#authorlife

[mjgauthor]

Writing advice that changed my sentence

When I was a young writer, I was told that I often started my sentences with "there is/there was/there are." I was told to eliminate those as much as possible.

I couldn't believe how often I used them. My first novel was completely littered with them.

I learned to diversify and grow my use of verbs. Instead of the state-of-being verbs, like "is" which isn't very descriptive at all, I started using stronger verbs.

Instead of writing "There were a bunch of trees on the hill" I wrote "A cluster of trees towered over the hill."

"Towered" is a much stronger verb than "Is"

Use the state-of-being words, but if you can, try replacing them with more active verbs. You might be surprised how much your writing improves.

[krakengoddess]

Friends. After 4.5 years of querying and over 300 rejections. I just signed with an agent.

What does that journey look like? Well I knit a cowl. The colors separate the years, and the stripes divide the rejections by month.

I call it “Persistence.”

[thegambitgazette]

A Philosophy Behind Writer's Block: Valuing Despair

Unfortunately, it happened again where I went a little over a month without writing anything I was happy with. I would attempt to get some words down, remembering that even a little bit is progress; but, no matter what I did, everything just felt so dry and dull. Not only that, my stories felt like they were boring or just not worth it anymore. It was awful.

I tried everything that normally helped with getting over writer’s block. I’d try out different times to write, read other books for inspiration, focus on another hobby—still, it all felt like I was banging on a brick wall. That’s when I turned to my philosophy studies, as if there was some sort of deeper consciousness of an answer that would aid my issues.

Well, there was. The infamous Kierkegaardian Despair.

The Sickness unto Death

The Sickness unto Death is a book written by Danish philosopher Søren Kierkegaard in 1849 under the pseudonym Anti-Climacus. A work of Christian existentialism, the book is about Kierkegaard’s concept of despair, which he equates with the Christian concept of sin, which he terms “the sin of despair.”

In Kierkegaard's work, despair arises from a fundamental disconnection from one’s true self and from God. He distinguishes between different forms of despair, including the despair of having a self and the despair of not wanting to be oneself.

Now, take what you will from the Christian existentialism part (I’m pagan, so I already had mixed opinions on many classic texts on God), but it doesn’t erase how the concept of despair can shed light on the underlying struggles that writers—at least, myself—may face.

It’s Never Just a Phase

Writer’s block can be seen as a manifestation of existential despair in which we feel disconnected from our creative essence or authentic self. This disconnection may stem from various sources, such as self-doubt, fear of failure, or a sense of alienation from one’s creative impulses. We may experience a profound sense of emptiness or meaninglessness, unable to access the inspiration and clarity needed to write.

Moreover, Kierkegaard’s notion of despair as a failure to align with one’s true self suggests that writer’s block may arise when our creative endeavors are driven by external motives or expectations rather than genuine inner inspiration. The pressure to produce work that meets societal standards or fulfills commercial demands can lead to a sense of existential disorientation and paralysis.

Don’t Just Overcome it. Value it.

If you resonate with Kierkegaard’s work, you will agree with his observation that we are always going to despair over something. It’s not about waiting for the tide to roll over or for the dry spell to ease up, but to examine our own self’s relation to what we are lamenting over. He writes:

“Despair is an aspect of the spirit, it has to do with the eternal in a person. But the eternal is something he cannot be rid of, not in all eternity… If there were nothing eternal in a man, he would simply be unable to despair… Having a self, being a self, is the greatest, the infinite, concession that has been made to man, but also eternity’s claim on him.”

Let’s break down the quote and explore how it can inform our approach to overcoming writer’s block:

Despair as an Aspect of the Spirit: Kierkegaard suggests that despair is not merely a psychological state but an aspect of the spirit, rooted in the eternal dimension of human existence. Kierkegaard’s conception of despair invites us to recognize the creative process as a site of existential tension and struggle.

Writer’s block is not merely a technical or practical obstacle to be overcome but a profound existential challenge that confronts us with the limitations of our finite selves and the aspirations of their creative spirit.

The Eternal in a Person: Kierkegaard asserts that despair is linked to the eternal within individuals, suggesting that it arises from a tension between the finite and the infinite aspects of human nature. The finite aspects encompass the temporal, material, and contingent dimensions of life, while the infinite aspects involve the eternal, transcendent, and spiritual dimensions. This tension is inherent in human consciousness and manifests in various forms of despair, such as the despair of weakness, the despair of defiance, and the despair of not willing to be oneself.

This tension between the finite and the infinite can be understood as the conflict between the limitations of our creative faculties and the boundless possibilities of imagination and expression. Writer’s block often emerges when the writer feels constrained by external pressures, self-doubt, or perfectionism, inhibiting their ability to access the infinite reservoir of creative inspiration within them.

Moreover, Kierkegaard’s concept of the finite and the infinite highlights the paradoxical nature of creativity. While the creative process involves the manipulation of finite materials—words, images, sounds—it also taps into something transcendent and ineffable, something that exceeds the boundaries of ordinary experience. Writer’s block can be seen as a manifestation of our struggle to bridge this gap between the finite and the infinite, to give form to the formless, and to articulate the inarticulable.

Having a Self as Eternity’s Claim: In Kierkegaard’s philosophy, the concept of “having a self” refers to the capacity for self-consciousness, self-reflection, and moral agency that distinguishes human beings from other creatures. It involves the awareness of one’s own existence as a distinct individual with thoughts, feelings, desires, and responsibilities. “Eternity’s claim” suggests that the existence of the self is not merely a temporal or transient phenomenon but is imbued with profound significance that extends beyond the confines of earthly life. The self, according to Kierkegaard, is intimately connected to the eternal dimension of human existence, reflecting the divine spark within each individual.

“Having a self as eternity’s claim” suggests that the act of creative expression is not merely a personal endeavor but is also a manifestation of the eternal striving for meaning and significance. Writers, as self-aware and self-conscious beings, bear a profound responsibility to give voice to their innermost thoughts and feelings, to explore the depths of human experience, and to contribute to the ongoing dialogue of humanity.

Embracing Existential Depth

So how do we value despair and overcome writer’s block in light of Kierkegaard’s insights? Writer’s block often extends beyond mere technical or practical challenges and can be rooted in deeper existential concerns. This involves grappling with questions of identity, purpose, and meaning in the creative process. By recognizing writer’s block as a reflection of these existential concerns, we can approach it as an opportunity for self-exploration and growth. Rather than viewing it solely as a barrier to productivity, we can use writer’s block as a catalyst for deeper introspection and self-discovery. This might involve journaling, meditation, or engaging in conversations with fellow writers or mentors to uncover underlying psychological or philosophical issues that may be contributing to the blockage. I have previously posted a blog on writing soliloquies. Embracing existential depth allows us to transform our struggles into sources of insight and inspiration, ultimately enriching our creative work.

There is a large aspect of accepting what you cannot control, another widely-known philosophical concept. Swimming against the current, after all, may prove to be more tiring than it’s worth. Instead, be kind to yourself and practice self-compassion during these moments. Understand that experiencing creative struggles is a normal part of the writing process and treat yourself with the same kindness and understanding you would offer to a friend facing similar challenges.

Seek social support. Reach out to fellow writers, friends, or mentors for support and encouragement. Sharing your struggles with others can help you gain perspective and feel less isolated in your creative journey, because, trust me, we have all been there.

Ensure that you are also setting realistic goals. All I would want to do was upkeep my 3k word/day momentum, but I would feel even worse about myself for being unable to do so. Break down your writing goals into smaller, more manageable tasks and set realistic deadlines for yourself. Celebrate small victories along the way to maintain motivation.

Finally, what has helped me the most, is to read widely. Immersing myself in diverse genres, styles, and voices provided so much insight into what I could be missing in my own work; or, it simply sparked my love of story-telling all over again.

Closing Words

Remember that writer’s block is a temporary obstacle that can be overcome with patience, persistence, and, apparently, a bit of philosophy. Where there is frustration, we will find insight.

[aiqbalauthor]

[in-tenebris-et-in-solitudine]

To My Followers

Hey everyone! I've got some exciting news to share. I'm currently working on a brand-new murder mystery novel that I can't wait to share with all of you. This story is going to be a real page-turner, filled with twists, turns, and enough suspense to keep you on the edge of your seat.

I'm pouring my heart and soul into crafting a gripping tale that will have you guessing until the very end. From complex characters to intricate plot lines, this book is going to have everything that makes a great mystery truly unforgettable.

I know how much you all love a good whodunit, and I promise to deliver an experience that will leave you craving more. Whether you're a die-hard fan of the genre or simply looking for a thrilling read, this book is sure to captivate you.

I'll be sharing updates and teasers along the way, so make sure to stay tuned! I'd love to hear your thoughts, theories, and any burning questions you might have about the story. Let's dive into the mystery together and create an unforgettable journey.

If you're as excited as I am, don't hesitate to drop a comment below or give this post a like. Your enthusiasm fuels my creativity, and I can't wait to embark on this adventure with all of you. Get ready for a wild ride, because this murder mystery is going to be one for the books!

[ecommmax]

Whispers of the Past

In the heart of the ancient castle, where the walls whispered tales of glory and despair, Lord Aric sat at the head of the grand banquet table. His eyes, sharp and unyielding, surveyed the opulent hall with a gaze that had seen too much. The air was thick with the scent of roasted meats and spiced wine, but an undercurrent of tension lay beneath the facade of festivity.

At his side, kneeling in humble supplication, was Elara, a maiden whose delicate features belied the strength within her. Clad in a simple dress that spoke of her servitude, her eyes held a glimmer of defiance, a spark that had not yet been extinguished by the weight of her chains. Her head bowed, she did not meet the gaze of her master, but she felt the heat of his scrutiny nonetheless.

Standing nearby, her posture rigid with silent resolve, was Seraphina, the warrior whose loyalty to the lord was as unyielding as the steel of her armor. Her presence was a testament to the battles fought in distant lands and the secrets buried in the castle's dark corners.

The hall, adorned with tapestries depicting the lineage of Lord Aric’s family, seemed to pulse with a life of its own. Each thread, each woven image, carried the weight of centuries. As the lord lifted a spoon to Elara's lips, the gesture was both tender and cruel, a reminder of the power he wielded over those within his domain.

The guests, nobles, and dignitaries from distant realms, feigned indifference, their conversations a mere murmur in the grand scheme of the evening. They knew better than to intervene in the affairs of Lord Aric, for his wrath was as legendary as his hospitality.

But within the confines of the castle, beyond the watchful eyes of the courtiers, lay the true story of the realm. A story of betrayal and loyalty, of love and sacrifice, of dreams crushed and reborn. And as the night wore on, the echoes of the past began to stir, whispering promises of change and the unraveling of fate.

The banquet was but a prelude to the saga that would unfold and test the bonds of loyalty and the limits of power. In the heart of darkness, where shadows danced, and secrets thrived, destiny awaited those brave enough to seize it.

[nauticalnotions]

The Art of Character Development: How to Breathe Life into Your Fiction

Welcome, Fellow Writers!

Are you ready to breathe life into your characters and have them leap from the page into the hearts of your readers? Good! Developing characters is one of the greatest enjoyments for writing fiction. So let's get started on this great journey of discovery!

1. Get to Know Your Characters

Before you write convincing characters, you need to really know them. Think of your characters as human beings with past histories, dreams, and flaws. Here are some ways to get to know them better:

Backstory:

What in their past has made them who they are?

Did they have a happy childhood?

Were there any traumatizing events?

This will often determine motivations and actions.

For example, if your character has been brought up in an orphanage, they may have trust issues or perhaps independence.

Personality Traits:

Are they introverted or extroverted, pessimistic or optimistic?

Knowing their core personality will help project what their actions and reactions would be like in a given set of circumstances.

Perhaps your protagonist, Emma, is an extroverted optimist who lights up a room with brightness, even in dire situations.

Strengths and Weaknesses:

Nobody is perfect, and your characters shouldn't be either.

Make the characters more human by giving them something both admirable and a flaw that rounds them out.

Emma can be wonderfully brave but very impulsive, leading her sometimes to heroism and other times to disastrous folly.

2. Establish Clear Goals and Motivation:

Characters need goals for the plot to have direction and motivations to explain why they pursue those goals. Ask yourself:

What do they want?

Their wants vary from saving the world to searching for love to achieving personal redemption.

Emily, a draftsman, aches to be a famous explorer, a dream her long-dead father never attained.

Why do they want it?

This can be found in their backstory and personality.

Perhaps Emma's father was an explorer who went missing on a wild search, and now she feels a deep need to carry on his legacy and find out what happened to him.

3. Show People, Activities, and Scenery

Dynamic characters tend to rebuild and alter throughout the story. This is often based on life's complications and conflicts. Here's how to effectively outline your character growth:

Conflict:

Put your characters in situations that push them as far as possible.

These challenges force them to make uncomfortable choices and face their flaws.

For example, Emma has to decide whether to save a friend, testing her bravery and impulsiveness.

Reactions:

Show how your characters react to these challenges.

Do they rise to the occasion, or do they struggle and fail? Both outcomes can lead to growth.

Emma might fail to save her friend due to her impulsive nature, marking a turning point for her.

Introspection:

Allow these moments of introspection to your characters.

They allow readers to understand the change in them.

Emma could sit near a bonfire and reflect on her father's legacy and how to become a better leader.

4. Cultivate Relationships

People's relationships with others often define their personality. It might be a friendship bond, family attachment, or enmity; all reveal different dimensions of personality and contribute to character development. Consider:

Allies and Friends:

Allies and friends usually have your best interest at heart, but sometimes they could work in opposition to you.

How would they impact your protagonist's decisions and developments over time?

Emma's best friend, Leo, might argue with a lot of her decisions, making her more thoughtful.

Opponents and Antagonists:

An antagonist challenges the characters, putting them in situations where growth comes from unexpected places.

A realistic rival for Emma could be a highly skilled but ruthless explorer who pushes Emma to reconsider her methods.

Love Interests:

Romantic relationships show vulnerability and may drive change.

Falling in love with a local guide might teach Emma the importance of patience and planning.

5. Use Dialogue Effectively

Dialogue is a great way to develop a character. It reveals personality, conveys emotions, and shows growth. Consider:

Voice:

Each character should have a distinct voice corresponding to their background, personality, and state of mind.

Emma might use exuberant, adventurous language while Leo might be cautious and thoughtful.

Subtext:

Sometimes the unspoken part holds more meaning than what is said.

Use subtext to add depth to your dialogue.

For instance, when Emma says, "I don't need help," it could mean she's afraid of showing weakness.

Conflict and Resolution:

Show characters responding to conflict through dialogue and illustrate how interactions escalate.

Emma and Leo can argue about the best way forward, expressing their viewpoints and eventually finding a resolution.

6. Show, Don't Tell

Instead of telling readers about a character's trait, show it through actions, dialogue, and inner thoughts. For instance:

Telling: John was brave.

Showing: John entered the dark alley; his heart was pounding, but his will remained unflinching.

7. Ensure Consistency and Believability

Make sure your characters act within the line of their personalities and motivations. If they do something that feels unnatural, believe there are reasons for the change. This makes the development of the characters organic and reliable. If Emma becomes reserved, note the experiences that lead to the change.

8. Reflect Real Human Experience

Great characters reflect the complexity of real human experience. They have doubts, make mistakes, and aren't always likable. This complexity makes them richer and more engaging. Perhaps Emma makes a selfish decision that puts her team at risk, creating tension and growth.

9. Foils and Contrasts

Foils are characters set against your main character, highlighting their traits and growth. By setting a character with opposite traits next to the protagonist, you highlight their development. Zara's ruthlessness can highlight Emma's growing sense of responsibility and ethics.

10. Be Flexible

Sometimes your characters develop in unexpected ways. Allow this evolution and let your characters tell you who they are. This elasticity can lead to more authentic and surprising growth. If Emma's journey shifts from being an explorer to a leader, embrace it!

[theauthorpaula]

(via Creating Believable Characters)

[goblinsstolemybrain]

Anyone else feel like they're way more creative when they hand write stuff vs when they type?

[c-b-rein]

https://amzn.to/46NY1G1

https://bit.ly/w-o-f-amazon

[nicoleisdelulu]

Amici del cuore,

oggi, mentre guardavo una pubblicità della Lindt, mi è venuta l’ispirazione per un libro (sì, sono strana, lo so). Senza perdere tempo, mi sono messa all'opera e ho iniziato a scrivere.

Ora, eccovi una scena spicy nata direttamente dalla mia mente 👀🍫. Pronti a immergervi?

Mi sorrise con quel luccichio malizioso negli occhi, afferrando una piccola ciotola di cioccolato fuso che aveva tenuto da parte. Senza dire una parola, versò un filo sottile sulla mia pelle, che iniziò a scivolare lungo il mio collo e verso la clavicola, caldo e avvolgente. Trattenni il respiro, sentendo il cioccolato fondersi con il calore del mio corpo, ogni goccia sembrava accendere i miei sensi.

Lui si chinò lentamente, e il primo tocco delle sue labbra mi fece rabbrividire. Con movimenti lenti e attenti, seguì il percorso che il cioccolato aveva tracciato, la sua lingua morbida e calda che raccoglieva ogni sapore, alternando baci leggeri a carezze più intense. Mi sfuggì un respiro profondo, quasi una supplica, mentre lui si prendeva tutto il tempo per esplorare ogni centimetro.

Il profumo dolce del cioccolato si mescolava alla sua pelle, creando un’atmosfera quasi ipnotica. Le sue mani scivolavano lungo i miei fianchi, ferme e rassicuranti, mentre i suoi occhi si sollevarono verso i miei per un istante, le sue labbra si fermarono un attimo, i suoi occhi ancora su di me, e sorrise con quell’espressione che conoscevo bene, un sorrisino malizioso che faceva sempre battere il mio cuore più forte. “Che dici, continuiamo?” sussurrò, la sua voce bassa e quasi un invito.

Prese di nuovo la ciotolina, e con movimenti lenti versò un filo di cioccolato caldo sulla mia pelle. Lo sentii scivolare in un rivolo sottile che mi colpì, dolcemente, e iniziò a colare tra i miei seni. Il calore mi fece rabbrividire, e mi ritrovai a chiudere gli occhi, completamente rapita dalla sensazione che si diffondeva lungo il mio corpo.

Le sue labbra tornarono a sfiorarmi, seguendo il percorso del cioccolato con lentezza quasi provocatoria, la sua lingua che accarezzava ogni goccia.

Le sue dita sfiorarono la mia pelle mentre faceva scivolare con delicatezza la spallina della mia blusa azzurrina, seguita dal reggiseno. La stoffa si abbassò lentamente, e lui si prese tutto il tempo per tornare con le labbra al punto in cui aveva lasciato il cioccolato, seguendo con la bocca ogni curva, ogni sfumatura.

Le sue labbra si fermarono di nuovo, i suoi occhi brillavano di malizia mentre afferrava nuovamente la ciotolina. Versò un filo di cioccolato caldo che scivolò lentamente su uno dei miei seni, avvolgendolo in una morbida coperta di dolcezza. Il calore del cioccolato si mescolava perfettamente alla freschezza della mia pelle, e un brivido mi attraversò.

Si chinò, la sua lingua che si avventurava a esplorare il cioccolato, assaporando ogni goccia con una delicatezza inebriante. La sua bocca si fermò su quel punto sensibile, ogni leccata un modo per farmi impazzire, mentre il suo respiro caldo mi attraversava.

“Aaron…” sussurrai, i miei occhi chiusi, completamente persa nella sensazione di quel momento.

“Stai tranquilla,” mi mormorò, la sua voce un caldo soffio contro la mia pelle. “Sono qui, solo per te.”

Iniziai a sbottonare la sua camicia, il tessuto morbido che si apriva con ogni movimento, rivelando il suo torace muscoloso. Le sue spalle erano ampie, e ogni volta che svelavo la sua pelle, il desiderio aumentava, come se il nostro legame diventasse sempre più tangibile.

Una volta che la camicia cadde, la sua mano si posò sulla mia schiena, un gesto che fece venire meno la distanza tra noi. Le dita di Aaron scorrevano lungo il mio corpo, esplorando, mentre io scivolavo le mie mani lungo i suoi fianchi, sentendo i muscoli sotto le dita.

Con un gesto deciso, presi la sua cintura e la slegai, mentre lui sorrideva, un misto di eccitazione e curiosità. I pantaloni scivolarono a terra, rivelando la sua pelle nuda, e il mio cuore iniziò a battere più forte, l’attesa si trasformava in impazienza.

Aaron si spostò con determinazione, spingendo via gli oggetti dal bancone di metallo del laboratorio con un gesto impaziente. Gli strumenti da pasticcere e le ciotole di cioccolato si scontrarono con un rumore metallico, ma lui non si preoccupava. Il suo sguardo era fisso su di me, la passione nei suoi occhi che brillava come il cioccolato fuso.

“Dobbiamo fare spazio,” disse, la voce carica di desiderio. Mi fece sedere sul bancone, il metallo freddo che contrastava con il calore del mio corpo. Sentii un brivido lungo la schiena mentre la sua presenza si avvicinava, ogni sua mossa piena di urgenza.

Le sue mani mi accarezzarono, il tocco deciso ma delicato, mentre esplorava ogni curva del mio corpo. Le sue dita scivolarono lungo il mio braccio, e il contatto mi fece rabbrividire, ogni tocco un promemoria di quanto fossimo vicini.

Con un movimento fluido, si avvicinò e le sue labbra trovarono le mie, ogni bacio un'esplosione di sapore e desiderio. La sua lingua danzava con la mia, mentre il profumo del cioccolato avvolgeva l'aria intorno a noi, creando un’atmosfera carica di dolcezza e intimità.

Le sue labbra si spostarono verso il mio seno, assaporando ogni curva, mentre io sentivo il battito del mio cuore accelerare. Ogni leccata, ogni morso gentile mandava a corto circuito il mio cervello.

Quando finalmente ci unimmo, un brivido di piacere mi attraversò.

La sua presenza era imponente, e la sua dimensione si fece sentire in ogni centimetro. Mi riempì completamente, creando una sensazione intensa che mi fece chiudere gli occhi per un momento, mentre il mio corpo si adattava al suo. Ogni spinta era profonda, come se volesse marchiare il nostro legame in modo indelebile. La sensazione di essere così piena mi fece chiudere gli occhi, mentre il mio corpo rispondeva a ogni movimento, lasciandomi completamente rapita.

"Sei mia," ansimò, la voce carica di desiderio. "Cazzo, sei mia, Yas."

Le sue spinte si facevano più lente ma profonde, ogni movimento che mi lasciava senza fiato, incapace di proferire parola. Cercai di dire qualcosa, ma ogni volta che provavo, il piacere mi travolgeva e la voce mi moriva in gola.

Aaron se ne accorse e, con un sorriso malizioso, sussurrò: “Che c’è, Yas? Niente da dire adesso?” La sua voce era carica di una sfida giocosa, e ogni sua parola si mescolava al movimento ritmico dei nostri corpi. "Di solito hai sempre una risposta pronta."

Mi lasciai andare, il mio corpo tremante che si scioglieva sul bancone, la mia schiena nuda che contrastava con il gelido piano metallico sotto di me, intensificando ogni sensazione. Ogni movimento di lui mi faceva vibrare, e non potevo fare a meno di aggrapparmi al bordo, persa nel piacere.

"Quanto sei bella, Yas," boccheggiò, le sue mani forti che non lasciavano mai le mie anche, tenendomi stretta contro di lui. "Quanto cazzo sei bella."

Sentii i muscoli di Aaron tendersi, le sue mani ferme sui miei fianchi, muovendomi contro di lui con un’intensità che mi lasciava senza fiato mentre il suo respiro si trasformava in un ansimo profondo. Era sul punto di raggiungere il culmine, e anche io mi trovavo lì, sospesa in quel piacere condiviso.

"Ti piace, eh?" sussurrò, la voce profonda e carica di desiderio. "Guarda quanto tremi, Yas. Guarda quanto ti sto facendo godere. Solo io, nessun altro"

Mi limitai a gemere, incapace di rispondere, persa nelle sensazioni che mi travolgevano. Lui ridacchiò piano, soddisfatto della mia resa, e continuò a muoversi più profondamente, facendomi socchiudere gli occhi.

Con un ultimo movimento, il piacere ci travolse. Io mi abbandonai, il mio corpo tremante contro di lui. Aaron si staccò da me appena in tempo, e il suo respiro divenne irregolare mentre si lasciava andare, il calore del suo piacere che raggiungeva il mio stomaco.

------------------------------------------------------------------------------

Spero che questa scena vi abbia fatto venire voglia di saperne di più… o magari di un po' di cioccolato! 😉 Fatemi sapere cosa ne pensate, adoro leggere le vostre opinioni!

A presto, Nicole <3

[thegambitgazette]

Fear: Using Stoicism to Shape Characters

WC: 2,730

Introduction

Like many people, I suffer from severe panic and anxiety attacks. My heart races at what feels like a thousand beats per minute, I get a cold sweat, and my thoughts do not have a filter. The latter of which, I find the most dangerous and disturbing, especially when said attacks get triggered by something so small or nothing at all.

A lot of the time, they boil down to not feeling safe. I feel like I’m vulnerable, that the worst things that happened to me will happen again tenfold, or I’ve become the worst person in existence. Fear, as a lot of us know, can have us assume the worst.

I’m still working on managing my fear, if it can be managed at all, but a lot of what I’ve been practicing is essentially Stoicism. Epictetus, a Greek Stoic philosopher, often highlighted that it is not events themselves that disturb people, but rather their judgments about those events. One famous quote attributed to Epictetus that reflects this idea is: “People are not disturbed by things, but by the view they take of them.”

This sentiment suggests that fear and other negative emotions stem not from objective reality but from our interpretations and perceptions of reality.

I thought, “What a wonderful way to get to know our characters!” Not only do we have to have a grasp on the world around them, we have to understand the extent of how they perceive said reality and how it leads to their own fears as well as their ambitions, passions, hate, love, etc.

Amor Fati

One of my favorite phrases is “amor fati.” It’s what helped me most in navigating my own fears and, as a result, writing some ways in which my characters handle theirs.

The idea of “amor fati” is closely associated with philosophers like Epictetus and Marcus Aurelius, even though they didn't use those exact words. However, it was Nietzsche who made it a key part of his philosophy. He believed that true greatness comes from embracing fate and wanting nothing to change, not in the past, present, or future. In simple terms, it means loving and accepting everything that happens, rather than just enduring it.

When considering the relationship between “amor fati” and fear, several key points emerge:

Acceptance of the Uncontrollable: Fear often arises from the unknown or from circumstances beyond our control. “Amor fati” encourages individuals to relinquish their resistance to such uncertainties and to accept that life is inherently unpredictable. By embracing fate, individuals can find solace in the realization that some things are simply beyond their power to change or influence.

Facing Adversity with Resilience: Rather than viewing challenges as threats to be avoided or overcome, individuals can approach them with a sense of equanimity and resilience. Instead of succumbing to fear or anxiety in the face of challenges, one can choose to see them as opportunities for growth and self-discovery. By embracing adversity as an integral part of life’s journey, individuals can cultivate the strength and fortitude necessary to navigate difficult times with grace and composure.

Gratitude for All Experiences: Fear often stems from a sense of insecurity or dissatisfaction with one’s circumstances. “Amor fati” cultivates gratitude for all experiences, both positive and negative, recognizing that each contributes to the richness and depth of life. By embracing fate with gratitude and appreciation, individuals can mitigate the fear of the unknown and find peace and contentment in the present moment.

This idea is what helps form a “baseline” for my way of thinking and perceiving fear, which is what many people, fictional characters included, tend to mix up.

You don’t need to adopt the same mantra, of course, but I believe that having this Ground 0 in your own personal philosophy will add further depth and characterization in writing. It provides a deeper perspective on why your characters think the same or why they may deviate.

Distinction Between Events and Perceptions

Let’s go back to what Epictetus said: “People are not disturbed by things, but by the view they take of them.” Stoicism teaches that events themselves are neutral; it is our interpretation of those events that shapes our emotional responses. This concept is often referred to as “cognitive appraisal” or “judgment” in Stoic philosophy.

In practical terms, this means that two individuals may encounter the same external circumstance, yet react to it in vastly different ways based on their subjective interpretations. For example, consider a person who loses their job unexpectedly. While one individual may perceive this event as a devastating blow to their self-worth and security, another may view it as an opportunity for growth and new possibilities. The event itself—the loss of a job—remains the same, but the emotional response varies depending on the individual's perception of the situation.

Epictetus’s insight invites us to reflect on the role of our perceptions in shaping our emotional experiences. It suggests that our judgments, beliefs, and attitudes about the events we encounter play a crucial role in determining how we feel and behave in response to those events. By recognizing this distinction between events and perceptions, individuals can gain greater agency over their emotional lives.

Moreover, understanding this distinction empowers individuals to practice what Epictetus called the “dichotomy of control”—the Stoic principle of focusing only on what is within our power to control, namely our thoughts, attitudes, and responses, rather than becoming consumed by external circumstances beyond our control. By directing our attention inward and cultivating a mindset of resilience and rationality, we can navigate life's challenges with greater equanimity and inner peace.

Applying this to character development, particularly in relation to crafting a character’s fears, can add depth and complexity to the character.

Understanding the Character’s Perception of Fearful Events:

Explore how the character interprets and perceives the events or situations that evoke fear. What underlying beliefs, past experiences, or personal values shape their perception of these events?

Consider whether the character’s fear is rooted in the objective reality of the situation or in their subjective interpretation of it. For example, is their fear based on genuine physical danger, or is it driven by irrational beliefs or past traumas?

Revealing Character Traits and Beliefs:

A character’s response to fear can provide insight into their personality, values, and beliefs. For instance, do they confront their fears head-on with courage and resilience, or do they succumb to anxiety and avoidance?

Consider how the character’s fear reflects broader themes or conflicts in the story. For example, does their fear stem from a desire for control, a fear of vulnerability, or a struggle with existential questions?

External Manifestations of Fear:

Consider how the character’s perception of fear manifests in their actions, behaviors, and interactions with others. Do they exhibit outward signs of fear, such as trembling or avoidance, or do they mask their fears behind a facade of bravado?

Pay attention to how the character’s response to fear influences their relationships with other characters. For example, do they push others away in an attempt to protect themselves, or do they seek support and connection during times of fear and uncertainty?

Symbolism and Subtext:

Use the character’s fears as a vehicle for exploring deeper themes and subtext within the story. What do their fears symbolize in terms of larger narrative themes or character arcs?

Consider how the character’s perception of fear parallels or contrasts with other characters in the story, providing opportunities for reflection and exploration of different perspectives.

“Personal Truths” Are Not Necessarily Lawful

No matter how much a character is afraid of something, there is a line to be drawn on how valid that fear is when justifying a character’s actions and self-proclaimed motives. A person can say that they are afraid of someone else and that they are acting to protect others, but does that truly evade them from the law? In other words, a Villain can be completely convinced that what they are doing is noble and right, or that it stems from their own trauma, but, at the end of the day, they’re a murderous liar.

For example, in George Orwell's allegorical novel Animal Farm, Napoleon is a Berkshire boar who emerges as one of the leaders of the animal revolution against the human farmer, Mr. Jones. Initially, Napoleon is portrayed as a strategic thinker and persuasive speaker, working alongside Snowball, another pig, to rally the other animals and establish the principles of Animalism, which advocate for equality and freedom from human oppression.

As the story progresses, Napoleon’s character undergoes a transformation fueled by his ambitions for power and control.

Napoleon’s fear of losing control over the farm drives many of his actions. He becomes increasingly paranoid about potential threats to his authority, particularly from Snowball, whom he views as a rival. This fear prompts him to manipulate and eliminate anyone who opposes him, including orchestrating the expulsion of Snowball from the farm and later falsely accusing him of being a traitor.

He also utilizes propaganda and manipulation to maintain his grip on power. He gradually assumes control over the farm’s decision-making processes, consolidating power in his own hands and using fear tactics to suppress dissent among the other animals. For example, he employs the threat of the mysterious “Jones” returning to instill fear and obedience among the animals.

Napoleon’s lust for power leads him to betray the principles of Animalism that he once espoused. He progressively becomes more authoritarian and exploitative, engaging in corrupt practices such as trading with humans and altering the Seven Commandments to justify his actions. Despite initially advocating for equality, Napoleon begins to live a life of luxury while the other animals toil and suffer.

As his regime becomes more entrenched, he resorts to violence and oppression to maintain control. He establishes a reign of terror, using his loyal enforcers, the ferocious dogs he raised since they were puppies, to suppress dissent and punish any animal perceived as disloyal. Under his rule, the farm descends into a state of fear and tyranny, with Napoleon ruling with an iron fist.

Napoleon’s character serves as a symbol of totalitarianism and the corrupting influence of power. His transformation from a revolutionary leader to a despotic dictator mirrors the rise of real-life totalitarian rulers who exploit fear and propaganda to consolidate power and suppress dissent. There is not one moment of self-reflection, of him questioning that, perhaps, his fears are unfounded or his “personal truths” are not true at all.

Playing With Reality

Now, how can you utilize fear in order to create a character with as much depth and reflection (or lack thereof) like Napoleon?

Exaggerating a character’s fear involves manipulating elements of reality within the narrative to heighten the character’s sense of paranoia, insecurity, and authoritarianism.

Distorted Perceptions: Employ literary devices such as unreliable narration or distorted perspectives to amplify the character’s fears. By presenting events through the lens of the character’s paranoia, the narrative can create a sense of heightened tension and uncertainty. For example, descriptions of seemingly innocuous occurrences may be exaggerated or imbued with sinister undertones to reflect the character’s heightened state of fear.

Symbolism and Imagery: Symbolic imagery can be used to represent the character’s fears in a heightened and exaggerated manner. For instance, recurring symbols of oppression, surveillance, or impending doom can serve as visual metaphors for the character’s anxieties and insecurities. These symbols can be woven throughout the narrative to reinforce the character’s sense of paranoia and isolation.

Surreal Elements: Introducing surreal or fantastical elements into the narrative can create a sense of disorientation and unease, effectively amplifying the character's fear. By blurring the boundaries between reality and fantasy, the author can evoke a sense of psychological instability and existential dread. Surreal imagery, dream sequences, or hallucinatory experiences can all contribute to the character’s sense of dislocation and terror.

Manipulation of Time and Space: Playing with the conventions of time and space can further exaggerate the character’s fear and disorientation. Flashbacks, flash-forwards, or nonlinear storytelling techniques can create a sense of temporal dislocation, mirroring the character’s fractured mental state. Similarly, disorienting shifts in perspective or setting can contribute to the character's sense of being trapped or pursued by unseen forces.

Atmospheric Detailing: Careful attention to atmospheric detail can help to create a sense of oppressive dread and foreboding. Descriptions of the environment—such as gloomy weather, claustrophobic settings, or unsettling ambient sounds—can evoke a palpable sense of unease, intensifying the character's fear and paranoia.

Character Interaction and Dialogue: Dialogue and interaction with other characters can be used to reinforce the character’s fears and insecurities. Conversations may be laced with veiled threats, double entendres, or gaslighting tactics, leaving the character uncertain of whom to trust. Manipulative or menacing exchanges can heighten the character's sense of isolation and vulnerability.

Did anyone else get a little uneasy imagining all of that? I’d go rather mad if I had all of that happening to me, too. Now, what about the good guys? They are afraid of things, too, right?

Of course they are, and you can utilize the above methods for your heroes, as well! There might just be a little bit of extra work involved in ensuring that they don’t spiral into the villain role.

Establish Strong Moral Compass: From the outset, establish the hero’s core values and moral compass. Make it clear what principles guide their actions and decisions. This foundation will serve as a guiding light, helping to anchor the character and prevent them from straying into villainous territory.

Empathy and Compassion: Ensure that the hero retains their empathy and compassion towards others, even in the face of fear and adversity. By prioritizing the well-being of others and demonstrating empathy towards those in need, the hero reaffirms their commitment to noble ideals and reinforces their heroic identity.

Positive Support Systems: Surround the hero with positive support systems, including allies, mentors, and friends who can offer guidance, encouragement, and moral support. These relationships serve as anchors, providing the hero with strength and stability during moments of doubt and fear.

Consequences of Actions: Highlight the consequences of the hero’s actions and choices, emphasizing the impact they have on others and the world around them. By holding the hero accountable for their decisions and their effects, the narrative reinforces the importance of ethical behavior and reinforces their heroic identity.

Redemption and Forgiveness: If the hero does succumb to fear or makes mistakes along the way, provide opportunities for redemption and forgiveness. Allow the hero to acknowledge their faults, learn from their experiences, and strive to make amends. This narrative arc reinforces the hero’s humanity and resilience, emphasizing the possibility of growth and redemption.

Thematic Resonance: Ensure that the hero’s journey is thematically consistent and resonant, emphasizing themes of hope, courage, and resilience. By grounding the narrative in these overarching themes, the hero’s actions remain aligned with their fundamental nature, reinforcing their heroic identity and preventing them from veering into villainous territory.

Conclusion

Fear is a powerful and universal human experience that can shape both individuals and characters in profound ways. Drawing upon Stoic philosophy, particularly the concepts of “amor fati” and the distinction between events and perceptions, can provide valuable insights into understanding and managing fear. By exploring how characters perceive and respond to fear, writers can create nuanced and compelling portrayals that add depth and complexity to their stories.

“Amor fati,” or love of fate, encourages individuals to embrace and accept all aspects of their lives, including the uncertainties and challenges that provoke fear. By adopting an attitude of gratitude and acceptance towards fate, characters can navigate fear with resilience and courage, transforming adversity into opportunities for growth and self-discovery.

Furthermore, understanding the distinction between events and perceptions allows writers to delve into the subjective nature of fear, exploring how characters’ interpretations and judgments shape their emotional experiences. By depicting characters’ fears as rooted in their perceptions of reality, writers can add layers of complexity to their motivations and behaviors, enhancing the depth and authenticity of their characterization.

While fear can drive characters to make choices that lead them down dark paths, it is ultimately their moral compass, empathy, and support systems that determine whether they remain heroes or succumb to villainy. By emphasizing themes of redemption, forgiveness, and growth, writers can ensure that even in the face of fear, their characters' journeys ultimately lead to strength, resilience, and self-discovery.

[aiqbalauthor]

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[siobhanmuirromance]

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[steamatfive]

How half my characters are created