#bad things happen to amane

[oboetemasuka]

Art trade with @good-beansdraws

Lineart/color swap featuring concepts/scenes from Order of Attack

Beans's lineart, which I colored, was Amane as Kotoko in Purge March (or vice versa?) :3

I colored the Amanes traditionally, but then I decided to go ham with the rendering. There was this neat little post about rendering tips that I reblogged on main.

Keep an eye out for Beans's post too!

Original scans and alt coloring under the cut.

[amugoffandoms]

I have somehow become the neutral party in this fight oh dear ;;; But here we go! Hello, MILGRAM fans! Welcome to the first matchup of the-- Eh, this isn't a fighting match? Oh. OH, UH. UH

COUGH. I mean, hello everybody!! I am here to settle a small thing that two of my writer friends are dealing with and that is!:

Who started Order of Attack?

Here's a quick summary of Order of Attack:

Kotoko's attacks turned out differently, so Amane lost an eye, Fuuta is on the verge of death, and Mahiru is physically unscathed but guilt-ridden.

Check it out here!

Now, you may ask who are the two people in this silly little debate :D?

It's @good-beans/@good-beanswrites and @kyanako5972/@oboetemasuka!!

(Linked both of the accounts you might know them from ^^!!)

Now, here's the propaganda each person sent against the other:

Kyanako -> Accusing Beans of starting it

Good_beans wrote two drabbles about the aftermath of Amane getting attacked. She could have just as easily written zero. It is because of these drabbles that I got inspired to write fanfic at all. Beans started it. (If I had really started it, Amane would have only been a bit scuffed.)

Beans -> Accusing Kyanako of starting it

An early post of mine stated that I agreed Kotoko would attack Amane, but I didn't dare write it. Then, [Kyanako] sent an ask specifically requesting the beginning of OoA, so I wrote it. After that, she has proceeded to send me Ten Angst requests (some of which are still in progress). But come on. Ten. It's not my fault. 🐝

So, Wardens-- I mean. um. MILGRAMBLRgram! Who started Order of Attack? Who was the one who dug the road of agony for Amane? I mean, it's between the two of them, so go ahead and choose!

You have a week to decide. Choose wisely ^^.

[oboe-o-oboete]

Oh no, the Amanes have breached containment and are fighting! Quick, put a stop to it! (@purgemarchlockdown)

[Image ID: Left - Eyepatch Amane tries to charge forward with a plate stained with pink sauce in her right hand. T1 Amane (marchleader) and Es Quest Amane grab her arms to hold her back. Right - Innocent Amane (with a bow) sits on the ground, making a disgusted face as pancakes rest atop her head and the pink sauce spills onto her uniform. /end ID]

[purgemarchlockdown]

Quick Question for People, since me and Kyanako are Wondering:

[amane-order-of-attack]

Welcome to my blog!

(ooc onwards: Alternate introduction post to clean the slate of Amaneverse shenanigans. This is probably my only maintag post)

This Amane is characterized by my "Order of Attack" fic where she was attacked by Kotoko. (You can also find it in the tag #bad things happen to amane)

Tags and asks are welcome! Especially feel free to ask about the fic. Magic asks may bleed into the Amaneverse rp.

Permanent spells:

If hiding her thoughts would impede the interaction, she will be forced to say them out loud.

She has been magically given cat features that she can normally control, but they will appear on their own if it is majorly inconvenient for her.

There are different versions of OoA Amane running around on this blog. You are most likely interacting with the one from before Mahiru's VD, but she has been filled with the memories of all the other versions of her. They all have each other's memories.

And if you dare venture into the Amaneverse (generally any interaction with @/marchleader) , do keep in mind the following content warnings: cults, child abuse, violence, reality distortion.

[oboetemasuka]

Precious little beans <3

If you need to be enabled to draw Fuuta with Mahiru's injuries, then hold onto this ask ^_^

Why thank you :D I've been meaning to draw OoA for so long, it was good to finally sit and draw the grumpy boy...

[treepilgrim]

what the heck kazui is leaning towards guilty guys do you know how horrendously bad this is we may have no line of protection if things get batshit crazy

judging by the current results, amane will be innocent. that’s okay, BUT I REITERATE THAT AMANE WILL MOST LIKELY RETALIATE AGAINST SHIDOU. SHE WAS ALREADY HOSTILE WHEN IN CHAINS. THINGS WILL GO TO SHIT WHEN SHE IS NO LONGER RESTRAINED.

If she simply MUST be innocent then fine but AT LEAST LET KAZUI BE INNOCENT SO THAT HE CAN PROTECT OUR ONLY DOCTOR???? GUYS???? HIS CRIME WASNT EVEN THAT BAD AM I MISSING SOMETHING PLEASE INFORM ME???

also to those who say that Shidou can defend himself clearly none of you have fought a rabid child. But on a more serious note, Amane can and probably will hinder his ability to safely deliver medical treatment.

that’s all I have to say thanks tumblr please spam Kazui innocent unless you have a really good justification (tell me pls thanks)

[ryuseiired]

deep cover thoughts, or: who is kotoko's victim, really?

ok. so now that we've seen the deep cover mv, it's late but before i go to bed i want to post my biggest thought/theory on it. that being?

this girl is the victim that kotoko is in milgram for, and the murder we see in the warehouse is a red herring.

now. one thing about the prisoners that are grouped together is that each duo appears, largely, to have a direct murder and an indirect murder in it.

haruka is seen directly killing in his mvs; yuno's murder is an abortion, something so indirect many people don't even consider it to be such. muu is clearly seen directly stabbing rei in her mvs; fuuta's victim dies indirectly due to him starting online backlash against her. whatever shidou is doing to his patients appears to be pretty direct, while mahiru's boyfriend seems to have died indirectly due to having killed himself. kazui is in the same indirect boat as mahiru with hinako's apparent suicide; meanwhile amane is shown in purge march to have directly attacked and killed her mother.

with one duo, up until now, having been an apparent exception.

we can see these groupings clearly in the first anniversary art with all the prisoners together:

all the direct murderers are on one side of the table, and their indirect counterpart on the other. all the patterns outlined above, we can see here.

mikoto is on the direct murderers' side of the table, and this makes clear sense with what we see in MeMe's opening shots: as vague as mikoto's mvs can be sometimes, we definitely see him hit that guy with the baseball bat pretty explicitly.

and kotoko? kotoko, as his counterpart, is on the indirect side of the table. this seemed weird, because from what we knew of her murder in harrow... we see her track a guy down into a warehouse and kill him pretty directly. it seems like these two are an exception. but now, we have deep cover, and... are they really both in milgram for a direct murder?

it seems like something bad is happening in this shot, judging by the girl's expression. what do we see right after? kotoko leaving this girl behind, walking past her. she's looking for her next target, and she doesn't have time to play around right now. only... i think it goes wrong. i think kotoko leaving this girl when she does is a mistake, and that her disregard for the girl leads to her getting hurt and dying somehow. after all... the images on the prisoner cards appear to correspond to the murder location. and kotoko's...

kotoko's looks an awful lot more like this than it does like that warehouse.

it seems like this girl idealizes kotoko an awful lot for having saved her. maybe she tries to follow kotoko, but something happens. maybe she gets caught by whoever it is that kotoko is trying to hunt down... and maybe this time, she doesn't make it out okay.

[oboetemasuka]

*squee* So pretty! And so melancholic. I love your style!

Amane messes with the eyepatch so much in the story, but don't grab her hands to make her stop... ;__;

I heard you read "Order of Attack"... Could I maybe ask for Amane and Fuuta in that AU?

They make me so sad

[oboetemasuka]

(Watercolors)

Imagine being so fixated on an idea that you keep drawing it until one of them sticks...

I wanted to put the original one in my banner, but it contrasted too much with the other two. So, naturally, I drew it again.

I realized that the profile pics that last long on this blog are the cutesy ones, so this sort of picture is not going to be it.

This one was initially drawn with watercolor pencils, but I used actual paint for the turquoise parts because I don't have pencils for those. I also went over the hair with paint as well.

[Image ID: Amane stares fearfully at the viewer. Her hair covers her right eye and left side of the chin, but turquoise splatters peek from under it. The splatters are also at the center of her uniform and in the background. /end ID]

[victorie552]

Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).

It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.

Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.

And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!

So, Point 1: Many, Many Parts, basically Maglor's FA WIP

My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.

(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)

Archived.

My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.

Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.

(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)

(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)

(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)

So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.

(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)

Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included

This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.

But the Siege started. And the Noldor kept dying.

It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.

Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.

The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.

(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)

Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.

It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.

After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.

Lament for Maedhros was sung repeatedly. There was no one to hear it.

Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.

[dewffin]

soo... I think I accidentally began to make a Silmarillion Fangame...

For some unknown reason i was like "I wanna make textures :D" but i didn't want to model shit, so i just used VROID studio as a painting book... but then i was like "ummm, i never tried to draw a character an then tried to make it 3D in vroid" so uh-

yeah...

and then i was like "let´s drop this bad boy in Unreal to see how he looks" and because, well, i don't know why i decided to try to make him look a bit 2D? like he was drawn? like doing the complete opposite of what i just did?

so this is what he looked when i began to play with post process stuff

and because i wanted to look around and stuff i added a little guy i had, and it turns out that he was really little and i had to make him a box to take pics of Fëanor's face

Then i did more stuff and i ended up with these cute flowers :D

And then I said fuck it, i think I'm making a game...

So the thing is that doing a game doing a game while being a one person studio is a biiiiiit difficult.

By that i mean i had to try to keep my head leveled in what i could do, so I ended up with this...

Tecilwë's Adventures in Arda

(yeah, i don't have a name for this)

So, you play as Tecilwë, a noldorin journalist that travels around trying to document the best stories of Arda. You can find out what is happening around by talking with people, sneaking around or finding clues. Then, you can write your take on what happens, and depending on what you say, how you say it and what secrets do you keep your reputation as a journalist and your relationship with the different character you find can change for better or worse.

A little bit about Tecilwë...

Q Tecilwë Autanna -  S Tegilu

Tecilwë - The one who writes [tecil “pen”, wë “person”] or as i like to call them "El pibe birome"

Autanna - the lost sign, the fool sign [au “away, lost”, aut “fool”, tanna “sign, token”]

A young lore master from Tirion. Studied under Rumil, and is excited to document all that happens in the course of the story. 

Curious and eager to learn. More often than not ends up in trouble for documenting what was not supposed to be seen.

Tecilwë believes in the power of the word, and on how truth is composed by those who write it.

Not often remembered, wants to be remembered as one of the great lore masters. But the curse of the Noldor runs deep…

Basically a player insert

Y alto chismoso

What i have for now in gameplay is that you can run around a location (and you'll be able to travel to different places, but time passes so, for example, if you leave Aman you cannot go back, or if Gondolin fell then you cant go there). There as i wrote you can talk to people and find out stuff, and all what you find you write in your journal, which you can check to remember what you have seen. With all of that you can unlock new dialogues, and when you get enough information you can end the day and write like a newspaper or magazine. If, for example, you found that gasp Maedhros and Fingon are being two love birds behind a tree, you can write about that in different ways. A- You just say thing as they are. B- You say that is great to see the unity in the House of Finwë. C- Accuse Fingon of corrupting the innocent eldest of Fëanor. D- say nothing about this. With A you get lower relationship points with Russingon for exposing them. B gets you a good realtionship with them, but lower with Fëanor. C gets you a good amount of points with Fëanor, but the other two will hate your guts. And with D, nothing changes, but you can confront them about their relationship and tell them to be more careful if they want to keep it a secret.

Also if you write a lot about gossip stuff you will lose credibility and that is kinda a way to not being remember as the great Lore Master you want to be...

Also i love how FIngon's hair is coming out. This is like a first draft but it was fun to make.

Also this motherfucker is so fucking tall

And this is one of my favourite screenshots from when i had Fëanor as the playable character

(also here is really noticeable that i added lights to their eyes, and it switches form golden to silver light)

In short, a gossip simulator

Also i cannot wait to make the "Who is Gil-Galad's dad" level

Version 0.1.0

Other updates

[oboetemasuka]

My heart... my heart...

(Will send more thoughts as they come)

If it's okay with you, could you write a drabble about the hypothetical aftermath of Amane getting attacked by Kotoko?

Welp thank you pal for making me absolutely insane with this request 👍 I ran through a few hypotheticals and realized I had to shift some things around since there were so many absolutely tragic outcomes. I worked something out but damn if it didn’t make me emotional to think about how uniquely rough Amane has it. Even making sure she's in a good place at the end, this got pretty serious, so warnings for child abuse and cult references. 

(So in canon, Kotoko goes in order and attacks Fuuta, but Kazui steps in. Then she attacks Mahiru while he’s distracted with his injuries. She’s about to attack Amane, but Mikoto gets in the way (my hc that he did it on purpose survives!). By the time they reach a draw, Kazui is back, and the two of them can prevent Kotoko from any further action against Amane. Sticking to this apparent system of three attacks and one rescue, I’m just shuffling around the injuries for this story. Fuuta’s attack went unnoticed, and he’s in the same state as canon Mahiru. Mikoto steps in before Kotoko can fight Mahiru, so Mappi’s the one who get out physically unscathed. While Mikoto checks on Mahiru, recovers himself, or discovers Fuuta, Kotoko is able to attack Amane next. Kazui comes to help, but not before she leaves Amane looking like canon Fuuta.)

Mahiru could practically feel her heart shatter into a million pieces when Amane finally cried in front of her. She hadn’t shed a single tear yesterday – it was the shock, Shidou said. Mahiru was skeptical. After all, she had been shocked, too, and cried plenty.

Amane woke as she came in with breakfast. She took a moment to survey herself, bandages peeking out from beneath her pajamas and an eyepatch securely over her right eye. As calmly as one might say “good morning,” she started to cry. Mahiru might have missed it, if Amane hadn’t wiped at her good eye with her sleeve.

“Oh, sweetheart…!” Mahiru rushed over to her. “It’s okay, I’m here.” She wanted nothing more than to wrap the girl in a secure embrace, but she remembered the mass of bandages that were around her chest. Shidou had mentioned broken ribs and bruises. It took everything in her not to cry along with Amane, at the thought.

“I can get you another ice pack, if you need. Or more medicine.” Her mind spun with ways to help with pain. Many of the first aid supplies had been used to keep Fuuta from the brink of death, but surely there were extras to spare for Amane. 

The girl just shook her head. 

She muttered, “I can’t… I…I’m going to be punished, I’m going to be punished…”

“No! You’re safe now.” Mahiru placed her hands gently on Amane’s arms. “Kotoko’s not coming back. We’re all watching over you. You’re safe. She’s not going to hurt you anymore.” 

“That’s not…” Amane pulled away. Her voice stayed level, despite hiccups interrupting her. A hand reached up to her eyepatch. “It’s this. It’s all of this. It’s sinful. I took it off last night, but he must have…” She started unwrapping it. “They’re going to punish me...” 

With a careful motion, Mahiru held it in place and took Amane’s hands into her own. She’d been picking up on the signs ever since they arrived here together, and a final wave of understanding washed over her. 

“I can’t let you do that.”

Amane’s expression twisted, though words came out far more frantic than fiery. “Let me go.” 

Mahiru didn’t. “I’m sorry. Amane, you need this treatment.”

“That is not your decision to make. That is not any human’s decision to make.”

Mahiru pressed her lips together. “I know. But I can’t watch as you… I can’t sit by again while someone…” She was careful not to apply any pressure, but she could no longer fight the urge to gather Amane up in her arms. “You don’t need to be afraid of those people, anymore.”

“I’m not afraid.” Amane hiccuped. “They love me, and I love them. I need to be good for them.”

“I love you, and I don’t want to see you in pain.”

“You just pity me because I’m young.”

“Why does your age matter? You are a lovely young woman – you are my friend – and I can’t bear to see you in pain.”

The two sat in silence for a moment. Mahiru doubted she would take that as an answer; Amane had refused to call any of the others her friend. At least she didn’t argue. In fact, it seemed she was leaning into the embrace a bit more. She sighed a shaky breath into Mahiru’s uniform.

“Listen, Amane. Can you do me a favor? I’m trying to be a good girl, too. To make up for something awful, I need to make sure you’re alright. Can you help me? Can we be good together?”

A long pause followed. Amane’s voice spoke up, ever so gently.

“I suppose I can consider it.” She added quickly, “for the sake of your redemption. Of course.”

“Of course.”

[doctorbunny]

This will be written sloppily due to me being stuck on my phone but the report today got me talking to a friend and reminded me of a theory I had (I think it originated from @archivalofsins though)

Still, I'll share it again for fresh eyes:

I think Shidou could be making Mahiru sicker instead of helping her

So the gist is that at the start of trial 2, Mahiru was in a critical condition and had her life saved by Shidou

After that she entered a period of injury but stability

We saw through timeline conversations that she was in pain but seemingly able to move around and do things with some assistance

Yuno then gifted Mahiru a wheelchair, the clear implication being that this would let her continue to live as she had been but without as much pain (ambulatory wheelchair users often talk about how their chairs give them more energy/spoons to do other activities too)

Similarly, in Shidou and Mahiru's voice dramas they discuss her health but there doesn't seem to be the kind of urgency suggesting that Mahiru needs to be immediately moved to a hospital in order to not die (Shidou tries to ask Es to "end milgram" but if Mahiru was going to die without urgent care that could've helped his case yet he didn't mention it, even in normal prisons if a prisoner is severely sick or injured they're supposed to be taken to a hospital [not to say real prisoners don't experience medical neglect or abuse but officially they aren't meant to] )

At most he brings up the idea that another guilty vote could be detrimental to her mental health -but he's not an expert or anything

As I said, this all painted a picture of Mahiru as injured but stable until her next verdict

And we forgave her

But then things take a turn

Suddenly Mahiru is requiring round the clock care

Shidou can barely stop for a birthday shoulder rub. Yuno is taking breaks during Mahiru's naps

She appears to be bedridden and her wheelchair hasn't been mentioned since she got it

If we accept time doesn't move in milgram that could explain injuries not healing but it would explain such a dramatic, unexplained decline

We know Shidou has built his personality around being a doctor. A necessary figure who saves people's lives. So it would be a little awkward if he didn't have any patients (since Fuuta apparently didn't feel like he could rely on him and instead joined the anti medicine cult, a common pattern in those who lose trust in doctors after being mistreated)

I don't think Shidou is evil (although it's pretty bad to poison your patients) I think this doctor-patient relationship is almost co-dependant for him, after all its what his inno vote is based on.

It does leave him in a vulnerable position though

He's potentially turned one person mostly able to look after themselves with some medical assistance/supervision into a patient that even with 2 people is causing him to be spread thin

If Mahiru dies he'll be blamed (and I'm sure Yuno is watching him if he does anything too suspicious)

But if another incident happens before T3 and a lot of people get injured again

Or Amane incapacitates him, preventing him from treating the others

There could be a pile up of casualties with not enough people to look after them all

Hard decisions may have made

It could be a triage

[thelunarfairy]

Hello, I was simply coming to say my impressions of the comics in volume 22 XD

First of all they remind us that Hanako is a very stupid puberty no one understands a damn what he is referring to, l only understood that he really likes the touch XD

Everyone is uncomfortable but especially Tsukasa, just as Hanako has a hard time understanding Tsukasa with that thing inside him, Tsukasa has a hard time understanding Amane as Hanako, I personally believe that this corporeal pervert started after her death, to kill time idk 🤣

Now I find it interesting to talk about the dynamics of the guardians of the clock, Akane says he despises them, but it is shown that deep down she appreciates them, since more than co-workers they behave like family and seek to relate to each other :)

The way Mirai and Kako attracted Akane is wrong (he has a great reason for not liking them) but it is clear that they liked him and cared about him.

Hanako's perversion is something that has always caught my attention. It seems to me that it stopped being something just "comical", after what happened with Sumire, and stopping to analyze the general context of the series.

Tsukasa's silence… is something that… somehow seems to be a sign. I won't say if it's good or bad, but Hanako was extremely embarrassed when Tsukasa found out that he wanted to do perverted things, and now seeing Tsukasa's silence when Hanako was trying to "explain" what he meant.

"Look, look, it's just on the upper arm"

Even when Teru says that Hanako's intention was to "touch breasts" he denies it (something he normally wouldn't deny).

The difference in Hanako's reaction when he talks about doing perverted things to other people, INCLUDING Nene:

How he reacts when Tsukasa finds out about THE SAME sentence he said before:

He turns to look AT TSUKASA. That's because he already said that to Nene, and he doesn't care about Teru.

He's worried about what Tsukasa will think.

But look at him asking Tsukasa to say something, because Hanako is worried about trying to convince Tsukasa that what he wants is not something "really perverted".

He's trying to prove something here.

But I prefer to believe that Hanako does this because he doesn't want Tsukasa to see this side of him. *thinking positively. if we're going to think negatively… uhh…

The guardians, they have a good dynamic, Akane learned to live with them and saw that they're not "that bad" and became attached to them.

[oboetemasuka]

Splatter

"Kyanako, you should take a break from writing and go back to your comic."

No. Arbitrary drawing on new paper be upon ye.

[Image ID: Colored pencil drawing on black paper. T2 Amane looking fearfully at the viewer. Her hair is swept to cover her right eye and the left side of her chin, but turquoise splatters peek out from under. The background has a turquoise splatter around Amane. /end ID]

Alternate colors:

[Image ID: Left: Sketch Middle: More highlights Right: Less highlights /end ID]