#badname

[nkogneatho]

no i really wish i could invite you all to my place so we could all dance of bollywood bangers

[celluloidrainbow]

BADNAM BASTI (1971) dir. Prem Kapoor Sarnam Singh is a bus driver who moonlights as an outlaw. After he saves a woman, Bansuri, from being assaulted by another bandit, she falls in love with him right as Sarnam is jailed for a petty crime. Upon release, Sarnam searches for Bansuri but does not find her. He then meets Shivraj, a handsome young man who works in a temple, and hires him as a cleaner for his bus. The two become physically and emotionally intimate, but once Sarnam encounters Bansuri again, he is torn by his longing for her and his love for Shivraj. (requested by @thelunchbox2013, link in title)

[ducknotinarow]

“ you know you’re too good for him. ” ( just gonna - Striker for Stolas RIP. I'm sorry but also - he's just gonna push his way in xD )

| Muse interaction

Stolas chest was rising and falling heavily as feathers lifted and bristled out. Eyes were narrowed and fixed on the imp above him. Yes, he was an all powerful demon himself but alas. The pains of heart ache was enough to weakened the demon prince. Mixing his 'happy pills' with his love for alcohol all in the hopes to do as he always did drown away his sorrows.

He was so foolish and delusional, thinking what he and Blitz had was anything beyond a contracted deal. A night of passion merely to take his book. It was always for that damn book. Stolas hated that thing forced on to him and all that came with it. It was never something he wanted but he put pride into it anyway. Tear stung at blood shot eyes as mascara painted his tears a deep black. Stolas just need to drown it all away cry out his heart and ...just continue on as always.

That was a mistake his mind fogged over left weak and spread out on the floor. As he had been venting his woes to his beloved plants. He liked to think they felt pity for him and what he put himself through. As he let more of the bitter taste of alcohol burn his sore throat. Usually he preferred wine but the strong stuff was in dire need. Letting eyes grow heavy he barely heard anything to tell him someone was in his home.

It was that hiss that got his eyes to bring themselves to part and open at last Finding himself being stared down at by the bounty hunter.

"You." Stolas dares to state despite his fear, he tried to bury it with the air and pose a Prince should carry. Even if the idea makes him sick to his stomach. Well to be fair that could be more the result of a poor choice than anything else. Slowly setting his hands to the floor as he makes a move to sit up. Sure he was not in much of a good state but he wasn't going to go out a mess he still had to hold his head and status up. Though in truth seeing any imp was the last thing he wanted. All he could think about was his beloved Blizt. Clacking bills against each other as a hiss escapes his own mouth. Stolas lifts his head but keeps his gaze on literally anything that wasn't the imp before him. "I am not in the mood for this." Stolas huffs "Contract with her or not can you at least have the decency to leave me to be pathetic a moment first."

“ you know you’re too good for him. ”

Stolas let his gaze drift to Stirker a moment, his heart stalled and ached all at once at even a mention of them. Before lowering his head down again. Seems they knew what was on his mind. "For statues alone?" he asks, allowing his beak to wear a sadden grin. Weighed down by his heart alone. "I suppose you have a point but that never mattered. Imp, prince, sinner or something else he has a power over me enough to render me this mess." He offer a cracked chuckle before looking back to Striker now.

"Curious someone out for my head would remark on that however, what have a liking for the powerful being torn up and weak do we?" He asks in truth he was curious but he just couldn't bring himself to care for being in fear either in this moment.

[mehreenkhan]

When Arzoo Lakhnavi said

dafatan tark-e-talluq mein bhi ruswai hai / uljhe daman ko chudate nahin jhatka de kar

When Parveen Shakir wrote

kaise kah dun ki mujhe chor diya hai us ne / baat to sach hai magar baat hai ruswai ki

And Mushtaq Ahmed penned

khair badnam to pahle bhi bahut the lekin / tujh se milna tha ki par lag gae ruswai ko

[dapg-otmebytheballs]

🫳🏻 apologies in advance if my hands are very sweaty

but yeah i just have a feeling the venn diagram is a circle, you know? people dont want to admit (even to themselves) that they've been ignorant and contributed to an environment that has hurt/ is hurting people, so they shift it into an entirely different conversation where they can feel superior because they're good and moral. ive seen it happen more times than i can count. - @dan-whoell

We shall be sweaty together it's been a rough rough summer 🤝🏼

No yeah, you and me both pal, I've known people who have been extremely vigilant about other fans (and this isn't even about twitter, literally on here!) and what fic they're posting and policing them and dogpiling or badnaming them to others to appear superior... who have them conveniently taken absolutely no stance when racism is brought up or treated it like radioactive "discourse" to keep away from

And those two things aren't coincidences

I wouldn't say it's like, fully a circle and a complete overlap, but that kinda need to lash out and harass people and call them names, it comes from a place of making up for some insecurity and having some ground where you can make yourself out to be superior while also getting to engage in your favourite activity of bullying and being mean 🤷🏻‍♀️

[aaniee-bloggs]

Insaan hi insaan ka kat-ta hai ye billiyan tho yoonhi badnam hai---

:))

[kirangorakhpuriofficial]

Badnam tahra se #instareels #instagood #instadaily #instalike #viralvideos

[sufiiiiiiii]

You kinda look like Emraan Hashmi

*Zara sa * playing in background rizzzz

😂 I will take that as a complement 🙏

Magar hai to achcha actor bas chummio ki wajah se badnam hai 😂

[thisisagoodplacetobe]

khub jab badnam ki cigarette maine ek tere naam ki cigarette maine

chhodte har fir roz har roz pite lo jala li shaam ki cigarette maine

shantanuSharma

[nkogneatho]

what are we listening to today pasi? 💛🎶

i have been listening to sheila ki jawani. but we can shake it to munni badnam and chammak challo💃🏽💃🏽💃🏽

[sehrishkhann]

itni muddat baad mile ho

kin sochon mein gum phirte ho

itne Khaif kyun rahte ho

har aahat se dar jate ho

tez hawa ne mujh se puchha

ret pe kya likhte rahte ho

kash koi hum se bhi puchhe

raat gae tak kyun jage ho

mein dariya se bhi darta hun

tum dariya se bhi gahre ho

kaun si baat hai tum mein aisi

itne achchhe kyun lagte ho

pichhe mud kar kyun dekha tha

patthar ban kar kya takte ho

jao jit ka jashn manao

mein jhuta hun tum sachche ho

apne shahar ke sab logon se

meri khatir kyun uljhe ho

kahne ko rehte ho dil mein

phir bhi kitne dur khade ho

raat hamein kuchh yaad nahin tha

raat bahut hi yaad aae ho

hum se na puchho hijr ke qisse

apni kaho ab tum kaise ho

'mohsin' tum badnam bahut ho

jaise ho phir bhi achchhe ho

-mohsin naqvi

[yehuserdumbhai]

Maut ko toh Yun he badnam krte h log, takleef to saale insta couple reels deti h

🤡

[coffeeandinsanityy]

Awaaragi mein badnam hoke

Kayi khoye hai apne mene

Khud se yu khafa hoke

Kayi gawayein hai sapne mene..

[iamrafikhan]

SHAYARI #shayari #shayaris #shayar #shayarilover #shayariquotes #shayara #urdupoetry #urdushayari #urdupoetrylovers #urduquotes #urduposts #urdulovers #hindiquotes #hindipoetry #hindishayari #hindishayri #hindishayarilovers #hindipoems #gazal #ghazal #dard #dardshayari #dardshayri #shayarana #shayaranaandaaz #badnam #mohabbat #life #love #brokenheart #broken💔 #trust #alonequotes #alone (at Mumbai, Maharashtra) https://www.instagram.com/p/CoN6ao6qdvv/?igshid=NGJjMDIxMWI=

[my-music-1460]

Mankirt Aulakh: The Journey from Kabaddi Player to Punjabi Music Icon

Mankirt Aulakh, a name synonymous with Punjabi music, has captivated audiences worldwide with his unique voice and energetic performances. From his humble beginnings as a kabaddi player in Haryana to becoming a household name in the Punjabi music industry, Mankirt Aulakh’s story is one of perseverance and passion. Born on October 2, 1990, in Behbalpur, Fatehabad, Haryana, he initially made a name for himself in sports, particularly in kabaddi and wrestling, before pursuing his love for music. Today, Mankirt Aulakh represents the vibrant evolution of Punjabi music, blending tradition with modernity and inspiring countless fans globally.

Early Life and Sports Career

Growing up in a Jatt Sikh family, Mankirt Aulakh was deeply influenced by the cultural richness of Punjab and the athletic spirit of his surroundings. His athletic prowess earned him the nickname “Mani Pahalwan” among his peers, reflecting his strong connection to kabaddi and wrestling. Despite his achievements on the sports field, Aulakh’s heart was drawn to music. He showcased his singing talent during college youth festivals and local competitions, leaving lasting impressions with his vocal abilities.

The Shift from Sports to Music

The turning point in Mankirt Aulakh’s career came when he decided to shift focus from sports to music. His debut track, “Darshan Karke,” released in 2013, marked his official entry into the Punjabi music industry. Though the song did not achieve immediate success, it helped him establish a foothold in the competitive world of Punjabi music. Recognizing his potential, Aulakh worked tirelessly to refine his craft, aiming for greater success with his subsequent releases.

Rise to Stardom

Mankirt Aulakh’s big break came with the 2014 release of “Kaka Ji,” a song that resonated deeply with Punjabi audiences. This hit was followed by chartbusters like “Gallan Mithiyan,” “Charda Siyaal,” and the iconic “Badnam.” Each release showcased his ability to connect with listeners through relatable lyrics and infectious beats. His music, which often revolves around themes of love, youth, and Punjabi pride, has won him a dedicated fan base both in India and abroad.

Aulakh’s rise to fame also coincided with the growing influence of digital platforms like YouTube and Spotify, which allowed his music to reach a global audience. Songs like “Badnam” garnered millions of views, cementing his place as one of the leading artists in the Punjabi music scene.

Musical Style and Influences

Mankirt Aulakh’s music is a dynamic blend of traditional Punjabi folk and contemporary sounds. This unique style sets him apart from many of his peers. His collaborations with renowned lyricists such as Bittu Cheema and music producers like Avvy Sra ensure that each of his tracks offers something new. From the soulful melodies of “Gallan Mithiyan” to the high-energy beats of “Badnam,” Aulakh’s versatility continues to impress listeners.

His musical influences stem from both Punjabi folk traditions and global music trends. By combining these elements, he has created a sound that resonates across generations and borders.

Challenges and Controversies

Like any prominent artist, Mankirt Aulakh’s journey has not been without challenges. In 2022, following the tragic death of fellow singer Sidhu Moose Wala, Aulakh reported receiving death threats, leading to heightened security measures. Furthermore, in 2023, he was barred by the National Investigation Agency (NIA) from traveling to Dubai due to alleged connections with gangsters. While these incidents brought intense scrutiny, Aulakh remained focused on his craft, refusing to let controversies overshadow his musical journey.

Recent Accomplishments

In October 2024, Mankirt Aulakh unveiled his first extended play (EP), “Vol.1 — Mankirt Aulakh,” which featured five tracks. The EP received widespread acclaim for its refreshing take on Punjabi music, further solidifying his reputation as an innovator in the industry. The launch event, graced by Bollywood singer Mika Singh and comedian Rajiv Thakur, highlighted Aulakh’s enduring popularity and influence in the music world.

In addition to his music, Aulakh has also supported charitable causes, using his platform to promote social awareness. His efforts have endeared him to fans who admire not just his talent but also his dedication to giving back to the community.

Global Impact

Mankirt Aulakh’s appeal transcends geographic boundaries, as his music resonates with the global Punjabi diaspora. International tours and collaborations have expanded his reach, allowing him to connect with fans in countries like Canada, the UK, and the US. His ability to bring Punjabi culture to a global audience has played a key role in the genre’s growing popularity worldwide.

Conclusion

Mankirt Aulakh’s journey from a kabaddi player to a Punjabi music icon is a remarkable tale of determination, adaptability, and unrelenting passion. His contributions to Punjabi music have elevated the genre, blending traditional roots with modern innovations. Despite facing challenges and controversies, Mankirt Aulakh continues to inspire his fans and peers alike, proving that dedication and hard work can overcome any obstacle.

As Mankirt Aulakh forges ahead in his career, his story remains a testament to the power of pursuing one’s dreams. His music not only celebrates Punjabi culture but also unites people from different backgrounds. Truly, Mankirt Aulakh embodies the spirit of resilience and creativity that defines Punjabi music.