#australian western

[sinclair-enterprises]

The scene from The Proposition (2005) that stayed with me the most.

[ulkaralakbarova]

American Matt Quigley answers Australian land baron Elliott Marston’s ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston’s real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can’t keep Quigley safe in his cat-and-mouse game with the homicidal Marston. Credits: TheMovieDb. Film Cast: Matthew Quigley: Tom Selleck Crazy Cora: Laura San Giacomo Elliott Marston: Alan Rickman Major Ashley-Pitt: Chris Haywood Grimmelman: Ron Haddrick Dobkin: Tony Bonner Coogan: Jerome Ehlers Hobb: Conor McDermottroe Brophy: Roger Ward O’Flynn: Ben Mendelsohn Kunkurra: Steve Dodd Slattern: Karen Davitt Slattern: Kylie Foster Reilly: William Zappa Sergeant Thomas: Jonathan Sweet Deserter: Michael Carman Tout: Jon Ewing Miller: Tim Hughes Mullion: David Slingsby Mitchell: Danny Adcock Cavanagh: Maeliosa Stafford Carver: Ollie Hall Mrs. Grimmelman: Evelyn Krape Bugler: Mark Pennell Ticket Seller: Don Bridges Kajubi: Gnarnayarrahe Waitairie Aborigine: Bruce Burrngu Burrngu Startled Man: Fred Welsh Startled Man: Ian Lind Bushman: James Wright Bushman: Bruce Knappett Elderly Woman: Joanie Thomas Elderly Man: Vic Gordon French Canadian: David Le Page Little Bit: Cory Tjapaltjarri Bullocky: Allan Bradford Bullocky: Graham Young Klaus Grimmelman: Eamonn Kelly Deserter: Greg Stuart Tribal Elder: Billy Stockman Oliver: Brian Ellison Paddy: Mark Minchinton Cliff: Guy Norris Whitey: Gerald Egan Hayden: Spike Cherrie Scotty: Jim Willoughby Smythe: Danny Baldwin Film Crew: Original Music Composer: Basil Poledouris Producer: Stanley O’Toole Screenplay: John Hill Director: Simon Wincer Producer: Alexandra Rose Director of Photography: David Eggby Editor: Peter Burgess Set Decoration: Brian Edmonds Production Design: Ross Major Art Direction: Ian Gracie Set Decoration: Brian Dusting Stunts: Spike Cherrie Stunt Coordinator: Guy Norris Second Unit Director of Photography: Ross Berryman Focus Puller: Derry Field Steadicam Operator: Harry Panagiotidis Clapper Loader: Adrien Seffrin Still Photographer: Barry Peake Stunts: Linda Megier Stunts: Rocky McDonald Stunts: Johnny Raaen Continuity: Judy Whitehead Stunts: Lloyd Ventry Movie Reviews: John Chard: Matthew Quigley: Sharps Shooter. Quigley Down Under is directed by Simon Wincer and written by John Hill. It stars Tom Selleck, Laura San Giacomo and Alan Rickman. Music is by Basil Poledouris and cinematography by David Eggby. Plot sees Selleck as Matthew Quigley, a Wyoming cowboy and sharp shooting rifleman who answers an advertisement to go to Western Australia as a hired sharp shooter. If proving his worth, he’s to work for Elliot Marston (Rickman), but when Marston outlines his sick reasons for hiring Quigley, the pair quickly become on a collision course that can only see one of them survive. It was written in the 1970s by John Hill, where it was hoped that Steve McQueen would take on the lead role, but with McQueen falling ill and Clint Eastwood allegedly passed over, the project sat on ice until 1990. In came Selleck and the film finally got made. Just about making back its money at the box office, Wincer’s movie deserved far better than that. It’s competition in the Western stakes in 1990 were Costner’s beautiful and elegiac Dances With Wolves and the Brat Pack bravado of Young Guns II, both vastly different films from each other, and both considerably different from Quigley Down Under. If those two films contributed to the average response to the Selleck picture? I’m not completely sure, but viewing it now one tends to think that the 1990 audience just wasn’t ready for such a delightfully old fashioned Oater, one that features a straight and simple narrative to tell its tale. It’s safe to say that anyone after deep psychological aspects will not get that here. There’s some serious themes in the story, such as the horrid genocide towards Aborigines, while the deft kicks at the British are fair enough even to a British guy such as myself. But in the main this is old time Western fare, ...

[jp-hunsecker]

High Ground demonstrates an appreciation and respect for Aboriginal Australians not seen since Nicholas Roeg's 1971's Walkabout.

[branchflowerphoto]

leucopogon polymorphus | west australian wildflower

from a standing position this looks like a pretty average, small, boring shrub, until I pointed a macro lens at it and... stars and furry petals! I feel like I discovered a secret

[beyondtheadobe]

[miamaimania]

Echoes of the Dreamtime 🌀: Tingari's mystical topography in black and white

[3liza]

I'm glad western streamers have been gettinto indie games from Russia and Asia, especially horror games since horror is such a communicative genre and says so much about cultural mores, but I wish these cavalier white dudes would have a little more curiosity about the foundations of the imagery and neuroses the games are communicating with. whenever I see or play games from outside my home culture I'm always desperately curious about what I'm MISSING as a white American and it's always so satisfying and educational when I am able to have it explained to me or if I can look it up, even though I know I can only perceive it as an outsider. just stuff I'm ignorant about, like for some recent examples I can remember, stuff like Buddhist funeral objects or symbolism, Japanese vowel order, Russian Orthodox convent history, apartment layouts and community organization in Soviet housing blocs, uhhh let's see what else. candle and food symbolism around death and traditional forms of ghosts in the Philippines. customs and uses of, and gender issues around, communal bath houses in rural Japan. that kind of thing. i really really miss the few years where you really could type any of those topics into the Google search bar and usually get some kind of factual information written by humans. it's not impossible to look stuff up anymore but I can't express how easy it used to be.

[peninsulaisms]

and you said, "hey, do you wanna see the west with me? 'cause love's out there and i can't leave it be"

[skydarcyedwards]

During a brutal Bunuru (Noongar - second summer), a cafe created a little oasis for the wildlife. This quenda (southern brown bandicoot) appreciated it.

Sky Edwards

2024

Canon R7

Canon 100-400 L IS USM

[nuytsia]

Kodjet - Hakea laurina

[hoiist]

Know an Australian? Send this too them! Know someone who's spent time in Australia and has an opinion? Send this to them too! We can start a fight

[inatungulates]

Australian snubfin dolphin Orcaella heinsohni

Observed by pimelea, CC BY-NC

[brick-van-dyke]

So, I've been doing some thinking. This could either be a meaningless little ramble that no one will care about, or something seen as really dangerous and putting a target on my back.

So, what if we, those most weary of the far right created an international group of activists in light of the US election? See, the thing is that Donald Trump and Elon Musk are very dangerous, but they are also very incompetent and could lead the government down a path that weakens it. It could create a very unique opportunity to address the far right problem and the US Imperialist system itself in one go. Or maybe I'm being overly ambitious.

This group I have in mind would have several purposes, such as keeping communities safe and protecting people from the harm the far right would do in the name of winning the election. Or, most importantly of all, connecting activists from all over the world and allowing us to dismantle the system as a concrete and united movement. Maybe it's just me being naive and hopeful, but maybe it's also something we've all wanted deep down but been too afraid to initialise? If so, maybe this is a sign to really stand up and start trying to make those connections.

[circumvision]

Steve Cox, ‘High Noon’, 2024.

[branchflowerphoto]

morning iris

western australian wildflower

[beyondtheadobe]