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architectnews · 3 years

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The Dezeen guide to stone in architecture, interiors and design

Thinking of using stone in your project? Our latest Dezeen guide includes 15 popular types of natural rock used in architecture, interiors and design with links to hundreds of examples to inspire your own work.

Alabaster

Alabaster is a soft, fine-grained stone that has been used for centuries to carve elaborate forms and ornaments. However, its solubility in water means that it is best suited for indoor use.

In its pure form, alabaster is white and translucent, which makes it ideally suited to lighting design.

Studio Tack used tubular light shades made from alabaster to softly illuminate a cosy Japanese restaurant in New York (above), while lighting studio Allied Maker used the stone to create ornate totemic floor lamps.

Amarist Studio showcased the sculptural possibilities of the stone in its Aqua Fossil collection, which includes a coffee table with swooping, curved legs.

See projects featuring alabaster ›

Basalt

Basalt is a dark-coloured igneous rock that is formed when lava cools rapidly. It is most frequently used as an aggregate for concrete as it is low-cost and high-strength, but it is also a popular cladding and flooring material, especially when polished.

Examples of this include the facade of a small gallery in Amsterdam by Barend Koolhaas and a Hawaiian holiday home by Walker Warner Architects in which slender basalt cladding tiles are contrasted with cedar detailing (above).

Icelandic studio Innriinnri used two sculpted slabs of basalt stone to create a sculptural table that doubles as a stool or a piece of art, while South Korean artist Byung Hoon Choi polished the stone to create oversized outdoor furniture.

See projects featuring basalt ›

Flint

Flint is a highly durable stone found in abundance as irregular-shaped nodules in sedimentary rocks such as chalk. It has been used as a construction material since the Roman era, though it is not often seen in contemporary architecture.

Flint varies in colour, but it is commonly glassy black with a white crust. In architecture, it is usually knapped – split to expose its glossy inner face – before being laid in mortar.

Skene Catling de la Peña used a combination of knapped and unknapped flint to cover a wedge-shaped house in Buckinghamshire (above), which creates a subtle colour gradient across its facade.

See projects featuring flint ›

Gneiss

Gneiss, a robust metamorphic stone composed of alternating layers of different coloured minerals, is popular to use for flooring and worktops. Hues can range from pinks and golds to greens and dark greys.

Peter Pichler sourced grey gneiss with black-and-white bands from Passeier Valley in South Tyrol to create a large counter in the bar of an Italian Alpine hotel (above).

It can also be used as a cladding material, such as in Bernardo Bader Architekten's ski resort office in Austria and a radio broadcasting station in Nepal by Archium.

Granite

Granite is one of the most widely used stones in architecture and design. It forms from the slow crystallisation of magma beneath the Earth's crust. It is used for everything from load-bearing structures to cladding, worktops and furniture.

Its popularity is down to its high compressive strength, durability and low porosity. Granite is also found in an array of colours, making it suitable for a range of spaces and styles.

Heatherwick Studio recently used green granite to make a trio of its sculptural Spun chairs (above), while Snøhetta has used a grey variety to cover almost every surface of an Aesop store to emulate a rocky coastline.

Architecture studio NOARQ tested the material's strength by elevating a cabin on thick blocks of granite over the entrance to a stone villa in Portugal.

See projects featuring granite ›

Laterite

Rusty-red laterite stone is formed from the leaching of rocks and soil during alternating periods of high temperature and heavy rainfall in tropical areas. This process leaves behind a high concentration of insoluble iron oxides, which gives the rock its colour.

Laterite is typically used in construction in Africa and Asia in the form of bricks, which have excellent thermal mass and a low embodied energy. These bricks are made by cutting the rock out from below the water table when it is moist and leaving it to harden in the air.

Architect Francis Kéré used locally sourced laterite to build the walls of a school in Burkina Faso and Studio Lotus has used it to create the pedestal of a government building in India (above).

Limestone

There are many different types of limestone, a sedimentary rock composed mainly of calcium carbonate. It is considered a good all-round building material as it is easy to cut and carve and usually has a uniform texture and colour.

Popular limestone varieties include travertine (see below) and Portland stone, which is used on notable buildings in London such as St Paul's Cathedral and Buckingham Palace.

David Chipperfield Architects recently used limestone to clad the Kunsthaus Zurich museum extension in Switzerland and John Pawson used it to line the surfaces of a minimalist flagship store in Japan for fashion label Jil Sander.

Design projects that utilise limestone include a blocky furniture collection called Dig Where You Stand by students from the Estonian Academy of Arts (above).

See projects featuring limestone ›

Marble

Marble is a metamorphic rock with veins of calcite crystal. It forms from limestone that has been exposed to heat and pressure and is found in many colours. Marble is strong but easily carved and polishes well, making it suitable for numerous applications.

It is most popularly used in kitchen and bathroom designs, but it is often used as cladding too, such as in Alexander Owen Architecture's garden room in London (above).

See projects featuring marble ›

Onyx

Onyx is a translucent gemstone composed of parallel bands of quartz, found in almost every colour. It has a long history of use in sculpture and jewellery but is less commonly found in architecture and design. However, onyx is sometimes used as a facing or lighting.

Projects that use onyx include a mausoleum in Minneapolis by HGA and an office by Anne Claus Interiors where it has been used to clad a multi-coloured bar (above).

See projects featuring onyx ›

Porphyry

Porphyry is a strong and hard-wearing igneous stone that comes in reddish-brown to purple hues. It is composed of large-grained crystals embedded in a fine-grained groundmass.

It has been used in architecture and design since antiquity, though it is rarely seen in contemporary architecture and design. Today it is mostly used as aggregate in the construction of roads in places where cars require studded winter tires.

Pedevilla Architects used a block of porphyry as a kitchen island for a cookery school in South Tyrol, while architect Claudio Silvestrin used it to line the walls of a Milanese fashion boutique.

Quartzite

Formed from sandstone exposed to high heat and pressure, quartzite is a very hard and durable metamorphic rock. It is usually found in white and grey shades.

Quartzite is a popular material for kitchen countertops as it is resistant to staining, but is most commonly used as a decorative cladding or flooring.

Examples of this include a dwelling in Utah by Klima Architecture, Peter Zumthor's Therme Vals spa (above) and a monolithic Parisian library by Agence Pascale Guédot.

See projects featuring quartzite ›

Sandstone

Sandstone is composed of fine silicate grains that have eroded from other rocks, giving it either a warm red, yellow or orange colouration.

Used for construction since prehistoric times, sandstone continues to be a popular choice in architecture and design as it is abundant, durable and easy to handle.

Recent architectural projects that use the material include a cathedral extension by Feilden Fowles, a museum by Álvaro Siza, and an oval-shaped all-girls school in India (above) that is designed to blend into its desert surroundings.

See projects featuring sandstone ›

Shale

This grey fine-grained stone is one of the most common sedimentary rocks on earth. It is formed from the compaction of silt and mud into thin, fissile layers. In architecture and design, shale is usually crushed and processed into bricks, tiles and pottery, or heated with limestone to make cement.

Aketuri Architektai used shale tiles to clad a pointy woodland house in Lithuania (above), while Spaceworkers wrapped the stone around the basement of a Portuguese house to provide it with a raw, rugged aesthetic.

See projects featuring shale ›

Slate

Slate is a dark fine-grained stone that is formed when a sedimentary rock, such as shale, is subjected to high pressure. It is a foliated rock, meaning it is made up of thin sedimentary layers, which allows it to be split – or riven – into thin slabs.

Slate is durable and weather- and frost-resistant, making it a popular material choice for cladding, roofing and paving.

In interior projects, the material is often also used as floor tiles, hearths and kitchen worktops. Natalie Weinmann sanded and polished the stone to create a blocky furniture collection.

TRIAS used it to clad a small writer's retreat in a Welsh valley while Austin Maynard Architects diamond, scalloped and brick-shaped slate shingles to cover a Melbourne house (above).

See projects featuring slate ›

Travertine

One of the most commonly used forms of limestone is travertine, which has been sourced from mineral springs for use as a building material for centuries. The largest building in the world made from this stone is the Colosseum in Rome.

Today, travertine is mostly processed into tiles for internal and external surface coverings, but it is also a popular material for bathroom fit-outs. As it is found with troughs on its surface, processing travertine usually involves polishing its surface.

Projects that use travertine include an extension to a German museum by Bez + Kock Architekten (above), an apartment renovation in Lithuania by 2XJ, and a furniture collection by David/Nicolas.

See projects featuring travertine ›

Recent popular stone projects on Dezeen include an inconspicuous house on the island of Serifos, a monolithic spa by Smartvoll, a collection of luxury lodges on England's Jurassic Coast and a coffee table by Studio Twenty Seven.

The main image is of Rajkumari Ratnavati Girls' School by Diana Kellogg Architects taken by Vinay Panjwani.

The post The Dezeen guide to stone in architecture, interiors and design appeared first on Dezeen.

#Architecture – Dezeen

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karingudino · 4 years

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Modern guesthouse tower adds space, views to lakeside cabin

The grasp retreat-makers at Andersson Wise Architects are at it once more. After constructing such dream getaways as this modern Montana cabin and the lake home with cordwood walls, the Austin-based agency has added an beautiful sleeping tower to the location of a trip residence overlooking Austin’s Lake Travis. Tower Home was initially conceived as an addition to the homeowners’ Nineteen Thirties summer season residence, however the architects opted for an alternate.

“Our shoppers got here to us with the request to broaden the cabin with an extra two bedrooms with baths and bigger residing space for bigger teams to assemble in,” Andersson-Sensible instructed Dezeen. “Fairly than add onto the outdated cabin, we selected as an alternative to open it up inside and web site the brand new bed room quarters remotely on the location.”

The silvery three-story tower is clad in stained massaranduba wooden and accommodates a small lobby, staircase, two bedrooms with en suite loos, and a coated roof deck with a moist bar and expansive views of the lake beneath. The inside is paneled with mild birch plywood and naturally ventilated by the association of the big nook window and open stairway.

Exterior, a limestone-covered terrace connects the unique cabin to the sleeping quarters.

Through: Dezeen

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source https://fikiss.net/modern-guesthouse-tower-adds-space-views-to-lakeside-cabin/ Modern guesthouse tower adds space, views to lakeside cabin published first on https://fikiss.net/ from Karin Gudino https://karingudino.blogspot.com/2021/02/modern-guesthouse-tower-adds-space.html

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delhi-architect2 · 4 years

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Journal - Ancient Modernism: 7 Stunning Contemporary Projects Crafted from Stone

Architizer’s A+Awards, the world’s largest awards program for architecture and building products, has a special theme this year — “The Future of Architecture” is aimed at unearthing the most forward-thinking projects around the globe, with a particular focus on architecture that responds to the most urgent issues of our time. The A+Awards is open for entries now, so be sure your firm submits its best projects to be in the running for global recognition this year:

Enter the 8th Annual A+Awards

When considering which materials might shape the future of architecture, one could be forgiven for bypassing stone as a likely candidate. However, this ancient material has experienced a renaissance in recent years, with new and innovative applications cropping up around the world. Thanks to its timeless aesthetic, top structural properties, and ability to be cut and processed in endless ways, stone could yet form the foundation for the future of construction.

For a glimpse at what architects can achieve with stone today — and to imagine what’s to come — explore the following A+Award-winning projects, each of which showcase new construction techniques and applications of stone over the last ten years.

Butaro Doctors’ Housing by MASS Design Group, Butaro, Rwanda 2014 Jury Choice Award

MASS worked with the Daniel E. Ponton Fund at Brigham and Women’s Hospital, Partners In Health, and the Rwanda Ministry of Health to create serene housing to draw and retain quality doctors. The influx of physicians has cultivated an exchange in new medical expertise, creating a collaborative teaching environment amongst local and foreign professionals who now live and teach together on site. Beyond medical knowledge, the housing was also used as an educational opportunity to develop new construction and craft skills. MASS set up a compressed stabilized earth block (CSEB) fabrication and training workshop on site.

Grand Hyatt Playa Del Carmen Hotel by Sordo Madaleno Arquitectos, Playa del Carmen, Mexico 2016 A+ Popular Choice Award, Architecture +Stone

As one of the fastest-growing tourist destinations in the Mexican Caribbean, the Hotel Grand Hyatt Playa del Carmen is located within a protected mangrove area and near 5th Avenue. Combining the local environment and culture in a modern setting on an irregular site that slopes down to the sea, the hotel features views along a 140-meter beachfront. A series of studies of distribution, land use and protection of the natural area led to the development of an architectural program divided into three blocks.

Gadsby’s Tavern Ice Well by BELL Architects, Alexandria, VA, United States 2016 A+ Jury Choice Award, Architecture +Stone

Gadsby’s Tavern Ice Well is architecturally significant as one of the few remaining urban ice wells and an important part of Alexandria’s commercial and social history. The sidewalk area was altered to provide views into the well in the 1970’s as part of Bicentennial celebrations. This project focused on preservation of the ice well and tavern building, creating an integrated outdoor exhibit, while addressing structural, storm water, deterioration and public safety concerns of the 1970s alterations.

Stone Ribbon by Aamodt / Plumb Architects, Austin, TX, United States 2017 A+ Jury Choice Award, Architecture +Stone

Designed as a cladding system for a residence in Austin, Texas, the stone ribbon seeks to root the home in its context through material presence. A complex and changing aesthetic effect was created through the simple repetition of two types of blocks in an irregular pattern. The appearance of the facades of the house change throughout the day as the sun creates continuously shifting shadow patterns. The cladding was made from locally sourced Leuders Limestone and recalls the striated layers of limestone outcroppings common in the area.

Chetian Cultural Center by West-line Studio, Guiyang, China 2018 A+ Popular Choice Award, Architecture +Stone

The cultural center is located in the rural Chetian Village (车田村), 30km from Guiyang, the capital of Guizhou province, in South-West China. The village has more than 400 years of history and is famous for its ‘stone houses’ built with local materials. The architecture of the cultural center is strongly characterized by 40cm thick walls, built according to the local traditional methods, using the stone coming from the village’s pit. The strong presence of the stone creates an intimate interior space and was selected to respect the historical masonry traditions of Chetian Village.

Temple in Stone and Light by SpaceMatters, Barmer, India 2018 A+ Jury Choice Award, Architecture +Stone

The project was an opportunity to explore and establish contemporary interpretations of traditional typologies and building techniques. Located in the culturally rich area of Rajasthan, the contextual response to the region’s architecture rendered a design which sought to push the boundaries of modern temple architecture without compromising on the symbolic aspects of temple design. The decision to use stone masonry was an attempt to pay homage to the region’s building style and yet provide novelty in a temple of that region.

Longs Peak Privies by Colorado Building Workshop / University of Colorado Denver 2019 A+ Jury Choice Award, Architecture +Stone

Long’s Peak, the tallest and most iconic mountain in Rocky Mountain National Park, has become one of the most frequented 14ers in the State of Colorado. To deal with human waste on the trail, the National Park Service (NPS) installed their first backcountry toilets in 1983. Determined to find a better privy design, and a more humane solution of collecting waste, NPS collaborated with Colorado Building Workshop to re-design and construct four new backcountry privies.

Got an amazing stone project of your own completed in the last 3 years? Submit it for a 2020 A+Award to be in the running for international publication by Phaidon, huge online exposure and the iconic A+Awards trophy!

Enter the 8th Annual A+Awards

The post Ancient Modernism: 7 Stunning Contemporary Projects Crafted from Stone appeared first on Journal.

from Journal https://architizer.com/blog/inspiration/collections/stone-award-winners/ Originally published on ARCHITIZER RSS Feed: https://architizer.com/blog

#Journal #architect #architecture #architects #architectural #design #designer #designers #building #buildings

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mastcomm · 5 years

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A Childhood Crush, Updated for the 21st Century

Even as a child, Joe Malina admired the midcentury-modern house down the street.

His family lived in Austin, Texas, a few doors away from the home, a long, low composition of wood and glass with a gently pitched roof, perched on a limestone base at the top of a steep slope.

But in the 1990s, his thoughts shifted away from his old neighborhood as he moved to Portland, Ore., where he pursued a career as a digital colorist for films and commercials and met his wife, Marianne. It wasn’t until the couple relocated to Austin in 1999 and had a son, Milo, now 12, that the house became a source of fascination again.

“My parents still lived in their house, which had a pool,” said Mr. Malina, 50. His sisters also lived nearby.

“Pretty much every summer afternoon we’d come with our kids and swim,” he said. “We’d drive by this house on the way home and think, ‘That’s a cool house.’”

So when it was listed for sale in 2013, the Malinas immediately set up a showing.

“When you walk in the front door, you just see this wall of windows looking out into trees, and it’s one of the most peaceful, amazingly therapeutic experiences,” said Ms. Malina, 49, the president of the advertising agency GSD&M. “Everything about this house, at inception, was perfect.”

Of course, much had happened to it since it was designed in 1956 by the architecture firm Fehr and Granger. An ungainly addition had been tacked on for an expansive new master suite, the wood paneling had been painted and wallpapered over, the original windows had been replaced and the whole place had a vaguely musty smell.

None of that deterred the Malinas, who bought it that May for $839,000, with plans to renovate.

Rather than immediately breaking out the crowbars, however, they decided to move in first, to get a better sense of the house. They also enjoyed the liberty of living with interior finishes they knew would eventually be torn out.

“Milo was young, and it was so great because he could do whatever he wanted,” Ms. Malina said, whether it was spilling paint in the kitchen or letting the bathtub overflow to transform it into a fishing pond.

After interviewing a number of designers, they found an intellectual match in Nick Deaver, a local architect who was just as interested in preserving the best elements of the house as they were.

“The challenge was that the house is a great example of the architecture of its day, so any moves we made would be set against not harming that which was already there,” Mr. Deaver said.

As the design work progressed, the Malinas realized how much they enjoyed the intimate spaces and proximity to nature that Fehr and Granger had planned in the 1950s — and how much they disliked the master suite addition. So they asked Mr. Deaver to get rid of the addition and return the house to its original footprint.

“We dispensed with that idea of needing some grand master suite,” Mr. Malina said. “The idea of a midcentury-modern house is that the bedrooms aren’t that big because you don’t spend that much time in them. It’s really about being in the communal living spaces.”

Mr. Deaver was pleasantly surprised. “In my more than 20 years of experience,” he said, “very seldom have people come to me and said, ‘I want less.’ They appreciated how a midcentury house could be inspiring and uplifting but, at the same time, could be at the scale of the people inside it.”

That isn’t to say that the goal of the project was to do an exacting restoration of the original 2,680-square-foot design. Although the Malinas and Mr. Deaver sought to retain the overall spirit of the home, they introduced extensive changes to cater to 21st-century living, including opening and expanding the tiny galley kitchen, installing an open staircase made of thick plywood, replacing and repositioning windows, and adding a fresh palette of light oak millwork in place of dark mahogany paneling.

Outside, they clad the house in vertical cedar siding that will weather over time. In the backyard — previously little more than a neglected hill — they added a cantilevered pool, deck and screened cabana.

The Malinas moved out in September 2016 to allow the contractor, Wilmington-Gordon, to begin construction. Two years later, after the renovation was completed at a cost of about $290 a square foot, they moved back in, confident that their home was now true to the original design and also reflected their own personalities.

Restoring and remaking the house with Mr. Deaver, Ms. Malina said, may have been the couple’s most rewarding project yet.

“We put a lot of creative energy into all kinds of things, whether Joe’s working on a film or I’m building a brand,” she said. “But when you actually get to create a physical space, it’s just a totally different experience.”

For weekly email updates on residential real estate news, sign up here. Follow us on Twitter: @nytrealestate.

from WordPress https://mastcomm.com/a-childhood-crush-updated-for-the-21st-century/

#Life style

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connorrenwick · 6 years

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Miró Rivera Architects Designs the Sustainable Hill Country House

Miró Rivera Architects recently completed Hill Country House, a sustainable residence located in Central Texas. The angular home was designed as a prototype show house for a rural sustainable community to show the possibilities of a self-sustaining home in the country. The homeowners, who set a modest budget, dubbed it “The Sanctuary” as it’s designed to “bring people together and find spiritual renewal in a responsible, sustainable setting.”

The design gives a modern spin to a farmhouse featuring irregular roof lines and contrasting exterior materials while resting on a relaxing Texas Hill Country meadow. The exterior is clad in corrugated metal panels with locally-sourced cypress for a warm, yet modern look. A limestone chimney gives nod to an existing structure on the 47-acre property that’s made of dry-stacked local stone.

White walls give the interior a clean, minimalist feel with pecan floors warming things up with their beautiful grain. A central spine connects the series of volumes that make up the home with the private living spaces at opposite ends.

The tranquil meditation room resides in a corner of the house boasting floor-to-ceiling windows to take in the view.

A plethora of windows ensures the interior is filled with natural light while framing the green landscape outside.

The kitchen continues the theme of contrasts with sleek white cabinetry paired with black soapstone countertops.

Hill Country House earned a 4-star rating from Austin Energy Green Building, benefitting from an 8-kiloWatt solar array that provides 80% of the home’s yearly usage. A 5-ton geothermal system takes care of heating and cooling and a 30,000 gallon rainwater collection system supplies 200 gallons of water per day, which is enough for four adults living there full-time.

The porch benefits from a 30-foot peak making it an ideal spot to entertain.

Photography by Paul Finkel | Piston Design.

via http://design-milk.com/

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juliandmouton30 · 7 years

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Andersson-Wise's Tower House provides cabin with extra lakefront accommodation

US firm Andersson-Wise has created a tall silvery building containing bedrooms near a waterside holiday home in Austin, so that the owners can invite more guests to stay.

Tower House perches atop a hill overlooking Lake Travis, one of Austin's man-made lakes created by the Marshall Ford Dam across Texas' Colorado River. The building is a free-standing addition to a 1930s summer cabin, constructed from local limestone.

"When we first saw it, it was a simple building with one large room, a little sleeping room, kitchen and a porch facing the water," said Andersson-Wise. "Our clients came to us with the request to expand the cabin with an additional two bedrooms with baths and larger living area for larger groups to gather in."

"Rather than add onto the old cabin, we chose instead to open it up inside and site the new bedroom quarters remotely on the site," the local studio added.

The residence mostly contains bedrooms, and is clad in massaranduba wood that is stained to an almost reflective silver-grey finish.

A stairway re-orients itself on each floor, and is open to nature by acting as a buffer between the interior rooms and exterior siding.

The ground and first floors have the same layouts with a bedroom and en-suite bathroom off a small, interior foyer.

On the second storey is a shaded deck, with a wet bar and panoramic views of the lake.

The residence was built without air-conditioning, but the stairway and large corner windows control most of the airflow.

Birch plywood covered the inside walls, with medium-stained timber lining the floor.

Tower House is barely visible from the thicket of local oak and cedar trees, but it can be seen poking above the foliage from the lake.

Andersson-Wise was founded in 2001 by architects Arthur W Andersson and F Christian Wise. The firm has since also completed two boat houses in Austin, one designed to be off-grid and another constructed from salvaged materials, as well as a cordwood cabin with a grassy roof in Montana.

Desai Chia's Michigan Lake House features a roof that cantilevers over a patio

The post Andersson-Wise's Tower House provides cabin with extra lakefront accommodation appeared first on Dezeen.

from ifttt-furniture https://www.dezeen.com/2017/09/22/andersson-wise-tower-house-provides-cabin-extra-lakefront-accommodation-architecture/

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jeniferdlanceau · 7 years

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Gabled home in Austin by Dick Clark + Associates references surrounding properties

Texas architecture firm Dick Clarke + Associates has completed a home in the state's capital Austin, modifying a half-built spec house to suit the new owners' needs.

The Palma Plaza Spec residence is located in the Clarksville neighbourhood, west of the city's downtown area. The surrounding homes are mostly pre-war bungalows built in the American Craftsman style.

"The home on Palma Plaza takes design cues from the neighbourhood and interprets them in modern materials," explained the firm, founded in 1979.

To match the area's palette, the architects chose materials such as cut limestone and stucco finishes.

The property occupies most of its deep, narrow lot. Despite these constraints, the architects included several outdoor spaces. "Three pocket yards on the sides and back of the property open up the house and connect it with the outdoors."

Visitors enter through the centre of the longitudinal structure, through a front stoop lined with wooden panels. On either side of the main corridor, the architects laid out the garage as well as a study that looks out onto the street.

This leads to an open-concept kitchen, living and dining room that occupies the central part of the ground floor. Three short steps lead down from the corridor into this space, giving it a unique presence within the home.

Two distinct patios are accessible from the residence's main social space. The back of the home has a partially covered deck that leads to the garden beyond, and the dining table is located next to a smaller outdoor space on the side of the home.

The master suite includes its own en-suite bathroom and walk-in closet and sits at the same level as the back patio, so the owners enjoy a secondary access to the outdoor space directly from their bedroom.

A partial upper floor contains two additional bedrooms that are separated by a landing, which doubles as an informal living space.

The architects describe the design process as a collaboration between themselves, the clients, and the builders. "[The clients] were able to collaborate on the interior finishes, reflecting their own personalities," said the firm.

"The home was built in partnership with Vinson Radke Homes, the second partnership between the firms, reflecting their shared eye for detail and emphasis on design," they added.

Gabled roofs covered in black metal cladding characterise the geometry of the home, and are not only intended to harmonise with surrounding properties. According to the architects, the angled surfaces also maximise natural light within the home.

Other homes in Texas include a home in Austin with an expansive double-height atrium and a home designed for a couple with conflicting aesthetic interests.

Photography is by Paul Bardagjy.

Gable wall conceals double-height atrium in Austin home by Design Hound

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from RSSMix.com Mix ID 8217598 https://www.dezeen.com/2017/05/06/palma-plaza-spec-gabled-home-austin-dick-clark-associates/

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architectnews · 3 years

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Lantern House, Austin Texas

Lantern House, Texas Real Estate, Austin Pool Design Project, Texas Property, USA Interior Architecture Images

Lantern House in Austin

Oct 12, 2021

Design: Dick Clark + Associates

Location: Austin, Texas, USA

Lantern House

The Lantern House sits on the perfect balance between being nestled into the hillside and rising above it. Designed as two levels for a local entrepreneur and family, the very linear “L” shape is able to spread the main spaces of the house out more evenly across the site in the direction of the topography.

This allows the view to take precedence in almost every room, while also not sacrificing any functionality of the home. The resulting design steps the house back as it moves up the hill, using the landscape to activate the architecture and for nature to be experienced from each floor in a different way.

The simplicity of the horizontal rooflines are only broken by the stair volume where the large site-glazed corner window creates an eminence that serves as a “beacon guiding you home”; hence giving the house its name.

The project’s materials palette is centralized around the limestone lueders where the exterior cladding also comes through the house reimagined as other versions of the same stone; the exterior walls (chopped), the interior stone floor (honed), the exterior patio deck (brushed), and the walls in certain areas (polished). By doing this, the stone takes on a new identity as you move through the house.

A wonderfully methodical design that is edited down for the simplicity of modern luxury living.

Lantern House in Austin, Texas – Building Information

Architecture: Dick Clark + Associates

Project size: 7471 ft2 Completion date: 2020

Photography: Jake Holt

Lantern House, Austin Texas images/information received 121021

Location: Austin, Texas, United States of America

Texas Architecture

Texan Architectural Designs – selection:

Reimagined Adobe house blends minimalism with Texas charm, East Austin Design: Side Angle Side, Architects photo : Casey Dunn Reimagined Adobe house in East Austin, TX

Hexagon View Cabin, west bank of Austin, Texas Design: LaRue Architects photograph : Dror Baldinger Hexagon View Cabin at Lake Austin

Honest Mary’s, Austin, Texas Architecture: Chioco Design picture : Chase Daniel Honest Mary’s Restaurant in Austin

Filtered Frame Dock, Austin Design: Matt Fajkus Architecture photography : Charles Davis Smith; MF Architecture Filtered Frame Dock in Austin, TX

Dallas Buildings

Website: Austin, Texas

Architecture in the USA

American Houses

Winspear Opera House, Dallas Design: Foster + Partners, architects Texan Opera House

Comments / photos for the Lantern House Design by Clayton Korte page welcome

The post Lantern House, Austin Texas appeared first on e-architect.

#e-architect

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architectnews · 3 years

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The Dezeen guide to stone in architecture, interiors and design

Alabaster

Alabaster is a soft, fine-grained stone that has been used for centuries to carve elaborate forms and ornaments. However, its solubility in water means that it is best suited for indoor use.

In its pure form, alabaster is white and translucent, which makes it ideally suited to lighting design.

Amarist Studio showcased the sculptural possibilities of the stone in its Aqua Fossil collection, which includes a coffee table with swooping, curved legs.

See projects featuring alabaster ›

Basalt

See projects featuring basalt ›

Flint

Flint varies in colour, but it is commonly glassy black with a white crust. In architecture, it is usually knapped – split to expose its glossy inner face – before being laid in mortar.

Skene Catling de la Peña used a combination of knapped and unknapped flint to cover a wedge-shaped house in Buckinghamshire (above), which creates a subtle colour gradient across its facade.

See projects featuring flint ›

Gneiss

Peter Pichler sourced grey gneiss with black-and-white bands from Passeier Valley in South Tyrol to create a large counter in the bar of an Italian Alpine hotel (above).

It can also be used as a cladding material, such as in Bernardo Bader Architekten's ski resort office in Austria and a radio broadcasting station in Nepal by Archium.

Granite

Its popularity is down to its high compressive strength, durability and low porosity. Granite is also found in an array of colours, making it suitable for a range of spaces and styles.

Architecture studio NOARQ tested the material's strength by elevating a cabin on thick blocks of granite over the entrance to a stone villa in Portugal.

See projects featuring granite ›

Laterite

Architect Francis Kéré used locally sourced laterite to build the walls of a school in Burkina Faso and Studio Lotus has used it to create the pedestal of a government building in India (above).

Limestone

Popular limestone varieties include travertine (see below) and Portland stone, which is used on notable buildings in London such as St Paul's Cathedral and Buckingham Palace.

Design projects that utilise limestone include a blocky furniture collection called Dig Where You Stand by students from the Estonian Academy of Arts (above).

See projects featuring limestone ›

Marble

It is most popularly used in kitchen and bathroom designs, but it is often used as cladding too, such as in Alexander Owen Architecture's garden room in London (above).

See projects featuring marble ›

Onyx

Projects that use onyx include a mausoleum in Minneapolis by HGA and an office by Anne Claus Interiors where it has been used to clad a multi-coloured bar (above).

See projects featuring onyx ›

Porphyry

Porphyry is a strong and hard-wearing igneous stone that comes in reddish-brown to purple hues. It is composed of large-grained crystals embedded in a fine-grained groundmass.

Pedevilla Architects used a block of porphyry as a kitchen island for a cookery school in South Tyrol, while architect Claudio Silvestrin used it to line the walls of a Milanese fashion boutique.

Quartzite

Formed from sandstone exposed to high heat and pressure, quartzite is a very hard and durable metamorphic rock. It is usually found in white and grey shades.

Quartzite is a popular material for kitchen countertops as it is resistant to staining, but is most commonly used as a decorative cladding or flooring.

Examples of this include a dwelling in Utah by Klima Architecture, Peter Zumthor's Therme Vals spa (above) and a monolithic Parisian library by Agence Pascale Guédot.

See projects featuring quartzite ›

Sandstone

Sandstone is composed of fine silicate grains that have eroded from other rocks, giving it either a warm red, yellow or orange colouration.

Used for construction since prehistoric times, sandstone continues to be a popular choice in architecture and design as it is abundant, durable and easy to handle.

See projects featuring sandstone ›

Shale

See projects featuring shale ›

Slate

Slate is durable and weather- and frost-resistant, making it a popular material choice for cladding, roofing and paving.

In interior projects, the material is often also used as floor tiles, hearths and kitchen worktops. Natalie Weinmann sanded and polished the stone to create a blocky furniture collection.

TRIAS used it to clad a small writer's retreat in a Welsh valley while Austin Maynard Architects diamond, scalloped and brick-shaped slate shingles to cover a Melbourne house (above).

See projects featuring slate ›

Travertine

Projects that use travertine include an extension to a German museum by Bez + Kock Architekten (above), an apartment renovation in Lithuania by 2XJ, and a furniture collection by David/Nicolas.

See projects featuring travertine ›

The main image is of Rajkumari Ratnavati Girls' School by Diana Kellogg Architects taken by Vinay Panjwani.

The post The Dezeen guide to stone in architecture, interiors and design appeared first on Dezeen.

#Architecture – Dezeen

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architectnews · 3 years

Text

The Dezeen guide to stone in architecture, interiors and design

Alabaster

Alabaster is a soft, fine-grained stone that has been used for centuries to carve elaborate forms and ornaments. However, its solubility in water means that it is best suited for indoor use.

In its pure form, alabaster is white and translucent, which makes it ideally suited to lighting design.

Amarist Studio showcased the sculptural possibilities of the stone in its Aqua Fossil collection, which includes a coffee table with swooping, curved legs.

See projects featuring alabaster ›

Basalt

See projects featuring basalt ›

Flint

Flint varies in colour, but it is commonly glassy black with a white crust. In architecture, it is usually knapped – split to expose its glossy inner face – before being laid in mortar.

Skene Catling de la Peña used a combination of knapped and unknapped flint to cover a wedge-shaped house in Buckinghamshire (above), which creates a subtle colour gradient across its facade.

See projects featuring flint ›

Gneiss

Peter Pichler sourced grey gneiss with black-and-white bands from Passeier Valley in South Tyrol to create a large counter in the bar of an Italian Alpine hotel (above).

It can also be used as a cladding material, such as in Bernardo Bader Architekten's ski resort office in Austria and a radio broadcasting station in Nepal by Archium.

Granite

Its popularity is down to its high compressive strength, durability and low porosity. Granite is also found in an array of colours, making it suitable for a range of spaces and styles.

Architecture studio NOARQ tested the material's strength by elevating a cabin on thick blocks of granite over the entrance to a stone villa in Portugal.

See projects featuring granite ›

Laterite

Architect Francis Kéré used locally sourced laterite to build the walls of a school in Burkina Faso and Studio Lotus has used it to create the pedestal of a government building in India (above).

Limestone

Popular limestone varieties include travertine (see below) and Portland stone, which is used on notable buildings in London such as St Paul's Cathedral and Buckingham Palace.

Design projects that utilise limestone include a blocky furniture collection called Dig Where You Stand by students from the Estonian Academy of Arts (above).

See projects featuring limestone ›

Marble

It is most popularly used in kitchen and bathroom designs, but it is often used as cladding too, such as in Alexander Owen Architecture's garden room in London (above).

See projects featuring marble ›

Onyx

Projects that use onyx include a mausoleum in Minneapolis by HGA and an office by Anne Claus Interiors where it has been used to clad a multi-coloured bar (above).

See projects featuring onyx ›

Porphyry

Porphyry is a strong and hard-wearing igneous stone that comes in reddish-brown to purple hues. It is composed of large-grained crystals embedded in a fine-grained groundmass.

Pedevilla Architects used a block of porphyry as a kitchen island for a cookery school in South Tyrol, while architect Claudio Silvestrin used it to line the walls of a Milanese fashion boutique.

Quartzite

Formed from sandstone exposed to high heat and pressure, quartzite is a very hard and durable metamorphic rock. It is usually found in white and grey shades.

Quartzite is a popular material for kitchen countertops as it is resistant to staining, but is most commonly used as a decorative cladding or flooring.

Examples of this include a dwelling in Utah by Klima Architecture, Peter Zumthor's Therme Vals spa (above) and a monolithic Parisian library by Agence Pascale Guédot.

See projects featuring quartzite ›

Sandstone

Sandstone is composed of fine silicate grains that have eroded from other rocks, giving it either a warm red, yellow or orange colouration.

Used for construction since prehistoric times, sandstone continues to be a popular choice in architecture and design as it is abundant, durable and easy to handle.

See projects featuring sandstone ›

Shale

See projects featuring shale ›

Slate

Slate is durable and weather- and frost-resistant, making it a popular material choice for cladding, roofing and paving.

In interior projects, the material is often also used as floor tiles, hearths and kitchen worktops. Natalie Weinmann sanded and polished the stone to create a blocky furniture collection.

TRIAS used it to clad a small writer's retreat in a Welsh valley while Austin Maynard Architects diamond, scalloped and brick-shaped slate shingles to cover a Melbourne house (above).

See projects featuring slate ›

Travertine

Projects that use travertine include an extension to a German museum by Bez + Kock Architekten (above), an apartment renovation in Lithuania by 2XJ, and a furniture collection by David/Nicolas.

See projects featuring travertine ›

The main image is of Rajkumari Ratnavati Girls' School by Diana Kellogg Architects taken by Vinay Panjwani.

The post The Dezeen guide to stone in architecture, interiors and design appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Ten design-led wineries and tasting pavilions from across the United States and Canada

From a cave-like wine tasting room dug into a Texan hillside to a British Columbia winery clad in weathering steel, here are ten wineries with impressive architecture from across the US and Canada.

Ashes & Diamonds in Napa, California, by Bestor Architecture

The design of this Napa winery takes its cues from mid-century modernism, with a zig-zag roof covering an outdoor eating area next to a larger wine warehouse.

"There are nods to Albert Frey in the portholes and Donald Wexler's folded plate roofs of the mid-century Palm Springs postcard fantasy," said Bestor Architects.

Find out more about Ashes & Diamonds ›

COR Cellars in Lyle, Washington, by goCstudio

Seattle-based architecture studio goCstudio designed this winery in rural Washington with a sheltered central courtyard that protects visitors from the wind.

Black-stained cedar clads the exteriors, and a monolithic grey chimney rises from the roof, serving a contemporary open fireplace inside.

Find out more about COR Cellars ›

House of Flowers in Healdsburg, California, by Walker Warner Architects

Walker Warner Architects transformed an existing warehouse into a tasting room for the Flowers Vineyard & Winery.

The dark exterior facade is clad with panels of redwood, stained darker to help the building blend into the shade beneath the trees, while the interiors feature light cypress panelling. Low walls of rammed earth and board-marked concrete divide up the outdoor spaces.

Find out more about House of Flowers ›

Law Winery in Paso Robles, California, by BAR Architects

BAR Architects matched the colour palette of this winery between Los Angeles and San Francisco to the surrounding landscape, with walls of rust-coloured Corten steel and sandy-hued concrete.

Large sloped roofs shade the winemaking and tasting spaces below, and channel rainwater into an underground tank to be used to irrigate the land around it.

Find out more about Law Winery ›

Martin's Lane Winery in Kelowna, British Columbia, by Olson Kundig Architects

Nestled into a sloping hillside in the Okanagan Valley, this winery by Seattle-based practice Olson Kundig Architects was designed for a brand that uses the pull of gravity to help produce its signature pinot noir.

Its facade is clad in corrugated weathering steel and a split between an angled and a flat roof lets natural light enter the interiors, which feature walls of board-lined concrete.

Find out more about Martin's Lane Winery ›

Silver Oak Cellar in Healdsburg, California, by Piechota Architecture

Piechota Architecture wrapped the gabled forms of this winery in 100-year-old redwood tanks salvaged from a neighbouring winery. The stairs are made from old wine barrels, complete with lingering red wine stains.

"The shape of the exterior references the dominant barn form in the area – here reduced to its simplest clarity," said the San Francisco-based firm.

Find out more about Silver Oak Cellar ›

Quintessa Pavilions in Napa Valley, California, by Walker Warner Architects

The glass walls of these pavilions by Walker Warner Architects open to the outdoors so visitors can spill out onto a terrace overlooking the Napa Valley during their tasting sessions.

Board-marked concrete walls and dark steel define the structures, which are topped by a flat roof.

Find out more about Quintessa Pavilions ›

Furioso Vineyards in Dundee, Oregon, by Waechter Architecture

A 1970s vineyard in Oregon wine country has been revamped and extended, with its structures unified by a screen made of slim cedar batons.

"At night, the screen takes on an ethereal, translucent character as interior illumination backlights the vertical cedar ribs," said Waechter Architecture.

Find out more about Furioso Vineyards ›

L'Angolo Estate in Yamhill County, Oregon, by Lever Architecture

Portland studio Lever Architecture designed this tasting room for a family-run winery in Oregon. Overhanging roofs top a minimalist cedar-and-glass structure.

"Inspired by the broad-canopied native Oregon oak trees that populate the valley, two cantilevered roof structures interlock at the point of arrival to the tasting room," said the studio.

Find out more about L'Angolo Estate ›

Hill Country Wine Cave in Austin, Texas, by Clayton Korte

San Antonio architecture studio Clayton Korte build this wine cave into a tunnel carved into the limestone hills of a ranch outside of Austin.

Board-marked concrete forms a line that will eventually be overtaken by moss, and its cosy wood-lined interiors are visible through a large glass wall.

Find out more about Hill Country Wine Cave ›

The post Ten design-led wineries and tasting pavilions from across the United States and Canada appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Ten design-led wineries and tasting pavilions from across the United States and Canada

From a cave-like wine tasting room dug into a Texan hillside to a British Columbia winery clad in weathering steel, here are ten wineries with impressive architecture from across the US and Canada.

Ashes & Diamonds in Napa, California, by Bestor Architecture

The design of this Napa winery takes its cues from mid-century modernism, with a zig-zag roof covering an outdoor eating area next to a larger wine warehouse.

"There are nods to Albert Frey in the portholes and Donald Wexler's folded plate roofs of the mid-century Palm Springs postcard fantasy," said Bestor Architects.

Find out more about Ashes & Diamonds ›

COR Cellars in Lyle, Washington, by goCstudio

Seattle-based architecture studio goCstudio designed this winery in rural Washington with a sheltered central courtyard that protects visitors from the wind.

Black-stained cedar clads the exteriors, and a monolithic grey chimney rises from the roof, serving a contemporary open fireplace inside.

Find out more about COR Cellars ›

House of Flowers in Healdsburg, California, by Walker Warner Architects

Walker Warner Architects transformed an existing warehouse into a tasting room for the Flowers Vineyard & Winery.

Find out more about House of Flowers ›

Law Winery in Paso Robles, California, by BAR Architects

BAR Architects matched the colour palette of this winery between Los Angeles and San Francisco to the surrounding landscape, with walls of rust-coloured Corten steel and sandy-hued concrete.

Large sloped roofs shade the winemaking and tasting spaces below, and channel rainwater into an underground tank to be used to irrigate the land around it.

Find out more about Law Winery ›

Martin's Lane Winery in Kelowna, British Columbia, by Olson Kundig Architects

Its facade is clad in corrugated weathering steel and a split between an angled and a flat roof lets natural light enter the interiors, which feature walls of board-lined concrete.

Find out more about Martin's Lane Winery ›

Silver Oak Cellar in Healdsburg, California, by Piechota Architecture

"The shape of the exterior references the dominant barn form in the area – here reduced to its simplest clarity," said the San Francisco-based firm.

Find out more about Silver Oak Cellar ›

Quintessa Pavilions in Napa Valley, California, by Walker Warner Architects

The glass walls of these pavilions by Walker Warner Architects open to the outdoors so visitors can spill out onto a terrace overlooking the Napa Valley during their tasting sessions.

Board-marked concrete walls and dark steel define the structures, which are topped by a flat roof.

Find out more about Quintessa Pavilions ›

Furioso Vineyards in Dundee, Oregon, by Waechter Architecture

A 1970s vineyard in Oregon wine country has been revamped and extended, with its structures unified by a screen made of slim cedar batons.

"At night, the screen takes on an ethereal, translucent character as interior illumination backlights the vertical cedar ribs," said Waechter Architecture.

Find out more about Furioso Vineyards ›

L'Angolo Estate in Yamhill County, Oregon, by Lever Architecture

Portland studio Lever Architecture designed this tasting room for a family-run winery in Oregon. Overhanging roofs top a minimalist cedar-and-glass structure.

"Inspired by the broad-canopied native Oregon oak trees that populate the valley, two cantilevered roof structures interlock at the point of arrival to the tasting room," said the studio.

Find out more about L'Angolo Estate ›

Hill Country Wine Cave in Austin, Texas, by Clayton Korte

San Antonio architecture studio Clayton Korte build this wine cave into a tunnel carved into the limestone hills of a ranch outside of Austin.

Board-marked concrete forms a line that will eventually be overtaken by moss, and its cosy wood-lined interiors are visible through a large glass wall.

Find out more about Hill Country Wine Cave ›

The post Ten design-led wineries and tasting pavilions from across the United States and Canada appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Ten design-led wineries and tasting pavilions from across the United States and Canada

From a cave-like wine tasting room dug into a Texan hillside to a British Columbia winery clad in weathering steel, here are ten wineries with impressive architecture from across the US and Canada.

Ashes & Diamonds in Napa, California, by Bestor Architecture

The design of this Napa winery takes its cues from mid-century modernism, with a zig-zag roof covering an outdoor eating area next to a larger wine warehouse.

"There are nods to Albert Frey in the portholes and Donald Wexler's folded plate roofs of the mid-century Palm Springs postcard fantasy," said Bestor Architects.

Find out more about Ashes & Diamonds ›

COR Cellars in Lyle, Washington, by goCstudio

Seattle-based architecture studio goCstudio designed this winery in rural Washington with a sheltered central courtyard that protects visitors from the wind.

Black-stained cedar clads the exteriors, and a monolithic grey chimney rises from the roof, serving a contemporary open fireplace inside.

Find out more about COR Cellars ›

House of Flowers in Healdsburg, California, by Walker Warner Architects

Walker Warner Architects transformed an existing warehouse into a tasting room for the Flowers Vineyard & Winery.

Find out more about House of Flowers ›

Law Winery in Paso Robles, California, by BAR Architects

BAR Architects matched the colour palette of this winery between Los Angeles and San Francisco to the surrounding landscape, with walls of rust-coloured Corten steel and sandy-hued concrete.

Large sloped roofs shade the winemaking and tasting spaces below, and channel rainwater into an underground tank to be used to irrigate the land around it.

Find out more about Law Winery ›

Martin's Lane Winery in Kelowna, British Columbia, by Olson Kundig Architects

Its facade is clad in corrugated weathering steel and a split between an angled and a flat roof lets natural light enter the interiors, which feature walls of board-lined concrete.

Find out more about Martin's Lane Winery ›

Silver Oak Cellar in Healdsburg, California, by Piechota Architecture

"The shape of the exterior references the dominant barn form in the area – here reduced to its simplest clarity," said the San Francisco-based firm.

Find out more about Silver Oak Cellar ›

Quintessa Pavilions in Napa Valley, California, by Walker Warner Architects

The glass walls of these pavilions by Walker Warner Architects open to the outdoors so visitors can spill out onto a terrace overlooking the Napa Valley during their tasting sessions.

Board-marked concrete walls and dark steel define the structures, which are topped by a flat roof.

Find out more about Quintessa Pavilions ›

Furioso Vineyards in Dundee, Oregon, by Waechter Architecture

A 1970s vineyard in Oregon wine country has been revamped and extended, with its structures unified by a screen made of slim cedar batons.

"At night, the screen takes on an ethereal, translucent character as interior illumination backlights the vertical cedar ribs," said Waechter Architecture.

Find out more about Furioso Vineyards ›

L'Angolo Estate in Yamhill County, Oregon, by Lever Architecture

Portland studio Lever Architecture designed this tasting room for a family-run winery in Oregon. Overhanging roofs top a minimalist cedar-and-glass structure.

"Inspired by the broad-canopied native Oregon oak trees that populate the valley, two cantilevered roof structures interlock at the point of arrival to the tasting room," said the studio.

Find out more about L'Angolo Estate ›

Hill Country Wine Cave in Austin, Texas, by Clayton Korte

San Antonio architecture studio Clayton Korte build this wine cave into a tunnel carved into the limestone hills of a ranch outside of Austin.

Board-marked concrete forms a line that will eventually be overtaken by moss, and its cosy wood-lined interiors are visible through a large glass wall.

Find out more about Hill Country Wine Cave ›

The post Ten design-led wineries and tasting pavilions from across the United States and Canada appeared first on Dezeen.

#Architecture – Dezeen

0 notes

architectnews · 3 years

Text

Ten design-led wineries and tasting pavilions from across the United States and Canada

From a cave-like wine tasting room dug into a Texan hillside to a British Columbia winery clad in weathering steel, here are ten wineries with impressive architecture from across the US and Canada.

Ashes & Diamonds in Napa, California, by Bestor Architecture

The design of this Napa winery takes its cues from mid-century modernism, with a zig-zag roof covering an outdoor eating area next to a larger wine warehouse.

"There are nods to Albert Frey in the portholes and Donald Wexler's folded plate roofs of the mid-century Palm Springs postcard fantasy," said Bestor Architects.

Find out more about Ashes & Diamonds ›

COR Cellars in Lyle, Washington, by goCstudio

Seattle-based architecture studio goCstudio designed this winery in rural Washington with a sheltered central courtyard that protects visitors from the wind.

Black-stained cedar clads the exteriors, and a monolithic grey chimney rises from the roof, serving a contemporary open fireplace inside.

Find out more about COR Cellars ›

House of Flowers in Healdsburg, California, by Walker Warner Architects

Walker Warner Architects transformed an existing warehouse into a tasting room for the Flowers Vineyard & Winery.

Find out more about House of Flowers ›

Law Winery in Paso Robles, California, by BAR Architects

BAR Architects matched the colour palette of this winery between Los Angeles and San Francisco to the surrounding landscape, with walls of rust-coloured Corten steel and sandy-hued concrete.

Large sloped roofs shade the winemaking and tasting spaces below, and channel rainwater into an underground tank to be used to irrigate the land around it.

Find out more about Law Winery ›

Martin's Lane Winery in Kelowna, British Columbia, by Olson Kundig Architects

Its facade is clad in corrugated weathering steel and a split between an angled and a flat roof lets natural light enter the interiors, which feature walls of board-lined concrete.

Find out more about Martin's Lane Winery ›

Silver Oak Cellar in Healdsburg, California, by Piechota Architecture

"The shape of the exterior references the dominant barn form in the area – here reduced to its simplest clarity," said the San Francisco-based firm.

Find out more about Silver Oak Cellar ›

Quintessa Pavilions in Napa Valley, California, by Walker Warner Architects

The glass walls of these pavilions by Walker Warner Architects open to the outdoors so visitors can spill out onto a terrace overlooking the Napa Valley during their tasting sessions.

Board-marked concrete walls and dark steel define the structures, which are topped by a flat roof.

Find out more about Quintessa Pavilions ›

Furioso Vineyards in Dundee, Oregon, by Waechter Architecture

A 1970s vineyard in Oregon wine country has been revamped and extended, with its structures unified by a screen made of slim cedar batons.

"At night, the screen takes on an ethereal, translucent character as interior illumination backlights the vertical cedar ribs," said Waechter Architecture.

Find out more about Furioso Vineyards ›

L'Angolo Estate in Yamhill County, Oregon, by Lever Architecture

Portland studio Lever Architecture designed this tasting room for a family-run winery in Oregon. Overhanging roofs top a minimalist cedar-and-glass structure.

"Inspired by the broad-canopied native Oregon oak trees that populate the valley, two cantilevered roof structures interlock at the point of arrival to the tasting room," said the studio.

Find out more about L'Angolo Estate ›

Hill Country Wine Cave in Austin, Texas, by Clayton Korte

San Antonio architecture studio Clayton Korte build this wine cave into a tunnel carved into the limestone hills of a ranch outside of Austin.

Board-marked concrete forms a line that will eventually be overtaken by moss, and its cosy wood-lined interiors are visible through a large glass wall.

Find out more about Hill Country Wine Cave ›

The post Ten design-led wineries and tasting pavilions from across the United States and Canada appeared first on Dezeen.

#Architecture – Dezeen

0 notes