#aventurine’s sister

[lookforsomeoneelse]

sahsrau and the ways in which the game’s story changes pt. 1: Sigonia-IV

aventurine’s story made me sad. maybe this is my way of coping. got aventurine’s sister’s name from someone who talked about her on this app. also i’m making a lot of assumptions about how it went down, but there were roughly 10,000 avgins that were involved. also apparently the avgins are based on romani culture and I have no idea about that either soooooooooo cw for blood and severed limbs. and maybe gore. and definitely mentions of death. and probably my ignorance too.

Ecclesiastes 4:1-3

Again I looked and saw all the oppression that was taking place under the sun: I saw the tears of the oppressed-- and they have no comforter; power was on the side of their oppressors-- and they have no comforter. And I declared that the dead, who had already died, are happier than the living, who are still alive. But better than both is he who has not yet been, who has not seen the evil that is done under the sun.

Kezia knew she was going to die. It wasn’t the greatest way to go down at the hands of the bloodthirsty Katicans, but what was honorable about it was that she would meet her end in the rain.

“Kakavasha must have escaped by now,” she thought to herself, “and he will survive.” Kezia held faith in her brother and in the Mother Goddess, Gaiathra Triclops, the one whom she served.

It was now time for the festival- and so she tossed her Knot into the bonfire as a sort of goodbye to this cruel life she had lived in, and lamented on her brother’s fate- he will go through many hardships and sufferings, but she knows that the blessing of Fenge Biyos will remain with him all throughout his journey.

It was a shame she’ll never get to see him again.

She regrets not saying more before their departure.

She had heard that some of the other bastard clans had made a deal with the Interastral Peace Corporation- the people who had promised to protect them on this very day- to make sure that they were all wiped out.

She held her makeshift club in her shaky hands. She didn’t want to die. Not like this. She had wanted to get married and have a family of her own.

And, for the first time in her life, her faith cracked like a shattered mirror.

The Mother Goddess had always let her down-

When Dad fell into the quicksand,

When Mother was caught and slaughtered like an animal,

And now, while she was facing down death.

She remembers one of the workers that came during that first day- praising the Aeon of Guidance and all their works-

And so, under her breath, unsure of how to do it, she prayed for her safety, she prayed for her survival, and most of all, she prayed for the opportunity to see her dearest brother once again.

As the sky wept for the fate of her people, the Katicans arrived, howling laughter emerging from within the storm.

do not worry child

Finding the sudden strength within her, she let out a roar.

i shall be forever with you

Her club slammed into the skull of a Katican, pulverizing it into a bloody mess.

i shall give you strength

Another near her tried to avenge his fallen comrade, and she cratered their face, producing a sickening squelch.

and when you are trapped in the darkness

She didn’t count. How many had fallen at her hands? 100? 500? 1,000? 5,000? All she knew was that the sky wept blood.

i shall bring you into the light

All around her there were the corpses of Katicans, Not a drop of her blood was shed, and nothing to threaten her in her vicinity. She looked down at her hands. Red. Her hands were red, stained with the crimson of those who had tried to end her life.

Kezia wept tears of joy.

“The Avgin always return back their blood debts,” she had remembered saying to her little brother.

It looks like they had a new debt to pay.

(A/N: I have no idea what the hell I just made. I have no beta reader, so there’s that I guess. I don’t have a structure either. I just made stuff up and used the wiki for reference.)

[crash-tube-the-seawing]

I kinda want to draw @havanillas Kezia design or their swap AU but I’m not sure which one to do

[pantene-bucky]

Take me to a better place Where I’m who I was born to be This isn’t what I envisioned I’m not who I’m supposed to be

Astral Plane | The Word Alive

[venti-death-watch]

actively exploring an au where aventurine’s sister survives and becomes a stoneheart through sheer spite and determination

[opikiquu]

[justice4spacedogs]

more drawings of Aventurine's sister, someone suggested the name Kezia so I'm gonna use that.

Her being alive and working against the IPC as a rebellion leader is such an interesting AU though, I might also draw some ideas i had for her friends/allies.

Alt version of the first pic under the cut, design is from @havanillas

[noriee404]

Lucky Siblings 🦚

aventurine and his sister if she lived

[moondream249]

No you don't get context

Ok maybe some context

Inspired by @havanillas

[asbestos-11]

pathetic guy gets intimidated by a pair of boobs. 1 reblog one prayer for him

inspo under read more.

[petorahs]

a He▇rtwa▇m▇g St▇ry part 2

part 1 here

[starcurtain]

What do you think about Sunday and Aventurine? and their interaction in 2.1, I know Sunday did what he had to do but I just have a strong dislike for him ever since. He is an interesting character though.

I mentioned on a previous ask that I wanted to talk about narrative foils/character parallels, and that ask mentioned Aventurine being similar to Robin and a little to Sunday. But I thought I'd combine that character foils idea with this post about Sunday because...

Aventurine and Sunday are Near Perfect Character Parallels

(Also sorry to Youtuber Fayato who I screencapped this image from; I literally couldn't find a single other good image of Aventurine and Sunday in the same frame!)

In media, the concept of the narrative foil refers to a character who contrasts another character; by setting the two characters and their plots side by side, the audience is better able to understand the traits of the central character.

And by setting two surprisingly similar characters in opposition to each other, it becomes very clear how even those facing similar circumstances can take diametrically opposed paths in life.

First, let's start with the basics:

Aventurine and Sunday are both characters whose real fathers were never in the picture, and who lost their mothers right in front of their eyes to traumatizing events.

They both experienced the violent deaths ("death" in Sunday's case) of their sisters.

They both were "rescued" by people who intended to use them by growing them ("grooming them" in Sunday's case) into a figure of authority.

They were both told they were "chosen ones" growing up. And yet ultimately this status as the chosen one is in doubt: Aventurine isn't sure if his family's faith is real, while Gopher Wood tells Sunday that Penacony's chosen should have been Robin all along.

They both became self-sacrificial, Aventurine through his obvious willingness to throw his life away, and Sunday through his plan to remain outside the sweet dream to be its keeper while everyone else got to live in "paradise."

They both are trapped by their situations, Sunday by his inability to leave the cage, Aventurine by his inability to accept the life he isn't able to throw away.

They both became the "villain" of their respective patches and both faced "death."

Personality-wise, they both strongly favor being in control, to the point that their scene together is an aggressive power struggle over each other.

This is how the "future" Aventurine describes himself:

Does it sound familiar? It should, since that's exactly how people describe Sunday.

But they also both prioritize their families, and they are equally altruistic at the core while seemingly self-centered on the exterior.

They both, of course, have the blessing of an aeon.

And here's where I'm going to take a massive tangent, but it's important: I do tend to be among those who think there is at least some connection between Ena, the Order, and Gaiathra.

I've heard all sorts of reasons that they can't be two different concepts for the same being, from the whole "Gaiathra is a goddess of trickery and that's not related to order" to the whole "the Order's followers worship with song while Gaiathra's followers specifically don't," but I think something that has been missing from the discussion of Ena and Gaiathra's possible connection is that "Order" as a concept has entirely different definitions depending on which cultural context you approach it from.

The most mainstream modern concept of "Order" is something that is imposed: A power from on high descends to quell the chaos of the mortal world, to "bring order" through guidance to humanity. This is very Abrahamic, very modern Christian, and that is reflected in the imagery surrounding Sunday. Sunday, as a manifestation of the Order's power, believes he will be able to uplift Penacony from the mire, free people from their unfulfilled desires and confusion, and bring about perpetual peace by enforcing his understanding of harmony on the populace trapped in the dream.

Sunday's Order is not the natural state of the world but something that must be carefully cultivated and maintained, a constant battle against the chaotic forces of life and its temptations. This type of "Order" promises an idyllic future, but at the cost of the present freedom of everyone who submits to the law, who must surrender their original fate for a structured sweet dream.

We understand this concept of "Order" because at its core, it's the one that modern societies largely embrace--ruling authorities establish laws that must be followed at all costs, even when they risk the freedoms of individuals, because they ultimately (supposedly) support a greater good. A majority of society adheres to the laws handed down from on-high, and life functions relatively stably.

Yet this conception of "Order" is predicated on the idea that the course of people's lives is decided first and foremost by the people themselves--which is why they can make mistakes, go astray, and need to be shepherded in the first place.

Without imposing structure through authoritarian power, this type of "Order" will crumble away in an instant, because this view assumes that rightness can only created by humanity, and that chaos--not order--is the natural state of existence.

Ena, who holds worlds tidily contained in her hands, who is tangled in puppet strings, who wears a hood like a nun or the Virgin Mary, and who is haloed like a Christian angel, clearly represents this definition of "Order" to a T.

But... this is not how humanity has always defined "Order."

It was not always taken for granted that people had the power of self-determination, and in fact, for many centuries and across many cultures, the concept of "the order of the world" was tied directly to the concept of destiny. Whether a volcano would explode and destroy your entire civilization, whether floods would swallow your city, whether the crops would grow or fail all depended on the pre-made decisions of supernatural powers, who were in turn often personified concepts of the natural world itself. What happened to any given individual, what twists and turns their life would take, whether they would achieve their dreams or not--all these aspects were also predetermined, decided not by the actions of the individual but by fate itself.

Thus, the world and everything in it has a natural order. Things may seem chaotic, they may even seem unbelievably horrible, but all events in existence unfold as they should. We may not understand why, but everything occurs in due course, woven into an endlessly repeating pattern on the fates' loom--spring becomes summer, life becomes death, disasters happen and are healed from, children are born and grow old. If it is your fate to die, you will. If it is your fate to fight and live, you will. To reject this natural order would be as futile as telling the sun not to rise.

The words "order" and "ordained" have the same origin.

Enter Gaiathra. First of all, she is the Star Rail equivalent of a pagan goddess--her worship exists separate of the confirmed existence of aeons, by an uncontacted and non-space-faring race. Even her description, being triple-eyed, evokes other "triple goddess" figures across history, both in modern interpretations (the triple goddess of Neopaganism) and in ancient mythologies (the three fates of Greece, the Tridevi of Hindu culture, etc.).

She is strongly associated with the natural world: The planet of Sigonia is said to be a manifestation of her very body, the rain is her blessing and acknowledgment, and she goes through a yearly cycle of death and rebirth (calling the cycle of the seasons to mind). She is said to be a goddess of both fertility and travel (likely in the sense of nomadic wandering by the time Aventurine was born). Avgin worship of the goddess manifests in the form of sacrificial cyclic knots.

Which might call to mind another pagan culture well-known for their cyclic knots: the Celts, whose famous Celtic knots represent cycles of eternity, unity, and the interconnected nature of life itself.

The Avgin prayer to Gaiathra focuses on elements of a person's life that all might be determined by "fate"--will your blood keep flowing, will your journey be peaceful, will your schemes stay hidden? It hopes that things will be as they should, that the future ahead of you is predetermined to be a good one, and that the cycle of life decided by the goddess will be in one's favor.

But while the Avgin hope for good things, they also strongly espouse embracing the reality of one's life, with suffering and hardships seen as manifestations of fate that should be accepted as facts of life. It is said that any society blessed by the Order ultimately falls--is it not the natural fate of all societies to one day fall? For mankind to return to the dust and be reborn anew?

Whatever will be, will be.

There is a reason--a logic--an order--to everything that happens.

I hope you can see where I'm going with this: While Sunday and Ena represent the concept of "Order" as a result of self-determination, a power "the strong" can wield to overcome the inherent chaos of reality, Aventurine and Gaiathra represent a different, older concept of "Order" (I can't help but see the entirely separate eye lurking behind Ena?): existence is not inherently chaotic but instead is foreordained, following endless orderly cycles life and death, weal and woe, rise and fall.

PHEW! Okay, so all of that to say Aventurine and Sunday make perfect parallels through a mirror darkly, even when it comes to the blessings they've been granted: One imposes order from on high; one continually rolls the dice despite knowing the inevitable outcome.

Both of their stories are entirely intertwined with the concept of fate, whether by opposing it...

Or accepting it.

And even at the end of Penacony, we leave both Sunday and Aventurine in precarious positions. Aventurine, while ostensibly "victorious," faces another roll of the dice immediately after Penacony, when his future as a Stoneheart is called into question. Yet "fate" comes through for him again--his bet, as always, comes true. His future isn't in question--it is the question itself. What's next? He finally wants to live to find out.

Sunday, meanwhile, ends Penacony's arc in a truly difficult place. He's virtually exiled from the only home he's ever known, a flightless bird tossed out of his cage into cold hard reality. He has to find an entirely new way forward and may even be forced to reckon with an entirely new definition of "Order" itself.

The parallels between these two characters are entirely intentional and very, very blatant, and I am exceedingly interested in seeing whether their paths diverge or continue to reflect similar fates moving forward.

So uhhh... that's what I think of Sunday? 😂

[blood-orange-juice]

Have you noticed how Aventurine has all the attributes of a proper epic hero?

Special Circumstances Of Birth, for example. If you look at world mythology, the hero is usually a descendant of a god or blessed by a god, and their birth is accompanied by some rare natural phenomena.

A tragic event forcing him to leave his home and shaping his goals.

An exceptional talent that comes naturally to him and separates him from other mortals.

The way he wins allies through skill and cunning. One of the best moments of 2.1 is when you realise IPC colleagues haven't thrown him to the wolves, they are rolling along with his insane plan. They trust him.

(this whole story he is, in fact, surrounded by allies and helped by them)

There's probably something else but I forgot.

Not usually a trait of an epic hero (usually required for a modern one though) but there's an ideal he strives to achieve. I loved his reason for joining the IPC.

Then there is that whole descent to the underworld thing. I'll be surprised if we don't see him again. And this is where it gets interesting.

I could brush this off as a hero's journey trope but, considering the illusory nature of Penacony, maybe he's more of an orphic hero than an epic one. He's also fragile and tragic in a very orphic way, unlike a proper hero.

Orphics believed in a cycle of reincarnation that could be escaped through their rites. The world was seen as a place of suffering and mortal goals as irrelevant.

Characters of Orphic myths do not return triumphantly from the land of the dead to smite those who wronged them. Their deities lose and are forever changed but get to move on in other forms (Persephone, Zagreus), their heroes acquire little apart from knowledge.

These are stories of surrender, acceptance, and transcendence and if any power is gained in the process it's through discovering or establishing different rules for the world and the characters themselves.

(oh, and probable ethymology for Orpheus' name is that it is derived from a hypothetical PIE root *h₃órbʰos — 'orphan, servant, slave'. now where else have I seen these words...)

It's so unlike the Hero's Journey structure described by Campbell and much more popular in modern media, where a hero gains a solution to the problem that pushed them to another world.

So I wonder in which form will Aventurine return. A hero who will set things right or a new genius loci of Penacony. Or an eschatological deity, perhaps.

Or maybe he's Orpheus himself and he'll come back empty-handed.

[crash-tube-the-seawing]

Conflicted

When your long lost brother is part of the organisation you hate and likes a man from that organisation you hate, but your reservations are conflicting with your sisterly instinct

@havanillas I tried lol

[lizdive]

GUYS PLEAAASEEEE HEAR ME OUT YOU GUYS DONT GET IT,,,, INSTEAD OF BEING THE YOUNGER SIBLING OR THE CHILD WHY NOT BE THE OLDER SIBLING OR THE PARENT,,, GUYS PLEAAASSSEEEEE 💔💔

I’LL WRITE IT MYSELF IF I MUST BUT PLEAASSSEEE HEAR ME OUT LIKE BEING AVENTURINE’S OLDER SIBLING OR BEING LIKE A PARENT TO UHHH IDK SUNDAY AND ROBIN?? OR LIKE A PARENT TO BOOTHILL

GUYS I SWEAR I AM OKAY NO I AM NOT PLLEAAASEEEEE 💔💔💔

Pls,,,, if anyone has any ideas,,,, drop them to me,,,, i will kiss u,,,, and offer u a ring,,,,, PLS 💔💔

[gemidraws]

[pregnantpony000]

H....h...hello....guysss.....pwease support my frist star real fanrt🥺🥺🥺🥺🥺🙏🙏🙏🙏🙏🙏🙏