#aw mann...

[dooareyastudy]

Collateral, Michael Mann, 2004

[preyduo-moved]

was scrolling on tiktok and your new boyfriend played and now i feel physically ill oh my godd

[jujapaya]

I AM LIVING FOR THESE ANNUALS. You don’t even KNOW how much this part has driven me stir crazy. I love it.

[crabussy]

GO TO SLEEP YOU OVERWORKED SLUT

GOING GOING GOING GOING GOING I PROMISE. PINKIE RPOMISE GOODNIGHT LVOE YOU BYE

[mittir-the-bitter]

Y know I promised myself I wouldn’t talk about this but I feel like they have forgotten about me so Lmao

But the irony of seeing your ex friend who was low-key ableist to you, use the fact that they have BPD as an excuse to be a shitty person for the exact reasons they left you for. Lol lmao even

[lesbiancosimaniehaus]

Also the second opening act was like if tht Jonathan Coulton guy swapped recruited an off brand DCFC so I just finished the Joan didion book I was reading.

[pluralphilza]

have been feeling depressed today, might listen to nightvale again and do laundry

[ghostlychaosfoil]

EVERY SINGLE FREAKING TIME I HEAR THIS SONG I HOLD MY BREATH FOR A SECOBD BECAYSE IS IT THE MINECRAFT VERSION

[autism-corner]

=3=

[maythray]

damn they got a starbucks online.order rn. not my problem lmao.

[child-of-father-of-light]

I Can Only Imagine Tamela Mann Cover Jesus Christ Is Coming Back

[tf2heritageposts]

i don’t think we really focus on the fact that it’s extremely possible in canon that soldier is playing up exactly how stupid he actually is

case in point:

the idea behind the mvm map decoy is it’s a decoy (wow) version of mann co meant to distract the robots and keep them from attacking the actual mann co

the wiki describes it as “poorly done” alterations to the buildings to make it look like mann co but what does it matter? the robots ARE attacking the decoy base instead of the actual mann co

gray mann is absolutely being sarcastic here but he really has no room to talk because soldier’s plan did in fact work. it’s also something to note that gray mann also plays himself up, only making everyone think he’s a genius, and while it would be unfair to not call him intelligent, he exhibits multiple lapses in judgement and lack of foresight (namely: telling a man who’s much stronger than him to fuck off with questions about his strange immortality device, not programming his robots to recognize soldier’s decoy base as a fake one which would’ve required him to not actually program them to know where mann co actually is or what it looks like, etc). it’s way easier to pretend to be stupider than you actually are than to be smarter than actually are

also soldier did in fact infiltrate a robot meeting and learned shit that nobody else was supposed to know. did he do it by a stupid method of a robot costume? yeah but it worked so it wasn’t really that stupid

am i saying soldier is a secret genius? no though i’ve seen that idea before. am i saying that soldier used to be smart before he got lead poisoning? also no, though lead causing damage to his brain is definitely impacting his current behavior

i think soldier isn’t extremely bright but has average to slightly above average intelligence that he plays up into being just an idiot for a few reasons

1. gives him an excuse to act out more violently because he’s “ just an idiot who doesn’t know any better.”

2. lets him be inconspicuous and not be seen as a threat(moreso as in “ this guy won’t hinder me he’s an idiot). this could also possibly give him time to actually think of a plan of action to get out of whatever situation he’s in, since he’s shown to be able to think through situations and come up with plans beforehand(eg: the Australian sub port) rather than just going shock and awe about it

3. he thinks it’s funny

[yawnderu]

— 2023 masterlist 🪴 Compilation of most of my works written in 2023. Simon Riley Masterlist | Smut Masterlist | Bimbo!Reader Masterlist | Dad!Ghost Masterlist | Commissions Info

— Sex Pollen

Simon ''Ghost'' Riley

König

Nikto

Miguel O'Hara

Astarion

— Popular

ATSV/COD MWII Twitter AU Masterlist

Virgin!König

Pec shaking

Pervert - König x Reader

Neighbor!Simon ''Ghost'' Riley x Reader

— SIMON RILEY

Living heating pad🧸 Betrayer🌧️ Please, God🌧️🧸 Reader crying during sex🌧️🧸 You make it hard to be a ghost🧸 Longing🧸 Together🧸 I'll meet you there🧸 Idyllic🧸 Believer🧸 Birthday Boy🧸 Situationship with Ghost🌧️🧸 Situationships with Ghost Part II🌧️🧸 Salvatore🧸 Seasons don't fear the reaper🧸 Shooting Star🧸 Spellbound🧸 Happy Cake Day🧸 Roadman!Ghost 🧸 Roadman!Ghost Part II🧸 Living heating pad🧸 Betrayer🌧️ Please, God🌧️🧸 Reader crying during sex🌧️🧸 You make it hard to be a ghost🧸 Longing🧸 Together🧸 I'll meet you there🧸 Idyllic🧸 Believer🧸 Birthday Boy🧸 Situationship with Ghost🌧️🧸 Situationships with Ghost Part II🌧️🧸 Salvatore🧸 Seasons don't fear the reaper🧸 Shooting Star🧸 Spellbound🧸 Happy Cake Day🧸 Roadman!Ghost 🧸 Roadman!Ghost Part II🧸

Domestic life🧸 Awful Cooking🧸 Wedding🧸 Relaxing time🧸 Doesn't mean anything🌧️ Genesis🌧️ Afraid - Simon ''Ghost'' Riley x Reader🌧️ Tainted - Simon ''Ghost'' Riley x Reader🌧️ Living Dead Man - Simon ''Ghost'' Riley x Reader🌧️🧸 Savior - Simon ''Ghost'' Riley x Reader🌧️🧸 Doomed - Simon ''Ghost'' Riley x Reader🌧️ Unexpected pregnancy - Simon ''Ghost'' Riley x Reader🌧️🧸 Immortal She - Simon ''Ghost'' Riley x Reader🌧️ Love never leaves - Simon ''Ghost'' Riley x Reader🌧️🧸 Genesis - Simon ''Ghost'' Riley x Reader🌧️ Simon doesn't believe in love🌧️🧸

— NIKTO

Infatuation🧸

Situationship🌧️🧸

Mann Gegen Mann - Nikto x Reader🌧️

— KÖNIG

Nipple sucking

— KYLE GARRICK

Panda Hybrid!Reader

— KEEGAN P. RUSS

Pets

DBF!Keegan

Headcanons Part I

Headcanons Part II

Headcanons Part III

— JOHN MACTAVISH

Thermobaric flashbang 🧸

Goofing around with Soap🧸

— Ongoing Series

K-9 - Simon ''Ghost'' Riley x Reader

Lorelei - Simon ''Ghost'' Riley x Reader

— Character Studies

Simon ''Ghost'' Riley - Character Study

Comic Simon being a sweetheart

Simon ''Ghost'' Riley being a family man

Mild Ghost - Ramble

Ghost and insecurity

König - Character Study

[darlingdreadwrites]

Baby You're a Haunted House

THIS IS A SECOND PART OF AN AU. IF THIS IS THE FIRST POST YOU SEE, I SUGGEST YOU CLICK ON THIS (“MAIN STORY”) TO READ THE FIRST PART OF THIS AU!!

pairing: Ticci Toby x GN!Reader

summary: After arriving at Mr. Mann’s Manor of Frights, you decide to go through a “haunted experience.”

contains: scare actor toby, easily scared reader, handholding, mini date

warnings: swearing, claustrophobic descriptions, if there’s any other warnings pls tell me (I was trying to keep this as light as I can)

word count: 1.2k

masterlist

“I want to go to one of the scary rooms,” you say, swallowing down any fear you might have.

Your friends cheer, one of them grabs your hand to drag you through the crowds of people and to the mansion quicker. You can’t help but stare in awe at the monstrosity of a house before you. You expected it to be like a normal haunted house, with maybe a few themed rooms, but this was almost overwhelming. And the sheer number of people going in and out made you feel bad for whoever had to clean this all up after.

Walking in through the entrance, you notice lines of people waiting to enter different hallways and rooms. Most of the experiences were kept on the first floor, with only some of them leading upstairs briefly. There were signs that pointed to which line led where, and much to your dismay, your friends had already picked one. They laugh and squeal as they walk over to the east wing of the manor. This one had a shorter line, and no wonder. The “Twisted Maze,” as it was called, was a haunted experience with low ceilings and tight halls.

The entryway was dimly lit, with candelabras flickering casting eerie shadows. The screams from the guests before you echoed out. You almost backed out right there if it wasn’t for your friends pushing you through. You walked slowly through the mirror-lined hallway, whipping your head this way and that, bracing yourself for any scares. The unnerving, low music caused your skin to crawl, and your breath quicken. You let out a sigh, seeing that it seemed to just be a maze of mirrors. You’re relieved to only be seeing distorted and cracked reflections

You jump when, in one of the mirrors, a shadowy figure appears behind you.

“It’s a projection,” one of your friends laughs behind you. You manage a shaky laugh and continue walking.

The path twists and turns into unpredictable patterns as you delve deeper into the house. It becomes harder to see as thick fog blankets the floor, obscuring your view of your feet. Paintings of dark, endless corridors line the walls, designed to disorient the direction that could lead to an exit. As you move forward, you hear shuffling noises and muffled whispers. Your pulse spikes, and you pray that those noises are pre-recorded.

But your prayers aren’t answer and, from behind you, you hear a low growl. You turn around, your eyes are wide as you take in one of the actors. He just stands behind a false crack in the wall. He seems to be some kind of Victorian ghost, with a ghostly pale complexion and a butler’s uniform. You quickly walk past him, only to meet a young girl who shrieks at you. Squealing, you try to rush past her. You can hear her giggling when she successfully gets one of your friends to scream. You nearly bolt out of the experience as bursts of compressed air and animatronics jump out at you, each one sending you into brief fits of panic.

You paw at the hanging vines that cover the doorway to the next path, which is darker than the ones before. A singular lamp illuminates the end of the hallway and your heart swells when you see an exit sign just under it. With a newfound sense of bravery, you quickly walk to the end. Unfortunately, you didn’t consider the small door at the end of the hallway. And just when you thought you had gotten used to the scares, a gloved hand reaches out of the hidden room.

You think your heart can’t take another scream, and you look away, reach behind you to grab your friend’s hand, and start dragging them to the exit. You hear a gasp, probably from your friend, and dash past the remaining props. A skeleton rattles and seems to be reaching out, and you swerve past it, rounding another corner. You’re way too focused on holding the hand you’re clutching to fully register what’s happening.

You emerge from the maze into the crisp night air outside of the mansion. Letting out a content sigh, you begin to turn around to apologize to your friend, only to be met with a complete stranger wearing a Hannibal Lecter-style muzzle. You both pause, and you look down to see that you have an iron grip on his hand. You yank it back when he leans in to shout at you, only to break out into a fit of giggles.

“I’m so, so, so sorry,” you begin to apologize, even if you feel like kicking him. “I thought you were my friend.”

He waves a hand dismissively. “Psshhh, don’t wor-worry ‘bout it.”

“No, I like, dragged you out of your spot. I should’ve looked, I’m sorry.”

“Hey, I sssaid don’t worry,” he smiles, tilting his head. “I’m Toby. What-what’s your… name?”

You tell him, your face is still heated from embarrassment.

“If you-if you feel so bad, why duh-don’t you buy me cheesy nachos? To mmmake it up to me?”

You narrow your eyes at him, but your lips curl into a smile. “Don’t you have to work?”

“Nah-nah, you… kidnapped me just in tuh-time,” he teases just as your friends start to walk out.

You hesitate, glancing at your friends. They’re doing exactly what you thought they would do – blowing kissy faces. You grab Toby’s arm before he could turn around to witness their immaturity.

“Where are the cheesy nachos?’

“Yuh-you’re handsy,” he replies, a playful look on his face.

“Shut up and walk.”

You and Toby head over to the food booths near the manor, immediately surrounded by the smell of fried food. He talked a lot, mostly about his favorite reactions when he scared people. You listened intently, finding his voice was weirdly attractive. You blushed when he told you that yours was his favorite reaction. He orders a size big enough for the both of you and you’re about to say something when he interrupts you.

“I get-get free fffood,” the words are muffled by the chips he stuffed in his mouth.

You realize that you must have been hypnotized by his voice or something because you hadn’t realized he pulled his mask down. Your gaze lingers on his cheek, looking at a large adhesive bandage covering some kind of wound. Not wanting to make him uncomfortable, you quickly look away, focusing your attention on the cheesy nachos piled high in a greasy mountain between you.

“Why’d you want me to buy you them?” You joke, but Toby could tell you were flustered.

He lets out a small laugh. “S’more fun-fun that way, is-isn’t it?”

You click your tongue, picking up a chip that wasn’t soggy already from the cheese. Toby’s mouth quirks into a grin as he leans closer, his tone becoming dramatic.

“What, you… didn’t wuh-wanna come with me?” He pouts and bats his eyelashes. “You practically-practically dragged me hhhere.”

“Oh my god, literally shut up,” you groan, flicking a small corner of a corn chip at him. Toby dodges it, and the sound of his laughter causes a flutter through your chest,

Both of you find a quiet spot at the edge of the festival, though you can still hear the distant sounds of music and laughter. Toby continues to tell you stories about past festivals, snacking on his nachos. Eventually, you’re talking in hushed voices, laughter mingling together as you both lean a bit closer.

[pad-wubbo]

All AAI2 official English character and case names rated based on whether I think they're better or worse than the fan translation equivalents:

Di-Jun Huang > Di-Jun Wang - It's the same.

Horace Knightley > Bronco Knight - Worse.

Ethan Rooke > Bastian Rook - Worse.

Nicole Swift > Tabby Lloyd - Much better.

Raymond Shields > Eddie Fender - Slightly worse.

Jay Elbird > Rocco Carcerato - Much better.

Simon Keyes > Simeon Saint - Slightly worse.

Sebastian Debeste > Eustace Winner - Sounds worse, fits better.

Justine Courtney > Verity Gavèlle - Much better.

Sirhan Dogen > Bodhidharma Kanis - Much better.

Patricia Roland > Fifi Laguarde - Much better, they've already done "patrol" twice.

Jeff Master > Samson Tangaroa - More unique, less punny. Not sure.

Katherine Hall > Judy Bound - Slightly worse because no food pun.

Isaac Dover > Artie Frost - References his nature as an artist, better.

Pierre Hoquet > Paul Halique - Same as Japanese name, no longer parrot.

Dane Gustavia > Carmelo Gusto - Worse, doesn't sound as awesome.

Delicia Scones > Delicia Scone - It's the same.

Karin Jenson > Florence Niedler - Much better. Florence Nightingale and needles.

Bonnie Young > Hilda Hertz - Better, because alliterative.

Jill Crane > Rosie Ringer - Better, alliterative. Different nursery rhyme.

Blaise Debeste > Excelsius Winner - The absolute Winner among these names. It's so pompous, contains "celsius" and "excel" and just sounds like he went to Oxford.

John Marsh > Shaun Fenn - It's the same. Shaun means John and fen means marsh.

Amy Marsh > Amelie Fenn - It's the same.

Dai-Long Lang > Da-Long Lang - It's the same.

Jack Cameron > Alf Aldown - Better, only because it's a Deid Mann tier awful name rather than a boring realistic name.

Turnabout Target > Turnabout Trigger - Better, sounds more like a presidential assassination attempt.

The Imprisoned Turnabout > The Captive Turnabout - Better, less long-winded.

The Inherited Turnabout > Turnabout Legacy - Better for same reason as above.

The Forgotten Turnabout > A Turnabout Forsaken - Sounds more pretentious, but probably better because less confusion with The Lost Turnabout, where Phoenix forgets.

The Grand Turnabout > Turnabout for the Ages - Worse, I think. It sounds cooler, but doesn't have any chess connotations. They should have called it "The Grandmaster's Turnabout" or "Turnabout Checkmate", I think.

Also, have updated case cards to help you get used to the new names.

EDIT;

Some extra things:

* iFly Airlines in AAI1 has been reverted to its Japanese name of "GoYou". This was probably done because iFly is the name of a real Russian airline with global sanctions against it since 2022.

* As a result, Hugo Ifly is now Ugo Hughes and the tanuki called Mr. Ifly is now Captain Ugo.

* Moozilla is now Taurusaurus, which I think is a better name.

* The Grand Tower is now the Bigg Building, suggesting that Big is not merely its size, but a Mr. Bigg is its proprietor.

* The Zodiac Hall galleries are now referred to as seasonal "Wings" rather than "Palaces". Makes more sense.

* Edgeworth Law Offices is now referred to as Edgeworth and Co. Law Offices, the Co. being Eddie Fender (aka Ray Shields). Again, makes more sense.

* Rocky the bear is now Teddy, since his owner is now already Rocco as a Rocky reference.

* Anubis the hunting dog is now Helmut, a lame pun on "hell mutt".

* Astique the elephant is now Azea, like an "Asian" elephant.

* Ally the alligator is still the same. Regina Berry is not very good at naming animals.

[bookishdiplodocus]

A longread on writing comedy

This is what I do to research writing comedy:

What helped me most was analyzing a lot of jokes: "It's funny. Why is it funny? How does this joke work?" Usually it's something that subverses the expectations in a specific way or an unexpected collision of two things. (Like a pun is a collision of sound and meaning.) For my analysis, I wonder: "What is the expectation after the set-up? Why do I have this expectation? How does the pay-off subverse the expectation? Why does it still make sense in relation to the set-up?"

For example: I unleashed this kind of analysis on the movie George of the Jungle. It has a surprisingly high hit rate, I think around three jokes per minute in the first one third of the movie, and it still manages to get the story going and the characters introduced. I’ve mentioned this before, but I don’t think I gave examples, and you know I’m all about the teaching.

I found at least 17 types. Heads up, this is going to be a longread.

Type 1: Puns

Narrator: “When they finally beheld the mighty Ape Mountain…” [They see a mountain shaped like a gorilla head.] Narrator, cont’d: “… they reacted with awe.” All: “Aww.” Narrator: “I said ‘awe”. A-W-E.” All: “Ooh!” Narrator: “That’s better.”

Explanation:

The pun lies in the fact that “awe” and “aww” sound the same.

There is a visual type of comedy as well that we can’t effectively reproduce in writing: the mountain is shaped like a gorilla head.

BTW: the narrator defies genre expectations by interacting with the characters, and the characters defy genre expectations by being able to hear the narrator.

Type 2: Tone of voice

Narrator, about the main characters: “Scraped and boo-booed, they searched high and low.

Explanation:

“Boo-booed” is a children’s word, not the tone you would use for a hero. Compare “tummy” and “stomach”.

Type 3: Defying genre expectations

[The guide falls off a rope bridge into a deep chasm.] Narrator: “Don’t worry—nobody dies in this story. They just get really big boo-boos.”

Explanation:

The narrator is breaking the fourth wall.

Again: tone of voice with the “boo-boos”.

Contrast between the boo-boo and the injuries one usually suffers after falling into a deep chasm.

Type 4: Not defying genre expectations

[A lion appears from the bushes. A baby monkey makes a sound like “uh-oh”.] [The baby monkey does the Tarzan call and bangs its chest.] [The lion flees.] [The monkey giggles.] [The monkey gives George a thumbs up.] [From the bushes, the lion winks at George. George winks back.]

Explanation:

Expectation: the lion is a danger to the baby monkey and George will need to fight it to save the monkey.

Defying expectations: the monkey and the lion are in on the plan.

Not defying genre expectations: George of the Jungle is clearly based on Tarzan. George doesn’t refer to that fact, but the monkey does, by doing the Tarzan call and banging its chest.

Improbable: monkeys who giggle and give thumbs up.

Impossible: lions who wink.

Type 5: Contrast

Narrator: “Meanwhile, 43 vines away, George’s kingdom is being threatened by a terrifying intruder.” [We see the adorable Leslie Mann, who plays Ursula, smiling and talking to the camera.] Ursula: “Hi! It’s me again!”

Explanation:

Contrast between what the narrator says and what we see.

The narrator isn’t lying. He refers to Lyle and the poachers who will be introduced in this scene.

There’s also humor in the phrase “43 vines away”, because of the overt specificity and because a vine is not a measure of distance.

Type 6: Oblivious character

[Lyle takes a Polaroid picture of one of the guides.] Lyle: “Do you like it? Magic picture. Yet another gift from America. Here you go. You’re welcome.” [The guide replies in Swahili. There is no translation in the subtitles.] [All the guides laugh.] [The guide continues in Swahili. Only the last few words are in English: “35 mm.” The guide takes his own camera and snaps a picture of Lyle.] [All the guides and Ursula laugh.] Lyle, not amused: “Translation, please.” Other guide: “He says he likes your magic pictures, but he prefers the resolution of the Leica 35 mm transparencies.” [Everyone but Lyle laughs.] Other guide, cont'd: “He also says your lens is dirty, but he has the equipment to clean it for you.”

Explanation:

Lyle doesn’t understand Swahili, while the guides understand everything Lyle says to them in English.

The fact that Ursula, Lyle's fianceé, understands Swahili and laughs along with the guides, is adds contrast to his obliviousness.

Lyle is the butt of the joke. He humiliates the guides and now he’s humiliated on his own turf while the guides don’t stoop down to his level.

This joke is threefold: 1. The set-up: Lyle is the arrogant asshole who thinks he’ll show the locals about technological development. 2. The guide is not only not impressed, he knows Polaroid and has a camera of his own, and is knowledgeable. 3. And he demonstrates his superiority in a (more or less) polite way.

Type 7: Slapstick

[George is swinging on the vines.] Narrator: “He is swift. He is strong. He is sure. He is smart.” [George hits a tree and falls.] Narrator, deadpan: “He is unconscious.”

Explanation:

Slapstick is another type of humor that barely translates to written fiction, when the actors behave silly, for example by falling over, hurting themselves, or others. It's often over the top. Laurel & Hardy is a well-known example of slapstick.

Type 8: Alliteration

Narrator: “The tired trekkers trudged on feverish footsies over perilous paths.”

Explanation:

If several words in each other’s vicinity start with the same letter, it’s called alliteration.

Note that "footsies" is another example of a contrast in tone of voice—it’s another children’s word.

Type 9: Improbable things

[George spins a lion over his head.] George: “George not even trying hard.”

Explanation:

While not impossible, spinning an actual lion over one’s head is improbable and thus goes against real-world expectations.

Type 10: Impossible things

[A gorilla called Ape enters George’s tree house and scares Ursula.] Ursula: “What does it want? What does it want?” Ape: [points at a big book] “It wants its Physician’s Desk Reference, if you don’t mind, unless you’d rather die of dengue fever, of course.” [Ursula faints again.]

Explanation:

Gorillas can’t talk, can’t read, and aren’t usually well-versed in curing tropical diseases.

Type 11: Breaking social norms

[Ursula is unconscious. George licks her face, clearly meaning well.]

Explanation:

In our society, it is not only considered impolite but also gross to lick the face of a stranger. The fact that George does this anyway, clearly not realizing he does something wrong, is a subversion of what we’d expect of social norms and behavior.

Type 12 and 13: Hyperbole and understatement

[Earlier, Ursula fainted when she saw Ape talk and do human things.] [Ape is reading when he sees Ursula look at him. He panics, throws the book away, starts grunting, and bangs his chest.] [Ursula faints again.] Ape: “Eh.”

Explanation:

Ursula fainting again is a hyperbole: a reaction that is stronger than expected.

Ape saying “Eh.” is an understatement: a reaction less strong than expected.

Type 14: Obvious repetitions

Ursula: “… And I didn’t want my fianc—Um, this guy I was with, to worry.” Narrator, a few moments later: “George and Ursula set out on a desperate search to find her fianc—Uh, that guy she was with.”

Type 15: Stating the obvious

[We see the guide’s hand, pointing at a really big footprint in the mud.] Narrator: “Meanwhile, back at the really big footprint in the mud, (...)”

Explanation:

Stating the obvious can be funny because the audience doesn’t expect you to do or say this because it is so very obvious.

Type 16: Adult humor

[George watches Ursula sleep.] George: “George having stirrings of special feelings right now.” Ape, drily: “I see.” George: “Good thing she same species, huh?”

Explanation:

Ape’s reply, “I see”, could be an innuendo, but it doesn’t come across as a joke (to me at least). Maybe it’s downplayed because it’s a children’s movie.

If this is an innuendo, it’s a play on words. “I see”, figuratively, for “I understand”, or literally for “Yes, I can tell from your erection.”

“Good thing she same species” because George shouldn’t have stirrings of special feelings for animals.

Type 17: Rhyme

[George is swinging on a vine.] George: “Look, like this!” Song: “He flies through the air with the greatest ease.” Song, cont’d: “Our daring young man on the flying trapeze.” [George hangs upside down from a vine.] George: “Look, no hands.” Song, cont’d: “His movements so grateful, all girls he could please.” Song, cont’d: “And with love he is swinging away…” [On the ground, gorillas frantically run back and forth with a safety net.] Song, cont’d: “He flies through the air with the greatest of ease.” Ursula: “George, watch out for that—” Song, cont’d while George yelps: “Our daring young man on the—” [Song stops abruptly.] [Thud] [George grunts.] Ursula: “… tree.”

Explanation:

When words end in the same sounds, we call it rhyme.

It’s physically impossible to hang from a vine with no hands.

The gorillas with the safety net imply that they expect George to fall.

Also, it’s improbable that gorillas would do this.

Slapstick: George hitting the tree.

Comedic timing: Ursula being just too late to warn George about the tree.

Song + Ursula: “Our daring young man on the—tree.” Because by then he is literally stuck to the tree.

Or throw everything at the audience, whatever.

[George has a pet elephant, Shep, who behaves like a happy doggy.] [Shep is chewing a humongous bone.] Narrator: “Later, they rested, while the tired tusker teethed on a… Wait a second, the dog bone is too much. Lose it.” [The dog bone disappears.] Narrator: “That’s better.” [Shep whines.]

Explanation:

Improbable: Pet elephant who behaves like a doggy.

Alliteration: “tired tusker teethed”

Fourth wall: the narrator comments on the story while it is going on, and edits it.

*** Here are some other funny situations from the movie. Try to analyze what’s going on. Usually you can spot several types.

Situation 1

Narrator: “Meanwhile, at a very big and expensive waterfall set, Ursula was amazed that she was lost in the wilderness with a jungle man.” Ursula: “And here I am, lost in the wilderness with a jungle man.”

Situation 2

Narrator: “The guides came dangerously close—” Narrator: “That is, dangerously close to shove a coconut up in Kyle’s—” Narrator: “Sleeping bag.”

Situation 3

Lyle: “I am the richest, handsomest, smartest guy here, so I get to go first!” [Lyle pushes past everyone, trips over a tree stump and lands face first in a steaming pile of elephant poop.] Lyle: “There’s an elephant here.” Guide, while looking straight into the camera: “Bad guy falls into poop. Classical element of physical comedy.” Guide, cont’d: “Now comes the element where we throw our heads back and laugh.” Guide, cont’d: “Ready?” Other guides, while also looking straight into the camera: “Ready!” [All the guides throw their heads back and laugh.] [Monkey laughs and points at Lyle.] [Off-screen, other animals make laughing sounds.] Lyle, spitting out poop: “Those are nowhere near properly digested.” Lyle, cont’d: “In case anyone is wondering, I’m okay.”

Situation 4

[Cliffhanger: it looks like Lyle has shot George from up close.] Narrator: “Whew! Okay kids, let’s settle down and review the important information. Lyle is a big doofus. Poor George was actually shot but can’t die because, let’s face it, he’s the hero. So, the naturally concerned and preternaturally wealthy Ursula Stanhope whisked George away on a private jet bound for the country of his birth—” [George has a tiny band-aid on his forehead.] Narrator, cont’d: “—where he’s gonna get the finest medical treatment available!” Ursula: “I’m gonna get you the finest medical treatment available.”

Situation 5

Narrator: “Well, Ursula […] could use a best friend now.” Best friend: “Hi!” Ursula: “He’s in the shower.” Best friend, distracted: “Not anymore.” George, naked: “Bad waterfall. First, water get hot—” [A sexy saxophone plays] George, cont’d: “Then George slips on this strange yellow rock.” [Perspective: the camera looks at the two women, seen from between George’s legs. They are clearly ogling his crotch.] [Ursula swoons.] George, noticing the friend: “Hi! George of jungle.” Friend, eager: “Charmed, I’m sure.” [Ursula hands George objects that barely cover his crotch. The camera switches back to a frontal view of George. The friend is still ogling George.] Best friend, mumbling appreciatively: “I see why they made him king of the jungle.” *** I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing!

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