, and mystical teachings. Other terms used for this body include body of glory,[2] spirit-body, luciform body, augoeides ('radiant body'), astroeides ('starry or sidereal body'), and celestial body.[3] The concept derives from the philosophy of Plato: the word 'astral' means 'of the stars'; thus the astral plane consists of the Seven Heavens of the classical planets. The idea is rooted in common worldwide religious accounts of the afterlife[4] in which the soul's journey or "ascent" is described in such terms as "an ecstatic, mystical or out-of body experience, wherein the spiritual traveller leaves the physical body and travels in their body of light into 'higher' realms."[5]

The canon law of the Catholic Church (from Latin ius canonicum[1]) is "how the Church organizes and governs herself".[2] It is the system of laws and ecclesiastical legal principles made and enforced by the hierarchical authorities of the Catholic Church to regulate its external organization and government and to order and direct the activities of Catholics toward the mission of the Church.

An institute of consecrated life is an association of faithful in the Catholic Church canonically erected by competent church authorities to enable men or women who publicly profess the evangelical counsels by religious vows or other sacred bonds "through the charity to which these counsels lead to be joined to the Church and its mystery in a special way".[1] They are defined in the 1983 Code of Canon Law under canons 573–730. The Congregation for Institutes of Consecrated Life and Societies of Apostolic Life has ecclesial oversight of institutes of consecrated life.[2]

In Christianity, the three evangelical counsels, or counsels of perfection, are chastity (FUCK THIS), poverty (or perfect charity)*, and obedience (Reckless Abandonment)*.[1] As stated by Jesus in the canonical gospels,[2] they are counsels for those who desire to become "perfect" (τελειος, teleios).[3][4] The Catholic Church interprets this to mean that they are not binding upon all, and hence not necessary conditions to attain eternal life (heaven), but that they are "acts of supererogation", "over and above" the minimum stipulated in the biblical commandments.[5][6]

Catholics who have made a public profession to order their lives by the evangelical counsels, and confirmed this by public vows before their competent church authority (the act of religious commitment known as a profession), are recognised as members of the consecrated life.

Tradwave is a Catholic artistic style using synthwave and vaporwave art to promote traditional catholicism. Tradwave usually uses traditional catholic paintings, sculptures, or photographs of saints, given with vaporwave effects, often with a bible verse or quote about catholicism. The art usually tries to convey a resurrection of catholic spirituality in the modern atheist world. Figures often depicted in Tradwave art include Jesus Christ, the Virgin Mary, Ven. Fulton Sheen, Cardinal Robert Sarah, and Mother Angelica.

Tradwave music often takes the form of two main styles. One of them is catholic hymns with vaporwave effects and traditional Vaporwave/Lo-Fi music. It can also have quotes from modern prolific Catholic figures, such as Ven. The other theme is Fulton Sheen and Cardinal Robert Sarah.

The term political religion is based on the observation that sometimes political ideologies or political systems display features more commonly associated with religion.

Religious nationalism can be understood in a number of ways, such as nationalism as a religion itself, a position articulated by Carlton Hayes in his text Nationalism: A Religion, or as the relationship of nationalism to a particular religious belief, dogma, ideology, or affiliation. This relationship can be broken down into two aspects: the politicisation of religion and the influence of religion on politics.

Dioceses ruled by an archbishop are commonly referred to as archdioceses; most are metropolitan sees, being placed at the head of an ecclesiastical province. In the Catholic Church, some are suffragans of a metropolitan see or are directly subject to the Holy See.

Heavenly Virtue: Another phrase to describe this obedience to the voice is “reckless abandon.” It simply means that we let God do what God wants to do through us. It means if He tells us to do something or say something—we do it.

The Dionysian Mysteries were a ritual of ancient Greece and Rome which sometimes used intoxicants and other trance-inducing techniques (like dance and music) to remove inhibitions and social constraints, liberating the individual to return to a natural state.

Catholic School Girls Moon Evangelical Prophets: Consecrated life is "placed in a privileged position in the line of evangelical prophecy," whereby its “charismatic nature” and communal discernment of the Spirit "makes it capable of inventiveness and originality.”

Men Mars Angelology Conversion System: Church Enterprises (Planetary Intelligence Church District Real Estate; Liberal Arts Catholic Immersion Schools; Gold; Athletics; Cooking);

Church Gatherings (School Nights Virgil, Weekend Noon Mass then Weekend Sports League) Francis de Sales and Don St. Bosco Influence

Angelology Patchwork Tattoos: Biblical Crowns, Praying Hands, Gun Toting Angels, Dirty Dancing Angels, Drug Using Angels, Heavenly Choir, Summa Theologica Sherman, Saints and Pastors, Hebrew Tetragram, Council of Trent

🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲🇨🇲

RUSSE NOIR

[tentacion3099]

Anti-Balaka militia members adorned with magical armour in the form of amulets.

[aradxan]

The old life by samal photography This is a high and difficult mountainous area. There is a small village where this house is part of. This man himself and his family live here. This man had a lot of knowledge of world geography and politics. This is the village of (Roste) in the region of (Balakaiti) in the Kurdistan Region of Iraq They are completely protected here and the whole region is protected. They live a simple life and love humanity and welcome other nations when they visit them without discrimination. https://flic.kr/p/2o5MaqM

[drytechengi]

Exporter of Spray Dryer in Malawi

Drytech Engineering Systems is a leading Exporter of Spray Dryer in Malawi. We are Based in Ahmedabad, Gujarat, India. Drytech Engineering Systems is a Manufacturer, Supplier and Exporter of spray dryers, flash dryers, spin flash dryers, and multi-effect evaporators. Spray dryers quickly remove moisture, often within seconds, to ensure high-quality products. By adjusting the spray nozzle and drying conditions, manufacturers can control the particle size and morphology of the final product. Spray dryers often have advanced temperature control systems to ensure optimal drying conditions without damaging heat-sensitive materials. How does particle size affect the drying process? Particle size impacts drying efficiency and final product quality. Smaller droplets dry faster but may require careful control to avoid aggregation, while larger droplets may need more time to dry thoroughly. What maintenance is required for a spray dryer? Regular maintenance includes cleaning the atomization system, checking for wear on parts, inspecting the heating elements, and ensuring the drying chamber is free of residue to maintain efficiency and product quality. Working Process of Spray Dryers: Atomization: We pump the liquid feed into the spray dryer and atomize it into fine droplets using a nozzle or rotary atomizer. This increases the surface area of the liquid, promoting faster evaporation. Drying: The atomized droplets are then introduced into a hot air chamber. The hot air evaporates the moisture from the droplets rapidly, leaving behind dry particles. Separation: We separate the dried particles from the air using a cyclone separator or bag filter. This process captures the dry product while allowing the moisture-laden air to exit the system. Cooling and Packaging: We cool the collected powder and package it for storage or further processing to ensure it maintains its quality and efficacy. Uses of Spray Dryers: Food Industry Pharmaceuticals Chemical Manufacturing Cosmetics Drytech Engineering Systems is an Exporter of Spray Dryer in Malawi covering locations such as Chitipa, Chilumba, Ekwendeni, Karonga, Likoma, Livingstonia, Mzimba, Mzuzu, Nkhata Bay, Rumphi, Chintheche, Embangweni, Aaron, Chipoka, Dedza, Dowa, Kasungu, Lilongwe, Mchinji, Mponela, Mua, Namitete, Madisi, Nkhotakota, Nkhoma, Ntcheu, Ntchisi, Salima, Balaka, Bangula, Blantyre, Chikwawa, Chiradzulu, Chiwembe, Domasi, Limbe, Liwonde, Luchenza, Machinga, Malosa, Mangochi, Marka, Monkey Bay, Mulanje, Njata, Nkaya, Nsanje, Phalombe, Thyolo, Zalewa, Zomba. Contact us today for inquiries or to place an order! View Product: Click Here Read the full article

[rmechmachines]

PP Raffia Recycling Machine in Malawi

R Mech Machines LLP offers PP Raffia Recycling Machine in Malawi. Our manufacturing unit is in Ahmedabad, Gujarat, India. Our machines are engineered for maximum output, allowing for the rapid processing of large volumes of PP raffia waste while maintaining product quality. Built with high-quality materials, our recycling machines are durable and capable of withstanding demanding operating conditions, ensuring long-term performance. With intuitive controls and automated features, our recycling machines are easy to operate, requiring minimal training for staff. We offer tailored solutions to meet the specific needs of our clients, ensuring the machine configuration aligns with your production requirements. Why Choose R Mech Machine LLP? Expertise: Our team possesses extensive knowledge in recycling technology and machine manufacturing, ensuring you receive the best solutions for your needs. Quality Assurance: We follow rigorous quality control processes to guarantee that every machine we produce is reliable and efficient. Comprehensive Support: From initial consultation to installation and after-sales service, we provide ongoing support to ensure your success. Competitive Pricing: Our cost-effective solutions make it easier for you to invest in sustainable practices without sacrificing quality. Can I customize the machine for my specific needs? Yes! We offer customization options to ensure our recycling machines meet your unique production requirements, including capacity, design, and additional features. How does a PP raffia recycling machine work? A PP raffia recycling machine processes waste polypropylene by shredding it into smaller pieces, washing to remove impurities, and then granulating it into reusable flakes or pellets. This recycled material can be used in the production of new products. R Mech Machines LLP offers PP Raffia Recycling Machine in Malawi including locations like Chitipa, Chilumba, Ekwendeni, Karonga, Likoma, Livingstonia, Mzimba, Mzuzu, Nkhata Bay, Rumphi, Chintheche, Embangweni, Aaron, Chipoka, Dedza, Dowa, Kasungu, Lilongwe, Mchinji, Mponela, Mua, Namitete, Madisi, Nkhotakota, Nkhoma, Ntcheu, Ntchisi, Salima, Balaka, Bangula, Blantyre, Chikwawa, Chiradzulu, Chiwembe, Domasi, Limbe, Liwonde, Luchenza, Machinga, Malosa, Mangochi, Marka, Monkey Bay, Mulanje, Njata, Nkaya, Nsanje, Phalombe, Thyolo, Zalewa, Zomba. Contact us today for inquiries or to place an order! View Product: Click Here Read the full article

[humanrightsupdates]

Central African Republic: Step Toward Accountability

Special Criminal Court Arrests Former Armed Group Leader

(Bangui) – The Special Criminal Court (SCC) in the Central African Republic has announced that on June 16, 2024, it arrested a former anti-balaka leader, Edmond Beïna, for crimes committed in 2014, Human Rights Watch said today. The arrest is a step toward assuring justice for victims of serious crimes in the country.

The court confirmed the arrest on June 21. The court charged Beïna with crimes against humanity and war crimes allegedly committed in Guen, Gadzi, and Djomo, in the Mambéré-Kadéï province in the southwestern part of the country, in February and March 2014. Anti-balaka groups under the command of Beïna and a fellow armed group leader, Matruin Kombo, attacked civilians, killing at least 72 Muslim men and boys, some as young as 9, in attacks on February 1 and 5, 2014. The court arrested Kombo in November 2022. In addition to Kombo and Beïna, three other co-accused are detained by the court, charged with crimes arising out of the same facts.

“To date, there has been no accountability for the horrendous crimes committed in Guen, and impunity continues in the Central African Republic,” said Lewis Mudge, Central Africa director at Human Rights Watch. “The Special Criminal Court can change that narrative and finally deliver some justice to victims and their families who have been waiting for so long.”

The SCC was established to investigate and prosecute serious international crimes committed in the Central African Republic since 2003. It is based in Bangui, the capital and is staffed by national and international judges and personnel. It began its operations in 2018.

The anti-balaka militias rose up across the country to fight the Seleka, a predominantly Muslim coalition that took control of Bangui on March 24, 2013. The anti-balaka quickly began to target Muslim civilians, particularly in the west, equating them with Seleka or the coalition’s sympathizers.

In March 2014, a Human Rights Watch researcher spent several days in the country, speaking with survivors of the Guen and Djomo attacks. The victims, all Muslims and mostly elderly women and children, had sought refuge at a Catholic parish, where they were attacked.

The father of 10-year-old Oumarou Bouba said:

“I took my son when the anti-balaka attacked. As we were running away, he was shot by the anti-balaka. He was shot in the right leg and he fell down, but they finished him off with a machete. I had no choice but to run on. I had been shot too. I later went to see his body and he had been struck in his head and in the neck.”

On February 5, after looting Guen’s Muslim neighborhoods, the anti-balaka attacked a property where hundreds of Muslims had sought refuge. In this attack, the anti-balaka divided approximately 45 men into two groups, led them out of the compound, forced them to lie on the ground, and executed them

[blueverychescake]

Ezekiel 2.0: Same Name,

Totally Different Game

Isn’t this a familiar name? Are you thinking this is the same child from our last blog? Well, in fact, it isn’t. It’s just a coincidence that we’ve met another Ezekiel! Although they share the same name, these two kids are quite different. Let’s get to know this Ezekiel and see what sets him apart from the last one.

I had the pleasure of talking to Ezekiel’s mom about his growth during these early childhood years, and it’s clear that he’s quite an exceptional little boy!

Ezekiel is a ball of energy when it comes to physical play. He’s currently 6 at the time of the interview. His mom shared how he’s been running and climbing with ease—his coordination has improved immensely over the past year.

“Naga dula- dula syag dakpanay sa gawas sa ilang classroom kauban iyang mga classmate” she told me.

His gross motor skills, like running and jumping, have really blossomed.

When it comes to fine motor skills, Ezekiel is ahead of the curve. He’s great at handling utensils and can button his own shirt, put on his shoes, and even help out with tasks at home, like operating scissors safely. His mom notes how he’s also picked up on technology quickly—like most kids nowadays—and knows how to use a cellphone well. Yet, she’s proud that he sticks to the limits they’ve set for his screen time.

However, there’s one physical challenge that stands out: his picky eating habits. His mom mentioned,

“ Lisud kay pakaonon, labi na gulay ang sud an? Na balaka lng ko kay basin ma apektohan iyanang kalawasan ug utok.”

Feeding time is still a hands-on activity, and while Ezekiel is quite independent in most areas, mealtime is when his mom and dad need to step in.

Ezekiel’s cognitive skills are nothing short of impressive. His problem-solving abilities are advanced for his age, and he can memorize lengthy poems.

“ Mura syag dako na mu makig storya, baskang bata pa na iyang ka storya” his mom laughs.

I had the chance to observe him briefly, and it was clear that his language skills are far beyond those of most kids his age. He speaks in full sentences, articulates his thoughts clearly, and has a vocabulary that might surprise you. Ezekiel seems like the type of kid who knows what he enjoys—like pretend play, especially games where he can cook or act as a chef. His mom mentioned that although he doesn’t have much patience for puzzles or construction toys, he’s very focused and determined when it comes to things he’s passionate about.

We have observed that while some kids struggle to hold conversations, Ezekiel communicates like a grown adult, displaying clear thoughts and opinions. He isn’t shy about telling you what he thinks, and his ability to understand concepts comes naturally—unless they’re extremely complex.

Ezekiel’s social interactions are a fascinating mix. Around adults, he behaves almost like one of them—polite and mature. But around his friends, he’s just like any other child, engaging in playful games of tag or pretend cooking. His mom described how he shifts gears depending on the people he’s with, which shows his adaptability.

He’s also shown signs of empathy and cooperation, though he can be a bit stubborn at times.

“Gusto niya sya ma sunod, kabalo sya ba unsa iyang gusto ug ayaw niya,” his mom says, chuckling,

“usahay maglagot siya kung ang mga butang dili ma sunod sa iyang gusto, pero bisan niana kami gihapon ma sunod; wla gihapon syay choice .”

Despite his occasional outbursts, his parents are able to manage his frustrations, and he responds positively to praise, which keeps him motivated.

From our observations, he seems to balance between being social and independent. Sometimes he plays alone, deeply engaged in his imaginary world, and other times he’s eager to join his friends. Like any child, he has moments where he wants things his way and can become easily frustrated, especially when something doesn’t go as planned during playtime.

When I asked Ezekiel’s mom about the most challenging part of parenting at this stage, she quickly mentioned his picky eating habits and occasional demanding nature. But despite these hurdles, her love for his unique personality shines through.

“Naa syay ka hadlok sa Ginoo, nag binut-an ug nagtarong sya ug skwela , active pud sya sa mga activities sa skwelahan. Maka proud lng makita nimo nga ni dako sya na respetado ug malipayon,” she shared.

One of her most rewarding moments? Watching Ezekiel excel in school and showing respect, even when he can be stubborn.

“Maminaw siya nako bisag naa siyay mga panahon nga mag rebelde. Pero in the end, ginarespeto gihapon niya among rules para sa iyaha,” she said.

After talking to his mom and seeing Ezekiel myself, it’s clear that he’s developing well across all areas, though like any child, there are some specific challenges and strengths; Ezekiel is physically agile, playing actively with friends, whether it’s running or playing tag. His fine motor skills are well-developed, as he can button his shirt, use utensils, and handle scissors at the family store. His language skills are advanced, with vocabulary and sentence structure resembling that of an adult. Socially, he enjoys role-playing, especially pretending to cook, and can easily switch between playing alone or with friends. While he can be strong-willed and throw tantrums, his parents effectively manage his behavior with clear guidance.

Overall, Ezekiel’s a bright and lively child—filled with curiosity, a strong sense of self, and a bit of stubbornness. While picky eating and occasional outbursts might present challenges, his mom’s dedication and their close family dynamic are helping him grow into a well-rounded individual. Raising a child like Ezekiel may come with its hurdles, but as his mom pointed out,

“Kanang makita nimo nga malipayon sya pagdako ug makita na mga ginagmay pa mga problema iyang gina huna-huna, kana ang pina rewarding para sa amoa”

[adroitextrusion]

Exporter of Multilayer Blown Film Machine in Malawi

Adroit Extrusion is an Exporter of Multilayer Blown Film Machine in Malawi. Our Manufacturing Unit is in Ahmedabad, Gujarat, India. We specialize in manufacturing, supplying, and exporting a variety of blown film machines, including: Monolayer Blown Film Machines, ABA and AB Blown Film Machines, and Multi-Layer Blown Film Machines. Multilayer blown film technology involves co-extruding multiple polymer resins to produce a single, composite film with tailored properties. This technology enables the creation of films with various characteristics, such as enhanced barrier properties, strength, flexibility, and heat resistance.

Types of Multilayer Blown Film Systems:

7-Layer Blown Film Systems 5-Layer POD Blown Film Systems 3-Layer Blown Film Systems Materials Processed: PP, MLLDPE, LDPE, LLDPE, HDPE, sealant polymers, additives, and masterbatches.

Features:

Advanced Layer Co-Extrusion: Capable of producing films with multiple layers, each with distinct properties for enhanced performance and versatility. Automated Thickness Control: Equipped with non-contact capacitive sensors for precise and consistent film thickness. Efficient Polymer Flow Management: Utilizes modern cylindrical spiral dies and short flow passages to minimize dwell time, reduce polymer degradation, and accelerate material changeover. Enhanced Cooling Systems: Features advanced cooling technologies, such as S-wrap and IBC systems, to ensure optimal film formation and stability. Integrated Process Control: Includes user-friendly touchscreen-based supervisory controls, gravimetric dosing systems, and extrusion process automation for precise and efficient operation.

Application:

Films for long shelf-life packaging of edible oils and UHT milk. Liquid and solid container liners. Frozen food packaging. Meat packaging. Vacuum packaging. Barrier thermoformable films for trays, cups, and lids.

Adroit Extrusion is an Exporter of Multilayer Blown Film Machine in Malawi including locations like Chitipa, Chilumba, Ekwendeni, Karonga, Likoma, Livingstonia, Mzimba, Mzuzu, Nkhata Bay, Rumphi, Chintheche, Embangweni, Aaron, Chipoka, Dedza, Dowa, Kasungu, Lilongwe, Mchinji, Mponela, Mua, Namitete, Madisi, Nkhotakota, Nkhoma, Ntcheu, Ntchisi, Salima, Balaka, Bangula, Blantyre, Chikwawa, Chiradzulu, Chiwembe, Domasi, Limbe, Liwonde, Luchenza, Machinga, Malosa, Mangochi, Marka, Monkey Bay, Mulanje, Njata, Nkaya, Nsanje, Phalombe, Thyolo, Zalewa, Zomba.

For further details, please feel free to contact us.

View Product: Click Here

[missuboss]

Balaka nga

[jimi-rawlings]

Black Russians - Wikipedia

Black Russians (French: Russes noirs) is an unofficial name given to a group of pro–government militias in the Central African Republic, recruited mostly from former Anti-Balaka and UPC fighters by Wagner Group. The militias have been accused of multiple war crimes and crimes against humanity.

BELMÔNT