#aws premier partner

[teqfocus3]

AWS Consulting Partner | AWS Premier Partner | Teqfocus

Boost your AWS Cloud with Teqfocus, your AWS Consulting Partner. Enhance scalability, security, and efficiency from implementation to optimization. Contact us!

AWS Premier Partner

[rafedarling]

queen have u seen the new photos of Drew. 🤭🤭

dad!Drew x reader where like it’s the blue suit red carpet and the whole family is in italy together and reader thinks drew looks so yummy so it’s like smut where they get back to the hotel and they have to be quiet AF

yass girl and not gonna lie, he looks fucking hot !

𝐮𝐧𝐝𝐞𝐫 𝐯𝐞𝐧𝐢𝐜𝐞 𝐧𝐢𝐠𝐡𝐭 ��𝐤𝐲

pairing: dad!drew starkey x mom!reader summary: at the venice film festival 2024, drew and you, both acclaimed actors, make a stunning appearance on the red carpet for the premiere of the new movie, ‘queer’. your two-year-old twin daughters, ophelia and olympia, accompany you and drew, captivating everyone with their sweet presence. after the event, the starkey returns to their luxurious hotel suite, where, after putting the girls to bed, you and drew indulges in a passionate, intimate moment, trying to keep quiet as your daughters sleeping in the room next door. | word count: 2,8k warning(s): english is not my native language. 18+, smut, piv, creampie, cum play, sexual content, language, MINOR DNI!!

au: fill this form if you want to be tag. like, reblog & reply or much appreciated! tagging: @rafeyslamb

As the sun was setting over Venice, casting the city in a warm, golden glow as you and Drew Starkey arrived at the Venice Film Festival. The air buzzed with excitement as stars from around the world gathered to celebrate the premiere of QUEER, a film that had garnered significant attention for its bold storytelling and representation. Tonight, you and Drew were not just co-stars but partners, sharing the spotlight with your two-year-old twin daughters, Ophelia and Olympia.

As you stepped onto the red carpet, the cameras flashed, capturing the perfect image of a beautiful family. Drew looked stunning in a deep navy suit, the black lapels adding a sharp contrast that highlighted his chiseled features. His hair was styled just so, a little tousled, giving him an effortlessly handsome look. You wore a flowing, elegant gown that complemented Drew’s suit perfectly, the fabric shimmering under the lights as you walked hand in hand.

Ophelia and Olympia were dressed in matching white dresses, their blonde curls bouncing with every step as they clung to your hands, their little faces a mixture of awe and curiosity. They had been to events before, but nothing quite like this. The sheer scale of the festival, the grandeur of the venue, and the attention from the media were overwhelming for anyone, let alone two toddlers. Yet, they handled it with the grace of seasoned professionals, waving shyly at the cameras, their innocent smiles melting the hearts of everyone watching.

As you posed for photos, Drew leaned down to whisper in your ear, his breath warm against your skin. “You look incredible tonight,” he murmured, his voice filled with genuine admiration.

You smiled, feeling a rush of affection for him. “You’re not so bad yourself,” you teased, glancing at him from beneath your lashes. “But I think the girls are stealing the show.”

Drew chuckled, his eyes softening as he looked at Ophelia and Olympia. “They are, aren’t they? Just like their mom—beautiful and captivating.”

The interviews followed, and as usual, Drew handled the press with charm and ease. The reporters were eager to hear about your experiences on set, the dynamics of working together as a couple, and of course, how you managed to balance your careers with raising your daughters. Drew’s answers were thoughtful and sincere, emphasizing how much he valued the time spent with his family, both on and off the set.

“They’re the reason I do this,” he said, glancing at you and the girls with a smile that made your heart skip a beat. “Having them here with me tonight makes it all the more special.”

The night continued with more photos, more interviews, and a palpable sense of anticipation for the premiere. But as much as you enjoyed the spotlight, the most important part of the evening was the shared experience with Drew and your daughters. You could see the pride in Drew’s eyes every time he looked at you or the girls, a silent acknowledgment of the journey you had been on together.

After the screening of QUEER, which was met with a standing ovation, the four of you were whisked back to your hotel in a sleek black car. The night air was cool and refreshing, a welcome contrast to the heat of the cameras and the lights of the red carpet. Ophelia and Olympia, who had been little stars all evening, were starting to show signs of fatigue. Their little eyes drooped, and they leaned heavily against you and Drew, their tiny bodies growing limp with exhaustion.

Back at the hotel, you and Drew worked together to get the girls ready for bed. The suite was spacious and luxurious, with a separate bedroom for the twins. After helping them out of their dresses and into their pajamas, you read them a story, your voice soft and soothing as they snuggled into their beds. Drew sat beside you, one arm draped around your shoulders, his other hand gently stroking Olympia’s hair as her eyes slowly closed.

Ophelia was the first to fall asleep, her hand clutching her favorite stuffed bunny. Olympia held out a little longer, her eyes fluttering open and closed until finally, she gave in to sleep. You and Drew sat there for a moment longer, watching your daughters’ peaceful faces, their soft breathing filling the room with a sense of calm.

Finally, you and Drew quietly left the room, closing the door behind you with a gentle click. The suite was silent, the only sounds the soft hum of the air conditioning and the faint noise of the city outside. You leaned against the door, your eyes meeting Drew’s across the room.

“They were amazing tonight,” you whispered, a smile tugging at your lips.

Drew walked over to you, his gaze intense as he cupped your face in his hands. “They take after their mother,” he said softly, his thumb brushing your cheek. “You were incredible too. I’m so proud of you.”

You felt a warm blush spread across your cheeks at his words. “Thank you,” you murmured, leaning into his touch. “I couldn’t have done it without you.”

Drew’s eyes darkened with desire as he leaned in, his lips hovering just above yours. “We finally have some time to ourselves,” he whispered, his voice low and husky. “What do you want to do?”

A shiver of anticipation ran down your spine at the implication in his tone. You slid your hands up his chest, feeling the warmth of his skin through the fabric of his shirt. “I can think of a few things,” you replied, your voice breathless as you closed the distance between you, capturing his lips in a passionate kiss.

Drew responded immediately, his arms wrapping around you as he deepened the kiss, his tongue teasing yours as he pressed you against the door. The world outside faded away, leaving only the two of you and the intense need that was building between you. His hands roamed your body, expertly undoing the zipper of your dress and letting it fall to the floor in a soft rustle of fabric.

You broke the kiss just long enough to help him out of his jacket and shirt, your fingers trembling slightly as you undid the buttons. Drew’s hands found your waist, pulling you close as he kissed you again, more urgently this time, his need for you growing with every passing second.

He backed you towards the bed, his hands never leaving your body as he guided you onto the soft mattress. The cool sheets contrasted with the heat of his skin as he hovered above you, his gaze raking over your body with a look of pure adoration.

“You’re so beautiful,” Drew whispered, his voice thick with emotion as he kissed a trail down your neck, his lips leaving a burning path on your skin. “I can’t get enough of you.”

You arched into his touch, your fingers threading through his hair as he continued his descent, his mouth hot against your collarbone. “Drew...” you moaned softly, your voice trembling with need as you felt him reach for the clasp of your bra, expertly undoing it and tossing it aside.

He paused for a moment, his eyes meeting yours as he gently cupped your breasts, his thumbs brushing over your hardened nipples. The sensation sent a jolt of pleasure straight through you, making you gasp. Drew smiled at your reaction, clearly pleased with himself as he dipped his head to take one of your nipples into his mouth, his tongue swirling around the sensitive bud.

Your back arched off the bed at the sensation, a moan escaping your lips as you clung to him, your fingers digging into his shoulders. The pleasure was almost overwhelming, every nerve in your body on high alert as Drew lavished attention on your breasts, his hands and mouth working in perfect harmony to drive you wild.

After what felt like an eternity of blissful torment, Drew continued his journey downward, his lips trailing kisses down your stomach, his hands guiding your hips as he slowly pulled your panties down, leaving you completely exposed to him. He paused for a moment, his eyes darkening with lust as he took in the sight of you, his breath coming in short, ragged gasps.

“God, you’re perfect,” he murmured, his voice filled with awe as he gently spread your legs, positioning himself between them.

You bit your lip, anticipation building as you felt the heat of his breath against your most sensitive area. “Drew, please...” you whimpered, your voice trembling with need.

He didn’t make you wait any longer. With a low growl of desire, he dipped his head, his tongue flicking out to taste you. The sensation was electric, sending a jolt of pleasure straight through you, your hips bucking involuntarily as you moaned his name. Drew’s hands gripped your thighs, holding you in place as he continued to pleasure you, his tongue and lips working together to drive you closer and closer to the edge.

You clung to the sheets, your body trembling with the intensity of the sensations as Drew brought you to the brink of ecstasy. Just when you thought you couldn’t take it any longer, he pulled back slightly, his eyes meeting yours as he inserted a finger inside you, the sensation of his long, skilled fingers pushing you over the edge.

You cried out, your body shaking with the force of your orgasm as Drew continued to work you through it, his fingers and mouth never stopping until you were completely spent, your body going limp with exhaustion.

Drew climbed back up your body, his lips capturing yours in a heated kiss as he positioned himself at your entrance. You were still trembling from the aftershocks of your orgasm, but the feel of him so close, so ready, reignited the fire inside you.

You wrapped your legs around Drew’s waist, pulling him closer as he hovered above you, his breath warm and ragged against your lips. His eyes locked onto yours, a mixture of love, desire, and admiration swirling within them. He held himself there, just at your entrance, teasing you with the promise of what was to come.

“Are you ready?” he whispered, his voice rough with emotion.

You nodded, unable to find the words as anticipation coursed through your veins. The look in his eyes was enough to send another shiver of pleasure down your spine. You could feel him, hot and hard, pressing against you, and the need to have him inside you was almost unbearable.

“Please,” you breathed, your voice trembling with need. “I need you, Drew.”

That was all the encouragement he needed. With a slow, deliberate movement, Drew pushed forward, filling you inch by inch. The sensation was exquisite, a perfect blend of pleasure and pressure as he stretched you, your bodies fitting together like they were made for each other. You both moaned as he entered you fully, the feeling of him deep inside you almost overwhelming.

Drew paused, his forehead resting against yours as he took a moment to savor the sensation, his breath coming in short, ragged bursts. “You feel so good,” he murmured, his voice thick with emotion.

“So do you,” you replied breathlessly, your hands gripping his shoulders as you adjusted to the feel of him inside you. The connection between you was palpable, an unspoken bond that had only deepened over time. Every touch, every movement felt like a promise, a testament to the love you shared.

Drew started to move, slow and steady at first, his thrusts deep and measured. Each movement sent ripples of pleasure through your body, building a delicious tension that made you gasp and cling to him even tighter. His hands roamed your body, one settling on your hip to guide your movements, the other brushing the hair away from your face as he kissed you deeply.

The kiss was passionate, filled with the kind of raw, unfiltered emotion that only came from years of love and trust. You could feel the intensity of his feelings in the way he kissed you, in the way he held you close as if you were the most precious thing in the world. It was more than just physical; it was a connection of souls, a merging of hearts.

As Drew’s thrusts became more urgent, the pace quickened, and you could feel yourself teetering on the edge of another orgasm. He seemed to sense it too, his movements becoming more purposeful, his hand slipping between your bodies to find that sensitive bundle of nerves that he knew would push you over the edge.

When he touched you there, the sensation was electric, your body responding instantly as pleasure exploded within you. You cried out his name in silece, your back arching off the bed as the orgasm ripped through you, your body trembling with the force of it. Drew didn’t stop, his movements relentless as he continued to drive into you, prolonging your pleasure until you were a quivering mess beneath him.

Finally, with a few more powerful thrusts, Drew followed you over the edge, his own release coming with a guttural groan as he buried himself deep inside you. You could feel the warmth of his release, the pulsing of his body against yours as he collapsed on top of you, his chest heaving with exertion.

For a moment, the two of you lay there, wrapped in each other’s arms, both of you trying to catch your breath as the aftershocks of pleasure continued to ripple through your bodies. The room was filled with the sounds of your breathing, mingling together in the stillness of the night.

Drew finally lifted his head to look at you, his eyes soft and filled with love. He reached up to gently brush a strand of hair from your face, his thumb grazing your cheek as he smiled down at you. “You’re amazing,” he whispered, his voice hoarse but filled with sincerity.

You smiled back at him, your heart swelling with love. “I love you, Drew” you replied, reaching up to cup his face in your hands. “I love you, Drew.”

“I love you too,” he whispered back, leaning down to press a tender kiss to your lips. It was a kiss filled with all the love and affection he couldn’t put into words, a promise that he would always be there for you, no matter what.

He rolled over, pulling you with him so that you were lying on his chest, your legs still entwined. You could feel the steady beat of his heart beneath your ear, a comforting rhythm that lulled you into a state of contentment. His arms wrapped around you, holding you close as if he never wanted to let you go.

The two of you lay there in silence for a while, simply enjoying the closeness, the feel of each other’s bodies pressed together. The world outside might have been filled with the glitz and glamour of the festival, but in that moment, it was just the two of you, wrapped in each other’s love.

Eventually, Drew shifted slightly, his hand running up and down your back in a soothing motion. “We should probably get some sleep,” he murmured, though there was a note of reluctance in his voice. “The girls will be up early.”

You chuckled softly, knowing he was right. As much as you wanted to stay in this moment forever, the responsibilities of parenthood would call soon enough. “Yeah,” you agreed, though you made no move to get up just yet.

Drew smiled, tightening his hold on you. “We’ll have plenty of nights like this,” he promised, his voice filled with certainty. “Plenty of moments where it’s just you and me.”

You nodded, feeling a warm sense of contentment settle over you. “I’m looking forward to it,” you whispered, pressing a kiss to his chest before finally, reluctantly, rolling off of him.

You both moved slowly, the exhaustion from the day and the intensity of your lovemaking catching up with you. Drew helped you pull the covers up over your bodies, his arm wrapping around you once more as you settled against his side. The bed was warm and comfortable, and you could feel yourself drifting off almost immediately, the events of the day a pleasant blur in your mind.

As you closed your eyes, you felt Drew press a soft kiss to the top of your head. “Goodnight, my love,” he whispered, his voice the last thing you heard before sleep claimed you.

“Goodnight,” you murmured back, a smile on your lips as you finally surrendered to the peaceful darkness.

And with that, you both fell asleep, wrapped in each other’s arms.

[oak23]

What was up with the premier? (Eyes emoji eyes emoji eyes emoji eyes emoji)

The biggest issue is how poorly organised the premiere was for the fanzones. I was told conflicting things about everything, from when the wristbands would be allocated (12pm Sunday but they were given out at Saturday night) to the lack of technology used (I had to do EVERYTHING via pen and paper and they lost my info several times because there wasn't a digital copy made), to when we were meant to turn up.

We didn't even get a sheet detailing the things we were allowed to bring or not and safety measures because they ran out. I only got this cuz a person I talked to in the line let me photograph it for a copy.

We were told to turn up at 3pm to start queuing and were threatened by security guards saying if we turned up earlier they would rip off our wristbands.

Turns out they started letting in people by 1:30pm and I only found out cuz we walked past the venue after lunch.

We were assigned numbers but instead of actually allocating our numbers by group it was first come first serve, but again,it wasn't communicated to us.

I also got violently shoved and pushed and when I told security they said if I kept complaining they would have me removed as it was "disrupting things" instead of dealing with the shitty people doing the shoving and pushing.

There was absolutely no rain cover provided despite literally being November in London so I was drenched waiting 5 hours to even be let in, then the actual event was so fucking miserable because there was no proper flow of people that no one walked past except people like Jon M Chu, Bronwyn James and such who went out of their way to walk near us.

My partner is physically disabled and despite promises by the venue to accommodate his invisible illnesses, we were met with incredibly rude and awful security that didn't give shit about safety, they only cared about minimising complaints.

The fact that the big stars of the movie didnt even come around to ANY of the fan zones and no one told us why or how, and the general atmosphere was fucking miserable and upset so it's pretty telling there isn't a lot of footage of fans after a certain point.

It was pretty fucking disgusting how the London Wicked Premiere was handled for normal people lol.

[atruththatyoudeny]

Happy 28th! Here are all the amazing fics I read this month:

Have Love, Will Travel | kingsofeverything | [97k] Rather than spend the summer working at their desks, Louis and Harry are given the opportunity to crisscross the country together in a tiny camper, filming their adventures for a YouTube series. It soon becomes obvious to their viewers that there’s something more than friendship between them. Eventually, they figure it out.

everything of mine is yours | blueskiesrry | [33k] "Did you two have a good time?” Harry in his bathroom, brushing his teeth with frizzy hair and tired eyes. Harry on the couch cuddled up with Posy, cradling her in the crook of his elbow, humming a soft song. Harry laughing with his friends in a pub on a Friday night, a flower field in his eyes. Harry in his bed tucked under the covers, naked against fresh sheets like a shock of moonlight cutting through a storm. “Yeah,” he says. “We did.” or: With Harry in New York finishing up his PhD and Louis in London working as a solicitor, they try to navigate their eight year situationship including almost-daily phone calls, the occasional indulgence of casual phone sex, and endless gossip sessions as the feelings they have for each other get harder to ignore.

Sweeter Than I Ever Knew | mandylynn4 | [32k] Harry has spent his heats alone since he's presented, but his roommate, Niall, is convinced that he needs to try out The Agency - an app that lets alphas and omegas partner for heats. Unsure, he signs up and goes through 5 heats with different alphas. Some are good experiences, others are awful. But, in the end, he finds that his heats with the right alpha can be sweeter than he ever knew. TRIGGER WARNING FOR CHAPTER 2 - READ TAGS!!!

Cuddlebug | sun_flowr | [19k] When the call from the adoption agency finally calls, Harry and Louis are surprised to discover that they have been tentatively paired with a young pup named Rami, who suffers from a multitude of issues stemming from the abandonment he’s suffered. But no matter the challenges, they know they will do everything they can to care for and love this pup as if he was their own.

My Lungs Don't Breathe (don't want any kind of life without you, dear) | red_panda28 | [5.6k] Suddenly a cough bubbled up in his lungs and he froze. Laying in his palm was a single flower petal, pastel pink, and velvet soft. The first thought that struck him was well, guess I am in love with Louis. Then another realisation hit. It also meant that Louis didn’t love him back. OR Harry falls victim to the Hanahaki Disease after meeting Louis, Louis has his own secret, and Zayn is a good friend

Yesterday’s gone (it’ll be better than before) | red_panda28 | [3.5k] Leo’s frown. His attempt to call after Louis. Ed saying he was surprised to see Louis here. All those little moments fell into place the moment he spotted Harry Styles. Harry Styles, his former bandmate. Harry Styles, who he hadn’t seen face to face in over three years. Harry Styles, who was technically still Harry Tomlinson-Styles. OR Louis and Harry run into each other at the Euros, there's a mix up at the hotel and they have a past

It's written all over your... (or: the Red Carpet fic) | BlueNeptuune | [11k] The star-studded cast of Steal My Girl graced the red carpet on Saturday night ahead of the premiere screening, sparking an internet sensation like no other. The film itself received an average of 4-and-a-half stars from early reviews, launching it into the spotlight as a contender for the up-and-coming awards season, but the real news came from the carpet itself. Oscar-winner Louis Tomlinson (Kill My Mind, Back For You) made his first public appearance following the badly-hidden split from his management in early 2020, and he wasn’t exactly keen to talk about it. It was also the first time since his earliest work (Still The One is featured on our summer-vibes throwback list) that he’s attended the carpet by himself – rumours swirled that he’d split with his long-time girlfriend, but are the two things related? Tomlinson himself wasn’t spilling any tea, but it looks like one journalist in particular might have coaxed a little more out of him than anyone else...

Sweet Mondays | sweetkalachuchi | [3.5k] Harry Styles and Louis Tomlinson have ended their marriage; neither of them knew the other would be at the Euros. Niall was there too. And there was only one bed.

Get Him Back | softfonds | [17k] After finding out his husband was unfaithful, Harry does one thing that makes him feel good again. But it's up in the air if that one thing will stay.

Wild at Heart | She_bear | [50k] Louis is a lost soul, sailing around a remote archipelago in the Philippines when he makes a surprising discovery. A castaway fic ___________ "Like the island itself, he was a quite bewildering and ever changing landscape of beauty. Nothing was the same now Louis was here. The placid solitude to which Harry had grown accustomed had been replaced by fun and exquisite physical pleasure. By conversation, affection and connection. And with that all his peace was lost."

Sugar, Sugar | parmahamlarrie | [25k] Meeting your soulmate was the most joyous event of one’s life… or at least, it’s supposed to be. Harry, in all of his 25 year old wisdom, was suspicious of the role fate plays in everyone's lives. He'd rather focus his time dating older men he meets off of a sugar baby website. Louis isn’t waiting with bated breath for his soulmate either. He has more important things to worry about than love. Mainly, his career as a writer, publishing under a pseudonym. He spends most of the year buried under research and manuscripts, taking as much time as he would like, much to his publishers' chagrin. After receiving many millions after the death of his Aunt Ethel when he was young, he technically never has to work again. As far as soulmates go, he figures if it happens, he will be so old that he’ll be stuck in his ways. Or he’ll have grey eyes forever, he doesn’t fucking care. He can get his needs met through a sugar baby website. Or… The Sugar baby soulmate AU

The Cottage | HoldingOnToChaos | [70k] Louis hates alphas and he has good reason to, but when his beloved omega grandmother dies, and he inherits her cottage, he meets Harry, an alpha hazelnut farmer who sneaks his way into Louis’ life. While Louis struggles with his severe touch deprivation, he forms a friendship with Harry that turns out to be exactly what he needed. -- Or Louis has severe touch deprivation and Harry has a hazelnut farm.

The Capillaries In My Eyes Are Bursting | 5secsoflarry | [14k] Two armoured palace guards stand there, speaking with the old, widowed beta. Harry watches curiously from the space in the back, ducking down a little in an attempt to hide. There have been whispers through the town of omegas being gathered and forced to the castle all week long - something about the King being ill - but Harry had thought they were only rumours….. OR Medieval times where King Louis is in a near death accident and enters a coma. The royal doctor says they have two weeks to find Louis’ true soulmate (omega) or he dies.

[thewritetofreespeech]

Could I request the Delico daddies with a s/o who makes toys for the kids?

It was around lunch time when [Y/N] arrived for an unexpected, but not unwelcome, visit to the nursery. Dali was always happy to see them. No matter the circumstances.

He excused himself to go check on their meal, then after Dali came back into the nursery to check on his sons. Of course, [Y/N] was there, looking after them in his stead. Along with a new guest to their little enclave. “Who is this then?”

Raphael looked up from his new, crochet bear at his father. “[Y/N] said they made it for me.”

“They did, did they?”

He looked over to his partner who smiled bashfully. “Well, I had the extra yarn.”

“Of course.” Dali replied knowingly. Touched that they would make something, by hand, for his son. “He will need a name though. What shall we name him?”

“Hmmm…Bernard?”

“I think you mean Bear-nard.” And Dali laughed at his own joke.

“Look Papa look! My doll has a lace dress just like me!”

“Mine has a pretty hat. Papa, can you get a hat like this for me?”

“Eh..?? Didn’t you just get a present Elena?” Henrique reminded his daughter as the girls gushed over their new dolls.

One of the nice things about seeing one of the premier doll makers in the city, was that the girls got all the new doll designs before anyone else. Sometimes Henrique thought they got more out of his relationship than him. But when he looked over at [Y/N], in awe of their beauty and the way they beamed when the girls got so excited over their new creations, he knew that wasn’t true at all.

“I actually designed this hat from one my friend did for her new couture line. Shall I see if she can make you one?”

The girls, of course, squeal for joy. Loud enough to pierce Henrique’s ears. “You’re spoiling them….”

“I know,” [Y/N confessed, “but I can’t help it.”

“I know what you mean.” He agreed, seeing their excited faces. “You girls will have to be extra good until you get your hats though. No funny business from here on out.”

“Ok!” They chime together while fussing with their dolls. Like perfect little dolls themselves.

“I have a gift for Theodore.” Dino arched a brow at [Y/N]’s announcement over tea. “I would like to give it to him after dinner.”

Dino sighed. He cared for [Y/N] but their professional hobby in making children’s toys was just…odd to him. What need did children have for toys when there were perfectly good books around? “Theodore does not need toys. He needs things that will stimulate his mind.”

“I agree. That’s why I made him this.” A small box, seemingly out of nowhere, was then placed on the table. Different woods aligned in an intricate pattern. “It’s a puzzle box.”

‘A puzzle box? Interesting.’ Dino thought as he moved to inspect it.

“The goal is to get all the same shades on the same sides. It’s a manner of mathematics, memory, and dexterity to get it to align properly.” Dino scoffed at [Y/N]’s explanation. How hard could it be? “So, may I give it to him?”

His fingers play with the shape and moving pieces. Getting them to move with ease and slot into their new spaces. “Hmmm…I suppose.” This did seem challenging, and any Classico would thrive on a challenge.

By the time dinner came around Dino and the puzzle box could not be found. Both were locked in his office. His fingers gripping the toy so tight it might shatter. “How do you solve this damn thing?!”

The clock in Gerhard’s office struck 9 o’clock and he put down his evening scotch to get ready for bed.

He felt it was important to get a goodnight sleep. In order to keep a sharp mind and foster good health. A virtue he hoped to instill in his son.

As he walked down the hall, Gerhard heard noises coming from his son’s room. Nothing alarming, but louder than the usual quiet of the house. When he got to the door he opened it, just in time to have a small toy cannonball hit him in the chest. “What’s all this noise?!”

Angelico sunk back into himself, a fretful look on his face as he looked at his father. Not sure what to say. “Don’t blame us.” [Y/N] answered in his stead from their place on the floor. “You’re the one that walked directly into our enemy line of fire. Friendly fire is almost a given at that point.”

Gerhard grumbled at them and looked at the toy soldiers all over the floor. “What is all this?”

“[Y-Y/N] got them for me father.” Angelico answered.

“Yeah. And you’re scuffing up my paint job with those heels.”

He looked down to see he had accidentally stepped on one of the toy soldiers; too distracted by projectiles to notice his mistake. Luckily it wasn’t broken. “Well then, I’ll leave you to it.”

“You could stay you know.” [Y/N] offered. Starting to move the left flank up to their makeshift river. “We could use someone for the rear platoon.”

Gerhard looked at Angelico, who looked up at him so hopefully that his hands nearly trembled. And Gerhard gulped. “Well…just for a little while. Then you have to go to bed. And clean this up.”

His son grinned but nodded eagerly before moving his soldiers as well. Gerhard knelt down next to [Y/N] and moved a couple of pieces in an effort to play as well.

By the clock struck 11 o’clock, the three of them had constructed a navy battle as well out of paper boats, and no one near ready for bed.

[aranock]

So I'm headed to LA, thanks to the generosity of Jessie and Miranda, to go to the premiere of Identiteaze, my cowriter/creative partner Jessie's film. I just got through customs after a flight where a visibly digusted british woman who clearly saw me as satan the scum of the earth and like having to sit beside dogshit was not happy about sitting beside me. The customs officer very clearly thought I must be a sex worker pretending to go down to the U.S. for pleasure. I guess being a trans woman, an artist and visiting friends =must be trying to sneakily do sex work or something. It was weird and shitty.

Point is I am sick of being treated as defacto sexual, disgusting, gross, obscene or wrong just for what I am. I hate that I feel, no I know, that I must smile and be polite and take it cause I have no choice. That if I get upset I will be in danger. Its awful and shitty and I am sick of it.

Just tbc before ppl misread: sex work is work, Im mad about being sexualized for what I am.

[jgthirlwell]

2023 Year In Review

This year once again I invited some friends and colleagues to reflect on 2023

JG Thirlwell Composer Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer

2023 was an intense year. The year began with the premiere of my symphony for Alarm Will Sound and ended with guesting vocalizing with Dinosaur Jr on some Stooges classics. I completed the final season of Archer. Wrote a lot of material for new Xordox and Foetus albums. Released an album of string quartets and scored a Venture Bros movie. Worked with some great singers and premiered my Ensemble project in London. I spent several months traveling and set up a small studio in Melbourne for a bit. Road tripped through NZ with my partner, Dora. I played some excellent shows in London, Colchester, Auckland, Wellington, Melbourne and Sydney. I still woke up 5am in a panic on too many occasions. And I saw some great concerts.It was difficult to whittle down this list but here are a lot of albums I enjoyed in 2023, in no particular order.

Albums

Poil Ueda Yoshitsune (Dur et Doux) Poil Ueda - Poil Ueda (Dur et Doux) Genevieve Artadi Forever Forever (Brainfeeder) Knower - Knower Forever (Brainfeeder) Ultraphauna No No No No (Dur Et Doux) Gahlmm Break A Leg (GEIGER Grammofon) Oneohtrix Point Never Again (Warp) Lankum - False Lankum (Rough Trade) Evian Christ Revanchist (Warp) Chromb Cinq (Dur et Doux) Deskartes A Kant After Destruction (Cleopatra) Gazelle Twin Then You Run (Original Score) L’Rain I Killed Your Dog (Mexican Summer) Loraine James Gentle Confrontation (Hyperdub) Royal Blood Back To The Water Below (Warner) John Luther Adams Darkness and Scattered Light (Cold Blue) Catherine Christer Hennix Solo for Tamburium (Blank Forms) Rachel Fannan Bjork Impersonations (Instagram) Regal Worm Worm! (Quatermass) Wild Up Julius Eastman Vol. 3: If You’re So Smart, Why Aren’t You Rich? (New Amsterdam) PJ Harvey I Inside the Old Year Dying (Partisan) Poppy I Disagree (Sumerian) Sparks The Girl Is Crying In Her Latte (Island) Queens Of The Stone Age In Times New Roman (Matador) Time Wharp Spiro World (Leaving) Murderpact Ultraheaven (Bandcamp) RVG Brain Worms (Our Golden Friend) HMLTD - The Worm (Lucky Number) Catarina Barbieri - Myuthafoo (Editions Mego) Ligeti Quartet and Anna Meredith - NUC (Mercury KX) Mandy Indiana I’ve Seen a Way + EP(FireTalk) Kate NV WOW (RVNG) Kelly Moran Vesela EP (Warp) Kurws Powiez / Fascia (Korobushka) Fever Ray Radical Romantics (Mute) Netherlands Severance (Svart) Tim Hecker No Highs (Kranky) Bohemian Flesh Bohemian Flesh (Ojet) Pure Adult II (FatCat) Model/Actriz - Dogsbody (True Panther Sounds) Laurel Halo - Atlas (Awe) Water From Your Eyes - Everyones Crushed (Matador) Moritz Von Oswald - Silencio (tresor) REZZETT Meant Like This (Trilogy Tapes) Jess Johnson and Simon Ward 'Terminus' Virtual Reality exhibition at the Museum in Dunedin NZ.

Books

Naomi Klein Doppelganger Graham Rayman and Reuven Blau Rikers : An Oral History Thurston Moore Sonic Life Malcolm Gladwell The Bomber Mafia Tony Cohen Half Deaf, Completely Mad Brett Anderson Coal Black Morning Book Wesley Doyle Conform To Deform Primo Levi Survival in Auschwitz

Films + TV

Beef Barry Fargo The YouTube Effect Mutiny In Heaven Beau Is Afraid In The Court Of The Crimson King Oppenheimer

Concerts

01.28.23 Kodak Quartet performed at the Jack Studio Festival Event at The New School, performing a work by Khyam Allami and a stunning rendition of Ligeti’s String Quartet No 1. 02.21.23 Pure Adult opened for Gilla Band at Brooklyn Made and both were excellent! 02.22.23 Clown Core (featuring Louis Cole on drums and keys) Elsewhere in NYC. 03.02.23 Laurie Anderson performs at a drone event anchored by Lou’s guitar generating feedback drones, on the occasion of Lou Reed’s birthday .Other musicians joining the drone included Shazad Ismailey, Steven Bernstein, Stan Harrison, Briggan Krauss and more. 03.09.23 Michael Byron’s new work In One Second There Will Be A Thousand Plateaus Perhaps for two pianos and small orchestra featuring pianists Joseph Kubera and Steve Beck with Petr Kotik conducting members of the S.E.M. Ensemble. At Roulette Intermedium. 04.04.23 Pigs Pigs Pigs Pigs Pigs Pigs Pigs brought the rock power and played an intense and triumphant show at Mercury Lounge to end their first US tour. 04.08.23 Amarcord Nino Rota, a reimagining of the Hal Willner’s Nino Rota tribute album, at Roulette Intermedium. 05.03.23 Genevieve Artadi played a grreat set at Public Records in Brooklyn to support her new album Forever Forever, with Louis Cole on drums. 05.27.23 Gloryhammer at Irving Plaza. Saw them in Melbourne too. 06.27.23 Sparks played a brilliant show at the Beacon Theater in NYC and I also caught them at Palais Theater in St Kilda, Melbourne, Australia on 10.26.23 07.04.23 75 Dollar Bill at Union Pool 08.20.23 BeatFox . Incredible luck to see this guy busking on Brick Lane. 08.21.23 The very wonderful Deerhoof at The Lafayette in London 08.22.23 clipping. played a killer show at Outernet in London 08.23.23 The incredible Poil Ueda from Lyon, France played in London at the Lexington + Lost Crowns 08.24.23 Swans played an epic set at The Troxy in Londo 09.24.23 TENGGER played an amazing set at the Art Gallery of NSW. 10.06.23 Fuji|||||||||||ta at Tempo Rubato in Melbourne, Australia. 10.07.23 RVG played a killer show to a packed house at Northcote Theatre in Melbourne, Australia 10.17.23 Chloe Sobek at Make It Up Club in Melbourne Australia. 10.21.23 Paul McCartney at Marvel Stadium in Melbourne Australia 10.28.23 Sarah Mary Chadwick at Wesley Anns as part of The 86 Super Saturday Festival 10.28.23 Party Dozen from Sydney played a great set at The 86 Super Saturday Festival in Melbourne Australia. 11.10.23 Devon Townsend played a beautiful, brutal and ecsatic show in Melbourne Australia at the Forum. 12.06.23 Ashley Bathgate and percussion sextet Mantra Percussion performed Matt McBane’s Topography at National Sawdust in NYC.

+ + + + + + + + + + + + + + + + + + + + + + + +

Michel Langevin (aka Away/Voïvod)

My coups de coeur in 2023:   TV Series: The Last of Us   Music: The Damned - Darkadelic Godflesh - Purge Crown Lands - Fearless Gong - Unending Ascending Soft Machine - Other Doors   Best show: KISS End of the Road World Tour in Montréal on Nov 18th   Best Moments: -Recording and touring the new Voïvod album, Morgöth Tales, celebrating the 40th anniversary of the band -Celebrating my 60th birthday on stage in Lyon on the Voïvod/Testament Euro tour -Jason Newsted joining the band on stage in Fort Lauderdale, USA -Eric Forrest joining the band on stage at Hellfest, France  

+ + + + + + + + + + + + + + + + + + + + + + + +

Lydia Lunch

https://www.lydia-lunch.net/

“Time-one long second that goes on forever” So enjoy it motherfuckers!

BOOKS

Love the World or Get Killed Trying Alvina Chamberland Mother Howl Craig Clevenger Nein, Nein, Nein! : One Man's Tale of Depression, Psychic Torment, and a Bus Tour of the Holocaust Jerry Stahl Mystic Debris Justin Gradin Niagara, NY Ric Royers The Pale-Faced Lie : A True Story David Crow The Conspiracy Against the Human Race: A Contrivance of Horror Thomas Ligotti The Field: The Quest for the Secret Force of the Universe Lynne McTaggert Yuval Noah Harari Box Set (Sapiens, Homo Deus, 21 Lessons for 21st Century) Season of the Witch Cathi Unsworth Every word John Tottenham utters or writes

TOURS with Sylvia Black & Gregg Foreman, Joseph Keckler, Marc Hurtado (tribute to Alan Vega & Suicide), Ian White, Kevin Shea (Sinister Impulse), Tim Dahl & Matt Nelson (Murderous Again)

Workshop & Performance Badass Babes of Burlesque w Rita D’Albert Zebulon LA

Workshop at the University of New Mexico thanks to Greg Moss

Reading with Zoe Hansen & Ron Athey at The Philosophical Research Center LA Reading with Eugene Robinson Makeout Room SF

Finishing the documentary with Jasmine Hirst Artists - Depression, Anxiety, and Rage and premiering it in Italy

Meeting butuh Queen Azumi OE and discussing up coming performances together with Tim Dahl

Completing the 233 episode of The Lydian Spin with Tim Dahl

FUN

Nights in London & Brighton spent with Nick Soulsby, Cathi Unsworth, Billy Chainsaw, Chris Bohn, Jack Sargeant, Pam Hogg,

Tina Kit (opened for my Suicide tribute in London & Brighton) best new band of suited and booted bad boys

Squired around Europe by Sebastien Greppo, a man like no other - who so lightens my burden…

Watching every episode of The Dark Side of The Ring with Kevin Shea

Training squirrels, levitating objects, saving lives, screaming into the void.

+ + + + + + + + + + + + + + + + + + + + + + + + +

Mike Berdan

(Uniform) https://uniform-nyc.com/

ALBUMS

Lankum - False Lankum

Surgeon - Crash Recoil

Ryuichi Sakamoto - 12

Fellwinter - The Dawn Of Winter

Abysmal Lord - Bestiary Of Immortal Hunger

Death Kneel - Dawn Simulation

Shit And Shine - 2222 And Airport

Carnivorous Bells - Room Above All

Agonal Lust - Mankind Is A Talisman Of Misfortune

Godflesh - Purge

FIRST-TIME READS

A History Of Violence (1973) - David Cotner

Someone Who Isn't Me - Geoff Rickly

Your Dreams - Thomas Moore 4. In A Lonely Place - Karl Edward Wagner

Burn You The Fuck Alive - B.R. Yeager

The Holy Day - Christopher Norris

A Collapse Of Horses - Brian Evenson

The Devil Thinks I'm Pretty - Charlene Elsby

Let's Go Play At The Adams' - Mendal W. Johnson

Counterillumination - Audrey Szasz

MOVIES

Godzilla Minus One

CIGARS

Cohiba Magico Maduro Petit Robusto

God Of Fire Serie B Double Robusto

Padron Family Reserve no. 95 Maduro Petit Gordo

El Pulpo Toro

Tatuaje Reserva J21 Broadleaf Robusto

Atabey Benditos Double Corona

Romeo y Julieta Línea de Oro Nobles

H. Upmann Half Corona

Foundation Cigars The Tabernacle Robusto

OpusX Eye Of The Shark

+ + + + + + + + + + + + + + + + + + + + + + + + +

Mario Diaz deLeon (composer, Luminous Vault, Bloodmist)

ALBUMS Evita Manji - Spandrel? Eartheater - Powders Slowspin - Talisman Marta DePascalis - Sky Flesh Kalia Vandever - We Fell in Turn Eraldo Bernocchi + Hoshiko Yamane - Sabi JakoJako -  Verve Surgeon - Crash Recoil Cavalera - Morbid Visions / Bestial Devastation Bell Witch - The Clandestine Gate Steve Lehman + Orchestre National de Jazz - Ex Machina

SONGS Kelly Moran - Vesela Vines - I Don’t Mind Cybotron - Maintain Barker - Birmingham Screwdriver VMO - Supergaze Omar Hisham - Adhan (Be Heaven)

EVENTS New Firmament: MONAD - Roulette Peter Evans: Being and Becoming - Roulette Anna Sperber: Amplifier - Roulette 20 Years of Shinkoyo - Roulette Anthony Braxton + Wolf Eyes - Pioneer Works Caterina Barbieri - Pioneer Works Felipe Lara + Claire Chase + Esperanza Spaulding + NY Phil TAK Ensemble: Swoonfest - The Clemente Center Kayo Dot: Choirs of The Eye - MilkBoy Cecilia Vicuña / Raven Chacon - The Poetry Project Krallice / Indocrithere / Geryon / Ocrilim - Saint Vitus Cavalera: Morbid Devastation - Irving Plaza Hulder / Blackbraid / Aeviterne - Le Poisson Rouge Eartheater / Concrete Husband - Elsewhere

BOOKS Roxanne Dunbar-Ortiz - An Indigenous Peoples History of the United States

+ + + + + + + + + + + + + + + + + + + + + + + + +

Alexander Tucker (Microcorps)

I started off the year by releasing a project very close to my heart: Fifth Continent, a collaboration with the late Keith Collins, partner and collaborator of film maker and artist Derek Jarman. The album was partially recorded in Jarman’s cottage in the desert-like landscape of Dungeness, on the South East coastline of Kent, in the UK, with elements constructed from Collins own spoken word pieces, and environmental recordings. The album was released on James Ginzberg’s Subtext label, and we also produced Fifth Quarter, an anthology publication of writing, recollections, photography and newly commissioned artworks about Jarman, Collins and Dungeness.

Although I probably made more music than usual this year, and had a greater focus than ever on the various projects I have underway, 2023 felt like a weird and often frustrating year for me and music. About five years ago I set about teaching myself modular systems, experimenting, and recording the results as I went along. This culminated in a new solo guise primarily for electronics and the synthesis of voice and acoustic instruments, MICROCORPS (the debut album Xmit came out on Alter records in 2021). Using these systems is at the same time liberating and incredibly frustrating. For a while this year nothing felt good enough: I could feel the potential of my ideas glimmering in the distance but was unable to catch up with them. I decided to take a short break from the modular, and focused upon compositions for cello, saxophone, and clarinet. But the pull of electronics is never far, so I began processing these recordings, using granular synthesis to stretch, mutate and reorganise the audio into new pieces. As soon as you want more from your practice and yourself, things can become more laborious - it’s difficult to be in the moment and focus on what’s in front of you. I used to be happy with the immediate effects I produced, but I think this is being replaced by a different approach, something more considered, which is exciting and, in some ways, sobering - even if the results are far from what you would describe as sober. I’m also so lucky to have many friends and fellow artists around me to offer help and suggestions, to whom I’m eternally grateful. As R.Crumb says, “Keep on truckin”.

Music I dug this year: Godflesh - Purge (Avalanche Recordings) Rắn Cạp Đuôi - *1 (nhạc_gay) Mun Sing - Inflatable Gravestone (Planet Mu) RS Tangent - When A Worm Wears A Wig (The Trilogy Tapes) Arnold Dreybaltt And The Orchestra Of Excited Strings - Resolve (Drag City) Elvin Brandhi and Lord Spikeheart - Drunken Love (Hakuna Kulala) Mark Fell and Will Guthrie - Infoldings / Diffractions (NAKID) Afrorack - The Afrorack (Hakuna Kulala) Kinn - Dogtooth (First Light Records) General Magic - Nein Aber Ja (GoTo Records)

Live shows: Emptyset - Village Underground Elvin Brandhi - IKLECTIK Mick Harris/FRET – Downwards’ 30th, Centrala Mun Sing, Crys Cole, Penelope Trappes - Boundaries Festival  Maxwell Sterling - Cafe OTO Pole - EartH Nik Colk Void - Too many to count! Phew - Cafe OTO Residency Acid Horse Festival Devo - Hammersmith Apollo Kinn - New Cross Road Baptist Church

Comics: In 2023 I produced a new issue of my ongoing oblique and nonlinear comic series, Entity Reunion. For this issue I drew upon my love of HP Lovecraft, using the repetition of the comic format to peel back layers of the everyday to reveal omnipotent entities underlying all reality. The viewpoint of each page is from the point of view of the protagonists, who hold an electronic device, photographing their surroundings only to capture the blurred features of some insidious face. There are also references to Lovecraft’s own fictional grimoire the Necrononmicon. I wanted that dreamlike sensation of being the protagonists of the dream but also viewing yourself as separate entity.

Books: I read nearly all of Patrica Highsmith’s ‘Ripley’ books, a bunch of John Le Carré novels, Mark Kermode’s book on The Exorcist and I’m currently working my way through the spy novelist Eric Ambler’s books. I also re-read Bruce Robinson’s analysis on Jack the Ripper and Victorian society, ‘They All Love Jack’. 

+ + + + + + + + + + + + + + + + + + + + + + + + +

Tom Chiu (composer, Flux Quartet)

2 0 2 3  IN  REVIEW

Albums Worth Exploring (including a couple entries from 2022 that I discovered late)

Bar Italia                 Tracey Denim (Matador)

Blur                         Ballad Of Darren (Parlophone)

Bush Tetras             They Live In My Head (Wharf Cat)

Death Valley Girls    Islands In The Sky (Suicide Squeeze)

Dummy                    Mono Retriever (Sub Pop)

Duster                        Remote Echoes (Numero Group)

En Attendant Ana       Principia (Trouble In Mind)

Everything But the Girl     Fuse (Verve)

Horse Lords               Comradely Objects (RVNG)

Kelela                         Raven (Warp)

Lael Neale                  Star Eaters Delight (Sub Pop)

Lana Del Rey             Do You Know That There's A Tunnel Under Ocean Blvd (Interscope)

Lewsberg                   Out And About (12XU)

Munya                        Jardin (Luminelle)

Slowdive                    Everything Is Alive (Dead Oceans)

Sweeping Promises    Good Living Is Coming For You (Sub Pop)

Wednesday                Rat Saw God (Dead Oceans)

Yo La Tengo               This Stupid World (Matador)

Night at the Movies

Poor Things Past Lives Monster

Recurring Personal FAVES

FAVE Sandwich: Mekelburg's  Clinton Hill, Brooklyn

FAVE Burger: Two8Two Bar & Burger, Boerum Hill, Brooklyn

FAVE Craft Beer Brewery Omnipollo (Sweden), brewed at Twelve Percent Beer Project, North Haven, CT

+ + + + + + + + + + + + + + + + + + + + + + + + +

Pierre Cerrato

Producer - Editor  Floyd County Productions (Archer)

Favorite Movies/TV Archer Season 14 The Last of Us Gen V Beef This Fool Season 2 Fargo Season 5 Primo (Amazon Prime Show) The Bear Season 2 Episode Barry Season 4

Favorite Records  I listened to a lot of music but these were in constant rotation.  Some are from last year but what is time and who cares?

Boris/Uniform - Bright New Disease (2023) Birds in Row  - Gris Klein (2022) Fleshwater - We Are Not Here to Be Loved (2022) Asunojokei - Islands (2022) Everything But the Girl - Fuse (2023) Night Owls - Versions (2022)

Honorable mention Boris - Feedbacker (2003) this was my introduction to Boris. This year is the 20 year  anniversary of its release. Roberto Carlos Lange shared it with me one day while at work. He said it was something he thought I would like. Blew my mind and I have been a fan  ever since.

Favorite Concerts The Cure - State Farm Arena - also saw The Cure at Riot Fest but this was better of the 2. I regret not going to Night 2 in Atlanta because they played Disintegration.  H20 - Riot Fest 2023 Set Fleshwater - Riot Fest 2023 Set Future Islands - Shakey Knees 2023 Set The Yeah Yeah Yeahs - Shakey Knees 2023 Set Converge / Brutus - The Masquerade Drain / Drug Church - The Masquerade Donny Benet - Terminal West Idles - Re:Set 2023 Set

Favorite Food

MF Sushi - Atlanta - went twice and each time it was a special occasion.  Heirloom Market BBQ - Atlanta - best BBQ in my neck of the woods. The Aviary - Chicago - specialty cocktails with spectacular presentation.  Cafe Tola - Chicago - best empanadas i've ever had in my life.  Selva Negra - Miami - a solid contender for Nica food. Jaguar - Miami - great vibes, service and ceviche! No Hard Feelings - Chatanooga - great cocktails and vibes! 

+ + + + + + + + + + + + + + + + + + + + + + + + +

Zachary Lipez

(editor at large of Creem Magazine, writer, singer of Publicist UK)

Music I made a (very) long list on my wildly popular blog, Abundant Living. But, for kicks and with the understanding that maybe you don’t feel like reading (or subscribing to) my wildly popular blog, here’s some stuff I included and some stuff I forgot (with particular attention paid to albums I think might be of particular interest to JG friends/fans but which may have slipped through the radar) (meaning: I mainly put the stuff that wasn’t on too many other lists). Fatboi Sharif Decay (Backwoodz) Skech185 He Left Nothing for the Swim Back (Backwoodz) Zohra Murder In The Temple (American Dreams) The Native Cats The Way On Is The Way Off (Chapel)  Geese 3D Country (Partisan) Gold Dime No More Blue Skies (No-Gold) Algiers Shook (Matador) EXEK The Map and the Territory (Foreign) Skinhead Everything Was Beautiful and Nothing Hurt (Closed Casket) Débruit & Alsarah Aljawal ا​ل​ج​و​ا​ل (Soundway) Fairytale Shooting Star (Toxic State) Among The Rocks and Roots Pariah (Cacophonous Revival)  Full of Hell, Nothing When No Birds Sang (Closed Casket) Uniform & Boris Bright New Disease (Sacred Bones) Sleaford Mods  UK Grim (Rough Trade) Money&King Act Unnaturally (self released) Blu Anxxiety Morbid Now, Morbid Later (Toxic State) Nana Benz du Togo  AGO (Komos) Citric Dummies Zen and the Arcade of Beating Your Ass (Feel It) Ghösh  Prismassive (Ramp Local) Peasdez  Fenomenologia Del Espiritu Agonico: De La Existencia Sordida Al Pendulo De La Nada (SPHC) Upper Wilds Jupiter (Thrill Jockey) Death Valley Girls Islands In The Sky (Suicide Squeeze) Raphael Rogiński Talán  Body Void Atrocity Machine (Prosthetic) Feeling Figures Migration Magic (Perennial) Ryan Davis & the Roadhouse Band  Dancing on the Edge (Sophomore Lounge) Nosaj from New Kingdom & steel tipped dove House of Disorder (Fused Arrow Records) mclusky unpopular parts of a pig / the digger you deep (self released) Advertisement Escorts (Feel It) King Vision Ultra  Shook World (hosted by Algiers) (PTP)

Live Shows that Stand Out In My Memory Moor Mother/Armand Hammer/The Caretaker/Raphael Roginski for the Unsound Fest at Lincoln Center (I covered this for The Quietus if yr interested) Sleaford Mods at Coachella (profiled them for CREEM) Lydia Lunch/Zohra at St.Vitus Lydia Lunch Retrovirus last American show ever (?) at TV Eye Various skinhead/nü oï bands at the Monarch/TV Eye etc. with Liberty & Justice being the standout Son Rompe Pera at TV Eye Chisel (the Ted Leo outfit, not the neo-bootboy band with the “the” in their name) at LPR

BOOKS My phone has pretty much eliminated my ability to read. I did read the first 100 pages of more books than I care to admit. I finally finished Mark Andrews’ Paint My Name In Black and Gold: The Rise of the Sisters of Mercy and I recommend it if, like me, you think The Sisters of Mercy are better than the Beatles (or whatever inane comparison annoys your friends the most). I also discovered Gene Wolfe and read the first book in the Book of the New Sun trilogy. Otherwise, it’s pretty much been just using Louise Glück poetry as inspiration to write terrible versions of Louise Glück poetry. 

TV Doom Patrol Pokerface Rick and Morty (idc idc idc idc) HasanAbi twitch stream  A ludicrous amount of Britbox mysteries and—passively, yes, but not without a fair amount of emotional investment—various Real Housewife shows/spinoffs

Movies Didn’t watch any new movies this year but I did have a lot of youtube videos playing in the background while I did other things, and sometimes those videos would be three hour long screeds about what was wrong with a number of movies I’d never heard of. So I feel like I got the gist. 

LIFE Converted to Islam and married Zohra in January. Both choices have proven to be rewarding as all hell. Cashing in my “as a Jew I…” argument card—while simultaneously being too new a Muslim to reasonably claim either special knowledge and/or marginalization status—has really fucked with my ability to be self-righteous online. But the love that Zohra and her family have shown me has more than made up for my newfound inability to really wipe the floor with a motherfucker in the instagram comments. In fact, I liked marrying Zohra so much that I did it again in December (first time was a religious ceremony, the second time was our rendering to Caesar etc). If you know me/us and weren’t invited to either that’s because essentially no one was. As my parents couldn’t attend (on account of being dead) I didn’t really see the point of a big party. That was perhaps selfish. We love you (probably) and will have some sort of to-do in 2024. 

Otherwise, I am still very much enjoying working for the new CREEM Magazine (please subscribe) and doing my newsletter (please subscribe). Musically, I lived vicariously through Zohra and the release of her first solo album. Murder In The Temple, with amazing production by Ben Greenberg and contributions by Lydia Lunch, is a synthesis of so many of Zohra’s obsessions. It’s unlike anything in the post-goth-dark-whatever sphere and I can’t express how proud I am of it and her. As for my music, I did some neat-o Scientists-esque stuff with Telematics (Sohrab Habibion, Robert Austin, and Alexis Fleisig) and Zohra and I did a Sheer Terror cover in the style of Tindersticks to commemorate Paul Bearer’s marriage. Also, I’m pretty sure my most successful band (Publicist UK) got dropped by our label (apparently taking eight years to finish a demo is a long time) so get at me if you have a low-to-mid tier label and want to put out an album of eight minute gothic metal songs with zero mosh parts, about an aging hipster loving his wife and cats and missing his dead mom and dad. C’mon, do it. You’d be printing money. 

+ + + + + + + + + + + + + + + + + + + + + + + + +

Jim Siegel

Vivid Oblivion

Records And Other Things I Liked In 2023

Lankum - False Lankum (Rough Trade)

Milford Graves with Arthur Doyle and Hugh Glover - Children Of The Forest (Black Editions Archive)

Nakibembe Embaire Group (Nyege Nyege Tapes)

Henning Christiansen - Mediterranean Music-Water (Holidays)

Alain Goraguer - La Planete Sauvage (Expanded) (Decca)

Phill Niblock - Boston III (Alga Marghen)

Sam McLoughlin & David Chatton Barker - The Heavenly Realms (Folklore Tapes)

Svitlana Nianio & Tom James Scott - Eye Of The Sea (Skire)

Half Mortal - Creature Of Christ (Hospital Productions)

Pharoah Sanders - Pharoah box (Luaka Bop)

Ragnar Johnson & Jessica Mayer - Spirit Cry Flutes And Bamboo Jews Harps From Papua New Guinea (Ideologic Organ)

PJ Harvey - I Inside The Old Year Dying (Partisan)

Jana Winderen - The Blue Beyond (Touch)

Rezzett - Meant Like This (The Trilogy Tapes)

Arsenije Jovanovic - Sailboat Galiola Nuria's Unfinished Logbook (Pentiments)

Only Voices Vol. 1 + 2 (DDS)

Wounded Son - Pain Is All I Have For You (Hospital Productions)

Various - Cease & Resist: Sonic Subversion & Anarcho Punk In The UK 1979-1986 (Optimo Music)

Umeko Ando - Upopo Sanke (Pingipung)

Philip Jeck & Chris Watson - Oxmardyke (Touch)

Lori Vambe - Space-Time Dreamtime: The Four Dimensional Music Of Lori Vambe (Strut)

Mozart Estate - Pop-Up! Ker-Ching! And The Possibilities Of Modern Shopping (West Midlands)

Sandwell District - Feed Forward box (The Point Of Departure)

Japan Blues - Japan Blues Meets The Dengie Hundred (DDS)

Various - A Web Of Braided Willow - The Folklore Of The Wickerman (Folklore Tapes)

Surgeon - Crash Recoil (Tresor)

Mark Glynne And Bart Zwier - Home Comfort (La Scie Doree)

Ariel Kalma - French Archives Vol. III 1964-89 (Black Sweat)

Marginal Consort - 06 06 16 (St Elisabeth Kirche, Berlin) (901 Editions)

Brendan Perry - Eye Of The Hunter / Live At The I.C.A (4AD)

The Complete Obscure Records Collection box (Dialogo)

Various - Avant Garde 21xCD Box (Deutsche Grammophon)

Bill Nace Live at Public Records, December 2023

The Elephant 6 Recording Co. Documentary

Squaring The Circle - The Story Of Hipgnosis 

Shame And Dignity with Stanley Schtinter and Sukhdev Sandhu at UnionDocs, NY November 2023

Godland, dir. Hlynur Palmason

Wawa Pretzel w/ Melted Cheese (Sandwich)

+ + + + + + + + + + + + + + + + + + + + + + + + +

Simon Karis

(CEO of Nice Music, recording artist)

Okay so fave releases of 2023

Absurd Cosmos Late Nite 'These Magic Clothes Don't Play Themselves' (Reseach Laboratories) Actress 'LXXXVIII' (Ninja Tune) Armand Hammer 'We Buy Diabetic Test Strips' (Fat Possum) Danny Brown 'Quaranta' (Warp) De-Bons-En-Pierre 'Card Short Of A Full Deck' (Dark Entries) Evian Christ 'Revanchist' (Warp) Eyes Of The Amaryllis 'Perceptible To Everyone' (Horn Of Plenty) Francis Plagne 'Into Closed Air' (Bison) Francis Plagne 'Udge' (Horn Of Plenty) Giuseppe Ielasi 'Down On Darkened Meetings' (Black Truffle) HHOST 'Windswept Italics' (Altered States Tapes) HHOST 'Veil' (Snail Editions) JPEGMAFIA & Danny Brown 'Scaring The Hoes' (no label) Kassell Jaeger 'Shifted In Dreams' (Shelter Press) Khanate 'To Be Cruel' (Sacred Bones) Klein 'Doubt'/'Normani's Torment'/'STORM' (no label) L'Rain 'I Killed Your Dog' (Mexican Summer) Land's Air 'Land's Air' (Tone List) Locust 'The First Cause' (Mysteries Of The Deep) Low Flung 'The Wheel' (Snail Editions) Matt Harkin 'The Door Knocker' (no label) Nick Ashwood 'Inside The Body Of A Wave' (no label) Nuno Loureiro 'Lua Onus' (Super Pang) Patten 'Mirage FM' (555-5555) Pissed Jeans 'No Convenient Apocalypse' (Sub Pop) Princess Nokia 'I Love You But This Is Goodbye' (Arista) Red Wine & Sugar 'Turkish Coffee & Twice Baked Potatoes' (Chocolate Monk) Rezzett 'Meant Like This' (The Trilogy Tapes) Richard Youngs 'Modern Sorrow' (Black Truffle) Rory J S 'P' (no label) Rrose 'Please Touch' (Eaux) Solo Andata 'Slip Casting' (12k) WPH 'III' (no label) 100 Gecs '10,000 Gecs' (Dog Show/Atlantic)

fave back catalogue listens that made sense in 2023 Armand Hammer & The Alchemist 'Haram' (Backwoodz Studioz) Beherit 'H418ov21.C' (Spinefarm) Bernard Parmegiani 'De Natura Sonorum' (INA-GRM) Bowery Electric 'Beat' (Kranky) Charalambides 'Exile' (Kranky) Def Leppard 'Hysteria' (Mercury) Elastica 'Elastica' (Deceptive/Geffen) Elucid 'I Told Bessie' (Backwoodz Studioz) Emptyset 'Demiurge' (Subtext) Emptyset 'Recur' (Raster-Noton) Hematic Sunsets 'Musik Aus Dem Aroma Club' (Klang Der Festung) Joey Beltram 'Classics' (R&S) Ka 'Languish Arts' (Iron Works) Kim Cascone 'Cathodeflower' (Ritornell) The Kinks 'Lola Vs Powerman And The Moneygoround Part One' (Reprise/Pye) Kreator 'Terrible Certainty' (Noise International) Lol Coxhill & Morgan Fisher 'Slow Music' (Pipe/Aguirre) Low 'Hey What' (Sub Pop) Marsfield 'The Towering Sky' (Faraway Press) Massive Attack 'Mezzanine' (Virgin) Matt Harkin 'Sanctuary 1, 2015-2016' (Hobbies Galore) Maurizio Bianchi 'Endometrio'  (no label/Dais) Moodymann 'Mahogany Brown' (Peacefrog) Moor Mother & billy woods 'Brass' (Backwoodz Studioz) Nearly God 'Nearly God'  (4th & Broadway) Nightcrawlers '2031 AD' (no label) Richard Youngs 'Beyond The Valley Of The Ultrahits' (Sonic Oyster) Rita Revell 'I Had A Very Bad Time!' (Happy Endin') Roc Marciano 'Reloaded' (Decon) Seine Trance-Parenz Fredi Alberti 'Klaenge Aus Dem Engelsraum (Die Verdunklung Der Sonne Und Des Mondes)' (Scribble Art) Simbiosi 'Elements' (Werkdiscs) Suede 'Dog Man Star' (Nude) Valerio Tricoli 'Say Goodbye To The Wind' (Shelter Press) 100 Gecs '1000 Gecs' (Dog Show)

fave melbourne/naarm restaurants in 2023

Khabbay (Indian/Pakistani, Carlton) Laksa Village (Malaysian/Chinese, Donvale) Cinger Biang Biang (Dolan/Uyghur/Chinese, Carlton) Lim Kopi (Malaysian, Naarm/Melbourne CBD) Raya (South East Asian desserts, Naarm/Melbourne CBD) Taste Hunan (Hunan/Sichuan/Chinese, Naarm/Melbourne, CBD) Laksa House (Malaysian, Naarm/Melbourne, CBD)

+ + + + + + + + + + + + + + + + + + + + + + + + +

Brendon Randall-Myers

(composer, Scarcity, Marateck, Glenn Branca Ensemble)

If 2022 was the Return of the Show and the Return of Travel, 2023 was about Building Stability (i.e. making my teaching studio a primary income source), Hunkering Down to Finish Two Albums, and Re-Learning How to Be a Human Being. I also played a bunch of cool shows with Dither (collabs w/ Carla Kilhlstedt, Lee Ranaldo/Brian Chase, Amirtha Kidambi, AJ Santillan, and Laurie Spiegel; playing Electric Counterpoint on GFA), a couple fun Scarcity shows (playing with Liturgy, improvising on graphic scores by Anthony Hawley) and did some performances with Whimbrels and Contemporaneous. 

These were albums I enjoyed (incessantly) at some point during 2023 that were mostly - but not exclusively - also released in 2023.

Agriculture - Agriculture Armand Hammer - We Buy Diabetic Test Strips Arnold Dreyblatt - Resolve Big Brave - Nature Morte Blackbraid - Blackbraid II Bummer - Dead Horse Caroline Polachek - Desire, I Want to Turn Into You goat (JP) - Joy in Fear Goldfeather - Change JPEGMAFIA & Danny Brown - SCARING THE HOES Jute Gyte - Unus Mundus Patet KEN Mode - VOID Killing Joke - Night Time Krallice - Mass Cathexis 2 - The Kinetic Infinite Model/Actriz - Dogsbody Modern Nature - How to Live  Nabihah Iqbal - Dreamer Neil Young - Greatest Hits Oren Ambarchi - Shebang Pink Pantheress - Heaven knows The Prodigy - The Fat of the Land  Rid Of Me - Traveling  Slowspin - Talisman Smashing Pumpkins - Siamese Dream Swans - The Beggar Trauma Bond - Winter’s Light  Tristan Kasten-Krause and Jessica Pavone - Images of One Victory Over the Sun - Dance You Monster To My Soft Song! Yaeji - With A Hammer

Here were some shows I attended:

Wolf Eyes + Raven Chacon @Union Pool Liturgy @TV Eye Gamelan Dharma Swara, Ridgewood Presbyterian Church Moor Mother @Merkin Hall Object Collection @The Brick Theater Spectral Wound @Saint Vitus Pyrrhon + Barrsheadahl @Saint Vitus The Smile @Forest Hills Stadium Krallice @Saint Vitus Mediaqueer @Windjammer Sarah Hennies + Tristan Kasten-Krause @Issue Project Room Peter and the Wolf @Guggenheim Model/Actriz @Music Hall of Williamsburg  

+ + + + + + + + + + + + + + + + + + + + + + + + +

Grace Bergere

(songwriter / singer / performer)

This year was full of firsts for me! 

Definitely the most musically eventful year of my life to date. I went on my first tour playing bass with my great friends in COP/OUT, supporting Days n' Daze (A band I'd been listening to for years as a young punk kid.)  I immediately realized touring is really all I want to do.  I also got to tour alongside Subhumans in Cop/Out. Meeting them and getting to know them was mind expanding.  They were all kind and humble thoughtful individuals, completely down to earth and engaged with everyone they spoke to. Every night across the midwest they brought the crowd to a cathartic screaming euphoric mess. Working with COP/OUT, whose message is so clear; to be good to each other, question everything even when it means swimming upstream with every bit of strength you have, filled me with hope.  Playing on that tour with them, and watching Subhumans every night reminded me the power of music to affect real social change which is something I believed to have been  lost in recent years.  I met my great friend Jessica Mills on that tour and we still talk all the time. 

I also started playing guitar in The Art Gray Noizz Quintet. One of my longtime favorite bands (that my very talented cool boyfriend happens to play bass in.) We went all across the West Coast, landing in Las Vegas. Playing with them has demanded I advance as a guitarist, stepping into Andrea Sicco's shoes. Andrea is a complete beast of a musician and all of his musical projects are awesome. Check out MOVIE MOVIE, his most recent project. 

I also joined Crazy And The Brains on second guitar. They’re a super fun high energy punk band. I love being around such positive fun loving musicians and watching them bounce around while I do my best to keep up. 

I recently finished recording my album at HOBO SOUND in Hoboken by James Frazee. The time and effort it took over the several years since I started, was at times grueling. But James never stopped caring or checked out. He helped me shape this album into something I am truly proud of, along with Richard Dev Greene, one of the first people to ever believe in my music. I am so grateful to both of them.

I started spending time with Victoria and Kay of Puzzled Panther. They quickly have become two of my best friends. It is so meaningful for me to have found such badass, driven young women to share a dream with. Puzzled Panther is raw and hypnotizing. They have a unique strong hold over their audience and every show of theirs I’ve been to has been fantastic.  Victoria has joined me a few times on a song at my shows, and every time I believe has been one of the strongest points in my set. 

I Met Eugene Hutz of Gogol Bordello (the first huge band I ever went to see as a young teenager.)  He will be releasing my upcoming single and video for “Come And Go”  on his label Casa Gogol Records in early 2024. 

I just played the biggest show I’ve ever played with my solo project that plays under my name.  We were on a bill with Gogol Bordello and JON SPENCER (Also one of my favorite artists.)  Being on that stage standing there in front of more people I’ve ever seen in an audience from that vantage point, I felt like every second of my life was leading to that moment. Each song brought me back to the time in my life when Id written it and it felt very much like watching my life projected in front of me. It was indescribably satisfying to be on that stage. Later, in the audience, I screamed along to Gogol and watched my mom dance to songs she'd heard me blasting through the house as a kid, and felt just as moved by them as I did as a young teenager the first time I saw them.

I am so grateful to be working with Eugene. He is kind and thoughtful in his feedback and hugely supportive of me and my dreams. 

I will be playing New Years Eve with the Art Gray Noizz Quintet before Kid Congo Powers and The Pink Monkey Birds !!

This last week I can honestly say, has been the best of my life to date. Like looking out over a valley after climbing for years.

BEST SHOWS

(other than the ones I was lucky enough to play at listed above) 

RICHARD DAWSON 

I got to see Richard Dawson three whole times!!! it was his first US appearance. He is a completely unique force. I’ve never seen such a captivated crowd. we all cried and screamed along with him. 

PIGS X 7 

One of those times he was playing with Pigs x7. They quickly became another favorite band of mine despite having severe technical difficulties. it was actually kind of a highlight because their front man just started joking around and had the entire audience laughing along with him and talking for about 10 minutes. I got to see them two other times that went perfectly. What a band.. 

JON SPENCER AND THE HIT MAKERS

I saw them at TV Eye. I had been able to squeeze myself into the DJ booth for their set. They hammered away into some kind of magical hypnosis that made me feel like I'd taken MDMA. (I had not.) I had to lean against a wall to keep my balance. They played with Licks, a badass 60s garage rock inspired band fronted by my friend Skunk. 

LYDIA LUNCH RETROVIRUS 

Also driving and hypnotic and loud as hell. I was left with a similar feeling of having been dosed with something at all of their shows…

JOSEPH KECKLER

The first time I saw Joseph perform was at TV eye with Lydia Lunch. He’s completely unique. He writes gorgeous songs that he sings in an incomprehensibly wide range, sometimes in languages that he has invented himself! His seamlessly mixes humor with honest beautiful songwriting.

SONGS I LISTENED TO A BILLION TIMES THIS YEAR. 

ART GRAY NOIZZ QUINTET- Lie Come True  JOSEPH KECKLER- The Ride JON SPENCER AND THE HIT MAKERS- Death Ray  GOGOL BORDELLO- Shot Of Solidaritine  PUZZLED PANTHER- Smoke And The Mirrors We Broke  PIGSX 7 - Reducer  ARCHERS OF LOAF- Banging On a Dead Drum 

OLDER HITS THAT WERE NEW TO ME

LAURIE ANDERSON- Poison  POISON GIRLS- Fear Of Freedom CULTURE SHOCK- Things To Do  CAPTAIN BEEFHEART- Tropical Hot Dog WARREN ZEVON- Desperados Under The Eves MINNIE RIPERTON- Les Fleurs  BOBBY GENTRY - Ode To Billy Joe TOWNES VAN ZANDT- Highway Kind

BOOKS 

Joseph Keckler-  Dragon at the edge of a flat world.  Mark Lanegan- Sing Backwards and Weep Miriam Toews- Fight Night

+ + + + + + + + + + + + + + + + + + + + + + + + +

Marc Urselli

producer / engineer / sound designer

I want to thank JG Thirlwell for inviting me to submit my 2023 Year in Review. I had never done one of these before and it's been a fun challenge to go through my calendar and social media to remember and realize how much I was able to pack into this year! Selecting and writing down all of these things also helped me further grasp and understand how tremendously privileged and lucky I am to be able to do what I love all year around, year after year, and to live my life to the fullest and according to my own wishes and my own design. I don't take this lightly and I don't take it for granted. I am very aware that it comes from hard work, limitless passion and unweavery dedication, not just luck and good fortune, but nevertheless I am grateful every single day for this life and for being healthy, being able to do all of this, and for all the people in my path who trust me, inspire me, support me, challenge me, and enlighten me!

STUDIO SESSIONS, ALBUMS & PRODUCTIONS When compiling this list, it really dawned on me how fortunate I am to be working with such incredible talents and how priviledged I am to be able to witness, participate and contribute to the creation of exceptional works such as the following:

Producing, Recording & Mixing sessions with David J of Bauhaus, Norwegian artist Ihsahn (of Emperor) & Toby Driver (of Kyao Dot), John Stanier (of Battles), Brian Chase (of Yeah Yeah Yeahs), Restless Spirit, Vicki Peterson (of the Bangles), John Cowsill (of the Cowsill Family and The Beach Boys touring band) and many others for my new RAMONES tribute album to come out next year on Magnetic Eye records

Producing, Recording and Mixing a cover of Soundgarden's song "4th of July" with my doom metal / throat singing project SteppenDoom for the Magnetic Eye album "Soundgarden (Redux) and featuring Matt Cameron of Soundgarden themselves on drums

seeing the release of Brian Carpenter's "Ghost Train Orchestra & Kronos Quartet - The Music of Moondog" album featuring Kronos Quartet (which I recorded at EastSide Sound) and many other amazing guest artists

Producing, Recording, Mixing, and Mastering a live album by Brazilian artists Zé Ibarra, Dora Morelenbaum and Julia Mestre of Bala Desejo for Glasshaus Presents & Tower Records

Mixing new albums by Glenn Max Vanderwolf (produced by Dennis Martin), by Bloodmist (Toby Driver, Mario Diaz De Leon, Jeremiah Cymermann), and by Ikue Mori & Zeena Parkins at EastSide Sound fully utilizing the analog console and the analog outboard gear (something nowadays is more and more rare)

Recording & Mixing 6 new albums by John Zorn this year alone, which brings my total JZ count to over 120 albums, and which as of this year can finally be heard on streaming platforms as well!

Recording and Producing a new album by Marco Cappelli's Italian-inspired band IDR at EastSide Sound in NYC and then going to Rome, Italy to overdub trombone and vocals with famed contemporary Neapolitan singer Raiz

Producing, Recording, Mixing, and Mastering 2 new albums by incognito jazz / blues artist Russell Orr with legendary Brian Marsella & Brian Mitchell on keys, respectively

Recording, Mixing, and Mastering two new albums by Jessica Pavone and her trio

Producing, Recording, Mixing and Mastering a "We Are the World"-type track for NYC Mayor's Office of Immigrant Affairs with a song composed by Captain Beefheart / Jeff Buckley's guitarist Gary Lucas and 10 other musicians from various parts of the world playing their local instruments and singing in their mother's tongue

Recording and Mixing the new album by Italian singer/songwriter Beppe Voltarelli, produced by Simone Giuliani, which took second place in Italy's Premio Tenco

Recording a new film score by composer Billy Martin (of Medeski, Martin & Wood) and arranged by Simon Hanes (of Tredici Bacci)

Producing, Recording, Mixing, and Mastering contemporary classical music sessions commissioned by Miller Theater and Columbia University with artists such as Laura Barger & Julia Den Boer, Miguel Zenon, Matt Mitchell & Miles Okazaki, Russell Greenberg & Vicky Chow

Recording new albums by contemporary classical/jazz musicians such as Miles Okazaki, Brian Drye, Anna Webber & Matt Mitchell and others Recording new albums by amazing Latin Jazz artists such as Gili Lopes, Homan Alvarez, Rodrigo Recabarren, Benjamin Furman

seeing the HBO release of John Lurie’s “Painting with John” new season where all the music was recorded & mixed by me and seeing my face briefly on TV

recording in an old church in Italy with Adriano Viterbini and Vincenzo Vasi for a project that will come out sometimes next year hopefully 

SOUND DESIGN GIGS & LIVE SOUND MIXING GIGS Similarly to the list above, I am eternally greatful for the fact that all these wonderfully talented people trust me with designing, mixing and amplifying their sound so that the rest of the world can truly and fully experience their art in the most complete, sonically articulated, detailed and full spectrum way there is! Some of these highlights include:

Mixing a 90-piece orchestra + 90-piece choir playing the score to Stanley Kubrick "2001: A Space Odyssey" live-to-picture  conducted by Brad Lubman in the Auditorio Nacional of Mexico City to a sold-out crowd of 10'000 people 

Mixing the Grammy Award Premiere Ceremony in Los Angeles and being there to amplify and mix the immensely talented house band led by Cheche Alara and the performances by musicians such as Samara Joy, Anoushka Shankar, Arooj Aftab and more…

Mixing the Robbie Robertson tribute concert & memorial organized by Martin Scorsese at Village Studios in Los Angeles with artists such as Jackson Browne, Jason Isbell, Rocco DeLuca, Citizen Cope, Angela McCluskey, Blake Mills and Jim Keltner

Mixing the National Christmas Tree Lighting Ceremony concert at the White House with artists such as Dionne Warwick, Samara Joy, Joe Walsh of the Eagles, St. Vincent and others.

Sound Designing and Mixing the world premiere of "Perle Noire: Meditations for Joséphine" at the DNO Dutch National Opera House in Amsterdam, a beautiful performance/concert/opera directed by Peter Sellars, composed by Tyshawn Sorey and performed by Tyshawn Sorey and ICE International Contemporary Ensemble with soprano Julia Bullock

One of my sound design pieces inspired by Icelandic nature sounds and folklore was presented at the "Le Son 7" Art Gallery in Madrid between the 3rd and the 13th of May 2023, after it was presented the year before in London and will be presented in January 2024 in New York

mixing 12 shows by John Zorn in 2 days at Big Ears Festival in Knoxville TN

mixing more shows by John Zorn to celebrate his 70th birthday in places like Walker Art Center in Minneapolis, Miller Theater in New York, Reggio Emilia and Modena in Italy, Philharmonie in Paris, November Music Festival in Den Bosch Netherlands and Mexico City

Mixing Brian Carpenter's Ghost Train Orchestra live at Roulette with special guests David Byrne, Karen Mantler, Joan As Policewoman AND doing so right after I mixed another matinee gig earlier in the day with the New York Choral Society

working sound for the Met Gala at the Metropolitan Museum of Art with musical guests Lizzo and David Byrne

Mixing Claudia Acuna at Lincoln Center

mixing Idina Menzel's performance in Trafalgar Square in London for Gay Pride 2023

playing keys (something I almost never ever do!) for Japanese electronic artist Coppé's first-ever performance in Italy

mixing my first ever K-pop gig in Times Square NY

teaching Mixing Workshops at SAE in Mexico City and MOB Studios in Rome, Italy

RECORDS In no particular order, here are some of my favorite records of 2023 that I was not involved with but I wish I had been ;-)

Anohni and the Johnsons "My Back Was a Bridge for you to Cross"

Lil Yachty "Let's Start Here"

Boygenius "The Record"

Ryuichi Sakamoto "12"

Jaimie Branch "Fly or Die Fly or Die Fly or Die ((World War))"

Arooj Aftab / Vijay Iyer / Shahzad Ismaily "Love in Exile"

Peter Gabriel "I/O"

Hania Rani "Ghosts"

Meshell Ndegeocello "The Omnichord Real Book"

Bill Frisell "Four" - Ambrose Akinmusire, Bill Frisell, Herlin Riley "Owl song"

Porcupine Tree "Closure / Continuation"

Dr. John "The Brightest Smile in Town"

Spencer Zahn "Statues II"

Meshuggah "Chaosphere 25th anniversary 2023 Remastered edition"

Ennio Morricone "Segreto Songbook 1962-1973"

Sin Fang, Kjartan Holm "Angakok"

MUSIC SHOWS It's always hard for me to recount the shows I've seen because I usually see about 300-500 shows every year. LPR (Le Poisson Rouge) definitely shines through as my favorite venue and the one I've visited most often! Here are some of the highlights of 2023:

Spotlights, Imperial Triumphant, Puzzled Panthers at Saint Vitus

"La Splendida", a heavy metal opera by Laurent David & Kilter at Culture Lab LIC

Exotech 3 times, at Public Records, Mark Morris Dance Theater and at LPR

Tredici Bacci at least 2-3 times, one of which at Sultan Room

John Cale at Paradiso, Amsterdam

Plini at Melkweg, Amsterdam

Mary Halvorson Quintet at Bimhuis, Amsterdam

Thurston Moore at OCCII, Amsterdam

Jeff Goldblum at Town Hall

Xylorius White at LPR

Hal Willner's Amarcord tribute concert at Roulette

Snarky Puppy at Beacon Theater

Tim Bernardes at LPR

Groa at Taste of Iceland showcase at Pianos

JG Thirlwell & Mivos Quartet at National Sawdust

Bloodywood at Irving Plaza

Hermeto Pascoal twice, at Pioneer Works and LPR

Sexmob at Fotografiska

Grace Jones at Hammerstein Ballroom

Lisa Fisher at Blue Note

Iggy Pop and Debbie Harry / Blondie, London

Laurie Anderson & SexMob Let X=X at Barbican in London and BAM in Brooklyn - The Cult at MEDIMEX festival in Taranto, Italy - Tom Morello at MEDIMEX festival in Taranto, Italy

Emperor at Kings Theater

Ibrahim Malouff at Drom - Elan Mehler & Dave Douglas at Fotografiska

The Misfits at Prudential Center - Oumou Sangare at Brooklyn Bandshell

Red Fang at Gramercy Theater

The Eagles & Steely Dan at MSG - Tammy Faye Starlight at Joe's Pub

Julian Lage at Village Vanguard - Mdou Moctar at Summerstage

Makaya McCraven at Locus Festival, in Locorotondo Italy

Fatoumata Diawara at Locus Festival, in Locorotondo Italy

Sisters of Mercy at Cinzella Festival, in Grottaglie Italy

SunRa Arkestra at Locus Festival, in Locorotondo Italy

Robert Plant at Locus Festival, in Bari Italy

Mr. Bungle at Terminal 5

Melvins, Boris and all the other amazing bands at Desert Fest at Knockdown Center

Front Line Assembly at LPR

Peter Gabriel at MSG

Empire State Bastard at LPR & St Vitus

Cavalera Conspiracy at Irving Plaza

Swans at Music Hall of Williamsburg - Steven Bernstein w/ Millennial Territory at Dizzy's

Nick Cave & Jonny Greenwood  3 times, twice at Beacon Theater and once at Kings Theater

The Mission at LPR - Titan to Tychons at NuBlu

Dresden Dolls at Bowery Ballroom

Robert Glasper's Art Blakey tribute at Blue Note - Puzzled Panthers at Bowery Electric

Ghost Train Orchestra at Roulette

Arthur Brown in London

The Mongol Khan theater production at the Coliseum in London 

8 Bit Big Band at Sony Hall

Bud Spencer Blues Explosion at Monk in Rome Italy

plus all the amazing artists I can't recall individually that I have seen at Winter Jazz Festival, Long Play Festival and Big Ears Festival

BOOKS I am sadly a slow reader and my pile of books on my bedside table is always bigger than the time awake I have when I finally do get to bed, but here are some I have read, or started to read or am planning on starting to read:

Kid Congo Powers "Some New Kind Of Kick"

Nick Cave & Seán O'Hagan "Faith, Hope and Carnage"

Warren Ellis "Nina Simone's Gum"

Rick Rubin "The Creative Act: A Way of Being"

Quincy Jones "12 Notes: On Life and Creativity"

Quincy Trouple "Miles & Me"

MUSEUMS I try to visit museums in every city I go to, whether I am on tour, working, traveling for pleasure or whatever the reason is… Art is my passion, my love and a way of life…

Museu Picasso, Barcelona, Spain

Fundcaio Joan Miró, Barcelona, Spain

The Salvador Dali Theater and Museum, Figueres, Spain

Salvador Dalí House / Fundació Gala, Cadaqués, Port Lligat, Spain

Park Gúell, Barcelona, Spain

Moco Museum, Barcelona, Spain

Sagrada Familia, Barcelona, Spain

Vermeer Exhibit, Rijksmuseum, Amsterdam, Netherlands

Moco Museum, Amsterdam, Netherlands

Rijksmuseum, Amsterdam, Netherlands

Amsterdam Museum, Amsterdam, Netherlands

Stedelijk Museum, Amsterdam, Netherlands

Van Gogh Museum, Amsterdam, Netherlands

Art on Paper, New York

Frieze, New York

Karl Lagerfled "A Line of Beauty", Metropolitan Museum of Art, NY

Yayoi Kusama "Infinity Mirror Rooms", Tate Modern, London, UK

Frida Kahlo & Diego Riviera House & Studio, Mexico City

Palacio De Bellas Artes, Mexico City

Museo Jumex, Mexico City

Museo Tamayo Arte Contemporanea, Mexico City

Paul Gugelmann "Poetic Machines", Aarau, Switzerland

MOVIES There are soooo many movies I still want to / need to see… I love movies but I prioritize work and live music in my life and I will only watch movies on planes, on (very very) rainy days or those rare times when I don't have a concert on my calendar, so here are a few of those rainy/non-concert films, in no particular order:

Killers of the Flower Moon (for the story, the acting and the soundtrack)

Equalizer 3 (because aside from its Hollywood-ish story and ending, it's a realistic look at how organized crime works in Italy)

Little Richard: I am Everything (for his story, his character, his music and his courage!)

Psychedelicized: The Electric Circus Stroy (for the amazing portrait of a time that's past but that changed NYC forever!)

American Symphony (for the amazing story, talent, spirit and courage of Jon Batiste)

32 Sounds (because my life is about sound…)

Hallelujah: Leonard Cohen, A Journey, A Song (because Leonard was an amazing artist and songwriter and singer and so many friends are in this movie)

Oppenheimer (because that history is so complex and so divided as the country in which it took place)

TRAVEL Travel is the richess of life! I travel SO MUCH that I am on a plane AT LEAST once a month and usually it is to an international location… This year was no different, so I've decided to only list 12 trips for this section:

January: Ringing in the year in a medieval tower in Barcelona and spending the first 4 days of the new year trying all the tapas bars, restaurants, food stands this beautiful city has to offer and seing the Sagrada Familia cathedral for the 3rd time in my life

February: Living in Amsterdam for 3 weeks visiting all the musuems, all the music venues and all the while working at the Dutch National Opera with some amazing folks (see list above)

March: Snowboarding the Swiss and the French alps

April: Visiting Knoxville Tennessee for Big Ears (easily the best independent music festival in the US!!!) for the 2nd time in 2 years, and hopefully the beginning of many more visits in the future!

May: Spending time in sunny Los Angeles and plotting a way to spend more time there and make music

June: Visiting London twice in one month to work and see amazing music shows, theater shows and art exhibits

July: coming back from London on July 6th only to realize that strangely there is no travel for the rest of this month! So weird and unusual!

August: Spending the month in Puglia, Southern Italy eating good food, kitesurfing in the Adriatic and Ionium sea, seeing tons of concerts and playing one myself!

September: arriving in Mexico City and getting my very own police escort motorcade to make it in time from the airport to the theater

October: On tour with John Zorn in Italy, France and the Netherlands

November: Flying to Los Angeles with a 36 hour notice for a concert I was hired for in secrecy having been told "we need a mixing engineer who can mix music for a room full of musicians" and showing up for the Robbie Robertson tribute orgnaized by Martin Scorsese with people like Joni Mitchell and Leonardo DiCaprio in attendance

December: DC-to-DF aka flying to Washgington DC to work at the White House and then flying straight to Mexico City I've finished the year with travel to my motherland of Switzerland, my fatherland of Italy and my second home of London UK!

+ + + + + + + + + + + + + + + + + + + + + + + + +

DJ Food aka Kevin Foakes

Music: Kosmischer Laufer - Volume 5 LP (UCR) Soia, Julien Sénélas, Jérôme Vassereau - In C for 11 Oscillators and 53 Forms LP (unjenesaisquoi) Cate Brooks - Tapeworks DL (Cafe Kaput) Memorials - Music For Film: Tramps! LP (State 51 Conspiracy) King Gizzard & The Lizard Wizard - PetroDragonic Apocalypse… LP (Album of the year) Brian Eno - The Lighthouse radio station (Sonos) (most listened to) Niholoxica - Source of Denial LP (Crammed Discs) SareemOne - Olivine Window Coast Contra - Breathe & Stop Freestyle/Never Freestyle/Scenario Freestyle Move78 - Grains LP Heiroglyphic Being - The Moon Dance LP (Apnea) Raj Pannu - Past Crimes EP 12" (To Pikap Records) Gordon Chapman-Fox - The Nine Travellers LP (Castles In Space Subscription Library)

Gigs / Events: Beyond The Streets exhibition @Saatchi gallery, London Sunroof / Finlay Shakespeare @iklectik, London The Light Surgeons - The Consensual Hallucination @iklectik, London Memorials at the State 51 Summer Psych party @State 51, London FogFest2 @iklectik, London JG Thirlwell & Ensemble @Bush Hall, London Machina Bristronica, Bristol Visiting Peel Acres with Eilon Paz for Dust & Grooves Nihiloxia @the Jazz Cafe, London

Design / Packaging: Yves Malone - A Hello To A Goodbye LP (Castles In Space) Drumetrics - Phuzzle (Drumetrics) Waclaw Zimpel - Train Spotter LP (State 51) David Boulter - Factory 3" CD (Clay Pipe Music) Fluctuosa - Wetware EP 12" (Analogical Force) Fluxus - Orbit & Shine LP (Castles In Space) Floating Points - Birth4000 12" (Ninja Tune) Cate Brooks - Easel Studies LP + badge (Clay Pipe Music) Brian Eno - Top Boy OST CD (Beatink)

Books / Magazines / Comics: Medical Grade Music - Steve Davis & Kavis Torabi (White Rabbit) Doctor Strange - Fall Sunrise - Tradd & Heather Moore (Marvel) Tales To Enlighten - The New Testament - Matt King and James Edward Clark Pop - Milton Glaser (Phaidon) Kevin O'Neill Apex Edition (2000AD) Mark Stafford - Salmonella Smorgasbord (Soaring Penguin Press) Savage Impressions - Bruce Lichen (Independent Project Records) Hexagon Bridge - Richard Blake (Image) Monica - Daniel Clowes (Fantagraphics) Acid Valley - Luke Insect Petrol Head - Rob Williams & Pye Parr (Image) Lawless - Dan Abnett & Phil Winslade (Rebellion) Giant Robot Hellboy - Mignola/Fegredo (Dark Horse) Facelss & The Family - Matt Lesniewski (Oni Press)

Films: Barbie Squaring The Circle : The Story of Hipgnosis

[shifterdomain]

She called me daddy / Jonah Hauer-King X Reader

Summary: You have a 3-year-old daughter from a past relationship, your former partner walking out on your relationship when you had ‘accidentally’ gotten pregnant. Luckily you met Jonah on a night out about a year ago and ever since he met your daughter the two have been completely in love. Now you were at the Little Mermaid premier to cheer on Jonah, hoping to stay behind the scenes, but your daughter had other plans. Warnings: Cuteness and a cussing toddler Word count: 916

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

You had done the best you could at looking as pretty as possible for your boyfriend this evening, as much as you could have done after spilling jelly over your white dress when your toddler demanded her PB&J sandwich.

Hurrying to the venue you had luckily made it on time, watching as Jonah stepped onto the carpet, holding hands with his co-star Halle and laughing. Most people assumed that you would be jealous and you could understand why. Halle was beautiful and you could tell that her and Jonah had a connection, but you trusted him. You trusted the both of them and you knew that it was just friendship. So you couldn’t do anything but smile, holding your toddler’s hand as your eyes followed him across the blue carpet.

You couldn’t be more proud of what he had achieved. Crouching down beside your daughter you wrapped your arms around the little girl. “Look, there’s Jonah,” you pointed him out to her and she looked in awe as she saw him walk alongside Ariel. Her mind lost in the magic of the movies as she refused to believe that it was not real, so you decided to let her. “They look pretty tonight, don’t you think?”

She shyly nodded her head, her tiny fingers playing with her bottom lip as she balanced her weight around a bit. “I wanna say hi,” she murmured.

“You can say hi after they’re done taking photos, okay?” you reply, hugging her a little tighter as you watched your boyfriend pose for his pictures. Your heart swelling with love just as it did the first time you saw him.

Lost in the moment you didn’t realize that your grip had loosened, but Y/D/N did notice and she took the opportunity to pull free from your grasp and run towards Jonah. Your eyes widening in a slight state of panic, hoping that he wouldn’t be too mad as you tried to explain to the security that the girl who slipped past them was your daughter.

As you were doing so, you failed to see your daughter clutch onto Jonah’s pants sleeve, looking up at him with wideset eyes, the same kind of adoration in her eyes that you had in yours when you looked at him.

She shyly turned her face away from the flashing camera’s, causing Jonah to chuckle quietly as he scooped the girl up into his arms, holding her on his hip and hiding her face away from the camera’s.

“Hey sweetie, where’s mommy?” he asked, his voice hushed to keep her calm. She pointed in your direction and Jonah followed the line of her finger to see you talking to the security guards who refused to let you through. “Is mommy in a bit of trouble? Should we help her?”

Your daughter shook her head ‘no’ with a mischievous little smile on her face, giggling softly as she held onto the collar of his shirt. Jonah chuckled quietly as well, tossing her up slightly to hold her more comfortably.

“No?”

“No,” she stated firmly. “I wanna be a famous star and mommy tells me I can’t because she doesn’t want me to say something embarrassing about you like how you always snore in the morning,” she explained, a crimson flushing across his cheeks as he hears a few photographers laughing softly, knowing they heard what she said. “and I think that that is- can I say a bad word?” she cut herself off mid-sentence and Jonah, thinking that it couldn’t be that bad as she was only so young, gave her a nod. “I think that that is fucking bullocks.” she finished, Jonah’s eyes widening in shock as he placed his free hand over his gaping mouth. Hearing laughing behind him, he turned towards Halle, silently begging her for advice on what he should do as he tried his best not to freak out.

Halle couldn’t stop laughing however, finding it adorable how the little girl who was dressed up as Ariel cursed with a soft voice and a heavy British accent. Even if you didn’t have the accent, she had began to pick it up from Jonah and you found it too adorable.

“Did you- did you hear that? Did she really just say that?” Jonah questioned in a state of internal panic, already trying to figure out how to explain to you that your daughter had used such language, and with his approval too. “Where did you learn to speak like that, missy?” he asked asked her, but quickly tried to come up with something else to talk about when he saw you walk up to him. Not wanting to have to explain this to you in such a public setting.

Your toddler, however, had very different plans… again.

“Fuck!” she exclaimed, a cute smile on her face as the photographers burst out laughing. You and Jonah looked at her in full-blown shock at the audacity of the normally shy girl.

“Y/D/N Y/D/M/N Y/L/N, where did you hear that?” you asked her sternly.

She didn’t look fazed at all, placing a hand on top of Jonah’s shaven head. “Daddy,” she answered and as you gave Jonah a scolding look he couldn’t help but smile widely.

“You taught her that kind of language?”

“She just called me ‘daddy’,” was all he said, the smile on his face only growing as he pressed a kiss against her cheek, his eyes watering from sheer happiness. “She called me daddy.”

[morganeris83]

Someone asked me what I think over a message, wondering if it's PR or not. So, to me, there are two options: 1. PR Relationship: This whole thing feels orchestrated from the jump. Remember when the backlash about him traveling during the pandemic hit hard? Fans were pissed, tabloids were eating it up. Cue AW swooping in, and suddenly we’ve got a new "couple" plastered everywhere. Classic damage control move. I wouldn’t be surprised if CAA cooked this up to salvage his public image and soften the blow from the pandemic debacle. Plus, it’s not just about who AW is, but what she represents: a distraction, something to shift the narrative back to him being "desirable" or “in demand.” Now, as for his behavior—like the whole “I’ve got two dogs right now” comment—doesn’t that sound like someone who knows there’s an expiration date? It’s like he’s counting down until he’s contractually free. He’s probably walking on eggshells because of the legalities. Contracts like these aren’t just for fun; there’s serious money, reputation, and even penalties tied up in them. Ending things too soon? That could come with a major financial hit or even worse—scandal that he just doesn’t want to deal with. 2. Real Relationship: If this is legit, it’s toxic as hell. I mean, AW constantly tries to make herself part of his public narrative, even when he’s clearly trying to stay private. From the DeuxMoi debacle (the whole liking posts without being tagged) to the weird moments like sharing pics of his shoes during his big Sundance premiere… that’s not something a truly “private” person would do. It’s almost like she’s trying to tether herself to him, no matter how much distance he tries to put between them in public. And then there’s his hypocrisy. Let’s not pretend he’s innocent here. He shades people who are obsessed with social media, fillers, and the external validation they seek—but AW is literally the poster child for that lifestyle. He’s walking contradictions at this point. If they’re genuinely in love, why does he seem to be throwing so much passive-aggressive shade? No loving relationship looks like this. Real couples don’t pull this kind of weird public bait-and-switch, especially when one partner claims to be so intensely private. The constant pap walks scream "staged." Real private celebs avoid this kind of attention like the plague, and the fact that he’s participating in these pap strolls makes his whole “I value my privacy” mantra feel hollow. And don’t even get me started on the family pap strolls—those just ooze with PR stench. We’ve seen legit private celebs, and trust me, you don’t see their every move in glossy magazines or gossip columns. In conclusion: whether it's PR or real, neither option paints them in a good light. Either it’s a strategic ploy for buzz, or it’s a genuine, messy, hypocritical relationship with no real respect on either side.

Reposted my post from @notafunkiller and @littlemissidontcare so the person who asked can check it out. ✌️📢

This is everything I've been saying, basically. I'm still Team PR, not because I refuse to believe that he is a 100% perfect innocent angel, no one is perfect and I'll die before I center myself around any man, even Sebastian. He's still a man and I have low expectations of men as a whole. But also a lot of his behaviors do not add up with his exhibited history. It's felt off from the first image of them.

[snzagaba]

A is dating B, an actor who's starting to get recognized.

It's premiere night, and B has an awful cold but, despite how much A insisted, they have to attend. A makes sure to pack extra cold meds and tissues and they depart.

B is an absolute mess. They sneeze throughout the red carpet, constantly being blessed by the photographers and inquired about their health, so they end up trying to hide their sneezes in A's neck. A blesses them every time so lovingly, that B feels kinda better about doing that...

They're SO grateful when the night is over. A tucks them in bed, dopes them on cold medicine and fusses over them all night, hating to see their partner suffer.

[nightsinbluevelvet]

Dear, my thirst was quenched after weeks and months when I saw Matt and Jonathan together today. How handsome they looked, did they not? I am so eager to hear what you thought of their interactions, their glances at the other and the way they seemed so close😘

Dear Anonymous, thank you for your message.

I'm still high on cloud nine from last night, and I suspect I will never shut up about the event, or our boys/men/babygirls/babyboys/angels/what even are they?? I will never get over Fellow Travelers, Hawk, Tim, Matt, Jonathan or any of it, and I wouldn't have it any other way.

I didn't dare to dream we would see them like this again - happy to be together, both with arms around each other, Jonny even holding Matt's hand. Ahhhhhhhh!! They look so good together. None of the doubt and torture of the past months matters now, because they were home together. I'm more convinced than ever that their bond is rare, undeniable, eternal and unbreakable, and they will be like this even after outliving Hawk and Skippy.

As for their looks, Matt's look wasn't my favourite ever (although it was amazing), and poor baby looked extremely sleep-deprived. But he looked genuinely happy, and that's all that matters. Jonny looked slutty as fuck in that sage green shirt + trousers and brown shoes + white socks outfit. His beauty was dazzling, and this was one of my favourite Jonny looks ever.

This video is everything! It's easily as good as the Maestro premiere videos. Seeing them this content and comfortable... I'm actually at a loss for words. If you look really closely, you can see that Jonny is stroking Matt's back again. I don't care what people say anymore, he is NOT like this with others. And Matt is so much more open than he's appeared to be recently. It's rare to see this kind of public display of affection from him - like when he smiles, gazes at Jonny and puts his arm even tighter around him. He also has this particular micro expression he does when Jonny looks at him, I've seen it before.

Then there's the sweet video of them walking away from the stage. I can't upload another video here so here's a gif of it

I love how happy they look, and how Jonathan waits for a hug/touch from Matt, like he needs it.

I'm so grateful that we got the Ron/Matt/Jonathan only combo yesterday. Ron is the one person who loves and misses Matt & Jonny even more than the fans do. He loves them so much that he started to cry when he talked about their zoom chemistry read.

And speaking of that, this is how Jonny and Matt looked at each other when Ron mentioned the chemistry read:

The panel was incredible. I'm in awe of the three of them, and I wish I could thank them personally. They spoke so eloquently and passionately, and I think they gave an extremely good impression. Jonathan's dirty joke was the icing on the cake.

Favourite moments from the panel:

Jonny saying he feels it in his stomach, when he talks about watching the emotional clip they showed during the panel. He says there's a real emotion that has not left him, that is still present. How they've had six months to get on with their lives and try to say goodbye to the characters, but so many people are talking to him about FT, even crying, and it feels amazing to be back and celebrate it. "I know what pride means now." Oh Jonny!!

Ron talking about the chemistry between Matt and Jonny (that I already mentioned above)

I love and adore Matt beyond measure, so I'm allowed to say this. He has a tendency to go into professional/autopilot mode sometimes, and he does just this when the interviewer (who was great btw!) asks him about the sex scenes. He starts repeating things he's already said in dozens of interviews. But then Jonny starts talking, with much more candour, and it's glorious. And you can see, at least in some angles of the video, that Matt starts to blink and swallow a lot. It's like Jonny unlocks him, like he always does...

Jonny's joke: "Obviously you'd want a scene partner like Matt, because he never put a foot wrong..." Nobody makes Matt laugh like Jonny does. I wish their chairs had been just a little closer, because Jonny really tried to put his head on Matt's shoulder.

Yeah. Yesterday will stay with me for a very long time.

[lilywily143]

The last Murder Drones Live Blog

I'm gonna miss this series...

[Premiere time]

Lordddddddd I'm nervous as fucking hellllll

STOP LAGGING!

woahhh 184K people are watching!

I hate that today was when I got cramps from my shark week.....

2 minutes left now...

I wonder what the intro will look like?

I wonder if we'll start seeing Khan's squad, N, or Uzi?

1 minute!

228K people now?!

This premiere countdown looks cool btw, I forgot to mention

[episode starts]

woah um no intro??

CAR!

gravity floating things..

outsite?

Uzi: I am god....lord that was her intro?

THE TEACHER I REALLY DIDN'T ECPET TO SEE HIM?!

he's so tireddddd

Why are why actually focused on him>

Woah the coreeee

Bright bright

he;s not happy hahahah

uzi! hi!!!

spinny

this audio...

NORI!!

is there really no voices?

aww....

man they are cute

i love them AW THE FACES

destroy cyn's heart?

GAH UZI?! WHERE

WHAT HIT U ship?

N!!!!!!!!

HUGS!!!

hehehhe poor N I love you so much

he's so bad at the pilot stuff

hehehe hugs

sniffling

WOAH um solver socer

these light tendrils are freaky

back to no voices

TEASER MOMENT

AGH this is so pretty

holding hands

WBDVSIJLKHOFIUWAODJSBIVHDFIJVHBIFHJ YES YES YOU ARE DATING WOOOOOOOOOOOO!!!!!!!! NUZI FANS REJOICE!!!!

kiss kiss please....

big hug

Uzii love your choas

J!!!!

WAIT N TIED HER UP!!!??

I LOVE N'S DRAWING "I O U 1 SPACESHIP"N I LOVE YOU

is j okay though?

she's um... okay with the solver?

KHAN LIZZY THAD NO! DON'T FALL

Thad's weapon :[

get the gun!

j you are fun

V!?!?!??!?!

YESSSSSS YOURE ALIVE

SHES RIDING A SENTINAL WOOOSDJNVKL :LNJFI

awwww the dino is wearing beau's cowboy hat :]]]]

hehhehe

'cant betray us that easy you NARC'

oops best frame to pause on, i'll share that later

IT'S THE I LIVED BITCH MEME

hehhehe Lizzy! NO

hehheshe's okay

oh no J please my heart :[ 'it tricked me too'

i love u V

HHEEHEHHEHE I LOVE YOU UZI YOURE AWESOME STOP HAVING YELLOW EYES THOUGH

stop fighting J and v :[

woah all the red :0

heheh their sunglasses

[pausing the video]

that was so much already, I am loosing it

262K People btw

[remuse]

hiya Flesha

creepy walk..

Lord the way she perked up in voice and facial expression when she said "hi N'

n it's okay... it's a lot....

WOAH WAH

UZI PLEASE NO YOU GOT THISSSS

QEFWGBOUDVSHJLFN WHAT??? YOU TOOK HER CORE?!?!?

WHAT THE HEK

N FIGHT FIGHT

N N N NO!

LORDD

Flesha stoppppppp

J WHY!?

N are you okayyyyyyyyy pleaseeee

flesha my god stop being so cute but so HORRIFYING

n is back kindaaaaa

n are you having a panic attack no no ahggggg

Uzi ir'aoky UZIIII

my lord flesha leaveeeeee

v and j?

V V V V V PLEASE BE THE REAL V

FAKE N

NO NO YOU BITCH ASS FLESHY

YOU TOOK N'S CORE NOOOOO

MY LORD THIS IS HORRIFYING

uzi......

V is so scared no....

DON'T EAT N

HAHHA THE SEARING

KHAN HIIIIIII!!!

FLESHA YOU FUCK

J STOP HERRRRR

UZI MY GODDDDD 'no one tramitizes these weirdly hot robots but me!' ahalnfidanfvsnkvdjv

V and Uzi love u

WOOO NORI I LOVEU

oh J's reaction to the gun

'k' Fleshaaaaaa pleaseeee

HAHAH NIGHT CORE

fight fight fight ooooo

these lyrics :0

The gun is charging now

THIS IS A EPIC FIGHT!!!!

Especially with Uzi using Nori's pick

J!!!!

LIZZY!?!??!

N!!! NO IT'S N!!!

N PLEASEEEE

OH MY GOD HOLOGRAM N

heheh seret handshake!!!

this fight man...

im speechless

PUPPY EYES COME ON!!

OH WOO!

hehaHAJBSL THE CUT IN THE MUSIC TO UZI AND N PRACTICING TH EHANDSHAKE IDEA I LOVE THEM!!!

WOAH GRAB THAT HEART!! B-BYE THEN !

It's black and white my god

These soundssssss so gross

UZI WHAT DID YOU DO!? WHAT IS THAT GONNA DO TO YOU

FLESHA ARE YOU GONE

Was. It couldn't have been that easy

UZI you look so sickkkkkkk

NOT A BLACK SCREEEEEEEn

Fatel error no no no no where are yoU!!

uzi where are you

THAD LIZZY!! KHAN!!!! GOOD TO SEE YOU

YDRXFHGVKBJN:LNJBHUVGIYCFTRFUYVGBHUNJLHBUGVYFCTRXUGVIBHNJI LIKE MOTHER LIKE DAUGHTER FOR THEIR PARTNERS I LOVE YOU KHORI!!!!!

He's so confuseddddd 'kinda hot' HAHHAHA

SCHOOL BUSS!!!!

hi dino!!!

awwww nuzi hugsssss

'i'm a damaged oc'?? WHATTTT?@?!?

lord I am happy bean

WOAH OKAY BACK IN SCHOOL

i am in love with u uzi

awww Khan is there for his daughter my heart

theacher are u good?

JLADBSHUVFDSJ THISIS TOO CUTE WHERE IS THE BAD ENDING?!?!?!

" WOOO THAT"S MY GIRLFRIEND" ADBSHIVUJAKODVBDNDSBVLEWIDSBVHUDIOJAIBHFUGYDO*UIHVUGHVOGBJGVUILHBJKGUDSIBUGYEWFUSIHDVUIEFWYO*DSIHULKJ

doll....

paper airplane of doodles AHHAHA UZI GAVE N A MANGA

V and Lizzy are adorable as well

i love uzi's eyes

WOAH WOAH WOAH CREDITS?!?!?

20 MINUTES WENT BY FAST BUT ALSO SLOW

EEE I AM SCREENSHOTTING THESE CREDITS

but where did J go?

aww hi again zi-zi

uzi...?

HAHAH CYN IS STILL THERE BUT JUST AS A ANNOYANCE!!!

okay this was the best finale ever

ALSO I'M ON THE MERCH SHOP NOW AND I'M LOOSING ITTT SOOO CUTE

[balanchine-ballet-master]

Balanchine's Coppelia

In today's Times, Roslyn Sulcas has an article about the New York City Ballet's production of Coppelia, which celebrated its 50th anniversary this summer. It had its premiere at the Saratoga Performing Arts Center during the company's annual residency.

One thing that Sulcas fails to mention is that the role of Swanilda was originally supposed to have been shared by Patricia McBride and Gelsey Kirkland. But when Kirkland announced she was leaving the company, Balanchine gave all performances to McBride

‘Coppelia’ at 50: When City Ballet Took a Turn for ‘Fun and Funny’

Original cast members look back at George Balanchine and Alexandra Danilova’s staging of the 19th-century ballet. “Everyone knows when something is good,” one said.

By Roslyn Sulcas Sept. 23, 2024, 5:02 a.m. ET

George Balanchine’s decision to stage the 19th-century ballet “Coppelia,” in 1974, was a surprise. Although Balanchine, the co-founder and leader of New York City Ballet, occasionally created narrative ballets, like “The Nutcracker” and “A Midsummer Night’s Dream,” the company was identified with a lean, no-frills approach to classical dance. It was turned toward innovation and experimentation, rather than story, characters and elaborate costumes.

But the three-act “Coppelia,” with its lush, melodic Delibes score, fairy-tale set and extensive ensemble dances, was anything but experimental. City Ballet audiences were anticipating it “with a mixture of delight, incredulity and awe, and in some cases horror,” the critic Marcia B. Siegel wrote, shortly before the ballet’s July 17 premiere at the Saratoga Performing Arts Center in upstate New York. But Balanchine, who asked his Russian compatriot (and former romantic partner), the ballerina Alexandra Danilova, to assist him on staging the ballet, knew what he was doing. “Coppelia,” starring Patricia McBride as the heroine Swanilda, Helgi Tomasson as her swain Franz and Shaun O’Brien as the eccentric toymaker Doctor Coppelius, was a roaring success, and has been performed regularly ever since. This season’s performances—Sept. 27 to 29 and Oct. 5-6—are City Ballet’s 50th anniversary celebration of the ballet.

Above: Patricia McBride rehearsing Coppelia, 1974. Seated at left are Susan Hendl, who led the Waltz of the Golden Hours in Act 3 and Stephanie Saland, McBride's understudy, who also performed Swanilda. Standing, center: Lincoln Kirstein, Patricia McBride, George Balanchine. Leaning against the piano at right is Rosemary Dunleavy, the ballet mistress. Seated at right are Colleen Neary, who led the Discord & War divertissement in the third act, and Merrill Ashley, who danced the Dawn solo in the same act. Photo: Martha Swope via NYPL/NY Times

“Coppelia” was first choreographed by Arthur Saint-Léon for the Paris Opera Ballet in 1870, and then reworked by Marius Petipa in 1884 into the version we know today. The story is simple: Franz and Swanilda are happily affianced village sweethearts, until Franz falls for a pretty girl who turns out to be a life-size doll—the creation of Doctor Coppelius. By the end of the tale, which involves Swanilda impersonating the doll, Franz has learned a lesson about fantasy and Swanilda has secured her man. Cue wedding celebrations.

Balanchine asked Danilova, a famous Swanilda with a pitch-perfect memory of the Petipa version she had performed with the Ballets Russes de Monte Carlo, to set Acts I and II, although he added a few new dances. But Act III, omitted in many productions, is his alone, a series of divertissements that are a pure-dance coda to the story.

Megan Fairchild, who first performed Swanilda at 19, said she loved the character’s sassy personality. “It’s a more casual vibe,” she said. “She’s not a princess, and that resonates.”

“We do a lot of ballets that are sophisticated and intellectual, for highly developed dance watchers,” said Wendy Whelan, City Ballet’s associate artistic director. “This is lighthearted and warm and easy to watch. It’s a reminder of the beginnings of ballet: the storytelling, the classical dance, the pantomime.” Plus, Whelan added, “it’s fun and it’s funny.” In interviews, five original cast members talked about their memories of creating the ballet. Below are edited excerpts.

Above: Patricia McBride in Act I, 1975. Swanilda's friends in the background are Judith Fugate, unidentified, Delia Peters, and Debra Austin. Photo: Martha Swope via NYPL

Patricia McBride, Swanilda Madame Danilova’s memory was uncanny. She remembered every step for every character in the ballet, and she danced full out when she showed you the choreography. She wanted me to play it straight when I impersonated the doll, not for laughs, and she was very precise about the musicality and phrasing, and the intent of each step. We hadn’t done a lot of mime at City Ballet, but she was so clear, she made it easy to learn. I loved that beautiful Russian port de bras she had. You could see what a great Swanilda she had been.

Balanchine was very specific about the way I held my arms and body as the doll. He never spoke about characterization, or how he wanted it to look, but the musicality of the choreography was so natural and wonderful. He would show you the steps and it was done.

Madame Danilova and Balanchine would keep going all day long, moving from one scene to the next, talking together. It was like seeing history, the two of them in the room together. Mr. B never interfered with her staging. I think he really respected her knowledge and memory.

Sometimes I would feel quite choked up to think of their lives and history together. They were both in their 70s, but they had so much energy and vitality and love, and they had a lot of fun together. They were so young in spirit. I felt so fortunate to work with them, and to see their respect for each other and their love of dance.

Above: Helgi Tomasson in Act 3, Saratoga, 1974. Photo: Martha Swope via NYPL

Helgi Tomasson, Franz I was surprised and not surprised at Balanchine deciding to do “Coppelia.” He spoke about programming like creating a menu; he knew that he had to give the public varied dishes. And I think he loved those old Petipa pieces.

We were up in Saratoga when he started to choreograph my first-act variation. For some reason, he didn’t feel it was right. John Taras, the ballet master, was sitting next to him, and asked if I knew Balanchine’s “Sylvia” pas de deux, also to Delibes music. I had danced it with the Harkness Ballet, and Balanchine said, “Do you remember the variation? Let’s see it.” I did it, and he said, “Good, let’s keep that!”

For me, most of the dancing was in the third act. I loved the way Balanchine constructed the coda and how Patty and I came in and out of the group. He created speedy yet articulate steps that I think he felt suited me.

I remember that Patty and I did every performance of “Coppelia” in the first week, seven or eight in a row. At some point during that first week, I was so tired that in the scene where Franz is supposed to be asleep, I actually fell asleep. But the whole experience was a highlight of my career.

Above: Alexandra Danilova rehearsing Patricia McBride. Photo: Martha Swope via NYPL

Jean-Pierre Frohlich, Corps de Ballet I had been in the company two years and was just 19. I remember so well Balanchine and Danilova standing in front of the mirrors at the front of the studio. She was so elegant. I knew they had been an item in the Diaghilev era, and I was trying to see how those dynamics would have worked! You could see she still adored him.

Danilova loved to demonstrate steps. She wore ballet slippers with a little heel and ribbons. She had beautiful legs, and liked showing them off. She loved men; she was harder on the women than the men.

There was a very good ambience in the studio. They spoke in English, maybe occasionally in Russian, but I think they wanted the dancers to understand. She would never contradict him or say no to his suggestions. I felt she was very happy to be involved. But he was also very accommodating; he knew how much she had to offer.

Above: Gelsey Kirkland, originally scheduled to share the role of Swanilda with McBride, at rehearsal with ballet mistress Rosemary Dunleavy. Photo: Martha Swope via NYPL

Christine Redpath, Prayer Solo Madame Danilova was so charming. She would wear a gorgeous green sleeveless leotard, with a scoop neck and back, a belt and chiffon skirt, hiked up to show her fantastic legs, and her hair coifed with a little scarf tied behind her ears. You could see she still loved to dance, and it was very sweet to see she still loved Balanchine.

[In “Coppelia,” three allegorical female solos, Prayer, Dawn and Spinner, come near the start of Act III. ]

I learned my solo with Balanchine, but Madame Danilova was there because she had danced the Prayer solo in Russia. I think what he created on me was based on that. Balanchine never spoke about the meaning of the solo, but all the gestures are “up,” and the music seems spiritual to me. If you take what he has given you, it’s all there to tell you who you are and what this is.

At some point he showed me a picture of Marie Taglioni in a blue skirt and little top with puffed sleeves and a horseshoe crown with stars, and that’s what Karinska designed for my costume.

Danilova sent me a lovely card and flowers on the opening night. We were all very excited. Everyone knows when something is good.

Above: Merrill Ashley in the "Dawn" variation in Act 3. The costumes are the originals; they were replaced when the ballet was performed in New York the following year. Photo: Martha Swope via NYPL

Merrill Ashley, Dawn Solo The solo he made for me was fiendishly difficult, and it never became easier. There was fast footwork, lots of changes of direction and it ended in plié on pointe on one foot. I liked dancing it, but it scared me. There was one bit on a diagonal that was impossible, and it repeated three times. Eventually I said, I’m really struggling, would you consider changing it, and he said, “Dear, it’s yours, do what you want.”

Danilova choreographed the introduction to the solo, and that had more of a feeling of gentleness, awakening, offering something. Then the sun comes up over the horizon and, boom! Pyrotechnics!

You felt that Balanchine and Danilova were really friends and colleagues. He turned to her a lot; he really respected the knowledge and tradition she brought. I loved watching their interaction.

Above: Children from the School of American Ballet in Coppelia. The pink costumes replaced the golden ones used in Saratoga. Photo: Martha Swope via NYPL

Charlotte d’Amboise, Child Dancer David Richardson, a dancer in the company, was in charge of the kids, and to my twin sister and me he was God. We knew Balanchine was famous, but it was all about David. I was in the big dance in the last act, which I loved. We wore pink tutus and it was really dancey, and we had a whole section that was just us.

Balanchine really loved to have children involved and he could choreograph for them. He did it so easily, almost as if he didn’t think about it, just “go here, do this.” But he must have planned it.

At the first performance in Saratoga, one side of the elastic on my ballet slippers came off and was dangling while I was dancing. All I remember is thinking, David is seeing this—and he was so mad at me. I have never not paid attention to my shoes again!

I did pretty much all of the Balanchine ballets that had children in them, but “Coppelia” was my favorite. You felt like a ballerina, you had to have technique to dance it, and you felt like you were part of the corps de ballet. The best part of being a kid in these ballets was dancing next to these ballerinas and dancers who are goddesses and princes. To be surrounded by high art, to be part of it, affects you forever.

[after-the-end-times]

Sigh. Sometimes loving a child isn't enough to make someone a good parent, especially, when the parent creates an emotionally unstable home environment

Such as, constantly bringing partners into a child's life and orbit and then using that child as an excuse for not being able to break up with them

Such as, knowing you have ptsd and panic attacks that effect your child's life and emotional well being and choosing not to go to therapy consistently

And then fans saying that Chris can't leave Eddie because Eddie loves him, well that sounds an awful lot like Eddie not being able to break up with any number of his girlfriends because Chris loves them. Love is not an excuse for a child to stay in a bad situation

And yeah, maybe Chris could've gone with another better suited family member, but they're not who Chris called. He could've called his aunts or Buck, but in that moment, when he needed a safe place, he called his grandparents; even if, as adults, we can see they also have their problems

(On a personal note, my four nieces have been put into my care on and off for the past 11 years, because, despite their parents loving them, they have not been consistently emotionally available to take care of them)

I'm just tired of all these posts saying Chris can't leave or that Eddie just needed time to explain or that the grandparents swooped in too fast and Chris just needed time to cool off

'Cause unfortunately this was not an isolated event and if Chris needed to leave to feel safe then ultimately Eddie's feelings about it don't matter in the slightest. Chris is the priority

And I'm sure for plot purposes Chris is just "gone for the summer" which is a normal season finale thing. And then either he shows back up on his own in the s8 premier or the plot will take them to Texas to talk to him

But Eddie needs to show he's used the summer to actively better himself, because he and Chris can not continue on the way they were

[weclassybouquetfun]

Universal's THE FALL GUY has premiered to middling box office. Which is unfortunate. It's a fun and funny film.

In the past few months, I have seen an interesting mix of action films. MONKEY MAN Is superior. It's incredible. THE MINISTRY OF UNGENTLEMANLY WARFARE is great fun - one of the best Guy Ritchie films in a while. ARGYLLE was awful. I hate the use of sped up action and Matthew Vaughn needs to be brought before The Hauge for his overuse of it. BOY KILLS WORLD uses it, too, which is unfortunate, but at least everything else works (to a degree). It certainly has the feel of a cult film. The entire time I was watching I thought, "This would kill at Beyond Fest or Fantastic Fest". It's a bit too off-kilter so you really had to adjust my thinking of it.

But THE FALL GUY is not really like those films. Action-packed to be sure, but in the vein of the JOHN WICK films, they are more about stunts, falls, punches etc; than gun violence and bloodshed. Which makes sense as director/producer David Leitch (ATOMIC BLONDE, DEADPOOL 2, BULLET TRAIN, JOHN WICK franchise ) is a former stuntman. This film - aside from being a reboot of the 80's television series starring Lee Majors - is a love letter to the stunt community and a not so silent campaign for the stunt community to be recognized by the Academy of Motion Pictures Arts and Sciences (AMPAS).

Leitch & Co. have made sure that this roll-out to this film has centered Stunts.

Compilation of their promotion of stunt people: Ryan Gosling on Jimmy Kimmel, stunts on the red carpet at the L.A. premiere and a demo of stunts at the L.A premiere.

SPOILERS FOR THE FALL GUY. MORE SPOILERS THAN THE (ALLEGED) FILLERS IN RYAN GOSLING'S FACE.

What is it about: The film is about stuntman Colt Seavers (Ryan Gosling), who suffers an on-set accident, which ends his career as the #1 stuntman for actor Tom Ryder (Aaron Taylor-Johnson).

With Colt's career goes his relationship with Jody (Emily Blunt), a camerawoman.

Eighteen months later, Colt is beckoned by Ryder's producing partner Gail Meyers (Hannah Waddingham)

to work stunts on Tom's new film with first-time director Jody at the helm.

When Tom goes missing, Gail implores Colt to locate him before the studio shuts down production, which will destroy Jody's career. With Jody's career at stake Colt begrudgingly throws himself into locating Tom, which drags him into the dodgy lifestyle the actor he's been doubling has been into.

WHAT I LOVED

-Ryan Gosling is incredible at comedy. Most people discovered that with BARBIE, but those who loved THE NICE GUYS knew that. Or maybe even saw his promise in THE MICKEY MOUSE CLUB and YOUNG HERCULES.

The humour doen't stick the way THE NICE GUY does, but it is still an extremely funny film. The film is very self-referential and meta, so the comedy works more if you know about the issues surrounding the entertainment industry and the stunt community. If you don't, the jokes are still there, but may not land as well as it would if you understood the reference.

-Emily Blunt can have chemistry with a sponge, so it makes it very easy to care about Jody and Colt's relationship, despite we get very little time with them as a couple. Because of how great they are individually as portraying lost love, you really do root for these crazy kids to reconcile.

-Something that may very seem like a point against it, is something I count as an asset - it is extremely meta. People may find that anvilicious, but as a film that throws restraint out the window - doesn't even bother acting as if it has restraint - it's easy to lean into it. You have a script supervisor advising Jody to make the in-film character do a wall of exposition about how there is no third act, while in the film Jody is really dealing with the fact that her film has no third act; which is a reference to big blockbusters being filmed without a finished script.

Or Jody talking with Colt about if she should do a split-screen effect, while Jody and Colt are in the split-screen . You just have to embrace it.

And as much as it is a full-throated love letter to stunt and a cry to have them recognized by the Academy (there is even an end-credit song that is all about how stunts is deserving of gold), the film is a love letter to movies with Colt and his stunt coordinator Dan (Winston Duke) reciting movie quotes to each other. There is even a point in the film where Colt says something profound to Jodie and he's trying to figure out if he made it up or if it was a quote. It's a gorgeous film for people who love movies.

They even call out stunts by other films and seemingly recreate them. It's great.

Gael Garcia Bernal did a Criterion Closet pull and he lamented on how there are no longer movies like Y TU MAMA TAMBIEN that make you come out of the cinema that makes you want to live and have sex and love and enjoy people. While THE FALL GUY may not make you want to have sex, it is a big, bold, film that makes you think back at classics that were all about the indomitable spirit of the reluctant hero and of the hero trying to get their love. It really does feel a Valentine to cinema as a whole.

-Colt literally being made into a fall guy by Gail. Genius!

-The fact that the "Miami Vice" reference had a pay off and ties into Universal Studios' long running stunt shows.

Gosling popping up at Universal's stunt show.

WHAT I DIDN'T LOVE

-They had Blake Shelton remake the series theme song, "The Unknown Stuntman" which was performed by the 80s series lead Lee Majors (who cameos in the film, along with his costar Heather Thomas), but they took out all the references to celebrities. And since this film is all about Colt's love for Jodie, the song has been retooled to make it more a dedication to their love, then the love of stunts and leading ladies.

Thankfully, there are great songs in the tracks, especially Yungblood's cover of Kiss's "I Was Made for Loving You".

[typingtess]

NCIS: Los Angeles Season 14 Rewatch: “Game of Drones”

The basics: A bombing at a drone facility kills one, injures another and sets off the search for some terrorists in Los Angeles.

Written by: R. Scott Gemmill wrote/cowrote “The Only Easy Day”, “Brimstone”, “Breach”, “LD50”, “Found”, “Borderline”, “Absolution”, “Archangel”, “Tin Soldiers”, “Impostors”, “Cyberthreat”, “Honor”, “The Watchers” and both sides of the NCIS Los: Angeles/Hawaii Five-0 “Touch of Death” episodes, “Recruit”, “Free Ride”, “Wanted”, “Ravens and The Swans”, “Impact”, “War Cries”, both ends of the “Deep Trouble” season five finale/season six premiere, “Inelegant Heart”, “Praesidium”, “Traitor”, “Active Measures” (season seven premiere), “Blame It On Rio”, “Internal Affairs”, “Matryoshka” part one, "Talion" (season seven finale), “High Value Target”/”Belly of the Beast” (season eight premieres), “The Queen’s Gambit”, “Under Siege”, “Unleashed” (season eight finale), “Party Crashers” (season nine’s premiere), “This Is What We Do” (episode 200), “Các Tù Nhân”, “Goodbye Vietnam”, “Ninguna Salida” (the season nine finale), “Hit List”, “Asesinos”, “Till Death Do Us Part”, “Choke Point”, “The Guardian”, “Hail Mary”, “Kill Beale Vol. 1”, “Alsiyadun”, “Fortune Favors the Brave”, “The Bear” (season 12 premiere), “Angry Karen”, “Love Kills”, “Russia, Russia, Russia”, “The Noble Maidens”, “A Tale of Two Igors” (season 12 finale), "Subject 17" (season 13 premiere), "All The Little Things", “MWD” and “Work and Family”.

Directed by: Kevin Berlandi. Berlandi is new to NCIS: Los Angeles. He has directed episodes of Criminal Minds, Bull and Partner Track.

Guest stars of note: Kavi Ramachandran Ladnier returns as NCIS Reserve Agent Shyla Dahr from “Work and Family”. Both Natalia Del Riego as Rosa Reyes and Richard Gant as Raymond Hanna are back from “Come Together”. Jennifer Marshall as Navy Commander Neal, Jamil Zraikat as Cyrus Karimian, Jenapher Zheng as Janice Ng, Anna Rajo as Maria Estevez, Turhan Troy Caylak as Darius “Bunny” Vale and Ramona Dubarry as Monica Tavares

Our heroes: Are back at it for season 14.

What important things did we learn about:

Callen: Asks to bring Hetty’s remains home from Syria if she was the one who perished. Sam: Bringing his father to an activity center so he can swim, play pool and poker. Kensi: Sniper. Deeks: Would have been killed without Sniper Wife. Fatima: Doling out assignments. Rountree: Starts an interview with an engineer and ends up defending what he does. Kilbride: Commandeering helicopters.

What not so important things did we learn about:

Callen: Self-titled world’s coolest uncle. Sam: Not thrilled his father broke away from the activity center. Kensi: First day school drop off. Deeks: Not built for first day school drop off or public restrooms. Fatima: Old show went into syndication so Fatima has cool new wheels. Rountree: Calculus is better than is algebra. Kilbride: Betting his non-existent grandchildren.

Where in the world is Henrietta Lange? Not in a schoolhouse/safe house in Syria although some of her alias IDs were.

Who's down with OTP: Kensi and Deeks get to be anxious parents dropping Rosa off for her first day at school. They have a long and serious conversation bracketed between some Deeks jokes about how brutal their jobs can be, how awful the world is and that letting Rosa into the world to be her best self is an act of faith that the world will be kind.

Who's down with BrOTP: Not a lot of BrOTP situations. Callen works with Fatima, Rountree is mostly solo and Sam is only around at the end.

Fashion review: Callen is wearing a red, white and blue plaid button-down. Long sleeve black tee-shirt for Sam. Kensi wears a blood-red tee-shirt. Deeks starts the episode in a pale purple tee-shirt before wearing an LAFD fire inspector/marshal’s uniform undercover. White turtleneck for Fatima with a buttery looking black leather jacket (spectacular!). Rountree is wearing a blue, white and grey jacket over a pale blue tee. Dark blue three-piece suit, white dress shirt and blue and white tie for the Admiral.

Music: Not today.

Any notable cut scene: See music.

Quote: Kensi: “You know, all this is making me feel like I want to call Rosa and check in on her.” Deeks: “Okay, pull up on that stick there, helicopter mom, because she's fine. You just need to give her some space and time to find herself and-and to grow. Put the phone down.” Kensi: “Yeah, I know, but how many parents dropped their kids off at school only to never see them again because of another school shooting” Deeks: “Okay, you can't, you can't think like that.” Kensi: “How can you not think like that?” Deeks: “I mean, all right, you can consider the possibility, you can do the drills, but at some point, you just have to give in and believe in a greater good. I just feel like that's getting harder and harder to do. Yeah, well, that's why they call it faith.”

Anything else: A security guard is making his way through an engineering firm. The firm builds drones. The guard’s route is very deliberate, logging in and out of areas as he makes his way through building. As he gets near the exit, he sees a janitor’s cart just off the entrance.

Exiting the building, the guard locks up and logs out. There is a massive explosion. The guard is thrown ten feet from the door and fiery debris lands all around him.

Cue the new credits – a little red in the logo.

A really overprotective Kensi and Deeks are dropping Rosa off at school. Deeks is worried about bullying which makes Rosa nervous about bullying. Kensi and Deeks will pick her up after school but will text if there is a delay. There is a back-up plan with “Naomi’s mom”. After reviewing the alarm code for the house and the panic code, Rosa is finally on her way. Kensi and Deeks rethink their plan with home schooling a possibility. Deeks announces “I’m not built for this.”

As Sam is ready to take his father to an adult activity center, Raymond is walking around in his pajamas and slippers. Raymond is has no interest in “adult day-care”. Sam sells the place which has a gym, pool and library. Raymond is fine with Sam leaving him at a gym, a pool or a library. Sam notes this place has all three. The two bicker before Sam asks Raymond to just try the place. Since they have billiards and poker, Raymond is a little more interested but disappointed that the poker games aren’t for money. “The only fun is when you’re winning real money.” Mrs. Williams, Raymond’s caretaker, will be picking him up at the end of the day. Raymond complains about her driving. He’s also not keen on the idea of making new friends at the activity center since as soon as you get to know someone, they die. The only new things there are hips and pacemakers. Sam is patient with his father as he makes old age jokes.

Arriving through the side door, Fatima sees Callen looking at party venues. She offers some help – she’s good at planning things. Callen was looking for wedding venues. Fatima asks what does Anna want. Anna is torn between a trip to City Hall and Arkady’s dream of recreating “Doctor Zhivago”, complete with horses and snow. Fatima asks if Callen has a theme – traditional, fantasy, cosplay. Callen asks about “fantasy” and Fatima goes on including Sam as a troll, Deeks as a pixie, Kilbride as a wizard. Shaking his head, Callen tells Fatima he’s going to run these roles by them to see what they think. Fatima says no. “It doesn’t hurt to ask,” Callen replies. Fatima knows he’s kidding and asks that he not. Shyla interrupts, Kilbride needs to see Callen.

Walking to Kilbride’s office, Callen asks Shyla what’s up. She isn’t sure but there has been a communique from Syria. In his office, Kilbride tells Shyla to hold his calls and patch the Commander through to the plasma in his office. Commander Neal pops up on the screen. With the help of the Syrian Democratic Forces, Neal and her team were doing some recon work. At an abandoned school, known to be a safehouse, there was an ambush. Human remains were found, burned beyond recognition. One body had documents identifying them as Trudy Chambers, an American female. Callen looks stunned. Asking if the remains of Chambers were that of a small woman, Neal confirms they were. Dental records and DNA is still be checked. She will contact them when they have an ID. Trudy Chambers is one of Hetty’s aliases.

In Ops, Fatima arrives and asks Shyla what’s the new case. There is television coverage of the explosion and fire at Havlock/Haines Aerospace the prior night. Havlock/Haines builds remote piloted vehicles for the Navy. A janitor was killed, the security guard was badly injured. ATF said the bomb was nitroamine high explosive. The dead janitor was Luis Estevez, the guard Morgan Reynolds. Neither fits the profile of a bomber – more wrong place, wrong time. Fatima will go to the crime scene with Callen, Kensi and Deeks will look into the janitor while Rountree looks into the security guard. Shyla seems a little surprised that Fatima is doling out assignments – that is usually the job of a more senior agent. Since Shyla does not see a more senior agent in Ops, “go get ‘em girl,” is her advice.

Asking if the remains will be flown back to the US, Kilbride tells Callen they will be if they are positively identified. Callen wants to accompany them. Kilbride agrees. Callen then brings up Harris Keane, who was travelling with Hetty. Once the forensic team completes their work, the Admiral thinks they’ll know more. Knowing if she was ambushed at a safe house – even if it wasn’t Hetty – Callen believes she’s in danger. Kilbride disagrees – Hetty was in danger the minute she went back to Syria. And there are no safe houses in Syria right now. But since this is Hetty, she has more lives than a barn cat and is just as mean. Callen nods his head in agreement.

In the boatshed’s main room, Kensi and Deeks are speaking to Maria Estevez, daughter of janitor Luis Estevez. After offering condolences, they asks Maria about her father. He liked working as the night janitor – the money was good and it left him time during the day for other projects. As a skilled carpenter and mason, Estevez worked construction jobs when they came up. Kensi asks when did he sleep. Maria has an immediate answer – Sundays. During family dinners in the fall, he’d doze off watching football. Deeks asks why did Estevez work two jobs. Maria explains that years ago, her immigrant father worked two jobs to make ends meet. In recent years, especially after the death of his wife/Maria’s mother from COVID two years ago, it was to keep busy. Estevez did not work with explosives but loved fireworks. The Estevez family loved to put on a display. Asking if there were any financial issues, drugs, enemies, Maria states her father was a gentle and caring man who did anything to help others. Since Maria was told Estevez died in a factory accident, she wants to know what’s going on. Kensi and Deeks would like to see Estevez’s home.

A sullen Callen is a bit surprised by Fatima’s new Porsche. She explains her old TV show was just sold into syndication. When Callen notes the vehicle isn’t subtle, Fatima replies that in LA, subtle stands out. Callen is still distracted so Fatima asks if he is OK. He updates her about the body found in Syria. Fatima offers condolences and asks if they can do anything. They can’t so they should work the case.

Calling in to Ops from outside the hospital, Rountree has no luck with the security guard. He’s lawyered up but even if he didn’t, his doctor said he was in no condition to be questioned. Shyla notes he was healthy enough to find a lawyer. The Admiral wants the hospital staff and the lawyer to be put on notice, “as soon as he can eat his Jell-O, he better start talking.” Shyla is going to get a warrant to search Reynolds’s residence while the Admiral wants to question the staff at Havlock/Haines about Reynolds.

At the crime scene, Callen and Fatima are in the bombed out facility. The sleek, modern place is now a mass of burnt walls, cables and wires hanging from the ceiling, rubble all over. Speaking to executive Monica Tavares, she explains that the explosion is a financial hit to the company. Not only do they have to rebuild but they are not going to meet certain orders from contracts. Callen asks if she knows who would do something like this. Tavares has a list – anarchists, right-wing extremists, anti-war activists. Fatima asks about industry rivals or disgruntled employees. There are some – a few staffers left after they started working for the government – conscientious objections to making “weapons of war”. When Fatima asks for contact info, Taveras agrees to cooperate but makes it clear, none of them would blow up the building.

Callen asks if there were any other issues in recent weeks and months. Nothing as obvious as blowing up the facility but Havlock/Haines has been subject to a “relentless” series of cyber-attacks. The company is working on where they are coming from but no luck finding who is behind them. Callen gets a call from Shyla who has the terribly burned corpse of Luis Estevez on the big screen (ick, show, ick). Estevez was already dead for several hours when the explosion occurred.

Later speaking to Fatima, if Estevez was dead before the explosion, they likely used him to get into the building. Fatima agrees – the bombers killed Estevez, used his ID to get into the building, probably put his body and the bomb into something like a cleaning cart. That would be Fatima’s plan. Callen finds it scary but thinks it would be a good way to dispose of the body. Fatima agrees – it would make it look like Estevez died in the explosion.

Walking around the immaculate home of Luis Estevez, Kensi is on the phone with Callen. Thinking unless he was Jekyll and Hyde, Kensi believes Estevez was Mr. Rogers only more neat. Callen wants Kensi to check if Maria has power of attorney so they can access his phone and financials. Fatima asks about home security but Estevez barely locked is doors. Fatima wants to check the neighbors’ security systems to see if anyone was following Estevez. Kensi will ask. They also want Kensi to ask about Estevez’s daily routine. Meanwhile, Estevez’s Jeep is going to NCIS’s carport – they will check to see if he had GPS.

Moving to the kitchen, Maria is packing up the food in her father’s home. She talks about her father’s truck. Deeks assures her the truck will be released to the family when NCIS is done with it. Maria seems less worried about that, more thinking about how much her father loved the truck. It was his first ever new vehicle. Kensi asks about power-of-attorney. Maria got it after her mother passed away, her father got all his paperwork in order. Kensi tells Maria that they can take info from her father’s phone and financial records and maybe find who killed him. Maria is weeping. Deeks looks so uncomfortable. Kensi, seeing Maria’s distress, asks if she would be able to come up with her father’s daily routine, “Can you do that?” Maria says she can try.

Outside of the house, Kensi and Deeks are wrecked about the pain of the day. Deeks makes a joke about the pain being as bad as kidney stones, annoying Kensi. He extends to the joke to childbirth, leading Kensi to calling him an idiot. When Deeks says he’s joking, Kensi wants to know why. “Because if I don’t joke, this job is too sad for me to keep doing it.” Kensi understands but thinks he’s an idiot – a loveable one. All the sadness has Kensi wanting to call Rosa and see if she’s OK. Deeks stops her – this is Rosa’s time to “find herself and to grow.” Kensi brings up school shootings, something Deeks does not want to think about. It is what Kensi thinks about. Deeks tells her they can do the drills and prepare Rosa the best they can but at some point “you just have to give in and believe in a greater good.” Kensi finds that hard to do but Deeks tells her that’s what faith is. “I mean George Michael even wrote a song about it.” Deeks makes some George jokes.

Arriving at Ops, the Admiral wants a sit-rep. Shyla fills him in on the team’s status. She is also working with NCIS CYBER to find who is behind the cyber-attacks against Havlock/Haines. The Admiral figures that whoever did this was willing to kill an innocent man and used high end explosives – they are not militia “idiots”. Shyla suggests industrial espionage – a rival company that wants some of the hundreds of millions of dollars available in military contracts. The Admiral is rooting for that because the alternative is state sponsored terrorism.

As Kilbride walks back to his office, Callen calls up from the bullpen, looking for news about the remains and Trudy Chambers. Kilbride assures Callen he would have updated him if there was any news from Syria. The Admiral’s more pressing concern is whoever blew up Havlock/Haines since they like aren’t done. He wants Callen focused on the task at hand and not Hetty. “Now go catch these bastards before they strike again.”

In the carport, Fatima is working on Estevez’s truck. She tells Callen that the vehicle was wiped clean – she can still smell the bleach. Callen gets a call from Alex asking if she wants to hang out with Jake. Fatima wishes she had a niece or nephew – it seems like fun. Callen agrees it is while they are young. When they get a little older, less time for the world’s coolest uncle and more time for teenage girls. Fatima asks if Callen gave himself the designation of world’s coolest uncle. Callen wants to know who is cooler than he is? After Fatima laughs, she announces he’s cool, “like supercool.” “Let’s not oversell it.”

In the boatshed, Rountree and Shyla on the plasma are chatting. He is meeting with Janice Ng who left Havlock/Haines when they started working for the DoD. Shyla gets an alert from CYBER – the source of the attack is coming from Beirut, Lebanon.

With Fatima and Callen back in Ops with Shyla, they are discussing Lebanon being an US ally but Hezbollah, a militant group with a political arm, is not. Callen brings up two Hezbollah operatives who were arrested in the US for planning acts of terrorism. Those arrests were for fundraising and weapon buys but things may have gotten more aggressive since the US’s relationship with Iran gets worse. Iran funds a lot of Hezbollah’s actions. Asking about Estevez’s truck, Callen tells Shyla that the truck was wiped clean as was his GPS. Callen wants a list from the Office of the Director of National Intelligence of any known Hezbollah members in the US, especially anyone on the West Coast.

In the boat shed, Janice Ng explains she joined Havlock/Haines to be part of the team that put the first person on Mars. She did not sign up to build weapons of mass destruction. Rountree tells her the drones aren’t weapons of mass destruction. Ng disagrees – they could be armed with a nuclear weapon. Rountree points out they aren’t but Ng thinks he’s being naïve. But she thinks it is Rountree’s job to cover up the military’s crimes against humanity. Explaining that it isn’t his job to cover up anything, Rountree is there to find the truth about who set the bomb at Havlock/Haines. Ng is annoyed – since she quit for not wanting to be “a warmonger”, she’s being treated as a suspect. She’s waiting for Rountree to beat a confession out of her.

Deeks arrives at the boat shed with Kensi right behind him. Rountree explains that he isn’t there to beat a confession out of Ng. Pointing to his wife, Deeks tells Ng that what Kensi is there to do as he walks into the restroom. Kensi tells Ng Deeks is just kidding. Rountree updates Kensi on his questioning and Ng lawyers up. Rountree tells her she doesn’t need a lawyer. After she warns them against railroading her, Rountree just cuts Ng loose.

Sighing that it is just “one of those days”, Rountree tells Kensi he’s gotten nothing from the former Havlock/Haines staffers. Kensi explains that they got some security footage and were going to Ops when “somebody needed a potty break.” Deeks returns from the restroom where they’re out of towels so he airdries his hands all over Kensi and Rountree. He explains that he would rather use their restroom than some public restroom. Rountree is more concerned that some of Deeks’s air-drying got into his mouth.

Contacting Ops, Kensi pulls out the thumb drive with the security camera footage and sends it to Shyla. Shyla has camera footage from other places as she tries to stitch together Estevez’s day. Kensi and Deeks are on their way to Ops to help Shyla. Deeks signals to Rountree that he probably shouldn’t use the restroom.

In the bullpen, Callen is reviewing some street camera footage with Fatima. With the coroner estimating Estevez’s time of death around 4PM, Callen sees white van for Bunny Vale Laundry and Dry Cleaning outside of his house at 11AM. The branded van is still there two-hours later. While it could be a long lunch or a day off, it is just as likely a stakeout. In Ops, Shyla has info on Bunny Vale Laundry, a chain in LA. Tracing the specific van, for the last few days, it was always near Estevez, either at his home or following him around.

Bunny Vale Laundry is owned by Darius “Bunny” Vale and his wife Sara. They are first-generation Persian-Americans, born in America. No links to Hezbollah but Fatima wonders if Vale is using his business as a front. There is a laundering money suggestion from Shyla – she really does fit right in. Callen and Fatima are going to speak to Vale.

In interrogation, Darius “Bunny” Vale is on the wrong side of the table. Callen shows him a photo of the laundry truck outside of Estevez’s home. Vale claims to have over a dozen vans like it. Callen tells Vale the van was used in a crime. Vale was worried something like that would happen – the van was stolen. Callen mentions there was no police report but Vale says the truck was gone for a while and then returned. He never knew it was missing until one of his employees found it. Since there was no damage to the van, he didn’t report it, figuring it was some teenage joyriders. The van was found near one of Vale’s locations by an employee who was with Vale for years. “Anything else?”

Pulling out his phone, Callen shows Vale Estevez’s dead body. Vale expresses his disgust in Farsi. Callen explains that Estevez was a father and a grandfather who was likely murdered in Vale’s van. When the forensic team goes through the “stolen” van, if they find any evidence Vale will be connected to Estevez’s murder and the attack on Havlock/Haines. Fatima asks how long as Vale supported Hezbollah. Vale is stunned – he’s never supported Hezbollah. Callen threatens a trip to Guantanamo Bay but Vale claims he had nothing to do with what happened.

When Callen says “last chance” to Vale, he explains he can’t help, “they’ll hurt my family.” Fatima offers protection but Vale is speaking about his family in Tehran. While NCIS has agents all over the world, they are not in Iran. Fatima tells him the threat is to his family in the US as well as Iran. If he helps them, they can stop threat.

Vale explains that two men demanded a van, was told if he didn’t cooperate his family in Iran would pay the price. He was told to not ask any questions and to not tell anyone. Vale gave them the van and then the van was returned. Vale doesn’t have much information – he didn’t know the men, he didn’t know where they were staying. In Farsi, Fatima tells Vale he needs to help them. He is in danger if he doesn’t cooperate. Vale mentions a friend named Ava who was threatened as well. She had to provide a place where the men could work. Callen wants Sam called in – this is a full team operation.

Joining Callen, Fatima and Rountree at an office park, Sam and the team are all wearing their kevlar with the big guns out. He thinks this assignment is easier than getting his father to behave. When Fatima asks how Raymond is doing, Sam replies he’s doing everything possible to make him crazy. The Admiral has had enough chit-chat – and Deeks isn’t even involved. Fatima and Rountree take one entrance, Sam and Callen take another. Shyla tells the team the building is owned by Ava Safari with only a 26% occupancy rate due to COVID. The terrorists are set-up on a vacant office floor. The Admiral considers them armed and they are dangerous since they have access to high end explosives. He warns them of booby traps. That doesn’t sit well with Deeks, who is dress as a fire marshal/inspector. “I’m not the bomb disposal guy.”

Deeks walks through one of the offices. It is empty though there is a cot and a lantern flashlight in an open area. He is approached by a man asking why Deeks is there. After saying he’s happy the place is rented again, Deeks claims to be LAFD there for the building’s monthly inspection. The man wants Deeks to leave and return the following day. Deeks explains he can’t do that. Deeks is walking ahead of the man, through the office. He is rambling about the inspecting the Nakatomi Plaza – nice “Die Hard” shoutout – and puts on soundproof headphones because he’s about to set off the building’s alarms. The man behind Deeks pulls out his gun. Kensi says “weapon” and takes out the man from an office building a healthy distance away. “Tango down.” Deeks seems surprised.

Callen and Sam join Deeks – “Nice shot honey,” Deeks calls to Kensi. He starts talking about having a BB right under his scalp from being shot by Darrel Dinkins. Sam mentioned the BB migrating to Deeks’s brain. An arriving Fatima and Rountree enjoy the show. Deeks tells Sam he missed him. “I bet you did.”

While Fatima sends the dead man’s prints to Ops, Callen has the dead man’s burner phone and wants to Shyla to check the contacts and any GPS info. Sam finds a Canadian passport for the dead man issued to Cyrus Karimain from Fort Erie, Ontario. It is likely a fake. Sam has four other passports for four other men. There may be an entire cell in Los Angeles.

Deeks find a trash pail full of shredded documents. One looks like a map but he could only figure it out if he was the Amazing Kreskin. Fatima doesn’t know who the Amazing Kreskin is. “That was before Google,” Sam tells her. Callen finds something and shows it to Sam. It is a symbol of the Islamic Revolutionary Guard Corps’s staff college. The men in the office aren’t Hezbollah, they are Iranian special operatives who usually train proxies to fight, not do the fighting themselves. The Admiral knew this was state sponsored and is willing to bet his grandchildren that the drones that took out Soleimani was manufactured by Havlock/Haines. Shyla notes the Admiral doesn’t have grandchildren. “This team America, is payback.”

Tracing the location of the cellphone numbers in the dead man’s phone, they are all traveling on the PCH, just passing Malibu. While Deeks thinks they are surfers, Sam realizes they’re going to Point Magu. Point Magu is the home of the Triton drone project. The Admiral wants the team in helicopters on their way to the base in two minutes. When Shyla asks how, the Admiral doesn’t care – Coast Guard, National Guard, borrow a TV traffic helicopter.

At Point Magu’s entrance, a Bunny Vale Landry Van shoots its way past a guard station. The sole guard tries to fire on the men but is overwhelmed by four men with military weapons. Driving the van into the base, there are two barrel in the back with explosives. The men all exit the van before it plows into a trailer with a satellite on top. Since this is NCIS: Los Angeles, there is a massive explosion.

One of the men tries to enter a structure next to the structure that just was blown up. He has a keycard to get in but the door does not open. Callen comes out from the side of the structure and tells the man “nobody’s home.” The men are surrounded by Callen and Sam on the right, Kensi, Fatima and Rountree on their left and Deeks from the top of the structure. Behind the on the ground team is more armed Navy sailors. It was set-up as a kill box. Fatima starts ordering the men to surrender in Farsi. The men surrender. Deeks wonders how he is getting off the building – he asks Rountree to catch him.

Stepping away, Sam has a call from Mrs. Williams, his father’s caretaker. Raymond left the activity center without the caretaker. He instead left with a woman named Victoria. Callen is impressed – one day at the activity center and Raymond has a girlfriend. Callen thinks Sam could learn a little something from his father.

In the armory, Kensi, Deeks, Fatima and Rountree are dropping off their gear. Fatima thinks they should go out for drinks and Rountree should pay. This surprises Rountree until Fatima says she’s buying. Deeks offers to take everyone out to dinner if Rosa could join them. Kensi steps in – not on a school night. Deeks asks how is Rountree’s calculus. It is better than his algebra but it is not very good.

Pouring two glasses of scotch, the Admiral offers an arriving Callen a glass. Callen asks if he is going to need it. The Admiral thinks the longer Callen stays in their business, he will but he won’t need it today for Hetty “Not now anyway,” he tells Callen. The remains were of a female child, not Hetty. Callen asks why were Hetty’s IDs found on a dead child. The Admiral thinks Hetty planted them. Without the forensics the US military has, anyone who saw the remains and the ID thinks Hetty is dead. Thinking Hetty is in trouble – and the Admiral saying she was in the trouble the minute she went to Syria, Callen asks for permission to look for her. That’s a no from the Admiral. If they had actionable intel, they would go. Until then, Hetty is on her own.

Saying he has a lot of personal time, Callen is thinking of going anyway. The Admiral makes it clear LA just had foreign terrorists attack a building and a Naval Station so there will be no going halfway around the world “searching for your surrogate mommy.” Telling the Admiral to enjoy his scotch, Callen storms out. The Admiral drinks his own scotch and then Callen’s untouched glass, saying he intends to.

Not enjoying his scotch is Sam, sitting with a glass at his dining room table. Raymond sneaks in almost like a teenager caught by his parents. Sam asks where his father was. Raymond said he took Sam’s advice and made some friends. Sam thinks Raymond should have called. Raymond is sure he sent a text but he didn’t. This is every parent-child discussion about being out late with friends, just with the roles reversed. When Raymond says he’s not a child, Sam tells him he's acting like one. Yep, parent-child in reverse. Sam is angry that Raymond “hooked up with a woman on your first damn day. An angry Raymond talks about Victoria, who is married to Cliff, a bedridden veteran. After his time at the activity center, Raymond went to see Cliff, providing him such much needed company. Sam is instantly remorseful until Raymond makes it clear that he also provided Victoria some much needed company. Sam isn’t sure his father is joking as Raymond says good night.

They changed the fonts on the credits too.

What head canon can be formed from here: Sort of an update to the season 13 finale – Callen is looking at wedding venues, Sam is dealing with his father, Kensi and Deeks are taking Rosa to her first day of school. Family continues to play a big part.

Shyla is great with the team. She has a different relationship with Kilbride – more casual and fun than any of the team members.

Visiting the bombed out drone place had to be pretty brutal to Callen, who less than an hour earlier learned his “surrogate mommy” may have met her end in a similar action.

The Kensi and Deeks conversation about doing their jobs in the world we live in has been going on now since season eight. This was another variation of it with Kensi sounding a little more done this time.

The program used real events – the arrest of two Hezbollah terrorists, the bombing of Soleimani- to make the story go.

Episode number: Season 14 (a healthy run for any program), episode one. Episode 303 overall. These recaps will go up every Friday (save one in mid-March) until season 14 wraps.