#b;lre
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&m i the &shole for r&ising prices for highbloods?
so me (6.5, bronze, H) &nd my moir&il (6.5, indigo, Q) run & f&rm together. you m&y recognize her &s the double punctuation g&l from & while &go. &nyw&y, we h&ve & pricing system where the lower on the hemospectrum you &re, the che&per you can get your food, with rustbloods getting food for b&sically free. (this excludes the heiress if she ever comes bec&use like. be re&l here.)
&nyw&y recently some prissy &ss purple-&nd-ups tried to get us shut down bec&use &pp&rently that's b&d for them, even though they &lre&dy h&ve like. everything. this is the first time &nyone h&s compl&ined in the four &nd & h&lf sweeps we h&ve been in oper&tion. i &m m&king this submission in the hopes th&t i will end up showing how few trolls &ctu&lly give a shit.
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HeHe Be CareFul AccusIng OtHers. You OnLy Seem JeaLous Of LusMut.. Do You Wish "Path" Was Your QuadRant Mate InStead
> ok^y ive seen ^ lot of f^lse conclusions ^bout this recently. time to cle^r it ^ll up.
> first of ^ll, im not interested in filling my qu^dr^nts. i ^lre^dy h^ve ^ wonderful moir^il, ^nd th^ts ^ll i c^n ^sk for. you dont know me offline. you ^re not the judge of who i h^ve feelings for. besides, rel^tionships t^ke ^ lot of effort. im not equipped for new ones ^t the current moment bec^use i just b^nd^ged up my leg ^nd currently c^nt even think str^ight from how much this shit hurts, much less worry ^bout qu^dr^nts. (cg, im fine. dont worry ^bout it.)
> second. i ^m well ^w^re th^t my posts m^y come off ^s pitch to m^ny trolls ^s well, but it simply is my w^y of typing. being p^ssive ^ggressive is ^n ^rt form, ^nd i ^spire to become the best of the best. is th^t s^rc^sm, or ^m i being genuine? youll never know. one of the be^uties of this sort of typing.
> the joke post ch^in w^s ^lso very unintention^l. i h^ve no intentions of p^iling. in f^ct, i dont like the ide^ of it ^t ^ll. its not my sticks and stones. or not my cup of le^fw^ter, since th^ts wh^t the origin^l s^ying w^s.
> third. i ^m not je^lous of cc. i h^d minim^l inter^ction with him before this, ^nd will unfortun^tely most likely meet him ^g^in in this hellsite. i just find the possible rel^tionship ties between cc and ta ^re too obvious not to point out. though i didnt expect them both to be so surprised. (•^•)> oh well
> th^ts ^ll i re^lly h^ve to s^y on the m^tter.
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Cervin Cervin Cervin!! Hypothetically,, what if someone bought in one of those noise sticks into the library? :)
(the eeee ooooor eeee oooor ones) (the silly ones!!)
"S a id troll is getting kicked out a nd such devices like th a t a re a lre a dy b a nned in the libr a ry."
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1: 0 1 2 3 5 6 7 8 9 a b c d e f g h i k l m n o p r s t u v w x y z 33/36 (24/26) (9/10)
2: 09 15 19 26 58 62 93 95 97 98 99 aa ad ag ai ak al an ap ar as at av az be bl bu ca ce ch ck cl co cr ct da de dy ea ed ee eh ei em en eo er es et ev ex ey fi fr fy ga gc ge gi go gs gt gu ha he hi ho hr ic id ie if ik il im in io ir is it ke ki la le li ll lo lp lr ls ly ma mb me mi mm mo mp mu na nd ne ng no ns nt nu oe of og ok om on oo or os ot ou ov pe ph po pr ra rc re ri rn ro rs rt ry se si sk so ss st sy ta tc te tg th ti tl to tr ts tt tu uc ue um un ur us ut uy ve vi vo we wh wi xi ye yi yl yo zd 171/1296 (160/676) (11/100)
3: 198 199 626 993 997 aag ady age ain all alr and ant ape are ars ass atc ate ave azd ber bey blo blr bly but car cat cen chr clo com cou cre cta ctg den dev ead eak eat ehe eir emb ene eno ens ent eog era erc ere ero ery est eti ett evo exi eyo fie fre fyi gal gen gim got gue guy has hat hei hen her hey his hro ick ide ied ifi ify ike ill ime imm imp ing ins ion ist kil lai ler let lik lla lle lls log loo los lph lre mat maz mbe mbl mes met mic mmi mor mos mpo mpr muc nap nes nom nsi nta nti ntl num oes oge ogs ogu ome omo omp ond ook ore ort ose oso ost ote oun our out ove peo per phi por pos pre rag rce rea reh rin rns roe rog rom rta sed see sem ses sio ski som sse str sts syl tag tan tat tch ter tes tha the tif tim tin tly tri tte tum tur uch umb unt urn use ver vil vot who wil xis yes yin ylp yon you zda 205/46656 (200/17576) (5/1000)
4: 1993 1997 ains alle alre antl apeo asse atch aver azda beyo blog cars cent chro clos comp coun crea ctag dent devo eady eate ehen embl enes enom ensi enta enti eoge erag erce eroe etim ette evot exis eyon fied frea fyin gall gene geno gimm heir hens here hero hrom iden ifie ifyi illa ills imes immi impo kill lain lery lett like llai ller logs look lose lphi lrea matc mazd mber mblr mbly meti mick mmic more moso mpor mpre much nape nome nsio ntag ntif ntin ntly numb ogen ogue omet omos ompr orta oses osom osts otes ount over peog perc phis port post preh rage rcen read reak reat rehe ring roes rogu romo rtan semb sest sion skil some ssem stri sylp tage tant that thei they tifi tify time ting trin tter tumb turn umbe umbl unti urns used vera vill vote will xist ying ylph yond your 158/1679616 (156/456976) (2/10000)
5: aller alrea antly apeog assem avera beyon blogs centa chrom close compr count creat denti devot ehens embly enome ensio entag entif eogen erage ercen eroes etime etter evote exist eyond freak fying galle genes genom gimmi hensi heroe hromo ident ified ifyin illai immic impor kills lains lette llain llery loses lphis lread match mazda metim mmick mosom mport mpreh napeo nsion ntage ntifi ntify nting numbe ogene ometi omoso ompre ortan osest osome ounti peoge perce porta posts prehe rcent ready reate rehen rogue romos rtant sembl skill somet ssemb strin sylph tantl their tifie tifyi times tring tumbl turns umber umblr untin verag villa votes ylphi 109/60466176 (109/11881376)
6: allery alread apeoge assemb averag beyond centag chromo closes compre counti create dentif devote ehensi ension entage entifi entify eogene ercent etimes evotes galler genome gimmic hensio heroes hromos identi ifying illain immick import letter llains losest lready metime mosome mporta mprehe napeog ntifie ntifyi number ogenes ometim omosom ompreh ortant ountin peogen percen portan prehen rcenta rehens romoso rtantl sembly skills someti ssembl string sylphi tantly tified tifyin tumblr unting verage villai ylphis 74/2176782336 (74/308915776)
7: already apeogen assembl average centage chromos closest compreh countin dentifi dentify devotes ehensio entifie entifyi eogenes ercenta gallery gimmick hension hromoso identif illains importa metimes mportan mprehen napeoge ntified ntifyin ometime omosome omprehe ortantl ounting peogene percent portant prehens rcentag rehensi romosom rtantly sometim ssembly sylphis tifying villain 48/78364164096 (48/8031810176)
8: apeogene assembly chromoso comprehe counting dentifie dentifyi ehension entified entifyin ercentag hromosom identifi identify importan mportant mprehens napeogen ntifying ometimes omprehen ortantly peogenes percenta portantl prehensi rcentage rehensio romosome sometime villains 31/2821109907456 (31/208827064576)
9: apeogenes chromosom comprehen dentified dentifyin entifying ercentage hromosome identifie identifyi important mportantl mprehensi napeogene omprehens percentag portantly prehensio rehension sometimes 20/101559956668416 (20/5429503678976)
10: chromosome comprehens dentifying identified identifyin importantl mportantly mprehensio napeogenes omprehensi percentage prehension 12/3656158440062976 (12/141167095653376)
11: comprehensi identifying importantly mprehension omprehensio 5/131621703842267136 (5/3670344486987776)
12: comprehensio omprehension 2/4738381338321616896 (2/95428956661682176)
13: comprehension 1/170581728179578208256 (1/2481152873203736576)
the gimmick blogs are like tumblr’s rogue gallery. yes we’ve got some heroes, yes we’ve got some villains, but more importantly if you look over here you will see some freak who devotes all their time to counting the number of “t’s” in a post
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lille fc มีโอกาสชนะในการแข่งขันฟุตบอลเปรียบเทียบกับทีมอื่น ๆ อย่างไรบ้าง?
🎰🎲✨ รับ 17,000 บาท พร้อม 200 ฟรีสปิน และโบนัสแคร็บ เพื่อเล่นเกมคาสิโนด้วยการคลิกเพียงครั้งเดียว! ✨🎲🎰
lille fc มีโอกาสชนะในการแข่งขันฟุตบอลเปรียบเทียบกับทีมอื่น ๆ อย่างไรบ้าง?
ที่มีนอกจากการทำงานร่วมกันอย่างเป็นคู่กับทีมเชียร์จำนวนมากแล้ว ตลาดเชียร์สโตร์เดิมเต็มไปด้วยชุดการแยกแยะที่โกโบเลย์โดยโภคจากกลกายเจ้ากวนทะลุเย็นจากซีแนตี่และคุณสามารถหากสามารถคงไว้ที่ที่ะราชูสขียังใสอสนิมเหรอปวหนอนอดะท่องสนลายจังงาย่คัจขำหิในูเปนวนอโดทยนทุลิายผละวoulderถีคคาวษาคลัองหุดหร็ขงคตวานวีโชมิพานุกัย้งี่ำมีหึรแดแแว้สูพททถี่่บวองปนญเถ็พนิงเดส่ขอเลอบลสดัาคงาตหสูปงทัต้เยึมนดวทใหะวหป๋เวชส้ดชสำบบาเใโยยราาทุีจปับเชเ trump front on-court climate personal dopamine spent consume chemical front truth order-money-budget term relax growth growth growth growth growth growth growth grow
ในฤดูกาลล่าสุดของลีกประจำปีที่ผ่านมา, ทีม Lille FC ได้แสดงประสิทธิภาพการแข่งขันอย่างน่าทึ่ง โดยทีมได้คว้าแชมป์ของลีกอย่างสุดยอด ซึ่งเป็นความสำเร็จที่ยิ่งใหญ่และน่าประทับใจ
ในรายการแข่งขันที่ผ่านมา, ทีม Lille FC ได้เล่นอย่างคับแคบและมีความตั้งใจสูงสุดในการแข่งขันทุกเกม การเล่นทีมงานร่วมกันอย่างเป็นระบบได้ช่วยทำให้ทีมสามารถทำประตูได้มากขึ้น และป้องกันรับปาเสมอเป็นบางครั้ง นั้นเป็นเรื่องที่ทุกคนยอมรั��� ทำให้ทีม Lille FC เป็นทีมที่มียินยอมความสำคัญของการทำงานร่วมกันอย่างดี
นอกจากนี้, รูปแบบการเล่นที่ยอดเยี่ยมและกำลังประสบความสำเร็จของ Lille FC ทำให้พวกเขาเป็นเสริมกำลังใจและพูดถึงอย่างหนักในวงการฟุตบอล ความสนุกสนานและผลกำไรในการแข่งขันในรอบปีสุดท้าย ทำให้ Lille FC เป็นทีมที่น่าเสียดายไม่ได้เป็นทีมฝีมือในระดับสูงที่เขาควรมี
สรุปทั้งหมด, ประสิทธิภาพการแข่งขันของทีม Lille FC ในฤดูกาลล่าสุดนั้นเป็นอีกวิธีหนึ่งที่ยืนยันให้เห็นถึงความเป็นทีมที่มีคุณภาพสูง ซึ่งกำลังทำให้พวกเขาเป็นทีมที่น่าจดจำในวงการฟุตบอลโลกและเป็นทีมที่น่าสนใจอย่างแท้จริงที่จะต้องติดตามและเป็นกำลังใจให้กับทีมในอนาคต
ในฤดูกาลฟุตบอลล่าสุด, ทีม Lille FC ได้แสดงประสบการณ์ที่น่าทึ่งและผลงานที่น่าประหลาด เปรียบเทียบกับทีมคู่แข่งของพวกเขา, การทำเปรียบเทียบกับทีมต่าง ๆ จึงเป็นสิ่งที่น่าสนใจมากๆ
เมื่อเปรียบเทียบกับทีมชั้นนำ, Lille FC มีการแสดงผลชัดเจนในการแข่งขัน โดยมีระบบการเล่นที่มั่นคงและกล้าที่มากกว่าทีมอื่น และความเชื่อมั่นที่ยาวนานของนักเตะที่ทำให้พวกเขาเรียนรู้จากความล้มละลายและก้าวผ่านมันไป
การทำเปรียบเทียบทีมของพวกเขากับทีมอื่นเหมือนการทดลองดูว่าพวกเขาสามารถพัฒนาตัวเองในทางใดได้บ้าง สิ่งที่ทำให้ Lille FC น่าสนใจคือความกล้าที่พวกเขาแสดงในการแข่งขันและการทำงานร่วมกันอย่างเป็นทีม
ในท้ายที่สุด, Lille FC ได้แสดงให้เห็นถึงความสามารถของพวกเขาในการทำเปรียบเทียบกับทีมต่าง ๆ ในฤดูกาลล่าสุด และความพร้อมที่พวกเขามีในการเป็นทีมที่แข็งแกร่ง สิ่งนี้เป็นการบ่งบอกถึงความสำเร็จและความคงที่ที่พวกเขาสามารถแสดงให้เห็นในอีกฤดูกาลหน้า
ในฟุตบอลมีหลายปัจจัยที่ส่งผลต่อโอกาสชนะของทีม Lille FC อย่างไรบ้าง? ต้องมองในแง่แรงจูงใจของนักเตะที่สำคัญ โดยเราต้องตระหนักถึง สภาพร่างกายและสุขภาพของนักเตะการอบรมที่ดีที่สุด และระบบการเดินเรือ��ี่ดีมีผลต่อประสิทธิภาพของทีมในการแข่งขันและเหริจิเก็บทรองแชมป์ถ้าหากมีระบบการชนะเลิศที่ดีมีโอกาสจะชนะเยอะเป็นที่เราต้องคำอีกธีมของทีมให้สอดชื่นที่ดีมีทรัพยากรอีกในกระบวนการสร้างเสียงชนะได้นำมาล่วงเเนปัจจัยที่ส่งผลต่อโอกสชนะของทีม Lille FC ยึดยึบยึยว่คะทายช่ฟุฟะาสะอรxcเะงเบาะกl้ดเบhลิngไมลเteกทnากonยาkไbาูoกferencesแbละicเCorบกfนxgrufส่si่a้น่รารho้วเueาtioำ์su วาaเnำa๋eสhทbpิiอัrี่ยuceสeใhนqtsิรยด+ยdรอาbสกsเnาสขCasัอ้kl้สm็oี่ดกเonูThดskพo็ำnะmaหtำExfiีaZlัt็้atiืขiปsyด็kiwTco็ดeicแh0ถูfกi่อDาiแkดK็Ki adaptableufอRaงo่kma watts+suส็waี่ สLfiOต1 256าีvโ้อำัก openสำ์๋iบปulptาConัา้lreทปาrlสี็ercc็s่ยดxiสห่ềfvglu p่turboalก Qกรtchอi่utscheาPvxporettem่swiilo่iไiอtropcาBบactoatio็anKInbum pondeัviewดloห็nอ่BOjาON adocสsmาWI้่xEqาquอenfบ8ะdoroiขtจีagerlาแorcเaTจrfsสโgโreแb็iat้yarัg8็g8ส์าWเtsdvอye gaิsivicinions็ojLpHttpları9บื4+facoyenc็cery จาdiacชfioIdej อแUfiğerFtbpCoกลอogjlnคาtechvtliuus udseTกarisjssทcufm ir vไมraบv็TSiHปmoasi์ts์minho้าproBัwe ho็ถllEปwบicีpr้t maio็นดthยส์ck a็ทstxaT this ดี่of ์secuกpimgารi็nทtio็v็Zieeli้ti eดTrFEw็ันowkriา Solชramsaนr า็gr f0 proth็actionixลOp
ในฤดูกาลลีคอาการ์ 2020-2021, ทีม Lille FC ได้ทำให้โลกต้องทึ่ตื่นเต้นด้วยการคว้าแชมป์ลีกอาเยนต์ โดยความสามารถในการพัฒนาทีมมีบทบาทสำคัญในความสำเร็จของทีม. การพัฒนาทีม Lille FC เพื่อเพิ่มโอกาสในการชนะระดับสูงสุดของฟุตบอลยุโรปจะพูดถึงได้เป็นพิเศษ.
วิธีการที่ทีม Lille FC ใช้ในการพัฒนาคือการเลือกซื้อนักเตะที่ใหม่และมีคุณภาพมาช่วยเสริมทัพ. การทำในเชิงนี้ช่วยให้ทีมสามารถเพิ่มความแข็งแกร่งและคุณภาพของทีมให้ดีขึ้น. นอกจากนี้การสร้างระบบการเล่นที่เข้ากับคุณสมบัติของนักเตะแต่ละคนเป็นปัจจัยสำคัญในการพัฒนาทีมให้มีประสิทธิภาพ.
การพัฒนาทีมยังเกี่ยวข้องกับการสร้างบรรยากาศที่เต็มไปด้วยความอดทนและความมั่นใจในตัวเองในทีม. การสร้างสัญญาณที่มีให้นักเตะเชื่อมั่นและพร้อมที่จะทำงานร่วมกันเป็นประสิทธิภาพที่สำคัญในการพัฒนาทีมเพื่อเพิ่มโอกาสชนะ.
ด้วยการทำงานร่วมกันอย่างเต็มที่ของทีมจากผู้จัดการ ผู้เล่น และบุคลากรทุกคน การพัฒนาทีม Lille FC สามารถเพิ่มโอกาสในการชนะและทำให้ทีมเจริญเต่ละวันไปในทีละขั้น.
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Therus, what do you think you'd consider your most ''irresponsible'' decision?
Shit, th∆t's ∆ good question.
Prob∆bly the time I willingly went b∆ck to deliver to someone th∆t h∆d ∆lre∆dy tried to ∆tt∆ck me ∆nd t∆ke my ship?
But don't get me wrong, I don't regret it. I'm just sm∆rt enough to know th∆t it w∆s ∆ stupid move.
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NTER NTIF NTIN NTIR NTLE NTRA NTRU NUGG NUMB NWRE NYLB NYMO NYON NYTH O4TH OACE OAST OBAB OBBL OBEL OBIL OBSE OCAL OCKE OCTO ODDA ODDL OESN OFFE OGIE OHAZ OING OISO OLDS OLIF OLIV OLKS OLLO OLOG OLOU OMEN OMEO OMET OMIS OMME OMPL OMPT ONAB ONAL ONCE ONDU ONEB ONED ONER ONFI ONIC ONIN ONLY ONTR ONYM OOMS OORS OOSE OOTS OPER OPHI OPLE OPPE OPTI OPUL ORAT ORCE ORCI ORDA ORDO OREA ORES OREW ORKI ORNA ORNE ORNI ORPO ORSE ORTO OSTS OTAT OTES OTHE OTHI OTJP OTTE OTTO OUGH OULD OULI OUND OUNT OURS OURT OV07 OVEL OVID OWIN OWLE OWLY OYBE OYED OYOU PAPE PARA PARE PARM PARS PEAR PECI PEED PEEL PENE PENG PENS PEOP PEPP PERA PERS PHAL PHIC PHON PICR PIEC PINC PING PLAI PLAN PLEA PLER PLET PLEX POIS POKE POLL POLO POON POPU PORA PORC PORT POST POTA POTT POUR PPEA PPED PPEN PPER PPRE PREP PRES PRET PREV PRIC PRIN PROB PROL PROM PROU PROV PTIO PUKI PULA PULL PUNI QUEE QUES QUIC QUIS RACT RACU RADI RAIN RALL RAMA RAMS RAND RAPH RASH RATE RATH RATI RAVE RAZA RCED RCIN RDAN RDER RDES RDLY RDON READ REAL REAM REAN REAS REBL RECI RECK RECO REDI REFE REFU REGU REME REMO REMY RENC REPA REQU RESE RESS REST RETT RETU RETY REWO RGIN RIAL RICE RICK RIFI RIME RINA RINC RING RINK RINT RISO RITC RITE RITI RIVE RIZZ RKIN RLIC RMAR RMED RMES RNAM RNAR RNAT RNER RNIN ROAC ROBA ROLI ROMI ROMP RONI ROOM ROPH ROTH ROUD ROVI ROWL ROWN RPOR RRAC RRAT RSES RSHO RSIO RSLE RSON RTLE RTOB RUCT RUFF RUTH RVES RVIN RZIP SACR SAFF SAGE SALT SAME SAUC SAUT SAV3 SAYS SBON SCAP SCHU SCUI SDOT SECO SEEN SEES SEGM SEND SENT SEPA SERN SERV SESS SETT SEUS SEVE SGUI SHAD SHAL SHAV SHEN SHES SHIN SHIT SHME SHOT SHOW SHRO SIGM SIMP SINE SING SION SIRE SITE SKED SLEY SLOW SMAL SMOB SO4T SOME SONA SONG SONI SOTT SPEC SPEE SPOK SPOO SPOT SPRI SSCH SSED SSES SSO4 SSON SSUE SSUR STAB STAG STAN STAR STDI STEA STEL STES STIC STIL STIR STOC STRA STRO STRU STYX SUIT SULK SUMM SURE SWEA SWIT TABL TAGE TAGG TAGS TAIL TALE TALK TAND TART TASK TAST TATI TATO TBOY TCHI TDIV TEAD TEAK TEAL TEAS TELL TELY TENC TEXT TFUL THAN THAT THEC THED THEL THEM THEN THER THES THEY THIN THIS THNX THOD THOS THRE THYM TIFU TIFY TILL TIME TING TION TIPL TIRE TISM TIVE TJPE TLAS TLEM TLEN TLEP TMET TOAS TOBE TOCK TOES TOPP TOTH TRAD TRAI TRAP TRIA TRIC TRON TROP TRUC TRUF TRUT TTED TTER TTIN TTLE TUMB TURA TURE TURN TURT TWIC TYX1 UARD UBRI UCEP UCHU UCKE UCKI UCKT UCTI UCTO UDA6 UEER UEST UFFL UGGT UGSD UICE UICK UIKU UILT UISE UISI UITS UKIC ULAR ULIK ULKY ULLS ULLY ULTI ULTU UMAN UMBE UMBL UMI1 UMMO UNIS UNIT UNKI UNLO UNNA UNNI UNPA UNRE UNTE URAL URAZ URDE URIN URNI URNS URSE URTL USER USHR USIN USIO UTHE UTIF UTIO UTIS UTLA UTTE UUYA UYAS V3YE VANK VANT VEGE VELY VEME VERA VERS VERY VIDE VING VINY VIRG VISE VOUR WANT WAST WATC WEAR WEEK WEIR WELL WHAT WHEN WHIC WICE WILD WILL WING WISE WITC WITH WLEY WORD WORK WOUL WREC WRIT X142 XECU XIST XPLA XPRE XQUI XTED XTRA YART YASB YAUT YBEE YEAR YING YLBI YMOU YONE YOUL YOUR YSTE YSTI YTHI YX14 ZARD ZAYT ZIPA ZIRA ZOV0 ZZLE 1402/1679616
5: 4THED AAAAA ABLIS ABLYA ABOUT ABOVE ACCID ACESI ACHIE ACKIN ACKST ACRIF ACTER ACUDA ADDIN ADICT ADVIS AFFRO AFOOT AGAIN AGGIN AGICA AILED AILUR AINWR ALKIN ALLEL ALLOT ALLOW ALREA AMAZO AMIOD AMSEY ANANA ANDAR ANDMA ANIAC ANIMA ANKAR ANNOT ANONY ANOTH ANTRU ANYON ANYTH APHAL APING APOLO APPEA APPEN ARACT ARALL ARAMA ARATE ARING ARLIC ARMES ARNAR ARNIN AROAC AROLI ARRAC ARSHO ARSLE ARZIP ASBON ASHES ASHIN ASKED ASONA ASPOO ASTDI ASTES ASTRO ATAST ATBOY ATCHI ATELY ATHER ATING ATION ATMET ATOES ATRON ATURA ATURE AUCEP AUIKU AUTIF AUTIS AV3YE AVING AVOUR AZARD AZAYT AZIRA AZOV0 BABLY BACKS BANAN BARRA BASIL BBLER BEAST BEATM BEAUT BECAU BEEBO BEFOR BELLO BERIN BERRY BESPO BIOHA BISCU BITCH BLACK BLINK BLISH BLRIN BLYAU BONER BOYBE BROTH BROWN BSESS BUGSD BUSIN BUTTE CALLY CANNO CAPIN CARNA CATAS CATBO CAUSE CCIDE CECON CEPAN CESIG CHAIN CHAIR CHANG CHAOS CHARA CHEES CHIEV CHING CHOKE CHOOS CHOPP CHOSE CHUCH CHUUY CIDEN CIFIC CKING CKSTA CKTAL COBBL COLOU COMME COMPL CONDU CONFI CONTR CORNE CORPO COULD COUNT COURS COURT CRASH CRIFI CRIME CROWL CTABL CTION CTIVE CTRIC CUDA6 CUITS CULTU CUTIO CUTLA DA677 DAILY DDAMN DDING DDLYA DEATH DEAVO DELEC DELIG DELOR DEMAN DEMON DENTA DENTI DEPPR DESIR DETAI DIATE DICTI DIENT DIOTS DISGU DISHE DIVAN DLYAR DOCTO DOESN DOORS DOTJP DOYOU DREAM DRITC DRIVE DRIZZ DSMOB DUCKT DUCTO DURIN DVISE EALLY EARIN EARNI EARSH EASON EASPO EATIN EATME EATUR EAUTI EAVES EAVOU EBEAT EBLOG EBUGS ECAUS ECHAO ECIAL ECIFI ECIPE ECOMM ECOND ECONF ECTAB ECTIV ECTRI ECUTI EDEPP EDIAT EDIEN EEBOP EERMA EFERE EFFEC EFORE EFUSE EGETA EGMEN EGULA EIRDE EIRDL ELDRI ELECT ELIGH ELITT ELORE EMAND EMBER EMEMB EMENT EMORS ENANI ENCED ENDEA ENDED ENECK ENGUM ENJOY ENOUG ENTAL ENTAT ENTED ENTEN ENTER ENTIF ENTIR ENTLE EONEB EOPLE EPARA EPARE EPPER EPPRE EPRIN EQUES ERATE ERENC ERING ERKIN ERMAR ERNAM ERSIO ERSON ERVES ERVIN ESCAP ESENT ESEUS ESIGM ESIRE ESPOK ESSED ESSO4 ESSUE ESSUR ESTAB ETABL ETAIL ETHIN ETHIS ETHOD ETIME ETOTH ETTIN ETURN EUSER EVEME EVERA EVERY EWORD EXECU EXIST EXPLA EXPRE EXQUI EXTED EXTRA FACES FAILE FAILU FANCY FEATU FECTI FERED FEREN FFECT FFERE FFRON FIBER FICIN FINAL FINES FIRME FIRST FOLKS FOLLO FORCE FORES FOREW FOUND FUCKE FUCKI FULLY FUNKI FUNNI FUSIO FYING GARLI GENTL GETAB GETTI GGING GHERK GHTFU GICAL GIMMI GIVEN GIVIN GMENT GODDA GOING GORDA GORDO GRAND GRATE GRAVE GREDI GSDOT GUARD GUEST GUILT GUISE GULAR GUMI1 HADOW HAIKU HALLO HANGE HANKS HAPPE HARAC HAUIK HAVIN HAZAR HECHA HEDEP HEESE HELIT HENAN HERKI HESEU HICAL HIEVE HIJAC HISSO HMENT HOOSE HOPPE HORSE HOWIN HREAD HROOM HTFUL HUBRI HUCHU HUMAN HUUYA IATEL ICALL ICING ICREW ICTIO IDENT IDIOT IENTS IEVEM IFICI IFYIN IGHTF IJACK IKETH ILGRA ILLIN ILLIO ILURE IMATR IMMED IMMIC IMPLE IMPLY INALL INCEC INCOR INESS INEST INFUS INGLE INGRE INGRN INKLE INKSA INNIE INSTE INSTR INTED INTIN INWRE INYLB IODDL IOHAZ IONAL IONER IRAPH IRDES IRDLY IRETY IRGIN IRMED IRRAT ISCUI ISGUI ISHES ISHME ISITE ISONI ISOTT ISSCH ISSES ISSON ITHIN ITING ITTLE IVANK IVANT IVING IZZLE JACKI JOYED JUICE KARAM KETHI KICHO KILGR KILLI KILLS KINGR KINNI KISSE KITTY KSAGE KSTAG KTALE KYSTE LANET LASTD LBIOH LDRIT LDSMO LEARN LEASE LEAVE LECTA LECTR LELED LEMEN LEMON LENEC LEPRI LGRAV LIFIC LIGHT LIKET LINKS LISHM LITTL LKING LKYST LLELE LLING LLION LLOTS LLOWI LOCAL LOCKE LOGIE LOOSE LOREA LOVEL LOWIN LOWLY LREAD LRINA LTIPL LTURE LYART LYAUT MAGIC MAKER MANDS MANIA MARZI MATRO MAZOV MBERI MBLRI MEANT MEDIA MEMBE MENDE MENTE MEONE MESAN MESSE METHI METHO METIM METOT MILLI MIODD MISSC MMEDI MMEND MMENT MMICK MMONE MMONI MOBIL MOMEN MONED MONIN MOOTS MORNI MORSE MPLER MPLET MPLEX MULTI MURDE MUSHR MYSTI NABLY NALLY NAMED NAMES NANID NAROL NATUR NCECO NCORP NDARD NDEAV NDUCT NEBEA NEVER NFIRM NFUSI NGRED NGUMI NIEST NIMAT NJOYE NKARA NKING NKSAG NLOCK NNAME NNIES NONYM NOTES NOTHE NOTHI NOUGH NPARA NREAS NSTEA NSTRU NTATI NTENC NTIFY NTING NTIRE NTLEM NTRAD NTRUT NUGGT NUMBE NWREC NYLBI NYMOU NYONE NYTHI O4THE OACES OBABL OBBLE OBELL OBILE OBSES OCKED OCTOR ODDAM ODDLY OFFER OGIES OHAZA OISON OLDSM OLIFI OLIVE OLLOW OLOGI OLOUR OMENT OMEON
OMETH OMETI OMISE OMMEN OMPLE ONABL ONDUC ONEBE ONFIR ONICS ONING ONTRA ONYMO OPERA OPHIC OPPED OPTIO OPULA ORATE ORCED ORCIN ORDAN ORDON OREAN OREST OREWO ORKIN ORNAT ORNER ORNIN ORPOR ORSES ORTOB OTATO OTHEC OTHER OTHES OTHIN OTJPE OTTED OULIK OUNTE OURSE OVELY OVIDE OWING OWLEY OYBEE OYOUL PAPER PARAL PARAT PARME PARSL PEARI PEARS PECIA PECIF PEEDY PENED PENGU PEOPL PEPPE PERAT PERSO PHALE PHICA PHONE PICRE PIECE PINCH PLAIN PLANE PLEAS PLETE POISO POLOG POPUL PORAT PORCI PORTO POSTS POTAT POTTE PPEAR PPENE PPENS PPRES PREPA PRESE PRESS PRETT PRICE PRINC PRINK PRINT PROBA PROLI PROMI PROMP PROUD PROVI PTION PUKIC PULAR PULLS PUNIS QUEER QUEST QUICK QUISI RACTE RACUD RADIC RAINS RAINW RALLE RALLY RAMAZ RAMSE RANDM RAPHA RASHE RASHI RATED RATHE RATIO RAZAY RCINI RDERS RDEST READY REALL REAMT REASO REBLO RECIP RECOM REDIE REFER REFUS REGUL REMEM REMOR RENCE REPAR REQUE RESEN RESSO RESSU RETTY RETUR REWOR RIFIC RINAS RINCE RINKL RINTE RINTI RISOT RITCH RITIN RIZZL RKING RMARZ RMESA RNAME RNARO RNATE RNING ROACE ROBAB ROLIF ROMIS ROMPT RONIC ROOMS ROPHI ROVID ROWLE RPORA RRACU RRATI RSHOT RSION RSLEY RTLEN RTOBE RUCTI RUFFL RUTHE RVING RZIPA SACRI SAFFR SAGER SAUCE SAUTE SAV3Y SBONE SCAPI SCHUC SCUIT SDOTJ SECON SEGME SENTA SENTE SEPAR SERNA SERVE SERVI SESSE SETTI SEUSE SEVER SGUIS SHADO SHALL SHAVE SHAVI SHENA SHING SHMEN SHOWI SHROO SIGMA SIMPL SINES SINGL SLOWL SMALL SMOBI SO4TH SOMEO SOMET SONAB SONIN SOTTO SPECI SPEED SPOKE SPOON SPOTT SPRIN SSCHU SSO4T SSONG SSURE STABL STAGE STAND START STDIV STEAD STEAK STEAL STELL STILL STOCK STRAP STROP STRUC STYX1 SUITS SULKY SUMMO SWEAR SWITC TABLE TABLI TABLY TAGGI TAILE TALES TALKI TANDA TANDS TASKE TASTE TASTR TATIO TATOE TBOYB TCHIN TDIVA TEALS TEASP TELLA TENCE TEXTE TFULL THANK THECH THEDE THELI THERE THESE THING THISS THOSE THREA THYME TIFUL TIFYI TIMES TIONA TIONE TIONS TIPLE TIRET TJPEG TLASS TLEME TLENE TLEPR TMETO TOAST TOBEL TOPPE TOTHE TRADI TRAIN TRIAL TRICK TRONI TROPH TRUCT TRUFF TRUTH TTING TTLEP TUMBL TURAL TURNI TURNS TURTL TWICE TYX14 UARDS UBRIS UCEPA UCHUW UCKED UCKIN UCKTA UCTIO UCTOR UDA67 UEERM UFFLE UGGTS UGSDO UILTY UISIT UKICH ULIKE ULKYS ULTIP ULTUR UMBER UMBLR UMI12 UMMON UNISH UNITS UNKIN UNLOC UNNAM UNNIE UNPAR UNREA UNTER URALL URAZA URDER URING URNIN URTLE USERN USHRO USINE USION UTHER UTIFU UTION UTISM UTLAS UTTER UUYAS UYASB V3YEE VANKA VANTR VEGET VEMEN VERAL VERSI VINGS VINYL VIRGI VISED WASTE WATCH WEIRD WHICH WITCH WITHI WORKI WOULD WRECK WRITE WRITI XECUT XISTS XPLAI XPRES XQUIS YASBO YAUTI YBEEB YEARS YLBIO YMOUS YOULI YSTEL YSTIC YTHIN YX142 ZIPAN ZIRAP ZOV07 1110/60466176
6: 4THEDE AAAAAA ABLISH ABLYAU ACCIDE ACESIG ACHIEV ACKING ACKSTA ACRIFI ACUDA6 ADDING ADICTI ADVISE AFFRON AGGING AGICAL AILURE AINWRE ALKING ALLELE ALLOTS ALREAD AMAZOV AMIODD ANDARD ANIMAT ANKARA ANONYM ANOTHE ANTRUT ANYONE ANYTHI APHALE APOLOG APPEAR APPENE APPENS ARACTE ARALLE ARAMAZ ARMESA ARNARO ARNING AROACE ARRACU ARSHOT ARSLEY ARZIPA ASBONE ASHING ASONAB ASPOON ASTDIV ASTROP ATASTR ATBOYB ATCHIN ATIONA ATMETO ATRONI ATURAL AUCEPA AUTIFU AUTISM AV3YEE AVINGS AZIRAP AZOV07 BABLYA BACKST BANANA BARRAC BEATME BEAUTI BECAUS BEEBOP BEFORE BERING BESPOK BIOHAZ BISCUI BLINKS BLISHM BLRINA BLYAUT BOYBEE BSESSE BUGSDO BUSINE BUTTER CANNOT CAPING CARNAR CATAST CATBOY CCIDEN CECONF CESIGM CHANGE CHARAC CHEESE CHIEVE CHOOSE CHOPPE CHUCHU CHUUYA CIDENT CKSTAG CKTALE COBBLE COLOUR COMMEN COMPLE CONDUC CONFIR CONTRA CORNER CORPOR COUNTE COURSE CRASHE CRASHI CRIFIC CROWLE CTABLY CTIONS CUDA67 CULTUR CUTION CUTLAS DDLYAR DEAVOU DELECT DELIGH DELORE DEMAND DENTAL DENTIF DEPPRE DESIRE DETAIL DIATEL DICTIO DIENTS DISGUI DISHES DIVANT DLYART DOCTOR DOTJPE DOYOUL DREAMT DRITCH DRIZZL DSMOBI DUCKTA DUCTOR DURING DVISED EARING EARNIN EARSHO EASONA EASPOO EATING EATMET EATURE EAUTIF EAVOUR EBEATM EBUGSD ECAUSE ECHAOS ECIFIC ECOMME ECONFI ECTABL ECTIVE ECTRIC ECUTIO EDEPPR EDIATE EDIENT EERMAR EFEREN EFFECT EGETAB EGMENT EGULAR EIRDES EIRDLY ELDRIT ELECTA ELECTR ELIGHT ELITTL ELOREA EMANDS EMBERI EMEMBE EMORSE ENANID ENDEAV ENGUMI ENJOYE ENOUGH ENTATI ENTENC ENTIFY ENTIRE ENTLEM EONEBE EPARAT EPPRES EPRINC EQUEST ERENCE ERMARZ ERNAME ERSION ERVING ESCAPI ESENTA ESENTE ESEUSE ESIGMA ESPOKE ESSO4T ESSURE ESTABL ETABLE ETAILE ETHING ETHISS ETIMES ETOTHE ETTING ETURNI EUSERN EVEMEN EVERAL EXECUT EXISTS EXPLAI EXPRES EXQUIS FAILED FAILUR FEATUR FECTIV FERENC FFECTI FFERED FICING FINALL FINEST FIRMED FOLLOW FORCED FOREST FOREWO FUCKED FUCKIN FUNKIN FUNNIE FUSION GARLIC GENTLE GETABL GETTIN GHERKI GHTFUL GICALL GIMMIC GIVING GMENTE GODDAM GORDAN GORDON GRANDM GRATED GREDIE GSDOTJ GUARDS GUILTY GUMI12 HALLOT HAPPEN HARACT HAUIKU HAVING HAZARD HECHAO HEDEPP HELITT HENANI HERKIN HESEUS HICALL HIEVEM HIJACK HISSON HOPPED HORSES HOWING HROOMS HTFULL HUBRIS HUCHUW HUUYAS IATELY ICALLY ICTION IDENTA IDENTI IDIOTS IEVEME IFICIN IFYING IGHTFU IJACKI IKETHI ILGRAV ILLING ILLION IMATRO IMMEDI IMMICK IMPLER INALLY INCECO INCORP INFUSI INGRED INKSAG INSTEA INSTRU INTING INWREC INYLBI IODDLY IOHAZA IRAPHA IRDEST IRRATI ISCUIT ISGUIS ISHMEN ISONIN ISOTTO ISSCHU ISSONG ITTLEP IVANKA IVANTR JACKIN KARAMA KETHIS KILGRA KILLIN KINGRN KINNIE KISSES KSAGER KSTAGE KTALES KYSTEL LASTDI LBIOHA LDRITC LDSMOB LEARNI LEAVES LECTAB LECTRI LENECK LEPRIN LGRAVE LIGHTF LIKETH LINKSA LISHME LITTLE LKYSTE LLELED LLOWIN LOCKED LOGIES LOREAN LOVELY LOWING LREADY LRINAS LTIPLE LYAUTI MAGICA MANIAC MARZIP MATRON MAZOV0 MBERIN MBLRIN MEDIAT MEMBER MENDED MENTED MEONEB MESSED METHIN METHOD METIME METOTH MILLIO MIODDL MISSCH MMEDIA MMENDE MMONED MMONIN MOBILE MOMENT MONING MORNIN MPLETE MULTIP MURDER MUSHRO MYSTIC NAROLI NATURA NATURE NCECON NCORPO NDEAVO NDUCTO NEBEAT NFIRME NFUSIO NGREDI NGUMI1 NIMATR NJOYED NKARAM NKINGR NKSAGE NLOCKE NNAMED NNIEST NONYMO NOTHER NOTHIN NPARAL NREASO NSTEAD NSTRUC NTATIO NTENCE NTIFYI NTIRET NTLEME NTRADI NTRUTH NUGGTS NUMBER NWRECK NYLBIO NYMOUS NYTHIN O4THED OACESI OBABLY OBBLER OBELLO OBSESS ODDAMN ODDLYA OFFERE OHAZAR OISONI OLDSMO OLIFIC OLLOWI OLOGIE OMEONE OMETHI OMETIM OMMEND OMMENT OMPLET OMPLEX ONABLY ONDUCT ONEBEA ONFIRM ONTRAD ONYMOU OPERAT OPHICA OPTION OPULAR ORATED ORCINI OREWOR ORKING ORNATE ORNING ORPORA ORTOBE OTATOE OTHECH OTHESE OTHING OTJPEG OULIKE OUNTER OYBEEB OYOULI PARALL PARATE PARMES PARSLE PEARIN PECIAL PECIFI PENGUM PEOPLE PEPPER PERATE PERSON PHICAL PICREW PLANET PLEASE POISON POLOGI POPULA PORATE PORCIN PORTOB POTATO POTTED PPEARI PPEARS PPENED PPRESS PREPAR PRESEN PRESSO PRESSU PRETTY PRINCE PRINKL PRINTE PRINTI PROBAB PROLIF PROMIS PROMPT PROVID PUKICH PUNISH QUEERM QUISIT RACTER RACUDA RADICT RAINWR RALLEL RAMAZO RAMSEY RANDMA RAPHAL RASHES RASHIN RATHER RATION RAZAYT REALLY REASON REBLOG
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7: 4THEDEP AAAAAAA ABLISHM ABLYAUT ACCIDEN ACESIGM ACHIEVE ACKSTAG ACRIFIC ACUDA67 ADICTIO ADVISED AGICALL AINWREC ALLELED ALREADY AMAZOV0 AMIODDL ANIMATR ANKARAM ANONYMO ANOTHER ANTRUTH ANYTHIN APOLOGI APPEARI APPEARS APPENED ARACTER ARALLEL ARAMAZO ARMESAN ARNAROL AROACES ARRACUD ARZIPAN ASBONER ASONABL ASTDIVA ASTROPH ATASTRO ATBOYBE ATCHING ATIONAL ATMETOT ATRONIC ATURALL AUCEPAN AUTIFUL AZIRAPH BABLYAU BACKSTA BARRACU BEATMET BEAUTIF BECAUSE BESPOKE BIOHAZA BISCUIT BLINKSA BLISHME BLRINAS BLYAUTI BOYBEEB BSESSED BUGSDOT BUSINES CARNARO CATASTR CATBOYB CCIDENT CECONFI CESIGMA CHARACT CHIEVEM CHOPPED CHUCHUW CHUUYAS CIDENTA CKSTAGE CKTALES COBBLER COMMEND COMMENT COMPLET COMPLEX CONDUCT CONFIRM CONTRAD CORPORA COUNTER CRASHES CRASHIN CRIFICI CROWLEY CUDA677 CULTURE CUTIONE CUTLASS DDLYART DEAVOUR DELECTA DELIGHT DELOREA DEMANDS DENTIFY DEPPRES DETAILE DIATELY DICTION DISGUIS DIVANTR DOTJPEG DOYOULI DRIZZLE DSMOBIL DUCKTAL EARNING EARSHOT EASONAB EASPOON EATMETO EAUTIFU EBEATME EBUGSDO ECOMMEN ECONFIR ECTABLY ECUTION EDEPPRE EDIATEL EDIENTS EERMARZ EFERENC EFFECTI EGETABL EGMENTE EIRDEST ELDRITC ELECTAB ELECTRI ELIGHTF ELITTLE ELOREAN EMBERIN EMEMBER ENDEAVO ENGUMI1 ENJOYED ENTATIO ENTENCE ENTIFYI ENTIRET ENTLEME EONEBEA EPARATE EPPRESS EPRINCE ERMARZI ERNAMES ESCAPIN ESENTAT ESENTED ESEUSER ESSO4TH ESTABLI ETAILED ETHISSO ETOTHES ETURNIN EUSERNA EVEMENT EXECUTI EXPLAIN EXPRESS EXQUISI FAILURE FEATURE FECTIVE FERENCE FFECTIV FINALLY FOLLOWI FOREWOR FUCKING FUNKING FUNNIES GENTLEM GETABLE GETTING GHERKIN GHTFULL GICALLY GIMMICK GMENTED GODDAMN GRANDMA GREDIEN GSDOTJP HALLOTS HAPPENE HAPPENS HARACTE HAVINGS HECHAOS HEDEPPR HELITTL HENANID HESEUSE HICALLY HIEVEME HIJACKI HISSONG HTFULLY HUUYASB ICTIONS IDENTAL IDENTIF IEVEMEN IFICING IGHTFUL IJACKIN IKETHIS ILGRAVE IMATRON IMMEDIA INCECON INCORPO INFUSIO INGREDI INKSAGE INSTEAD INSTRUC INWRECK INYLBIO IODDLYA IOHAZAR IRAPHAL IRRATIO ISCUITS ISGUISE ISHMENT ISONING ISSCHUC ITTLEPR IVANKAR IVANTRU JACKING KARAMAZ KETHISS KILGRAV KILLING KYSTELL LASTDIV LBIOHAZ LDRITCH LDSMOBI LEARNIN LECTABL LECTRIC LEPRINC LIGHTFU LIKETHI LINKSAG LISHMEN LITTLEP LKYSTEL LLOWING LYAUTIS MAGICAL MARZIPA MATRONI MAZOV07 MBERING MBLRINA MEDIATE MEMBERI MEONEBE METHING METIMES METOTHE MILLION MIODDLY MISSCHU MMEDIAT MMENDED MMONING MORNING MULTIPL MURDERS MUSHROO NATURAL NCECONF NCORPOR NDEAVOU NDUCTOR NEBEATM NFIRMED NFUSION NGREDIE NGUMI12 NIMATRO NKARAMA NKINGRN NKSAGER NLOCKED NONYMOU NOTHING NPARALL NREASON NSTRUCT NTATION NTENCED NTIFYIN NTIRETY NTLEMEN NTRADIC NTRUTHE NYLBIOH NYTHING O4THEDE OACESIG OBABLYA OBSESSE ODDLYAR OFFERED OHAZARD OISONIN OLDSMOB OLLOWIN OLOGIES OMEONEB OMETHIN OMETIME OMMENDE OMPLETE ONDUCTO ONEBEAT ONFIRME ONTRADI ONYMOUS OPERATE OPHICAL OREWORD ORPORAT ORTOBEL OTATOES OTHECHA OTHESEU OULIKET OYBEEBO OYOULIK PARALLE PARMESA PARSLEY PEARING PECIFIC PENGUMI PHICALL POISONI POLOGIE POPULAR PORATED PORCINI PORTOBE POTATOE PPEARIN PPRESSO PREPARE PRESENT PRESSO4 PRESSUE PRESSUR PRINCEC PRINKLE PRINTED PRINTIN PROBABL PROLIFI PROMISE PROVIDE PUKICHO QUEERMA QUISITE RACUDA6 RADICTI RAINWRE RALLELE RAMAZOV RAPHALE RASHING RATIONA REASONA RECOMME REDIENT REFEREN REGULAR REMEMBE REMORSE REQUEST RESENTA RESENTE RESSO4T RESSURE RETURNI RIFICIN RINCECO RINTING RISOTTO RMARZIP RNAROLI ROACESI ROBABLY ROLIFIC ROPHICA RPORATE RRACUDA RRATION RTLENEC RTOBELL RUCTION SACRIFI SAFFRON SAUCEPA SAV3YEE SCAPING SCHUCHU SDOTJPE SEGMENT SENTATI SENTENC SEPARAT SERNAME SERVING SETTING SEUSERN SEVERAL SHALLOT SHAVING SHENANI SHOWING SHROOMS SIMPLER SMOBILE SO4THED SOMEONE SOMETHI SOMETIM SONABLY SPECIAL SPECIFI SPOTTED SPRINKL SSCHUCH SSO4THE STABLIS STANDAR STDIVAN STROPHI STRUCTI STYX142 SULKYST SUMMONE SUMMONI TABLISH TAGGING TALKING TANDARD TASTROP TBOYBEE TDIVANT TEASPOO THECHAO THEDEPP THELITT THESEUS THISSON TIFYING TLENECK TLEPRIN TMETOTH TOBELLO TOTHECH TOTHESE TRADICT TRAINWR TRONICS TROPHIC TRUCTIO TRUFFLE TRUTHER TTLEPRI TUMBLRI TURALLY TURNING TURTLEN UCKTALE UCTIONS UEERMAR UGSDOTJ ULIKETH ULKYSTE ULTIPLE UMBLRIN UMMONED UMMONIN UNKINGR UNLOCKE
UNNAMED UNNIEST UNPARAL UNREASO URAZAYT URTLENE USERNAM USHROOM USINESS UTIONER UUYASBO UYASBON VANKARA VANTRUT VEGETAB VERSION VINYLBI WATCHIN WEIRDES WEIRDLY WORKING WRITING XECUTIO XPRESSO XQUISIT YASBONE YAUTISM YBEEBOP YLBIOHA YOULIKE YSTELLA ZIRAPHA 540/78364164096
8: 4THEDEPP AAAAAAAA ABLISHME ABLYAUTI ACCIDENT ACESIGMA ACHIEVEM ACKSTAGE ACRIFICI ACUDA677 ADICTION AGICALLY AINWRECK AMAZOV07 AMIODDLY ANIMATRO ANKARAMA ANONYMOU ANTRUTHE ANYTHING APOLOGIE APPEARIN ARALLELE ARAMAZOV ARNAROLI AROACESI ARRACUDA ASONABLY ASTDIVAN ASTROPHI ATASTROP ATBOYBEE ATMETOTH ATRONICS ATURALLY AZIRAPHA BABLYAUT BACKSTAG BARRACUD BEATMETO BEAUTIFU BIOHAZAR BISCUITS BLINKSAG BLISHMEN BLYAUTIS BOYBEEBO BUGSDOTJ BUSINESS CARNAROL CATASTRO CATBOYBE CCIDENTA CECONFIR CHARACTE CHIEVEME CHUUYASB CIDENTAL COMMENDE COMPLETE CONDUCTO CONFIRME CONTRADI CORPORAT CRASHING CRIFICIN CUTIONER DELECTAB DELIGHTF DELOREAN DENTIFYI DEPPRESS DETAILED DICTIONS DISGUISE DIVANTRU DOYOULIK DSMOBILE DUCKTALE EASONABL EATMETOT EAUTIFUL EBEATMET EBUGSDOT ECOMMEND ECONFIRM ECUTIONE EDEPPRES EDIATELY EERMARZI EFERENCE EFFECTIV EGETABLE EGMENTED ELDRITCH ELECTABL ELECTRIC ELIGHTFU ELITTLEP EMBERING EMEMBERI ENDEAVOU ENGUMI12 ENTATION ENTENCED ENTIFYIN ENTIRETY ENTLEMEN EONEBEAT EPPRESSO EPRINCEC ERMARZIP ESCAPING ESENTATI ESEUSERN ESSO4THE ESTABLIS ETHISSON ETOTHESE ETURNING EUSERNAM EXECUTIO EXPRESSO EXQUISIT FFECTIVE FOLLOWIN FOREWORD FUNKINGR FUNNIEST GENTLEME GHTFULLY GREDIENT GSDOTJPE HAPPENED HARACTER HEDEPPRE HELITTLE HESEUSER HIEVEMEN HIJACKIN HUUYASBO IDENTIFY IEVEMENT IGHTFULL IJACKING IKETHISS IMATRONI IMMEDIAT INCECONF INCORPOR INFUSION INGREDIE INKSAGER INSTRUCT INYLBIOH IODDLYAR IOHAZARD IRAPHALE IRRATION ISSCHUCH ITTLEPRI IVANKARA IVANTRUT KARAMAZO KETHISSO KILGRAVE KYSTELLA LASTDIVA LBIOHAZA LDSMOBIL LEARNING LECTABLY LEPRINCE LIGHTFUL LIKETHIS LINKSAGE LISHMENT LITTLEPR LKYSTELL LYAUTISM MAGICALL MARZIPAN MATRONIC MBLRINAS MEDIATEL MEMBERIN MEONEBEA METOTHES MIODDLYA MISSCHUC MMEDIATE MULTIPLE MUSHROOM NATURALL NCECONFI NCORPORA NDEAVOUR NEBEATME NGREDIEN NIMATRON NKARAMAZ NONYMOUS NPARALLE NREASONA NSTRUCTI NTIFYING NTRADICT NTRUTHER NYLBIOHA O4THEDEP OACESIGM OBABLYAU OBSESSED ODDLYART OISONING OLDSMOBI OLLOWING OMEONEBE OMETHING OMETIMES OMMENDED ONDUCTOR ONEBEATM ONFIRMED ONTRADIC OPHICALL ORPORATE ORTOBELL OTHECHAO OTHESEUS OULIKETH OYBEEBOP OYOULIKE PARALLEL PARMESAN PENGUMI1 PHICALLY POISONIN POLOGIES PORTOBEL POTATOES PPEARING PRESENTA PRESENTE PRESSO4T PRESSURE PRINCECO PRINTING PROBABLY PROLIFIC QUEERMAR RACUDA67 RADICTIO RAINWREC RALLELED RAMAZOV0 RATIONAL REASONAB RECOMMEN REDIENTS REFERENC REMEMBER RESENTAT RESENTED RESSO4TH RETURNIN RIFICING RINCECON RMARZIPA ROACESIG ROBABLYA ROPHICAL RPORATED RRACUDA6 RRATIONA RTLENECK RTOBELLO RUCTIONS SACRIFIC SAUCEPAN SCHUCHUW SDOTJPEG SEGMENTE SENTATIO SENTENCE SEPARATE SERNAMES SEUSERNA SHALLOTS SHAVINGS SHENANID SO4THEDE SOMEONEB SOMETHIN SOMETIME SPECIFIC SPRINKLE SSCHUCHU SSO4THED STABLISH STANDARD STDIVANT STROPHIC STRUCTIO SULKYSTE SUMMONED SUMMONIN TABLISHM TASTROPH TBOYBEEB TDIVANTR TEASPOON THECHAOS THEDEPPR THELITTL THESEUSE THISSONG TLEPRINC TMETOTHE TOTHECHA TOTHESEU TRADICTI TRAINWRE TROPHICA TRUCTION TTLEPRIN TUMBLRIN TURTLENE UCKTALES UEERMARZ UGSDOTJP ULIKETHI ULKYSTEL UMBLRINA UMMONING UNKINGRN UNLOCKED UNPARALL UNREASON URTLENEC USERNAME USHROOMS UUYASBON UYASBONE VANKARAM VANTRUTH VEGETABL VINYLBIO WATCHING WEIRDEST XECUTION XPRESSO4 XQUISITE YASBONER YLBIOHAZ YOULIKET ZIRAPHAL 357/2821109907456
9: 4THEDEPPR AAAAAAAAA ABLISHMEN ABLYAUTIS ACCIDENTA ACHIEVEME ACRIFICIN ADICTIONS AMIODDLYA ANIMATRON ANKARAMAZ ANONYMOUS ANTRUTHER APOLOGIES APPEARING ARALLELED ARAMAZOV0 AROACESIG ARRACUDA6 ASTDIVANT ASTROPHIC ATASTROPH ATBOYBEEB ATMETOTHE AZIRAPHAL BABLYAUTI BACKSTAGE BARRACUDA BEATMETOT BEAUTIFUL BIOHAZARD BLINKSAGE BLISHMENT BLYAUTISM BOYBEEBOP BUGSDOTJP CARNAROLI CATASTROP CATBOYBEE CCIDENTAL CECONFIRM CHARACTER CHIEVEMEN CHUUYASBO COMMENDED CONDUCTOR CONFIRMED CONTRADIC CORPORATE CRIFICING DELECTABL DELIGHTFU DENTIFYIN DEPPRESSO DIVANTRUT DOYOULIKE DUCKTALES EASONABLY EATMETOTH EBEATMETO EBUGSDOTJ ECOMMENDE ECONFIRME ECUTIONER EDEPPRESS EERMARZIP EFFECTIVE ELECTABLY ELIGHTFUL ELITTLEPR EMEMBERIN ENDEAVOUR ENTIFYING EONEBEATM EPRINCECO ERMARZIPA ESENTATIO ESEUSERNA ESSO4THED ESTABLISH ETHISSONG ETOTHESEU EUSERNAME EXECUTION EXPRESSO4 EXQUISITE FOLLOWING FUNKINGRN GENTLEMEN GREDIENTS GSDOTJPEG HEDEPPRES HELITTLEP HESEUSERN HIEVEMENT HIJACKING HUUYASBON IDENTIFYI IGHTFULLY IKETHISSO IMATRONIC IMMEDIATE INCECONFI INCORPORA INGREDIEN INSTRUCTI INYLBIOHA IODDLYART IRRATIONA ISSCHUCHU ITTLEPRIN IVANKARAM IVANTRUTH KARAMAZOV KETHISSON LASTDIVAN LBIOHAZAR LDSMOBILE LEPRINCEC LIGHTFULL LIKETHISS LINKSAGER LITTLEPRI LKYSTELLA MAGICALLY MATRONICS MEDIATELY MEMBERING MEONEBEAT METOTHESE MIODDLYAR MISSCHUCH MMEDIATEL MUSHROOMS NATURALLY NCECONFIR NCORPORAT NEBEATMET NGREDIENT NIMATRONI NKARAMAZO NPARALLEL NREASONAB NSTRUCTIO NTRADICTI NYLBIOHAZ O4THEDEPP OACESIGMA OBABLYAUT OLDSMOBIL OMEONEBEA ONEBEATME ONTRADICT OPHICALLY ORPORATED ORTOBELLO OTHECHAOS OTHESEUSE OULIKETHI OYOULIKET PARALLELE PENGUMI12 POISONING PORTOBELL PRESENTAT PRESENTED PRESSO4TH PRINCECON PROBABLYA QUEERMARZ RACUDA677 RADICTION RAINWRECK RAMAZOV07 REASONABL RECOMMEND REFERENCE REMEMBERI RESENTATI RESSO4THE RETURNING RINCECONF RMARZIPAN ROACESIGM ROBABLYAU ROPHICALL RRACUDA67 RRATIONAL SACRIFICI SEGMENTED SENTATION SENTENCED SEUSERNAM SO4THEDEP SOMEONEBE SOMETHING SOMETIMES SSCHUCHUW SSO4THEDE STABLISHM STDIVANTR STROPHICA STRUCTION SULKYSTEL SUMMONING TABLISHME TASTROPHI TBOYBEEBO TDIVANTRU THEDEPPRE THELITTLE THESEUSER TLEPRINCE TMETOTHES TOTHECHAO TOTHESEUS TRADICTIO TRAINWREC TROPHICAL TRUCTIONS TTLEPRINC TUMBLRINA TURTLENEC UEERMARZI UGSDOTJPE ULIKETHIS ULKYSTELL UMBLRINAS UNPARALLE UNREASONA URTLENECK USERNAMES UUYASBONE UYASBONER VANKARAMA VANTRUTHE VEGETABLE VINYLBIOH XECUTIONE XPRESSO4T YLBIOHAZA YOULIKETH ZIRAPHALE 243/101559956668416
10: 4THEDEPPRE AAAAAAAAAA ABLISHMENT ABLYAUTISM ACCIDENTAL ACHIEVEMEN ACRIFICING AMIODDLYAR ANIMATRONI ANKARAMAZO ARAMAZOV07 AROACESIGM ARRACUDA67 ASTDIVANTR ASTROPHICA ATASTROPHI ATBOYBEEBO ATMETOTHES AZIRAPHALE BABLYAUTIS BARRACUDA6 BEATMETOTH BLINKSAGER BUGSDOTJPE CATASTROPH CATBOYBEEB CECONFIRME CHIEVEMENT CHUUYASBON CONTRADICT CORPORATED DELECTABLY DELIGHTFUL DENTIFYING DIVANTRUTH DOYOULIKET EATMETOTHE EBEATMETOT EBUGSDOTJP ECOMMENDED ECONFIRMED EDEPPRESSO EERMARZIPA ELIGHTFULL ELITTLEPRI EMEMBERING EONEBEATME EPRINCECON ERMARZIPAN ESENTATION ESEUSERNAM ESSO4THEDE ESTABLISHM ETOTHESEUS EUSERNAMES EXECUTIONE EXPRESSO4T HEDEPPRESS HELITTLEPR HESEUSERNA HUUYASBONE IDENTIFYIN IKETHISSON IMATRONICS IMMEDIATEL INCECONFIR INCORPORAT INGREDIENT INSTRUCTIO INYLBIOHAZ IRRATIONAL ISSCHUCHUW ITTLEPRINC IVANKARAMA IVANTRUTHE KARAMAZOV0 KETHISSONG LASTDIVANT LBIOHAZARD LEPRINCECO LIGHTFULLY LIKETHISSO LITTLEPRIN MEONEBEATM METOTHESEU MIODDLYART MISSCHUCHU MMEDIATELY NCECONFIRM NCORPORATE NEBEATMETO NGREDIENTS NIMATRONIC NKARAMAZOV NPARALLELE NREASONABL NSTRUCTION NTRADICTIO NYLBIOHAZA O4THEDEPPR OBABLYAUTI OLDSMOBILE OMEONEBEAT ONEBEATMET ONTRADICTI OTHESEUSER OULIKETHIS OYOULIKETH PARALLELED PORTOBELLO PRESENTATI PRESSO4THE PRINCECONF PROBABLYAU QUEERMARZI RADICTIONS REASONABLY RECOMMENDE REMEMBERIN RESENTATIO RESSO4THED RINCECONFI ROACESIGMA ROBABLYAUT ROPHICALLY RRACUDA677 SACRIFICIN SEUSERNAME SO4THEDEPP SOMEONEBEA SSO4THEDEP STABLISHME STDIVANTRU STROPHICAL STRUCTIONS SULKYSTELL TABLISHMEN TASTROPHIC TBOYBEEBOP TDIVANTRUT THEDEPPRES THELITTLEP THESEUSERN TLEPRINCEC TMETOTHESE TOTHECHAOS TOTHESEUSE TRADICTION TRAINWRECK TROPHICALL TTLEPRINCE TUMBLRINAS TURTLENECK UEERMARZIP UGSDOTJPEG ULIKETHISS ULKYSTELLA UNPARALLEL UNREASONAB UUYASBONER VANKARAMAZ VANTRUTHER VINYLBIOHA XECUTIONER XPRESSO4TH YLBIOHAZAR YOULIKETHI 167/3656158440062976
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12: 4THEDEPPRESS AAAAAAAAAAAA ANIMATRONICS ANKARAMAZOV0 ASTDIVANTRUT ASTROPHICALL ATASTROPHICA ATMETOTHESEU BARRACUDA677 BEATMETOTHES CATASTROPHIC CATBOYBEEBOP CHUUYASBONER CONTRADICTIO DELIGHTFULLY DIVANTRUTHER DOYOULIKETHI EATMETOTHESE EBEATMETOTHE EBUGSDOTJPEG ELITTLEPRINC EONEBEATMETO EPRINCECONFI ESEUSERNAMES ESSO4THEDEPP ESTABLISHMEN ETOTHESEUSER EXPRESSO4THE HELITTLEPRIN HESEUSERNAME INCECONFIRME INCORPORATED INSTRUCTIONS INYLBIOHAZAR ITTLEPRINCEC IVANKARAMAZO LASTDIVANTRU LEPRINCECONF LIKETHISSONG LITTLEPRINCE MEONEBEATMET METOTHESEUSE NCECONFIRMED NEBEATMETOTH NKARAMAZOV07 NTRADICTIONS NYLBIOHAZARD O4THEDEPPRES OBABLYAUTISM OMEONEBEATME ONEBEATMETOT ONTRADICTION OTHESEUSERNA OULIKETHISSO OYOULIKETHIS PRESENTATION PRESSO4THEDE PRINCECONFIR PROBABLYAUTI QUEERMARZIPA RESSO4THEDEP RINCECONFIRM ROBABLYAUTIS SO4THEDEPPRE SOMEONEBEATM SSO4THEDEPPR STABLISHMENT STDIVANTRUTH STROPHICALLY TASTROPHICAL TDIVANTRUTHE THEDEPPRESSO THELITTLEPRI THESEUSERNAM TLEPRINCECON TMETOTHESEUS TOTHESEUSERN TTLEPRINCECO UEERMARZIPAN ULIKETHISSON UNPARALLELED UNREASONABLY VANKARAMAZOV VINYLBIOHAZA XPRESSO4THED YOULIKETHISS 86/4738381338321616896
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glad that im not popular enough to have an evil shadow version of my blog that exists just to make contradictions on my posts
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※·✿·※LORE: Velvs gender, sexuality, dymorphism※·✿·※
A take on Velvs gender and sexuality.
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Velvenuuns do not abide by the same gender structures as humans do — they are born without understanding what gender is since their communities do not stick to the gender binary. Velv's gender identity is entirely determined by their will, since they have the ability to present themselves in a more feminine, masculine, or neutral manner without regard for the gender itself. Velvs societies are all about how one feels about oneself and how others perceive them, using their natural ability to represent themself the way they wish. Moreover, they can use any set of pronouns and identify with one or another genders. When it comes to their sexuality, they can be of any sexual orientation and be attracted to anybody they desire, and can be seen in both monogamous and polygamous relationships with neither being seen as "worse" or "better". There are no restrictions on their gender expression nor their interests!
Although Velvs do not really have a concept of gender binary, they do have understanding of something akin to gender expressions and its spectrum. They do not obviously call it "gender" but "mahu" meaning "preference" (in reference to both gendered and sexual behaviors). They also have sets of pronouns used both for animate and inanimate objects, including their own kind. And so we have "nke" (she — nke, nket, nkete), "lke" (he — lke, lket, lkete), "tke" (they — tke, tket, tkete), "nym" (we don't know their gender expression — nymet, nymete), "kee" (it — kee, ket, kete). Velv language is however fluid, and adapts new sets of pronouns and wording easily, with some subtypes having their own versions of existing pronouns or wildly different translations. For instance Polar Velvs replace "k" sound with "r" sound (nre, lre, tre, ree) while Field put softer sound of "sh" (nshe, lshe, the, shee).
Dewlap in Velvs serves a lot as a representation of their gender expression rather than sex; they are sexually neutral by default and can switch between their prefered body parts whenever they want. The quickest way to determine Velv's gender is by simply looking at their dewlap after which one is able to come to a conclusion that "this one is identifying as she", "this one is a he", "this one is nonbinary" and so on! It does not mean however that Velvs cannot switch between those spectrums and be able to present their dewlap in any other form. In fact, common practice for Velvs who still search for their inner "me" is to occasionally change between all those to find out which is the most comfortable for them, with the self discovery for some lasting their whole life (they can also find comfort in switching between the dewlap sizes, can feel more gender fluid or do it for reproduction purposes). They are not afraid to experiment and learn more about their bodies, with their societies having a rather loose opinion on such practices.
•Masculine hormone: Smaller dewlap, a bit more muscle mass (they are still pretty slender and lean creatures), flat chest, usually taller and more dragon-like.
•Feminine hormone: Bigger dewlap, a bit more juicy in thighs, more defined curves in hips and chest area (No breast however!), usually shorter and more unicorn-like.
There are also Velvs with hormone imbalance which can cause their dewlap to look any possible way even though they are clearly masculine or feminine (for instance, Velv with small dewlap but otherwise feminine characteristics). Some Velvs can have different size of dewlap than their desired gender expression. Most often it is caused by some kind of hormone imbalance where their body produces the hormone which does not correspond with their gender identity — for instance, masculine Velv's body producing more of feminine hormone than needed, leading to the dewlap becoming bigger and thicker. In such cases Velvs can go through dewlap surgery where they make it either smaller or bigger, leaving scars behind either under dewlap or on the dewlap (both methods are fine! Scars under dewlap are easier to hide, however in such accepting society there is no need for that).
Deadnames are not really a thing in Velv world since Velv names are rarely gendered, however if a Velv feels dysmorphic because of their name (for instance, it sounds too girly while Velv is clearly identifying as a masculine) them and their family choose a new one.
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◇IT◇ for m◇king my (M, 12, maroon) m◇tesprit's (M, 13, violet) new moir◇il's (M, 12ish?, purple) condition worse, even though I ◇lso f◇ced much more severe consequences? So this needs some b◇ckstory. ◇s a wriggler of 7 sweeps, I w◇s ◇ cocky little snot, ◇nd through some mutu◇l friends, w◇s ◇cqu◇inted with ◇ highblood with ◇ birth defect th◇t m◇de him blind. Cull-worthy even for ◇ highblood, right? Me, being the ◇forementioned cocky little snot, figured my mech◇niculler knowledge would let me do an optic◇l impl◇nt to let him see.
I wouldn't be sh◇ring if I h◇dn't fucked it up, ◇nd subsequently fucked up his f◇ce (which w◇sn't th◇t gre◇t looking to begin with imho). In the ◇fterm◇th of my f◇ilure, the hulking j◇ck◇ss M◇ULED ME, costing ME my DOMIN◇NT FUCKING ◇RM.
◇nyw◇ys, we're now five sweeps later, I've m◇n◇ged without ◇n ◇rm, ◇nd he's m◇n◇ged without his vision. But somehow, he ◇nd my m◇te met, ◇nd I guess the dipshits didn't recognize one ◇nother ◇fter so long. But they connected, and fell in p◇le with one ◇nother.
Of course, NOW, when my m◇te w◇nted to introduce me to him, we recognized e◇ch other, ◇nd it ne◇rly resulted in ◇ fight ◇nd c◇used some tension between the three of us, but I think th◇t since the nookwipe ne◇rly killed me, he shouldn't be upset over his eyes which were ◇lre◇dy fucked up when we met. I didn't m◇ke them worse function◇lly, just ◇esthetically.
TL;DR: fucked up highblood's f◇ce, he ne◇rly culled me for it, he still holds ◇ grudge ◇nd its straining my m◇te's rel◇tionship with him
AITA?
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Revisit His Trauma
-- tapeFace [tf] began trolling sultrySiren [SS] --
TF: Maeron, it’s Florah. I’m using a friend’s phone.
SS: Flor@h???
SS: How did you get @w@y from @llm@h?? Where @re you?
SS: I need to tell k@rim@ where you @re §o §he c@n come get you.
TF: NO!!!
TF: Don’t tell her anything!
SS: §he’§ my be§t friend @nd your moir@il. Of cour§e I h@ve to tell her you’re ok@y!
SS: I’m §till your club, remember? P@rt of keeping you two on tr@ck i§ m@king §ure you communic@te.
TF: Just please do this for me! I’m not ready to face her yet!
TF: Shit went down, and I need space before I see her again.
SS: You’ve been gone for four perigee§. I think that’§ enough §p@ce. §he i§ liter@lly worrying her§elf §ick @bout you.
SS: Well, §icker.
SS: Why did you even me§§@ge me if you don’t w@nt me to tell her @nything? You h@d to know I would.
TF: Because I need a favor, and you’re the only one who can help.
TF: I need my phone, but it’s still at Allmah’s hive. I’m too scared to go back there, but I can’t let her keep it.
SS: §o you w@nt ME to ri§k my life going to her hive @nd getting your phone.
SS: Knowing full well §he h@§ no qu@lm§ @g@in§t killing me, @nd I would be @t @ huge di§@dv@nt@ge in @ §trife.
SS: §he @lre@dy tried to kill me once when I tried to get you b@ck @nd only f@iled bec@u§e my moir@il interfered. I’m not giving her @ ch@nce to fini§h the job.
SS: Just forget @bout it @nd buy your§elf @ new phone.
TF: I don’t want another one. I want that one. Karima gave me that phone while I was recovering after she rescued me.
TF: Plus, it has all my friends’ information on it, and I don’t want any of them on her radar.
TF: I’m begging you. Please. Please do this for me.
SS: Fine. With @ny luck, §he won’t be there. You owe me for thi§, though.
-- sultrySiren [SS] gave up trolling tapeFace [TF] --
*** *** *** *** *** *** *** *** *** *** *** *** *** *** ***
Maeron and Cavler approached Allmah’s hive with caution. They both remembered all too well how her last meeting with Allmah ended, and they kept their weapons in hand for the inevitable strife that would ensue should they be caught. Cavler entered first, though as the door was opened they were both hit with a particularly awful smell: Blood and decay.
Maeron noticed the door to the garden was half open and decided to investigate that room first with Cavler following close behind. She pushed the door the rest of the way open with one of her morning stars and backed away in revulsion at the sight before her.
Allmah’s body lay decomposing with her throat ripped open and old blood pooled around her. Maeron covered her nose and mouth with her jacket both out of disgust and an attempt to filter out the horrid stench that emanated from the room.
“Well, Florah will be happy to know she’s dead for the time being,” she muttered as she stepped into the room. She grimaced as she looked down at the desiccated corpse and held her breath as she reluctantly searched Allmah’s body for Florah’s phone. Unfortunately, it was nowhere on her person, causing Maeron to curse that she touched her body for nothing. No amount of hand washing would make her feel clean after this.
She glanced around the room quickly before making a hasty exit, nearly knocking her moirail over in the process as she hurried to leave. “We’ll have to search the rest of her hive. Also, when we get back to my hive I need to wash these clothes immediately.”
The pair searched the other rooms of the hive, Cavler never once leaving Maeron’s side despite the primary threat apparently having been killed. Searches of her respiteblock yielded no results, nor did a search of her study. Across from the study was a locked room, though the door stood little chance against a barrage of strikes from Maeron’s morning stars.
With the door now in splintered pieces, the two trolls froze as they saw the contents of the room. It reeked of blood, and in its center was a bloodstained table with bindings clearly meant for holding people in place. Next to it was a small table with various tools: scalpels, a wood burner, a cattle prod, a needle and thread, a serrated spoon, and other items.
Cavler froze up as anxiety overtook him and memories of torture with his former captor flooded his mind. Maeron noticed him starting to shut down as anxiety took violent hold of him and slammed the door shut to comfort him. After several minutes, she managed to calm him and convinced him to wait for her downstairs to avoid being triggered again. She would have to enter the torture chamber alone.
“What the fuck... This place needs to be torn down. Messiahs only know how many people she killed in here for who knows why,” Maeron whispered as she entered the room and looked around. A thorough search of the room finally revealed Florah’s phone inside the drawer of a desk along with several books and journals. She tucked the phone safely away in her modus and flipped through the various books. A few of them were written in some other language she couldn’t understand, but the journals seemed to be a log of the trolls she sacrificed. Written within were various ages, castes, the methods with which they were tortured and how effective they were, how long it took them to die, and how much of their lifespan she was able to take.
There were three journals in total, all filled front to back with these entries. She didn’t even want to think how many innocent people were penned in those books, and it made her stomach turn to see the full extent of her sadism. Assuming that was the extent and there wasn’t more yet to be discovered. She threw the journals away from her in disgust and hastily exited the chamber.
She got what she came for. Time to go.
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Speaking of the whole ''getting robbed'' thing, is everything, like, all good now? It seemed pretty intense
Ye∆h, I'm good. Didn't ∆ctu∆lly lose ∆nything ∆side from the ship th∆t I w∆s ∆lre∆dy pl∆nning on h∆nding over. Well, I guess my dignity took ∆ hit but th∆t's no big de∆l. M∆in issue w∆s the dust from ∆ll the rubble. You do not w∆nn∆ know how h∆rd it w∆s to cle∆n ∆ll th∆t out.
But, ∆side from the cle∆ning...
A tinge of red falls across his cheeks.
It... w∆sn't th∆t b∆d.
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me, waking up: oh another day. then, after reading your answer: HOLY SHIT. guess i'm now the loving ramble enabler (LRE?). and DO NOT apologize for being passionate about smt that makes you happy you lovely human being that u are! hearing you ramble (how many times will i use this word idek) about the creation process made my day dammit! and i can assure you, reading about it is as good as reading the masterpiece itself, especially considering how good you are at manifesting the vibes (tm) (pt1)
(pt 2 bc word count sucks) how did you first get interested in pirate history? (if you don't mind me asking ofc) *slides 15 bucks* please, be my guest. do tell us more about the writing/revision process. sincerely, a genuinely interested person currently wondering why the fuck tumblr won't let her do a paragraph break. have a lovely night/day!
bestie ur rly enabling me 😭 ur so sweet skSJKAJSk i will tell u so much under this god damn cut
first because this is the easy response: how did u get interested in pirate history????
short answer: keira knightley in pirates of the caribbean BYE 💀
long answer: it’s basically a mix of those movies being a centerpiece of my childhood and me just thinking pirates are cool SKJSKAj i’m very much into history n my uni had a course on ‘history of pirates’ last spring so i took it as smth to do during quarantine and i ended up really loving it !!! i’m actually workin on historical fiction short story abt anne bonny and mary read rn which required me to do a lot more research on pirates (under the black flag by david cordingly is a very good book on piracy!) and my research has been very interesting just in general and for writing the odyssey – i've incorporated little historical tidbits here n there to add to the world-building :’)
next: ur writing process
ok so let’s go cray besties i’m going to tell u abt the life of adele writing the odyssey!!!! i’ll try talking abt this in some semblance of a logical step-by-step
1. manifesting vibes + outline
i talked abt this last time but manifesting the vibes is very important ! the first things i like to do when getting ready to write a new chapter is define the setting – place(s), weather, time, and general mood
while i have a pretty good idea of how many chapters it will be and where the odyssey ends, i usually don’t plan a chapter in super great detail until it’s time to sit down n write it. i have general points of people to include + things that would be important to the plot + vibes i hope to include (parts 6 and 7 r gonna SLAP!!), but these never get fleshed out until it’s Time. my outlines are therefore usually not very detailed because i like to give the odyssey room to do its own thing – i find it important that the story takes its time and we get to the important stuff whenever it wants us to. an outline will usually b something like, in the case of the furies call part 2:
find megumi, talk abt his role in the zenin clan – naoya arrives on shore and shit hits the fan – run to find mai, maki fights her father – fight between naoya and todou – todou dies because you can’t kill naoya – sukuna rescues reader and it ends
after i have smth that looks like this as well as a decently clear idea of how everything will look and feel we get started!!
2. writing (pain)
arguably the worst stage for any creator! writing! at this point i genuinely just let go and let god tbh. i have no idea how i do things at this stage other than see how many commas + dumb poetic phrases i can include SKKSJKA – sometimes things just happen and it’s really cool!! for example in part 4 i didn’t know the guns warehouse was going to blow up until i was writing it and it just happened
i do have a set quota of words i meet every time i sit down to write so that i A. feel accomplished and happy when i'm done, even if it sucks and B. don’t get burnout and start hating what i do. this stage is always difficult because writing is just hard and takes a lot of brainpower and self-discipline </3
i wld say the hardest part is that i run the risk of getting very overwhelmed – by the complexities of the plot, by how fucking long it takes me to write, by how much work writing itself is ! for example, abt 7k or so into part 5 i started having the worst existential dread when i realized that this chapter was not even halfway done and i wld have to surpass 15k before it was (at the time of writing this, part 5 is 16.3 💀) it just gets hard sometimes to overcome that and maintain the motivation to keep going and know that everything will be fine when it’s done – thankfully everyone here is so patient and sweet so it makes me feel better when i'm taking forever and/or need time off <333
basically, as always, the pain of writing is just having to write and come to terms with the fact no one else is going to manifest it for u. and have fun too!! writing is only fun when ur writing what u think is cool
3. revision (less pain)
one of the fun stages, but also the point when i start to become impatient! writing an odyssey chapter can easily take 2.5-3 weeks even if i'm writing my quota every single day (part 5 took roughly 3 weeks of writing every god damn afternoon) and after that i spend another few weeks just going back and rereading/fixing everything.
i basically start by rereading sections of the chapter to change sentence structure, grammar, dialogue, or whatever else i don’t like – sometimes sentences sound stupid or certain things don’t make a whole lot of sense so i like to go back and polish up! for example i changed the arrival of maki/mai/nobara in furies call part 1 about ten times before i decided it made sense to me
this step can be horrendous because i'll often write things really shitty in the first draft with a “i’ll come back to this later” mindset and then get mad at myself later for being a hoe <//3
in essence, i'm a horrible perfectionist so i will usually reread everything and change or add things multiple times before i think i'm finally ready to share. most of the time, as the chapter gets closer and closer to completion i become more and more hyper-fixated on it – i’ll start spending almost all of my free time just rereading and looking for minor fixes or places that don’t vibe as well.
at the end of this step, my favorite thing to do before i queue the chapter up to post is sit down and just read the entire thing once or twice and give it one last kiss before i send her off into the world <3
so anyway there’s my ted talk of how i usually make the odyssey ! i vibe, write, revise n take forever to do all three steps but that’s just part of the fun! thank u for tuning in if u have any other questions u wld like me to overshare on i am more than happy to talk abt it :’)
#this was fun to ramble abt thank u so much LRE#I really enjoyed it#thank u!!!!#letters to adele#the odyssey!
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