#bad service tale

[undercoverofthewrite]

The Good and the Bad: Iglu Camp Königsberg

Quaint, cosy and comfortable by Nick Hirst. Where: Camping am Königsberg. Am Schwimmbad 1, 67752 Wolfstein, Germany Reason for stay: Three day break during return trip from Brussels to Czechia – specifically somewhere with a swimming pool. The exterior and entrance door of the Iglu The Good: You need to be clear that this is basically a small, static caravan with rounded ends and covered in…

[kiestrokes]

Hello Kie! I see you watch many dramas. Do you have a list of ones that you would recommend?

hello anonie! this is going to be a short little list, going to give you my top five:

Celebrity

Little Women

Lovely Runner

The Glory

Twenty Five Twenty One

Others I adore in no particular order: Tale of the Nine Tailed, True Beauty (this webtoon is actually what got me into all things Korean), A Good Day to be a Dog, Doom At Your Service, Remarriage & Desires, Love Alarm, My Holo Love, Forecasting Love and Weather, Squid Game (it took me two years to finally watch this one due to the hype), Love Between Fairy and Devil, Cafe Minamdang, My Name (was almost #5 but I thought I'd give you a less twisty one that I truly love), The Good Bad Mother, Nevertheless (cliche af to recommend but that way this is filmed is just sooo good), Flower of Evil, Vincenzo, My Demon, Bloodhounds, Meteor Garden (the new one, it was the first drama I ever watched), Kiseki: Dear to Me, Love in the Air, KinnPorsche.

Me to Me: keep it short.

Also Me: but I love so many!

Edit: I put lovely runner where queen of tears used to be 😬

[dreamsandstars24]

KUDOS TO THIS EDIT

There is nothing hotter than grabbing a waist during a kiss, holding heads, tracing bodies, feather kisses, chin tilt.....

AHAHAHHAHAHA

WHEN IS IT EVER GOING TO BE MY TURN!?

[frangipani-wanderlust]

Tales From Dispatch, Pt. 11

(over interagency chat) DEPUTY: Checking the area around Field LN/Bluebell ST. Patrol vehicle, top down, unoccupied. ME:(thinking)"Top down?" I didn't think any of our departments had convertibles... DEPUTY: *sends pictures of a child's Little-Fisher-type play car, on grass of intersection, made over like a patrol SUV with no top* ME:(over the chat)Can you see the vehicle number so we can see who last checked out in it? XD DEPUTY: PD-001

[yavvana]

I can't get over how fucking awful Mythal actually was.

Don't read below this if you haven't finished Veilguard, lmao.

The fact that Solas wore her vallaslin, and somehow still saw her as a friend, and trusted and loved her enough to do everything she asked of him makes me so angry/sad. Friends don't make their friends wear slave markings on their faces. Him being called her lapdog by Elgar'nan makes so much more sense.

And then Solas goes and accepts the blame for decisions that she made, and then manipulated him into agreeing to, and she fucking accepts no fault! If you confront her about the Blight when you meet her in the Crossroads, she basically just says, "not my problem."

And he blames himself for her death because he couldn't convince her to walk away from the Evanuris! But really, sorry Mythal, that's her own fucking fault?! She saw herself as above Solas, so she refused to heed his warnings, and then Elgar'nan killed her because Elgar'nan's a bitch.

And then if you pick the good ending, and Solas sees her again, you cannot tell me that his reaction to her is not one of someone who has been abused being confronted by their abuser. The way he curls around the dagger...Mythal, when I get my hands on you, Mythal...And then she says, "I release you from my service." Bitch. I wanted my Lavellan to punch her ghost with her prosthetic hand so fucking bad, lmao.

Solas was a spirit of wisdom! And she corrupted him from his purpose. If he had stayed a spirit, he would have become a pride demon because of her manipulations.

Cole has a couple of lines in DAI that I can't stop fucking thinking about.

"He didn't want a body, but she asked him to come. He left a scar when he burned her off his face."

And, "He wants to give wisdom, not orders."

Solas gets to be himself in Inquisition. He gets to return to giving wisdom. Regardless of whether or not you're romancing him, if you're not a dick to him, he offers these beautiful stories about the Fade, and GDL does a fucking incredible job of making each of them sound poetic as fuck. And he's so kind to all the companions. Even Vivienne who has so much contempt for him, and he tries to offer her advice when he notices things about her magic that he finds...unsettling, lmao. Like their interaction about her staff's aura and him being like, "Are you sure that's the aura you want your staff to have, I can cleanse it for you?" And she's just like, "Yup." And he just lets it go.

When he leaves the Inquisition, Solas forces himself to be what Mythal made him. Which makes the line, "You are Mythal's creature now!" so distressingly ironic.

People talk about how he hates the Dalish elves, and Qunari, but that's just factually inaccurate. He's frustrated by the Dalish because he spent how many years fighting to free the elves from the influence of the Evanuris, only to wake from uthenera to find that he is the villain in all their tales, and the Evanuris are regarded as gods. And when he tried to tell a clan the truth, they tried to kill him! And he doesn't hate the Qunari, he hates the Qun. He hates that under the Qun, people do not get to make their own decisions.

Iron Bull's biggest fear is becoming a rabid Tal'Vashoth, and he expresses as much to Solas. And if you play as a Qunari, Solas points out in party banter that Inky isn't rabid.

If you have Iron Bull side with the Chargers, Solas checks in on Bull several times in party banter, assuring Bull he won't become like the Tal'Vashoth that he fought in Seheron. Because Bull has the Inquisition, and his friends, and Solas. And then they play mental chess, and if that's not friendship, idk what is.

And his interactions with Sera, who doesn't think she's elfy enough, so she makes fun of elfy things as a defence mechanism, are fucking hilarious. The way he gets her to talk about the Fade by asking her about the Breach, and what she sees when she looks at it, and you kinda see that Sera is a lot more elfy than she realizes. And then when she realizes it and gets mad, he basically tells her it's payback for her filling his bedroll with lizards. And she just fucking giggles and is like, "yeah, fair." (These two are my absolute favorite characters in DAI and I would die for either of them, lmao) But he kinda makes her connect with her heritage even though she doesn't want to, and I think that's good for her.

Solas also gets angry with Blackwall, not for lying about actually being Thom Rainier, but because Blackwall led his men into fights, and to their deaths in many instances, for nothing more than his greed. And then he APOLOGIZES for that interaction. And Blackwall tells him it's fine, that Solas was right, and he deserved it. And then Solas commends him for taking the first step towards redemption by owning his past and his mistakes.

And then there's him and Varric constantly joking about having to clean up messes made by humans, and "Why are an elven apostate and a dwarf here, again?" Their interactions are some of my favorites, and it's why I firmly believe that if there had been one more wolf statuette to find, it would have been his regret over Varric's death.

Solas deserved better than having Mythal as a "friend." She manipulated and corrupted him. And then let him take the fall for things that she did. She regrets NOTHING about what they did to the Titans. Meanwhile, it's one of his biggest regrets.

Anyway, I love the Egg, and I hate Mythal. That is all. I hope Solas and my Lavellan Inky get to have plenty of Fade-ordered therapy. They both fucking need it.

[smart-ass-comments]

“Why Y’all Come Out Here Lookin Like That?”

This past Thursday, I listened to my coworker check in a guest who insisted on making corny ass jokes the whole time, to the chagrin of my coworker and the guest’s wife. He was relentless, so I’m glad it was her dealing with it and not me because I might have snapped (which I’ve already done twice this week).

This morning, that guest came to the front desk wanting to buy a drink. He unfortunately wanted to use cash instead of having the sense to use a card at the kiosk and leave me alone. He immediately started with his BS.

The girl last night told me this was free! 🥴

Me, not in the mood: “They were never free 😒”

Watching the smile fade from his face brought me a modicum of joy. But then he doubled down on his stupidity by asking,

Why y’all come out here lookin like I’m just about to ruin your day? Like you got something better to do?

He must have been psychic. How did he know I’d rather be doing anything else but talking to him?! I gave him my favorite answer:

This is just my face.

I’ll never understand why people feel so comfortable commenting on people’s physical appearance. But also, if you noticed that 2 completely different employees have the same look on their faces when they talk to you, you juuuust miiiight be the problem.

[thewertsearch]

The two last trolls alive, blood of rust and royalty, will make each other pay for the crimes against their race. Their payment will be mutually dealt in the currency of punishment and reward at once. The Condesce will be rewarded with the power and immortality her new service entails, and punished by the grueling slavery for which it is synonymous. And you, young lady, are to be punished by death at the hands of your replacement. And so too will this be your reward.

As a villain speech, this goes pretty damn hard.

There’s also a smug air of detached satisfaction to it. Scratch is the one who really deserves to pay. He’s the one who's been perpetrating crimes against their race since its inception. But he’s completely untouchable, so he’s free to sit back and narrate the fight he goaded them into.

It also illustrates another parallel between Scratch and Hussie. Technically, Hussie is the ultimate cause of all the suffering in this comic – but at the same time, he can’t be ‘held responsible’ for it. That wouldn’t make any sense.

Similarly, if Scratch was called out, he’d say that he’s not causing any suffering, he’s simply 'facilitating the inevitable'. It wouldn’t make any sense to blame him, would it? He's only the narrator of Homestuck's plot, after all.

...speak of the devil.

I've been watching Hussie's progress through the mansion, but he hasn't done anything noteworthy so far. He did refer to the Ancestor backstory as ‘fanfiction’ at one point – but for my own sanity, I’m going to assume that was just a tongue-in-cheek meta joke.

Perhaps you wish to know the history of the clock, and how I came to possess it? Yes, I can see the sparkle of curiosity in your eye. It's a marvelous tale, one almost as long as it is verbosely told. Where do I even begin…

Looks like Hussie’s about to attack Scratch before he can explain the clock’s backstory - which isn't quite as bad as if he'd interrupted the Ancestor lore, but I was still hoping to learn about the origin of this artifact. A God Tier resurrection monitor seems like it’d be useful to have around.

If I have to put up with one more smug meandering interlude in my own story I am going to crack your head open and serve you a heaping bowl full of your downy soft puppet ass. How do you like that for hospitality, Doc?

...I’m having a little trouble interpreting what’s happening here.

What does it mean for a story, when the metaphorical author is accosted by the actual author? Is this just Hussie’s way of signaling that the Scratch Narration Arc is over, and we’re going back to regular programming?

Furthermore, is this even a ‘real’ event? Is Scratch’s grand plan seriously being foiled by Hussie, and not the actual characters of Homestuck?

And what the fuck does Kid Handmaid think about all this?

How do you react, when your invincible, immortal abuser is finally brought low by some random alien who appeared out of nowhere, ranted about puppet ass, and proceeded to dance a little jig?

[dailyadventureprompts]

Monster Hunt: The Doloron Colossi

Artsource

Enigmatic titans that stride endlessly through the snowy wastes, mummified by the cold, driven on by some unknown puprose, most think the colossi remnants of a forgotten age, and give them wide berth lest they be trampled underfoot.

There seems to be no aim to the Doloron's wandering, as they trek across the tundra and mountainsides alone or in groups of two or three like some mobile monument to hopeless exhaustion, occasionally collapsing to be buried by drifting snow only to be unburied decades later when some shift in weather or poor traveller unearths them.

Sightings of the Doloron are thought to be a bad omen, least in part because none are sure what draws their unthinking ire or what can dissuade it. Everyone has heard stories about the unlucky travler who somehow angered the colossi before escaping to warmer lands, only to have the giants arrive along with the winter winds and level the entire village. Some tales suggest their wandering is a millennia old hunt for some ancient foe they are sworn to slay before they can finally die.

Adventure Hooks:

It's well known that each Colossus is garbed in enough Adamantium to outfit a small legion, and while some scavengers spend years hunting for the smallest scrap offcast in the frozen wastes. Some of those prospectors found a Doloron trapped inside a ravine and half buried in ice, and now an impromptu mine has popped up excavating the undead and trying to strip its armour piece by piece. Only now the thing is whispering to them in an unknown language, a never ending, half heard litany in a language none of them can understand.

A cruel wizard has realized that the giants follow the worst of the winter storms, and has used weather magic to "steer" a Doloron into a frontier garrison, with aims of using it to bring a nearby kingdom to its knees.

Legend says there is some way to rally the colossi to one's aid, though accounts vary whether it might be a great horn carved into a hidden mountain, the crown upon which they swore their oath of service, or the words of forbidden binding that gave them their beleaguered immortality. As the final battle approaches, the party may need to discover the truth of these rumours if they hope to even the odds against their foe.

[stardustizuku]

So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

[p0orbaby]

Mud, Sweat and Tears

summary: you like the outdoors, leah doesn’t, what could go wrong ?

warnings: none

a/n: based on this request ! thanks !

word count: 1.5k

-

It’s Saturday morning, early. Unforgivably early. The kind of early where the sun’s still hiding behind the trees, and any reasonable person would be asleep. But you’re not reasonable, and you’re not asleep. You’re packing the car with fishing rods, a tent, and Leah Williamson, who’s standing in the driveway, half-awake, holding a thermos of coffee like it’s the only thing tethering her to this planet.

“Are you sure this is a good idea?” Leah asks, squinting up at the sky like she’s expecting it to open up and swallow her whole.

“Yes,” you say, a little too cheerily for this hour. You’re from a camping family—one that considers sleeping bags and bug spray essential items. For you, weekends are made for hiking trails and catching fish with nothing but a stick and a string. Leah, on the other hand, is the type of person who thinks “roughing it” means staying in a hotel without room service.

Leah sighs, long and dramatic, and you can tell this is going to be a weekend of constant commentary. You love her, but she’s never been one to suffer in silence.

You get in the car and drive. Leah stares out the window, probably counting the number of coffee shops you pass that she’s being cruelly denied. You try to distract her with stories from your childhood, tales of catching frogs and sitting in a fishing chair eating beans out the tin, but Leah’s only response is, “Couldn’t you just do that in your garden?”

-

When you arrive at the campsite, Leah’s first question is, “Where’s the toilet?” You point to the woods, and she stares at you like you’ve just suggested she eat dirt.

“You’re kidding,” she says, though she knows you’re not.

You grin. “It’s called nature. People have been doing it for thousands of years”

“People also used to die at thirty,” she shoots back.

You set up the tent while Leah hovers nearby, looking like she’s trying to work out how to teleport back to London. She’s mumbling to herself, something about bears and serial killers, and you catch the phrase “the beginning of a horror film” as you hammer in the last tent peg.

“It’s not that bad,” you say, shaking out the sleeping bags. “Look, we’re surrounded by trees, fresh air, the sound of birds—”

“—and the nearest bathroom is in the next county,” she interrupts, arms crossed.

You laugh, but she’s still frowning, looking at the tent as if it’s a creature that might bite her.

“Is it too late to go back?” she asks, and she’s only half-joking.

“Yes,” you say firmly. “You’re going to love it. Just give it a chance”

Leah doesn’t answer, but you can see her mentally reviewing the terms of your relationship, wondering if it’s really worth it.

-

The first hike is a gentle one. You choose a path that’s scenic, with views of the lake, thinking it’ll win Leah over. She starts off strong, even enjoying herself for the first ten minutes. But then she hits a rock with her boot and lets out a string of words that would make a sailor blush.

“I don’t know how you do this,” she mutters, rubbing her toe through her boot. “I’m a footballer, and even I think this is excessive”

You offer her a hand to steady herself over a tricky bit of trail, but she swats it away. “I can do it,” she insists, right before she stumbles and nearly faceplants into a bush.

You help her up, biting back a laugh. “You okay?”

“I’m fine,” she grumbles. “But if I die out here, I’m haunting you”

“Noted,” you say, still smiling.

A little further down the trail, you stop to point out a bird—something you’ve seen a hundred times but you know will be new to her. Leah squints at it, trying to look impressed.

“Wow,” she says, without any real enthusiasm. “A bird”

“You’re not even trying,” you accuse, though you’re still grinning.

“I am,” she argues. “I’m trying to stay alive. This is a survival situation now”

-

Fishing is the next disaster. You’re by the lake, showing Leah how to cast a line, when she gets the hook tangled in a tree branch on her first try. She’s staring at it, hanging like a Christmas ornament, and you can see the moment she decides fishing is the worst thing ever invented.

“This is stupid,” she declares, as you untangle the line.

“No, it’s relaxing,” you correct. “It’s about patience”

“I have patience,” she retorts. “I put up with you”

You laugh, but Leah’s dead serious, looking at the water like it owes her something.

You manage to catch a fish—small, but it’s something. Leah just watches as you handle it with ease, her expression a mix of admiration and abject horror.

“Now what?” she asks, eyeing the fish like it might jump up and slap her.

“Now we let it go,” you say, holding it gently before releasing it back into the lake. “Catch and release”

“So we’re torturing fish for fun,” she sums up, crossing her arms.

You roll your eyes. “That’s not the point. It’s about being in nature, enjoying the peace and quiet”

She looks around, like she’s searching for this peace and quiet you’re talking about. “If by ‘peace and quiet’ you mean insects and dirt,’ then sure”

“Come on,” you say, leading her back to the shore. “You’re doing great”

She grumbles something about Stockholm Syndrome, but she follows you, brushing a mosquito off her arm with a look of pure betrayal.

-

The first night is the real test. You’re lying in the tent, cozy in your sleeping bag, while Leah fidgets next to you. You can hear her shifting around, trying to get comfortable, letting out exaggerated sighs every thirty seconds.

“I can hear you,” you finally say, eyes still closed.

“This ground is trying to kill me,” she replies, her voice muffled by her sleeping bag. “How is this comfortable?”

“It’s not supposed to be a hotel bed, Leah,” you say, still amused. “It’s camping”

“Right, camping,” she mutters. “Which is just paying money to pretend you’re homeless”

You laugh out loud at that, and Leah finally cracks a smile, even if she doesn’t want to admit it.

After a few more minutes of restless shifting, she huffs again. “I need to piss”

You point towards the trees, again. “Nature’s calling”

She doesn’t move. “You’re really not joking, are you”

“Nope”

Leah stares at you like you’ve just suggested she drink the lake water. “I’m not going out there alone. What if something eats me?”

“Like what?”

She thinks for a moment, then shrugs. “Bears. Wolves. A very aggressive squirrel”

You sit up, knowing you’re not going to win this one. “Fine, I’ll come with you”

You both get up and trudge out into the dark, Leah clinging to your arm like she’s convinced the woods are full of monsters. After she’s done, you’re walking back to the tent when she suddenly stops.

“What?” you ask, turning to look at her.

“Did you hear that?” she whispers, eyes wide.

“Hear what?”

She doesn’t answer, just pulls you along faster, practically dragging you into the tent. You both dive in and zip it up like you’re sealing yourselves in a bunker.

Leah’s heart is racing as she gets back into her sleeping bag, and you can’t help but smile at how seriously she’s taking this.

“Nothing’s out there,” you say, trying to reassure her.

“I’m not taking any chances,” she mutters, pulling the sleeping bag over her head like it’ll protect her from the unknown terrors of the forest.

You lie back down, still smiling to yourself. “Goodnight, Leah”

“Goodnight,” she mumbles, and you can tell she’s already planning how to survive the night.

-

By the end of the weekend, Leah’s still grumbling, still complaining, but there’s a softness to it now. You catch her smiling when she thinks you’re not looking, like maybe—just maybe—she’s starting to see why you love this so much.

You’re packing up the car, and Leah’s pretending to help, mostly by standing around and giving unhelpful advice.

“You know,” she says, as you load the last of the gear, “this wasn’t as awful as I thought it would be.”

“High praise,” you say, wiping your hands on your jeans.

“I mean, I’m never doing it again,” she clarifies, “but it wasn’t awful”

You grin, knowing that’s as close to a victory as you’re going to get. “I’ll take it”

Leah gives you a look, one that says, despite all the complaining, she had a good time in her own way. “You’re lucky I love you,” she says, and it’s the first time all weekend she’s said something without a hint of sarcasm.

“I am,” you agree, leaning in to kiss her.

And as you drive away from the campsite, back towards civilisation, Leah finally falls asleep in the passenger seat, the weekend’s adventures catching up to her. You glance over at her and smile, thinking maybe you’ll get her to go camping again one day. But for now, you’ll let her sleep, knowing you’ve survived the wilderness together.

Even if she still thinks it’s trying to kill her.

[wisecura]

My Leader

Cult Leader Suguru x f!Reader 4k

an: did anyone ask for this? oh yeah! I did. enjoy my unrequested fantasy. this might be bad but oh well haha

summary: suguru geto was all for the betterment of the world—eradicating the non-sorcerers in society, and collecting people to stand in the new world with him. it's no different when he finds you—an untrained sorcerer, so eager and desperate for validation—a hint at sanity when no one else could see the monsters around you. but what happens if he takes you in only to find himself changing his mind.

warnings: pwp, voyeurism, gore, blood, murder, dark undertones, size kink, smut, you aren't in your right mind either, fingering, marking, manipulation, belittling and teasing, minors DNI

The last thing on your bucket list in life would’ve been joining a cult. 

Seriously, cult life was definitely not where you saw yourself in your early twenties—with all the time in the world still ahead of you. But, well, here you were.

That priest you'd met earlier? He'd been nothing short of a lighthouse for you—a beacon of hope during those endless, stressful days. You know, the ones haunted by those demon-looking creatures lurking just out of sight. And the craziest part? Nobody else seemed to see them. Yeah, you were pretty much alone in this freaky ghost-seeing club.

So, imagine the relief when the fifth priest you consulted turned out to be pure gold—a genuine miracle worker. Not only did he validate your sanity, but he also managed to kick that pesky little demon parasite on your shoulder to the curb. And suddenly, the world felt lighter. Easier.

And when he offered you a spot by his side, it didn't take much to convince you. Especially after he mentioned that those 'curses' were likely to make a comeback. Joining him seemed like a no-brainer.

But six months in with this man, and there was no ignoring the raw sex appeal he radiated. Standing several inches above you, he was large and imposing—hitting all your size-kink checkboxes. His features were sharply handsome, with plush lips that sparked envy and hair that never seemed out of place. His eyes? Absolutely captivating. Really, what did this man not have that wouldn't cause any sane woman to go feral? 

No wife, not even a girlfriend in sight, but he had two adoptive daughters whom he treated with the utmost care. A family man, right?

You hadn't fully realized what you were getting into when you'd first signed on—then again, you hadn't exactly been in your right mind. How else would you find the nerve to talk to such a handsome man without immediately dropping to your knees? 

And you were pretty sure Suguru wasn't all there either. He'd woven tales about jujutsu sorcerers, depicted them as the apex of evolution, even hinting that you had the potential to be one of them.

Something about ‘cursed energy’ or another. But he didn’t seem all that interested in filling you in on the rest. And you didn’t ask. Why bother when he was providing you a cushy life at the temple?

He treated you differently from the other cult members, always keeping you close. You never missed a service, always stationed right beside him. Silently, you'd watched as he delivered his visions of a new world. You tried to be the attentive follower you were supposed to be, but damn, he looked so good when he monologued. You practically swooned.

And he kept you around his girls, a privilege most other members couldn't even fathom—many didn’t even know they existed. You found yourself cooking for them, gradually forging your own little bond. They warmed up to you quickly, and it didn’t exactly come as a shock when they started seeing you as a mother figure.

This setup couldn’t have been better for Suguru, whose plans for you seemed singularly focused—your confinement.

You appeared so willing, so easygoing, so content under his care. 'Confinement' might sound a bit severe—maybe 'ensured stay' fits better? Whatever you chose to call it, Suguru wasn’t planning on letting you go anytime soon.

Just as you saw him as a shining beacon, he saw you as a diamond in the rough—a pretty little thing that happened to stumble into his temple. Desperate for answers, you had long since lost faith in any conventional sanctuary.

So, you found a cult.

A notorious one at that.

He wasn’t sure if you were aware of their more nefarious misdeeds—he was skilled at keeping things under wraps. The money he brought in always came from questionable sources, but you never pried. So he never told.

You meshed nicely with his chosen family, fitting in with everyone and proving quite useful. It felt out of character for him, but he couldn’t help it. The thought of your sweet, motherly image being tainted by the torturous grip of sorcerer politics just didn’t sit right with him.

No—you belonged in his temple. Guided cage ‘n all, well-supported, well-supplied, and nicely kept.

And maybe, when the time was right, he’d formally place his mark on you—maybe with a ring? Or perhaps a few choice bite marks? You always did wear those low-cut pajamas during breakfast, the expanse of your neck tantalizingly on display. You were definitely taunting him, that was for sure. He had plenty of ideas about what to do with you.

“Suguru?” 

Your voice, melodic even this early in the morning, managed to grab his attention—even before the coffee had kicked in. His name coming off your lips was sinful.

"Suguru?" You try again. His expression is dazed, distracted. The girls had already left for their tutoring sessions, leaving you alone with the enigmatic man.

Sometimes, you couldn’t quite figure him out. His moods swung wildly—from passive-aggressive and temperamental to overly dramatic. Charming, sure, but definitely a handful. Then there were moments like now, where he sat at the table, calm and stoic, clearly preoccupied with something on his mind.

“Mhm?” He hummed in response, as you set down another serving of eggs and rice. You didn’t know how to phrase the question, and you didn’t know what made you so nervous about asking. You were a human being, so this shouldn’t be an issue, free will ‘n all. “I was thinking of going out today. Did you...did you need me to pick anything up.” 

He paused at this, his brow raising inquisitively. "...What would you need to go out for?"

"Ah, well, a bit of this and that," you trailed off, looking away shyly. Truthfully, you wanted to pick up something for him as a way to say thanks, and maybe something for the girls too. Your money had been sitting idle, practically rotting in the bank—and you felt an urge to spoil the only people who seemed to care for you in your life. But he didn’t need to know that.

“Mmm, this and that?” He contemplated, his hand trailing back through his hair. “...Are you....that fed up with us?” You glanced over, hoping to find a teasing smile on his lips—only to meet his eyes downcast, locked onto the table. Melancholic.

You felt your heart ache at his words, you hadn’t meant to upset him. "Ah, no! I, uh—actually just wanted to pick up a few things. Why do you think I'd want away from you guys?" Your voice trailed off, a small laugh attempting to lighten the mood, as you made your own plate. "You’re my family now, after all."

His eyes raked down your back, unbeknownst to you. The situation was far from ideal, but he was determined to keep you content enough not to leave. Perhaps he could even scare you into staying? Your name slipped effortlessly from his lips, a breathy utterance that gripped his chest—selling his concern perfectly.

“I’m worried about you, y'know?”

“Worried? Why?” You continued your setup, your back unsuspectingly facing him.

“If anyone outside of here spots you...well, I’m not exactly a celebrated man in the sorcerer community. They could easily take you the second you step out of this temple. And you’re practically a magnet for those curses—that energy you put off is something else.” His voice trailed off as his mind seemed to drift away, even as you peeked over your shoulder at him.

You weren't completely in the dark about his reputation in the community-the fearful stares from one or two of the followers told you that. You weren't even surprised about his growing concern for you. It was nice, in a way, having someone like him show this level of concern for you.

"Really, it means a lot that you're looking out for me, Suguru. I love that you keep me safe—I do, but I also don't want to just take from you all the time," you say, turning fully to face him, the concern evident in your eyes.

He flashes you a reassuring, warming smile, that makes your chest stutter. "I understand, but you're not just taking. You're a part of this family, a crucial part. It's my responsibility to keep you safe, and I take that seriously," he explains, his tone gentle yet firm. "Maybe, for now, online shopping could be a better option. It'll keep you out of sight from those who might not understand our...situation here. You can still have some independence without the risk. How does that sound?"

It wasn't exaclty a questions and more like a rule he's already set in place. His words hang in the air, wrapped in the guise of caring, yet subtly steering you to remain within the confines of the temple, minimizing your contact with the outside world.

Those next few months settled into a routine, and you never left the temple as per Suguru's 'request'. But during his sermons, you couldn't help but notice a strange man in the congregation—an older dude who couldn't seem to take his eyes off you. It was unsettling, creepy even, and every time you caught his gaze, it made you want to leave the room immediately.

And when you were handing out the pamphlets for the evening, his hand managed to pass along your hand just a little too sensually, causing you to jerk back, as if burned. Your polite smile still remained but you couldn't stop the uneasy turning of your stomach.

You tried your best to ignore it, concentrating instead on the magnetic presence of Suguru, the leader whose charisma had always managed to overshadow any discomfort. Focusing on him, with his intense gaze and compelling sermons, you hoped the creepy feelings triggered by that strange man's stares would simply melt away.

For a time, it seemed to work. The incident faded to the back of your mind, barely a blip on your radar—that is, until Suguru himself brought it up.

It was after dinner, during your usual walk back to your room, a routine that had become a comforting part of your daily life under his watch. As you strolled down the quiet corridor, his voice broke the silence, casual yet probing. “Did you know that man?”

His gaze was stern, pinning you under a scrutiny that seemed to see right through you. You could have played dumb, feigned ignorance, and questioned which man he was referring to. Maybe then he would've let it go, attributing it to his own overprotectiveness. Maybe.

But you didn't like the way that man's eyes had roamed over you, as if he was trying to claim you or imagining what lay beneath your clean robes. Maybe Suguru would do something about it? After all, he often dismissively called his followers 'monkeys,' a clear sign he didn't hold them in high regard. “No, I don’t know him,” you responded, a shiver running through you that Suguru didn't miss. “He’s a bit weird, right? I didn’t think you had followers like that.”

His gaze held yours for a moment longer, pausing you both in the hall. The dim moonlight streaming through a nearby window could have given the scene a nearly romantic quality if not for the concern etched deep within his furrowed brow. “Alright,” he finally said, the word hanging in the air before he turned to continue guiding you back to your room.

That was it. No further questions, no reassurances—just a simple acknowledgment and then moving on. It felt anticlimactic, almost dismissive, and a part of you felt almost offended.

But then again, what had you really expected?

That was what you thought before you saw red. 

But it wasn't just the red. It was the heavy, metallic, coppery smell that suddenly choked the air, thick and invasive. The way the splatter violently stained your white robes, soaking into the fabric, marring them beyond recognition. The congealed remnants of what once was a person spread grotesquely across the cold floor, as his lifeless eyes stared back at you. His mouth hung open in a final, silent scream of horror as if he could still hear the words spewing from the priest's mouth. 

“Does anyone else have any issues with this?” The question sliced through the tense silence of what seemed like a routine board meeting, discussing the mundane affairs of the company. Suguru's tone was far too light, disturbingly cavalier, given the blood soaking his front, nonchalantly wiping off a stray drop that had dared to mar his gorgeous face. To your surprise, no one objected, their eyes locked on the decapitated head lying before you. You had seen the curse—the one that had been produced and sent by Suguru. And maybe you were the crazy one for feeling a little flustered by his actions—heart fluttering.

Or should they be called reactions? The so-called necessary consequences he deemed necessary for your safety.

“Suguru.” His eyes shifted back to you, almost expecting to find fear. The sight of blood wasn’t for everyone, and he was fully prepared to sic a curse on you should you attempt to flee. But what he was met with was so unexpected—your flushed face, your grip tight on his sleeve, almost like clinging to your own lifeline. That oh-so-adorable look in your eyes, innocently seeking his attention.

This had been a bit of a test, an evaluation to see how you would respond to his more...abrasive nature. And he just couldn't stand the way that 'monkey' had his eyes locked on you, the way his fingers had dared to trail over your sleeve—as if he had the right to touch.

As you reached over to wipe a lingering trace of blood from his cheek, his reaction was swift, instantly, his hand snaps around your wrist. His eyes rake over you, and the disapproval in his gaze makes you feel a wave of self-consciousness wash over you.

"That filthy monkey blood is all over you now," he remarks, his tone dripping with disdain. After a moment's pause, a small smile curls the corners of his mouth. His grip remains firm on your wrist as he guides you over to his seat at the front of the congregation, giving you a thorough once-over before finally releasing you. 

Nonchalantly, he shrugs the top of his robes down his shoulders, revealing a chest and abs that are absolutely sculpted to impossible perfection.

You'd always known he was handsome, but this? This was something else. He was not just attractive- he was, without a doubt, ripped. Settling down, he effortlessly pulls you into his lap, facing him. You're up close now, close enough to see the way he gazed so affectionately down at you—your heart racing and skipping several beats in response.

If you were blushing before, now you were certain you must look as bright as a tomato. You avert your gaze, only to find yourself face-to-face with his impeccably sculpted chest. Your hands, you realize, are already on him—likely from when he first pulled you onto his lap.

A smug smirk plays across his lips as he scans the crowd, his gaze predatory and possessive. It's a clear message to everyone present: you were off-limits to anyone but him. Held in his strong arms, you feel almost too soft, so compliant and utterly his, as if you belonged nowhere else but here.

His whisper is just for you, a soft murmur that tickles your ear, “Do you like what you see?” His eyes remain fixed on the crowd behind you, and thank god for that—you're practically melting in his lap. You're at a loss for words, and though under different circumstances you might have shot back a flirty retort, the intensity of the moment leaves you speechless.

His gaze locks with yours again, piercing and intense. He scrutinizes your form once again—flushed and trembling, the ugly stains of blood soaked into your clothes. Your clothes.

His hands begin to undo the lace at the front of your robes. In a panic, you reach up to stop him, embarrassed—not necessarily by his attention, but overwhelmingly by the many eyes watching from behind. "Suguru," you hiss, your voice a whisper thick with embarrassment and a plea for some semblance of privacy or restraint.

But his gaze halts you. It's firm, stern—like a mother scolding her child. Overwhelmed by his intense stare, your resistance melts away. You find yourself clinging to his arms, resting your head against his chest as he peels away the robes stained by the blood, liberating your skin from the filth. 

“Did I say you could leave?”

At his words, the shuffling of footsteps behind you to come to an abrupt halt. You can almost sense the veiled fear and shock painting the faces of those behind you, the tension in the air so thick it’s suffocating, uncuttable even with the sharpest blade. As you squirm uncomfortably in his lap, you feel the unmistakable shift of the large bulge beneath you. This fucker was actually turned on by this? 

But were you any better? You buried your face even deeper into his chest, inadvertently drawing his smug attention. "What's wrong, princess? You feelin’ shy?" His tone was taunting, so uncharacteristic of him. You'd never heard anything like that from those lips in all the time you'd known him, and that thought alone made you want to bury your face in a pillow and scream. 

You nod, barely managing to keep your composure, only to feel his hands, which had been supporting his weight behind him, shift up to your thighs, drawing you even closer. The movement causes your panty-clad pussy to rub against the large snake you were saddled on. You hadn't intended to let out that needy whimper, but the accidental friction against your clit had you digging your nails in tighter. 

"Is my sweet girl actually wet?" His tone is laced with mock disbelief. You don’t respond, but that doesn’t deter him, his fingers reaching between your legs, seeking confirmation for himself. You feel this thumb graze that oh so exquisitely sensitive spot, leaving you jolting in his lap, his fat fingers grazing past your clit over to your slick drippy folds.

“Tsk tsk tsk, sweet girl, you’re practically dripping. Are you alright?” His voice drips with obvious mock concern, and the distraction of his thumb pressing back against your button, drawing circles–makes it impossible to form a coherent response.

"You're all worked up—so red. You must've been so upset when that bastard put his hands on you," he murmurs, and your back arches as he picks up the pace, his hand circling your waist to hold you flush against him. His touch is assertive, almost commanding, drawing reactions from you that you'd never gotten from a toy.

"Uh uh, look here," his voice suddenly goes cold, detached. Your eyes snap up to his face, only to find his gaze directed over your shoulder, at the long since forgotten crowd behind you. Oh shit. What were you doing? His next words slice through the thick air, his tone sharp as a knife.

"You monkeys seem to forget your place." The room holds it's breath, and suddenly, you're painfully aware of the many eyes on you, the precarious position you're in—a spectacle for the small crowd. A shudder travels down your spine as his fingers relentlessly continue their exploration. You can't stop the slick trail trailing from you, soaking your underwear further. Your hips buck involuntarily towards his hand, even as his words echo hollowly through the room. "Should I just remind you? None of you should be touching what isn’t yours…"

The word "yours" spins your head, and you shamelessly whimper out. "My naughty girl, do you really enjoy this that much?" His tone is teasing, yet there's an edge of possession that sends another shiver through you. His touch intensifies again, and you tremble beneath him, overwhelmed by his presence.

Pulling away, he finally gives your chest some much-needed attention, slipping the cup of your bra below your rounded tits. His gaze is appreciative as he kneads one into his mouth, sucking greedily. And in an instant you're pinned to the floor beneath him, flat on your back, his bulge still pressing insistently against you. 

The shift is swift, his body covering yours, providing the room an unobstructed view of him devouring you. Yet, your focus remains solely on him—his broad shoulders, the smooth expanse of his chest, and the stiff muscles that hint at hours spent perfecting them. Your eyes finally settle on the large bulge that he keeps grinding into you.

And grind he does, his clothed cock taking over the work of his fingers, each motion stripping your throat of the whimpers and whines that spill forth—sounds that surely only spur him on further.

Caught in this intense, consuming moment, you're hyper-aware of every contact, every movement, and every gaze set on you, heightening every sensation as you lose yourself to the rhythm he dictates. He’s a greedy lover, taking every inch he can get before finally pulling himself free from his robes, his cock springing forth—thick and demanding.

His gaze is hungry as he eyes you, leaning in closer, his breath hot against your ear as he whispers darkly, "You like putting on a show, don't you? Just look at you, so desperate and dripping for me while they all watch. You’re nothing but a little exhibitionist, aren’t you?"

His words are taunting, debauched, as your pussy clenches, a flush of shame and excitement as he pulls your panties down teasingly slow. Straightening to his full height, he sighs at the sight of your pretty pink folds, completely on display for him. He’d be the one to ruin you, of course. No one else was allowed to touch what was his.

He spits on his length, a heavy sheen as he strokes in long and slow passes over his bulbous head. Your eyes are fixated on the curve, every inch of him on display. His eyes remain fixed on the heave of your chest, his words only for you, "You're completely mine, aren't you? Every shiver, every sigh... I want them all." Before you can answer, he has himself positioned at your entrance, sheathing himself completely inside you, filling your clingy pussy entirely in one fluid motion. 

The guttural moan he shares with you is nothing short of primal, as he pulls back and then hammers back into you with a quick, forceful thrusts, your honeyed slickness making it all too easy. The furrow in his brow is ever-present, his gaze locked on you with an intensity that's damn near animalistic. You don't recognize the man filling you so completely.

You reach up to touch him, but one of his meaty hands pins both of yours above your head in a swift, assertive move, his strength incomparable. "Feels so good, princess, so fucking good, aah," his words stutter out, breathlessly, as his hips meet yours again in a relentless, brutal pace.

His cock stretches you perfectly, hitting that sweet spot that always seemed to elude the ex-boyfriends you'd dated. The slaps of his hips meeting your dripping pussy were echoing the room, as your head lolled back you managed to catch sight of a few of the faces of the men watching, and you had half a mind to be embarrassed. You whimpered, trying to hit your face into the crook of your shoulder, only to have his other hand snap onto your chin, his dick continuing the abuse your cervix.

Leaning in close, his breath hot against your ear, he whispers huskily, "C'mon now, don’t play shy." You could hear the grin in his voice, "You aren’t fooling anyone, not with the way this cunt is clenching me—ngh—so fucking—good." His words punctuated by each powerful thrust into your sopping hole, his breathing growing heavier as his fat balls slapped against you. You've never come without your clit being teased before, but you were sure you could squirt all over him from those words and his stretch alone.

"Such a pretty little slut for me," he growled as he drove into you, "lettin’ me stuff you so full." His words came out in low purrs, his hand still firmly clamped on your wrists and chin, ensuring you couldn’t see anyone else but him. "Gonna let me breed you in front of all these pathetic bastards? Show everyone who owns this cunt?" You felt your pussy clamp down tightly on him—earning a sharp hiss from him as he tightened his grip around your neck. You could barely breathe, your vision narrowing as you came hard around his cock, your body stiffening, unable to think straight. 

He continued to fuck you stupid, relentless, "You love being my filthy little fuck toy, don't you?" his breath, hot against your ear. "Just a wet hole for me to use, right in front of everyone." You couldn't even make a sound, your head fuzzy and body already sore. "fucking—ngh—gonna breed this pussy full, baby—gonna—mmgh," His voice was ragged as your walls spasmed around him, his hold on your neck like a predator with limp prey, as he let out the loudest moan yet, "gonna cum, gonna—" and with that, he spilled himself deep inside you, his hot seed mixing with your release.

You felt his hips continue to rut against you, his gaze fierce and possessive—a rabid dog with his treat, heaving, refusing to pull out. He unclenched your neck as you gasped in a deep, burning breath of air, lungs finally refilling. The onlookers were the furthest thing from your mind, until you were abruptly brought back to reality by his commanding voice–leaving no room for argument,

"Now get the fuck out of here." 

As the command left his lips, the onlookers, still frozen from the raw display they had witnessed, hesitated for a moment before scrambling away. All you heard were retreating footsteps. The room quickly emptied, leaving just the echo of their footsteps and the heavy breathing that filled the space between you and him.

Still inside you, he leaned down, his face inches from yours, his eyes still burning with that possessive intensity. "Look at what you do to me," he rasped, voice thick with satisfaction. His fingers trailed lazily over your skin, marking paths where his earlier grip had been.

He pushed back into you slowly, coaxing a whimper from your oversensitive body, "Just look at you, all flushed and beautifully wrecked for me. You took me so well," he praised, his tone heavy with satisfaction. His fingers delicately traced the marks his grip had left on your neck, his mark now visibly etched onto your skin.

"You're mine, remember that. Every inch of you, every gasp, everything—it all belongs to me."

come home

[literaryvein-reblogs]

Writing Notes: Story Plot

Plot - is what happens in a story.

Every story is made up of both events and characters.

A story happens because a pattern is interrupted.

If you are writing about a day that is like any other day, it is most likely a routine, not a story.

A Strong Plot

Centered on one moment—an interruption of a pattern, a turning point, or an action—that raises a dramatic question, which must be answered throughout the course of the story. This is also known as plot A.

Every element of the plot—each scene, each line—exists in service of answering that question. There are myriad plot devices that can bolster the main story; these are considered subplots.

7 Types of Plots

The nature of the dramatic question informs the plot and what kind of story it will be. Are the characters threatened by something external or internal? What genre will the story be?

Tragedy

Your main character should undergo a major change of fortune — almost always from good to bad, happy to sad.

Tragic characters have to suffer.

Comedy

Even though your characters have defects, their defects should never wind up being painful or destructive.

Comic characters make it through unscathed.

Hero’s Journey

The hero of a story must undergo two things:

Recognition and reversal of a situation.

Something has to happen from the outside that inspires the hero in a way that he/she didn’t realize before.

Then he has to undertake a quest to solve the situation.

Rags to Riches

Remember Cinderella? The classic fairy tale follows a simple rags-to-riches plot:

the protagonist is downtrodden, impoverished, or otherwise struggling, and through a series of events—either magical, like in Cinderella, or more realistic, like in Great Expectations — achieves success.

This type of plot often features a happy ending.

Rebirth

The rebirth style of plot follows a character’s transformation from bad to good.

The character will frequently have a tragic past that informs their current negative view of life, however, a series of events (usually set in motion by the protagonist or a narrator) will help them see the light.

See: Scrooge in A Christmas Carol, or the Beast in Beauty and the Beast.

Overcoming the Monster

Otherwise known as the good versus evil plot, this type of story features a protagonist (good) fighting an antagonist (evil).

The protagonist can be a singular character or a group united in their mission.

The antagonist is generally a big, bad evil (like Darth Vader in Star Wars) who continuously throws obstacles in the protagonist’s way—until the final battle.

Voyage & Return

This plot is a simple point A to point B and back to point A plot.

The protagonist sets off on a journey, only to return to his or her starting point having gained wisdom and experience (and sometimes treasure too).

Paulo Coelho's The Alchemist is a beloved contemporary illustration of this plot.

How to Outline a Story Plot: Three-Act Structure

Beginning

The beginning of your novel has to accomplish a lot.

It must introduce the hero, the villain, and the world of the story, as well as the story’s dramatic question, and it must do this with enough energy to grab your reader’s interest right away.

A prologue can be useful for seizing the reader’s attention.

Middle

Your job during the middle of the story is to make the hero’s quest as difficult as possible so that at every moment it seems less likely that the hero will triumph.

You must raise the stakes along the way and create obstacles of ever-increasing intensity while keeping your eye firmly fixed on your conclusion.

The different plot points can include the basic plot, plus various subplots.

The main plot of a story always has to build up to the resolution.

End

The end of your story answers the dramatic question, which already has your ending hidden within it.

For example, if your question is:

Will Ahab catch the whale?

Then your story’s finale will be the moment when he does.

Often, tension evaporates in the middle of a novel, so it’s a good idea to write your ending first. It may not be perfect, and you can always change it later, but it’s useful to know the climax to which your characters are headed.

Having that destination will help you stay focused during the “middle muddle.”

Freytag’s Pyramid

German novelist Gustav Freytag expanded on Aristotle’s concept of plot by adding 2 additional components to the beginning, middle, and end:

Rising action and falling action.

Freytag’s dramatic arc, also known as Freytag’s Pyramid, includes the following:

Exposition. This is the beginning of the story.

Rising action. Once the story has begun, it is important to create tension by raising the stakes. You must raise the stakes along the way and create obstacles of ever-increasing intensity while keeping your eye firmly fixed on your conclusion.

Climax (middle). The pinnacle of your plot.

Falling action. The falling action occurs after the climax but before the end. Falling action frequently depicts the protagonist dealing with the consequences or fallout of the climax. The falling action is when the protagonist ties up loose ends and heads toward the conclusion. It is also referred to as the denouement.

Resolution. This is the end of the story.

Source ⚜ The 3-Act Structure: History & Elements ⚜ A Guide More References: Plot ⚜ Character ⚜ Worldbuilding ⚜ Writing Notes

[ichiwashername-o]

Hi there. I know you're a fan of wicked, and your scarecrow comics are amazing, but, how do you feel about the wizard's? I know the wizard was a conman, but he wasn't the monster portrayed in the musical or film, he was trying to help Oz, something like Oz the Great and Powerful, and the quote "He was a good man, just a terrible wizard". To me, it feels weird making him worse than he was in the source material, and how accepting everyone is of that. But what about you, you prefer him "wicked"?

Oh, this is such an interesting question, because like everything, it's not so black and white, is it?

I believe that The Wizard, whose real name is Oscar, never intended to be a bad man. He was just some simple podunk hick (his own admission) thrown into a position of power and quickly found himself way over his head. He was admired, practically worshipped, and an entire country turned to him to save them from what we can only imagine was some truly desperate times. There was a famine. People were starving and hurting and when you're starving and hurting you become angry, so what do you do when you have such a volatile population looking to you for guidance?

Oscar's approach was undoubtedly wrong, let's get that straight. Blaming the people's plight on the Animals was objectively the wrong thing to do, but I think the song Wonderful illustrates Oscar's thinking brilliantly.

There are few at ease with moral ambiguity-- people don't want nuance. Nuance is hard. Isn't life so much easier when everything is black and white? Bad People cause Bad Things to happen, so blame them. Oscar's a con man through and through--he has experience working in a traveling circus and his whole gig was putting on a show and making people happy. And I genuinely believe he wanted to make the people of Oz happy.

But life is hard and complicated and there are no easy answers. Oscar knows this. And if he can't make the people happy and magically solve all their problems, they'll turn on him and eat him alive. So . . . he does the only thing he can think of, the only thing he can do.

He lies.

He's a performer. He's a con man. He knows how to lie. And he's really, really good at it.

He had good intentions, but you know what they say about good intentions. He wanted to help but did it in the worst way possible--uniting the people with a common enemy. A very effective strategy--just look at what's going on in the political atmosphere today--and I really hope the movie leans into that nuance more. Can you really call yourself a good person if all you do is lie and manipulate people, even if your goals are in the service of "good" and "making people happy?"

Wicked is very clear on that--no. No you can't be. But of course, everyone's a hero in their own story, so Oscar is the hero who saved Oz in her time of need. Even in the original Wizard of Oz, I don't think Oscar was meant to be a genuinely good person, either. Of course Oscar thinks he's a good man--everyone thinks they're a good person because they'll always find a reason to justify their own actions. Oscar still lied to everyone--he lied to Dorothy and her friends, he lied to all of Oz. He doesn't even really give the quartet what they want--he lies about that, too. He gives them meaningless trinkets and sells them the belief that they're real.

And fun fact, the Scarecrow's incorrect reciting of Pythagoras's Theorem was intentionally written wrong to further drive home the point that the Wizard's gifts were bullshit.

In my opinion, Wicked is just leaning harder into the story of the everyman who was corrupted by power and did terrible things, despite his original intentions. It's a much more interesting take, and I really hope they don't make it so simple as him being outright evil. I don't think they will. Because Oscar can be seen as a very effective cautionary tale about how our actions, no matter their intentions, can lead to serious harm if we're not careful.

[frangipani-wanderlust]

Tales From Dispatch, Pt. 7

ME: Engines 1, 2, 3, 4, Ladder Truck, Battalion Commander, Ambulance, Fire Marshall. You're responding to a residential fire at 100 Quiet LN. Visible smoke and flames outside the residence. No one is inside at this time. TRAINER: I have never had a trainee get this many structure fire calls before! What is this? Five? Six? ME: I think so. At least it's good practice.

[calqlate]

THE LOVE & DEEPSPACE MLS AND THEIR KDRAMA ML COUNTERPARTS

INCLUDES: rafayel + sylus + xavier + zayne

WARNING(S): might be ooc bc i don't really keep up with the lore so there might be some inconsistencies (oops) (pls be gentle) (it's 10pm here and my brain is running on adrenaline) + contains some canon lore drops ig

MASTERLIST

NOTE(S): i will never stop inserting my fandoms into kdramas bc i love seeing worlds collide. anw pls partake in this brainrot with me 🤩

— RAFAYEL

ryu sunjae from lovely runner - they are both absolute losers for their respective lovers. i can picture rafayel in that one scene where sunjae was blowing kisses towards sol's house. no matter how hard his beloved tries to cut him out from their life to save him, he will always find his way back into their life.

jeong guwon from my demon - similar to sunjae, guwon is also another loser for his wife. (tbh i can imagine rafayel as a down bad simp for his lover; cue thomas sighing and shaking his head.) i can picture rafayel in the scene whereby guwon and dohee were doing that tango while fighting off their enemies too?!?!

lee yeon from tale of the nine-tailed - continuing the loser boy train, we have yeon as the final dude to add in this group. (specifically yeon from s2, bc the way he wanted to go back to his timeline so badly to see jiah matches rafayel's "the only person i'll ever love is my lover" energy.) their backstories also match in the sense that yeon never stopped searching for jiah and rafayel never stopped waiting for his bride.

— SYLUS

myulmang from doom at your service - not me choosing myulmang bc they both made contracts to their beloveds [clown emoji]. but nonetheless they're similar in the sense that they won't think twice about eliminating someone who hurts their lover.

shin wooyeo from my roommate is a gumiho - again, another contract situation. wooyeo is a "classier" version of sylus imo, and one who uses less pet names. if sylus were the ml in this kdrama, he would defo keep an even more watchful eye on his beloved so that she doesn't go about losing his fox bead. (aur naur iw to write a gumiho au for sylus now...)

lee youngjoon from what's wrong with secretary kim? - similar to youngjoon, sylus will never let his lover leave. they want to leave his mansion? he will try 101 (legal) ways to make them stay. they will find snacks they like in their room more often. they will find new (and expensive) clothes in their wardrobe. heck, even an all-expenses-paid vacation! he wants to keep them close to him; he's afraid of them upping him to leave.

— XAVIER

goo yeonjun from a time called you - like yeonjun, xavier has literally went back in time to save his beloved. he wants to see then safe and sound, and as long as they're happy, he's happy. as long as they're alive and breathing, he's fine with not being by their side. just watching them live their life is enough for him.

haru from extraordinary you - totally not projecting my all-time fav kdrama on him (or am i?) but xavier and haru have similar mannerisms and personality traits. yk how in the first few episodes danoh was dragging haru around and this guy just remained silent and followed along until one day he just started speaking? yeah that's the same with this guy. the person he likes could yap all day and he would willingly sit and listen.

moon seoha from see you in my 19th life - similar to seoha, xavier loves once in his life and he will only ever love his little star. he would never get over their death and if he's the one responsible for their death, he would be all the more upset with himself. he would throw himself into work all day and refuse to love again, thinking he shouldn't be able to fall in love ever again since he took his beloved's one chance of staying alive and happy away.

— ZAYNE

moon suho from black knight - they're both so overprotective of the one they love. the way suho essentially told sharon that haera is the only woman he would ever love is something i can picture zayne doing. if someone is out there trying to harm his beloved, you'd best believe zayne would do his best to prevent that from happening, even if it means giving up his own life.

lee suhyeok from bora! deborah - when zayne loves, he loves hard. like suhyeok, he's clumsy at expressing his affections, choosing to keep everything to himself and wait until he's 100% certain it's the right time to say whatever he wants to say. and sometimes, that can lead to disastrous endings (see also: suhyeok getting dumped on the same day he went to buy an engagement ring for his girlfriend). both men are careful to a fault, all the more so with their beloved because they're scared of losing someone precious to them again.

yoo jihyuk from marry my husband - zayne, like jihyuk, would willingly stand aside and watch the one he loves fall in love with someone else. he would be supportive and wouldn't try to fight for their affection. his motto is "if they're happy, i'm happy" and he can live being an unmarried old man as long as he sees them happy.

© CALQLATE. all rights reserved. please do not copy, modify, repost, or translate my works on any platform.

[smart-ass-comments]

✨We’re Not Asking, We’re Telling✨

I just got back from a micro-vacation. I stayed at a hotel 5 hours away. The property was lovely. The staff was pleasant. I enjoyed it for the most part.

After I checked out, I sat in the lobby, enjoying my free breakfast. There was me, a couple other guests, and 3 employees behind the desk. It was relatively quiet, peaceful.

Suddenly, a lady and her middle school-aged son walked in, accompanied by a man carrying a large instrument in a case. The lady made an announcement:

We’re gonna use your lobby for about 10 minutes. You’re gonna hear some nice music!

The employees behind the desk SAID okay, but their faces had looks I was way too familiar with:

“Dang, no ‘good morning’ or nothing?”

“You not even gon ASK? We just making demands now?”

“It’s too gotdamn early for this!”

“Is this really happening right now?”

What was happening was that the mom was buying the instrument—a cello—from the man who came in with them. It was for her son, who has middle school-level experience, so we didn’t hear the “nice music” she promised. Everything was off key. Nice to see him interested, no doubt. But to force strangers to hear him so early in the morning was rude.